Rozana Vojvoda
DALMATIAN ILLUMINATED MANUSCRIPTS WRITTEN IN BENEVENTAN SCRIPT AND
BENEDICTINE SCRIPTORIA IN ZADAR, DUBROVNIK AND TROGIR
PhD Dissertation in Medieval Studies
(Supervisor: Béla Zsolt Szakács)
Department of Medieval Studies Central European University
BUDAPEST April 2011
TABLE OF CONTENTS
1. INTRODUCTION ........................................................................................................................... 7
1.1. Studies of Beneventan script and accompanying illuminations: examples from North America, Canada, Italy, former Yugoslavia and Croatia .................................................................................. 7 1.2. Basic information on the Beneventan script - duration and geographical boundaries of the usage of the script, the origin and the development of the script, the Monte Cassino and Bari type of Beneventan script, dating the Beneventan manuscripts ................................................................... 15 1.3. The Beneventan script in Dalmatia - questions regarding the way the script was transmitted from Italy to Dalmatia ............................................................................................................................ 21 1.4. Dalmatian Benedictine scriptoria and the illumination of Dalmatian manuscripts written in Beneventan script – a proposed methodology for new research into the subject .............................. 24
2. ZADAR MANUSCRIPTS AND FRAGMENTS WRITTEN IN BENEVENTAN SCRIPT............ 28
2.1. Introduction............................................................................................................................. 28
2.2. Eleventh Century Manuscripts Written in Beneventan Script “Čika‟s and Vekenega‟s „Book of Hours‟”, “Vekenega‟s Evangelistary,” “Berlin Evangelistary”- Historiography and Arguments for
2.3. Čika and Vekenega‟s “Book of Hours” (Ms. Canon. Liturg. 277 and K.394)-Types and the
Origin of Decorated Initials – An Analyses .................................................................................... 37
2.3.1. Initials with human depictions .......................................................................................... 37 2.3.2. Zoomorphic initials........................................................................................................... 50 2.3.3. Ornamental initials ........................................................................................................... 62 2.3.4. Geometric initials ............................................................................................................. 64
2.4. Vekenega‟s Evangelistary........................................................................................................ 68
2.4.1. The classification of decorated initials in Vekenega‟s evangelistary and their art historical
2.4.2. Vekenega‟s evangelistary, (MS. Canon. Bibl. Lat. 61), the “Berlin evangelistary” (MS.
theol. lat. qu. 278) and the Osor evangelistary (MS. Borg. Lat. 339)- similarities and differences84
2.5. The Transmission of the Beneventan Script and Illumination from Italy to Dalmatia in the Eleventh Century- A Comparison with Split................................................................................... 90 2.6. Conclusion .............................................................................................................................. 96
3. DUBROVNIK MANUSCRIPTS AND FRAGMENTS WRITTEN IN BENEVENTAN SCRIPT.101
3.1. Introduction............................................................................................................................101
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3.2. Eleventh and Early Twelfth Century Fragments Written in Beneventan Script Preserved or Related to Dubrovnik ....................................................................................................................103
3.2.1. Introduction .....................................................................................................................103 3.2.2. Analyses of an early eleventh century fragment preserved in Dubrovnik..........................104 3.2.3. Late eleventh and early twelfth century patristic fragments written in Beneventan script preserved in Dubrovnik or of supposed Dubrovnik provenance -an analyses .............................105 3.2.4. Fragments with decorated initials (patristica, liturgica) – eleventh and twelfth centuries ..111 3.2.5. Some arguments for a Dubrovnik provenance for an illuminated fragment now in Split ...114 3.2.6. The origin of the discussed fragments - some arguments for a Benedictine scriptorium at the monastery of St. Mary on the island of Lokrum.........................................................................117 3.2.7. Conclusion.......................................................................................................................121
3.3. Late Twelfth and Thirteenth Century Beneventan Manuscrips and Fragments Preserved in Dubrovnik or Related to Dubrovnik ..............................................................................................122
3.3.1. Introduction .....................................................................................................................122 3.3.2. Two thirteenth century manuscripts of Dubrovnik origin, Missale Ragusinum and Libellus S. Nicolai ..................................................................................................................................123
3.3.2.2. Paleographical features of MS. Canon. Liturg. 342, a base for the study of a thirteenth century Beneventan script in Dubrovnik ................................................................................129 3.3.2.3. Libellus Sancti Nicolayi, - the origin of the manuscript .............................................130 3.3.2.4. Paleographical features of the manuscript and arguments for its thirteenth century date ..............................................................................................................................................132
3.3.3. Twelfth / thirteenth century fragments written in Beneventan script preserved in Dubrovnik or of Dubrovnik provenance - the analyses ................................................................................135
3.3.3.1. Thirteenth century Chantilly and Graz fragments - historiography and analyses ........135 3.3.3.2. Late twelfth / thirteenth century fragments written in Beneventan script from Dubrovnik collections .............................................................................................................................138 3.3.3.3. Thirteenth century fragments written in Beneventan script in Dubrovnik collections.142 3.3.3.4. Thirteenth century fragments written in Beneventan script in Zagreb collections - some arguments for their Dubrovnik origin.....................................................................................145
3.3.4. Conclusion.......................................................................................................................148
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3.4. Lokrum Forgeries – A Reconsideration ..................................................................................149
3.4.1. Introduction .....................................................................................................................149 3.4.2. The analyses of Beneventan and non-Beneventan documents in the group called Lokrum forgeries-proposal of new dates .................................................................................................151 3.4.3. The conclusion – the forgeries as a positive argument for a scribal practice in the Benedictine monastery of St. Mary on the island of Lokrum......................................................166
3.5. Conclusion .............................................................................................................................171
4 TROGIR MANUSCRIPTS WRITTEN IN BENEVENTAN SCRIPT ............................................174
4.1. Evangelistary of 1259, Evangelistary with free miniatures and Epistolary – Historiography, Date and the Origin of the Manuscripts..................................................................................................174 4.2. THE EVANGELISTARY FROM 1259..................................................................................181
4.2.1. Types and function of the decorated initials .....................................................................181
4.2.1.1. Bright colored initials of Beneventan type and their function ....................................181 4.2.1.2. Red initials and their function ...................................................................................183
4.2.2. Decorated initials in the Evangelistary of 1259 and the Dalmatian practice of illumination ..................................................................................................................................................184
4.3. The Trogir Evangelistary with Free Miniatures.......................................................................186
4.3.1. The master of the Trogir evangelistary and the analyses of the miniatures: patterns, gestures and notions of space ..................................................................................................................186 4.3.2. The decorated initials of the Trogir Evangelistary in the context of eleventh and twelfth century manuscripts, especially the Dalmatian evangelistaries written in Beneventan script ......193 4.3.3. The Rab Evangelistary and other thirteenth century parallels to the Trogir Evangelistary.196
4.4. The Trogir Epistolary .............................................................................................................202
4.4.1. Types and function of the decorated initials .....................................................................202
4.4.1.1. Initials with human depictions and zoomorphic initials .............................................202 4.4.1.3. Ornamental and geometric initials.............................................................................205
4.4.2. The visual parallels of non-Beneventan initials in the Trogir Epistolary with special stress on the Dalmatian context...........................................................................................................208 4.4.3. The silver covers of the Trogir Epistolary in comparison with the silver covers of the Split codices ......................................................................................................................................211
5 CONCLUSIONS............................................................................................................................219 6. HAND LIST OF MANUSCRIPTS AND FRAGMENTS WRITTEN IN BENEVENTAN SCRIPT AND RELATED TO DALMATIA...................................................................................................232
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7 CATALOGUE OF MANUSCRIPTS AND FRAGMENTS WRITTEN IN BENEVENTAN SCRIPT AND DISCUSSED IN THE THESIS................................................................................................246
7.1. Zadar......................................................................................................................................246 7. 2. Dubrovnik .............................................................................................................................249 7.3. Trogir.....................................................................................................................................273 7.4. Rab.........................................................................................................................................291 7.5. Zagreb....................................................................................................................................300 7.6. Manuscripts of Dalmatian origin preserved in foreign collections ...........................................304
8 LIST OF ILLUSTRATIONS..........................................................................................................361
8.1. ZADAR MANUSCRIPTS AND FRAGMENTS WRITTEN IN BENEVENTAN SCRIPT ....361 8.2. DUBROVNIK MANUSCRIPTS AND FRAGMENTS WRITTEN IN BENEVENTAN SCRIPT ......................................................................................................................................................364 8.3. TROGIR MANUSCRIPTS WRITTEN IN BENEVENTAN SCRIPT.....................................365
9. BIBLIOGRAPHY.........................................................................................................................367
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Acknowledgments
I would like to thank my supervisor Béla Zsolt Szakács and other professors from the Medieval Department of the Central European University in Budapest for the many things I learned from them and for their constant support.
I would like to thank Neven Budak of the Department of History, Faculty of Philosophy at the University of Zagreb for his continuous help with my research.
I would also like to thank my parents babysat my little daughter Vita when I was working on the thesis. My deepest gratitude, however, goes to the late Virginia Brown (1940-2009), the great mistress of Beneventan script who helped me in every possible way with my work and whose brilliant scholarship was matched only by her exceptional goodness as a human being. It is to her that I dedicate these pages inspite of any possible errors that are entirely my own responsibility.
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1. INTRODUCTION 1.1. Studies of Beneventan script and accompanying illuminations: examples from North America, Canada, Italy, former Yugoslavia and Croatia
Beneventan script is a minuscule handwriting that developed towards the middle of the eighth century in the Duchy of Benevento and was used exclusively in Southern Italy and Dalmatia. My research will be focused on the Dalmatian towns of Zadar, Trogir and Dubrovnik and, apart from manuscripts and fragments written in Beneventan script that have already been discussed, I will also take into consideration newly discovered items. The purpose of my dissertation is to see whether the development of Dalmatian Beneventana and accompanying illuminations can be placed within a wider picture. This research was preceeded by my MA thesis and some published preliminary research on Dalmatian material written in Beneventan Script.1. The studying of this medieval script as well as its accompanying illuminations has had a long history. Here I will mention the greatest achievements in North American, Canadian and Italian scholarship in order to provide a scholarly context for the evaluation of Beneventan studies in Croatia and justification of the specific research topics undertaken in this study. North American, Canadian and Italian scholarship is deeply involved in Beneventan topics and therefore in this brief survey I will include only the most relevant books; those that mark a significant scientific contribution to the topic and those that concern Dalmatian material. As for former Yugoslavian and Croatian scholarship, I will mention almost all the books and articles that I am aware of because it is extremely relevant to the dissertation topic. I will, however, exclude the catalogues of the exhibitions and catalogues containing a few entries on Beneventan items as well as scientific articles and books that only mention Beneventan items, but do not treat them as the main topic of the work.
The breakthrough in the study of Beneventan script took place in North American scholarship in the first decades of twentieth century. Elias Avery Loew (1879-1969), the premier Latin paleographer of his generation, published a monograph on Beneventan script in which he has meticulously analyzed the
1 Rozana Vojvoda. “Većenega‟s :”Book of Hours”: A manuscript study with special stress on decorated initials.” Annual of Mediaeval studies at CEU 8 (2002): 9-37. Rozana Vojvoda. “Iluminacija Trogirskog EvanĎelistara- raskoš i konzervativnost dalmatinskog sitnoslikarstva benediktinske tradicije” (The illumination of the Trogir Evangelistary-luxury
and the conservative tradition of Dalmatian illumination related to the Benedictine tradition). In Raukarov zbornik. Zagreb: FF Press, 2005: 187-208. Rozana Vojvoda. “Sanktorali beneventanskih rukopisa dalmatinske provenijencije-veza teksta i
slike” (Sanctorals of Dalmatian manuscripts written in Beneventan script-text and image relationships). in Hagiologija /
Kultovi u kontekstu (Hagiology / Cults in context). Zagreb: Leykam international, 2008: 89-105
7origins, the development and the features of the script. The work contains a hand list of all the Beneventan manuscripts and fragments known during his time. The book is still indispensable for any serious approach to this subject as is also the case with a second book by Loew published fifteen years later that contains facsimiles and descriptions of a large number of Beneventan manuscripts.2 In 1936, Myrtilla Avery, a professor of art history at Wellesley College in Massachusetts, published a book on richly illustrated Italian parchment rolls written in Beneventan script especially designed for the blessing of the candle on Easter and called Exultet. 3 It remained a basic book of reference for all later studies related to this material.
Although Elias Avery Lowe himself prepared a supplement to his hand list of Beneventan manuscripts and fragments in the early sixties, their number has continuously increased.4 In 1978, Virginia Brown, Lowe‟s former assistant, prepared a second New List of Beneventan Manuscripts and
in 1980 she edited, revised and enlarged Lowe‟s book and supplanted it with a new hand list of
Beneventan manuscripts and fragments.5 Virginia Brown, Roger Reynolds and Richard Francis Gyug are principle investigators in the project called Monumenta Liturgica Beneventana at the Pontifical Institute of Mediaeval studies in Toronto, Canada. The principal aim of the project is to discover, study and edit Beneventan manuscripts and fragments.6 The collection of microfilm and photographic holdings at the Pontifical Institute is now the most extensive in the world. Virginia Brown who has been compiling and continuously publishing new lists of Beneventan manuscripts / fragments in Mediaeval Studies is also the author of numerous publications on Beneventan-script topics.7 She has identified a number of South Italian and Dalmatian scriptoria, shown that the use of Beneventan script continued into the sixteenth century and expanded
2 Elias Avery Loew. The Beneventan script. A history of the south Italian minuscule. Oxford: Clarendon Press, 1914. Elias
- Avery Loew. Scriptura Beneventana. Facsimiles of South Italian and Dalmatian
- Manuscripts from the Sixth to the
Fourteenth Century. 2 vols. Oxford: Oxford University Press, 1929. See entry on the life and work by Elias Avery Loew (also referred to as Lowe, changed from Loew in 1918) in Biographical Dictionary of North American Classicists. Portsmouth RH: Greenwood Publishing Group, 1994: 376-378. 3 Myrtilla Avery. The Exultet Rolls of South Italy. Vol. II Princeton: Princeton University Press, 1936. Volume I with the text contributions was never published.