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Spirit of Africa
FULL SCORE Spirit of Africa For Soprano Soloist, SATB Choir and Chamber Orchestra Photo: David Fanshawe, East Africa Music: Liz Lane Words: Jennifer Henderson Spirit of Africa Programme note Spirit of Africa is written as a companion piece to David Fanshawe’s African Sanctus and is inspired by the colours and symbolic meanings of the flags of Egypt, Sudan, Uganda and Kenya, the countries visited by David during his travels recording music for African Sanctus in 1969-1973. The words and music of the five movements trace a journey through the day, with the colour white for daybreak mist, green for morning freshness, red for midday heat, gold for sunset and black for night; each with its own mood and character, hopes and fears. Spirit of Africa is dedicated to David and his wife Jane. Liz Lane and Jennifer Henderson, May 2012 www.lizlane.co.uk 1. Promise of daybreak veiled in the early mist, hidden in shadows that cling to the night; Earth turning slowly toward a new journey into the morning, unknown, beyond sight. Birdsong dispelling the silence of waiting, lifting the darkness with wings taking flight; spray from the waterfall showering diamonds, carving the rock face with ribbons of white. Sweet is the air in the breath of the morning, spirit of purity, radiant light! 2. Dance, my friends, dance with the Earth, dance with the spring time of the year’s rebirth; dance with the sunshine, dance with the breeze, dance with the butterflies, dance with the bees. Sing, my friends, sing with the hills, sing with the river the rain cloud fills; sing with the green grass, sing with the trees, sing with the birds and the fish in the seas. -
AFRICAN SANCTUS Für Sopran, Chor, Instrumentalensemble Und Tonband Yvonne Friedli • Ölberg-Chor • Ingo Schulz Livemitschnitt Vom 19
David Fanshawe (*1942) AFRICAN SANCTUS für Sopran, Chor, Instrumentalensemble und Tonband Yvonne Friedli • Ölberg-Chor • Ingo Schulz www.emmaus.de Livemitschnitt vom 19. u. 20.5.2006, Emmaus-Kirche, Berlin-Kreuzberg „One World, one Music“ David Fanshawe (*1942): African Sanctus für Sopran, Chor, Instrumentalensemble und Tonband David Fanshawe ist Komponist, Forscher, Musikethnologe, Fotograf und Autor. Er hat zahlreiche internationale Auszeichnungen erhalten. Begonnen hat seine Karriere mit der Filmmontage, später dann wandte er sich am Royal College of Music mit John Lambert dem Studium der Komposition zu. 1970 fand er internationale Anerkennung mit Salaams, einem Werk, das auf Rhythmen der Perlenfischer von Bahrain aufbaut. Andere Konzertstücke: Fantasy on Dover Castle, Requiem for the Children of Aberfan, The Awakening, Dona Nobis Pacem. Neben Gesangsstücken hat er auch die Filmmusik für über 30 Filme und TV-Produktionen komponiert. Eine geglückte Mischung aus Musik und Reisen prägt seine sehr eigenen Werke. Seiner 10 Jahre dauernden Odyssee durch die Inseln des Pazifischen Ozeans verdanken wir unzählige Filme, Dias und handgeschriebene Hefte, die uns die Musik und mündlich überlieferten Traditionen Polynesiens, Mikronesiens und Melanesiens vermitteln. Heute lebt er in Wiltshire / Großbritannien................................ African Sanctus ist eine unorthodoxe Fassung der lateinischen Messe, in Einklang gebracht mit traditioneller afrikanischer Musik, die der Komponist auf seinen Nilreisen (1969-1973) aufgenommen hat. David Fanshawe reiste 1960 das erste Mal nach Afrika. Ihn bewegte die Idee, ein großes Werk zu komponieren, das seine Liebe zum Reisen, zum Abenteuer und zur Tonbanddokumentation vereinen sollte..................... In Kairo, auf dem Hügel der Zitadelle stehend und über den Nil blickend, hatte er zum ersten Mal die Vorstellung einer ungewöhnlichen Kombination von westlicher Chormusik mit dem Gebetsruf des islamischen Muezzin. -
Official Publication of the Kentucky Music Educators Association Vol
OFFICIAL PUBLICATION OF THE KENTUCKY MUSIC EDUCATORS ASSOCIATION Vol. 65, No. 2 WINTER 2014 QuaverCurrAd_KY_KMEA_Fall13.pdf 1 7/3/13 2:48 PM Introducing… Quaver’s Marvelous General Music Curriculum Grades K-5 C M Y CM MY CY CMY K Check it out at QuaverCurriculum.com 1-866-917-3633 • [email protected] • Facebook.com/QuaverMusic • QuaverMusicBlog.com ©2013 QuaverMusic.com, LLC QuaverCurrAd_KY_KMEA_Fall13.pdf 1 7/3/13 2:48 PM Volume 65 Number 2 Winter 2014 Introducing… Official Publication of the Kentucky Music Educators Association, a state unit of NAfME: The National Association for Music Education Quaver’s Marvelous Editorial Board: Robert Amchin (Chair), Bradley Almquist, Sara Francis General Music Curriculum Grades K-5 CONTENTS Messages From KMEA 3 President’s Message ..........................Debbie Kidd 5 Editor’s Message........................ George R. Boulden 7 Executive Director’s Message .................. John Stroube Feature Articles 10 Guiding Musical Creativity in a Test Driven Culture ....Scott Harris 16 Let Us Never Give Up on Our Students ........... Colette Jones 18 Five Strategies for Teaching Students with Disabilities in Band/Orchestra . Chris Lapka C 22 Preparing String Students for College Auditions...J. Patrick Rafferty M News and Information Y 24 Two schools represent Kentucky at NAfME National Honor Choir 25 UK Jazz Ensemble to perform at Midwest Clinic CM 26 2013–2014 District Awards MY 30 Salute to 2013 KMEA Marching Band Championships CY 33 2014 Professional Development Conference Photo by David Greenlee CMY Adair County High School put on a colorful show -Preregistration Forms and Information K on the way to winning second place class 3A at the -Guest Conductors 2013 KMEA Marching Band Championships. -
Wolf & Rissmiller
Tea'" Year of PubUcatlea Volume 30, Number Z8 pc San Diego Wednesday, March 16, 1977 "thiS is Peter Frampton reminding you to pick up your copy of the official Wolf & Rissmiller Concert Guide ... don't buy tickets without it." "KLOS in coordination with Steve Wolf and Jim Rissmiller announce the return of Pink Floyd ... " Without any stretch of the imagination, the firm of Wolf & Rissmiller is known in most of the households of Southern California. Be it radio an- Wolf & Rissmiller: Concert Promoters ExtraoldiDaire nouncements for their shows or their Concert Guide, or by the ads they place in most newspapers, this best known of Southern California's rock promotional firms has made its . presence known. But how did this organization come to be? The story, as it turns out, evolves along with the entire spectrum of rock music. The middle '60s saw very little activity in the realm of rock concert promotions. It was, to say the least, a vast and mostly untapped resource. But the arrival of the Beatles in Los Angeles in 1965 seemed to change all that. Steve Wolf, who started out in show business at the Universal Studios mailroom, along with Bob Ewbanks, best known as "The Newlywed Game" emcee, made good use of a golden ee.tlllaed _ hie % ........... .,. W~.I."",,,,,,,,,,,,, ..... Wedaesday, March II, 1t77 I rhuill i " "'s Page 3 ·ssmillel... Rainbow and Unicorn art, film deal a nd nature stage tween acts ammounClIl1 upcomlOg Olt. l!L becomes even smaller. For us it's a volume Dusiness, Rissmiller concerts. Vallon, the son of a ForeIgn C4-th zd fnm Pal. -
2588Booklet.Pdf
ENGLISH P. 2 DEUTSCH S. 8 MUSIC FROM THAILAND AND LAOS SOUTHEAST ASIA – RECORDINGS BY DAVID FANSHAWE DAVID FANSHAWE David Fanshawe was a composer, ethnic sound recordist, guest speaker, photographer, TV personality, and a Churchill Fellow. He was born in 1942 in Devon, England and was educated at St. George’s Choir School and Stowe, after which he joined a documentary film company. In 1965 he won a Foundation Scholarship to the Royal College of Music in London. His ambition to record indigenous folk music began in the Middle East in 1966, and was intensified on subsequent journeys through North and East Africa (1969 – 75) resulting in his unique and highly original blend of Music and Travel. His work has been the subject of BBC TV documentaries including: African Sanctus, Arabian Fantasy, Musical Mariner (National Geographic) and Tropical Beat. Compositions include his acclaimed choral work African Sanctus; also Dona nobis pacem – A Hymn for World Peace, Sea Images, Dover Castle, The Awakening, Serenata, Fanfare to Planet Earth / Millennium March. He has also scored many film and TV productions including Rank’s Tarka the Otter, BBC’s When the Boat Comes In and ITV’s Flambards. Since 1978, his ten years of research in the Pacific have resulted in a monumental archive, documenting the music and oral traditions of Polynesia, Micronesia and Melanesia. David has three children, Alexander and Rebecca with his first wife Judith; and Rachel with his second wife Jane. David was awarded an Honorary Degree of Doctor of Music from the University of the West of England (UWE) in 2009. -
Richard Dashwood
University of Huddersfield Repository Dashwood, Richard Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music Original Citation Dashwood, Richard (2011) Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/12899/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ COMPOSING WITH ANTHROPOLOGY: THE MANIFESTATION OF INFLUENCE IN INTERACTIONS BETWEEN WESTERN AND NON-WESTERN MUSIC RICHARD DASHWOOD A thesis submitted to the University of Huddersfield In partial fulfilment of the requirements for the Degree of Master of Art by Research The University of Huddersfield August 2011 Abstract The two aims of this thesis are the theoretical understanding, and the practical exploration, of the issues faced by Western art music composers when they engage with musical sources from Non-Western cultures. -
100 Piano Classics
100 Piano Classics: In The The Best Of The Red Army Lounge Choir Samuel Joseph Red Army Choir SILCD1427 | 738572142728 SILKD6034 | 738572603427 CD | Lounge Album | Russian Military Songs Samuel Joseph is 'The Pianists' Pianist'. Born in Hobart, Re-mastered from the original session tapes, the recordings Tasmania he grew up performing at restaurants, events and for this 2CD set were all made in Moscow over a number of competitions around the city before settling in London in years. They present the most complete and definitive 2005. He has brought his unique keyboard artistry to many collection of recordings of military and revolutionary songs celebrated London venues including the Dorchester, the by this most versatile of choirs. Includes Kalinka, My Savoy, Claridges, the Waldorf and Le Caprice. He has Country, Moscow Nights, The Cossacks, Song of the Volga entertained celebrities as diverse as Bono to Dustin Boatmen, Dark Eyes and the USSR National Anthem. Hoffman along with heads of state and royalty. Flair, vibrancy and impeccable presentation underline his keyboard skills. This 100 track collection highlights his astounding repertoire Swinging Mademoiselles - The Adventures Of Robinson Groovy French Sounds From Crusoe - Original TV The 60s Soundtrack Various Artists Robert Mellin & Gian-Piero SILCD1191 | 738572119126 Reverberi CD | French FILMCD705 | 5014929070520 CD | TV Soundtracks Long before England started swinging in the mid-1960s, One of the most evocative children's TV series of the 1960s France was the bastion for cool European pop sounds. is equally matched by Robert Mellin and Gian-Piero Sultry young French maidens, heavy on mascara and a Reverberi's enchanting score familiar to any young viewer of languid innocence cast a sexy spell with what became the period. -
Singing in ‘The Peg’: the Dynamics of Winnipeg Singing Cultures During the 20Th Century
Singing in ‘The Peg’: The Dynamics of Winnipeg Singing Cultures During the 20th Century Muriel Louise Smith Doctor of Philosophy University of York Music September 2015 This thesis is dedicated to my parents, William Moore (1910-1982) Ann Moore (1916-2011) who inspired, demanded excellence, and loved me. 2 Abstract The research begins by establishing Winnipeg, as a city comprised of many different European immigrant communities where the dominant British-Canadian culture reflected the Canadian national consciousness of the early 20th century. After an outline of early musical life in the city, four case studies demonstrate how the solo vocal and choral culture in Winnipeg represents a realization of the constitutive, continuously forming and mutable relationships between peoples of differing identities. In all of these case studies, I investigate how this culture has been shaped by social and political actions through transnational connections over the 20th century. The first two case studies are underpinned by the theories of cultural capital and gender. The first focuses on the Women’s Musical Club of Winnipeg (1900-1920s), an elite group of Brito-Canadian women who shaped the reception of high art singing among their peers primarily through their American connections. The second investigates the Men’s Musical Club of Winnipeg (1920s-1950s), a dynamic group of businessmen and musicians who sought to reinforce Brito-Canadian cultural supremacy by developing a choral culture and establishing a music competition festival based on British models and enforced by British musical associations. The third and fourth case studies are examined through the lens of diaspora and identity, underpinned by social capital. -
Boys Will Be Boys Mt. Kili Madness
Old Stoic Society Committee President: Sir Richard Branson (Cobham/Lyttelton 68) Vice President: THE MAGAZINE FOR OLD STOICS Dr Anthony Wallersteiner (Headmaster) Chairman: Simon Shneerson (Temple 72) Issue 5 Vice Chairman: Jonathon Hall (Bruce 79) Director: Anna Semler (Nugent 05) Members: John Arkwright (Cobham 69) Peter Comber (Grenville 70) Jamie Douglas-Hamilton (Bruce 00) breaks Colin Dudgeon (Hon. Member) two world records. Hannah Durden (Nugent 01) John Fingleton (Chatham 66) Ivo Forde (Walpole 67) Tim Hart (Chandos 92) MT. KILI MADNESS Katie Lamb (Lyttelton 06) Cricket in the crater of Mount Kilimanjaro. Nigel Milne (Chandos 68) Jules Walker (Lyttelton 82) BOYS WILL BE BOYS ’Planes buzzing Stowe. Old Stoic Society Stowe School Stowe Buckingham MK18 5EH United Kingdom Telephone: +44 (0) 1280 818349 Email: [email protected] www.oldstoic.co.uk www.facebook.com/OldStoicSociety ISSN 2052-5494 Design and production: MCC Design, mccdesign.com AR END 2015 EVENTS CAL We have endeavoured to organise a wide range of events in 2015 that will appeal to Old Stoics of all ages. To make enquiries or to book any of the events below please call the Old Stoic Office on01280 818349 or email [email protected] Full details of each event can be found at www.oldstoic.co.uk To see more photos visit the OS Event Gallery at www.oldstoic.co.uk Tuesday, 17 March 2015 Monday, 6 July 2015 Old Stoics in Hong Kong Drinks Reception, Classic Car Track Day, £350 The Hong Kong Club, Hong Kong Goodwood, West Sussex, PO18 0PH Saturday, 21 March 2015 Sunday, 12 -
Still on the Road Venue Index 1956 – 2020
STILL ON THE ROAD VENUE INDEX 1956 – 2020 STILL ON THE ROAD VENUE INDEX 1956-2020 2 Top Concert Venues Venue # 1. The Beacon Theatre, New York City, New York 46 2. Fox Warfield Theatre, San Francisco, California 28 3. Madison Square Garden, New York City, New York 20 4. Nippon Budokan Hall, Tokyo, Japan 15 5. Hammersmith Odeon, London, England 14 Royal Albert Hall, London, England 14 Vorst Nationaal, Brussels, Belgium 14 6. Earls Court, London, England 12 Heineken Music Hall, Amsterdam, The Netherlands 12 Jones Beach Theater, Jones Beach State Park, Wantagh, New York 12 Spektrum, Oslo, Norway 12 The Pantages Theater, Hollywood, Los Angeles, California 12 Wembley Arena, London, England 12 7. Entertainment Centre, Sydney, New South Wales, Australia 11 Greek Theatre, University Of California, Berkeley, California 11 Pine Knob Music Theatre, Clarkston, Michigan 11 The Tower Theater, Upper Darby, Pennsylvania 11 8. Globe Arena, Stockholm, Sweden 10 Hammersmith Apollo, London, England 10 Le Grand Rex, Paris, France 10 Palais Theatre, Melbourne, Victoria, Australia 10 Pavillon de Paris, Paris, France 10 Scandinavium, Gothenburg, Sweden 10 State Theatre, Sydney, New South Wales, Australia 10 The Forum, Inglewood, Los Angeles, California 10 The Orpheum Theatre, Boston, Massachusetts 10 Top Ten Studios rank Studio # 1. Studio B, The Abernathy Building, Washington, District Of Columbia 85 2. Rundown Studios, Santa Monica, California 63 3. Studio A, Columbia Recording Studios, New York City, New York 27 4. Studio A, Power Station, New York City, New York 26 5. Columbia Music Row Studios, Nashville, Tennessee 16 6. Studio E, Columbia Recording Studios, New York City, New York 14 7. -
The Community Magazine of Stockton-On-Tees Borough Council Big Plans, Bright Future CONTENTS
MARCH 2017 www.stockton.gov.uk/stocktononteesnews The community magazine of Stockton-on-Tees Borough Council Big plans, bright future CONTENTS Time to explore You’re hired! 8 Preston Park 28 LIVE in Stockton 32 CONTENTS News Round Up Economic Regeneration Environment 4 and Transport 6 and Housing 12 BIG NEWS FOR BIG PLANS FOR AN BIG PLANS FOR OUR STOCKTON-ON-TEES OUTSTANDING BOROUGH PLACES AND OPEN SPACES Community Health and Children and Safety 14 Wellbeing 16 Young People 18 BIG PLANS FOR KEEPING BIG PLANS FOR THE BIG PLANS FOR THE YOUNG OUR COMMUNITIES SAFE HEALTH OF OUR PEOPLE PEOPLE OF OUR BOROUGH Arts, Culture Adults Strong and Leisure 23 Services 35 Communities 36 BIG PLANS FOR GREAT BIG PLANS FOR THE BIG PLANS FOR HELPING EXPERIENCES CARE WE PROVIDE OUR COMMUNITIES PROSPER Your Ward Surgeries in What’s On Council 37 Your Area 42 45 AMBITIOUS, EFFECTIVE BIG PLANS FOR BIG PLANS FOR AND PROUD TO SERVE YOUR AREA THE FUTURE Stockton-on-Tees News is published by Stockton-on-Tees News aims to provide Stockton-on-Tees News is produced Stockton-on-Tees Borough Council and news and information about the Council, by Stockton-on-Tees Borough Council distributed to households across the its partner organisations and local Communications Team and designed by Borough free of charge. If you have not community groups and businesses. Every Twentyseven Design. Pictures courtesy received a copy please call 01642 526098 effort is made to ensure all information of Dave Charnley, Peter Mernagh, Gary or email [email protected] is accurate and up-to-date at the time of Walsh, Gilbert Johnston, Doug Moody, publication. -
2013 Professional Development Clinic-Conference and All-State Concerts
2013 PROFESSIONAL DEVELOPMENT CLINIC-CONFERENCE AND ALL-STATE CONCERTS A 2013 PROFESSIONAL DEVELOPMENT CLINIC-CONFERENCE AND ALL-STATE CONCERTS B 2013 PROFESSIONAL DEVELOPMENT CLINIC-CONFERENCE AND ALL-STATE CONCERTS Index of Advertisers The Florida Music Educators’ Association (FMEA) is pleased to welcome you to All County Music, Florida Flutes .....106 Contentsthe 2013 Professional Development Clinic-Conference and All-State Concerts being Cannon Music Camp .............................65 held January 9-12, 2013, Uniting Music Education: Models for Collaboration—a FGCU - Bower School of Music ........IBC continuation of the association’s long-standing tradition of providing music education Florida Alliance for Arts Education .....49 excellence. FMEA is proud to present outstanding clinicians, conductors, technical Florida Music Service ............................67 experts and industry vendors who are instrumental in making this event Florida’s Florida Southern College ......................71 premier music education experience for teachers, administrators and superb music FSU College of Music ................................ students—from elementary school through post-secondary levels—as well as for FSU Summer Music Camps ..................73 the parents, family members and boosters who chaperon and mentor our all-state Gemeinhardt Musical students. Participants have a variety of opportunities to observe master conductors Instruments ........................................57,69 and teachers, to interact with renowned musicians and