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Dubrovnik Manuscripts and Fragments Written In
Rozana Vojvoda DALMATIAN ILLUMINATED MANUSCRIPTS WRITTEN IN BENEVENTAN SCRIPT AND BENEDICTINE SCRIPTORIA IN ZADAR, DUBROVNIK AND TROGIR PhD Dissertation in Medieval Studies (Supervisor: Béla Zsolt Szakács) Department of Medieval Studies Central European University BUDAPEST April 2011 CEU eTD Collection TABLE OF CONTENTS 1. INTRODUCTION ........................................................................................................................... 7 1.1. Studies of Beneventan script and accompanying illuminations: examples from North America, Canada, Italy, former Yugoslavia and Croatia .................................................................................. 7 1.2. Basic information on the Beneventan script - duration and geographical boundaries of the usage of the script, the origin and the development of the script, the Monte Cassino and Bari type of Beneventan script, dating the Beneventan manuscripts ................................................................... 15 1.3. The Beneventan script in Dalmatia - questions regarding the way the script was transmitted from Italy to Dalmatia ............................................................................................................................ 21 1.4. Dalmatian Benedictine scriptoria and the illumination of Dalmatian manuscripts written in Beneventan script – a proposed methodology for new research into the subject .............................. 24 2. ZADAR MANUSCRIPTS AND FRAGMENTS WRITTEN IN BENEVENTAN SCRIPT ............ 28 2.1. Introduction -
Donald Jackson
Donald Jackson Calligrapher Artistic Director Donald Jackson was born in Lancashire, England in 1938 and is considered one of the world's foremost Western calligraphers. At the age of 13, he won a scholarship to art school where he spent six years studying drawing, painting, design and the traditional Western calligraphy and illuminating. He completed his post-graduate specialization in London. From an early age he sought to combine the use of the ancient techniques of the calligrapher's art with the imaginary and spontaneous letter forms of his own time. As a teenager his first ambition was to be "The Queen's Scribe" and a close second was to inscribe and illuminate the Bible. His talents were soon recognized. At the age of 20, while still a student himself, he was appointed a visiting lecturer (professor) at the Camberwell College of Art, London. Within six years he became the youngest artist calligrapher chosen to take part in the Victoria and Albert Museum's first International Calligraphy Show after the war and appointed a scribe to the Crown Office at the House of Lords. In other words, he became "The Queen's Scribe." Since then, in conjunction with a wide range of other calligraphic projects, he has continued to execute Historic Royal documents including Letters Patent under The Great Seal and Royal Charters. He was decorated by the Queen with the Medal of The Royal Victorian Order (MVO) which is awarded for personal services to the Sovereign in 1985. Jackson is an elected Fellow and past Chairman of the prestigious Society of Scribes and Illuminators, and in 1997, Master of 600-year-old Guild of Scriveners of the city of London. -
Feb. 15, 1966 G, GIG 3,234, 918 WRITING IMPLEMENT with CARTRIDGE Filed Jan
Feb. 15, 1966 G, GIG 3,234, 918 WRITING IMPLEMENT WITH CARTRIDGE Filed Jan. 6, 1964 I 2. ?:—————?~~~~~~ vºNo.No..!!<< a/ Z,&R=<!<<<<<<<<~~~~,~\~\~S >No.SNSD,S\(SNS(SNSNRNNOEN INVENTOR. 6224 zra Gaezz BY a 3,234,918 United States Patent Office Patented Feb. 15, 1966 2 3,234,918 mately a point just below the interior end of recess 13, WRITING MSPLEMENT WITH CARTREADGE inlay 16 is inserted into the cartridge and flange 19 of Giulio Gigli, Milan, Italy, assignor to L. & C. Hardtmleth, inlay 26 is permanently seal-joined (not shown) with inc., Bloomsbury, N.J., a corporation of New Jersey recessed flange 4 of the cartridge. Filed Jan. 6, 1964, Ser. No. 335,729 5 Projection 20 is designed to accommodate a mobile, 1. Caia. (Cl. 20-45.4) cylindrical piercing member 22 so that its sharp or cut ting end 23 normally rests against closed end 21 of projec This invention relates generally to writing implements tion 20, while its other end protrudes beyond the open end provided with means for supplying writing fluid to the of the projection. writing instrumentality, such as to the nib of the writing 10 Referring now to FIGURE 3, there will be seen a writ implement, and particularly refers to writing implements ing implement 24 provided with a tubular writing nib 25. provided with replaceable ink-carrying cartridges and to In the direction opposite to nib 25 there will be noted a the latter's construction, function and cooperation with central body extension 26, provided with a through pas a writing implement to which it is applied. -
Great Food, Great Stories from Korea
GREAT FOOD, GREAT STORIE FOOD, GREAT GREAT A Tableau of a Diamond Wedding Anniversary GOVERNMENT PUBLICATIONS This is a picture of an older couple from the 18th century repeating their wedding ceremony in celebration of their 60th anniversary. REGISTRATION NUMBER This painting vividly depicts a tableau in which their children offer up 11-1541000-001295-01 a cup of drink, wishing them health and longevity. The authorship of the painting is unknown, and the painting is currently housed in the National Museum of Korea. Designed to help foreigners understand Korean cuisine more easily and with greater accuracy, our <Korean Menu Guide> contains information on 154 Korean dishes in 10 languages. S <Korean Restaurant Guide 2011-Tokyo> introduces 34 excellent F Korean restaurants in the Greater Tokyo Area. ROM KOREA GREAT FOOD, GREAT STORIES FROM KOREA The Korean Food Foundation is a specialized GREAT FOOD, GREAT STORIES private organization that searches for new This book tells the many stories of Korean food, the rich flavors that have evolved generation dishes and conducts research on Korean cuisine after generation, meal after meal, for over several millennia on the Korean peninsula. in order to introduce Korean food and culinary A single dish usually leads to the creation of another through the expansion of time and space, FROM KOREA culture to the world, and support related making it impossible to count the exact number of dishes in the Korean cuisine. So, for this content development and marketing. <Korean Restaurant Guide 2011-Western Europe> (5 volumes in total) book, we have only included a selection of a hundred or so of the most representative. -
Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880S-1940S
Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hashimoto, Satoru. 2014. Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:13064962 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s A dissertation presented by Satoru Hashimoto to The Department of East Asian Languages and Civilizations in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of East Asian Languages and Civilizations Harvard University Cambridge, Massachusetts August 2014 ! ! © 2014 Satoru Hashimoto All rights reserved. ! ! Dissertation Advisor: Professor David Der-Wei Wang Satoru Hashimoto Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s Abstract This dissertation examines how modern literature in China, Japan, Korea, and Taiwan in the late-nineteenth to the early-twentieth centuries was practiced within contexts of these countries’ deeply interrelated literary traditions. -
Writing As Material Practice Substance, Surface and Medium
Writing as Material Practice Substance, surface and medium Edited by Kathryn E. Piquette and Ruth D. Whitehouse Writing as Material Practice: Substance, surface and medium Edited by Kathryn E. Piquette and Ruth D. Whitehouse ]u[ ubiquity press London Published by Ubiquity Press Ltd. Gordon House 29 Gordon Square London WC1H 0PP www.ubiquitypress.com Text © The Authors 2013 First published 2013 Front Cover Illustrations: Top row (from left to right): Flouda (Chapter 8): Mavrospelio ring made of gold. Courtesy Heraklion Archaelogical Museum; Pye (Chapter 16): A Greek and Latin lexicon (1738). Photograph Nick Balaam; Pye (Chapter 16): A silver decadrachm of Syracuse (5th century BC). © Trustees of the British Museum. Middle row (from left to right): Piquette (Chapter 11): A wooden label. Photograph Kathryn E. Piquette, courtesy Ashmolean Museum; Flouda (Chapter 8): Ceramic conical cup. Courtesy Heraklion Archaelogical Museum; Salomon (Chapter 2): Wrapped sticks, Peabody Museum, Harvard. Photograph courtesy of William Conklin. Bottom row (from left to right): Flouda (Chapter 8): Linear A clay tablet. Courtesy Heraklion Archaelogical Museum; Johnston (Chapter 10): Inscribed clay ball. Courtesy of Persepolis Fortification Archive Project, Oriental Institute, University of Chicago; Kidd (Chapter 12): P.Cairo 30961 recto. Photograph Ahmed Amin, Egyptian Museum, Cairo. Back Cover Illustration: Salomon (Chapter 2): 1590 de Murúa manuscript (de Murúa 2004: 124 verso) Printed in the UK by Lightning Source Ltd. ISBN (hardback): 978-1-909188-24-2 ISBN (EPUB): 978-1-909188-25-9 ISBN (PDF): 978-1-909188-26-6 DOI: http://dx.doi.org/10.5334/bai This work is licensed under the Creative Commons Attribution 3.0 Unported License. -
National Diploma in Calligraphy Helpful Hints for FOUNDATION Diploma Module A
National Diploma in Calligraphy Helpful hints for FOUNDATION Diploma Module A THE LETTERFORM ANALYSIS “In A4 format make an analysis of the letter-forms of an historical manuscript which reflects your chosen basic hand. Your analysis should include x-height, letter formation and construction, heights of ascenders and descenders, etc. This can be in the form of notes added to enlarged photocopies of a relevant historical manuscript, together with your own lettering studies” At this first level, you will be working with one basic hand only and its associated capitals. This will be either Foundational (Roundhand) in which case study the Ramsey Psalter, or Formal Italic, where you can study a hand by Arrighi or Francisco Lucas, or other fine Italian scribe. Find enlarged detailed illustrations from ‘Historical Scripts by Stan Knight, or A Book of Scripts, by A Fairbank, or search the internet. Stan Knight’s book is the ‘bible’ because the enlargements are clear and at least 5mm or larger body height – this is the ideal. Show by pencil lines & measurements on the enlargement how you have worked out the pen angle, nib-widths, ascender & descender heights and shape of O, arch formations etc, use a separate sheet to write down this information, perhaps as numbered or bullet points, such as: 1. Pen angle 2. 'x'height 3. 'o'form 4, 5,6 Number of strokes to each letter, their order, direction: - make a general observation, and then refer the reader to the alphabet (s) you will have written (see below), on which you will have added the stroke order and directions to each letter by numbered pencil arrows. -
Fall 2020 Culture Classes: Chinese Calligraphy Wed 4 Pm
Fall 2020 Culture Classes: Chinese Calligraphy Wed 4 pm - 5:30 pm Chinese Ink Painting Wed 5:40 pm - 7:10 pm Youth Chinese Ink Painting Thurs 5:30 pm - 7 pm Jialin Zhu major in Theory of Literature and Instructor:Jialin Zhu (朱嘉琳) Arts(Direction of Chinese Painting and Calligraphy) MA; Bachelor of Arts from Beijing Language and Culture University. She started her Chinese painting and Calligraphy journey at a young age and is now have experienced with freehand painting, line painting, heavy-color painting most engage Mogu-hua (Boneless Painting) (没骨画). Her calligraphy artworks have been exhibited at the National Taiwan University of Arts. Moreover, she has been teaching Chinese painting and calligraphy for nearly seven years and has rich experience in both teaching adults and youth. Classes Source Pack Course Description Course Objectives Chinese 隶书(Li-shu) Lishu, (Chinese: “clerical script,” or “chancery script”)Wade-Giles Learn to appreciate the beauty of Li Calligrap 《石门颂》Shi Men romanization li-shu, in Chinese calligraphy, a style that may have Character. hy Song originated in the brush writing of the later Zhou and Qin dynasties (c. 《史晨碑》Shi Chen 300–200 BC); it represents a more informal tradition than the Appreciate poem and create your works Bei zhuanshu (“seal script”), which was more suitable for inscriptions cast with Li Character in the ritual bronzes. While examples of lishu from the 3rd century BC have been discovered, the script type was most widely used in the Han Make full use of the flexible brush to dynasty (206 BC–AD 220). -
UNIVERSITY of HAWAII LIBRARY. NARRATIVES OF
,UNIVERSITY Of HAWAII LIBRARY. NARRATIVES OF SPACE AND PLACE IN THREE WORKS BY NAKAGAMI KENJI A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN EAST ASIAN LANGUAGES AND LITERATURES (JAPANESE) AUGUST 2005 By Joshua Petitto Thesis Committee: Nobuko Ochner, Chairperson Lucy Lower Arthur Thornhill © Copyright 2005 by Joshua Petitto 111 TABLE OF CONTENTS Chapter 1 - Introduction 1.1 Nakagami's Style , 1 1.2 Literature Review 3 1.3 Summary ofthe Chapters ,. '" 8 1.4 Misaki, "Garyl1san," and "Wara no ie"............................................. 9 Chapter 2 - Down the Ever-Winding Narrative Path 2.1 Introduction........................................................................... 11 2.2 The Problem ofNarrative 11 2.3 Taking on the "Pig ofNarrative". 17 2.5 Conclusion: Monogatari and Genealogy....................................... 20 Chapter 3 - The Ambivalence ofNakagami's Space 3.1 Introduction 3.1.1 Conceptualizing Space 23 3.1.2 The Space ofthe Roji 28 3.2 A History ofKumano 30 3.3 The Ambivalence ofNakagami's Space 3.3.1 Attempted Assertion over Space through Ritual.................. 35 3.3.2 The Dominance ofSpace............................................... 42 3.3.3 Gendered Space and Origin............................................ 44 3.3.4 Reconstructing Space................................................... 47 3.4 Conclusion: The Same Struggle by Another Name............................. 49 Chapter 4 - The Place ofMemory 4.1 Introduction 4.1.1 Space and Place 51 4.1.2 The Recovery ofOrigin..................................... .. 54 4.2 Narratives ofPlace in Misaki, "Garyl1san," and "Wara no ie" 4.2.1 The Brother and Father in Misaki 58 4.2.2 Garyl1 Mountain and Toshihisa 66 4.2.3 The Rediscovery ofDifference in "Wara no ie" 75 4.3 Conclusion: Place, Narrative, and Rememory 80 Chapter 5 - Coming Full Circle: Space, Narrative, and the Next Roji 5.1 Introduction 84 5.2 The Emperor System and Capital................................................ -
The Effect of Aqueous Materials and Papers on Subject Matter Gordon Myer
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 5-25-1966 The effect of aqueous materials and papers on subject matter Gordon Myer Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Myer, Gordon, "The effect of aqueous materials and papers on subject matter" (1966). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. THE EFFECT OF AQUEOUS MATERIAIS AND PAPERS ON SUBJECT MATTER Gordon C. Myer Candidate for the Master Fine Arts in the College of Fine and Applied Arts of the Rochester Institute of Technology Date of Submission: May 25, I966 Advisor's Name: Fred Meyer To my four girls ii. TABLE OF CONTENTS Page Introduction v Chapter 1 The Art of Papermaking 1 2 Oriental Technique and Influence 6 3 English and American Influence , Ik k General Procedures 20 5 Results and Conclusions 26 Footnotes 31"- Bibliography 35 Supply Sources 39 iii. ILLUSTRATIONS Following Plate Page I. LANDSCAPE. Watercolor and ink on Grumbacher paper. frontispiece II. Items from the author's paintbox. vi III. Handmade paper by the author formed from cotton rags. "Cornstalk" IV. paper made by the author from vegetable materials. Plate III V. STORM AFT. A painting on the author's handmade paper in which little size has been used. Plate IV VI. THOUGHTS OF H)ME. -
Shodo: an Old and New Form of Self-Expression
Japanese Culture Now http://www.tjf.or.jp/takarabako/ Calligraphy done with a brush and sumi ink—shodo—is a Shodo: An Old and familiar part of Japanese life. Introduced from China around the eighth century, over the centuries shodo evolved in distinctively Japanese ways, becoming firmly rooted in the New Form of culture. Many people today aspire to improve their hand- writing and take private shodo lessons as well. Shodo involves not just improvement of technique, but Self-Expression the pursuit of beauty and understanding of the self. It is a pursuit with a long tradition that has won renewed atten- tion today as a means of self-expression. This mark indicates that more related information is included on the “Click Japan” website. http//www.tjf.or.jp/clicknippon/ Performance Shodo: New Forms of Expression The activities of high school shodo clubs have drawn interest of creating it. So, in addition to shodo technique, the judges con- in recent years for their involvement in “performance shodo.” sider the manner of expression and content of the message. Some shodo artists have long held demonstrationsしょ of their work The High どうSchool Shodo Performance National Champion- as a kind of performance, but the performance shodo more re- ships—popularly known as the Shodo Performance Koshien*— cently talked about refers to groups writing song lyrics and held in the Ehime prefecture city of Shikoku Chuo, began in other texts on very large sheets of paper to the accompaniment 2008. Five high schools participated in the second champion- of J-Pop and other music and dance steps. -
Off-The-Shelf Stylus: Using XR Devices for Handwriting and Sketching on Physically Aligned Virtual Surfaces
TECHNOLOGY AND CODE published: 04 June 2021 doi: 10.3389/frvir.2021.684498 Off-The-Shelf Stylus: Using XR Devices for Handwriting and Sketching on Physically Aligned Virtual Surfaces Florian Kern*, Peter Kullmann, Elisabeth Ganal, Kristof Korwisi, René Stingl, Florian Niebling and Marc Erich Latoschik Human-Computer Interaction (HCI) Group, Informatik, University of Würzburg, Würzburg, Germany This article introduces the Off-The-Shelf Stylus (OTSS), a framework for 2D interaction (in 3D) as well as for handwriting and sketching with digital pen, ink, and paper on physically aligned virtual surfaces in Virtual, Augmented, and Mixed Reality (VR, AR, MR: XR for short). OTSS supports self-made XR styluses based on consumer-grade six-degrees-of-freedom XR controllers and commercially available styluses. The framework provides separate modules for three basic but vital features: 1) The stylus module provides stylus construction and calibration features. 2) The surface module provides surface calibration and visual feedback features for virtual-physical 2D surface alignment using our so-called 3ViSuAl procedure, and Edited by: surface interaction features. 3) The evaluation suite provides a comprehensive test bed Daniel Zielasko, combining technical measurements for precision, accuracy, and latency with extensive University of Trier, Germany usability evaluations including handwriting and sketching tasks based on established Reviewed by: visuomotor, graphomotor, and handwriting research. The framework’s development is Wolfgang Stuerzlinger, Simon Fraser University, Canada accompanied by an extensive open source reference implementation targeting the Unity Thammathip Piumsomboon, game engine using an Oculus Rift S headset and Oculus Touch controllers. The University of Canterbury, New Zealand development compares three low-cost and low-tech options to equip controllers with a *Correspondence: tip and includes a web browser-based surface providing support for interacting, Florian Kern fl[email protected] handwriting, and sketching.