Dubrovnik Manuscripts and Fragments Written In

CEU eTD Collection DALMATIANWRITTENILLUMINATED MANUSCRIPTS INSCRIPTAND BENEVENTAN BENEDICTINEZADAR,SCRIPTORIA IN PhD Dissertation inPhDDissertation Medieval Studies (Supervisor: Béla Szakács)(Supervisor: Zsolt Department ofMedieva CentralUniversity European Rozana Vojvoda Rozana BUDAPEST April

2011

lStudies DUBROVNIK

AND

TROGIR

CEU eTD Collection DUBROVNIK 3. MA ZADAR ANDIN2. WRITTEN BENEVENTANFRAGMENTS MANUSCRIPTS SCRIPT INTRODUCTION 1. 3.1. Introduction3.1. Conclusion2.6. EleventhCentury TheTransmission2.5. Beneventanofthe Scrip Vekenega‟s2.4. Evangelistary InitialsOrigin Decorated of Čika 2.3. “Book ofCanon.Vekenega‟sHours”(Ms.and and 277 K.394) Liturg. TheirOrigin Zadar “Vekenega‟s Hours‟”, “BerlinEvangelistary,” Evangelistary” Eleventh2.2. inWrittenManuscriptsCentury “Čika‟s Beneventan andof Script „Book Vekenega‟s Introduction2.1. Beneve Dalmatian1.4. illuminationBenedictinemanuscripts scriptoriaofinthe Dalmatianand written DalmatiaItaly to inTheBeneventan1.3. script D dating Beneventanmanuscriptsscript, Beneventanthe script, ofthethe origin development Montescript, ofCassinothethe and and Bariof type informationBasic1.2. Beneventan the on script formerCanada,Italy, Yugoslaviaand Croatia Studies1.1. andofBeneventan acc script theol. lat.qu.278)and evangelistarytheol. Osor339) Borg.the Lat. (MS. Vekenega‟s Canon.2.4.2. Bib(MS. evangelistary, context Theclassification 2.4.1. initials ofinhistoricaldecorated evangelistary their Vekenega‟s andart Geometric initials2.3.4. Ornamental 2.3.3. initials Zoomorphic 2.3.2. initials Initials 2.3.1. humandepictions with ntan script ntanscript

......

- ......

–

ASplitComparisonwith ...... NUSCRIPTS AND WRITTENBENEVENTANFRAGMENTS IN NUSCRIPTS SCRIPT

amethodologyproposed newfor research into subject the

......

–

......

An AnalysesAn ...... almatia ...... T

...... - ABLE OF CONTENTS ......

ompanying illuminations:fromAmerica,ompanying examples North questions regardingwasquestions way thefrom script transmitted the

......

...... t and Illuminationfromand inDalmatia t Italy theto ...... -

...... durationand boundariesgeographicaloft ...... l. Lat. 61),l.Lat. “Berlinthe evangelistary” (MS.

......

...... -

Hi ...... storiography and Arguments for storiographyArgumentsand ...... - ......

similaritiesand differences ......

...... - Typesthe and ......

...... heusage ......

. 101 101

96 90 84 68 68 64 62 50 37 37 30 28 28 24 21 15

7 7 2

CEU eTD Collection

Dubrovnik or Related to DubrovnikRelated Dubrovnik or to Late 3.3.Twelfth ThirteenthCenturyand ManBeneventan Dubrovnik Related to Eleventh3.2. Earlyand Fragments TwelfthCentury 3.3.4. Conclusion 3.3.4. or ofDubrovnikprovenanc Twelfth 3.3.3. thirteenthfragmentsinpreservedcentury / written script BeneventanDubrovnik Nicolai S. Two 3.3.2. thirteenthm century Introduction 3.3.1. Conclusion 3.2.7. Mary monasteryislandthe ofon St. of Lokrum The 3.2.6. origindiscussedthefragments of SomeDubrovnik afor 3.2.5. illuminatedargumentsanforinfragment now provenance Split Fragments initials3.2.4. with decorated liturgica) (patristica, preservedin or Dubrovnikof supposedpr Dubrovnik Late eleventh3.2.3. and centuryearly fragmentsin twelfth patristic written script Beneventan Analyses 3.2.2. ofearlyan elevent Introduction 3.2.1. argumentsfor theirDubrovnikorigin Thirteenth3.3.3.4. fragmentsincenturywritten in Beneventan script Zagreb collections Thirteenth3.3.3.3. fragmentsincenturywritten in Beneventan collections script Dubrovnik collections Late 3.3.3.2.tw Thirteenth3.3.3.1. centuryfragments Chantilly Grazand Paleographical3.3.2.4. features Libellus3.3.2.3. Nicolayi,Sancti centuryBeneventa Paleographical3.3.2.2. 342,Canon.aof features MS. Liturg. base for study the ofthirteentha ......

......

...... elfththirteenthfragmentsincentury/ written from Beneventan Dubrovnikscript

......

...... n script in nscript Dubrovnik ...... e -

the analysesthe ...... anuscripts ofDubrovnik anuscripts origin, MissaleRagusinum Libellus and

......

h century fragmentpreservedin hcentury Dubrovnik ...... of the manuscriptofthe itsfor and thirteentharguments century date -

the originmanuscriptthethe of ......

......

...... -

some arguments for a Benedictinesomeaargumentsfor scriptoriumthe at

......

Written inPreservedWritten Beneventanor Script ...... ovenance ...... uscrips and Fragments Preserved inPreservedFragmentsand uscrips ...... - ......

...... – historiographyanalyses and

eleventhtwelfthandcenturies - ...... an analyses an ......

......

...... -

some

...

.. ..

. 148 145 142 138 135 135 132 130 129 123 122 122 121 117 114 111 105 104 103 103 3

CEU eTD Collection DALMATIA ANDTO RELATED HANDOF AND MANUSCRIPTS6. LIST WRITTENBENEVENTAN FRAGMENTS IN SCRIPT CONCLUSIONS5 MANUSCRIPTSTROGIR IN4 WRITTEN BENEVENTAN SCRIPT 4.4. TheTrogir4.4. Epistolary TheTrogir4.3. Evangelistary with Free Miniature EVANGELISTARYTHE 4.2. FROM1259 andOriginthe t of Evangelistary4.1. Evangelistaryfree ofminiatureswith1259, and Epistolary Conclusion3.5. Lokrum3.4. Forgeries codices The4.4.3. silver coversTrogirofthecomparison Epistolary in withsilver the coversSplitofthe on Dalmatianthe context Thevisual 4.4.2. non parallelsof Types function4.4.1. initials anddecorated of the TheRab 4.3.3. Evangelistary other andthirteenthparallels Trogircentury the Evangelistary to especiallymanuscripts,century in Dalmatianevangelistarieswritten the script Beneventan Thedecoratedinitials 4.3.2. Trogirofinthe Evangelistary ofcontext eleventhand the twelfth notionsandofspace Themaster 4.3.1. Trogirofthe evangelistary miniatures:theandpatterns, analysesof gestures the Decorated initials4.2.2. inandofEvangelistary1259 Dalmatian illumination the ofpractice Types function4.2.1. initials anddecorated of the monasteryMaryislandBenedictine St. theLokrum of on of Theconclusion 3.4.3. forgeries Theanalyses 3.4.2. ofBeneventan non and Introduction 3.4.1...... 4.4.1.3. Ornamental4.4.1.3. initialsgeometricand Initials4.4.1.1. humaninitialswith depictionszoomorphic and Redinitials4.2.1.2. functiontheirand Brightinitials4.2.1.1. colored andfunctionoftypeBeneventan their

...... - proposalnew of dates

......

...... heManuscripts

......

– ......

– AReconsideration

the ......

......

forgeriesscribalafor positiveasargument ina practice the ......

......

...... - Beneventan initials ininitialsTrogirBeneventan the Epistolary special stress with ......

......

...... - Beneventan documents incalled group thedocuments Beneventan Lokrum

...... s

......

...... – ......

...... Historiography, Date ......

......

. . 232 219 211 208 205 202 202 202 196 193 186 186 184 183 181 181 181 174 174 171 166 151 149 149 4

CEU eTD Collection BIBLIOGRAPHY 9. OF ILLUSTRATIONSLIST 8 IN THESIS ANDTHE DISCUSSED CATALOGUE7 AND OFFRAGMEN MANUSCRIPTS 8.3. TROGIR MANUSCRIPTSTROGIR IN8.3. WRITTEN BENEVENTAN SCRIPT ...... WRITTENBENEVENTANDUBROVNIK 8.2.AND IN FRAGMENTS MANUSCRIPTS SCRIPT ZADAR8.1. Manuscripts7.6. ofDalmatianin foreignoriginpreserved collections Zagreb7.5. Rab7.4. Trogir7.3. 2.Dubrovnik 7. Zadar7.1.

......

MANUSCRIPTS AND FRAGMENTS WRITTEN ANDMANUSCRIPTSIN BENEVENTAN FRAGMENTS SCRIPT

......

...... TS WRITTENBENEVENTAN IN TS SCRIPT ......

......

...... 367 365 364 361 361 304 300 291 273 249 246 246 5

CEU eTD Collection areinspite that ofpossibleany errors matchedwasonlyherhuman byexceptionala being.as goodness helpedwho Beneventan mewayscript inand myscholarship every with whose possible brilliant work gratitude,however,Mygoes deepest likewould myI to myalso whenthank Vita little babysat daughter wasparents theworking on I thesis. Universityhisfor ofZagrebcontinuous help my with research. would likeI to ofNevenBudakDepartmentHistory,ofthank theFaculty Philosophy of at forand support. their constant Department manyCentralofforUniversitythe Budapest learned European inthe I from them things wouldmy likeI Bélato Szakácsthank supervisor Zsolt an Acknowledgments

to latethe Virginiato (1940 Brown entirelymyown

responsibility. d other professorsfrom other d Medievalthe

It is to herdedicate is I thatIt to these pages

- 2009), greatthe

mistressof the 6

CEU eTD Collection Kultoviu kontekstu slike” (Sanctoralsof Dalmatian manuscripts written inBeneventan script FFPress, 2005:187 and konzervativnostdalmatinskog sitnoslikarstva benediktinske tradicije” (The illuminationof Mediaevalstudies atCEU 1 hispublished generation, decades first oftwentieth Avery(1879 century. EliasLoew work booksarticles items,doonlythat but mentionnot and main treat Beneventan them asthe topic exhibitionsthe and isofitbecause Yugoslavia scientific t contributionto in therefore briefthiswill relevantinclude mostI survey markbooks; only the those that American, North inCanadianinvolvedisItalian and scholarship Beneventandeeply topicsand justificationspecificofthe researchtopics provide order to forscholarlya evaluation the context in ofBeneventan andstudies Croatia Here The inDalmatianmaterial Beneventan written Scrip picture. Thisresearchwasmy preceeded byMAthesis some publishedandpreliminary researchon developmentofDalmatian Beneventanaandilluminations beaccompanying can considerationnewlyitems.myTheofpurposeis see discovered whetherto thedissertation frag focusedbeDalmatianthe andfromon towns ofTrogir DubrovnikZadar,manuscripts apart and, and andin wasusedof DuchyexclusivelyBenevento the in SouthernItalyDalmatia. and isBeneventan script Italy, America,Canada, Studiesscriptofaccompanying1.1.illumination Beneventan and INTRODUCTION 1.

RozanaVojvoda. “Većenega‟s :”Book of Hours”: A manuscriptstudy withspecial stress on decorated initials.” The breakthrough inThebreakthrough st the the ments written in mentshavewritten that script beenBeneventanwillalready into I discussed, also take s

. tudying of this medieval script aswellmedievalthis tudying of script as I will I mentionthe

conservativetradition of Dalmatian illumination related nandwillmention scholarship,CroatianI almostall books the extremely

(HagiologyCults / incontext). Zagreb: Leykam international, 2008: 89 - 208

catalogues . a minusculehandwritinga t RozanaVojvoda. “

8(2002): 9

greatest

a heconcern thatand topic material.forthose DalmatianAs

relevant relevant formerYugoslavia

monographo udy ofscript Beneventan

containinga - achievements 37.Rozana Vojvoda. “Iluminacija TrogirskogEvanĎelistara to

the dissertationthe will, exclude topic.I however, Sanktoralibeneventanskih rukopisadalmatinske provenijencije n

Beneventan script inmeticuloBeneventan hasscript hewhich undertaken inundertakenstudy. this

fewentries itemsBeneventanon as scientificwell as

in and Croatia and hat middledevelopedthe towards eighthofthe century itsillumination accompanying t

. North American, CanadianNorth inItalian and scholarship 1 .

to took place took the Benedictinetradition). In -

1969), premierthe Latinpaleographer of - text

andimage relationship

inAmericanin North scholarship the

s : examples :

andIamarticles that aware the - 105 s

TrogirEvangelistary hashad

Raukarovzbornik

placedwithinwider a from -

raskoš iraskoš s the cataloguesthe of

).in former Myresearchwill usly analyzeduslythe

a longhistory a

North North Hagiologija / a significant a - vezateksta i

Annualof ofthe .Zagreb: - luxury .

CEU eTD Collection werepublished in abook. Virginia Brown. concernedwith the paleog ofList Beneventan Manuscripts (V)”. Secon Brown.“A Second New ofList ManuscriptsBeneventan (III)”. 7 2 6 Brown. Loew. 5 AlbaredaaBiblioteca Apostolica edita, 4 contributionstext was published.never 3 DictionaryofAmerican North Classicists. Portsmouth RH: Greenwood Publishing Group, 1994: 376 Seeentrylife the on andwork by AveryElias Loew(also re Fourteenth Century AveryLoew. 2 scriptoria,shown us the that pu listsfragmentsofmanuscriptsBeneventan/ in extensivemost inVirginia hasbeenwhocompilingworld. Brown the and newcontinuouslypublishing fragments. Canada called VirginiaBrow manuscriptsfragments.Beneventanand revisedin edited, andit andbook listwith she supplanted newLowe‟s 1980 enlargeda of hand VirginiaformerLowe‟sassistant Brown, inmanuscriptsfragmentsand early the sixties,the studiesto relatedmaterial.this andblessing candleofcalledthe Easter on richlyillustrated historyMyrtillaWellesley professorAvery, a ofart at College contains later facsimilesthat andlargemanuscripts. numberdescriptions ofof Beneventana a seriousto approachthis subject manuscriptsfragmentsBeneventanandis known during Thehis book any forindispensable still time. developmentandorigins,the features the scriptofthe

011,10:16 a.m. VirginiaBrown. Moreinformation on the projectbecan obtained thisatsite: VirginiaBrown. “A Second New ofList Beneventan Manuscripts (I)”. EliasAvery “ALowe. New ofList Beneventan manuscripts”Collectanea in Vaticana in honoremAnselmi M.card. MyrtillaAvery. EliasAvery Loew. blicationsBeneventan on AlthoughhissupplementAveryhimself aElias list Lowe handprepared ofto Beneventan d Newd ofList ManuscriptBeneventan (IV)”. The Beneventanscript. History A ofthe SouthItalian Minuscule Monumenta Liturgica BeneventanaLiturgica Monumenta 2vols. Sussidi Eruditi33, 34.Rome: Edizioni diStoria eLetteratura, 1980. . Theprincipal . aim 6

Scriptura Beneventana.Facsimiles ofSouth Italian and Dalmatian Thecollectionmicrofilm of ph and ) n, Roger Reynolds n,Roger and RichardFrancis

The ExultetThe Rolls ofSouthItaly

“ASecond New ofList Beneventan Manuscripts (II)”. .

Italianinrolls especiallyparchment Beneventanwritten forscript the designed The BeneventanThe script. A historyof souththe Italian minuscule 2 vols.2 Oxford: Oxford University 1929.Press, raphy, liturgyraphy, and history

of the project isstudydiscover, project oftheedit to and - e script topics.script

ofBeneventan into continuedscript

Mediaevalstudies sis

StudieTesti TerraSancti Benedicti.

a lso casethe with 5

.Vol. II Princeton: Princeton University P , 7

preparedsecondaLi New at Pontificalthe in ofMediaevalInstitute studies Toronto, She has identifiedShehasnumberItalian a of South Dalmatianand Mediaevalstudies Exultet in

220,Vatican City, 1

South Italy Mediaeval Mediaeval otographic holdings at Pontificalthe at holdingsis otographic the now Institute 70(2008): 275 ferred toferred Lowe,as changed from Loew 1918) in Biographical in ir . 3

http://www.pims.ca/research/mlb.html numberhascontinuouslyincreas

It remained It allforbasicofareference book later Mediaevalstudies . . Thework

Gyug are principle investigatorsGyuginprinciple are t a using

Roma: Edizionedistoria eletteratura, 2005.

second S 61(1999): .2nd edition prepared andenlarged by Virginia tudies

- Beneventan manuscripts 355.In 2005 Mediaevalstudies 962:211 Mediaevalstudies in book by book

contains

Massachusetts, publish Massachusetts, is author also theof numerous the

325 - st ofBeneventan andManuscriptsst 56 (1994):56 299 244

sixteenthcentury expandedand . Oxford: . Clarendon Press, 1914. E Beneventan manuscriptsBeneventan - , 392.

numerous articles Loew published Loew a Manuscriptsfrom Sixththe tothe

VirginiaBrown. hand listhandofall the ress, 1936. ress, 40(1978): 239 50(1988): 584

- and 350.Virginia Brown. “A

- (last accessed29.04. 378. ed fragments sourcesas V olumeI with the . by 4 ed a book on book a ed -

- 290.Elias Avery

In1978 fifteen “ASecond New 625.Virginia Virginia BrownVirginia heproject 2

In1936

and

years ,

lias ,

CEU eTD Collection 1999. 10 exhibitionthe heldVenice in 2001, 9 35 Musicological : Society,1998 28 September on Hrvatska,Zagrebu,28.09. Centralbetween kultura glazbenih mediteranskih i srednjoeuropskih izmeĎu most in kao Dalmatia” zemlje Medieval of Liturgy the in Christ of Genealogies The Preservation: 409 3), Perugia”, di nell‟UniversitaRagusinum umanistici e medievali studi degli collegamento il sull‟altomedioevstudiEnricoSpoleto, Menesto,Leonardi italianoCentroedClaudio di (2 Perugia and In Centuries.”Twelfth Thirteenth the of SourcesDalmatian in Prosulas and “TropesGyug. F. Richard book). a as published be to (soon 1983. 9 175 Croazia. 8 ThomasKelly.professor Forrest achievements important in musicologymanuscripts,Beneventan to especiallyrelated by Harvard from Apart inscholarly liturgy,paleographycontributions Beneventan andha there useddevelopmentatof Beneventan script Cassino UniveDuke Dalmatiaseveralon occasions. Reynolds Roger knowledgehasthemanuscripts contributed to ofin written scriptBeneventan liturgy.RichardFrancis RichardFrancis particular inDalmatianmanuscriptswritten Beneventan which manuscriptsand Virginiainvestigationsespeciallyaremy for Brown‟s becauserelevant topic the Beneventan related to paleography. unsustainableappearancethe with of geographicaltheits Sheboundariesofuse. has correc

VirginiaBrown. Entrytheon Evangelistary of Gyug. F. Richard Francis .

have Catalogueof exhibitionthe inheldVenice 2001, 9

during the abbacyduringgoldenthe inDesiderius,the abbey, of agetheof had he which the traced Newton - Trno Pniia Isiue f eiea suis 19.ihr F Gu. Invto, Adap “Innovation, Gyug. F. 1990.Richard studies, Mediaeval of Institute Pontifical Toronto: . 5 settembre 1987) organizzati dalorganizzati 1987)settembre 5

research questions undertaken inresearchquestions undertakenthesis. this

rsity not - European and MediterraneanEuropeanand CulturesMusical - . coe 1 19, ure 1994, 1, October

Thescriptorium and Library atMonte Cassino, 1058 Reynoldsand Gyug ofRoger authorsstudiesnumerous are to related sofar been An Edition of Leningrad, B. A. N., F. no. F. N., A. B. Leningrad, of Edition An fragmentslargeitemscontainnumber canof a Dalmatia beto that and attributed in

North Carolina North La tradizione dei tropi liturgici tropi dei tradizione La - 1.10. 1994. / Proceedings of the InternationalMusicologicalProceedingsZagreb, of Croatia,the symposium 1994./ in 1.10. held Gyug dealsGyugextensive

- studied instudiedcodicological detail.Her paleographicaland analysesof 55. Roger Reynolds. Entry on SacramentaryRogerReynolds. in 55.on Entry Split of

9 th

At verythe Francis ofcentury, endtwentieth Newton, June He has, amongst other has,He t dio / ed. Stanislav Tuksar, Zagreb: Hrvatsko Muzikološko Društvo / Croatian Croatian / Društvo Muzikološko Hrvatsko Zagreb: Tuksar, Stanislav ed. / dio ,

has published a magisterialhaspublishedascriptorium the studyon of - 4 certain th Corpus TroporumCorpus

November.

Trogir andTrogir Thomas the Archdeacon‟s Monte Cassino

new evidencelaidnew and

ly with Beneventan liturgyinlymedievalwith and Dalmatia script . Atti dei convegni dei Atti . th Venice: EdizioniMultigraf, 164

June 8 200: The Lectionary and Pontifical of Kotor. of Pontifical and Lectionary The 200:

providesvaluableafor of reference point

ted some ted provedopinions ofLowe‟s that

sotto l‟egida dell‟ l‟egida sotto , Radovi s meĎunarodnogRadovis muzikološkog u odrţanog , skupa - 4 th hings,brilliantstudy offereda the on textual,

down November.Venice: Edizioni Multigraf, 2001: 166 - 1105. to to

sui tropi liturgici Parigi (15 Parigi liturgici tropi sui

Cambridge:Cambridge University Press, / the the arb n Cota Lns s Bridge a as Lands Croatian and Zagreb European ScienceEuropean

tinie arb 1094 Zagreb ground Historia Salonitana o, 1990 (Biblioteca del “Centro per(Biblioteca“Centro del1990 o, st detail. st TesoriCroazia.della - - 3. ihr F Gyug. F. Richard 438. 166 work

listsofBeneventan - 1994, ve 10

forany research

Foundation

the beenvery professor at professor - arb hrvatske i Zagreb

19 ottobre 1985) ottobre 19 in Beneventan Tesoridella Monte Monte Diss. Toronto, Diss. Catalogue of ain and tation , a cura di di cura a , the Missale - 9 -

CEU eTD Collection manoscritticonservati nell‟ArchiviodellaBadia.” 17 decoratidell'Archivio diMontecasino III codiciI preteobaldiani eteobald Roma Stato 16 dicuraGiovanni Vitolo, Francesco Mottola) Badia di Cava, 1991:404 documentarianel mezzogiorno Longobardo. Attidel Convegno internazionale distudio ValentinoPace. La decorazionedei manoscritti pre 198 Desiderio.II.La decorazione libraria, Vaticana:I codici cassinesi dieta desideriana eI codici non cassinesi dellaII metàdell‟secolo”. XI In 15 meridionale Bari, Exultet1,2, dell’3 Archiviocapitolare diTroia GuglielmoCavallo. 14 1934. Inguanez.Miniature Cassinensisecolodel illustranti11 vitala diS. Benedetto (DalCod. Vat. Lat. 1202).Monte Cassino, 1881.Mauro Inguanez,. 13 1984. raccoltiinmemoria del XV centenario dellanascit 12 ExultetinSouthern Italy 11 frommanuscriptsboth largeGiuliamade Orofinohasalso ahistorical contribution to art the o studies inspectionthe of codicological in to order hugeAvaluableandwasstill historian enterprise, in by undertakenprogress, art Giulia Italian Orofino decorationofandCassinese Non andPecere Oronzo Giulia Orofino. the secondInthe half twentieth the centuryof there with madeandbyvaluablecontributions as well describing and collecting data the studies aswith concerned mainlyscholarswere monksthemselves as(such Benedictine first abbey of T articleconcernedwith musicalinpictorial andprogram Exultet of the Italian Dalmatianmanuscripts. and

hefirsthalfnineteenthand of

GiuliaOrofino. “Considerazioni sulla produzione miniaturistica a GiuliaOrofino. Francesco“L‟Exultet Babudri. diBari del.sec. XI” in DomOderisio Piscicelli Taeggi PenelopeC.Mayo. “BordersinBari: decorativeThe program of IBari andMontecassino under Desiderius” ThomasForrest Kelly. ValentinoPace.“Studi sulla decorazionelibraria in area graficabeneventana. I fondi dellaBiblioteca Apostol 9 (Miscellanea9 cassinese, 60): 65 Exultet with important contributionsExultetwith important by scholars -

: ArchividiStato, both IstitutoPoligrafico eZecc .Eds. Giulia Orofino, Oronzo Pecere. Roma: Istituto poligrafico ezecca dello stato, Libreria dello stato, 1994. the paleographytheillumination. the and chronologically descriptions and luxuriousdescriptionsand reproductions. Thesevolumes I codicidecorati dell’Archivio diMontecassino. I.I secoli VIII RotolidiExultet dell’ Italia meridionale: Exultet 1,2, Benedizionaledell’ archivio della cattedraledi Monte Cassino Monte 1994. .New Oxford: York, Oxford University 1996. press, CodicumCasinensium manuscriptorum catalog The BeneventanChant the Monte Cassino Monte

I codicidecorati dell’Archivio Montecassino di

Monte Cassino Monte wasBaripublishedby Exultet Mayo. PenelopeC. publish allpublish the iani a dello Stato a . Paleografiaartistica diMontecassino

, Roma: , - 93. the century,twentieth

Attidella tavola rotonda(Monte cassino 1987) acura diG. Cavallo, Montecassino, - manuscripts moremanuscriptsavailable scholarly the to community. Cassinese manuscriptCassinese

: 14 tra Teobaldotra Desiderio e

A IstitutoPoligrafico eZecca dello Stato -

ArchividiStato, and Apulia.and

great contribution knowledge great our to of

Cambridge:Cambridge University 1989.Press,

Monte Cassino Monte MiscellaneaCassinese where the Beneventan waswherescriptextensively The the used. adiS. Bendetto(480 - desideriani fondinei dellaBiblioteca Vaticana. .Bari: Adriaticaeditrice, 1973. Archiviostorico Pugliese 13 hasbeen

DomPiscicelliOderisio Taeggi 17

suchas

Emanuelahistorian art fromanElba, Bari and 1996.

Italianprimarily concentrated scholarship the on swasgiven Pace. by Valentino , ltomediaevaleaMonteCassino attraverso alcuni

Roma:Istituto Poligrafico, 2006 increasingininterest pictoriathe manuscripts written inmanuscriptswrittenwith Beneventan script Icodici decorati dell’Archiviodi Montecassino - - 457. 1980), us Francesco Babudri, Francesco Guglielmo Cavallo, .LitografiadiMontecassino, MonteCassino1876

47(1983):131 ,3 vols. MonteCassino, 1915

.II, 1.

MiscellaneaCassinese 44,Montecassino, - X

10(1957): 8 , Roma: , I codicipreteobaldiani eteobaldiani - ArchividiStato,

Exultet.Rotoli litur have (Badiadi C - 185.Giulia Orofino. “L‟eta‟ 12 IstitutoPoligrafico eZecc certainly made themade certainly

the -

169. Bene ThomasFor

or or 11 Beneventan Scritturaproduzione e ava,3

. Mauro I Mauro An importantAn 2000.

ventan L’etàdell’ abate 15 - gicidel medioevo 1941.Mauro -

5ottobre 1990, a 16

I Codici lof program

rest Kelly. rest

Scritti nguanez ica . II, . 2. a dello a , The ) - 10

CEU eTD Collection written). 20 publishing houseavailableare at 19 expressI my deepest gratitude to Emanuela whoElba kindly supplied w me pugliesedell‟XI secolo”. 2007:362 Medioevo: l’Europadelle cattedrali Emanuela Elba.“L‟Evangeliario miniato della cattedrale di eTrogir culturala artistica adriaticaXIIIdel secolo” in 27oConvegnsulla Preistoria 107 18 MiniaturaMontecassino. a Altomedioevo. Cassino:Università degli studi diCassino, 2005, CD Cassino:Università degli studi diCassino Miscellanee,4.Naples, 1994: 51 un‟ereditaculturale. O.Ed.Pecere. 1991:457 documentarianel Mezz decorazione dei manoscrittipugliesi inbeneventana dellaBiblioteca Nazionale diNapoli” in secolo:l‟Omiliario BVI 2 della Biblioteca Nazionale diNapoli. Montecassino,Universita degli studi diCassino, 1989: 19 Cassinesidel secolo XI dell‟abateDesiderio. codiciI cassinesi 191,339, 453, 99,571, 108,144, 520”. Do Thes inBeneventanscript. Maksimović)andhistorian whoSlovenianKos) one (Milko formerYugoslavia by1993 housepublishingthe and suchBeneventan data asscript the TheUniversity ofGiuliaCassinowhere Orofinoteaches results EmanuelamethodologyanalyzeElba has usedthis Dalmatianmaterial to and accurate initials. decorated andGiulia oftenOrofino‟sarticlesbecausebooks arecited most they present the isElba‟sforresearchof special th interest illumination formerhas Orofino‟sstudent recently contributed

AntunZaninović. “Doba kojemu je napisan trogirskiEvanĎelistar“ (The timewhen Trogirthe Evangelistarywas Bibliografia manoscrittidei inscrittura beneventana EmanuelaElba.“La decorazione dei codici inbeneventana dellaDalmazia XItra eXIII sec minicanAntunZaninovićscholar - SinceRepublicthe ofCroatia 147. Emanuela Elba. an tudy ofBeneventan tudy script whichwill I essentialmanuscBeneventanBibliography of Vjesnikza arheologiju ihistoriju dalmatinsku - - arthistorical initialsanalysesmansucripts.typologyofApulianthe and ofCassinese the of 369. Emanuela Elba.“Lungo le adriatiche:rotte il Libro d‟Ore inbeneventana diBudapest e la miniatura 488.Giulia Orofino. “L‟imagine del Medioevo leCassinese: miniature” in s

ininmanuscriptswritten Dalmatian Benevent n scholarship refers to Serbianntwo scholarshipto refers (

.Catalogue ofexhibition. the Eds.S. Adacher.Giulia Orofino. Montecassino: Abbazia di ogiornolongobardo critically comment criticallycomment

Rivistadi Storiadella Miniatura ” DallaPuglia allaDalmazia: sulnote Martirologio S.Maria di diPulsano (XII secolo)”. Atti del - ProtostoriaeStoria dellaDaunia. Ed. Armando Gravina. San Severo, 2007:16

- http://www.viella.it 66. Pubblizacionidell‟Università degli Studi diCassino, sezioni Atti, Convegni, of . Atti . del IX Convegno Internazionale diStudi (Parma, 19

GiuliaOrofino. started Viella inViellaRome. lay - base – .Atti Convegnodel internazionale distudi. Eds. G.Vitolo andF. Mottola. Cava,

20 within the boundariesRepublicthe withinof oftheYugoslavia until1991, Minister

and ininCroatia the on for at further the

allmanuscriptsfragmentsBeneventanand available on oper i eBenile Attività Culturali, 1999, CD

part part ofmy dealshistorymostly thesiswith that art and (lastaccesse Exultet. Testoeimmagine nei rotoli liturgicidell‟Italia meridionale

45(1922): 21 1 paleographer Viktor Novak, who publishedNovak,whopaleographer Viktor on book the - - 16.

19 102.Giulia Orofino. “Miniatura inPuglia agli inizidel 12(2008): 45 along to discussionthe

Roma: ViellaRoma: libreriaeditrice,

ripts, which ripts, Miniatura d 29.04. 2011,29.04. d 10:27 a.m. Br firstdecades inthe ,

ankaTelebaković Pecarski, Jovanka - launched related severalto projects 24 anscript. . - have

55. text. 3 ith allith publications. her

- 4(1991), 21

hasbeen dealt withdealt Dalmatianmaterial written L’eta’dell

with new with 18 ofthe centurytwentieth with

GiuliaEmanuelaOrofinoand Monachesimobenedittino

’abateDesiderio. Manoscritti publishedannually - 32.Giulia Orofino. “La )

1993

information Scritturaeproduzione produced

olo”. olo”. - 23 settembre23 2006), Milano, - ROM - - 2008 ROM.Giulia Orofino.

Segnoetesto

.Information on the

veryimportant

on the on 9 - 181. .Profili di the

since 4(2006): l‟XI

the the - line , 11

CEU eTD Collection Branka TelebakovicPecarski.“Notae artis illuminatoriae”. Humanistica Branka Telebakovi MRmissal 25 (1930):87 Dalmazia 24 century). 23 historicalus Blaise):210 TrifunaiSv. announcementthe of Ea beneventanska prilogaobjavljivanju Uskrsa danBogojavljenja, na Osoru na u Splitui ( f 187.II Fragment homilijarija(II (1928):15 159 22 special regard tothe Dalmatian Beneventan script 21 Beneventanscript research. manuscriptsfragmentsand Novak Viktor In Chrysogonus St. was TheanalysesidentificationofitemsBeneventan asthewell of as andBeneventan pre script SlovenianKoshashistorian Obituary the inMilko studyon publishedaorigin of Dubrovnik written articlesBeneventanZagreb and someother to related topics. published to articlesrelated indocuments Inwritten script. Beneventan expressionsinnamesandused DalmatianBeneventana materialBeneventaninaddition the of Croatia, Beneventan abbreviationst transmissionfrom BeneventanofDalmatia,theidentification the script Italyto ofsome newly emerged Beneventanscrip however, book, interestingofferedan CroatianuseLoew‟sYougoslavian and findings scholars to concerned withBeneventan script special regard rom the rom

GiuseppePraga. “Lo MilkoKos. “Fragment jednog dubrovačkog obituarija XIII. veka”(Fragment of Dubrovnik a obituary from ViktorNovak. ViktorNovak.

BrankaTelebaković Pecarski. “Iluminacija misalaMR the

latefifties sixtiesand of th

Osorevangelistary): 191 Priloziza književnost, istroriju i folklor

vol.VII,fasc. 39 (1929): 1 - 25 - 100;fasc. 47: 101 166from Nationalthe Library Zagreb). in e - ,

219.VII Nov dokaz istoriskuza upotrebu nazivascriptura ili littera beneventana (

Blaţa”( 14(1962): 69 Her the book is largelyisLoew‟sbook onthe monog dependent of namethe - 222.“IFragment najstarijegsplitskog sakramentara” (I ‟s “Notae palaeographicase chronologicae historicaeet I Scripturabeneventana os s

doctoraldissertationconcerns Benedictine inin scriptoria scribal Dalmatiaand practice ć assistant at University the assistant ofBelgrade . t “AMonument of Dalmatian miniature paintingfrom the thirteenthcentury”. . . It VI.A existed „Scriptorium‟dell‟ Abbazia Benedettina diSan Grisogono Zara”. in steron the day ofEpiphany): the 205

isonlythe work provided scr -

75. fragment - iptura 122; ,

servedin Chantilly

. placinginscript the

connected

A - unknowninlibrariesspecimens ofscript Beneventanthe of Split and 202.IV Fragment homilijarija( fasc.48:123

fragment or

- by from 24;fasc. 40:25 litterabeneventana e twentiethe century a ofpassionale a of Dalmatian origin with ZadarscholarofItalian origin obitimobzirom na dalmatinsketip beneventane

from and that hasa adopted that t to Dalmatia paleographicalto historicalboth using art and o -

143;vol. IX,fasc. 49, 144 the

IV (1924):IV 193

novel possibilitythe about opinion a type).Zagreb:JAZU, 1920.

the

Homeliary Dalmatiantype. - , 33;fasc. 42:34 Anali Historijskoginstituta JAZU u Dubrovniku France.

a broader broader a late twentiestwentiethofthe century - ): 219 166 iz zagrebačkesveučilišne knjiţnice”(The illumination of the Starine JAZU - 210.VI ,

): 188 ): BrankaT - 23 - 222. , 209.

IV.A

started to publish started Beneventanto related to articles aswell as

syntheticNovak‟sinceapproach Viktor historical context

- -

. 190. ExsultetOsorskog evandjelistara (The Exultet 48;vol. VIII,fasc. 43,49 .A Fragmentdalmatinskog pasijonala pasijamas Sv. raph on Beneventan script (whichraphBeneventan on script enabled

when a when 22 21 Fragment -

VII 51 (1962): 49 fragmentofoldest the sacramentary):Split 159

- elebaković Pecarski, an art historian elebakovićPecarski, art andan As 149 ”. the

VjesnikHrvatskog Arheološkog a far . ,

Giuseppe Praga. Giuseppe listofDalmatian and scribes languagebarrier

fromaHomeliary ZadarBenedictine scriptorium of the as Beneventan passionsof St. Tryphon andSt. V. - 60. o Loew‟so list, asconcerned TwocontributionsBeneventan to

Archiviostorico per la (Beneventanscript with a that a that VII. - 60;fasc. 45;61 Mediaevalia et Newevidence for

Dalmatiantype of ): 202 ): 24 , paleography ispaleography existed

Viktor Novak Viktor

(1957

the - a 205.V Dva

- listofSlavic 59):149 ). The ). the društva - 86;fasc. 46 thirteenth s

the - 160. n.s.,

CEU eTD Collection 172 illuminations 201 30 Evangelistaryfromendtheof eleventh Rab).c. in AnĎ “NecrologiumRagusinum (A.D. M. CC.XXV)”. Dalmatian historicalsources fromthe eighth until the “Neiskorištavanakategorija dalmatinskih historijskih izvora odosmog do dvanaestog stoljeća” (Unused category of 29 Kršćanskasadašnjost, Matica Hrvatska, 2002. 28 “NajstarijeGrgic. zadarske note”(The oldest MarijanGrgić. “Eleventh Century Book Illumination inZadar”. NovakGrga &Vjekoslav Maštro Mary).In 27 and paintingthe Dalmatia in from eleventh untilthirteenth c.). Ph.D. diss,University of Philosophy Belgrade, in 1965. 26 Dalmato eightiesthe ninetiestwentiethandof the century the studyinteractionpublished short athe betweenon illumination manuscripta At fragmentsBeneventan especiallysacred art historianandBadurina, AnĎelkomain anwhileDubrovnik,whose priestart and fie materialpublishedpaleographicalandanalysesof In posthumouslyinfacsimilemanuscript.withpublishedalongedition a 2002 Oxford of the Bodelian manuscriptsZadareleventhcentury(Budapest:Academy Hungarian K. 394; Sciences: Oxford: of manuscriptsfragmentsinand written script. Beneventan history musicologyusedan art and and who centuryby ZadarThescriptoriumon extensive work undert was referthroughout th ofitnew evidence, someofher opinions historical study.This art paleographicaland researchwas unfortuna

AndjelkoBadurina. “Osorski evandjelistar” (Osor‟ s Evangelistary) ViktorNovak. "Većenegi Marijan,Grgić. MarijanGrgi BrankaTelebakovic Pecarski. Beneventanski sk

the the beginningthe of - - elkoBadurina. “Fragmenti iluminiranogevandjelistara krajaiz 11.stoljeća Rabu 196. 205.Jovanka Maksimov sixtiesNovak seventiestwentiethofcontinuandthe century,Viktor

Kulturnabaš

tia was tia Library: MS. Canon. Liturg. 277),Canon.Library: MS. thatLiturg.

the from ć of ."2 nepoznatasvetomarijska rukopisa Budimpesti"u (Twounknown manuscriptsfrom conventthe of Saint

Croatian historian Marijan Grgić who was trained inwashistorianCroatianliturgy,trained Grgić Marijan paleography, who codicology, Časoslovopatice Čike

Osor provenance Osor and presently S

provided outhern ItalyDalmatia and in Middlethe Ages). e thesis. tina samostanatina svete Marije u remains the medieval no longergiven accepted noare

from n evandjelistar"(Većenega'n s Evangeliary). eighties ić. "Beleške ić. o iluminacijama juţne Italije Dalmacije i srednjemu veku" (Notes

by Miho Demović, a musicologistinitiatedbywho a severalMihoDemović, editionsof 26 vić,123

one of the basic texts basicofonethetexts on which willDalmatianBeneventana,a to I text Rab.

miniature painting, miniature hasstudypublisheda newlyofthe discovered of the lastofcentury,the 29

- (TheBook Hoursof of abbessthe Zagreb Čika).

227.Zadar: Institut Jugoslavenske akademije znanosti umjetnosti i u Zadru, 1968.

Zadar notes).

riptorijislikarstvo i Dalmacijiu od 11 ZbornikFilozofskog univerziteta u Beogradu Peristil

interdisciplinaryinhisapproachofexamination Zadar twelfthc.). Zadru held

werein hisprototypes opinion 8 RadoviInstituta JAZU u Zadru - texts 9 (1965/66):9 5 (The cultural(The heritage

AnĎelko BadurinaAnĎelko contributed newscientific

in greatest aken JournalofCroatian RadoviJAZU u Zadru

the Vatican library Vaticanthe written 27

Prilozipovijesti umjetnosti Dalmacijiu

insixtiesseventiestwentieththeof and the Hisfromdoctoral dissertationtwo on 1976 Izdanja HrvatskogIzdanja Arheolo StarineJAZU

contributionBeneventan to studies related - s 12. inbothBeneventan from script Zadar

inSouthernandDalmatiaItaly.

discoveries tely nevertelypublishedand though

ofconvent the of Mary St. Zadar), in ed.

Studies 51(1962): 5 u” ( u”

3 (1957):3 39 - . 13 ed to workwith to edDalmatian F - JovankaMaksimović Zadar:Hrvatski drţavni arhiv,

ragmentsof illuminatedthe 12 -

togveka (Beventan scriptoria

9 as well as the appearanceasthewell as - - 13(1965): 269 10(1969): 41

of Book ofHours ofBook 11(1970): 149 - š 49.Viktor Novak. kogdruštva new informationnew ld of interest isinterestld of - 94.Viktor Novak. 28 on -

- 21(1980): 132.Marijan 353.

- 7(1982): the 173. 30

was In

on 13

CEU eTD Collection a Split inpressBudapest publishedhas ThomasArchdeacon‟sthe work inLatin and English. (Thomas Archdeaconthe and work.his earlyThe days of Croatian history).Jastrebarsko: Naklada Slap :SplitKnjiţevni krug, 2003. Mirjana Matijević Sokol.Toma ArhiĎakon i njegovodjelo.Ranodoba povijesti.hrvatske Salonitana: a historyoffirst thepriests of SalonaSplit). and RadoslavEds Katičić 34 135 33 Ragusinum Demović Ragusinum 32 Muzičkiinformativni centa from MihoDemovi beneventanskogpontifikala” ( Biskupskiordinarijat, 1998 (includes afacsimile edition andstudy). a Miho Demovic. “Neumatskifragment dubrovačkog LegendandRitual for the feast of Nicholas St. from eleventh c.).Zagreb: Kor Prvostolne crkve zagrebačke, D liturgijskipriručnik legendeobreda i blagdana sv. Nikole iz stoljećaXI. musicalcodex fromDubrovnik cathedral). Bašćinskiglasi XI.izstoljeća” (The chants ofDubrovnic the Liturgical Obitu editionandstudy). a Miho Demović. “Napjevi dubrovačkog beneventanskog liturgijskogpriručnika blagdana svetog Nikole 31 writtenpreviousin midandcentury Pecarski‟sBranka Telebakovićwork the numberofstudiesBeneventan on materialrichnessDalmatiaoftheto inisproportionalwrittenrelated and not script Beneventan the to canAsonehistoriographyfrom seebriefsurveythis into related and Croatia w Beneventanitandprovidespaloegraphy, accurate anin historical extensive which context Thomas‟ historicalThomasstudyon Archdeacon‟sthe work. KatičićRadoslavcriticalaand edition writtenthirteenthmanuscriptin century script Beneventan inmanuscripts written from scriptBeneventan Trogir. At Dalmatia substantially hehis proposesdate particularfor asopinionstheitemswell in as differ Beneventan the written script isMihoDemović acquaintedwithinscholarly fieldnew the achievementsof the Beneventan studies usagerelatedinthe of Beneventanto script TrogirDubrovnik, and Zadar manuscriptsfacsimilesofinDalmatian written and Beneventan script nnotatedby KarbićDamir et al.,

ork wascreated. ork Toma ArhiĎakon.Historia Salonitana : povijest salonitanskih isplitskih prosvećenika. Filipović,Dragan. “Trogirski Epistolar i Evandjelistar” (Trogir‟s Evangelistaryand Heonlywas the inscholarCroatia who MihoDemović.

the beginningthe of - 173. / the HistoriaSalonitanorum atque Spalatinorum

. “Richard . Francis Gyug Missale i Ragusinum tenthuntil twelfth c

- a (Oxford:Bodelian library:Canon.MS. Liturg. 342) and review The MissalThe of Dubrovnik). century or earlieristwo centuryor bythen accepted generally ć. “Spomenicić. glazbene kulture u Hrvatskoj 10.dood 12. stoljeća” (

6 (1997):6 93 fromt TrogirskiEvandjelistar

hose proposed by hosescholarsproposed other the r, r, 1983:55 - ninetiestwentiethDraganofthe Filipovićcentury, p entury 147.Miho Demović. “Dragocjeni muzičkikodeks dubrovačkeiz katedrale”(The valuable A

fragmentwith neumsof Dubrovnik Beneventan Pontifical) Central European ) in in )

- 91. Muzičke večeriu Donatu, Zbornik radova. Dubrovnik script. Since Novak‟spublished inscript. Viktor twenties thework

has referenced

Dubrovnik1/2 ( Trogir‟s Evangelistary).Split: Knjiţevni krug, 1987 (includes facsimile a byMirjanaPerić.Olgapublished Matijevićdetailed Sokol a

3 pontificum M - 4(1996): 136 edievaltexts, 4 - The ofMissal Dubrovnik” (Richard Francis Gyug Missale and

the excellentthe study by RichardFrancis Gyug the on

(1981):53 . N aryfeast ofof the Nicholas St. from 34

/Archdeacon Thomas of ;Splitedited, translated and

Althoughitselfstudythe does 33 amelyitemsBeneventanhethe fromdates -

142. A facsimileA ofedition - ,Budapest : CEUPress, 2006 60.Miho Demović. was

(DubrovnikBeneventan Liturgical Obituary of the ed

the publishedalongbystudya with

of the book ofthe in aperiodical international scholarly community.

,Mirjana Matijević Sokol,OlgaPerić. Ed.Zdravko Blaţeković. Zagreb,Zadar: M carriedout onumentsof musical culture inCroatia

Epistolary). Historyofthe bishops ofSalona and . 31 (Thomas Archdeacon.the Historia Du

Curiouslyalthough enough, ublished a studyublisheda on Rad JAZU409 - brovačkibeneventanski sixtiesofthe formerYugoslavia HistoriaSalonitana

anumberof studies the Bašćinskiglasi .

not eleventhc.). , , 2002.

Dubrovnik

dealwith

(1988):225 same Missale ubrovnik: In2006 CEU ofthe

3 (1994):

.Miho , the , , a , - 253. 32 14 ,

CEU eTD Collection vols.Sussidi Eruditi 33,34. Rome: Edizioni diStoria eLetteratura, 1980, vol.2, 339 The Benevent 475 37 36 Beneventan script because is mostthis forrelevant the research on datingput (larger parts of unfamiliarwith terms torelatedBeneventan paleography. Naturally, all data beenhas significantly reduced andthe stress is havecompiled surveythe in historyofthe South Italianminuscule 35 centers. advancedin than other the Capua, Naples,Benevento, and Salerno B importantmostcenters The ofin scribal MonteCassino,werepractice script BeneventanCava, Adriaticoppositeshoresandthe along all townsofandSubiaco Macerata. Virginiahasshow Brown Beneventan script large settlementsGreek TheBeneventan zone Cassino isand historyfirstfirmlytheBenedictine script ofhistory theboundthe of to the abbey of transmittedshorethe to opposite ofAdriatic,to wasused incentury. It monasteriesSouthern it wasthroughout eventuallyschools Italyand and TheBeneventan inDuchy originated script ancient the middle the towards ofBenevento eighthof the script,dating ofBeneventan originscript, andthethe usage of developmentofthe the script, information Basic 1.2. on introductionshort willbrief methodology,a I surveypresent main the characteristicson of continue I Before with mostlydealt case with centuryhasthere

“Thepresence of large a ofnumber Beneventan fragments inArchiviothe Stato di ( basedupon Elias Avery Loew. Thisbrief sur - 494,642 the big portion of Abruzzi and the seacoast Abruzzibigseacoast ofthethe portion Dalmatia.andof The northern border

and later Benedictine later monasteriesinand region the concerned. - an script.an AHistory ofSouththe Italian Minuscule 702)Macerata suggests that scriptthe mayhave copiedbeen faras north as Marche.the AveryElias Loew. vey relies onrelies

beenno

how the Beneventanthe washow transmitted script - ismarkedby the

Italyincluding southernCampania,ofsouth RomePuglia, Lazio, Basilicata, , - 36

studies. an

ordertomake readingof of thoseparts my dissertation more EliasAvery Loew‟s bookBeneventan on script. the infact,

explanationof work in work scholarshipCroatian

the that northernborderthe that us ofthe textd The BeneventanThe script.

the

. Beneventan scriptBeneventan 37 evotedtoabbreviations andpunctuation) and characteristicsthe of typeBari of Oxford:Clarendon press, 1999 ( covered

Eastward Beneventan manBeneventan

townsw

the the ari. Theari.inscript Monte in s,

h Dalmatia fromDalmatiaDubrovnik. to Osor specificresearchquestions entire lowerhalfentire Italianofthe peninsula the excluding

ere Beneventan was not used:Velletri,Beneventan ere wasnot Spoleto. Farfaand Beneve C Dalmatia.Thewasscriptprimarily hapterIV. The Beneventanzone: 47 -

uscripts duration anddurationgeographical boundaries ofthe . 2 . editionnd prepared andenlarged by Brown.Virginia 2 Tremitithentan usedislandson was in the topicof that that firstpublished inOxford Clarendonat Press, 1914) employ

e mythesis.

fromItal South of the script can be expanded to canscriptofthe the expandedbeto EliasAvery Loew

Cassino

s the the a syntheticaapproach

fondo of my of thesis Monte the

was naturally morewas understandble Beneventan scriptBeneventan

“Tabulariodiplomatico”, nos. y to Dalmatia. yto -

83. C The Beneventanscript. A assinoandBaritype

for the a

and proposed proposed and Benedictine script Benedictinescript

to a

. S use ny Monte Monte

cholars reader

of 35

and a a 15

CEU eTD Collection 42 AveryElias Loew. ta, te, ti, oftu, whichonl ti remainspermanent a feature of scriptthe the4) use of“proclitic”ligatures the witht, inwhich “t”, leaning as wereit upon the letters use3) of I permissiblewhen the preceding letter isf, e, g,l,or r t. ligatures2) with “enclitic I” leftofstem the 41 “ASecondNew ofList ManuscriptsBeneventan (II)”. fragmentof a 40 Miscellaneacassinese 44.Monte Cassino, 1981. Naples”. in In 39 publishedinOxford Clarendonat Press in 1914):41. Further on Elias Avery BeneventanLoew. The script. 38 withligatures havelettersfeatures:essential forms,normalized theachieved look generalisscriptof the uncalligraphic. formative In the period manifestisscript quite it seemsperiodevidencethe lastedthat long of into decline century formativethe (secondhalf period 9 ofthe calligraphicto use Carolinthe ofBeneventanwitha becomes scriptscriptsonly apparent by those contrast which 8 the Fourteenthfifteenthandalsofound inspecimensarein century script Beneventan Dalmatia. century inBeneventan script Dalmatia. wholethroughout thevogue p BiscegliefromTroia,and documents mostBari, itTrani andwas probably Montescaglioso inand variety isBeneventanofThisthe variety script. foundoffromscriptin Beneventan manuscripts also have asknownupon fact there, to manuscri originated thesethe that isBarisoimportance ofnot numbercenterparticularasthe a much aremanuscripts to thatdue of

EliasAvery Loew. Theseare fragmentthe of a VirginiaBrown. “The Survival of Beneventan script: Sixteenth century Liturgical Codi EliasAvery Loew 1) letters a andt: a madelike two c‟s touching each other, witht made the cross Loew has Loew dividedphases the script Beneventan of the on Thedistinguishingfeatures ofBeneventan script AlthoughAverybelievedceased Elias scriptexist Loew the to end that the towards thirteenth ofthe th

ce - 38 12 - ntury , Virginia , has script the shownBrownthat longaboth initially and medially th gian Missale

Monastica. Scrittiracolti inmemoria del centenarioXV della nascita diS. Benedetto(480 . century) andhalf period century) theof12 decline(second of

an ,

the minusculethe scripts reform that banished reformthat The Beneventanscript, . enclitic “i”havebecomeencliticand obligatory I

The BeneventanThe script. A historyof th The BeneventanThe script,

withashelf . 42

in - I referstoligatures inwhich the I loses foits normal

Missale the tentative period. Theperiod. tentativethe

- mark fragmentmark “i” preserved in Dominicanthe monastery Dubrovnik. in Virginia Brown. rovince ofpredominantly Apulia.rovince It was inalso centers of the used

preserved in 93 .

usedby various the very elements froverythe elements 94 - 94 -

95 .

th .

the Baldothe Bogišićcollection inCavtat, townDubrovnik near anda

century

Mediaevalstudies e south e Italian minuscule Beneventan rules are not strictlyBeneventannot arerules while the obeyed, - 10 wasinstillinsixteenth centuryused Naples. 41

Italianschools were

th are ofcursiveorigin.half secondDuringthe of

century), the .

- m calligraphyBeneventan thewhich turned longaisdefinite the into 50(1988): 584 ti 16 -

d the tentative period (8 the period tentative th th istinctionisstrictly observed;certain ,

rm: no rm: independent,uncombined I is the script isscript the fullyequipped century pts present a peculiarpresenta “round” pts century. - strokebent mature .

Oxford:Clarendon press, 1999 - largely cesfromBenedictine monasteries 625:594 - lyused that 13 T period hecursive originofthe th sharply followlos

century). With newcentury).

similar. Theexistence similar. - . Thegeneral . 595 were

(first half(first of11

downwards tothe .

th - es form:its normal

1980). - influence 9

40 century),

1:237 with 39

d by d (first

th -

355. its

CEU eTD Collection 43 of frequent1. theoccurrence form s brokenoftheof c, Thecharacteristics Bariofare:theof script Beneventan type unmistakablebetraysByzantinestrong aand component. initialsThe shortnessstemsofabovetherise which head the to smallerstrokes, the belownumber of basestemsthe descending Theeff handBeneventan other ofschools.the CassinoBenevento.inThe mainMonte isor as effect opposed to ofroundish “angular” athe script inextent Dalmatia appearanceanpossessed innovations “i”,hyphen,the over and stroke as practicethe lines the plummet. inkof rulingwith or abandoningscribaladmissofthe old rules, fromdisintegration isprevails.inloosening Departure practice previous tradition,of theseen the the showwhereareletters joined)brokenandtheywiththat result up strong thethea sense of formednumberpenaof separate of theirlostskill joining (ininletterofstrokes Beneventanhadnature thebe the calligraphyto each periodIntheof decline someof inpunctuation.maturetheManuscripts period in produced the abbacyofthe horizontalthe connecting „bevelled‟neateachthe other, terminations belowstemsofthe projectingbase the thinandstrokes thick from come DesiderianbelongThecharacteristics)main also this manuscriptsto characteristicperiod. of thethat lessform) perfect and half the Manuscripts Thep andalignment wo appearancemoreisscriptofcalligraphic the progresshasinbeenmade and

basedupon Elias Avery Loew.

the Asmentionedalready eriod of maturity eriod of

e with the two curveswithe almostequal;two f, theformnot the descendwhichline of sand below do the and ect is ofabsenceect roundnessthe chiefly to of due the mostbeautifulthe Westernexamplescalligraphy. of

, though Beneventan inBeneventanthough their, general ofcharacteris theirwhichhavea design, own the period of maturityis regularityperiod the ofperfect theachieved script the of by fromthe rd - separation. . The .

half

, coincides with the abbacyincoincidesthe Cassinowith ofDesiderius Monte (1058

the s the , -

stroke coinc stroke the Bari type of Beneventan script that wasBariused thein Beneventan type that of script Apulia to and

century preceding Desiderius‟precedingabbacy century sameinthecharacteristics (displaying thick strokes thickstrokes The BeneventanThe script. cribeslozengeabandonedthe -

century foll century

- stroke

idesheadthe with arecharacterised by owing it (displayexaggeration it intensificationor owingof the s ion of features fromfeaturesschoolsion of adoption theother andof such , which , only that was that C - hapter line haped likehapedlargeepsilonGreek formrather the(ε);

strikingly different fromstrikinglyflourished typethe different which VII. morphologyThe script: of the a - a line;junctionbows;the ofuniformity the of strong contrastbetweenstrong thinheavyand pen

good scribe managed good to - shapes for a moreformaforshapesangular they and

oblique, lozenge oblique, - line, comparativeandthe to achieving Monte Cassino Monte - shaped and parallel to shapedparalleland to - so the line;ofpositionthe

122 u altern niteasto regularityof - - 126. 1087). 1087).

a greata

ation ofation represent represent not not 43

- 17

CEU eTD Collection 45 44 were. liturgicalalong withtexts archaicabbreviations the have manuscriptthe oftype olderthe oldermanuscriptsappearthan manuscriptnature the ofexecuted(liturgicalwere books Cassinoisin Monte oftenhalf correctimpression confirm that or Indatingmanuscript any dedicationtranslationof church, of foundationsaints‟ relics, of maymanuscriptthe develodistinct andmonumentsscriptof carefulthe a initialspunctuationstudyofhadabbreviations, andtheir that havedisagreedby often severalThe centuries.dating comparison shouldrelya on with dated the impeded development ofthepalaeographic individuality. longitsgradually during usehumanofthe head useof5. the thin The 4. manuscripts inVisigoth form3. the ofabbreviation ei,li, curveti e.g. for“i”,enclitic noteworthyt aboveformingcurve broad basewhichaon or rests ligature 2. the branch ratherare top

basedupon Elias Avery Loew. basedupon Elias Avery Loew. Theabbreviations oft DatingmanuscriptsBeneventanpresentspeculiar a becausedifficulty developed script the very refrain

common

manuscriptsand ed - heavy,of

fi pment inperiods developmentofdifferent theThepment the liturgical script. of the of contents from

formlineof sur withstemthe of -

bodied initialsbodiedlargewith ,

using abbreviationsusing o ncertain occasions , .Scribes producing

generallyinprofile

a en provide helpful dating criteria. Generallyencriteria.helpful lessprovidespeakingthey dating are , the existence

finalwith r

moreinnumerousmoremanuscripts recent itthedepends (although on also - sign, frequentlybyforma line sign, surmounted dot, founda aotherwise chiefly The BeneventanThe script. BeneventanThe script. heform “i”,ofinthewhich usuallyterminates a

general impressiongeneralfirstguidethe shouldbe

witha a century in advance of the writing produced inwritingofin thecentury ascenters)a well produced other as advance mounted by a dot andbymounted line dot commaarepresent the underneath to the . The scribe was boundThe to scribewas manyobeyand . rules, doubtlessthis through

frepresentingline,the part on usuallytheresting and “i” the often a profanecontent). short stem andshort

and be quite beandrecent).Thescribesquite copiedsometimes old the ,

display manuscripts used indisplaymanuscriptsused reading

provide

, dots anofThe examinationdetails.originimportant is(the script

at the extremity of the initialat extremitythe theletter. of

C ChapterVII. morphologyThe script: of the 150 betweeninterlacspacesofthethe hapter XIII.hapterDating: 314 dating . T - lineligaturesinward other and turns hecodicesolder appearthusthan they actually a 45 medialresemblingwithout l thecross r a

using clues (dates ofcanonization clues (dates ofsaints, In dating Beneventan manuscriptsBeneventanInscholarsdating

carefulpenmanshipconsequentlyand the monastery..the - 319 .

while ,

moreless or

aloud mayaloud deliberately . 44 ).

the next stepis next the to

ing

pattern and pattern the - 152. ; also ,

pronounced common

with est ly eft eft

an in 18

CEU eTD Collection fortypical endthe of In est comaline.horizontaltheunderneath From half second the of century linehorizontal above linehorizontal above secondhalfeleventhof centurythe until In formswitholderthe and great input trust itformsabbreviation,out recent this that turned quite are century lineomis,omehorizontalmimiddleame. Fromwith sixteenth above andthe eleventhof the to century middlemiFromto the eighthofthe the ipse Abbreviationsusedhelpfuldatingfor alsoabbreviate those are to resembling From iteleventh century sinuouslinevertical above periods.differentFrom Thea intersectedisl byhorizontal a the aboveama horizontala stroke with TypicalBeneventanabbreviations Beneventantraditionusedthe thirteenthcentury.Although moremanuscripts,andprecisely inDesiderianangularlyperiod, gracefully and thestifflyin and the symbolThis numberformarabicresembling3. minuscule developedoffeaturesthe is Beneventan m formits the script of Abbreviationsrefle

the isinabbreviatednot isas“e” horizontalaabbreviated linewith above. lfor .

bbreviation for “tur”for bbreviation the eleventhcentury , omnis populus est eleventhuntil an

the isinsularby meansofabbreviated the symbol omitted “m” byindicatedhorizontalomitted waslinev a abovethe , omne arabic numeralarabicbase of(the 2 , tpe with above , horizontaltpe a stroke was

cted local traditionscted the and usage characteristicmostOne school.of the of the iswithoehorizontal asaabbreviated ois, line Although aboveoi oe. and the the it ,

. From .

the formedbycomma curved, a the the anima

were ninth / beginningninth/ tenthofthe century short the and “i”.Fr

representsan eighthninthandcentury. it eighth to centureighthtenth to sixteenth century sixteenth

. From . the the ine. the „

often bypreferredscribes. the was 3 om the middlethe of theom first halfcentury eighth until the of eleventh ‟ omitted m omitted line,wasbyindicatedoccasionallyhorizontal abest the -

twelfthuntil form include

abbreviated asabbreviatedama with the

ddle of the eleventhoftheddle century mfor sign. However, inHowever,sign. word the second half of

important datingcriterionitbecause the

miawith horizontal aover stroke twelfthcentury the anima “ tur the appears to haveappearsto been number 2 isnumber2 top parallelthe“t”). of thewith iesitwas ”

sixteenthcentury wasasabbreviated , popls , horizontalashaftthrough stroke thewith of - the likejust touchingstroke cross the The l The

the p for p - ong form of “I” cut by form“I”is cut horizontalof ong a stroke

tenth centurytenth untilfirstthirdof the the formed horizontal lineandhorizontal by surmounteddot a ,

a anima

tempore the horizontal linehorizontal over - stroke. Whereas instroke. ordinarydeveloped eleventhuntil the likea

enim , isas“aa” abbreviated with omnis

anima rather freely rather made

word

and a

“t” surmounted“t” owel, the Beneventanthe owel, useda “t” with“t” line horizontalaa or the case iscasethe reversed. , eius often s omne

isasabbreviatedaia a with

omnis the form“i”byofsurmounted takes

the

“i” for“i” usedsimultaneously

isasabbreviated a

, the

different formsdifferentin sixt ligatureei “i”where anima “m”.Inthe - eenth century eenth stroke “t”. ofthe mi inthe bysymbola sericordia , est

first first in Loew Loew a and ,

CEU eTD Collection 46 manuscriptshave thirteenthcentury numeralarabic 2 resembles firstquarterFrom theeleventhof centurythe until asinfirst omitted phase. the right, likepointsthe two bysurmountedline Gre shaped a wavya inmade untilfirsttenth the the endofquestion inflexionsign numeralisaccentedthe syllableadverb.interrogativeplaced over 2 or of Thethepronoun usage of this inquestionmanusand Beneventan Non script. markinginterrogativeTheof sentence before surmounteddot aby Thec The manuscripts Inpoint. inlowercommalevel,pointsmiddle the situated the two of and Thep endthetowards ninthofthecentury. eighthninthandcentury uniform was no there system ofpunctuation importantdatingAnother issy criterionthe century does eleventh It century. Thesystem ofabbreviations ipeas with horizontalisfroma linemiddleusedeleventh the the of until

basedupon Elias Av tenth centurytenth there

comma placed betweecommaplaced olon or semicolon olonor ( eriod ( eriod t , he

different the numbertheof such increaseabbreviationsgreatly

a eleventhcentury). - a Beneventan manuscriptsBeneventan moderninterrogation distinctio finalis horizontallineonlyabovep in remained stableremained s

changesand

has morehas , ways:pointsplacedpointsintriangle, three ainclined surmounted two by hook ato an

the suprascriptsign, the anpunctuationofthe essential part eryLoew. thirdeleventhofthe interrogative an centuryend the at signaddedofquestion a

an interrogation fromthe was

oblique line or asline oblique or distinctio mediadistinctio not

n or below themn oftenor merges them.with

resemblance no specialno interrogative The BeneventanThe script.

) is ) formed

through usethrough the become is markedisby

through all through ofandperiodsscriptthe us the thirteenthcentury -

mark sign only after the question, as do most Latinthemanuscripts.signonlyas do question,after cripts the use of a suprascriptinflexiona uselikeof the signcripts arabic shaped the

invariably

common before before endcommonthe eleventhofcentury the s

. It was It . also constitutes anconstitutesBeneventan inaid also isandto dating peculiar inmeansways:by three of two to a hook acircumflex to (inverted Inmanuscripts accent). of the ) is ) representedpoint.Commaasa ( a

stem of punctuation. In manuscriptspunctuation.In stemof from the three phases. In manuscriptsfromIn end phases. the three of simplelineoblique ( the

ofsup

placedpoints.obliquely In two over ChapterVIII.Abbreviations: 153 have the interrogationhavethe thirteenth century. thirteenth ,

the two are joined form theasto line two ofso zigzagsort a the - rascript letters islettersrascript usedbeforenever practically sign endthe at sentence.oftheFrom ofend the thirtenthsignquestioncentury,the after s . 46 the the a sixteenthcentury. ek omega.finalekis Sometimes sign the comma inmiddlecomma the and

simple oblique linesimpleoblique does . Punctuation . - sign endthe placedat of the po e

intslevelon upper the and , of i of

- wasoftenomitted 226. subdistinctio nterrogative signs at nterrogativesignsthe at

was introduced was

Ipse this phasethis . In .

the the 13 the is abbreviated

) is formedis ) as a ninthuntil

not . . These mere ,

th the

occur occur the was the

20 .

CEU eTD Collection AlbaredaaBiblioteca Apostolica edita, 49 48 47 seventyfragmentsinandnew written script Beneventan list insupplement madeto that 1962, m concerning ininusedeven Dalmatia Withfragmentnewthe of discoveries in originated Dalmatia. hasBeneventan Loew wasnormal listmanuscriptsalsothescript. made of fragments aand that Frenchreasonably(ordinary letters minuscule)that exceptioninsupposedthe were that and Dalmatia psalteriumlitteriscumfrancigenis aPeter, monasteryofSt. dozenliturgical in are lastitem over recorded, books two Selo, the being: andinemployed books production theof thirdtha the Beneventanduringthe inscriptlasted wellthe into Dalmatiathirteenthwhich century predomin presupposesthe minuscule hasHeZadar. out the pointed that importancecentersofmentionsparticularhe Dubrovnik,importance Split, Trogirstresses andthe of Dalmatia AveElias fromDalmatia to Italy scriptDalmatiaBeneventanThe 1.3. in datesfrom division ofword atwelfth thecentury. e consecutive comeThe over not stroke two in “i‟s”does before eleventhcenturystroke the and over ach

anuscripts and fragments related to Dalmatiafragmentsandto relatedanuscripts in monographhisand on Beneventan thehis script EliasAvery “ALowe. New ofList Benevent EliasAvery Loew. basedupon Elias Avery Loew. twelfth century were written inwrittentwelfthwere naturallycentury Beneventan whichsuggest

“i” dates from“i” thirteenthlinedates indicaofhyphen theendcentury.a The the useat ofthe to . ry Loew was the firstscholar systematwaswhorythe Loew

He states He was

the predominancethe inofscriptBeneventan the

the exceptionthe The BeneventanThe script,

that Beneventanthe wasthat scriptfrompracticedKotor and asDalmatian to Osor 48 preceding

the

The BeneventanThe script. . H fourteenthfifteenthcentury,and whichhypothesis the strengthens

e basedarguments:e three hisfact on the that opinion Beneventan the StudieTesti centuries, the fact that documentsfact theofthe from Dalmatiacenturies,that tenth the to

. As isMSS.. Loewnothing other of hassaid scripttheof the Beneventaninprobably rulingscriptthe Dalmatia was ordinaryand 49 s and manuscriptssanditBeneventan became was that clearscript 48,

three manuscriptsDalmatianwith three attested almost origin and an manuscripts”Collectanea in Vaticana in honoremAnselmi M.card.

questionsregardingway the 65. 220,Vatican City, 1962:211

ChapterIX.Punctuation: 227 47 t int a

icallyus the explored nota librorumnota connect preceding ed

to Dalmatia to havebeendiscovered centuries.listLoew‟sSinceof - 244

ininventoryeleventhcenturythe e . - d

279.

thescript wastransmitted that samewasthe that script e

of Beneventan script inofBeneventan script

anceof te te the a 21

CEU eTD Collection Zagreb:Jugoslavenska Akademija znanosti iumjetnosti 1967: 62 53 Hahnsche,1980: 544 52 Zagreb:Jugoslavenska Akademija znanosti iumjetnosti 1967: 44 51 o List SecondNew ofList ManuscriptBeneventan (IV)”. Brown.“A Second New ofList ManuscriptsBeneventan (III)”. 50 ab(Buci)island Biševo of to fromJohn,sonofGaudius himself Cherllico Splitentrusted Sylvesterchurch the andon of St. the islandsnativeaand of Dubrovnik islandinLokrumfounded nearbyof (Lacroma) wasRagusa 1023 Pet Cassinoin Monte by 1123 nobleman DubrovnikSavin.the Cassino MaryMonte possessednearin Benedictine Dubrovnika bequeathedhouse of St. Roţat to RelationsCassinoin betweenrecorded Monte and are first halfDubrovnik the twelfth the of century. monkMadius,a mothe firstcontactwithimportantmostBenedictineThe the abbeyofMonte order. isconclusionreached Beneventan the Dalmatiathat script the through BenedictinesbecausewasprimarilyBeneventan the script the Here peripheral question detailstransmissionthe regarding Beneventanofthe script showmutual some historical that data ecclesiasticaldid commercial andLoew relations. Loew centuriesin later used ascovers majorityelsewhere.The fragmentsin the written of has Beneventan theybecausescript survived were Dalmatianprovenancea manuscriptsfromfromTrogir,allthe beautifulmost in written thecodicesof script Beneventan materialBeneventanthe Dalmatiascript, to mostly are liturgical books or related their fragments.Apart isBeneventanAsthe script wasthatinwidely Beneventan the script Dalmatia.used byCroatian

JakovStipišić,Miljen Šamšalović. Ed. Marko Kostrenčić. HartmutHoffmann ed. JakovStipišić,Miljen Šamšalović. Ed. Marko Kostrenčić. VirginiaBrown. fBeneventan Manuscript (V)”. ,

Iconcerningwillfocus data onlytherelations onthe SouthbetweentheItalian Dalmatianand has stated hasthat Latinthe stated offlowedfrom Dalmatiaculture chiefly Southern mentionsItalyhe and

nastery of St. Chysogonus inChysogonus nasteryofSt. Zadarandwas rebuilt andnobles prior thewheninvited city ofthe ,formerYugoslavian

“ASecond New ofList Beneventan Manuscripts (II)”. from .

with DieChronik von Montecassino/Chronica monasteri

Monte Cassino Monte re scattered around scattered in librariesworld,re theBudapest, Berlin the of Oxford, and inofhis context book. the

a bot Guisenolfus inbot monasteryMary of the St. liturgicalexcellence, par script apart

Mediaevalstudies for scholars andscholars . I

n the middlen theeleventh priestof century,thea incunabulasprintedbooks. and ,

to becomeitsto abbot. Mediaevalstudies the 70(2008): Monumenta Liturgica Monumenta Beneventana Codexdiplomaticus regni Croatiae, Dalmatiae Slavoniaeet Codexdiplomaticus regni Croatiae, Dalmatiae Slavoniaeet

Mediaevalstudies - - 65. 46.

275 50

61(1999):325 51 52 fromDalmatia itbecauseItalywas to a - 355

TheMaryBenedictine abbeyofSt. Mediaevalstudies Benedictine script andplausible mostBenedictinethe script .

i i Casinensis

fromwrittenin documents the

56 (1994):56 299 er, a monker, fromTremitithe

- C mediationofthe 392.Virginia Brown. “A Second New assino is recorded in isassinowhenrecorded 986 on . MGH Scriptores 34.Hannover:

50(1988): the islandthe ofTremiti

anda - 350.Virginia Brown. “A team, team, 584 monk Benedictine

not - 625.Virginia showing

gointo named on 53

. In .

the

. 22 I .

CEU eTD Collection 27oConvegnsulla Preistoria written. it monasteryMaryof St. Pulsano in where it writtenfor the monasteryofCecilia St. Foggianear and theat endof thirtthe 58 Isti Codicediplomatico Monasterodel Benedettino diS. Maria di Tremiti(1005 57 170 t. 56 395.However, identificationthe clearis not andinterdisciplinary research (art history, history,archeology) is needed. benediktinciHrvatskoj"u (Monte LibraryArcheological of the Museum inSplit, shelf metropolitanseat of Dalmatia.Philip fromSplit Michael)on islandthe 55 54 particular in Beneventanhypothesis oncethe wasthat it adopted continued indevelop script to Dalmatia, the scriptoria.followiInthe in manuscriptsfragmentsandoriginatedidentification that Dalmatia theDalmatian andthe of s complex andprocess that Dalmatia.for Therefo monasteryoftheTremitiin or ofPulsano century. withcertainty Tremitiison ofmuchPulsano not helpor of either illumination that round typeso ofscript, Beneventan historicalOncontrary, thepredominantly sources. script thein isZadar eleventhcenturyused the script andBeneventan script allowThese not however,do sources, SouththeItalian DalmatianBenedictines. and Anastasius IV NicholasBenedictine priorySt. in of Pulsano. 1151 cript inhopefully cript canDalmatiaonlyemerge

The s The shelf HerbertBloch. Philippus Ta tutostorico italiano peri l medioevo, 1960: 158 dijaSmičiklas ed.

- and script used inandusedscript Desa, count the of islandwholeZahumlje monasterythedonated Mary the ofto Mljet ofin St. o mark: Vat.mark: lat.10657. For acodicological andpaleographical description of manuscriptthe see Armando Petrucci. - 57 calledMartirology , 54 EmanuelaElba.

Riceputtiexplained expressionthe

context ofNovakcontext Dalmatian Viktor hastowns. expressed

Riceputti Wedo Ifapart addwe that

to abbeythe to ofisTremiti cartulary a in Montecassinointhe Middle Ages

reveals 1153/4 not

co Codexdiplomaticus Susak(mentioned insourcesthe as nsidered thensidered propertyquestion in

haveany preserved re, I think it isI it important re, think to ” a direct linedirecta DallaPuglia allaDalmazia: note Martirologiosul diS. Maria diP

- ng chapters I will I detectat chapters leng tryto 56 fromthe Zadar ProtostoriaeStoria dellaDaunia. Ed. Armando Gravina. San Severo, 2007:169 predominantly Apulian rather than Cassinese features. The link predominantlyfeatures.ApulianthanThe rather Cassinesewith abbey the

a ,

clearerevolutionadoptionofthe picture and consequent theof Beneventan this is the fullisthisof the extent

assino andBenedictinesthe inCroatia),

pus Riceputi.pus from

just Pulsanomonastery preserved in Nationalthe Library of Naples(Neap. VIII C 13) was cannot cannot - becauseCassinobyrelations theattested Monte are with the

remained

Roţat, Monte Roţat, calledBari regni Croatiae,Dalmatiae Slavniaeet II (Zagreb: JAZU, 1904.): 69 Sansacu Sansacu for propeSpalatorum evidence evidence a definitiona of the Acta SanctiActa Gaudentii Auxerensis Episcopi - be . Vol. . I, (Roma:II Edizionidistoria e letteratura,1986): 418,931 177. -

untilthe early seventeenth century. It is, however, notclearwhere was mark 38.g.10 /2, quoted according toIvanOstojić. "Montecassino i draw twelfth twelfth if it isifit near Splitnear

type. Thesame accompanyingthe said about type. canbe

to beenhave samethe as Sansacu sayhere

n C

ofcentury inscribalmonasteryeleventh practice the

allregardinghistorical the data from

becausemanuscriptonlythe assinoonehad combinedwithanalysesBeneventanof thethe betweena century

as 55

) Lošinjnear in Dalmatia.northern AsSusak i the being the monasterythein written ,

that the that transmissionwasscriptofa the recordedforin firsttimethe ast two Benedictine two scriptoria ast

precise context precisecontext 58 a a mistakefor

Monte Cassino Monte type ofB that - Historijskizbornik 1237)in eenthcentury codex the came theinto other might a

the monasteryNicholasof St. (also St. moreradical on opinion the Fonti perlastoria d'Italia

subSpalatorum propertyin Dalmatia,

servematerialascomparative for ulsano(XII secolo)”. Atti del II, 380

the transmission ofthe 21

that can bethat assigned - the 22(68/ relations betweenrelations - 381(manuscript inthe thirteenth ,as Split was the a eneventan eneventan 69):389

and proposeaand bull - 181. - 70. . Roma: . issued by issued s

- the

403: very far no.

CEU eTD Collection 60 special regard totypethe of Dalmatian Beneventan script).Zagreb: JAZU, 1920:33 59 writtenin books B However, are fewandthere listonlymonastic inventories books preserved that listonly of themtwo provides necessitatedcopying activity. monkAseach wasgiven andSundays hours, on devoted holidaysdivine not andto all service. time demand ThewasBenedictineorganized order RuleaccordingBenedict the to of St. Be 1. illumination questions manuscriptsthe thirteenthlatercenturyand DalmatiaItaly regardingelevenththe manuscriptsto fragments. centuryandAsearlyfor and twelfth will I m be scriptoriumexplained solelycannot on being dependent as Zadarinandluxurious manuscripts becauseBari eleventhofcentury, onethe of products willlargely hypothetical.I However, Novak‟sviewson parallelin the evolution Apuliaofscript andBeneventanDalmatia they because are frequentlyterm the uses Bari.larger comparedNovak However, to did the at histimeinmaterialofreasearchquantity the preservedof the Dalmatia written substantially was expressed hashisalso disa similarto due historical circumstancessuchasin ByzantineNovak Apulia rule Dalmatiantowns). and Baritype script imported fromDalmatia Cassino Monte predominanceBariinof ofround typeBeneventan factboth script ApuliabyDalmatia the that and lineindependent

4.Dalmatian scriptoriaBenedictine and EliasAvery Loew. ViktorNovak. neventanscript ed anto attempt ake

ground wasnot about the about

from the each monkhefromdaily hourseachshould the that spend intwo reading s .

Scripturabeneventana osobitims obzirom na dalmatinsketip beneventane

s of development ofdevelopment of

The BeneventanThe script evident eneventan script. Ihave Elias mentionedAveryeneventan script. that hasalready concluded that Loew for

– evolutionin script ofDalmatiaandthe

a the suggestion that weresuggestionthere the that proposedmethodology forresearch new ,

roundBeneventan script

a separate manuscript separate a outline

and that andcultivationthe that inof Apuliascript andDalmatiathe was parallel (and proval of the termtheBari proval typeof 60

The largeThemanus number of

as accurate a picturea as possibleas accurate from transmissionofthe script of the the , 3. ,

offer a similar explanationsimilar a initials offer inregardingdecorated the

Beneventan script usedin Beneventan hasHescript Dalmatia. explainedthe ,

the questithe the

not at a at during Lent, a largeduringLent, libraryindispensable wasthisand illumination ofilluminationDalmatian manuscripts writtenin ,

offerany term alternative timedifferencethebetwwhen insteadofBari type.

a numbera ofBenedictine scriptoria ons of the transmissionofbetheby will overshadowed ons to signify to the cripts and fragmentsand cripts the conservatis

the the Bariscriptorium. into round Beneventan becauseround script - 37.

59 the subject the

I am I accept to reluctant mobservable

. Inits . , although he morehealthough ,

(Beneventanscript with a , d coming fromcoming

een uring Lent even uringLent three 48

th the

chapter chapter

there inthe Cassinese andCassinese the .

Zadar Dalmatia Dalmatia itis 24

CEU eTD Collection and paintingthe Dalmatia in from 67 Zagreb:Jugoslavenska Akademija znanosti iumjetnosti 1967: 75 66 fol. in psalteria a choro missalia,duo breviariamagna, unum breviarium parvum vetus, voluminaxiiii decantu aliiset oficiarum ecclesiastice, duo voluminaquinque depapiro librorum depergamena cum tabulis, unum breviarium, unum volumen depergamena sine tabulis armacum desorgo, 1458 R 65 Zagreb:Jugoslavenska Akademija znanosti iumjetnosti 1967: 103, 211 64 EleventhCentury Book Illumination inZadar”. Dalmazia 63 Zagreb:Jugoslavenska Akademija znanosti iumjetnosti 1967: 211 62 61 be furtherhowever,revisedneeds explored to and because sincePecarski‟sBrankaTelebakovic time known time.untilthat paleographicalinitemsDalmatiaandstudyofall Beneventan to written related the script BrankainTelebeaković Pecarskipreviouswritten of the sixties thecentury firstsystematicThe research nineteenliturgicalcodices. monasteryChrysogonus century to (1042/1044) the ofSt. foundationswith precious Thedonationsfoundersofmonasteriesthe of churches and mentionsislandMljetalso of number aof codices. nineteencodices. mentioned)codicesare and monasteryMaryfemalelists ofincodicesSt. Zadarthree that (partial preservedinventories Two asearly date as items.fiftythree byGiuseppePraga fifteenthAfragmentarcentury list another that onetwenty beenhaving nearSelo inOmiš lastwritten item arebecause script Beneventan the dozenliturgicalintwolisted books

BrankaTelebaković JakovStipišić,Miljen Šamšalović. Ed. Marko Kostrenčić. Jak GiuseppePraga. “Lo „Scriptorium‟ dell‟ Abbazia Benedettina diSan Grisogono Za in JakovStipiši EliasAvery Loew. StateArchive Dubrovnik: in Chiese emonasterii XIV (20 ovStipišić,Miljen Šamšalović. Ed. Marko Kostrenčić.

2rin the esbonaet reperta inMonasterio Melitensi 9 augusti 1458.

vol.VII,fasc. 40 (1929): 27

ć,Miljen Šamšalović. Ed. Marko Kostrenčić. written in written refectory: and 63 64 The BeneventanThe script

Pecarski.Beneventanski skriptoriji slikarstvo i Dalmacijiu od 11

An listssixteenmanuscripts writtenin( script Baneventan moraliasancti gregorii in pergameno 67 litterisfrancigenis u

cumtabulis, volumina triadepapiro cum cohortis decorio Shehasidentified s the inventorynpublishedof

gifts including Theingifts books. offirstbandonationhalf the S. of 66 - an four books books four

the into

y inventoryfrommonasteryBenedictfemalein the lists of St. Splitthat

eleventhuntil thirteenthc.).Ph.D. diss, University of Philosophy Belgrade, in 1965. - catalog 28.The listof entries Beneventan in script was published by Grgić.Marijan “The

DalmatianBenedict the , 63, , 2 note eleventh century inventoryeleventhcentury althoughisscriptspecified. the not ue from the monasteryfromue Chrysogonus,foundthe ofSt. and published JournalofCroatian . 61 the

This inventoryThisin of books cartulary thefollowedis by .

eleventhcentury; criptoriaofTrogirZadar, and The Dubrovnik.topic, possessions - 65 Codexdiplomaticus regni Croatiae, Dalmatiae Slavoniaeet Codexdiplomaticus regni Croatiae, Dalmatiae Slavoniaeet Codexdiplomaticus regni Croatiae, Dalmatiae Slavoniaeet 32):28

inescriptoria was -

76 - Infol. 213

. . Studies

for . illustrate

1 v1 abbot‟sin roomthe mentions:list from anewly foundedincludeschurch

9 a - 10 (1969):10 41

par the monasteryMarythe ofSt. from

the factthe that theysuppl

tly preserved inventoryfromtlypreservedthe isdistinguishedexception asthe inplaceexactlythe

the the monasteryPeterin oftheSt. . ra”. - 13 62 Infol. littera beniventanalittera

. It was It . doctoral dissertation

- Archiviostorico per la togveka (Beventan scriptoria 132:42.

2 r in church:the

anhistorical art and

that were that where the ied voluminaxii on ) amongst ) eleventh

tria their

by the

. . . 25

CEU eTD Collection fragmentsdiscussed in thesis.the 68 materialcomparativeDalmatian Dal itincancodices written script Beneventan beconsidered arisesA questionalso knownhaveare scriptinto Dubrovnik.originated ofcontext Dalmatia) . script illumination knowledge foressential our o illuminationinaccompanyingperiod.in Dubrovnik that thehand, Dalmatia Trogir, ona andother in originated Zadartherefore and beenalreadythre that established writtenandat timethose the Beneventanaintoinsight needscloseone a eleventh the incentury written codices script Beneventan fourteenthfifteenthand centur inhasitemstown inthat Dalmatiafrom Beneventanwritten script Dalmatiaone Zadargainandorigin. insight Trogir In into order to anthe Dalmatianexploreillumination ofpracticeneeds one to thesetowns Dubrovnikbecause qualityfragmentsmanuscriptsthequantity and/ in of preserved originated that Rab andKotor, wasusedBeneventan such script asSplitKotor?fragmentsandmanuscripts Althoughrelated Split,/ to question historical paleographicalfocusedart andstudyon o the towns The contributions. Branka considerablenumber

Seethe hand oflist Dalmatia matian, insteadilluminationmatian, inof Zadar studyof

whilenumberlargestof thirteenth centu the

Telebaković Pecarski‟sTelebakovićstatements s

need to be raised to need s permit

. Trogirstill . possess DalmatianscriptoriaBenedictine

must pars prototo pars

Osor will material, Osor Zadar,isnaturally stressusedon asbeTrogir comparative put and

dea specificresearchquestions s

of manuscriptsDalmatiafragmentsand of related to whether Itshould be added lmaterialfromphasesdifferentwith andis scriptof theonly Dubrovnikthe

n manuscripts andfragments inthe appendix wellas as cataloguethe of manuscriptsthe and ?If as to asto

when the script de script thewhen f

ies thirteenthDalmatiancentury and scriptBeneventan accompanying the data gathered data the itis possible to . I will I accept hypothesisthis. whycenters whereonlyand other thesenot Dalmatiantowns the . In order to establish Inorder to . ofcategoryconsea e eleventhe inwritten manuscripts Beneventancentury script thistown es

richly illuminated inthirteenthrichlycenturyilluminated codices Beneventan written that two thirteenthtwo inthat manuscriptscenturywritten Beneventan havebeenproven

beused isknowledge our foressentialandof Beneventan script the

contained in contained defineilluminationineleventhcenturythe Zadar c to beto answered eleventhcentury

lined fromresearchspecificthe the of Dalmatiantown ry fragments lieinryfragments collections

in . Zadar . the these

wider context wider ofandDalmatia

development the followingispagesthe conceived as a

is wrong with wrong newthe scholarly fTrogirZadar, Naturally Dubrovnik.and iniscasestherewhen richly illuminated manuscriptsilluminatedrichly .

68 extremely important because itbecauseextremelyhas important ,

In as the

order to gain order intoto insight there isthere no simplyother eleventh, twelfth,eleventh, thirteenth, havebeen of Beneventan script inofBeneventan script rvatism

in(inthe Dubrovnik in

found someof and

a lackofa

Dalmatian becalled

that are that the re re can

of 26 ,

CEU eTD Collection 69 Elias mentioneddocumentsAveryin that instated that written Loew were Dalmatia Beneventan script presentthusanfor additional argument of cal Aresearch.is special occupied byanalysesgroup of ofthe Dalmatian place documents, is rather comparisonupon manuscriptswith thirteenthcenturyt TheDubrovnik.research o pr classify possibleintogroupfragmentsto a existingthat century. islandLokrum of DubrovnikTheon chapter focus scriptoriumwill onexistenceMary the scriptoriumof the St. of andarchaicformsdeliberatethe that chosen were by Benedictines testifyto the script, ( Benedictinecontext contemporary other visualmaterial be to wasthought illuminationincentury(suffice Trogir Dalmatianmaterialitwill but enable also Theresultsmanuscriptsresearchof the contemporary Zadareleventh centuryonwill compared be to moti the Monte manuscriptsZadarestablishwill to be pre a illuminationinthe light ofliteratur new scholarly be ofscri verya studyofilluminationconvincingeleventhincentury Zadar. Theon chapter material preserved. material.comparative

MarijanGrgić oves the led “Lokrum forgeries”.“LokrumlocalAsledforgeriesandinterestimplythese expana the explored pt as well as the illuminationaswell asthe pt LokrumbeBenedictines,monasteryLokrum place thethe likely is theyto where

the C to beto possible using f rare Regardingeleventhandthewillfragments century earlyI twelfth to try assinoApulia.and s they contain sthey silverwillfromcoversSplit).of andcodices I Trogir conservatism the isthat argue further.Althoughinto considerationwill I take featuresstylisticiconographic the of and

inmaterial,Dubrovnikwill thismostly paleographicala be withstudycombined historical .“The Eleventh CenturyBook Illumination inZadar”. the

and the and an Zadarscriptoriumis

eleventh century product). eleventhcenturyThis product). the

The methodologywillTheeachforDalmatian town di

andtheir illuminationfragmentsofthe of developmentBenevofthe

historical data, I will historicalI fordata, inpossibility the theyargue that originated The methodologyinitialsThecomprisesclassification the the of to according

the thirteenththecentury fragmentsinwill written based script beBeneventan

description and comparison.anddescription s resemblesthe

w ithconservativepronouncedandfeatures to relatedthe it the existencethe o greatly to to a

say cise repertory of the initialsthe cise repertoryof and clearer definitionclearer conservatism,visiblein of t

that a latea thirteenthcentury fromthat Evangelistary Trogir indebted to studiesindebtedthe ofMarijan who Grgić

e, mainthe illuminationregardingconcernofthe Bari Exultet andBari BenedictionExultet notionwillrolls, a that entan script from script entanel the idea fa hatin illuminationAs originated Dubrovnik.the revealsthe the Lokrumscriptorium.have I already will be furtherbeexploredwill by comparisonwith Journalof Croatian RabinEvangelistary Beneventanwritten

same features. itIfpaleographical

He alreadyHe that typethe detected ffer dependffer eventh to fifteenththe eventhto theirre originwith

Studies to a to see sion

ing longtradition. - whetherisit 10(1969): 41

of the territorythe of

upon the upon came from came hirteenth the provided

gard gard to so - 132. on -

and

the

CEU eTD Collection December11 t on samostanaSv.Krševana Zadruu (1000 yearsof the monasteryChrysogonusof St. i Hrvatskoj 73 inThe Scriptorium. (1930):87 Dalmazia 72 documentswritten inmonastic cartularies alsoare included) 170,179, 184,186, 186 78,78 Vol.I.Zagreb: Jugoslaven 71 Edizioni distoria eletteratura, 1980: 175. umjetnosti1967: 49 Kostrenčić. Iaderaemonasterio S. C 70 monastery oftheabbot monasteryTheChrysogonusBenedictine first Benedictineofthe St. monasteryin was Zadar. ( monasterypreservedfromlists incatalogue manuscriptsthe written sixteenthat Beneventan scrip preservedinfirstscholarheZadarand fifteenthpublished waswho thefragmentarily the century meticulousChrysogonus,the paleo publishedby The 2.1. ZADAR 2. MANUSCRIPTSFRAGMENTSWRITTENAND INS BENEVENTAN mentionedscriptorium,insuch as those abovetext the however,inusesomedocumentsof the they argumentsfor caseswherethe support centur informscript isscriptcalligraphic a dominant the centurydoc from “TheEleventh CenturyBook Illumination inZadar”. littera beniventanalittera

For the history ofmonastery the seethe GiuseppePraga. “Lo „Scriptorium‟ dell‟ Abbazia Benedettina diSan Grisogono Zara”. in JakovStipišić,Miljen Šamšalović. Ed. Marko Kostrenčić. The documentThe inquestion preservedis inthe State Archive he10 I Zadar scriptorium of St. ChrysogonusZadar scriptoriumhasbeen St. acknowledgedof since ever - ntroduction ventorywas publishedfasc. in (1929):40 27 the 79, 101,102, 103, 104,106 ies 00years of the

vol.VII,fasc. 39 (1929): 1 (TheBenedictine Order in Croatia).Vol 2. Split: Benediktinskipriorijat Tkon, 1963: 39 - y tenth untiltenth 100;fasc. 47: 101 Codexdiplomaticus regni Croatiae, Dalmatiae Slavoniaeet 71 ”

– ument, which ument, is

andspecialadeserves study

12,1986 Giuseppe Praga inHe detailedoffereda 1929/30. Praga historicalGiuseppe studyo - 51.For the eleventh century d

) among fifty) items three - the hrysogoniius piscationis inTilago concedunt. 187,187 ) monasteryof St. Chrysogonus and30 yearsof Facultythe of Philosophy Zadar in Zadarskarevija skaAkademija znanosti iumjetnosti 1967: 49 ,

twelfth century. This is actually partly correct becausetwelfthisis century.This actually correct there partly only tenth one Odolbertus - 122;fasc. 48:123

, in fact, , - 188, 188 - 109,109

- 24;fasc. 40:25

graphicalinitemsandanalysesof Beneventanwritten script , previously 2 -

aneleventh transcription.century 1 - wasmentionedin asearly will918 the as of - 3(1990). 89,191, 198 112,115 - 143;vol. IX,fasc. 49, 144

which ate seeate Virginia Brown. - 28.Itwas laterpublished by Grgić.Marijan - 72 menti -

JournalofCroatian 33;fasc. 42:34 116,116 .

- falls outsideofthe 199, 199,200 onedwork by Giuseppe Praga, . for

Codexdiplomaticus regni Croatiae, Dalmatiae Slavoniaeet s

inZadar: St.Chrysogonus, caps. XIV, br.242. -

117,121, 126 the documentsthein

above - 48;vol. VIII,fasc. 43,49

JakovStipišić,Miljen Šamšalović. Ed. Marko - .Zagreb: Jugoslavenska Akademija znanosti i - 202, 203,203 . 51,62

Studies - Hand oflistbeneventan manuscripts 149. - 127,129, 131, 132,133, 153 - 65,66 sco Furtheron Giuseppe Praga. “Lo

9 n Zadar).n 70 - pe ofth 10(1969): 41

the - However, However, Beneventanthe - 67,67 205, 205 eleventhand twelfth IvanOstojić. Archiviostorico per la the Proceedingsof Conferencethe - iswill, I dissertation. 68,71

- - 60;fasc. 45;61 f 206,211 the

extensive - - the monastery theSt. of 56 132:42. - the existencethe of 72,73 Zadarprior and1000 godina Benediktinciu - 213,214 (the CRIPT (Zadar, - - 154,167, 169

74,75 work work Nobiles . Roma: . - 73 86;fasc. 46

- The 76,77

t a . 28 - -

CEU eTD Collection popratiouvodnim i uredio historijskim, paleografskim, diplomatičkim, kronološkim, top 79 XIXct.)).Zadar: Institut JAZU Zadru:u 1965:116 78 Berlin:Berlin Staatsbibliothek: Ms. Lat.Qu. 278 Cod. Ms. and 77 Oxford from 277 Liturg. Canon. (Ms. manuscriptsLatini5 fromBudapest), Ph.D diss, Unive illuminated two of creation the of time the and origin Canon. (Ms. rukopisa iluminiranih Budimpešte”octavoLatiniiz dvajuCod.Ms. Oxforda5 i iz 277 Liturg. nastanka vrijeme i porijeklo namjena, Čike; opatice “Časoslov Grgić. Marijan Zadar”. in 1965. Illumination Belgrade, Book in Century Philosophy Eleventh of University “The diss, Grgić. Ph.D. Marijan c.). thirteenth until eleventh from Dalmatia in painting the and 76 49: 144 75 ( was not a nativeof Zadar.Zrinka Nikolić. 74 Krešimir Petar Fourthandtheofdistinguished descendenta a familyZadarpatrician moThe monasteryBenedictineis beensugge AlthoughmonasterypossibilityMary theBenedictine the that ofpossiblySt. housedscriptorium a has inwrittenare Beneventan script ofscriptZadar originin Zadapreserved collectionsoutside However, were sixtiesand seventies influencesfromMonte Marijanwithagreeand not Grgić PecarskiBrankaTelebaković did characteristics. ofMonte Giuseppedeclared scriptorium Praga theChrysogonus that St. of bishopwithinofthe itsabbeythe property. and pontificalinsignia; illustrated Chrysogonus ofSt. washighestofonethe possibleofnativeZadar and nobleswhenthe prior invitedthemonk cityofformer thea Madius, Andrew.Alth Cousins and relatives.Patricians Dalmatian in townsinthe earlyMid

Oxford:Bodleian library:Canon.MS. Liturg. GiuseppePraga. “Lo „Scriptorium.‟ vol. VIII fasc. 45 (1929): 68 In herwork on Dalmatian patricians inthe Early Vjekoslav Maštrović.Vjekoslav Branka Telebaković Pecarski. Pecarski. TelebakovićBranka For the history of the monastery of St. Mary in Zadar see Viktor Novak. Viktor see Zadar in Mary St. of monastery the of history the For

closelywith affiliated - 149 nastery of St. Mary nasterySt. founded of was

C . Giuseppedid Praga by

sted assino inassinoits

the fact inthat the iscircumstancesthe nothingabout knownough it foundation,its wasinrenovated of 986 75 78

, scholars , monasteryChrysogonushavegenerally thatagreed the of St.

Doprinos Zadra u hrvatskoj kulturi hrvatskoj u Zadra Doprinos of the lastcentury ofthe po

C ntifical, miter,ntifical,performring and sandalsand right to the some functionsof the firstandproductslater development the that on scriptof the 74 asino

to become itsinTheto monastery abbot. grew w

moreprobable the Beneventanski skriptoriji i slikarstvo u D u slikarstvo i skriptoriji Beneventanski the

. They . carried out not carry not out

Barischool. twelfthcentury connected r RoĎacibližnji. i Dalmatinsko gradsko p sityof Philosophy inZagreb, 1976. and theyand claim

277 . inwasclosely by 1066 Čikawho to Croa the related

place to haveplaceto houseda Middle Ages,Middle Zrinka Nikolić argues that isit more probable Madiusthat ranking to femalemonasterythe Maryto inBenedictine ofSt. Zadar.

76 , MS. Bibl.,MS. Lat. 61,Budapest: Hungarian Academy of394, Sciences: K. ananalyses of

the Romanthe grantCuria extensiveresearcho dignitaries indignitaries Dalmatia. (X - XIXst.) (The contribution of Zadar to Croatian culture (X cultureCroatian to Zadar ofcontribution (The XIXst.)

hat even firstproducts hat ofZadarthe scriptorium - (The Book of Hours of the abbess Čika; the funthe abbess Čika;of the BookHours (The of 86:86,FASC. (1930):46 87 dle Ages).dleZagreb: Matica hrvatska,2003: 114. the r 77 ora o Croatian of Journal . Three of. fourout four manuscriptsfour in written Beneventan almaciji od 11 od almaciji

revealed

scriptorium. Zadarski kart Zadarski Praga‟sopinion regardingthe lemstvoranomu srednjem vijeku n

the ed ealth and power and abbotand theealth power from ografskim i muzičkimografskimnapomenama. i

influencesscriptoriumofthe abbot the Zadarscriptoriumin His status isHisstatus clearly - 13

ular samostana Svete Marije Svete samostana ular

Monte Cassino Monte aand - S tog veka tog tudies - ofthese 100:98 displays the , the ,

- scriptoria(Beventan - 0 16) 41 (1969): 10

100,vol. IX, fasc. privilegeof as

manuscripts Madii.

the oldestthe

regional tian king

the ction,the 79

Petar - late 132. 29

- /

CEU eTD Collection ribbedcross Dalmaciji Tradition:The Royal ofChapel Coloman the Learned inthe monasteryMaryof St. Zadar) in “Funkcija,forma, tradicija: Kraljevska kapelaKolomana Učenog samostanuu Sv.Marije u Zadru” ( RoyalChapel of ColomanKing inthe Complexof St.Mary Zada in ofrule 80 Novak&Vjekoslav Maštrović. Zadar: Institut Jugoslavenske akademije znanosti umjetnosti i u Zadru, 1968. sam baština Novak. Kulturna Viktor instruxit Hrvatskoj u musicis Benediktinci et topographicis chronologicis, diplomaticis, Chartul Canonici(1727 Bibl. preservedin manuscripts, homogenousbookTwo group. a of offices andprayersand areevangelistary, an evidenceofZadar origin essenti are Threeliturgicaleleventhcenturyall in manuscripts writteninternalthat script Beneventan possess ZadarforTheirOrigin ofHours 2.2. regardingtra the manuscriptsrichlyilluminatedthree relatedMary the to monasteryhistoricaltheirofand art St. context MyChrysogonus scriptoriumtheresearch St. on of andMary nunnery the of St. monasteriesnonethemimportance prestigeequaled of themonastery ofChrysogonus the and of St. andmonastery Chaptertower the ofthe built.were Duringher abbacyofunderpatronageand the a year e 1095/96 or twoor daughterwasincomplete).promiseddamagedHer Vekenega,whoa andbecame nun abbess whichbooks,lands inandmadeis foundationof evident secondher the(unfortunately part charter entranceto monastery period later KrešimirFourthgranted monasterythe the privilegethe liberties,ofwhichroyal wasconfirmed

For the most recent researcho E

Lat. 61 being Lat. ofpart K leventh r J are ing Coloman ing as well as relevantbibliography Marinković,seeAna 40(2003 ‟”, “V ‟”, - vault)». mai the monasterybecome the nuns.to driu mnsei Snte aie Dgsi aqe nepeainbs itrcs palaeographi historicis, interpretationibus atque Digessit Mariae. Sanctae monasterii adertinum by the C n the - ekenega tained itselffrom the tained entury 1805), Jesuit and 1805), passionatecollector. - Bodleian library inlibrarywithBodleian shelf Oxford nsmissionmoti of 2004):43 Művészettörténeti Értesítő ostana svete Marije u Marije svete ostana rulersandZvonimir C

Te eeitn Odr n rai) Vl . pi: eeitnk pirjt kn 16: 73 1963: Tkon, priorijat Benediktinski Split: 2. Vol Croatia). in Order Benedictine (The

M ‟

- s 76 and

anuscripts arliermanagedconditionsmaintainshe andto prosperous the E n , t

vangelistary the architecturethe he CanoniciinfrompurchasedLuigi collection, 1817 heirs Matteo the of Sándor Tóth. «Kálmánkirály bordásés a keresztboltozat(King Coloman and the

latterstill in existence. fs al for the researchthefor al o

fromItaly.

dowriesbygivenfamilieswerewhich of girls the Zadru W 56(2007), 1 ritten oloman. It wasmonasterynoblefora It oloman. women ,” “B ,”

erected in themonastery complex during abbacythe of Vekenega andthe Whenshecameto (The cultural heritage cultural (The

the erlin in

B Hungarian - 80 28. eneventan discussed indiscussed

E Althoughmanyhoused Zadar Benedic

- vangelistary

marks MS. Canon. Liturg. 277Canon. andMS. Canon.Liturg. marks MS. n

r”. Zadarscriptoriumbecause formthey a AnnualofMedieval Studies atCEU - Croatian king Coloman, a RomanesquekingCroatiana Coloman,

the monasterythewith herČikabrought of the convent of St. Mary in Zadar), in Mary St. of convent the of S

“

cript the followingfobethe will pages Constrviet ivssiterigi rex Collomannvs ” -

H “Č arb JZ, 99 Ia Ostojić. Ivan 1959. JAZU, : Zagreb istoriography and Argumentsistoriography and ika ‟ s .

Prilozipovijesti umjetnosti u and

V Function,Form, at ekenega

and i and the monastery.the upon theirupon 8(2002): 37

tine n fact, fact, n there ‟ cusedon s E

ina „B d s : : The . Grga . in the oo - - 64. cis, 85. 30 k

CEU eTD Collection mihiseruare cuncta quaeprecepit custodire, et sanctae regulae tuae tramitem quam seruaturum me promisit. Amen.” tri etvitiis, cunctisameos actus etmeum dominuspurget coromnibus simulut militantibus,magiseriochristianis,pro 83 82 (Beneventanscript with aspecial toregardthe type ofBeneventan Dalmatian script). Zagreb: JAZU, 192 script Exultet”. Beneventan of Itala Vetus “The Bannister. Westwood. Obadiah John library BodleianLXXV. the in MSS musical Latin oldest the of some of study the to 372. 1914),Press, Clarendon (Oxford: 24330, 10 fourteenth century. 81 that of characterthe Benedictinenuns In and writingthe concludedthat as th well as script, offeaturesthe paleographicalthe has Heanalyzed Mary St. monasteryof the of abbess explicitly abbess the for prayer the As Byzantium. for Gregorius names Therefore emperor. 1086 He th and three of bishop‟s syllables,the four ofcomposed was namepope‟s the that and manuscrinliturgical Since custom the Zadar, suit offices the all that concluded Lowe Mary. St. to dedicated nuns of house that Mary, St. of congregation the and U. abbess the for city, the of prior emperor, bishop, manuscript. the of origin the and date a determined contain information the to According briefandentries. This was L Canon. his in Lowe Avery Elias 1929, In

EliasAvery Lowe. Elias Avery Lowe.Avery Elias “ acnr Madan. Falconer his O beate benedicte beate O discovered use t use H .

analyses of MS. Canon. Liturg. 277,Loew hasLiturg. Canon. analysesof MS. show e he abbreviation of „ille‟heofabbreviation itrug. 277 and MS. Canon. Bibl. Lat. 61 as well as hagiographic proof of their Zadar origin. Zadar their of proof hagiographic as well as61 Lat. Bibl. Canon. MS. and 277 itrug. the

excluded the first period because at that time Dalmatia was not subject to the Eastern Eastern the to subject not was Dalmatia time that at because period first the excluded a

city that acknowledged allegiance to the emperor and whose chief magistrate chief whose and emperor the to allegiance acknowledged that city first systematic study of these two manuscripts apart from previous catalogue descriptions descriptions fromcatalogue previousmanuscripts apart two these firststudyof systematic

that thisthat combination ,

Oxford:Clarendon Press, 1929. 10 . This isThis . clearly 5. itr Novak. Viktor 151. Bodl the in manuscripts western of catalogue Summmary Scriptura ,

Scriptura Scriptura

, dilecte dei, intercede pro me peccatrice, cum dilecta sorore tua scolastica, et pro omnibus sub tuo sub omnibus pro et scolastica, tua sorore dilecta cum peccatrice, me pro intercede dei, dilecte

the namesthefound inofobits the Slavic a calendarclearly the suggests cent he proposed the ye the proposed he the

oe Sehns for Stephanus pope, Beneventana Beneventana

aegaha ar pictoria sacra Paleographia

visible inSt. Benedictfols.visibleprayeron theto 72r instead citr bnvnaa ooii ozrm a i dlaise beneventane dalmatinske tip na obzirom osobitim s beneventana Scriptura citr Beneventana Scriptura , first first ora o Telgcl Studies Theological of Journal .Vol. 2,LXX . Vekenega, who was in some documents also referred to as Veka. Veka. as to referred also documents some in was who Vekenega, ed in Exultet (ff 116v.123r) of MS. Canon. Bibl. Lat. 61, Lowe Lowe 61, Lat. Bibl. Canon. MS. of 116v.123r) (ff Exultet in ed

ipts is to omit the actual names ofis omitactual the ipts to Facsimiles of South Italian and Dalmatian and Italian South of Facsimiles Edward Williams ByronWilliams Edward ars 1081 ars wrote scribe the , occurred between 1068 and 1070 and again between 1081 and between and andagainbetween1081 and1068 occurred 1070

e decoratione Furtheron Elias Avery Lowe. the IV - 1086 as limits for the date of the manuscript and the the and manuscript the of date the for limits as 1086 .

bishop

uses

n fol. In Lno: . mt, 1843 Smith, W. London: . resembles

the initial U., Lowe has identified it wit it identified has Lowe U., initial the provided in

n and

that itwas intended that for useofthe Nicholson. the neums that fit Lowe names. theirneums that the offered a paleographical analyses of MS. MS. of analyses paleographical a offered

122v, prayers are offered for the pope, pope, the for offered are prayers 122v,

Alexius Comnenus for the emperor of of emperor the for Comnenus Alexius

1 10) 43 (1909): 11 , Oxford. London: Lon London: Oxford. ,

Bari school.Bari in irr a Ofr vl 4 ns 16670 nos 4, vol. Oxford at Library eian descriptions of the decorated initials decorated the of descriptions Scriptura Early Bodleian MusicBodleian Early the mentioned there mentioned

manuscripts from the sixth to the to sixth the frommanuscripts pope, emperor, bishop, etc. emperor, pope,

Beneventana - 82 4 Eis vr Loew. Avery Elias 54. - 5 n. 9 Hny Marriot Henry 29. no. 45:

- 72v. e emperor‟s of seven. seven. of emperor‟s e d & c, 1913: LXXII 1913: c, & d 83

0:37 . He concludesHe

, III, III, ,

was a was . particularly particularly

is to say to is Introduction er

noted prior. prior. h the the h

buat The , 31

81 a - -

CEU eTD Collection Dalmatian historicalsources fromthe eighth until twelfththe c.). 87 (1982):7 201 announcement.Andjelko Badurina,“Osorski evandjelistar” (Osor‟ s Evangelistary) 86 85 Tibi domina carum.Amen. Animaruminclinamus nostrum capud Imperatrixmonachorum e Sempercandet splendide Quas……..abbatissa ad honorem Huniversuspopulus Dalmatie 84 “Vekenega‟sevangelistar Novak‟s SinceViktor study andpriorthe Alexeiusfor Comnenusemperor. the differen mentionedisVekenega Therefore, namesconcludes Novak abbess. theas the that are dignitariesofthe C prayerconcludesmentionthe not that does any king emperor,pope, the Zv InOsor‟s presumablyOsor fromlibrary,Vatican from Exultet the In1957 th house.” same the to assigned be confidentlymay MS. our that marked so is plate, previous inthe described Zara, Mary‟s St. from Gospels Liturgical the and MS. betweenthis ornamentation and Zadar in Mary St. of monastery the to 277 Liturg. Canon. MS. assigned has Lowe 61, Lat. Bibl. Canon. MS. to 277 Liturg. Canon. MS. of resemblance churches. Zadar in preserved are martyrs three all of relics the since Zadar is question 72v) (fol. Anastasia St. to given is position prominent 69 (fol. Chrysogonus hagiogra the to According inversesadded in situated iswhich Dalmatia, visiblebyagainmention ofDalmatia the

oloman “Neiskorištavanakategorija dalmatinskih historijskihizvora odosmog do dvanaestog stoljeća” ( AnĎelkoBadurina leaves possibilitythe thisthat manuscriptwas eithercreated in1071 or 1081 EliasAvery Lowe. “ paleographicale features onimir) and this prayer does not existinandnot onimir) prayer thisdoes Vekenega‟s ismention Evangelistary.There onlythe a of Laetabundaaciocunda fatie , t than those proposed byproposed namely those forthan Loew, t Urban

ViktorNovak forchallengedCanon. MS. Bibl.61date Lowe‟s by interpretingLat.

and after ofdeathafter Zvonimirandthe E - xultet 205:203 a twelfth a differently.itcomparedNovakto Exultet the , ,

Scriptura origin the prayer “pro rege” isrege”prayer the “pro (thementionedking that at time the .

written in Beneventanwritten script tsaluatrix -

prior, prior, bishopthe 69v) .

centuryhand. Beneventan y”

Beneventana

to date to , ,

phic evidence: the first martyr to whom a prayer is addressed is St. St. is addressed is prayer a whom to martyr first the evidence: phic

in the E the t Ziu cmlts h ls of list the completes Zoilus St.

the formerthe

vangelistaryfrom Oxford the manuscriptthe .Vol. 2,LXXV of the city and the convent andcityofconvent theS the . He . Yug

oslavand proposedperiod date the because ofthat 1095/96 at , to . 87

. “Moreover, the resemblance in the matter of script script of matter the in resemblance the “Moreover, . created

the last thirdeleventhofthethe century. because itbecausewas

RadoviJAZU u Zadru Croatian scholarship. , Loew concluded that the Dalmatian the that concluded Loew the in has 1081 pope, Andrewfor forpope, Drago bishop, the fromlat.339 manuscript aMs.Borg.

commonly ofsos n Dcos (f Doctors and Confessors - 1082 created created Izdanja HrvatskogIzdanja Arheoloskog drustva aint Maryaint itsandNovak abbess. infol. 86

3 (1957):3 39 ,

wasthe and been beforeinterventionthe of

150v inneumed150v the ofDalmatian, referred to as to referred basedon An u An Croatian kingCroatian - 94:52 nusedcat

85 - the pasch Based on Based 55

ol. the data data the . Loew used used Loew

egoryof

on in town 71v) al

the the a , 32

CEU eTD Collection unknownmanuscripts from conventthe of Mary)Saint (Twosvetomarijska rukopisa..” “Dvanepoznata Grgić, Marijan on Further 1968.Zadru, u umjetnosti i znanosti akademije Z in Mary St. of convent the of Budapest).Mary In ofin locatedconventthe Saint 91 1965:58 from Dalmatia in painting the and illuminatoriae. 90 artis Notae Evangeliary). JAZU s evandjelistar"(Većenega' "Većenegin Pecarski. Telebaković Branka 89 JAZU,1959:44 88 study illumination of style same the have andscript Beneventan of type same inthe written they are that affiliated, textually closely are and K. and 277 Canon.Liturg. 1968 In Oxford. from manuscripts shelf time that (at Budapest in Sciences of Academy Hungarian of Library the in preserved manuscript scholar Zadar a Grgić, Marijan (Gregorius)for bishop.the and Loew Novak. Zaninović, musical the Ex ofthe part which period suits decadeof in“Vekenega‟s created evangelistary”firstdecades the was twelfthofthe c “Vekenega‟sconsiderevangelistary” and provided inwrittenin Beneventan her doctoralscript dissertation waswhichpublished. unfortunately never She BrankaPecarskiTelebaković researchthe continued illumination. paleographical“Vekenega‟sandstudyofevangelistary” BrankaT Chrysogonusin inscriptorium1066 theof Zadar. St. 27 with In1959

MarijanGrgić, “Dva nepoznata svetomarijska rukopisa Budimpešti”u (Two unknown manuscriptsfrom V Branka Telebaković Pecarski. Pecarski. TelebakovićBranka Viktor Novak. Viktor 7 belonged to Čika, belonged7 foundermonasterymanuscriptto Marythe ofandwastheSt. executedthe that of iktor Novak."Većeneginevandjelistar"(Većenega'iktor5 Evangeliary).s StarineNote(1962): paleographicae.JAZU 51

a detailed study indetailedhea studysuggested which , 51 (1962):51 49 mark of mark

Grgić - , 59

ViktorNovak edited cartularythe t of a

. the

paleographicalasaswell there are fourare there syllables inmention syllablebishopandofthree not the the 89 ,

eleventh century, morepreciselyeleventh fromcentury, 1103

the manuscript the lo rpsd h possibil the proposed also Zadarski kartular samostana Svete Marije Svete samostana kartular Zadarski - 60. Shet a

mentionofVekenegaabbessShe andnames interprets Byzantinethe emperor. in herefore ultet

394 resemble each other in fo in other each resemble 394 90 Beneventanski skriptoriji i slikarstvo u Dalmaciji od 11 od Dalmaciji u slikarstvo i skriptoriji Beneventanski

adar), ed. Grga Novak & Vjekoslav Maštrović, 123 Maštrović,Vjekoslav & Novak Grga ed. adar),

the was Cod. lat. octavo 5, now K. now 5, octavo lat. Cod. was differently

and proposes

eleventh until eleventh used ,

vn h sm dpcin acmayn te ae text. same the accompanying depictions same the even an ,

art historical art 277Canon.both andMS. Liturg. analysesof he has published published has he

ed the because rl information oral i KulturnaMarijesamostanasvete baština u y ht S Cnn Ltr. 7 ad . 394 K. and 277 Liturg. Canon. MS. that ty for firstthe time

other other Zadarproducts names Paschal II fornames ( Paschalpope the II

the

he Zadar monasteryheMary Zadar ofSt. thirteenth c.). Ph.D. diss, University of Philosophy in Belgrade, in Philosophy ofUniversity diss, Ph.D. c.). thirteenth basedon . Chartulare jadertinum monasterii Sanctae Mariae. Sanctae monasterii jadertinum Chartulare into 88 rmat, rmat,

- Zadarand Dalmatianmanuscripts other Af 1105 rather than from rather than1105 1095

oral informationoralfrom sheAntoninreceived a ew yearslaterViktorNovak ew the from that they belong to sa to belong they that td i wih he which in study 394), 394),

possibility that MS. Canon. MS. Liturg.possibility that

elebakovićitsPecarskianalyzed

aswell dr. Dragutin Kniewald about the the about Kniewald Dragutin dr. that is that . She proposed that that proposed She . - 227. Zadar: Institut Jugoslavenske Institut Zadar: 227. entury rather than in the last inrather last than entury the - 13 closely affiliated with two two with affiliated closely Paschalis)Gregoryand - . He accompaniedHe . this tog veka tog

Zadru me liturgical genre genre liturgical me s as proposed by sasproposed showed that MS. MS. that showed (The cultural heritage (The -

1097, other 1097, the (Beventan scriptoria(Beventan

made were 91

Zagreb : Zagreb In this this In

Starine early early - the the 49. 33

CEU eTD Collection 209 96 “Sendmeans amebook”. sentencesensemakes of partthe Unfortunately,first 179. the only svetomarijska nepoznata “Dva Grgić, Marijan 95 131 94 Mary),Saint 199 translatedin812. Marijan G Aquileia.The specialcult of Anastasia St. (Stošija) after the centuryninth foundis only Zadar toin wh venerationof St. 93 173 92 Vekenega,forit wasandČika‟screated themonasteryMary.abbess daughter second of of St. the 1065 Mary St. of monastery the of abbess first the Čika, by owned possibly was 277 Liturg. Canon. MS. that proposition Novak‟s Viktor with Novak‟sdate with agrees He 277. Liturg. Canon. evangelistary”. 394 K. dated Grgić hagiographicwas manuscriptinthe the Zadar, in Mary in St. are prayers the of many that of fact the especially and evidence monastery the to related certainly were that manuscripts mentioned. is Sema) certain (or a which Sena in Croatian sister in sentence a actually is 17r and 16v f on addition marginal later a that not and 27 on definitely celebrated Evangelist the John St. of life the about ( hymns Christmas two follows Anastasia ( Anastasia St. of honor in prayer the of beginning the v 23 fol. on and mentioned is confessor the Zoilo St. of name hagiogr detected also He of Book “Vekenega‟s as 394 K. scholarship and Hours” of Book “Čika‟s as to referred Hours. of Book the of prototypes

This afullis The remainsof the ofhead Zoilo St. are nowadayspreserved in MarijanGrgić, “Dva nepoznata svetomarijska rukopisa..”(Two unknown manuscriptsfrom the convent of Mary),Saint Marijan Grgić, “Dva nepoznata svetomarijska rukopisa..” (Two unknown manuscripts from the convent of Saint Mary), Saint ofconvent the from manuscripts (Two unknown svetomarijskarukopisa..” nepoznata “DvaGrgić, Marijan Marijan Grgić, “Dva nepoznata svet nepoznata “DvaGrgić, Marijan - - .

211 132 - 1075. He 1075. . .

the

was associated withwas associated (Versi de sancta Anastasia) sancta de (Versi .

St. Anastasia whose Anastasia St. transcriptionofsentence:”Poslite the libarmi (16 v) // po sore Sene (17 r)

- Zoiloconfesorthe knownis only Aquileia in andinZadar andBeneventanthe script was not usedin 200 ei pna Chr sponsa Veni proposed that that proposed n i opinion, his In .

bas

the rgić,“Dva nepoznata svetomarijska rukopisa.”(Two unknown manuscriptsfrom the convent of ed on ed aphic

possessionBeofthe

K.394

the comparison of its script to script its of comparison the the feast of St. Anastasiain medieval29 Zadarfeastofon celebrated St. the indications Rex agyos hodie agyos Rex . 394 K. omarijska rukopisa..” (Two unknown manuscripts from the convent of Saint Mary), Saint ofconvent the frommanuscripts (Two unknown rukopisa..” omarijska

isti martyrdom falls on falls martyrdom 92

). Since Grgić‟s study Grgić‟s Since

was executed sometime betweensometimewas1071 executed . However, However, . oliStazI 93 95

which begins at f 103 r and finishes at f 106 v. As the hymn the As v. 106 f at finishes and r 103 f at begins which uoia. (w ukon aucit fo te ovn o Sit Mary), Saint of convent the from manuscripts unknown (Two rukopisa..”

n os 103r fols. On s le ta “eeeas vneitr” and evangelistary” “Vekenega‟s than older is He has concluded that the close affiliation to to affiliation close the that concluded has He

of of - obresc the nedictine monasteryinnedictineMary ofSt. Zadar.

and Zadar origin of K.394 originof Zadar

of he -

1095/96 Iudicii signum tellus sudor tellus signum Iudicii l the eaves the possibility that it that possibility the eaves - a 106v there is a unique hymn in honor of St. St. of honor in hymn unique a is there 106v . It containsthe It . // og// çinime (?)Maria Sors(?) , reliquary in conventthe of Mary. St. specialThe

28 MS. Canon. Liturg. 277 Liturg. Canon. MS. th

MS. Canon. Liturg. 277 and “Vekenega‟s “Vekenega‟s and 277 Liturg. Canon. MS. th for “Vekenega‟s evangelistary” as well as as well as evangelistary”“Vekenega‟s for

of October. of

f eebr Ggć ocue ta it that concluded Grgić December, of the feminine singular feminine

Croatian words: “Poslite mi libar” whichlibar”“Poslitewords: miCroatian : In the Inthe : 94

1085 and he suggested that that suggested he and 1085 Grgić has also pointed out pointed also has Grgić Suffragia e madescet e was created created was

has been has Hours” ere demonstrate

later

her her relicswere infol.

) and ) th in Croatian Croatian in t

he commonly commonly

December December than MS. MS. than

between between 23r, the the 23r, Oxford Oxford a 96

song song

that 34

CEU eTD Collection published. 100 Zadar”: 84 99 “EvangeliairedeZara” (1114). 98 Furtheron Marijan Grgić.“The Eleventh Century 97 regard researc the continued He connected was recognition products has Zadar in illumination century eleventh of study Grgić‟ Krševan, St. th and Zadar in produced was manuscript the that proof decisive discovered also has Grgić 1090s. the in time some diffe Laudes the of script Beneventan the dated by and Zadar, of prior the Vitača, 191r a 1116 in inLaudesfirstfolio1114 has thewith Hesbert dated soldOlschi,who Florentine adealer, it to Berlinthe Staatsbibliothek. f Fanfogna thepossession of inthe later Simonand St. of church thepossession of in the been hasit Previously dealer. Zadar afrom front paper the on C(upilli) F(errari) G(iovanni) by written for evidence provided who Hesbert Jean René by inBerlin previously also he 1969 research The

JeanRené Hesbert. “Evangeliaire deZara” (1114): 178 JeanRené Hesbert. “Evangeliaire deZara” (1114). MarijanGrgić. “The Eleventh Century Book Illumination inZadar”.

The resultsof doctoralthe dissertation by TelebakovićBranka Pecarski were accessible not thesince thesiswas never - a v ed fragment written in Beneventan script and preserved in Zadar (State Archive: Misc. 182, p.1) 182, Misc. Archive: (State Zadar in preserved and script Beneventan in written fragment recording

wrote . their liturgicalintheir his dissertationgenre doctoral (

with nd Stephen II Stephen nd

MS. theol. lat. qu. 278 lat.qu. theol. MS. entire to manuscripts inwrittento Beneventan script mentioned Osor Osor mentioned e proof lies in the presence inthe lies proof e one ofonethe into

Apulian an art historical study that takes into consideration not only not consideration into takes that studyhistorical art an

manuscript very important important very

h tete sge b Cei, h Bn f rai o bhl of behalf on Croatia of Ban the Cledin, by signed treaties the these Zadar manuscript Zadar these patron illumination ,

probably crowned in 1114. Later additions in Caroline in additions Later 1114. in crowned probably

evangelistary and evangelistary of Zadar origin Zadar of evangelistary and evangelistary into amily. Between 1887 and1893 1887 Between amily. to s

ofZadar. the first decades of decades first the

) S Cnn Lit Canon. MS. in . 97

Croatian scholarship because Zadar eleventh century illumination illumination century eleventh Zadar because scholarship Croatian Ordelaffo Theanalysesof rcie wt te xeto of exception the (with practice rs from the rest of the codex the of rest the from rs

of a special pericope (John, 15, 17 15, (John, pericope special a of 99

s BookIllumination inZadar”

became a life long preoccupation long life a became Scriptorium Faletro, the doge of Venice are dated dated are Venice of doge the Faletro, - 186,Marijan Grgić. “The E r. 277 urg. the the the basedon

couldbe thus 8 (1954): 177

Zadar provenance of th of provenance Zadar twelfth century. Marijan Grgić thinks that the the that thinks Grgić Marijan century. twelfth “Berlinwasevangelistary” from rm Oxford from demonstrated , Journalof Croatian

the codex came into the possession of Leo Leo of into possession the codexcame the ipiece

the mentionof the 1976. . -

204.Further on JeanRené Hesbert.

says

contextualized for the firstcontextualizedthefor time. and

the

leventhCentury Book Illumination in

n K 394 K. and

proposed that it was executed executed was it that proposed he bought the codex in 1841 1841 in codex the bought he the strong affiliation of Zadar Zadar of affiliation strong the Bri evangelistary”) “Berlin - these these 25) read 25) held

Studies K of Marijan Grgić and in and Grgić Marijan of ings C ings ma e

in the Staatsbibliothek Staatsbibliothek the in three manuscripts but manuscripts three -

Gothic script script Gothic 9 carried out in out carried - durin K 10(1969): 41 nuscript. from Budapest Budapest from oloman who died died who oloman to to n Sehn by Stephen, ing 1117. Hesbert Hesbert 1117. g

the mass of of mass the 98

- A note A 132. n fol. in . This This .

1954 1954 100 35 as as ,

CEU eTD Collection secolo”. 103 107 102 omittedfrom the studywithspecial stress on decorated initials.”Dept. of questionThe of genrethe of manuscriptsthese included in my( MA“Većenega‟sthesis :”Book Hours”:ofA manuscript Čika).Zagreb appropriatefeedback 101 century Theresearchwill andtryto will I co than Monte illuminZadar illuminationoriginZadar of later beingcloserto influencesfromthat Apuliaforillumination crucial weredevelopment ofthe Zadar that and ofMarij interpretations our conclusionsandElba‟s differ. recentlyon publishedwork manuscriptsisregardinghistoricaltheir art very Emanuelato context althoughsimilar research, Elba‟s withmanuscripts products regard fromto Apulia M and wideuseda ofmaterial comparativerange investigated and inandBeneventan script by conducted inexclusivelymanuscriptsimportantmostrecent these CroatianTheresearchwith scholarship. was Hours. furthermanuscriptsHe bothelaborated the thesis that

EmanuelaElba.“Lungo le rotteadriatiche: Libroil d‟Ore in bene EmanuelaElba.“La decorazione dei codici inbeneventana dellaDalmazia XItra eXIII secolo”. The thesiswas posthumously published, although unfortunately only Cro in - 147. K.394. then hasbeenthen

101 C RivistadiStoria della Miniatura

Zadar an Grgić‟s statements Grgić‟s an mpare assino,as

Af determinewhen - Zadar:Hrvatski drţavni arhiv,Kršćanska sadašnjost, Matica Hrvatska, 2002

t er er ation and the earliest prototypes earliest to the relatedand areation , housed , the thesis.The reader encouragedis to themanuscripts, initials typologyinoftwo the its the scholarEmanuela Elba add from Apulianprototypes

maybeseen accepted in scholarship.accepted Croatian extensive

to Chrysogonus,factSt.the to that internationalscholars. Marijan, Grgić. a

scriptoriumshed hopefully and produced

the influencesinApuliafromthe becamedominant can be tracked backbe cantracked work work

for the firstthefor time

ininitialsthe

12(2008): 45 carriedby out very important resultsregardinghistoricaltheirShe art context. ,

was executed earlierwas executed t

from lookat in

- . Bari M 55

The mostimportantconclusion The MS. Canon. Liturg.277 MS.

edieval to .

MarijanGrgić,there Grgić‟swork. , who examinedwho , manuscriptswritte all Dalmatian the 103 represented Časoslovopatice Čike as

latecenturytenth beginnings the that andof S In the followingInthe pages

onte some new light on itslightnewon practice.some tudies,CEU, Budapest, 2001)

ventana ventana diBudapest e miniaturala pugliese dell‟XI the onlymonasteryinthe Benedictine tenth

the

han C

offersomecomparativenew assino. typologicalaffiliationofDalmatian

MS. Canon. Liturg. 277,Canon. MS. Liturg.

atianandtherefore without possibilitythe of the earliestexamplesthe of 102 hasbeen

Myresearchown whichinmyis, opinion,older

(The Book(The Hoursof of abbess the the .

K.394 ,

Zadar workshop. I will theI that argue

from no studyno dealing onlylaterally Segnoetesto

challenges some herresearch was

rather than a into

material Book ofBook K.394 willbe

these 4(2006):

, n 36

CEU eTD Collection Moussakovawho (Wien:Verlag der Österreichischen Akademie derWissenchaft Oldthe motifthe in“Paris Psalter” Galaveris mentions “ figure holds the tabletsof manuscript. distinctiveThe ofsign Chris 108 conclusions nepoznata,”204 107 106 105 Vekenega's and “Book of 104 connotations. O the Ancientof person However, relationshipthe itillustrawithhymn the which initialfunctionitofimportancetheclearlyis concerned, the Officeis of stresses thein it placed. which lefthand. especiallyhairofinthetreatment the illustrating (fol.128v,130v).127v, inmedallionsenclosedappearletters forming the71v, 40v,and“O”72r)57v,58r, the “D” (ff. 20r, In enclosed byor medallionsform the motifsdepictedasThebusts. either decoratedbase“I”aform are placed fon letter (f and 23r, 41v) the figuresHumanin 2.3. O 2.3. riginofDecoratedInitials

Althoughthe picture is Grgić thinksthat thisis depiction the of Christ T extensionThe of letterthe “D” is I folowingthe pages I will refer tothese two manuscripts known inCroatian historiographyČika'sas “Book Hours“of Čika‟s “Book of Hours” (MS.277)Canon. Čika‟s “Book of Liturg. Hours” The first initialThefirst with 1.Initials depictionswithhuman he he halo Č ldTestament. ika and ikaand T being estamentwho exist ineternity itself.” George Galaveris,

The halo ishaloTheindepictedinmanuscript only the one thegold tobe dr in in thisinitial

the the

depicted. It depicted. - 205.However, I think that the

providedwithme hymn D ekenega awn ay”, Vekenega‟s “Book of Hours” (K.394) “Book ofHours” Vekenega‟s T becausepossibility the that thisis

he O 108 togetherwith a Hours“ with their propershelf the badly

a lux beata trinitas beata lux

initial becauseholdingishe law there tablets ofand

lawin his handand revealthe important aspectof motif.the While talking about the choice of

‟ may human depiction inhumandepiction

damaged,it “B

– either beChrist either valuableinformation ookofHours also fits also drawn.

A n t, Ancientt, of Day drawn

ing A

Only

nalyses canbe seenthat nocolor that is that

the Officethe “O”lettersthe and(f “D4r)

positionof the picturein relationtothe textdoes not extensionforms t theemphasis on the Eternityonenesstheof God, of Christand Godthe of . Themale . figure

- the small the ornaments on topof wavy the areline executed in Logoswhichalso derives fromByzantine iconography.

” (M ” stylized in locks.figurelawstylized Thetabletsofinholdsthe his

K.394 107 - marks:

concerningthis , God Father.theor a s is whitehis hair well because the motifbecausewellTrinitarianhasthe strong

.C depictionof fatherGod cannot the be excluded.

isplaced en, 1979):en, 99.I acknowledge my to thanks Elissaveta anon h MS.Canon. liturg.277 andK.394 he letter he “D” uman figuresalsoumandepictedasare busts and The illustrations ofthe prefacesin Byzantinegospels 104 tes makes tes

reveals .L wasadded on as inlaterdepictions of Christ in the are partinitialsare decorated ofthe

motif infol. iturg basedon . . The

. the characteristics of a youngcharacteristicsthe of a person

. 277 . 105

itdifficultdecide to Christ 4r - ”(f 69v, f”(f69v,94v farleaf.Asgeneralasthe inreveals figure setis not

in thewords fromDaniel (7:9). The and the Hours HolyofHours the the Trinity mayasbe depicted also

K.394) a strong connection strong a to

106 with permit - T

). ). ypes and ypesand the incircle.the

the divinethe

Grgić,“Dva

definite

and are and color .

only “ , the

CEU eTD Collection F.Mottol and Scritturaeproduzione documentaria Mezzogiornonel longobardo. Atti del Convegno internazionaledistudi. Eds.G.Vitolo 112 1999 111 110 abbessthe Čika) Kršćanskasadašnjost, Matica Hrvatska, 2002: 309.Further on Marijan Grgić. 109 underTheobaldabbot (1022 itandcontinue Benedict,edition isolatedRuleofwheretheSt. malefrontalbeardedof he firsthalfthe appears for century. It firsttenthof the the in time175, repertoryofCass. the form simplest is Apuliancamethe motif manuscripts transmissionofthe to GuliaOrofino characteristic line shown visualThe only apparent parallel interpretationis ambiguous. “read”we that goldthe and lectionfmotiffor the 55v.Theon depictionsbetween only the hymnsimilarity in sameof the expressmainto hymnofthe thought symbolicdepictionsof in neckcheekand are samethe way in contour profileofinkthe brownexecuted figurethe are inisTheheadp profile “ lection depictionresemblesanother in isHowever, depictionunusual.the rather It In

MS. Canon. Liturg. 277 Canon. MS. Liturg. GiuliaOrofino. “La decorazionedei manoscritti pugliesi in beneventana dellaBiblioteca Nazionale diNapoli” in EliasAvery Loew ff10r, Marija MS. Canon. Liturg. 277 Canon. MS. Liturg. . Elias AveryElias . Loew 277 Canon. MS. Liturg. (firstpublished inOxford at ClarendonPress 1914): in 150.Further on Elias Avery BeneventanLoew. The sc inprofile

n Grgić. n 43r,44r, 44v,54v, 95r Ipse domini noster domini Ipse a. Cava,a.1991: 457

. of the of shown as

indicated d Časoslov opatice Čike

already to be usedeveninfirst half to the of used ininitials decorated sixused fivefilledcurved shapesround . The BeneventanThe . script. A historyof souththe Italian minuscule. filled Baritype isofscript, Beneventanthat inheadsprofile.of The - laced the noted

leafmedallionofthe as that theseheadsthat ofMerovingianWestern, are hasthatshe originand showed present present

with

.Grgić hypothesi

Sun (present CrucifixionilluminatorSunon (present andpossiblyscenes)the that wanted - . on f 57v we findhymnfon samethewe 57v accompanied

Ihesu Xpisti Ihesu 488:459. Giulia Orofino. “Considerazioni sulla produzione miniaturisticaaltomedievale a -

isleafingoldmedallion.Althoughthe caseof the of on a triangular forma onresembles triangular of torso that the 1035) for 1035) example

that maleinthat heads profileas used

blue

MS. Canon. Liturg. 277 Canon. MS. Liturg. inilluminationthe Cassinoin ofMonte s

to to (TheBook of Hoursof abbessthe Čika). Zagreb . It is understandIt to . thehard the ” where”and deaththe resurrection the mentio are ofChrist - motifin used lux zed shows 109 is stressed byisstressed the in .

, that the depiction on f.v depiction57 canthe that on comparedbe to

However, the

in K.394 two depictions almost57v)are two identical, (55r, the inCass. 132.

a headina represented which profile, the withinbrownoutlinedwashesand red

haloinsaint,of the MS. Canon. Liturg. 277 Liturg. Canon. MS. eleventhmanuscriptsincenturysome produced 110 , a strangea f figure, 55r on , (fig.3) , , thisnot does a

through Apulianan green line, the locksline,ofthehair stylizedgreen in are 112 connection an

Časoslovopatice Čike usually attached to a letteraby usuallylaceto attached a

ornament inornament initialsare Monte Cassino. The motifCassino. TheMonte in its d Dalmatianmanuscripts.d

MS. Canon. Liturg. 277,Canon. MS. Liturg. explainus the

Oxford:Oxford University Press, the bythe ads replaceO ads

- of both depictionofboth Zadar:Hrvatski drţavni arhiv, Capuan period, that is Capuanthat period, a

body are isolatedare male heads

initial“O”. (fig.2)

while (TheBook of Hours of e K.394

considerably of the sameofthe - illustratingthe initials

the legsofthe while a

s luxurious (fig. 1) itlogi is to a text to K.394

111 (fig. 4) 4) (fig. ript. the the , ned. ned.

cal y 38

CEU eTD Collection XX 116 115 Hours…” initials.” conclusion. ambiguou discoverconnectionthe 114 secolo”. 113 codiciI decorati dell’Archivio codiciI decorati dell’Archivio di Montecassino 185:145.Giulia Orofino. MonteCassinoattraverso alcuni manoscritticonservati nell‟ArchiviodellaBadia.” Miscellanea Cassinese 47(1983): 131 produc 442, brownblueandscapular. robe sceneof 175)(Cas.executed in Benedict 919 habitinthe wasCassinoused it appears Monte inevenearlier; produc visibleinconventionluxurious most abbey,oflat.1202the some of Vat. the the products such as commentedthat blue the greenand sametheindepictions: both prayer Benedict Benedict St. bluescapularand clearlyfeaturesiconographical text. Theis bustmonkasthecomplement humana represented with leavesrelationship withdoubt text nothe Sanctorum position does itespecially when incharacterizeheaddepictiontheChristas profile the of representsforman ofarchaic havemotif I concluded the that of

Seeillustrations inGiulia Orofino. MarijanGrgić, In myMAthesis andsubsequent article that dealtwith EmanuelaElba.“Lungo le rotteadriatiche: Libroil d‟Ore in beneventana diBudapest e miniaturala pugliese dell‟XI . The second i Thesecond

not ed duringed abbacythe Desiderius (1058 of beate O RivistadiStoria della Miniatura AnnualofMedi

s. In s. contextthe of manuscriptthe they have

within the offering of the codex (p. 2 offeringthe codex(p. ofthe represent Jesusrepresent Themotifsymbolicmeaning Christ. of the that infol. CompareRozana Vojvoda.

on fon 23r. edinfirsthalf the ofprobably eleventhcentury in dependencies of onethe of Monte Inte

benedicte Časoslov opatice Čike the text is, unclear. text however, the nitialwith 72 r, 72 rcessionosquasumus a h green robe with a yellowgreenwith onrobe a cross as betweenthe placing (fig.5) aevalstudies at CEU

(fig. 6) I

a striking similarity to the human depiction in strikinghumanmanuscriptathe similarity certainlysamedepiction to that the codici decoratidell’Archivio di Montecassino.I.I secoli VIII

strengthenscomparison the di Montecassino

a Theishuman buston set human depiction inhumandepiction a a bust setbustinamedallion decoratedin a gold the

blue scapular andblue scapular (fig. 7) I codicidecorati dell’Archivio di “Većenega‟s:”Book of Hours”: A manuscriptstudy special with stress decoratedon “head in“head profile”

the

(TheBook of Hoursof abbessthe Čika): 12(2008): 45 color -

20 the withinitial inserted human headswith the textbutthe were results rather male head inmaleprofil head

116 . The fact The that . 8(2002): 9 ), abbot), isJohn‟shabit Benedictblue, has andwhilea green St. .II, 2. .II, 1. during

of the Benedictineofisthe habit an eleventhCassino century Monte Incodexa also containsCas.Benedict,that RuleoftheSt. that isthisthat a 114 I codicipreteobaldiani e teobaldiani I codicipreteobaldiani e teobaldiani display -

55 the

- - K.394 a the relationshipbetween 37,26. : 49. 1087). - greenunderneath.Marijan robe has alreadyGrgić type, because I truly doubt that itistype, becausetruly that I doubt possible to Capuanexil

a loose a whichpattern,

. The . MS.Canon. Liturg.277 a

its depictionofS

decoratedrectangular base and Furtheron Rozana Vojvoda. “Većenega‟s Book of isinplacedsection acalled 115

e frome front lux

However, However, bluethe combinationgreen and color Montecassino.I. secoliI VIII

asbyproposed Emanuela Elba .It e of e a

MS. Canon. Liturg. 277 Liturg. Canon. MS. sch

luxurious RuleoftheSt. edition of accompaniesinprayerthe honor of

the eme t. Benedict, sinceBenedict, t. incase this

309. textand imagein

- did not representsolid a basis for Monte Cassino Monte inmonks: the leaf that accompaniesleaf that the might of

- X the habit of St. Benedicthabitis ofSt. the ,Roma 2000: 20. ,Roma 1996: 14.Giulia Orofino. ,Roma 1994: 27.Giulia Orofino. alsohas ofdepictionSt. a

help Suffragia Suffragia in - K.394 X , , Roma , 1994: Tav. understand inthis case actually

Itried to 113

ing the ,

the a

- its in 39

CEU eTD Collection Beneventanscript 123 t 122 Furtheron Valentino Pace. “La decorazione dei manoscritti pre (BadiadiCava, 3 Vaticana.” 121 prefaceby BlochHerbert Monte 120 preteobaldiani e teobaldiani VIII 119 teobaldiani 118 20 117 a 572,p.199,Cod.Cas.eleventh Cass. (Cod. 552,p.28) century ( The color formedfrom 277 strikingmost TheinitialsdifferenceBenedict betweenin thedepictions of with St. manuscriptlat.1202.Desiderian Vat. color but pupil impressionleaveBenedictineyes, whileanofopen wide St. in depictionsin Cassinoinfirsthalf dependences the of spreadof infound isMauro andwearing St. depicted 193)while inp. offeringBenedictofthesceneis codex, theof the St. Cassino eobaldiani fig. 8) eleventhcentury . MS. Canon. Liturg. 277 Canon. MS. Liturg.

On basisthe of paleographical evidence, A.E.Loew thisdated manuscript Seeillustrationsthe inGiulia Orofino. See Seedepictionsthe of Benedict St. all through the codex. Compare Cod.cass. 175 and Cod.Cass. 73. Seeillustrations inGiulia Orofino. GiuliaOrofino.

- in X and motif of s sand ,Roma 1994: Tav. XX, 151. Giulia Orofino.

on hison cheek Cassino

the K.394 represented immediate represented and 117

K.394

eleventh century illuminationeleventhcentury illustrationinValentino Pace. “La deco Scritturaproduzione e documentaria mezzogiornonel Longobardo. Atti Convegnodel internazionale distudio , Roma , 2000: Tav.LXXX , Roma , 1996: XXX, tav. 187 the , monks sometimes, are greendepictedblueas havingsometimes and scapular decorated with decorated isinfoundincodicesdependences the executed Cassinoinfirst half ofMonte the of

he hashe the a MS. Canon. Liturg. 277 Canon. MS. Liturg. blueand gree ( with - , 77,, 151,355 verticals 5 ottobre5 1990, acura diGiovanni Vitolo, Francesco is I codicidecorati dell’Archivio diMontecassino I the introductionthe - s 123 full initialwith , a waya alsoof, representing saint the a

. - hagiographic manuscripthagiographic

moreconventional beard colorfacsimile of manuscriptthe New: York ,Roma 2000: 237. tem and tem

a pearla n convention for ntheconvention . inlargeinrepresented,littlemiddle wayare the with eyes the eyes athedot

lybelow

a . human busthuman

I codicidecorati dell’Archivio di JohnsonReprint Corp.: a

. ornament

ofa rectangularpart, upper I codicidecorati dell’Archivio di Montecassino a brownscapular1).(p. 120 and geometric his at at GiuliaOrofino.

the MonteCassino

razione dei razione manoscrittipre eye K.394 I co .

eleventhfeaturesBenedict‟scentury.The stylistic ofSt.

was firstusedin was century 10673 tenth a Vat.lat. Gradual - dicidecorati dell’Archivio diMontecassino lid , held 119 garments

differsubstantially:Byzantine a s I )

The - . his face isfacehisin outlineddotshas he andof green two initial CodiceseVaticanis selecti, V

St. BenedictSt.is inbeardless at

Ha - I codiciI decorati dell’Archivio di Montecassino.I.I secoli desideriani. Codex

the Nationalthe inLibraryNaples, rcourt Bracercourt Jovanovich, .II, 2. found depended on archaicdepended on that and prototypes the topped with Benedict in ofbust St. topped K ofthe filledwith

118 Benedictus Mottola)Badia diCava, 1991: 404 Montecassino I codicipreteobaldiani eteobaldiani K.394

Theseexamples in . .” 122 Benedictines was in vogue inBenedictinesin vogue was Monte - . desideriani fondineidella Biblioteca a tothe

(fig.9) moreelabor

with

an :

shown

an eleventhcentury. A.SeeLoew. E. . II, . 2. interla eleventh his

InApuliafirst usedit was .II, 1.

1982. 50.

moreelongatedface has Icodici preteobaldianie wearing ce MS. Canon. Liturg. 277Canon. MS. Liturg. show

ated form inated Editedby Meyvaert Paul ; - Icodici preteobaldianie d century

component is visiblecomponent pattern in pattern bright . II, . 2. MS. Canon. MS. Liturg.

that somemoti that a Neap. VIII B 6 BVIII Neap.

lectionary blue scapular Icodici s -

457:figura 26. (p 12, p.94, 12, (p ,Roma 2000: the .394, .394,

from the 121 The fs

in 40

CEU eTD Collection secolo.”Rivista diStoria della Miniatura 12 (2008): 45 127 126 Eds.S.Adacher. Giulia Orofino. Montecassino: Abbazia di Montecassino,Universita degli studi diCassino, 1989: 19 453,99,571, 108, 144,520”. 125 pugliesi…” VitoloandF. Mottola. Cava, 1991:457 Scrittura eproduzione documentaria nel Mezzogiorno longobardo 124 initial.BeneventanisfrontallyOne placedand illuminationhisinan represents developmentworkshop.of earlier thethe stage illuminator that ofthe withlayout at inworkshop time.Thethedecorated that us the argumentstronger th familiarinitial.thiswith ofThereforetype demonstrate 277 Canon.illuminated MS. Liturg. Liturg.277 Canon. book.smallformatofShethe pointed that, out of Gospelopensthe ( reading isbuststo genre,relatedbecausethe evangelistaries and feature Vekenega‟sofOsor evangelistary. rar Marijanhas assumedinitialabsence Grgić the that ofoftypethis in isCassinesefirmly191 linkedApulian with Dalmatianproducts. and anevangelistar the decorationinof Apuliaevangelistarieswritten in script Beneventanhalf of Dalmatiasecondand the This actthe ofwriting. Anthony(fol. 230v203v)St. andwhereAbbot the

EmanuelaElba.“Lungo le rotteadriatiche: Libroil d‟Ore in beneventana diBudapest e miniaturala pugliese dell‟ XI MarijanGrgi Seedescriptionthe of Cod.the Cass.191 inGiulia Orofino. “L‟eta‟dell‟abate Desiderio. I codici cassinesi 191, 339, GiuliaOrofino. “La decorazionedei manoscritti pugliesi in b MS. Canon. Liturg. 277Canon. MS. Liturg. ity Thethirdinitial with eleventh and firsteleventhdecades ofand

geometric

inK.394 .

largerscale ofinitialtypethisin of

becauseisitilluminatorpossible ofalso the that ć.

y signals that the manuscripts earliersignalstheare that thansinceinitial typethis1081 is of Časoslov opatice Čike type of “ oftype most probablymost

(fig.10 perfectly an K.394

the omissiontheinitial in of oftypethis initialsdo hasanything to withsk the Beneventan

a L’eta’dell’abate Desiderio. Manoscritti Cassinesi secolodel XI )

humanindepiction 124 In deliberatelyfromrefrainedI using

fit was lesswas capable illotempore

the spacethe created the - 488:464

(TheBook of Hoursof abbessthe Čika): 311 K.394

” hadskil superior ismentioning worth decoratiotwelfththe century. It also that

initialofbustevangelis withthe itials of

inMonte - ). Emanuela). Elbaproposed 465.Furtheron Giulia Orofino. “La decor

reserved , issi a

Ithat us thethink - K.394 126 than 55:50.F one has a head inhas inheadbodyone aand profile K.394 as opposed to gnal that th that gnal

However,abundancethe I of C

for is the illuminator ofthe assino

aboundwith I infol. l depicted as a bust setbustinitialasarectangular a depicted on in eneventana dellaBiblioteca Nazionale diNapoli” in .

are largerinare do general,I and urtheron Emanuela Elba.“Lungo le rotte adriatiche…” 127 isthem,that .Atti Convegnodel internazionale distudi. Eds.G.

For all For Elba'smerit,isits hypothesishard to in

is 41v also depictsrectangular41vbustsa on also

MS. Canon. Liturg. 277 Liturg. Canon. MS.

the e illilluminator. I isthink ofitthe type of initialoftype K.394 - MS. Canon. Liturg. 277Canon. MS. Liturg.

initialsbustshumanofbecausethe with of these initialsofthesein Desiderian yearsDesiderian(1058 - , initialsbecause phraseofthat the

, the illuminated,initials inthe sheimpliedth MS. Canon. Liturg. 277 andLiturg.277 Canon. MS. their 125 the MS. Can MS. t became feature ofstandard at

hypothesis illuminatorthe that was widely used inwaswidely the used azione dei manoscritti . . Cat 277 Liturg. on. - initialshumanwith

K.394 at alogueofexhibition. the

not the . I have . I concluded a initialwas three

think that thinkthe that - repres artist who artist 1087), Cod. 1087), a - quarter quarter

common common

or or that ents a ents unlikely MS. MS.

not n - 102. in

CEU eTD Collection bemight a abbess313.Čika): would I also like tothank mysupervisor BelaZsolt Szakacs who reducedv 129 128 figure The locks. regular in stylized hair and nose thin face, elongated an with quality of spreads fol. perfectam domine quesumus executed inclin slightly simplydepict hisof illuminatorhuman theusage 277 Canon. depictionsto of comparedMS. Liturg. interpretationIfisilluminatorthiscorrect then ofthe representationofVirgin Mary‟ssoul. Virgin). is Virgin,ofthe that compositionfunction conn ofVirgin changewithinwould formthat genitrixdei. inmedallion set bustfilledasa a with gold uncovered Jesusis medievalinnever art depictedwithalmost Virgin neveris and profileMary her depicted hair person usisthatbust human frontally the turned toward honor Virginofthe Mary manuscriptbelongsto sectioncalledtheof the andinitialtextsongtheis the accompaniesidentify tryonly the wayfigures. to to the position.

MarijanGrgić did Thiswas the opinion I h fut iiil with initial fourth The

4r 4r ection representsa

in ersionof ascensionthe of beyond the contours of contours the beyond Thus,

(fig.11) depictionof

an by . ThedepictionVirgin inMary . of does of application the initial this in because illustrative is manuscript same the

with the text that mentions text the that inwith souls

(fig.12) ornament eachmantle.on is,herhighlyornament side ofIt therefore, representationthe unlikely that

ing ing

drawing on the upper left part of the medallion. It accompanies the prayer prayer the accompanies It medallion. the of part left upper the on drawing the frontalthe bust

not

saints but byiconographic but meansintroduced saintssimplehe scenes

towards towards Theyformbustsan under halo. oneunusualTheir composition of two inposition the not

depictionofJesus. Koim substantially differ from the depiction the from differ substantially , the ,

She isShewithcovered blue ed offer a detailed discussion of compositionthe but mentions that there is apossibility thisthat is a presentedinmy

as a reduced versionreduceda iconography ofandas Byzantinedeath the ascension the of esis

Koimesis Imperatrixreginarum the a

duringour common inspection of the manuscript.

and probably presents Jesus Christ. The comparison with the depiction depiction the with comparison The Christ. Jesus presents probably and ua d human the the

may right and set in a medallion. The initial “D” is formed by formed is “D” initial The medallion. a in set and right the the VirginMary. Marijan,Grgić.

(Jesus is(Jesus

decade or two dividesdecadethat or beinofdepictionJesusanda head symbolicthea profile work onwork myMAthesis. drawing) al drawing) 129 128 pcin in epiction

However, this is not a satisfactorya However, not isthisinbecause solution - leaf and accompanies inleafheran and honor antiphon shown shown MS. Canon. Liturg. 277 Canon. MS. Liturg. maphório maphório Uersi de Sancta Maria Sancta de Uersi K.394 K.394 most destroyed the drawing underneath, which in which underneath, drawing destroyedthe most

et salvatrixet a

K.394 dep holding K.394 suggests ictionVirginofMary the

wit , Časoslovopatice Čike n fol. in

a in fol. in h

animarum advanced n infantn the MS. Canon. Liturg. 277 Canon. MS. Liturg.

anotherpossibility, namely the that

edges

9 is v 69 4r. It It 4r.

that representssoulthat the ofthe infol.

a ste a . Therefore, Therefore, . andinitaccompanies song suggested pickedout represents a p furtherp

58 r representsVirgin r 58 Mary depiction of a human bust bust human a of depiction

(The Book(The of Hoursof the

the possibility onto page the onto and that secondthe that and is shown with shown is

inanddots gold red itcan be the same facial type type facial same the the waythe he used

The init The :he from wasnot a color O almigeraO

K.394

that thisthat curved line curved assume . ial

a a nobis nobis a (which (which

raised raised

. The . terms terms d i

42 n in

CEU eTD Collection benigneChriste,IhesuDomineetdeus bone inwith wingsdepicted gold formedbyis“d”medallion part andby upper depiction the thein brightofbirdexecuted a the f medallion leafinmakes signofwho ablessing gold and with signblessingbigwithofofhandvery a proportions. probablydots three that relationshipprayerthe to identificat insideChrist formedbylineends wavy thewith that color frontalindressed position, Liturg.27 Canon. medallion unlike hasandleft shoulder, hishand staticposture a in right whic patescunt cross inside set initialhasparallelThis indistant a crucistu manuscripts andfollowthat relationship words the the with executedin cross, ink.brownThe depictionwhole well.isThehair lips flat strengthenedbyare ink brownlinewavythat (a haloof calledmanuscriptAdoration Cross. ofThethe Liturg.277 Canon. of out extends which hand left The lastinitialThe humana inwith depiction

is damaged. It isis It indamaged.medallion set filled agold with form the figurethe a e

human bust inclinedbusthuman rightpart slightlyandtheof upper to the . , a ionfromcomes comparisonwith

s framemedallion.ofthe (fig. 14) help illedwith gold

medallion filledmedallioninwithleaf hishand cross goldholdsa ( right the upper part upper the letter) “d”anduncialoftheprayer aaccompanies a

medallionfilledleafgoldiswith depicted identify in in 7

stylized small curls visible under brownwashesvisible stylizedsmallcurls ofunder where frontal.staticdepictionsandarethe preceding K.394, Christ,depicted longwithbrownhair,

represent the depicti the Omnipotens sempiterne deus Omnipotenssempiterne - leaf a - where ends a leafholdingandwavy a red green robe and bluegreenandmantle robe

preceding of stroke red infol. the in stylizedformrichlyofthe the A on ason MS. Canon. Liturg. 277 Liturg. Canon. MS.

two floral Thetwo face ornaments). iswith elongated

similar depiction of Christ is founddepictionissimilar fol.ofChrist on

rm o te ealo, faue ht a nt e on in found be not can that feature a medallion, the of frame a hand that holds handa that 130v of the sameofthemanuscript.130v a

the a floral ornament, a featureflorala found in ornament,

representation of Christ. representationofChrist.

color

other depictions other (especiallyChrist of .Marijan inrecognized Grgić depictiondove thethe ofthe prayer K.394 K.394

(fig.13)

and resembles Deus qui crucemDeusqui ascendisti a ,

infol. As righthand isinsidebig proportionsset of there are there . Christ isChrist .

the The round part of the letterTheis“d”round part of formedtheby a imilar ofbust Christ - lesshasa line in its beak. It accompaniesin lineitsIt beak. prayer the leafa infol. a cross stretches cross a a

, , h the cross ish cross thep 94v

greenand robe infol. Domine ihesuchristeDomine vexillumsancte decorated covers decorated codex ofthe

those on ff andthose onsame of the4r 69v strokesof red nd the upper partletternd upper is“d”the of the ,

40v277 Canon.of MS. Liturg. isinplaced t shown

visuallayerbecausequalitythe 127vwhere half a

(fig. 15) color the holding a book decorated withholdingbook a the laced beyond uncialis“d” a .Theholdsperson thina K.394 Theround part letterof the color Deus cui omnia inserataomnia Deuscui holdinga hesectionof blue mantlebluehiscovering diagonalformof . Theofbust inChrist . infol. ut lies ut on infol.

outside the outside on the cheekthe on

aswell -

figure ofChrist a 20r in 20r

book depicted book

thinnose 127v) and 127v) onlydrawn his . He makesHe . the . A chest the MS. MS.

bust ofbust a color . . The the s

. Its . as

with of

MS. MS. s in

43 a

CEU eTD Collection 132 oflegends St. analizalatinskih legendi o MarinkovićAna Anastasiae (2007):191 ofCult Anastasia St. inSirmium, Constantinople andRome Late in Antiquity and Earlythe Ages)Middle (2006):12 175 “Martyrs,Relics, andBishops: Representations of Citythe Dalmatian in Translation Legends.” Conferencethe on t Martyrdomof Anastasia: St. Some Problems ofOrigins Its andthe Early mu Anastas Zadar sv.kultaAnastazije i njegov Zadruu odraz (9 131 130 initi medallionbackgroundNikolaisof themedievalist Croatian red. a Jakšić, His with dotsfour decorated representthat ornamentsthe o righthanda ofproportionsinhugeand left hishe hand codexdepictedin holdsa gold with stylizedfour decorated formed crosses(each Hieronymous,Hilarius,isHeMaurus Zoilus).in and dressed honor of followsmedallionand the recognized inclusionargued ZoiloHethe that ofissupportedSt. also since manuscript, the saintsthree a these (exceptionalconfessors Aquileialimited asZadar)hagiographic andto and ofproof in longest codex), the i St. AnastasiaNicholas,confessors, St.Benedict, follow HolyCrossand St. prayerafter Virgins the to Michael,St. prayersJohn St. to Baptist,the St. andsequelthe Sanctorum Suffragia initialThe with inclinedviewmore to representationasthis d other birdinitialand themight that representsuggested image the Holyofthe Trinity. n

MS. Canon. Liturg. 277 Canon. MS. Liturg. Marijan,Grgić. For new onresearch groupthe of Zadar patron saints and bibliographyrelevant seeworks by Vedriš. Trpimir “Nastana Marijan,Grgić. čeništvusv.Anastazije: problemineki podrijetla itekstualne transmisijeu srednjem ranome vijeku“ Legend(The of the

al cannot represent ZoilobishopSt.a al henot becausecannot was face

9 th ia andiaChrysogonus inMedieval Zadar.” epictionsinmanuscript ofChrist and the relationship the depictionIof amthetext the towards - 14 is the : How : not to read a hagiographic text)In: - th 216.“ similar to other depictionsto inmanuscriptand similarother h the

a century Anastasia andSt.Chrysogonus). -

confessors (Cyprian,confessors Basil,Augustine, Ambrose, Gregory,Martin, Is 186. depiction of St. Zoilo ofdepictionSt. – to

HistoriaTranslationis S. Anastasiae TrpimirVedriš. Zagreb: Leykam international, 2008:39 a Časoslovopatice Čike Časoslovopatice Čike he 1700 yearshe of Churchthe of (Zadar,Zadar November 16

“Štovanjesv.Anastazije Siru theseenvironmentprayersthe reflect humandepiction ) Historijskizbornik .

Thissection the sv.Anastaziji sv. Krizogonu” i prayer to St. AnastasiaSt.prayer inclusionwellto as Zoiloin thelist as ofSt. the the

. prayer

MarijaninclusionChrysogonus St.hasprayer used theGrgić to of (th

Obsecrovosbeatissimi confessores doctoresatque Christi

contains prayers containsprayers

infol. (TheBook Hoursof of abbessthe 137 Čika): (TheBook Hoursof of abbessthe 310 Čika): infol. 55(2002): 1 - 14.st.)”(The EmergenceofCult ofthe Anastasia St. andits Reflexion in Zagreb:Filozofski fakultet Sveučilišta Zagru re patronsaints re ofZadar. Annualof MedievalStudies atCEU

71 v71 of 71v. miju, CarigraduiRimu u kasnojantici i ranomesrednjem vijeku“ (The a Hagiologija:kultovi u kontekstu

- : kako : (ne) bust ofbustChrist. 132 30,

Peter, St. Apostles,St.Peter, Chrysogonus,martyrs, St. (Zadar hagiographiccycle: Hagiographic analysisLatin of the

MS. Canon. Liturg. 277Canon. MS. Liturg. (fig. 16) “CommunitiesinConflict: The Rivalry between the Cultsof Sts. from askingintercessionfor by fHis cover. beardhairthe brown are short and inthe which čitati hagiografskitekst?“ ( fourdots).makes He red signablessing with of Thehalf by

. He . MedievalTextual Transmission)Proceedings of the illuminatedisinitial, thethat is a -

58. and robe hasblue halo

131 arguesinstead initialthe that ” - – Za

figure of the saint isfiguresaintofinthe set a

manuscript 192004) (in preparation) filledwith

darski hagiografskiciklus: Hagiografska

11(2005): 29 (Hagiology:cultscontext). in Eds. . -

, 140,309 isinplacedsectio a

hasthat argued therecently

ebu, the saints. Thechoice saints. the HistoriaTranslationis S. gold HortusArtium Medievalium was 130 .

a PhD, i ydorus, ydorus,

- Bycomparison with pinkpallium 48.“Legenda o

- created. created. the leaf.The - 2009. leafand Zadaroriginof Diadora

he inthe T n called he

22 e 44 . k

CEU eTD Collection 137 crownedand Thisdescription, doeshowever, Croatian art). Catalogueofexhibition, the ed. Biserka Rauter Plančić (Zagreb: Galerija Klovićevi dvori, 2006), 108 representsSt.Anastasia mostThe recent informationwith bibliography on fragment the from secondthe ofhalf centurytwelfth th Zadar)(Zadar: Stalna izloţba crkvene umjetnosti Zadar, 1980):49, 51 136 135 Starine JAZU “Većeneginevandje wasused in monasterythe Maryof St. Zadar, in w doesn‟ttake considerationinto that sothe Benediktinci Hrvatskoju Benedictinemonastery Chrysogonusof St. and femalethe Benedictines came codexoftenare infemale singular form. Benedictine monasteryNicholasof St. Zadar in was adependence of male evidencecodexthe that was used infemale Benedict Nicholasof St. inZadar. Thisproposition cannot be supported since the ofhonor confessorsthe Beatissimenicole confessor 40v).On basisthe of t on However,balls. 134 ofCroatian art). Catal 133 suggests connect illuminatormistakethat suggestedmade the anda misplacedthe Anastasia but holdingsmalla cross. reliefscenturyAnastasiashow St.from stone inZadarthat Anastasiaidentification saintofwiththe St. ispart leftthere upper medallionhandmakesgesture ofablessing.Theforms she richnesstherepresent inembroidery.ofsmalltheholdsa hand She her cross left right her with and goldenwithher(alsoandedge garment color saint patron ofZadar. femaledepictionInthe ofa saint Itcanbebishop. rather inanymentioned bishopsoftheprayer. the isinJakšić depictionright the that pointingout hardly couldr Nicholas representsSt. ith Čika‟ andsVekenega‟sith Book Hoursof and probably ofproduct a samethe scriptorium has aninternal evidence that it

ff128v,129r,130v Fragments publishedare inIvo Petriciol Marijan,Grgić. the As NikolaJakšić. Catalogue entry Čika‟sfor “Book Hours”ofin

. She has. inhaloa depicted gold a saint‟s palliumandfour dotsthat decorate codexthe saint of(used the inother depictions of codices wellas e.g.fol.

keyargumentfor the identificationofsaint withthe St. Nicholas,Jakšić mentions the attributeof Nicholas, St. three

the depictiontheit accompaniessaintofto prayerthe the female included)is(andno wheresaint

Grgić‟shypothesis that

51(1962): 49 these rather

isausual not attribute of Anastasia. St. Časoslovopatice Čike listar", listar", ogueof exhibition,the ed. Biserka Rauter Plančić (Zagreb: Galerija Klovićevi 2006),dvori, 254 his identification,his thinks he that the initial is related toprecedingthe prayer toSt.Nicholas, thre

Obsecro vos waswritten the penitentialthe prayer

sv.(Benedictines2 inDalmatia (Split: Benediktinski priorijat 135 eballs arepresent not inthe depiction 136 a StarineJAZU 133 , , anargument that cannot be supportedsince initialthe “O” clearly accompanies prayerthe in -

60.

depiction of blessing haofdepictionblessing (fig. 17) However, However, initialthe does , an identification, cannot f I support that

not

iscorrect

take considerationinto apeculiar iconographical detail .Jakšić further states that the codex was probably formadeBenedictine the monastery byFiskovićIgor in Thehalf infol.

- 51(1962): 5 (TheBook Hoursof of abbessthe 310 Čika): called Vekenega‟scalled Evangelistary Canon.(MS. Bibl. Lat. 61) closely affiliated i Stalnaizložba crkveneumjetnosti Zadar - . On the other hand,initial.On the the other used leafinhairisoutlinedHer and withcovered red. veil a with

128v Grgić recognizes 128vGrgić a infol. 122 v - golden edge) isedge)with golden bluethat decorated dots and red Domine ihesu christe fili dei unigenite ihesuchriste Domine fili figure inemonastery: on the basisthe on a of - 49;Branka Telebaković Prvihstoljećapet hrvatske

nd that forms nd that

of the saint isinside saintset ofthe

not

congregatiosanctae Mariae .Instead

Prvihstoljećapet hrvatske accompanyinprayerthe honor theof St. infol. .

a the

MS. Canon.Liturg. 277

therefourare dotsthat representstylizedthe cross frontalposition comparisonwith twelfth/thirteenth epresent St. ZoilusSt. epresent waswhonot the

the 150vabbes mentionedis andprayersthe in the

a round part part letterofin the“d”round and the

representation of St. Anastasia, representationofSt. a initial.isfact ithardthatThe to

onlythirteenth in century. Iv or - upper part “d”.upper Grgićof Pecarski, “Notae Pecarski, artis illuminatoriae”,

severalreasons. umjetnost(First five centuries of

(Permanentexhibition of ofartsacred - . Tkon,1964): 58

a with

medallionfilledwith green is mentioned.Viktor Novak,

in givingblessinga umjetnost(First five centuries

the depictionthe the prayer to St.prayer theto . possessesinternal an 137

134 Grgićhas -

60.Jakšić also However, However, at mostprobably an Ostojić, an . . The proposed

saintis and

- 10

- a 9. 256.

his 45

CEU eTD Collection teobaldiani 14 140 139 Benedictinetriad emerges. fol. fol. 138 Liturg.277 Canon. manuscriptGreek in Albanetta, 18) itappearslat.10673manuscripts:in from endtheVat. century of tenth (initial“D” forms blessing that part handof upper the initialThe with from absethe myIn opinion initials initial similarother into Chrysog honor ofSt. fol.ZoilusAnastasiaandSt. 128v represent St. and isTherequestionthe saint thirdalso of patron the ofIf Zadar.is and Grgić right heinitials two deliberately stress that to these or t wanted inand mayeitherilluminatorThisother. imply green the theprototypedifferent usedforathat these medallion:the hav they fol. itis However, mi contains fol. 277 Liturg. interlace Anastasia - Cod. Cass. 400 Giulia57). (initial Cod. p. “D”, stake stake GiuliaOrofino. ValentinoPace.“La decorazione dei manoscritti pre Ifwe accept 15,plates 277.on Giulia Orofino.

71v maypossibly Maurus beSt. also mentioned 73vincludes St.Scholastica who is usually depicted witha little abbess‟ cross in her hands. allegedThe St. Zoilus 73v). Thefact AnastasiathatSt. 73v). prayer initial theto begins initialthe“O” whilewith the that and are 128v certain nce of any relationship to ofnce anythe prayerof theto makerelationshiptext but plausible)this in by the representationfemalethe initialisofa saintan“d”also and , Roma , 2000:22, Tav. CIII, 441 infol codices fromcodicesfirsthalfthe eleventh century of

a the illuminator. the ( . dependenceCassino; ofMonte a

the thatthiswas a a similarinitialtypeisinfor ofprayerusedthethe odd this figurethis pearl ornament, a pearlinitial typeornament, i ofthethat . the supposed the I codicidecorati dell’Archivio diMontecassi

72 v 72 onlyinwhosemanuscriptsaintshalo the s peculiarthat the . . 140

onous onous

is a luxuriousisa

Thus,

e separate haloes medallionseparate inebackground theis andof thedepiction onered

infol. mistake

138 infol. at leastat

depiction of St. Anastasiaisdepictionbecause motifofimportant St. ofthethe of

I codicidecorati dell’Archivio diMontecassino

128 v128 the by

69v isby69vaccompanied small the

supposed the i the Suffragia Sanctorum Suffragia geometric . o

neByzantinestrong feature Eastern can/ recognizedin be ispossibly a lluminator,other combinations are possiblewell,as for example prayerthe “d” initial.“d”commoninitial Thisof type not is inBeneventan inthe prayer and

Orofino argues that itarguessignals Orofino that an depictions of St. Zoilus depictionsofSt.

- initialintersectwith Cod. Cass.(initials170, p.317 244 p. Cod. “D”, desideriani…”,404

representationAnastasia ofSt. respectively no .II, 1. s used for prayersfor hymnssused Canon. in and MS. , ?

wo depictionswo sare mostprobablyin produced St ,

thus I codicipreteobaldiani eteobaldiani

, not formednot bybackgroundof golden the

the possibilityof representation of , how , 457:414 honor of Holy Virgins that follows honor ofHolythat Virgins contradicts ing text text infol.

isitpossible that golden squares filledsquaresgolden with .II,2.

- using (threeline 417,fig. 25, 440

71v and St. Anastasia and71v St.

I codicipreteobaldiani e the hypothesisthe

interactionwith Italo visualmeans. the identificationthe is the s (the iconography (the and ) and ) infol. initials .

.Mary in the prayerthein a

) ) (fig.19 22r) modest

infol. that ,Roma 1996:

139

this isa this MS. MS.

(fig.

in 71v ) and ) - in in f ar ar 46 in in

CEU eTD Collection Fourteenth century 142 141 Vekenegafor created at of 277Canon. MS. Liturg. ratherwasthanČika, Elba‟s M Vekenega,becauseto support contraryopinion,I fol. mentionmonasterybeto continuedusedandasby the abbesses of the twelfth century Rozanaabbess t primarily byLoew. not onlyus the festiveVekenega‟susedon evangelistary was displaymanuscript a occasions similarframetime myInobvious opinion,thein difference us the thanwith Čikaas solidargume historicalmanuscriptsto Vekenega's Vekenegaattribution isevangelistary'spersons. confirmedto by implywould According sameperiod. Elba,manuscripts to as all three connect Bibl.Lat. eleventhcentury us Theabundant facialpostures introductionfigurestheof the thetypes, and 277Canon. MS. Liturg. Thebiggest inpersons wayan ambiguous ( They fact the thatas bustsmainly intheyand enclosedmedalliondepicted are initialsbetweenTheresemblance depictionsthehumanin with heuseditwhoperson

E. A.E.Lowe EmanuelaElba.“Lungo le rott the former manuscript.formerT the

150v both

MS.277Canon. andBibl.Liturg. 61 MS. Lat.

142

shows aimed

61) MS. Canon. Liturg. 277 Canon. MS. Liturg. complementin textway the transparent

differencescodices betweenindepictionsthe two Scriptura Scriptura Beneventana.Facsimiles ofSouthItalian Dalmatianand Manuscripts thefrom Sixth to the nts andnts implies this that Theus there wasthere .This, reasons Iwillamongst other that infurtherle to text, the refer e . . 2 vols..2 (Oxford: Oxford University 1929:Press): LXXIV of gold leaf, but alsoleaf, but ofgold e at I aminclinedsupport more I Mari to Zadar

hasbeen of gold leafofgoldin

is taken intoistaken privateisthat use, e a

ofgold possibleofdepiction . . The no great chronologicalgreat no rather but change, manuscript preservedinmanuscript Oxford, a ( wascreatedearlier than in contrast to

timeshewhenwas accepted in accepted scholarship.Croatian

helack ofgold eadriatiche…”, 50,51 most probablemost is solutioncodexwas thedesigned that for abbessthe ofthe - leafsurprising.notis, thus, However, us the

consideration,becan explained MS. Canon. Liturg. 277Canon. MS. Liturg. ).

, the the

in K.394 MS. Canon. Liturg.277 Canon. MS. OxfordBookm ofHours

“exce - Koimesis leafmaybe

not whereonlyinitial leaf)inis onedepicted different gold . e

llent parchmentllent margins”and generous already

of gold of K. 394 K.

yet anyet abbess,is that s

(the depictions of St. Benedict, JesusBenedict,(the depictionsandofChrist) St. in janGr

and to propose and to theythat were . Iintenddemonstrate . earlierthe to attribution - ex K.394 leafin the are products are of iscanbepractice a foundalso inthat another plained by the factK.394 by that plained the gić‟s ofI so 141

and saints that may differentand that saints represent - liein

the called - K.394 and MS. Canon. Liturg. 277Canon. K.394MS. Liturg. and

suggestion b initialsinhumanwith busts . , a

ay hasbewithto connected of rank the

changeinattributionof the the way each manuscript wasmanuscriptused eachwaythe manuscripts,especiallythree if

the ampletheof gold usage

also be related to Vekenega be to related also rather Vekenega'sevangelistary ,

before 1096. before s. the e

that inabbessthe that question ofgold late eleventhlate century this something testified to by somethingtestified to arijanGrgić‟s a - d Emanula Elba to Emanulad Elbato leaf in a book leafinbook a

created hasbeen - K.394 leafin in

idea

noted exactly (MS. (MS. t is

. he that that

CEU eTD Collection 149 depictionthe of Jesus enclosed Christ in in a medallion insertedindecorated E(xultet) VirginMary enclosed in a medallion VirginMary enclosed in a medallion placed 148 201 meridionale 147 similargarments, the supposedofdepiction Zoilo St. infol. 71v inMS. Canon. Liturg. 277 146 143 meridionale 145 129 meridionale 144 132:66 143 initial“O” Orofinohassimilarity the out pointed of Theframemedallionsdoubleis visibleinof the eleventhGiulia other Apulian two century products. allatappear in 277Canon. MS. Liturg. ismentioning It depictionsthe that worth of Christ open position Iandquality Exultet the of fromwhich thirddates quarter elevenththeofcentury the represents anda 277 shown middleeleventhofcentury the similarityframedinmedallionssaintsthe with in borders the Benedictionoftheroll fromthe the appearance fromdating firstquarter theof eleventh century Liturg.277 Canon. rollsand medallions As Thebiggestsimilarity humaninthe with depictions

GiuliaOrofino. “La decorazionedei manoscritti pugliesi..”, 465,fig. 11 C For the most recent descriptionof Ifwe comparedepictionthe of Maurus, St. the only distinguished saint For the most recent descriptionof BendictionalBari and For the most recent descriptionof MarijanGrgić. “The Eleventh CenturyBook I - - - hasbeennoted already . 204 145 134 omparisonsof the representationof VirginM

(fig.21) eyesand sizetheof - 68.Marijan, Grgić. . . in

. The .

the a .Eds. Giulia Orofino, Oronzo Pecere. Roma: Istituto poligrafico ezecca dello stato, Libreria dello stato, 1994: .Eds. Giulia Orofino, Oronzo Pecere. Roma: Istituto poligrafico ezecca dello stato, Libreria dello stato, 1994: .Eds. Giulia Orofino, Oronzo Pecere. Roma: Istituto poligrafico ezecca dello stato, Libreria dello stato, 1994:

info

completely frontalcompletelyposition and with BariBenedictional.

146 mannerofputtingpupil thein very the K.394

l. inasbusts depicted

subtleshad

se 141v) to depictions 141v)to of

cannot becannot convi differencesbecome theall more apparent. .

Časoslov opatice Čike that have that their handsvisibleistheir theywhen exaggerated. are

, althoughdiscussed , innot by Marijan detail Grgi the ing

145 Benedictionr

in fol. in the the the the below 143

is moreisexpressed in saintsthe althoughBenediction not the roll are amedallion infol a Bari ExultetI and Bari

ncingly compared to saintsto inmedallions ncinglycompared ofthe Inspite double frame which is standard for Bariframeforiswhichdouble standard production and 277Canon. MS. Liturg.

58r to

in ExultetII and their

andthey do the leftthe

inMS. the ExultetII, the lluminationinZadar”.

aryenclosed in (The Book(The of Hoursof abbess the 308 Čika): ofth eyeselegantlyand nose designed Virginin Exultet oll. initial6 Bin ( VIII Homeliary

of Canon.Liturg. 277 . 147 the Transfiguration”scene

is . 40v MS.. Canon.in Liturg. 277 144 shownwith a its

its

its resemblance, resemblance,

Saintsregularly are infol. not

ThesaintsBari bibliographysee bibliographysee the bibliographysee center

a have medallionwithin decoratedthe “E”( Oxford manuscriptfoundinOxfordcan II, be Exultet

, saints , depicted with same hairstyle,gestures and 40vand

of the eyeleavesoftheimpression anof Journalof Croatian typologically

wide openwide codex and r by . ollII

as wellas as the depictionof Jesus enclosed Christ the saints inmedallionssaintsthe of the

an an inscriptiononB the infol. Exultet. Rotol Exultet. Rotolil

Exultet. Rotoliliturgici medioevodel . are farinsuperior are theiroverall

149 a

shown blessing handexaggerated size in and eyes as ineyesas EmanuelaElbahas

Exultet II andthe representationof 130v resemble resemble 148

a product that l product that

c, saintsin enclosedc, a bust Virginofthe in

re re s Studies (fig.22)

iliturgici medioevodel in and lips.and appear appear e . speciallyillustrative. iturgici medioevodel

MS. Canon. Liturg.Canon. MS.

strict frontalstrict

the the enediction roll and 9 -

10(1969): 41 in xultet

Bari Exultet I I Bari Exultet Bari Exultet (fig. 20) a medallionsin gs behindthegs )initial and

noted does wide MS. MS. The

not

an the

the

48 the

CEU eTD Collection 107 150 in iconographicalcomplexinitialtypeAnother of theme. with more far interpretationIfofthe dependences. Apulia probablyin on influencesApuliafrom initialthis for entirelyinfluences wereofthe responsible typethat and came indocumented Apulia Dalma and representsinfurthera step development of thethe Beneventan familiarilluminatoryet not the to of ininitials comparisonwi 277 Liturg. faces infound the In used illuminator ishypothesisre basedsolid on arguments madesideAdriaticoftheprovincial who prototypes. versionsmore rather superior their Thisof initialshumanin quarter last of inmeans,eleventhmypossible Apuliancentury opinion,that reachedZadarprototypesearlierthe than a factthatThe representation the in saintsofthe maleofbust enclosedperson secondtypological parallel to resemblanceofth medallioninandII contemporary Exultet manuscripts Apulian da

the heretoforea to EmanuelaElba.“La decorazione dei codici inbeneventana dellaDalmazia XItra eXIII secolo”. K.394 - 147:123, tav 4a outlined inoutlined green MS. Canon. Liturg. 277 Liturg. Canon. MS. ,

favors , those initials those humanenclosed, busts intypologically medallions arewith similar to sophisticated K.394, asinwell as Monte Cassino Monte geometric Bari Exultet andisBari but BenedictionExultet rollsthis

the th th the

the

- the human initialshumanthe in MS. Canon. Liturg. 277 Canon. MS. Liturg. which inwhichmyus signals opinion their empty is b eleventhinclinedinterpretamresemblance century. I inthe to idea the that -

initial to initialsinitial humandepictionsinto with - ExultetIand models.Benedictionroll as d.Further on Emanuela Elba.“La decorazione…”

the regardinghumanbecause depictions initialin differ frommanner differrepresentation the or of human characters arena Bari Exultet and BenedictionalBari Exultet rolls.

initial

and the fact that fact the andthat

in . As similarity. thediscussed Cass.above, Cod. 91 with

MS. Canon. MS. Liturg. 277 iswithhuman the bust reception

a a infol.

tia at sametheit at istiaaccept hard time,to very hypothesis the that synthesisin(foundhuman the with bust Dalmatia 1081) since medallion.

MS. Canon. Liturg. 277 Canon. MS. Liturg. MS. Canon. Liturg. 277Canon. MS. Liturg.

41v as41v came g andExultetasIIpertaining illuminators differenttheon to ardingi becauseIIthe Exultet geometric 150 Koimesis MS. Canon. Liturg.277 MS.

from

workshop workshop a e

, an initialan , “ a

common source, commonsource,

initialsinappearedsimultaneously and Dalmatia in workshop, the

halo, not enclosedhalo,not in isilluminator correct, thanof the

whereresemblancethe Theirends. heused a . I .I t practice.Since initialtypethisis of

humantha depiction However, the biggest differencein However, biggest the

MS. Canon. Liturg. 277 Canon. MS. Liturg. is the introductionisI the humanon ofbusts .

hinkintroduction the that of O” in Vat. lat.3286 in O” Vat.

ting fromlasttingquarter ofthe the simplemeans correspond that t is very probablet the that somethingwas that

is a ,

medallion(fol.94v). Monte Cassino Monte the t to introduce to s

isnot Segnoetesto mainlysaints in to , treatment oftreatment in

infol. executedmost andfound the MS. Canon. MS.

encounter K.394

57v, the possibly medallions elongated elongated

its or a 4(2006 was ed

49 ): -

CEU eTD Collection accompaniesa hymn in prayersin ofhonor Mary, St. 96r sanctihonorem trinitatis, 155 154 153 152 151 suchinitialseight inhonor ofaccompanyprayers the “I”“U”( and categorynumerousmost initialszoomorphicin of Zo The insixteen differand kindsofthe of an Theyimportantsource represent substitutes manuscriptsinitialsZoomorphicbothinbecan divided 2.3.2 inappeared opinion, the in the Thus, ancientprototypedepictions the as encounter inthem inwithmyabsenceElbathe and headsdecorative opinion, in of faithfulmore to K.394 “marcha fabbrica”true diApulia of inTheabsenceheadsdecorativein of which profile andare Giulia Elba‟s EmanuelaOrofino‟s words

the 22r ff36r, 22r, 41v, 52v,78r, 79r,80v, 82v, 90r,91r, 92 96r, r, 100r,102v, 103r, 126v EmanuelaElba.“Lungo le rotteadriatiche…”, 50 GiuliaOrofino. “La decorazionedei manoscritti pugliesi..”, 459. ff3r, 2r, omorphicinitials with illuminator Cassino Monte Peacock and Peacock eaglemotif . Zoomorphic . initials -

initial“D”, accompanies prayer a in

Bari Benedictional from the middlefromBenedictionalBarithe eleventhof thethus century, the initialsthefol. on to Apulianto productionmanuscript reflects exactlyreflects sametheconserv

6r,9r,17r, 20r, 26v,27v, 30r, 32r,47v, 51r, 57v,66r, 70r,71r, 74v,f 75r, 90r, 98v MS.Canon.Liturg.277 the for Monte Cassino Monte with

parts theyoftext

initial

animalthey depictions of MS. Canon. Liturg. 277 Canon.of MS. Liturg. the fournine andto lines text) ac of K.394

decorativeheads commonearlierApulian prototypeand than and those where completebodythethose andanimal the of 78r infol. -

initial“V”, accompaniesa hymn inprayers in ofhonor Mary, St. 82v a means that the illuminatormeans the that of

peacock and eagle motifand peacock eaglesubstitut

the andstagea motif 55r 57v represent ofthis each . 154 tenth century.tenth infol.

nproduction of I will investigateI first th orationemad sanctam crucem, accompany? Thereinitialsare accompany?zoomorphic twentyin from

share comparisonbetween . For .

ative attitude ative 5 .Thepresence of the firsthalfthe of 5r (head in(head leg)fol.5r andwith combinedprofile 57v show. , .

the degree to which degreethe to

itbecomesreasons ofconsiderone the to that - , initial“I”, accompaniesa hymn in

151 company prayers, lectionscompany hymns. Fiveofprayers, out and 277.Canon. MS. Liturg.

inElba‟sopinion the 277Canon. MS. Liturg. becauseinitialsthis oftype into into EmanuelaElba. “Lungo le rotteadriatiche…”, 47 VirginMary the

an MS. Canon. Liturg. 277Canon. MS. Liturg. e those where those bodythe animalofthe ingfor

tenth centurytenth headsthe asand initialsh they

initialwith 52v

MS. Canon. Liturg. 277 Canon. MS. Liturg.

MS. Canon. Liturg. 277 Canon. MS. Liturg. the trea the - initial “I”,initial accompanies a lection in

the lettersthe ,

signals the strong affiliationsignalsstrong the of 155

comprises . display

tment animalofthe depictions . . Thebirdsbeakshooked with at at a old old Theyform a halfa way blessing hand, inblessingmyhand, officiumsa themselves ing

incommon. employed

one part part one

the -

initial “V”,initial hadalready and

conservatis point point nctaemariae, the . K.394 152 informwe the

their moretheir K.394 belong to belongtheto of the initial.ofthe initials“D”,

they appear disagree I K.394 between

interms 153 ad m .

100r

was

and of 50 -

CEU eTD Collection ofth accompaniesaprayer in BlessedVirginMary, honor accompaniesa hymn in the ofhonor St.Mary in Hoursthe ofVirgin the Mary, HoursofHoly the Trinity, f 6r 157 156 communion mariae, “I”,initial accompanies a lection in motifin isbodyincreate completely to distorted order Thecompar samehymn. VirginveryisMary similar substitutes profile that correspondsto initialtypethis in of initi “H”,“G”,from“I”,“O”“U” seven comprisinglinesto and The two of text. the distinguishedlittlewithis indetailscase asthe beak 100r).in stands96r, (ff profile 52v, partfront and offilledtheisbird‟s body gold with stands (ff letter (fig.22r)24 126v, birdthe never initialilluminator samerepeats the certain he are there follows; twice, that patterns inconsistencyno inapplication of the blue,green)(red, with distinguishedfeatherswith headstinyon and ornaments withwhosewings andblue, decorated tailsare green,red, gold

reproducedRozana in Vojvoda. “Ve f2r

Thereis initialonlyzoomorphic one with Z birds‟implytailstheir rep esaints als is foundisinals oomorphic initialsoomorphic with s ofVirginMary Hoursthe in of VirgintheMary, -

initial«S», accompaniesalection in Hoursthe ofHoly the fTrinity, 3r 126v)and (ff ringoncea52r, in profile or inin or profile 126v

inofdepictionD the MS. Canon. Liturg. 277 Canon. MS. Liturg. .

are executedskillwithare detail; great attentionaand to depictions oftheare peacocks - initial “D”,initial accompaniesaprayer in ison can also be madeisonbe representationbetweencanalso the ofpeacock a

a t he HolyofHours theBlessed ofHours the the and TrinityVirgin Mary. f75r honor a for anfor a three - initial«D»,accompanies a prayer in prayers torelatedconfession, stylizedthe “eyrepresentationtail‟sof -

initial“H” accompanies alection inHoursthe of Holythe Trinit ofSt.John the Evangelistin )

to initialthe into 96r 277 foundCanon.on MS. Liturg. ; the -

- I inofdepictionU the quarterposition resentation inresentation somecases(ff 2r initialsinsimilaris a create to distorted shapinthe way order officiumsanctae mariae, - initial peacock

ćenega‟s :”BookHours”:offig.8 distorted indistorted create order to the

MS. Canon. Liturg. 277 Canon. MS. Liturg. (fig.26 isout picked infol. color - eaglenumerousmotif also are a

) section devotedtopenitential psalms andprayers related to as 27v .

Insomebirds holddepictionsstylized a an withraiseda tail a maybein seen the an

birdandmotif peacock in MS. Canon. MS. f66r (fig. 28 (fig. elaborated peacock‟s intail bright elaborated executed

initial“S” ingold - a - initials82v,102v) (ff 78r, 102v leaf.Whenbirdsubstitutesthe sectionof manuscriptthe -

initial«U», accompaniesalection inthe Hours o - ) initial“V”, accompanies a lectionin

- andaccompanies leaf (f100r). leaf(f100r).

) . . Thedepic Liturg.277 . , 26v , “Dand - while es” (ff 78r, 82v,100r). (ff es” 78r, leafand desiredshape

- human depictions. Althoughhuman depictions. the 156 initial «G»,accompanies an antiphon in the a - f27v ).

initials”with the emptytailthebetween thespace

(fig.27 tion of an eagle represented inofeaglerepresentedan tion

i although a varietya of

- n containing initial“I”,accompanies a hymn in K.394 K.394 a infol.

largest hymn in honor hymnofthe (fig.25 for )

Theyinitialsform“S”, y, and a that that

the richof theelaboration . not. Theare peacocks the initials.the accompanyingthe in26v s for differentsongs in a

f26v

numberof geometric peacock ) clearly f98v flowerin their anI the birdthe either (fi officiumsanctae - initial «S», g. 23 g. K.394 the bodythe of - - initial“O” initialit 157 e ofeth

- color f the fthe eagle t )

he he such Thereis

(i honor ts e s

CEU eTD Collection Ph. c.). D.diss, University of Philosophy Belgrade, in 1965: 78. slikarstvoDalmacijiu od 11 substitutionItalian in manuscriptswritten inBeneventan script. Branka TelebakovićPecarski.Beneventanski skriptoriji i Branka TelebakovićPecarski 162 161 Branka132:89. Telebaković 160 136v,fol. 138r, fol. 138v,fol. 139v, 159 158 SouthItalian inother manuscripts written script. Beneventan substitutionof Ch scriptoriumSt. of instead peacock ofeagle.an Pecarski. samethe workshop Thes nineteeninitialsJohnfoundinwith symbols zoomorphic St. evangelistary. Vekenega‟s of TheeagleandI peacock initialswith p 30 biting an 75r). 66r, Theis body birdofdistorted the andis letter thepart formedb other unfa birdin other depictions 277 Liturg. increate is to distorted order initialThethird in typologically itsprofilebody and 394 inThebird type ofbright executed

other part part initialof the forms other withwithtailknot a athat ) reproducedRozana in Vojvoda. “Većenega‟s :”BookHours”:offig. 9 EmanuelaElba.“La decorazione…”, 124,126. fol.10r,fol. 33r, fol. 59r,fol. 62v, fol. 64v,fol. 68v, fol. 139v, fol. 142v,fol. 144r, fol. 161v MarijanGrgić. “The Eleventh CenturyBook Illumination inZadar”. fol.10r,fol. 33r, fol. 51v,fol. 55v, fol. 59r,fol. 62v, fol. 64v,fol. 65r, fol. 66r,fol. 68v, fol. 69r,fol. 130r, fol. The illuminatorThe of . Here . Allvariantsinitials theseof display miliar to the illuminatormiliar the 277 Canon.to of MS. Liturg. imilarity

the shaft of the letterisshafttheit of theor attached to 160 , John

becauseitslinesofsmall and (two of aggressive size text) the contour red Them eacock and eaglemoti eacock actually corresponds to initialsto bustsinactuallycorresponds humanenclosedmedallions. with ,

a to which furtherwillto I return the evangelist isevangelistthe by zoomorphichisrepresented symbol with peacock for peacock ajorityI ofthe K.394 , ashas , inbeenalready established

inhalf rysogonusand originalitysignofathe ofbecauseDalmatianproduction, the K.394 - - the manuscript. the - Pecarski, “Notae Pecarski, artis illuminatoriae”, 13 thinks that there initials

composedsolelyfrom - - togveka (Beventan scriptor figure set frontally raisedfigureset wings.with 161 , however,more , uses peacock often the an the

fol.142v, fol. 144r,fol. 161v,fol. 163v

Thisle eagle in MS. Canon. Liturg. 277Canon.in MS. Liturg. initial“G”)does - initialsinVekenega‟sevangelistaryrepresentationthe contain ofa y color fs an ,

in the symbolthe of are peacocksItalian in production but d Emanuela Elba to conclude isElba to Emanuela this d that characteristica

a interlac

swith MS. Canon. Liturg. 277 Canon. MS. Liturg. dynamism and movementis dynamismand that absent EmanuelaElba. “Lungo le adriatiche…”rotte i n order to create n order to on, the its ing

is so strongis so the that a

letter not ia andpaintingthe Dalmatia in from eleventh untilthirteenth inheadfoundbe canalso profile birddepictionfol. (on pattern vertical(fthe letter or (ff2r) stemofthe 6r, John

correspondto the studies ;peacock so that itsoappeas be strangledthat to StarineJAZU the E the an haveconvincingmost in their parallel Journalof Croatian the 162 .

interlac by

vangelistiscommonnot innor Apulian Elbastrength desiredformisit andattached to

158 . - Marijan GrgićMarijanTelebaković and eagleform part depictionsoneof the

re is doubtre no that from theycome

(fig.29 - 51(1962): 49 eaglemotifwasin that way a ing

she doesn‟t giveexamples of this typeof

infol. pattern )

This“O”initial ened herbyproposal ened Studies its

3r, b the 3r, initialsin - - .The fol.163v head represented inhead represented 60,59 48 in

infol. 9 the zoomorphicthe -

10(1969): 41 beak . that isthat

ody of the bird bird oftheody by a lace. (fig. by a .

MS. Canon. MS.

159 98v issh

unusual inunusual (fig.31

inK. 132r,fol. o of wn -

the ) 52

CEU eTD Collection Fur 166 165 Stato,1986:199 Puglia di fromBisceglie. Reproduced Giulia in Orofino. “Gli Evangeliari inbeneventana diBisceglie eBitonto” in poss manuscriptswritten in 164 89, note 163 example initialsthefor in and in126v,100r) (ff The sametwiceevangelistary 130r). Vekenega‟s 68v, codexoffers floralthat elements essentialofZadar depictions:elements stylized o eyes substituting peacock Casin. 218, 61 and277)Canon.Bibl. Lat. MS. Liturg. factthatinitialsTheskillful most these bird the are Beneventanscript. substitutionGiuliatheinitials inOrofino, manuscrof symbols evangelist with started motifforprototypes mayfirstthequarter bethan earlier theof there in workshop do withJohn. nothing to peacock readingsbyAsthe St. appearssymbolasthe of Mary.inhymns honor ofSt. inwhile manuscripts;in zoomorphictheevangelistary clearlyJohn, Vekenega‟sthey represent symbol St. of However, inpeacocks Vekenega‟smayas evangelistarybe regarded manuscripts.inilluminatedfound Marijan it.somesuggestedtime ago also Grgić peacocks juxtaposed ofpaleochristian Thisistradition. parallel plausible andquite parallelsthe pointingto inmedieval earlyincludeDalmatian that sculpture especiallypeacocks

p.27, initialC,Fig. 77a in GiuliaOrofino. “Gli Evangeli Asfar Ias know, MarijanGrgić. “The Eleventh CenturyBook Illumination inZadar”. t her on Giuliaher Orofino ibility of its interpretationibilityof its as

beforeit 123 .

, the Eds.Gerardo Cioffari, Giuseppe DiBenedetto etBari: al. EdizioneLevante, Archivio diS. Nicola, Archivio di

in the .

the K. 394 inK.394 the MS. Canon. MS. Lit a the - almostidenticalmotifs havecompletely functionpeacock different MonteCassino 232,fig. 5.Further on Giulia Orofino. “Gli Evangeliariinbeneventana diBisceglie eBitonto” wasgiven two there are exactno parallels to peacockthe initialspresent in the 165 a canfoundbe Baritype of Beneventan script.However, amixed type withof bird K.394 for ways .

I codicidecorati dell’Archivio di Montecassino.I. the initialthe GiuliaOrofino. a functionaas John fol. mentioned ari inaribeneventana diBisceglie eBitonto”, 209 a 277 urg. composed Amaysimilarfoundbei situation

peacockpresent in 66r manuscripthalffrom first isthe century,there tenthdepiction the of ofa the E the

, invariants inthreedifferent times

Iwithagree substitutionthe that Emanuelafor of eaglesElba a on p. 27 p. on vangelist invangelist bird theysuchreferencehavenousually found are and accompanying

previously, Icodici decorati dell’ArchiviodiMontecassino. I.I secoli VIII the zoomorphic symbol of St. John.zoomorphic Therefore, the symbolI St. think that of the o finterlacthe image testifies 166 K.394

(fig.32 163 that looksasif beinglace isitstrangledbythat a K.394

it is probable that the motifis it probablethe that wasbeing already used Nevertheless, lymade to to (fol.2v,26v) can be found ing their longtheir ) nfeathersthe tail,head the on evenstylized and

(fol.98v)appears accompanyin executed -

eaglemotifobviouslyin was used pattern and pattern

initialsin

Journalof Croatian conventionZadarofworkshop. the the n - t

I I thinkthemotif that beorigin is of to only inonly e the rmuse . eleventhto centuryaccording when,

the the the K.394 the twoOxford manuscript MS. Canon. Liturg. 277Canon. MS. Liturg. completebodiesof birds a

two Oxfordmanuscripts two in the workshop. InCod.in workshop. the drawing that containsthat drawing all the infol. : the oftypeeaglethat

Studies an

26rof Evangelistarythe elaboratetail that leavesthe s

, in

to a certaina to extent 9

- the iptsin written 10(1969): 41 g text that has that text g

I codiciliturgici two two a s

- in the prototyp X

,Roma 1994. forms . Italian

Zadar Zadar 164 (ff 52r, (ff52r, . For . -

132:

(MS. (MS.

one e 53

CEU eTD Collection Zagreb:Jugoslavenska Akademija znanosti iumjetnosti 1967: 44 172 codicidecorati dell’Archivio diMontecassino 171 estoria letteratura: 714 170 dell’ArchiviodiMontecassino codicipreteobaldiani e teobaldiani 169 decoratidell’Archivio diMontecassino Montecassino 168 167 usedu were codices Cassinomonk ofMonte Chysogonus ofinSt. wasrebuilt andZadar prior the inilluminationcenturyoftenth Cassinese could inmanuscripts written scriptBeneventan to I think modelsancientCass.Cassinese 218. suchas Cod. byGrim initialsThefrom advancedcenters codicesinbetray featuresconservative provincial Mary monasteryinAlbanetta ofSt. manuscripts. the codexcontains initials,inuncommoncharacteristic manuscripts Beneventan MariaSanta dell‟Albaneta, dependence the of illuminationCassineseinfirsthalfexamplfor century the of eleventh Thepeacock 218. letter. part Theofarchaicvariant the o

JakovStipišić,Miljen Šamšalović. Ed. Marko Kostrenčić. Compare initial“H” For the historyMaryof St. Albanetta in see Herbert Bloch. MonteCassino inMiddlethe Ages,vol. II, The p.On 152, initial“C” andp.245, initial “C”, reproduced in p.11, initialA,Tav. XXIX cin MS. Canon. MS. Liturg

(fig initials“D”, p.170, p.244, reproducedGiulia in Orofino. ,

t with himselfwithintroduc oald, Cod. Cas.109,executed inCod. first years, andDesiderianthe oald, obviouslyinfluenced by herefore, is there that no obstacleto s . 33 . .II,1. ntillastdecades ofeleventhcenturythe 169 - , 30 , eaglemotifbecaninitials to compared in that

This can be interpreted inThis interpreted beways:either wasbetweensometherecan oftwo contact kind the ) I codicipreteoba . the 167

- infol.

716

K.394 .277 . ,

.II,2 to becomeitsto abbot. 6r of6r

: initialsthe reflectinfluence blessing the handsthewith that of Italo

are analogousare to ,Roma 2000: 22,Tav. CIII b,d. Further on Giulia Orofino. GiuliaOrofino ing .

K. 394 K.

ldiani e teobaldiani . . II,1

new initials in the repertory of the workshop andininitialsrepertorynew initials workshop of thesethe the that 170

andinitial “H” on p.144 of Cod.Cas.109, reproduced in .

. II, . 2 fsameinitial11foundtheCass. p. of thetypecanbeon of Cod. and the monasteryandChrysogothe ofSt. . I codicidecorati dell’Archivio diMontecassino. I. :Tav. MonteCassino

connect 172 peacock Monte Cassino Monte ,Roma 1996: tav.

CXXXVIIa have arrived inhavearrived It is reasonable to supposeisMadius It reasonable to that brought

motifs that have motifsthat beenalready (figs. 35, 36 35, (figs.

Codexdiplomaticus regni Croatiae, Dalmatiae Slavoniaeet inZadar

Giulia Orofino.Giulia

andnoblesformer invitedcityofMadius,thea the originpeacock the of - - birdinitialsinappear written manuscriptthat a I codicidecorati dell’Archivio diMontecassino 46.

. The motifTheappearsin . halfthat secondthe MS. Canon. Liturg. 277Canon. MS. Liturg. .

) (fig.34 LXXVIIIa,c. Further on 171

Zadar around 986 when986 monasteryZadar around the

I codicidecorati dell’Archivio di e in Cod. Cas.317 inCod. e )

Itis very this important that nusmoreprobabl or ,

that can foundalsobein that - I codicidecorati eaglemotifin Zada abandoned inmoreabandoned GiuliaOrofino. reappearsin

GiuliaOrofino. 168

Roma: Edizioni di

executedin y, . II, . 2.

both -

Greek

I codici I r I 54 .

CEU eTD Collection has recentlypublisbeen tav….,243. The compariso are73 repr 177 176 159 175 174 the the the ofhonor 173 initials Cass.also into Cass.inand“S” 109 Cod. 73. Cod. in firstproduced half the of theirinmiddlemeettails initials thebe canconvincingly to compared pawsand leaf.half The raisedsubstitutingtail representationof Cass.in 3 appearance Cod. Thec 277 Liturg. ofheadsbearded centurya Zadarlater.Itexamples is created significantsame containsmotifthe manuscript also that the featuresThe profileits animal,of dog positionthe and Cassinesein458depictionforms p. on initialCod. that 97 “S”. evangelistarybeto comparedcan evangelistary convincinglymostcan beto compared withraisedpaws. itsstandingbackpawsencircled on “I” letter initial, foundinare text) Hours the BlessedofVirginthe Mary. zoomorphicfourThreeout motifsinitials of in dog with The

Initial“S” in Cod.Casin. 106 on p. 175, initial“S” in Cod. 109Casin. on p. 311 and initial“S”inCod. Casin. 73 on p. ReproducedGiulia in Orofino. Initials“O” on ReproducedGiulia in Orofino. fol. BlessedMary Virgin BlesedVirginMary, .

Dog motif Dog onventionalofdepiction 41v oduced in - initial“I”,accompanies prayera in Hoursthe of Holythe T a

the protruding red tongue. The initialred type protrudingtongue. of on fols.on

- BlesedVirginMary, infol. figure dog ofthe p.113, p.238, p.408.Reproduced inGiulia Orofino.

infol. 175

a GiuliaOrofino. (fig. 37)

dog with dog raisedpaw

57v and 55r. 57v 55r. and hed by hed Emanuela Elba.“La decorazione..”, tav. 5 a that in mythat , opinion 129v. . fol.

for n ofn “S”initial infol. 92r inMS. Liturg.Canon. 277 41v and letter “L” letter 41vand 103r

the initialthe“L”. (fig.38) Thewho

at - the initial“L” accompanies a hymninthe Icodicidecorati dell’Archivio diMontecassino. I Icodicidecorati dell’Archivio diMontecassino. I

the endninththecentury. of

a I codicidecorati dell’Archivio diMontecassino fol. sitsa on eleven dog is dog

an 92r . in. depictionThedog leinitialthetreatment ofpossesses byits ancient centurytenthCassinese Capuandog / aprototype, - th century, especially to century,especially th to initial “S”initial accompanies an antiphonin ofhonor VirginMary Hoursthe in of a the s only slightly above the levelsonlythe slightly back theandabove paws of with

also goldenbackground standard feature feature ofilluminationCassineseitsstandard since firstever In fol.In

infol. longindepictedtail gold zoomorphicsymbol of appear

80v 103r. Thedog 103r. , in

the letter “G”is letter the filledornamental withand gold infol. 176 a a 173 somewhat different variantdifferent somewhat certainstiffness 277 Liturg. Canon. MS.

MS. Canon. Liturg. 277 Canon. MS. Liturg. Thedog 177

Twicebodyanimalthesubstit , Icodici decorati dell’Arc rinity, injuxtaposeddogsareand which92r two

honor turned

(figs.40 the - infol. b 174 .

fol.

the of initialCass. 106,but in “S”Cod. infol.

andinitial “S” on p.175 of Cod.Casin. 106 - (fig.39) awayfrom leaf thetowards text turned and t 80v he

evangelist inevangelist Vekenega‟s : : - 41v is depicted inis41vdepicted profile, in .II,2 43) 115 Fig. c 10 a BlessedMary Virgin the in Hours of -

initial“G”, accompanies a hymn in certain stiffness. This initialThisstiffness.certain Cassinese manuscripts Cassinese in executioncoincidewith the 103r is conventional103r a .

tav. tav. CXXXIX,tav…., 311, .

the text the hiviodi Montecassino. I (three and

in in MS. Canon. MS. .Ithas raised - six linessixof Vek utes utes enega‟s enega‟s for a an : - 55

CEU eTD Collection adriatiche…”,fig. 6 183 182 181 180 179 confession, Mary, accompaniesaprayer inthe Angel‟s office, in fol. Hoursthe ofBlessed the VirginMary, 178 (fig. 47) 32r, paws the Thedog century,where curvedthe beinitialThey comparedalso “Q”fromto can datable floralmotif. crea from4222 firsthalfthe of beaks. initialsAllhooked these letter“d” part ofthe beak. is part composed tail. 44) (fig. “b”, letter the fol.In depictionsin create order to 394 BlessedofHours the VirginMary containseleven Asopposed to

honor ReproducedRozana in Vojvoda. “Većenega‟s :”BookHours…”offig. 13 andEmanuela Elba “ ReproducedRozana in Vojvoda. “Većeneg ValentinoPace.“La decorazione dei manoscritti pre ValentinoPace.“La decorazione dei manoscritti pre ReproducedR in fol. 30r MS. Canon. MS. Liturg.277 , , one 183 tes tes fol. with itswith A v A 9r

17 initial“D” accompaniesaprayer in Hoursthe of Blessedthe VirginMary, wherebody the ofBlessed the VirginMary the - to initial“S”, accompaniesalection in Hoursthe of Holythe Trinity

The dog hasThedog with belt anda decorated holds dots triangularinformamouth.The its 70r infol. that outnumberspeacock the ery similar initialsimilarery

r fol. the twentieselevenththe the of century.

, round part of the letterround part of the

- a

initial“D” accompaniesaprayer in (fig.45)

Infol. 90r the

dog withdog back paws high above inpawsbackhigh above almost allthe

the the

51r ofthem ( - . ozanaVojvoda. “Većenega‟s :”BookHours…”offig. 11 initial“S” accompaniesaprayer in MS. Canon. Liturg. 277 Liturg. Canon. MS.

four zoomorphicfour initials with desiredform 182

70r, the dog biting 70r, itsdog the parttailletter represents “D” round the ofthe and upper the

with

while biting the vertical stem of the letter,bitingwhileiswhichofverticalthe the stem actuall

Valentino isconventionalmost the ofdepiction lace

an of the dog is in dog ofcreatethe completely to shape the of distorted order

with the upper partforme upper the work extremelyisnecklongincompletelycurved bodybitesitsdogof the the can becan in

, fol. , four to seven linesfourmotif to ofnumberThefound is in largest text). eleventhcentury fol.

greatly Pacecompares initial this with for ornament fol.

“ found 47v 103r but it103r shows movement:stands andog the acrobaticfronthis on and representscategorylargestandthe zoomorphic ofin pure initials

d the letterand displaythe andmovementfrom dynamism absent dog the 20r ” fol. , while hispart , of upper thetail creates - - a‟s :”BookHours…”offig. 12 initial“A” accompaniesthe prayer int - eaglemotif.

initial“S” accompaniesal resemble an initialanresemble 57v infol. .

Commendationes and decorated withand decorated - initial “O”initial accompaniesanantiphon inHoursthe of Blessedthe Virgin - - d by laceby d Commendationes a 181 desideriani..”, 424 desideriani…”: 404 180

the 30r verticalposition. a

, where a distorted dog biteswhere distorted ofalegsone, his and

dog motifindog found 178 Bari Exultet 2 from2 Bari Exultet thirdquarter theof 179 own

, wherebites dog the, its forms tail and The dog depThedog work tail.46) (fig. , fol. infol. a

. andbird 74v in dog ection in Hoursthe ofBlessed the VirginMary, a .

- the , fol. , palmette and palmette 457,fig. 56 - . .

initial“D” acco

The most elaboratedinitialmost Theis 5v foundinmanuscriptlat. Vat. 5v ictionsusuallyhighlyinare distorted acrobatic initialsacrobatic 17r K. 394. K.394.

- fol. MS. Canon. Liturg. 277 Liturg. Canon. MS. headslongwith - heAngel‟s office, order to create part to round the oforder initial“B”, accompaniesalection in 32r .

- initial“S” accompaniesa hymn I t a the mpanies aprayermpanies after resembles birdwithhead y the prolongation of itsy prolongationtheof letter and letter ends Lungole rotte in

fol. beaks Casin. 443, Casin.443,

the initialthe“S”.

a dog dog a 51r the

the - and initial“L” type oftype , eleventh

s a K.394 found infol.

round round in in the hooked

a K.

CEU eTD Collection call all quadrupedsthe dogs because they do dog 191 190 189 188 Orofino. 187 186 185 184 conte in executed M abbacy of secondhalfof depictionsdog to in initialssubstantially indifferent zoomorphicworkshoprepertorythe of farmorefarmoreareand numerousadvanced in initialsTheanalysesof wit i 127144. andin p. “C” initialsonp. also Cas.77.inthe century tenth Cod. 394 origin inlat.library,century preservedVatican7810 the Vat. foun 87r mouth Thedog executioninitial,initialsfor but ofprototypesm the the the of two from protrudes mouthanimal.ofthe the depictiontha On95 page probablymost centuryinthat Abruzzooriginated animal n fol.n74v

I ReproducedGiulia in Orofino. Initial“B” on p.109 reproducedGiulia in Orofino. ReproducedRozana in Vojvoda. “Većenega‟s :”BookHours…”offig. 10 ValentinoPace.“La decorazione dei manoscritti pre ReproducedRozana in Vojvoda. “Većenega‟s :”BookHours…”offig. 14 s The originOn of manuscriptthe see Giulia Orofino. - n myn MAthesis andsubsequent article

beast, dog beast, has befoundin mporaryApulian zoomorphicElbaproduction.hasthatin initials suggested general

for itfor forming ame comparisoname offeredis by Elba. depicted depicted Icodici decorati dell’Archivio di Montecassino a d ind infol. very elongated bodyinvery itelongated and this Desiderius.Theparallelsclosest inK.394 , , the . 187 - a givesit t lionandeven dog onte Cassino andonte manuscriptCassinese the

(fig. 50) 47v the

sametype ofanimal here a Cassinese codex executed infirsthalf codexexecuted Cassinese the of tenth century, initialscentury,tenth

186 right part part initialof the49) right (fig. “A”. the .

has a parallel in Cod. Cass.hasparallelin 90a in executedCod. the

the greatest similarity greatest the thewith inK.394 MS. Canon. Liturg. 277 Liturg. Canon. MS. The dog bitingTheitsdog tailsubstitu and

h dog moti hdog - dragon Icodicidecorati dell’Archivio diMontecassino

191

isin profilerepresented and Abruzzo infirstAbruzzohalf the of 189

on basisthe of t all

(figs. 51, 52)(figs. 51, , 190

may bemay I have “Lungole rotteadriatiche…”, 47 not not possessanyessentialother features fs of of

had (fig. 53)

Abruzzo provenanceAbruzzo 185 in fromthe which

MS. Canon. Liturg. 277Canon. andMS. Liturg. K.394 I codicidecorati dell’Archivio diMontecassino createda (fig. 48) to to obviously resembles

found Icodici decoratidell’Archivio diMont the - desideriani..”, 422 . II, . 2, 22 display movement and dynamism.displaymovement parallelsclosest The he he varietyof animalsconstituting the initialsIn,. thisanalys Thesame comparisons are arefoundin K. 394 andK. 184 time Theelongatedand cancurved appearance dog ofthe dog depictionsindog K.394

morecomplicated divisionof animalthe ;

Theilluminator a belted dog that substitutes belteda that dog and that contains andgrea that initialinK.394

taken placetaken

of . ancient Cassinese initialsancientCassinese fromhalfsecond the of .

ValentinoPacehas suggested Thisinitialhasinparallelinitial a “A” abbot abbot ting the an datingto that a substantial a inthat the change an - for 423,fig. 51.On the Theobaldand eleventhasinwellcentury as interlac old Cassinese manuscript frommanuscriptCassinese old the . .

. . Theintype . ofanimal

anuscripts are obviouslysame.anuscripts the the initialthe“O” eleventhcentury

firstyears thirtyof of K.394 of .II,1,fig. 12a, tav..?,259

isformtriangularthe

the firsthalfthe of ofsome animal.other ing

t varietyt fantasticofanimals.

are foundinare codices pattern protrudes protrudes pattern also also the the ecassino isin superior shows that these initials showsthesethat manu valid for the dog initialvaliddog thefor for i earlyyearsof n fol.n57v . , II,1,9

the initialthe“F” scriptsee alsoGiulia Cod. Casin. Cod. 103,

motif I, XXXVIII tav. a the a the MonteCassino K.

. ,

eleventh s andsI refer

although of although eleventh

that that 188 394 his fromhis

inK. infol. the varies . A . is

I to

CEU eTD Collection Levante,Archivio diS. Nicola, Ar BisceglieeBitonto” in 194 193 192 andBitonto. fromevangelistariesendthe of symbolsevangelists,fromthe apart of Unlikedog the hasmade mistakeilluminator initial nextanda to placedthe without wingsalso andthe animal.neckthe body isof animalTheof the de identifiedanimalsbeshouldas lin Thea (fig.55) lionsymbolssubstituteand evangelist ox that depiction extremitiesfront withfeaturesraisedThe wings. and animal‟softhe resemblehead Virgin Mary. initial“I”( In Zoomorphicsymbols(lionevangelistsofa the possibly traditionDalmatian of dothinkthe that Cassino beinfrom disputed mybut Bari influences later from cannot than opinion came theythe Monte initials with dog Cassino Monte origin

es of text). text). esof For decorationthe and the reproductionsof the manuscripts seeOrofino.Giulia “Gli Evangeliariinbeneventana di Compare EmanuelaElba. MS. Canon. Liturg. 277 Canon. MS. Liturg. nimal motifnimal head

Abruzzo andAbruzzo Bari. and the receptionthe and ofthe infol. the with 194

is (f initialson ff 20v,40v, 47r,132r, 148r (fig. 56) and(fig. 56)

depicted as iffromas animal,depicted identical The seen above. almost ig. 54) (fig.58) motif

seven linesaccompaniesLuke ingospeltext) by seven St. of BlessedofHours the athe g motifg alonginmanuscripts, both with peacock the “Lungole rotteadriatiche…”, 47 41v motif infol.

or Icodici liturgicidiPuglia s that all havesthat parallels,Cassineseparallels apparent the to in ,

the halo, ishalo,foundthe in Vekeneg s becauseofs Theanimal, isisheadhalo whose de encircledby a

style came to Dalmatia fromcameto Bari. the same manuscript same the

91r 91r

accompanies a lectionaccompaniesin a Blessed ofHours the the VirginMary. I infol.

illuminationand inLiturg.277 Canon. MS. chivioStato, di 1986: 199

the lionbecausea

motif 90r the ox, ox, 90r the the eleventh and the beginningeleventh andof the

great number great ofvisua s was madeswaseasierit because did those in those . Eds.Gerardo Cioffari, Giuseppe DiBenedetto etBari: al. Edizione .

although the its - v,153v, 166r, 186v,191v for the there isthere nd ox) innd ox) Veken

centers:MontefromCassino, reception different picted in picted withprofile, extremities raisedbelted, front zoomorphic symbol of St. Lukezoomorphic symbol ofSt. - 232, 192 a‟sevangelistary I

e the treatm the

- a stylizeda In mybe Incannot opinion,this

ga‟s evangelistary ga‟s initialsfoundinevangelistary. Vekenega‟s alsosubstitutes MS. Canon. Liturg. 277 Canon. MS. Liturg. lorigin.Cassinese parallelsInf of a

readingMatthew 29 by (20: St. ent identicalisbodyoftheent with mane the .

- eaglemotifs infol. twelfth century fromtwelfthBisceglie century

executed in andon blueexecuted red the

for the not fall not barrenground on ,

picted inpicted profile are foundinApulianare

148r. (fig. 57) 148r. down to the to down

initial“I”(

the

that

testify zoomorphic closelythe the casethe substitutes

tiniest detail,tiniest to a to with . It . The

believethe

for the is belted, long - l

nine 34). uences dog dog

the . I . for 193 the

CEU eTD Collection decorazionedei manoscritti pugliesi Orofino composedis listHand ofBeneventan manusripts there laterare parallels. There is a possibility thistypethat ofwas initial influenced by differentmodels exhibition inheldMuseum for and Croatian Dubrovnik. 196 195 decorazione…”,Tav. 7 c 20vfol. of Vekenega‟s Evangelistary and figs.1 formedfromoften bodythe of wri manuscripts in initials century eleventh actually in written manuscripts Apulian in nor Cassinese th than Other medallion in “d” letter the of part round the However, 130v. on substituting bird The identicalofinonethe to ofornamentsborders the with filled is created thus shape “triangular” round is letter the of part ornamental The fromnaturalisticdiffersand stylizedpeacock common initialvisualThetheheavilycomponents. qualitydepiction both of on reliesbirdof is the quite letter isHowever, “d”round part the of the represented because T Uniquezoomorphic / here ishereinitial unique a

insectionthe of manuscriptthe called See fo See the - 12,especially figs 6 ,

nta “Q” initial display A r example initials in in initials example r a rt). C rt). The i The birddepiction containing a containing of

the ornamentalround the ing atalogue of the exhibition, ed. Biserka Rauter Plančić (Zagreb: Galerija Klovićevi dvori, 2006), page 243 page 2006), Klovićevidvori, Galerija (Zagreb: Plančić Rauter Biserka ed. exhibition, the of atalogue is nitial “Q” nitial I have I ,

Northern influences, thatis i n fol. 70 v is reproduced in in reproduced is v 70 fol. n Theinitial “P” - d the for - . 7 representingfols. 35r a

n fol. 106r is reproduced in reproducedis in 106r fol. n depiction of Jesus Christ and not the not and Christ Jesus of depiction in subsitutes for subsitutes not

ornamental initialornamentalin the upper part of t of part upper the the

Arts andCrafts inZagreb 1964, tabla/table5

fol.

eleventh century St. Gregory the Great‟s Moralia in Job in Moralia Great‟s the Gregory century St. eleventh been able to trace trace to able been , 103) written, in

,469,fig. 24 71 a structure

i bird round andornamental structure. n fol.n 86v of VIIINeap. B 5,saec. XII/XI

Trinaoratio.

the inK.394 initial“I”

part part letterofpartthe(the upper uncialofthe anda hugebirdforming verticalthe ofpart l the ,

. depart

iiaua Jugoslaviji u Minijatura divided in divided nd 36vnd of Bisceglie manuscript. the he letter “d” is a trait found in found trait a is “d” letter he 195 an an Grgić,195 ing K.394 infol. Beneventanscript andpreserved in

Prvih pet stoljeća hrvatske umjetnostistoljećahrvatske pet Prvih

ornament composed composed ornament whichclassifiedcanbe as

a fromusualthe ”Beneventan repertory”.See Giulia Orofino,

the rpr yooia prle fr hs nta ete in either initial this for parallel typological proper

35rof the to tn in tten Bari Exultet 1.Bari Exultet - .

eaglemotifs.

by four parts four

eeetn script Beneventan the the

a luxuriousornamental astruc BisceglieEvangelistary. Emanuela Elba.“La a S Cnn Ltr. 277 Liturg. Canon. MS. same . Caroline script where script Caroline ( .

iitr i Yougoslavia in Miniature

and fromthe II(date accordingtoVirginia Brown. ornamental structure as in as structure ornamental

196 of

Emanue en

volutes and stylized lil stylized and volutes (fig.60) circled

“Beneventanones”, for which a the the Te lss prles are parallels closest The . held the zoomorphic initialzoomorphic la Elba

MS. Canon. Liturg. 277 277 Liturg. Canon. MS. etterand

NationalLibrary of Naples

( with in the Dominican libraryDominican in the in The

compared “ First d a wavy line. Each Each line. wavy a ” the ,

ture and ture the ) ). Catalogue of the the of Catalogue ). according to is .

F (fig. 59) ive nta “” is “Q” initial omd by formed initial“I” C enturies of of enturies ies. K. 394 K.

It It La i 59

n is is a .

CEU eTD Collection “Lungole rotte adriatiche…” 201 185.Further on Giulia Orof MonteCassinoattraverso alcuni manoscritticonservati nell‟ArchiviodellaBadia.” 200 HoursofBlessed the VirginMary, f 121v 99r VirginMary, f 95r BlessedVirginMary, f 88r accompaniesalection inthe Hours ofHoly the f 8 Trinity, HoursofHoly the Trinity, f 52r 199 91r 67v f 58v “C”, “B”,initial initial “B”, f 50r “B”,f 45v f 26v “I”, f 13v “I”, 198 197 (fig.63) resemble whichstrongly also change ornament interplaythe birdsandfillinghookedbeaks, withofbirds long withthe spacesofwithempty pearl capable therefore inTheseinitials pure numberofinitial typethis of isformsbyfunctionvariety ofcomplemented the practice suchcomparedinitialsten to in manuscripts. manuscriptsinitialsfortypicalwri filledbetweenwith Initialsfromcomposed motif frommadeInitialsinterlace

On ornamentalthe repertoryof “forked”On ornament see Giulia Orofino. “Considerazioni produzionesulla miniaturisticaaltomediaevale a f25r f4r EliasAvery Loew. - - - initial“D” accompanies aprayer in Hoursthe ofBlessed the VirginMary, f 101r initial“D”, f 94r initial “P”,initial f 68r ly swith - ini - zoomorphic initials.zoomorphic

initial“D” accompanies a prayerin in . - -

tial“B”, f 5v - - initial“B”,f 27v initial“D”, f 14r In initial “B”,initial initial “D”, f 46r initial“L”, f 60r s the co , central, the node, “forked”the

K.394 longbeak lor initialsin the 62)(figs. 61, ,initials thesein - initial“S” accompanies a hymn in honor of K.394 - - ofproducing initial“X”, f 95v initial“U”, f 68v , The BeneventanThe script

- this type of initial is present ininitialtypethisis of all ofpresent sections a connects initial“N”, f7v pearlwithinand birdornament headsdecorated forms,extensive an repertoryof sand - - - - ino. “Considerazioni” ino. initial“G”, f 15r initial“Q” accompanies a hymn inthe honorof initial “P”,initial f 28v -

initial“I”,initial “A”, f 62r an initial“B”, f 51v probablywere bywhoilluminator an executed .

- interlac However, BariBenedictional 199 initial“S” accompaniesalection in Hoursthe ofHoly the Trinity, f 56r s hooked beaks hooked , decorated with decorated ,

K. 394 K. is foundisBlessedinofisthe case asthe Hours Virgin with Mary, the them to the manuscripts themtheof Apulianto thisorigin. other In and

such a large number ofsuchvara MS. Canon. Liturg. 277 Canon. MS. Liturg. - - K.394 initial“D” initial“G”, f 69r - initial“B”,f 47r - ing tten intten initial“S”, f 8v - anditsaffiliation initial “D”initial accompaniesprayer a in - - o a , 150 , initial“O”, f 24r initial“C”,f 30v - pattern executed in executed pattern bright rationesad sanctam crucem initial “U”,initial f 52r far greater numberinitials ofthesein

occasionallyinhumanacontain 44v,54v), head (ff profile 10r, . 200 the

ornament andornamentsemi the BariofscriptBeneventantype a - r - initial“N”,f 63v pearl ornament pearl on - initial“D”, f 70v exec oll - initial“B”,initial “E”,f 48r initial“B”,10r 4r s s withs . In . - - - initial“S”accompanies anantiphon inHoursthe of the initial“S”, f 25r initial “T”,finitial 31r - the initial“D”, f 54r the

Apulianproduction see discussionthe by Emanuela Elba. inmiddle uted the of , VirginMary i

clearlyspeaks iations. Apart from Apart iations.suchfeaturestypical as MS.277,Canon. Liturg. - - initial“P”doubled, f 12r - , f, 31r initial “D”,initial f 71v initial“P”, f 64v the the color the - Commendatione a - initial“Q”, f 25v VirginMary Hoursthe in of Blessedthe initial“I”,f 31v - - - n then Hours ofBlessed the VirginMary, dark background dark and the initial“D”, f 56v curved protuberances that mark protuberancesthat curved initial“I” accompaniesalection in the MiscellaneaCassinese manuscriptsand variantsthe swith - - initial“A”, f 48v used initial“A” accompaniesa hymn inthe to

the changei the 197

- - the them verythemwasand often the K.394 initial“H”, initial “A”,initial f 73 r

can be foundbeincanboth s emptyinspaces

- - eleventhcentury. initial“C”, f 43v initial “M”,initial f 26r - - initial “D”,initial f 12v initial “A”,initial f 58r however, largest the , more , fifty than - initial“D” nthe f65v - initial“Q”,

47(1983): 131 features they - - initial“T”, f initial“D”, f workshop birdhead , f 49r, - - initial initial - - initial initial 201 in 198 -

a -

60 f

CEU eTD Collection featureis also encountered in oninitial Benediction roll, beaks T (sectionroll 3 Emanuela Elba has 209 208 Desiderio”,28 207 8 Orofino.Giulia Montecassino: Abbazia diMontecassino, Universita degli studi diCassino, 1989: 19 520”. 206 Montecassino 205 Giulia in Orofino 204 203 Pinitial 202 roll. executedwithare considerable skillinitialsmostly theyand the ofresemble Althoughth “P‟s”two connectedare is339,Lectionary this Cod. isThisthe Cass. 339. markCod. wascertainly produced inCass is feature Thereinitialsofthe onein 69) 68, centurytenth century istriangularendvolutesfound inwith from three initialsUnlikeinthe degree. “S” letter andlaceforming hollowletterdouble “P”. stem ofthe Aresemblance - here certainarehere significant details 12.Further on Giulia Orofino. “L‟eta

reproducedRozana in Vojvoda. “Većenega‟s Book Hours”,of fig. 7 Comp onpages129 (letter G), 130 (letter C), 146(letter P),147 (letter P),149 (letter P). See Orofino,Giulia “L‟eta dell‟abat On Cod.On Cas. 402 see Giulia Orofino. “Co Initial“A”on p. 181, initial“H” Compare initial“A” Compare initial“S” in ExultetI (section7) with 209

- In holdingfloral ora a bi a the petal verticalornament, the initialsthe instemof

i inese illuminationinesein L’eta’dell’abate D 203 n fol.n 63v of are manuscriptsee Giulia Orofino. “L‟eta‟ dell‟abate Desiderio. codiciI cassinesi 191, 339,453, 99, 571,108, 144, - partite stylize partite , but alsoin, initials numerous

initial“D” infol. 25r inthe way ).Emanuela Elba. “La decorazione”, 122,tav. c 3 .I,29 ese , figs.11, , 12. in I codicidecorati dell’Archivio diMontecassino

with type identical i subsequent Cass. 402, Cass. - compared 30,92 K. 394 K.

i s namentintheir beaks n fol.ofn 39r the the 206 of initialsofin - and isit a 94

esiderio. ManoscrittiCassinesi delsecolo XI d ornament or by ornamentvolutes d or attachedtwo

before consecrationthenew the basilicaof (1071),

initials and and initial“P”section in 3b of

Bari Benediction roll where BenedictionverticalBaritheroll stemof where infol. the . initial“S”

204 Exultet 2 achieved the

a in

on p.72,on initial “N” on p.101, initial “M”on p.202, initial“N”on p. 204 Reproduced

featurethat will beconstant a in decorationthe of Vekenega‟s evangelistary. This K. 394 10r.

manuscript crucialmanuscript in fol. (1058 Desiderian period

dell‟abateDesiderio”

MS. Canon.Liturg. 277 the infol. 84r in MS. Ca MS. 208 99r - section4.

K.394

andletter “A” insection 4 of nitials nsiderazioni”,165 andGiulia Orofino. letters,inmore sophisticatedwith way a I earlierExultet . . Theysimilar are tothe (fig.70 in in the the in non. Liturg. 277 non.Liturg.

Bari Exultet 2 executedin2 last decadesBarithe Exultet of the ancient Cassinese ancient codexthe the

MS.Canon. Liturg. 277, are

worth mentioning MS.Canon. Liturg. 277 , fig.3 , bird headstheat endof connect the the in .

)

- the developmenttheApulian ofillumination. ExultetI d r and .I,fig. 83a, tav. XLII a, XLII tav. figc, 85a, fig. 85b . oll

K.394 ed - 1087) the

such as bird heads formingendsbirdheadsboth suchas of on CassineseInsamethe the page. bi w .

rds thatrds decorate borderthe of .Catalogue ofexhibition. the Eds.S.Adacher. ere initial“D” the the , which ,

to a to isat straightformedbase, theeither ,

morepreciselymanuscript ina notusedaswidelyin as in Exultet II.

and initial“S”from Barithe Benediction the triangular form.triangular the 202 letterand initial“S” initial“D”

is encountered foris firsttheencountered time inthe

I codicidecorati dell’Archivio di (figs. 64, 65) (figs. 64, c reated the

a BariBenediction (sectionroll 1) the letters usuallyletters endswith Lectionaryshelfthe with

insecondthe half the of

there are BariBenediction (figs. 66, 67) 66, (figs. - 207

102:25 i s foundsto the

i n fol.n 7v of while birdswith the K.394 Vere dignum - 28,tav. I,figs eleventh in 205

, , they that K.394 alesser hooked This K. 394 K.

(figs. . a

e 61 , a - . ,

CEU eTD Collection Benedictional,section 3 214 131v,initial “D”, fol. 132r, initial “D” “E”,initial “A”,initial fol. 89v,initial “S”, fol. 92v,initial “S”, fol. 100v,initial “C”,Angel‟s office: 106r,fol. initial“B”,fo 68r,fol. initial “S”, Hour 64r,fol. initial “S”, fol. 65r, initial“D”, fol. 83r, “S”,initial fol. 49v, initial “N”, fol. “C”,initial fol. 42v, initial“C”,fol. 43v, initial “T”, fol. 44r, “T”,initial fol. 45v, initial “C”,fol. 47v,initial “H 213 “R” initials“B” “C”, and fol. 51r fol.“M”, 63r, initial “I”,Angel‟s office: 43r,fol. initi Mary:21v,fol. initial“O”, fol. 24r, initial“Q”, fol. 28r, initial“E”,fol. 39r, initial “A”, fol. 59v “D”,initial fol. 74v 212 ofhuman headsinprofile 211 Hoursthe ofBlessed the VirginMary 210 middlethe elevenththe of century. visualinmanuscriptsboth parallelsandthey Liturg.277 Canon. lackcontour.they red theTh absencebirdheads)of these eitherinterlacveryto similar initialsOrnamental composed initialsOrnamentalfrominterlac composed 2.3.3 entirelyidentical. interlac initial lectionsame ( foundmotifis initiallegofthe“R” oncesubstituting and fishfoundmotifinThe canbe fishmotifThe

Com HoursofHoly the Trinity:fol. 34r HoursofHoly the Trinity:fol. 2v,initial “S”, fol. 7r, initial “D”, In fol.

K.394, . Ornamental . initials 36r i pare initial“N” infol. 53r inMS. Canon. Liturg. 277 n fol. 79r infol. 79r 277 Canon. MS. n Liturg. ing - initial“R” fol.113r, initial “D”, initials and executed ininitials bright executed and the affiliationthe with the previouslydiscussed type of initialsis also visible the in fact that they contain Ego Ego

n f 55v where itfsubstitutes n where 55v - initial “C”,initial fol. 93r

- 72) 71, (figs. materpulchredilectionis acco 213

s ofsBlessed the VirginMary: 75r,fol. initial“R”,fol. 80r, initial “D”, fol. 82r, initial “F”, fol. 85r, . in mpanies a lectioninHoursthe of the Holy Trinity Those initialsThose interlacto similar

- ffand95r43r initial“L”,fol. 51v

Commendationes

211 ey are foundineysectionsin textofboth are the different ing

50v,initial “D” fol. 53r of the

. . or initial“O”,

- initialscontainheads bird that interlac initial“D”,

to smallinkinthe executed initials withred difference the 277Canon. MS. Liturg. 214

(figs. 73, 74 (figs. 73, - - ing initial “C”,initial 52rfol. initial“O”, fol. 85v color fol. 36v,initial “O”, fol. 37v :fol. 122r, initial “D”, fol. 129v, initial “D”, fol. 130r, initial “D”, fol. for for Suffragia .Inboth manuscripts ing ) placedin ) BlessedofHours the the VirginMa

als“B”“S”, fol.and 44v,initial “S”, fol. 49r, initial “B”, fol. 50v and stylized foliage forms foundmanufoliageinformsbothstylizedand most the initialofmiddlethe part “E”. the middle part initialofmiddlethe theaccompanies part “E”.It the

s. Theinitialss. typologi are and stylizedfoliageand forms - ) initial“N”, Hours ofHoly the Mary: Virgin fol. 58r resemblefrominitials

and San ctorum ing the Commendationes aliaet - -

initial“A”, song initial“H”( initial“O”, initials decorated withinitials havebirdheadsdecorated same i n ff79nand 36r :fol. 23v, initial “S”, Hours ofBlessed the Virgin

(the only point ofonlydifference being(the the point , fol. , ,

- the fishthein includedmotifis initial“S”, fol. 39v, initial“G”, fol. 42r, aec nobisaec SuffragiaSanctorum 79r - Rexagyos domine initial“E”accompanies alection in cally verynotcally similar, but the

r, oncesubstituting r,

praece Bar : fol. : 10v, initial “F”, fol. 11r, 210 - iBenedictionroll from initial “C”,initial fol. 61v, initial K.394 pit

In …) K.394 :fol. 67r, initial“B”, in :fol. 96v, initial 212

theBari

ryasthe and scripts are scripts

the fishthe

”, fol.”, 49r, - being

initial“F”,

for l. 111r, l. MS. MS.

the motif

the -

that that 62

CEU eTD Collection 131v,133r, 133v 116v 107v 2x,97r 81v,82r,83r, 83v 54v,55r,56v 31v,32r,33r, 35v, 37r 217 “S” Liturg.277 i 216 Orofino. “T”initial 215 and inserti the initialsornamentalink,indecorated outlined red numerousmost Theinitials,found almost Smallinitialsinkinornamental outlined red expressedthan connectionbetween interlac Despitedifferences,theinitialthis ofcategory involuminous volutesinsteadinitials the hastwo of muchfrequentlyprotuberancemoreappearin i the initials certaina To thisextent origin century tenth morepreciselyinitials,initials foundinthe with leaves)acanthus initialsinitialsresembleThe inkin foliage that forms haveelaborate red executed (especially half n fol. 36 n

ff5r, 4r, 6v,7v, 9r,10r, 11v,12v, 14r, 15r,16v, 17v, 20r,23r,24r, 26r Compare the initial“S”infol. 37v in MS.the Canon. Liturg. 277 Compare i n fon - - is 3x, 117r 3x, 108r 2x, - filledbrightwith 215 2x,97v

l. 2v l. in ing v Icodici decorati dell’Archivio di Montecassino. I. i

in MS. in Canon.Liturg. 277

n fol.n 44r (figs. and o the

the - ntwoof the or three initials decorated withinitials birdheadssmalldecorated inkin and initials red executed inK.394. 2x, 2x, 57r,57v, 58r, 59r,64v, 65r, 65v,66r - - 3x,118v, 122r,122v 2x,109r -

the 4x,98r MS. Canon. Liturg. 277 Canon. MS. Liturg. and initial“G” -

MS. Canon. Liturg. 277 Liturg. Canon. MS. 2x - in 75, 76,77, 75, 2x,84r, 84v . Those . initial“R” .

inthe MS. Canon.Liturg. 277 the ini the the - - - 2x,37v, 38r

2x,109v 2x,98v, 99v,100r, 100v, 101v the Cod. Casin. Cod. 759 i similarity isseensimilarity also n fol.n 39v

color tials that contain humanzoomorphicthat depictions initials. tials or 277 Canon. MS. Liturg. in i -

n fol.n 96v

3x,85r 78 the - 2x,110r sand gold. ) - -

2x,38v,39v, 42v, 43r,43v, 44v,46r, 46v, 47r,48r, 48v, 50r,51r, 51v, 53 2x,123r MS. Canon. MS. Liturg. 277

- and in MS. in Canon.Liturg. 277 - petalresemblesthat structure 2x,86v, 87r inK.394 - the 2x, 111v,111r, 111v, 113r,113v - . a 216 2x,123v initial“O” created . three 217

(figs. 79, 80 (figs. 79, i ,

nfolioinevery -

and and the 2x,89r -

petalfoliageformsendinthe and are, more general, - -

to the initials the to - , which , 2x,124r 2x,68v, 69v,70v, 71r, 74v infirstdecades ofthe 4x,102r initial“C” the i n fol.n 21v the the

and withfloralstylizedforms (particularly

- initial“T” on p. of491 Cod.Ca 2x,90r,92v, 93r tav.XLI c, tav…b (159) nitialsof Cod. Cas.402 Cod. the - ) - 2x,124v 6x,102v, 103r, 103v, 104r repr

and Thedifferenceis semithe that cansome comparedbe to i

n fol.n 100v K.394 inK.394, the initial“R” infol. 75r inthe MS. Canon. and esents a kindaesents of the the in the - the

initial“E” on 50page of Cod.casin. 402, - 2x, 2x, 125r K.394 a 2x,26v, 27r MS. Canon. Liturg. 277 Liturg. Canon. MS. - , K.394 3x,114r invertical ribbonletter) the stem ofthe initial“S” - a connectiona is that 2x,93v, 94r,94v in in MS.the Canon. Liturg. 277 executed inexecutedsecond the half the of the -

- that that 2x,75v, 76r 2x,125v, 126r

manuscript. manuscript. The . -

3x,114v eleventhcenturyof andCapuan - 2x,27v, 28r,28v, 29v, 30r,30v, i n fol. 23v n substantially synthesis betweensynthesis - sin. 759, reproducedGiulia in 2x,106r - - 2x,115r, 115v - 3x, 3x, 95r,95v 2x, 77v,79r, 79v

ancientCassinese -

inK.394 2x,126v, 127v, 131r,

reveals - much moremuch 2x,106v - curved

resemble are simpleare verticalstemof characteristic

- , a strong strong a 2x,96r, 9 the

- and v - 3x, 3x, 116r 3x, 3x, 107r, - 2x,54r, initial“O” - 2x,81r, the the the initial 6v - 3x, - 63

CEU eTD Collection 103v,106v, 107v, 108r, 108v,109v 221 220 219 Montecassino 218 Theobaldofabbot (in that withgold filledwith pearl ornament initialLuxurious initialsLuxuriousintersect with 2.3.4 in forargument Cassinesemorethe illumination,preciselyorigin Zadar of thinkthey that I myIninitials,feature opinion,theseinmanuscriptconstant both are which 394 lines comprisesonlyto threetwo oftext becauseis itmodest filled simple with blueand orange washesof In furtherdiscussed with “ firstdecadesthe of diff influencesCapuanand withalong examplefor century,in initialsSimilar half of fromstrokes originate periodof illumination,Cassinese earliest the formedfromInitialsforfoliage stylized O

the ff3r, 2r, 4v GiuliaOrofino. “Considerazioni”, 175, 179 Compar Compare initial“D”on page 95 of K.394 ” icult to iculttrace to

these initialshalf theseinfirst usedare the of are e are in . Geometric . initials “ O late

Cod. Cass. 321 2)and (page Cod. the ”

xecuted on isonoffered by Emanuela Elba. “La decorazione..”, 121,tav. 3 a - , initials

leaf tenth centurytenth inbe continuedusedand workshop. theto the sametheinitialstype of tenth century.tenth .I - 2x, 2x, 6r,6v,8r, 9r,11v, 12r, 16r,16v, 18v, 20r,2 , , 155

is referred to in isItalianto referredinitials scholarship matonella”.as“a Giulia Orofinohas show also

the in on type andthe initial“D”fol. in 20r MS. in Canon.Liturg. 277

the the

appear inappearcodices the boundarybetween a largera in scalethose than intext. the s the

eleventh century. It is eleventhIt interesting shefindscentury. that parallel a Capuan Exultet are alsoare Exultet Capuan formed the 218

andCass. 552) in Cod. s

Cod. Cass. 321 Cod. execu (figs. 81, 82 (figs. 81, .

220 from ing the ted in bright ted

Cod. Cas.175, reproducedGiulia in Orofino. may bemay C square the

od. cass.37, 321,572 period andawhere belongs od. 90 to intersectedsquares,co .

the initial ms,us the ) .T

created s heirmoreisnoticeablesmallsize because 219 decorativestyleof

foundinall sections and circles (initials “a mattonella”)“aand(initials circles the , a codexa according Giulia , that to Orofino, “ color O to beto the the eleventhCassinoin centuryMonte abbacyduring the

” the under infirsthalfTheobaldabbot the of e

(

s and insand of bright of MS. Canon. MS. Liturg.277 Oramus 3r, 3r, 53r,54r, 55r, 59r,65r, 61r,65r, 66r, 67r,68v, 69v, 74r, early Desiderian yearsinmanuscriptswrittenearlyby Desiderian foundin ) in ) the ncentriccirclesinterlacand color the the

MS. Canon. Liturg. 277Canon. MS. Liturg. the b of the codex ofthe

tenth centurytenth and color Liturg.277 Canon. MS. sand parallel coma

CapuanbecauseExultet, parallels the

Capuanfrom period the rather rather thanwith gold.

Icodici decorati dell’Archivio di s .

221 canserveas

which betweenthe the the - shapedpen is more evidently ing new stylenew usuallyfilled

reveals initialsin were adoptedwere a the

aswill be valid pattern

it initials eleventh It also It is

many first from s K.

n 64

CEU eTD Collection 226 225 “O”, accompaniesa hymn inHoursthe of Blessedthe VirginMary BlessedVirginMary, fol. 91v 73v antiphoninthe Hours ofBlessed the VirginMary, fol. 72v 61v fol. Hoursthe ofBlessed the VirginMary, fol. 60v 224 223 222 277 foundLiturg. in I linesformin squares,eachOn pearl asquareeachcontaining ornament. verticalthe sideof filledEmptywithspacesare initialbaseoflacesinterwoventhe which through curved are th 277 Canon. MS. Liturg. The with parallelsin manuscript aslatethe thirdquarter of time Mary placetheir prominent accompanying hymns,lections andin prayers BlessedofHours the the Virgin seemsme It to that Bari words in other as interpretedasinitials from featuresupdatingcanbeilluminationsuch the of Zadar with Bari products quarter of inTheseinitialsApulianappear ExultetRoll. Avezano and109104 Grimoald Cod. a Cod. nitial“O”of219 page on

a reproducedGiulia Orofino.in section5 of E the fol.35v EmanuelaElba. GiuliaOrofino. “L‟eta dell‟abate Desiderio”, 28 the - initial “O”,initial accompaniesaprayer in

regularsquare BariExultet products the i 224 n the workshop. Therefore n workshop. the Exultet Exultet II - initial“O”, accompaniesalection inthe Hours of t

(whereinitialsseven suchoften Exultet II from Exultet II Bari. - initial“O”, accompanies a hymninthe Hou the

the as a modelasa g half g . eleventhEmanuelaconcluded appearancecentury. has the that Elba of th 223 ,

Cod. C Cod. the initialsthe

“Lungole rotteadriatiche…”, 47 r

xultet II oll - i . This initial . circles.

n ffn59v the r , ollcontains

. 222 . Initials of this type inInitials oftypethis . ass. 552 and Exultet fromandass. 552 fromExultet firsthalfthe Capua, of

ample .

- The f The

initial“O”, accompanies a hymn inHoursthe of Blessedthe Mary, Virgin fol. 98r

the (fig.83) the from , 60v and, 77v. I codicidecorati dell’Archivio diMontecassino a

eleventhcentury Cod. C Cod. irst

pearl ornament. initialThepearlsecond ornament. is squaredivideda is veryissimilar

e Monte Cassino Monte , itis , likely that manuscript two initials matonella”“atwo

of this type of initialoftypethisin of comprises Suffragiasanctorum

swell as ass.552 -

initial“O”, accompaniesalection in Hoursthe ofBlessed the VirginMary, may be foumaybe (figs. 84,85 (figs. .

. production other other manu

intersectedrhomboid endthat with structures circle 226 the typologically rs ofHoly rs the fol.Trinity, 59v withthe

came to cameto

this type of initialtypethis of could is - MS. Canon. Liturg. 277Canon. MS. Liturg. heBlessed VirginMary, fol. 62r initial“O”, accompaniesaprayer in composed composed , fol. 77v , nd )

) presupposes ) scriptssuchas in Bari Exultet IIBari Exultet

Zadar the

225 the - in to to

MS. Canon. Liturg. 277 Canon. MS. Liturg. itial“O”, accompaniesaprayer inthe Hours of the and they both differ fromanddifferboth initialsthey in of Bari Exultet II BariExultet

the manuscript at end at

a initials“O”in interlacdense

I:fig. 6b theywer ina the r - oll

initial “O”,initial accompaniesalection in not have innot Zadararrived alsohave c s Cod. Cassin Cod. or 339 stylizedfloral element.

or a similara Apuli or . through the mediation through the of

- r initial“O”, accompanies an the ollcreated e being used at anbeing eearlier used at there are there ing Suffragiasanctorum, the eleventhcentury,then

pattern and framedand pattern MS. Canon. MS. by loservisual andparticularly ese type ese

three curvedthree a net of littleofnet a

inlast the an the - initial s

of at the at the fol. as 65

CEU eTD Collection 6b on 227 Liturg.277 Canon. K.394 There initial.ofthe affiliationwith exclusivelyfor form this initialsto earliestthe oftypethis lacebitingformp the upper the interlac yellowsquare with i The black isbackgroundnot as comprisesa Blessedoftheis VirginsimilarMary to 277 Liturg. T fromrather thanApulian products. motifandeagle the functi The ( initials( O ofCapuan Exultet ininitials Thes interlac 61v Liturg.277 Canon. initiSomeofthe ramusdomine te hereonlyinitialsare two .

the Compare MS. Canon. MS. Liturg.277 in a nitial“D” ame structure in structure ame fourtops of the rhomboid

is that that three the ing ing

such

is innovativeis unusualand the initialsoftheseon MS. Ca MS.

the . anexplanation pattern that entangles pattern rhomboidthat formthe sides.four on pattern. Twolines, with onepattern. -

rhomboidformlacessidesfourentangledbyfilledon and with (figs. 90, 91)(figs. 90, petaleachon ornamentcreatinserted isend

MS. Canon. Liturg. 277 Canon. MS. Liturg. “O”on p.219 of a big difference inbiga difference the is placedat . These initials, inmyinitials, These opinion, . the “O” i n fnaccompaniesin prayer72r a als inals the ) non. Liturg. 277 non.Liturg. .

initialfrom initials)and (figs. 88, 89 (figs. 88, includingthe representfurther thatproof the a moreelaborateform rhomboidformsis intersect) (sometimesfotwo

The firstThe foundone Capuan Exultet are particularlyinitialsare inCapuan Exultet to in appearance close is t i hecenter squareofthe is form. Reproducedform. inGiulia Orofino. n has the require in terms of the way they functionedinwayoftermsthe they u K.394 mirabilisvereet beata

sual for fillingsualfor the Cod. Cass.552 artinitialits Inspiteofof the“D. ) waythe

227 parallel initial“O”(

Bari Exultet IIBari introducesExultet that the that

d in the way it isinitwayusedthe as well as to the initialsas inwellthe asto way that canthat comparedinitialthisbe to oftype in . In my opinion, myinitialsthe In opinion, . i n fol n are almostare identical a s the birdhead

this type of initialoftypethis floralmotifwithoneand with the functioninitialstheof zoomorphicwith containing s

majorityinitialsofin . 35v,61v . with its beat a space withspace a a i n fol. 30r, which fol.accompani n30r, als Trina oratio Trina o a .

was

illuminators in illuminators The whole inner space of the letter is Theletter innerwholefilledspace ofthe with similarstructure andcurves ofinstead came nox ), ), initial“ , 72v,73v,91v 98r and, insert ) ) of

for es to Zadar to

Icodici decorati dell’Archivio di Montecassino

the the isused with a with

the l the pearl but ornament ed .

The square inThesquare which

the lower part letof the Capuanand Exultet .This insertion ”

etter etter

formed

( inpositionedwereplace theythe geometric the the

verenox beata the 277 Canon. MS. Liturg. through the mediationthroughthe of

rhomboidform (figs. 86, 87 (figs. 86, in a plant birdwithhead “d”(this initialisoftype used MS. Canon. Liturg. 277 Canon. MS. Liturg. the Zadar workshop continueduse Zadarworkshop to

“a matonella”“ain MS. Canon. Liturg. 277Canon. MS. Liturg.

ornament in ornament inesantiphon an Hours the

appearance a pearl ornament. Thepearl ornament. and inand various mayhavean well )

rather )

and cont the ter “D”. ter a the a a rhomboid formrhomboid three , hooked beak hooked MS. Canon. MS. golden to a initial“O” initial“

ininga itis

- the structurethe the petalornaments

although the A

Cassinese very close und inund

“ - MS. MS. a . . It small brown. O

O MS. MS. peacock peacock dense ”

”

and i

n foln I:fig.

in in , an “ O 66

”

CEU eTD Collection pictorialof a program 229 ofAngelthe which clear section songthe belonged 228 waveinfluencestronger Apulia.fromof Theappearance o 133r, 162r).156r, 123v,131r, interlac elaborate slightlyf whereilluminator 72r, insertthe Itmaycodex. foundsameinthe reflect actually process ismotifs itilluminatorandpossiblethe that itfor found volutes. has but inall profile, letter.rectangularthe part of the initial, letter, baseofthe ininitialsnumerousfound oft Vekenega‟sThisevangelistary. particularly to applies codices.two typeof Ashasbeenmentionedalready regardingthe filledcompartmentsand wit Geometric initialsGeometricin with 394 inspiredinitialsintobylong prototypesCassinese

Allgeometric initials fol. 5r accompanies a lection in the Hours of the Holy Trinity, fol. 19v accompanies 19v fol. Trinity, Holy the of Hours the in lection a accompanies 5r fol.

and the inserti andthe birdhead the geometric Adoubl rom rom . curvedprotuberance

“ . However, . thisisinofbasetype used I The closest parallels a The closest to ” the

initials composed motifs e ing other

fininitialsthesecodexsignal the the initialsin volute o in nofthe

in the codex.the pattern, a feature pattern, K.394 the

bird -

two Vekenega‟sevangelistary listedare further changein - other elements exceptinitial,forother basethe the formedis whichof base is not very isbasenot common initial thisfor oftype

motifwith initialssamebecausetheis vertical theof stementangledtype in very a

birdhead h the

heEvangelistary (figs.96 at

MS. Canon. Liturg. 277Canon. MS. Liturg. ed toin (fig. 95) interlac from

Zadar the top theinitialof the top smallthe and sizeof

the

the manuscriptsince is it misplaced),fol. 44r accompaniesprayer a Hoursthe in a ll three initialsllinthree motifsametheinterlaced showsabundance asthe of initthing a which ) bird hooked beak, hooked

verticalstemand workshop ing

The i The

motifwith employed pattern can be foundcanbe pattern

parallels geometric nitial , 229 K.394

the from Cassinese towards Apulianfrom towards Cassinese prototypes. especi s

infol. a changeandina workshop of practicethe the the

eleventhcentury.Their some initialssome the elements a K.394

initials bust, omissionhumanthe with of the re hooked beak. hooked fivefloralatpetal base the ofelement the a in interlaced initials with or withoutininitials interlaced or with withan lly initial presents

5r does 5r on initialmatonella”“a

the attached human head inheadattachedhumanthe profile in in textthe in chapterthe dedicated to analysesthe

s of the most numerous initialsnumerousmostofthe in the

i the same type of initialssameofinthetype n fol.n

in upper rectangulardivided upper inpart

one not on ff19v,44r. on 5r, in

Vekenega‟s evangelistary Vekenega‟s(fol.

Thei

contain 44r, whichfeatures contains44r, markedd

and no parallelsno andbe could

the nitial the middle ofthe compartment infrequent

song an ifferencebetween in in fol.in attached human headattachedhuman Iudicii signum Iudicii the 228 K.394

19v (fig

usagein from s differs . 92 . birdhead i

n fol.n , (it is not is (it , two two - o 94 this this K. nthe a to the the ) ials

CEU eTD Collection 164v,167v, 170v, 171v, 173r,173v, 174ar, 174br, 175r,183r, 183v, 186r, 187v, 189r, 192r, 192v,194v 84v,94r,103v, 109r, 123v, 124v, 231 169v,172v, 175v, 176r, 177r,177v, 178r, 179r, 181v, 184r, 184v,188r, 189v, 190v, 193v 135v,137r, 141v, 142r,144v, 145r, 146r, 149r, 150r, 156r,157r, 158r, 158v,159r, 160v, 162v, 165r, 165v, 168v,169 230 with decorated birdheadsdogs. and comp beaks hooked andrepresentations sometimes ofdogs with interlaverticalstemtopped innumerousmanuscript.mostthe Theyin ways. the composed Oneare from made two istype a “ I initialsand initialExultet,for“E” from Apart the initials zoomorphic substitute symbolsevangelists of the that initials These firstsentencethe Gospelofthereadings Thepictorial program context classificationThe 2.4.1. ofinitialsin decoratedVekenega‟s theirart evangelistaryand histori 2.4. - I initials without the symb the initialswithout ”

ff5r, 4r, 7r,8r,8v, 12r, 14v,15r, 16r, 17r,17v, 19r, 21v,24r,25v, 28r, 29r,30v, 31r, 34v,35r, 37r, 42v,53r, 58v, 82 ff3v,4v,6r,7r, 9v,10v, 11v, 12v, 13v,18r, 20r,22v, 24v, 26r, 27r,32v, 39r, 54r,63r, 83r,70v, 71v, 125r, 127r,127v, - initials V rised ofriseda ekenega “ .

I containinga

” - initials without evangelistthe inblue,yellowexecutedsymbols, without in red, decorated and gold a fewlaterinitials.Gothic ‟

verticalstemand “ s

I E ”

- dividedcanbe vangelistary initials

synthesis of

in a

Vekenega‟sis evangelistary very richab and richlymonogram decorated “VD”

the manuscript containsmanuscriptthe a olsevangelists ofthe 129r, 131r,133r, 134r, 135r,140r, 140v, 147r, 151r, 153r, 154v,155r, 156r, 162r, 164r,

c a ing symbols evangelist basethe andand on the mostnumerous the on rectangular upper form filledform rectangularwith upper 231

pattern and adorned with and pattern adorned

In illo tempore illo In

230 miniature for .

and other isthetype “ I the letter“I”.alsoThere are uniquethe two ” - standing initials motif of the Last Supper,Lastof the

s of birdslong withbeakssof and without e without for an ounds fullfigure Veredignum interlac

with a vangelist“ symbols, geometric initialgeometric ing anthropomorphic and “ I

” pattern and pattern a - , initialsofbecause large decorated a .

few other -

leaf

“ I r, r, cal ” , I

” v, - are - 68

CEU eTD Collection JournalofCroatian 50 237 initials.” 236 Cava,1 Convegnointernazionale distudio desideriani fondineidella Biblioteca Vaticana”. 235 234 104:92,199 GerardoCioffari, Giuseppe DiBenedetto etBari: al. Edizione Levante, Archivio S.Nicola di osservazionesulla produzionedicodici liturgici beneventana in in TerradiBari.” in “L‟Evangeliariodell‟Archivio capitolare diBisceglie eL‟Innario 233 232 fragment entanglornament initials“P”subsequent two connecteare initiallace,itfeatureawith abovea 909.illumination, Pal.Lat. inmanuscripteleventhcontains will a century, manythat infurtherthat befeatures developed eleventhandcentury appear the appearnot Thebirdhead out shapethecolumn the text theof of returns manuscript A Apulianevangeli evangelistary initialThisfirsttypetheisfor inof time encountered sixteenandlinesto neverof text initialsThe c “I” n interesting featureinterestingn of initialtype this of - reproducedGiuseppe in Praga. Lo “Scriptorium” dell‟abbazia benedettina reproducedRozana in Vojvoda. “Većenega‟s :”BookHours”:ofA manuscriptstudy special with stress on decorated Compare initial“P” ff22v,32v,83r, 168v,175v, 177r See fols.1r 61:tav. 10. fasc. 45:68

- littlebirdheadslongwithbeaks.Thisis detail after text the initials

the 991:404 to the to AnnualofMediaeval studies at CEU -

illustrationinGiulia Orofino. “Gli Evangeliari beneventana in diBisceglie eBitonto”, Clelia Gattagrisi. 2x,fol. 2v, fol. 5r,fol. 25r,fol. 26v,fol. 28v, in - . The . in 232:fig. 4.Further on Giulia Orofino. “Gli Evangeliari…”

th c om

the - s that adorninitials sthat certainthe a possess tiny detail vertical. (MS. Borg. Lat. 339) Borg. (MS. omprisedofa e State ArchiveState ep.1 182, (Misc. 457:fig. 34. Further on Valentino Pace. “La decorazione” p

stemletteris ofthevertical in wascompleted ofandstaryBisceglie Bitonto. Studies MS. Canon. Liturg. 277Canon. MS. Liturg. ing rised ofriseda i n fol. ofn 2r Lat.Pal. 909 reproducedinValentino Pace.“La decorazione dei manoscritti p

a vertical stem, a featurealsoin vertical initialaa foundstem, one - (fig.97 86:tav. XI,XII, XIII.Marijan Grgić. “The Eleventh Century Book Illumination inZadar”.

9 - 10(1969): 41

235 verticalwithtoppedstem and s

verticalwithstem topped (BadiadiCava, 3

for firstilluminationthe inCassinesetime )

(figs. 98,99 (figs. . Inall the examples three

extend . One . 232 withparallelsto - 132:plate1 A

and itandhasin parallels

8(2002): 9

d. over of Scrittura e produzionedocumentaria nel mezzogiorno Longobardo. Attidel itdoes ,10 236 the possiblethe is illuminationthe explanationthat was appears - 5ottobre 1990,acura diGiovanni Vitolo, Francesco Mottola) Badia di

Initialsfound the whole lengthwholethepage. ofthe 0 ).

) fol.29r,fol. 34v, fol. 38r,fol. 39v, fol. 45r,fol. 49r its 237 233 -

Theinitial 37,fig.7 in -

B.Emanuela Elba.“La decorazi

upper part and part upper fou (figs.101,102

K.394 (ffr)144v,160v,172 7r,

a similara featurefoundin K.394 the nd innd - Lezionario .

particular an an

Dalmatian illuminationinDalmatian an (ff46r) 26v, i a i

the interlac n fol.possessn181v 184r and square a n fol. 156r isfol. 156r connected n interlac . middleBarifromBenedictionalthe of the .

late eleventh/earlylate century twelfth 234 dellabasilica diS.Nicola diBari. Nuove

) diSan Grisogono Zara. in Vol. VIII,fasc. 43, followedby a

form of the initialformitselfofthe adjusts to

worthnot ing ing ing Icodici liturgici diPuglia inan

. . These pattern pattern pattern from

eleventhcentury Zadar

one..”,107 , Archivio , Stato, di 1986:85

a ing the firsthalf the of t certaint in points

are the “flothe are accompany slanting lineslanting

since the to -

i 147, tav.2a, 2c although the geometricthe n fol.nwhere10r, Osor Osor . horns”o ral

from eight

. . Eds. which thenwhich the the re

carried carried it the - Bari does does .

- 69 n

CEU eTD Collection Elba.“Lungo le 47,rotte..”, 26,27,note 28. 242 241 240 239 238 inApulianusageand D of form medallion a in head the that 57v. and 55r fols. profile, head human headsdiffer are o hat the as such (even evangelistary Vekenega‟s from heads resemble heads decorative inserted simply or 95r) 54v, 44v, 10r, lace(ff bylettera a to attached 394 K. infound are heads humandecorative The lace, in the is initials these of feature important most The verticalofparts the initial 170v)so that stem(fol. thecan atbecan initial thisspotted of type as well The evangelistary as Thr by executed Thisattached. initialisfoundinofto type similarthose top, and pattern up often Geometric Geometric

per rectangular per intoinitialofthe is compartmentspart filled or three dividedtwo with F ff25v, 15r, 29r, 82v,123v ff8v,29r,30v,31r, 37r, 183r seesectionthe on geometric initials fol.4v,fol. 29v, fol. 44r,fol. 47r, fol. 50r,fol. 50v ee or round in K. 394 and usually conic usually and 394 K. in round while odd 241 take up take an geometric

that may that calledbe . This latter head ishead latter This . peculiar feature ofthe accurate andelaborate discussion on decorative human headsinK. 394 and the

a “ a “ s I vertical stem isverticalstemusually “human head in profile” in head “human the . Inthe K. 394 . ” I ih yellow with pearl ornament. flankedThe rectangularis part sometimes with the whole height wholethe ofthe ” - initialsApulianfortypical Dalmatian andin large evangelistariesare size;verythey - a hand of a moreskillful ofhandaa illuminator initialscompo

previously n w initialsinfoundK.394

ith the figures executed i executed figures the (fig n h bd o te nta (o. 43r) (fol. initial the of body the in s almatian manuscripts. almatian .

- 1,2, 1,2, 129r,167v, 173v, 183v

a standardfeaturedecorativeamanuscript of the og ar ih tlzd locks stylized with hair long

has already beenalready has discussed.

strikingly similar to headsin profile strikinglyto similar heads 95 i

n fol. 55r of 55r fol. n “floralhorns” sed from vertical stem and rectangularfrom and stemsed vertical upper part ) in

In my opinion, such an expressed sim expressed an such opinion, my In have short brownhair, inevangelistaryhaveshort whileVekenega‟sa

K.394 inthe previous chapter shown

text

model al n bright n

greatly column into marginalthesometimes andThe extend space. in Vekenega‟s evangelistary) Vekenega‟s in 240 entan the .

on that originated in Cassinese illumination and illumination Cassinese in originated that

as MS. Canon. Liturg. 277 actually represents an archaic archaic an represents actually 277 Liturg. Canon. MS. bird heads, mentionedbird already “floralhorns” whichbylace bird gled to adog and does resemble to a high extent to initialshigha to extent resembleinto Vekenega‟s color

andare well as the slanting linebetweenwellintroduced slantingasthetwo sertion of decorative human heads attached to a to attached heads human decorative of sertion 239 s found s the

outlined be 242 Osor evangelistary Osor , they are more elaborateand, they largerarein size. .

fit .

i (fig n fol. n into found ih a with s . the text properly.text the 3, 94, 94, 3, 43r o 43r in . However, . their ilarity the . red contour contour red on o the to down (fig.103) f K. 394 K. f Apulian parallelssee Emanuela MS. Canon. Liturg. 277 Liturg. Canon. MS. 104 a 238 floralat the ornament represents further represents ) ,

T but but theyare the treatment of the the of treatment the

al ypologically

motif though

line

small an sare is shown shown is interlac found appears appears est these hats hats these particular

, details details

proof proof t wide wide ing hese on 70 i in

CEU eTD Collection 246 storia dellaliturgia 245 first halfof 244 243 anomalies compartments the triangularfilledform with initial flanked by 296Ottob.Lat. Vat. folon 39v itsparallelhasclosest in flankedformsbyformsfilled quatrefoilround and respectively, with probablymost animal,lion. a five (f Thevertical thesestems of meaning affiliation“decorativedecorativehumanwith may heads”headssignal that themein ofChrist theyMajesty probably represent Veredignum bustshuman the A ols. 12r, 14v)is12r,which ols. a

motifinhuman bust profile of appears GiuliaOrofino. “L‟Evangeliario..”, fig. 2 See Thisfeature can be forfound firstthe time in the “P”initial section1 and of3 already mentioned MS. Vat. Ottob. mentionedalreadyVat. 296 Lat. MS. a initial“D”( -

partite floral ornament or stylizedfloral partite or although ornament dogs, square formfilledsquare with s the

departs substantiallyits fromdeparts conventional by connected to connected reproduction inGiulia Oro the the

reveal animal heads.animal . eleventhcentury. See ValentinoPace. “La decorazione”, fig. 44 each 243

substitues forsubstitues the omine Deus pater omnipotens exaudi nos Deusominepateromnipotens exaudi

.Ed. Nicola Bux. Bari: Puglia,Edi 1991: 23 (figs. 105, 106 (figs. 105,

the the attached with attached

BariBenedictional, reproducedin st

the text the rongaffiliation ofVekenega‟s evangelistaryto 245 the

typical an geometric

(figs. 108, 109 (figs. 108, an late eleventh/latei centuryearly evangelistary twelfth executed 244 interlac

ualcontent . Inmanuscriptthis . ,10 interlac fino. “L‟Evangeliariofino. Ottob.Vat. lat.296 della barese abbaziadi Elia”.

a laceawithmonogrambeneath raisedhands represented situated the rectangularinitial part geometricof the . initi Two

feature of interlaced initialsinterlaced feature Atinof K. 394. base thehave they usually 7 ) . ing

Ashavethese busts linkedfour haloes they and are with the

initialshavesometimesprotuberanceslefton curved their ing

pattern and birdheads. pattern This . i als found als

n fol.n123v (witharm onevisible)

pattern ) Infol. infol.

. . U the

form 7r 7r ofVekenega‟s evangelistary rectangularthe initialpart geometricof the is topped i the n fols.n have124v 175r and

i nlikeevangelistaryVekenega‟s Exultetrotoli liturgici - n fol.n 112v of

39,fig. 1,Further on Giulia Orofino. “L‟Evangeliario..” i 124v where124v n fol.n34v four evangelistsfour

becauserectangularistheby part substituted ) in

the Bari fourthe the Benedictionalto and the there is there .

a triangular part dividedtriangular inpart a

Vat.lat.4955

a anomaly againanomaly manuscript . However, . ,14 interlac 246 a stylizedheada ofdifferent a 7,149

originally . It . (figs. 110, 111 (figs. 110,

ing

canboth be compared to a .

manuscript,executed in the

rectangular part part rectangular

production

pattern. This featurepattern. one ofonethe theirtyp the has had

nBari, in a parallela in a itials are also itialsalso are ) ological Fonti per la certain These

to geometric in

the Bari. Bari. two two side MS. MS. .

a a

CEU eTD Collection MyrtillaAvery. “A manuscript from Troia:Naples V Benedictinetradition). In illuminationof konzervativnostdalmatinskog sitnoslikarstva benediktinske tradicije” (The illuminationof Trogir Evangelistary NaplesVI B 2 249 Liturg.277 248 247 2. humanindepictionsfrommanuscriptBari beginning the the of eyebrows in Gospelbook hands their depictionsinK.394 similar However, anthropomorphicthe anddepictionsevangelists of the36r fol. (fol. 45v) lion‟sdepiction itsalthoughbody Luke motifin distinguishedfeathersas(elaboratepeacocks head) ontail, rese inThezoomorphic symbols St.Johnevangelistsof bright theexecuted and motifs36r) humanletterinaby laceofheads attached profileto a ( Sometimesbirdheadthe ofa geometric and a 136v,138r) symbolox, the oncewhen LukeSt. of insymbolofthecase the anthropomorphicevangeliststhe symbols are of of initialThistype of can base “ “ I I 249

” ” Compare evangelistthe Matthew C the

- - ff38r, 36r, 44r, 45v,51v, 55v, 59r,62v, 64v, 66r,67v, 136v,138r, 191v ompare initials with zoomorphic anthropomorphicinitialswith symbolsand evangelists ofthe placed thesymbols evangelists initialswith the of

vertical stem topped with verticalstemtopped (fig.116

the

“ to initia to I the ”

evangelist isevangelistthree four if out represented fromoftimesas seenbird‟s theperspective, . Their .

initials except the initialsanthropomorphiczoomorphic the andor representation .Evangelist Matthew is reproducedRozana in Vojvoda.“Iluminacija TrogirskogEvanĎelistara MS. Canon. Liturg.277. Canon. MS. the the

) birddepiction

ls with humaninlsdepictions with TrogirEvangelist

i facialtypesasaswell of fol. n91r remai . Raukarovzbornik (fig be foundbe ns

s. 114, 115 114, s. incasesthree whe motif for

i n fol. 59r ofn Vekenega‟s evangelistary and inisThisconventiona profile. . They .

St. JohnSt. the

an ary i s in these initialsincontains these also the n fol.n up to to up MS. Canon. MS. Liturg.277

- interlac have luxury and ) 45vof Vekenega‟s evangelsitarythe and figure of Christ . Zagreb: . FFPress, 2005: 187 248 Theydepictedare who iswho fourteentimes their wide

(figs.11 ing re the the

IB 2”. long,over pattern (fol. 67v,136v,pattern191v). (fol. soft faces, soft represented as represented nissymbolthe placedon conservativetradition of Dalmatian illumination torelated MS. Canon. norMS. Liturg.277 initials to humanwith 2, 113 2, shown

Medievalstudies inmemory of KingsleyA. Porter. Vol. I.

with ) -

sized large asbustsas well aszoomo Thehead of in ,

. is (191v). Theydepicted usuallyon are placed in a manuscriptina also also

a a three

- alm handsmaybeactually full figure (51v, 55v, 59r, 62v,64v,66r,fullfigure 55v,59r, (51v, 208,slika 7.Figures of Christ are reproducedin foundin the mbleinitialswith the

strange ond - birds quarterpositionlarge holdinga eleventhcentury,Homeliary B VI the - shaped eyesmarked withshaped i

n fols.n 78r and82v of color the “ the an 44r, 45v,51v). 44r,

zoomorphicsymbol the of floralhornso . s

247

“ of the evangelists.ofthe The

I sand sometimes clearly I ” It ” - - initialcomp initial substituted byinitial substituted a

representssynthesisa rphicsymbols except the are not particularlynot are i connected n fols.n 63v and137r of peacock n

birdheads(fol the the rised on their on -

raskoš iraskoš MS. Canon. - -

eagle

The to the the

Ed. 72

CEU eTD Collection 253 birds 252 12: 24 144rfol. 15:John26 passionis 65rfol. 251 153v, 250 manuscriptfrom Troia…” WilhelmR.W. Koehler. Cambridge: Harvard University 1939:Press:153 46 12: initialJohnplacedzoomorphic the readingMatthewnextthewith the by to ofsymbolSt. (Matthew St. of stripescomes Thebirddepiction F 3). (IV claws However, waynaturalisticinofrenderingliturgical of animalsmanuscri wascertainly detail fromprototype.that havedifferenta copied I frontallyrepresented ( bird Two depictions massvotiveforthe the evangelistaryfoundare Liturg.277.Canon. structures 277 Canon. MS. Liturg. evendetailsthatcertain for peacock symbolsevangelists,appearancethe thebird especially of ofthe the appearseleventimes. most writtenlines thetext. The of Thereare twenty Ant

See There onlyare birddepictionsthree that fol.10r ff10r the h i n fols. 65r,n 69r and130r. 159v,161v, 163v - ropomor

26, the - - ineleventh/twelfthrichlya illuminated century in Vergil preserved head with a beak that looksmoreheadbeaklike withthat an a John 7:1 50). - , ,fol. 69r John17:1 and 11 20v,33r, 40v,44v, 47r, 47v,5

- 253 Insancti Laurentii illustrationinGiulia Orofino. “La decorazione dei manoscritti pugliesi…”485, figura 31 John1:1 - intheiridenticaldepictionsbeaks the and almost are th to 27,16: amongstdifferentis animals, grabthere depiction a itsofeaglerabbitpreparinganato with

an out ofout - phic and zoomorphic and evangelistssubstitutethe initial ofphic symbols the “I” that - 13, eagle John 12:10 - - - 4, seven initialsseveninmanuscripttypethis of the 14, feria terciapost domini infol. dominicapost ascensionem , (figs. 31, 23)(figs. 31, 252 itsbeak) i 166r,186v innativitate domini n fol. 65r and fol.andfol.from nbirddiffer65r other 69r depictions because bodies are their 251 . - inheadsare profile)inhold theyanimalnaturalisticandana (rabbit) their claws,

23,

the

isstrikingly :

i suggest

Aswith hasbeendiscussed already of categorythe n fols. 10r and fols.10r 14 n

i - 161v which inwhichits161v peculiaraand position detail ( n fols.n68v 130r and

missa provotive ecclesie unitate 36, unityofrespectively.church sabbato postdominicam I passionis . resembles

that illuminatorthe that ofVekenega‟sfamiliar evangelistarywas with 0v,65r Thepeacockluxuriousmostbiggestdepictions inand Vekenega‟s common similar maybeclassified eaglesas since they thelack distinctive elaborate tail:round ,fol. 33r cam Icam passionis ,

the 68v,69r, 129v 4r accompanying feast4r readingsthefor the of Christmas and ,fol. 142v

representationiszoomorph the to bird277.Canon.into MS. Liturg. depictionsThere are birddepiction - feria VIferia quatuor temporquadragesimae in ose. Thehasilluminator made mistakehas heose. becausea

Vekenega‟sEvangelistaryhol birdsthe , fol. 68v , - J

ohn 6:44ohn , , fol. 161v, 130r,132r, 138v, 139v, 142v, 143v,144r

(fig.117 - i ,fol. 130r John11:47 n fol.n139v - 250 52, - pts written inwritten Beneventanpts script. - Matth.12:46 164:fig.1, fig. 6.Further on Myrtilla Avery. “A

andfifteenfivefrom they compriseto feria )

not - ose john20:1

common quartaquatuor temporumpentecostes -

54, beenchart thisable particular to

with its with

found feriasexta post - 50, an the ic symbol of St. Johnic symbol ofthat St. - “ 9, oblong structure with oblongstructure septem fratrum I

National library inlibraryNational Naples substitutionof

”

sabbatoinalbis very unusualtreatment n fol. n100r of - initialswith .

dominicam I ,148r, d , fol. 163r, round round , fol. 139v, the the the

148v,

MS. MS. - John

the , - 73

CEU eTD Collection 256 pentecost),fol. 20v, Marc6: 47 255 dominicaoctava post pentecostem 57 1: inquadragesimaIII 254 ornamentalisshape.The turned head extremities,raisedfront back extremitiesparallel each and veryother ato long stiffta fol.In raised. onlybetween difference inextremities,depictedfront profile raisedwith fol.41v other readingMatthew.the by St. evangelists, 29 (20: evangelistaryinitialhasprobablymisplaced ittheMatthewbecause accompanies reading the by St. animalshavebeltsand asisheadseenthe from depicted 277 it andGospelidennor isbookthe almost iffromrepresentedasseen Luke Thezoomorphic symbolsof the suggests (part ofth the extremities,aswell placement asofthe treatment of has where 132r, headthe animofthe 148v,153v,159v,186v). 40v,47r, inGospelextremitiesfrontabook its with ThezoomorphicLuke symbols evangelist of the

fol.129v,Matthew 16 28: fol.166r,Marc 6:17 fol.40v,Luke 15: 11

two depictions. It isdepictions. It interestinglayout two initialalso the ofthat thein strikingsimilaritiesto - infol. 68 the

143v - In nativitatesanti iohani baptistae 34).Twozoomorphic m initialsinthe

in277 Canon. MS. Liturg. that the initialthat thein evangelist e initialefollowsand textlower thethein is marginalpart bodyof the theThis space.)

91r. 91r.

the dog placed dog beginning thethe at John‟sGospel (John 44 of St. 12: the the (figs. 56, 57)(figs. 56, dog depictionsdog fols.129vonaccompanyingJohn oneand by reading143v, the and St. head with dog features headand halo, dog the with ,fol. 132r, Luke 11:5 . The . - - 29 32, a decollatioiohanni baptistae sabbatopost -

the long tail parallel to 20, wingedinisanimal depicted profile

the the - an 56, the feriaVI infraoctavam paschae two depictions istwo th , fol. , 186v,Luke 14: 26 Bothanimalsin represented extremitiesfrontare withprofile and raised initialinfound MS. Canon. wasMS. Liturg. 277

sabbatopost cineres bird‟slion However, perspective.the Mar al has al 256 the

- dominicamII inquadragesima (fig anditmay fromhavebeen it.copied 13,fol. 148v, Luke36 6:

k the k Theanimal (mistake bird‟sperspectivewith awayfrom . 118 . the a tical to depictionlionthe foundinofto tical Gospel book between the legsbetweenGospelidenticalbook animaloftheinthe are evangelist evangelist its features of - )

written secundummattheum by later fol.hand), 159v,Luke 16: 1 the the There isThere onlyatypical ofone representation headrepresentedasif bird‟s fromseen perspective (fols. anuscript can hardlyidentifiedbe symbolsanuscript theas of , fol. 148r,Matthew, 29 20: .

at theanimalisat the tail277 Canon.in of MS. Liturg. 254 - legsanimal.of the illuminator of Vekenega‟sThe theyare

infol. 33 MS. Canon. Liturg. 277,Canon. MS. Liturg. the body the

are representedare pro martyrepro pontifice 255 a ,fol. 143v,John 12: 44

a wingedbobelted 129v isstrikingly similar129v to

are representedare - dog and isinanddog profile.initialrepresented This smallinheadwithsize, round 42,

andt used as a model.usedasa dominicaprima post pentecostem a , fol. 47r,, Luke 4:38 holdingbook Gospelthe specificmouststylized he

animal has pointed earshasandanimalpointed witha infol. - . 34,

the similarlyto dy indyfront with profile raised (figs. 37, 38) 38) (figs. 37, sabbatoIIIIor temp

- two manuscriptsis identicaltwo winged 50, i

n fol.n90r. 148r does 148r

insanctae crucis - - the 50) is 50) with represented 44, feriaVpost dominicam ox MS. Canon. MS. Liturg.

the the symthe

inprof ache. Both (figs. 54, 55) (figs. 54, ilends with that not Animalsare

s dog depictiondog with

, fol. 153v,, Luke and ears and

orum an have wings . bols of the of bols

ilehold its ox

(after

a head i

n fol. n three . The .

- The ing 9, 74 i -

CEU eTD Collection 259 92 wasalsoresponsible for depictionthe of Grgićthinks that "Većeneginevandjelistar"(Većenega' s Evangeliary).Notae artis illuminatoriae. evangelist John 258 ascensionedomini quadragesima in 257 evangelistMar precisely.hasEmanuelarecently veryElbadepictoffereda convincingthe parallel to However, dep the beevangelists cannot or anddepictionthe of evangeliststhedated miniaturefree anatomicaldispositio pupilthe to right,the set inlefthisGospel hand. Mark inevangelistsBoth depictedare uncon madewere by illuminator.same similarto codex.illuminator ofthe theirorganicinitials withrelationshipgeometric the testify they were that Matthewplaced symbols St. on of byestablishediswhich PecarskiBrankaTelebakovićandhere. accepted The obviouslymodelsfromthe chose misplacedare Two theyregardingtext theaccompany which depictionsevangelist symbolsof lacelobea mouth.attacheditsinitialsto fromornament from Three protruding differzoomorphic other .

BrankaTelebaković NotaePecarsko. artis..,58 The notionof differentthree illuminators for figures:human onefor fol.44v,Matthew 18:15 moreprecisely

anthropomorphicsymbolsevangelists the of theevangelist i the vincing body vincing(figpostures. i n fol.n 138v and depictionthe ofLast Supperthe evangelist those those of ,fol. 50v John 8:1 a

in k with two fragments withk two with the handthe of .

differentilluminator worked on the depiction of apostlethe Mark

n fol. n 50v, the codexthe , ictionof

Matthew under the abbacythe under (1170 ofRozana Matth the i n fol.frontallyisn 138vin depicted dressed n samebodyofthewasilluminator thealso that responsiblereveal the for only produced det - (fig.12 feria postiii dominicamiii inquadragesima Last Supperand Last

the ermined (figs. 114, 115)(figs. 114,

a Mark a i t second

n fol. 106r representingfol. n106r Branka Supper. Last the Telebakovićhas Pecarski the heevangelist smallcurls round different illuminator, different whosedistinctivesig -

11 ,

1) 1) byilluminator secondthe evangelistplacedinitials geometricon a . the s

the withlackbecausecomparativecertainty ofofproper material.a one The 119 . sabbatopost dominicam inquadragesimaiii the three Immediatefoundparallels be themto can a evangelistcanaswell more Supper beLastas the established base45v)serve 36r, (fols.ast LastSupper forMatthew wasCanon.Liturg.277 MS.

s , 120 , - quare shape ofhead,his shape quare quarterposition with the Mark Theevangelist John . a i

n fol.n44vJohn and saint )

drawn indrawn the i the n fol.n 106r. Marijan Grgić. «Eleventh century illumination..», 90 ‟ 257

s depiction s i n fol.n 106r was evangelist

evangelist were - 1183).

his hairhisaswell nicelyas the to executed

Matthew secondthe q i 259

, fo , n fol. n 44vandfol. 47v and thirdthe for Mark (B 1614, B 1615)1614,Bpreservedin(B suggests

i to the evangelistthe n fol. 50v whose facialfol.arewhosefeatures n50v

discussed l. 47v, John,l. 4: 5 Theprecise date a the the lastdecadesthe of head

bluero

hebasis comparisonbecausefor not the by different illuminators,byan opiniondifferent Starine JAZU bigbetween distance the

strong that whoilluminator the that i wasp evangelist ,fol. 138v, Mark 16: 14 n is the flowisnof the

n fol.n 138v inBranka TelebakovićPecarski. 258 uarter uarter of beand manuscript created

Theant

r 277.in Liturg. Canon. MS. ly infol. - obably carried out obablyout carried 42,

51 (1962): 49 inclin a i ,the for n fol.n 36r andfol. 45v and feria postvi dominicam iii

the red mantle red holding a bymainthe

47v the the two addedtwo the ropomorphic same illuminatorwho executed ed ‟s twelfthcentury ionofthe

the

twelfthcentury, scribe. reveal hat revealthey to left.the to

his

- drapery 60.Marijan - 20in

the eyes with eyes

bythe the and 75 -

CEU eTD Collection tav.9 bibliographyconcerning fragmentsthe as well as for the reproductionsee 260 on by with facegreen the Johnon contours Christ, iconographyandnearof apostles The them).two isByzantine (fig.12 InVekenega‟s Evangelistary A on repertoryinitials.letterBeneventan ofHowever, bodydecoratedwith the large ofleavesthe acanthus initialthe 188r initiali illuminatorthe andserpent(John:is this3:14) text stem.the Theperic initialis composed geometrica suggeststhatinitial with withbecauseof thearrangementleft lines the text emptyfirstbel byspace otherwisefound fol.In I Unique and furtherilluminator additions. considerableoftimeamount mayofsaintsfurtherbe proo depictionscomparedIinthe manuscript, to resemblance thinkthesame between thethat depictionsthe zoomorphicsymbolsinevangelistsof thebe evangelistary convincinglycanalso Vekenega‟e eleventh/earlytwelfthcodexAcentury 45 NationalidentifiedinMuseumVirginia andby Stockholm as theBrown

miniaturerepresenting VirginiaBrown. "A second ofnew list Beneventan manus the cross (and nocross the a a .

suppedaneum background dark differs from substantially the the apostles set aroundapostlessigmathe the set whichisonlywas drawn 146r 146r ofVekenega‟s evang n fol. 146r couldfol. havebeen146r n 4 ) - Itandcompriseslines in it is text 9 inkno executed of with headdecorativeasasthewell with initials chose throug

ope preceding one the ope andwith ofa

halo)

to present to

hout manuscriptthe vertical stem densely entangled in lace with two snakeverticalin stemlacedenselyentangled two headseach with on sideof ,

is seated the the a scroll a f theythat did not pass didnot i

n fol. 106r there isminiaturewiththerefol. free na 106r Supper. depiction the ofLast certa LastSupper the “ the elistary

made inly(fig. later. 12 added on

on inInhishandlefthis hand. he object holdsan right elongated I a ” -

- samethepage shaped table with three plates with fisheswithplates withthree shaped table rectangular part should part rectangularhavebeen The existing placed there. the left intheside table ofthe three were alsoexecutedwere initialsnakemotifin with

by the mainby the codex, ofilluminator the the here ishere an betweenilluminationthe codexofthe accompanie from . (fig.12

a pointed beard at its beardbasepointed at resemble

the Comm the cripts (II). 2 “ rest ofthe I ) d byd an as ” Thereisit possibility a that - initialdoe that the initial.the libraryBitonto. unal of in 3 MedievalStu )

initial2:1 (Marc also the

Twocrossed animal top headsthe ofat o rnamentalcodex. repertoryofthe

early century that twelfth and EmanuelaElba. «La decorazione...»126, relation to Whereasthe to text. relation the T here ishere possibility a co

not fit not the dies - quarter position legshisquarter with lor membradisiecta ow (1988):584

added (exceptadded tracesof

the words the - 12) mentions 12)

madeby the

on iton category of

260 was formsin “I”

- Asthe . Jesus . 626: -

initiali added lateradded

, In illotempore In

616. herefore, that herefore, that of the ,

a identified main “ the n fol. n For the I late ” a - no initials

“I”

“ I 76 - ” -

CEU eTD Collection Napoli». 265 283 264 199.Further on Jovanka Maksimović. “Beleške..” illuminationsof southernItaly Dalmatia and in Middlethe Ages). 263 262 3Exultet in Vekenega's in evangelistary and those in shewhether 261 iconographyByzantinehefrom takes bread fromthe the not and table ofThisJudas Jesus. placement isJudasthat among i apostlessituated the as isbyinterior fromsuggested hangingceiling.capitals Thethedrapery and h GiuliaOrofino. eleventhAndre accordingcentury to Grabar Vaticanlibrarythe1554) (Vat.gr. scheme Supper Lastof the hand,OnJovanka other the Maksimović isresemblancevaguea does myInaffiliationproposed opinion,the with century. thirteenthcentury shared Salzburg thirteenthcentur aswell as ma BrankaPecarskiTelebakovićhas isapostleinJohnresting represented armsJesus. the of rightthe bodyand is Judas situated who (someofspoon kind as no as

GiuliaOrofino. «La miniaturainPuglia agli ini AndreGrabar. JovankaMaksimović. "Beleške oiluminacijama juţne Italije Dalmacije i srednjemu veku" (Notes about the BrankaTelebeaković Pecarski.“Notae artis..”, 55 SinceBranka Telebaković doesPecarski nuscript written inwrittennuscript Beneventan script, .

not

drapery inperiod. that Miniatura 262

side reallyinhelpdepiction contextualizingthe oft manuscriptsisfeatures probablyWesternto common the the that due and art Byzantine

extending , Exultetrotoli liurgici, manuscripts frommanuscripts Salzburgthe circle of

infact

of the tableofthe with Les manuscritsLes grecs enluminésdeprovenance italienne (IXe in 265 , ies 3

wanted to

- the front, front, the

Pisa Exultet . Exultet Pisa 4(1990 (fig.12

(W. 33, Walters Gallery).(W.33, Art She,howev both hands both take to the ? ) with ) Judgingbysimilarity the of at center the similarity - 1991),21 5

find ) infol. there a Thecompositional isverywithscheme similar thesome differences: table 469

piece of bread on it and he isitpieceandbreadreaching he on of parallel

hisarms - 261

476

are - Itis . 106r 106r shown

between the facialbetweenfeatures the characters.of the 32,28, n. 51, the

of the tableofthe among Finally . s

knifescandleand not

with PisaExultet 3 havesimilano

in ofprobabl covered

elaborate

263

that facialthe figuresthat featuresmay ofbethe with compared the the depiction of the Last Supper indepiction the Supper manuscriptLastof Greekthe a . the zi dell'zi secolo:XI Omiliariol' BVI 2 dellaBiblioteca Nazionale di

, elongated

she dates the miniaturethe she dates hasverya offered parallelconvincing 264 - n evangelistaryVekenega‟s to accordingalthough the 57 PisaExultet 2,since the ornaments ondepiction the ofLast Supperthe so following

. - or in or

calledBarb.2724)Lat. VulturnensisChronicon (Vat. Salzburg manuscriptsSalzburgand and his and on e Capuan e originexecuted ornaments manuscript theproposed the object

Emanuela Elba.«La decorazione», 126, n.69 sticks the

Prilozipovijesti umjetnosti hesinceSupper, Last ofonlythe point legsplacedon late eleventh/earlylate century to accordingtwelfth

other apostles other from

on iton s er, er,

he also mentionshe also rit comparisonwith illuminationfrom ies emphasizes , Jesus. - .Compare the XIe). to

across the table to pass it theover across to table

the lastdecadesthe twelfthofthe apostleshavehaloes a

Paris,1972, nr.37,65 Thea isHe shown . suppedaneum the greatest the in

the that the resemblance to that resemblancethe to postle Peter ispostle on Peter situated

Chronicon VulturnensisChronicon u Dalmacijiu the late the/early tenth illustrations

a PisaExultet 3, is it notclear

the parallelwith to

similarityfact isthe

twelfthand the compositionalthe

. Toleft,his the . leaninghis with 21(1980): 190 in in the - 67,tav. 68, fig. and .

Pisa the the held the - a 77 in

CEU eTD Collection bigplatewith meat ribbonsonceiling, the fromapart plates with fish on the table inVekenega‟sas evangelistary, thereknifes, are plates and 269 CalderoniMasetti in 268 267 in Churchthe ofSant' AngeloinFormis 266 with barswhic cross ofthe isVekenega‟shaloa Jesusevangelistary,without represented MaksimovićBoth haveandfact Pecarskiinoncommented in that the that Supper depictionLast the of table. as interpreted actbealsothe but ofJudasactblessingthe on of pointingthe to iswho onlyasthe apostle represented infigureof Judas who on depictionsboth armsthetowards lessalthoughofJesus, obvious leftintheside position quarter tableholdingof threethe a apostles inthe is Vekenega‟sSupperevangelistaryinincludedthat Lastof and depictionthe the chrystological cycle ismoreThereeleventh oneSouthern Italiancentury depiction parallel the to apostles. ischaracterssincethe is leaningdifferent representedJesusnotamongstJohn on not is Judasandthe SupperLast the modelingthan with t inwellas visiblemanuscriptisintablethecontains onthat Naples firsthalfthe of inwritteninand Beneventan preservedlibrary Nationalexecutedscript the2),in B NaplesVI (MS of Maksimovićpointed hasout also that dependency,Sa isinapostlesamongst the present hatfeatures stylisticSupperZadaroftheLastthe coincidemorewith classicalByzantine soft

There otherare differences: scenethe Seeillustrationthe ofLast Supperthe as well as description the of Exultetthe dated JovankaMaksimović. “Beleške..”, 192 On the backtable)thethe aswell side of as the the

the

Pisa Exultet r Exultet Pisa shown frescocycle San Angeloin inFormis see C miniaturein

the shallowshell

, the ninAngeloFormis. without haloes without

. wasmade

thefront hastableornamentson (in the Vekenega‟s evang Exultetrotoli liurgici eleventhcentury. oll2. the the h Pecarski relates to examples fromhPecarski to parallel apropose They art. relates both Ottonian the lateComneniean linearstyleandhasfinally sheminiature the of concluded that 268 Osor evangelistary Osor

Pisa Exultet PisaExultet at endthe at of -

shaped baldachin above the headsbaldachinthefigures. shaped hasabove Maksimovićofthe stated (fig.12

sitting .PhD, the inPisathe Exultet Roll is set in . , 162, , 151 8

266 ) (fig.12

fresco depictingfresco Supperin TheLast around t around Thescenesisgeneral identicalcompositionoftwo a

a (fig.12 Princeton, 1967 r similarexistsdepiction inSupper Lastof the the oll fullWithcanfigure. hismakeshand Jesusright gesture that a is same eleventhcent - 7 157 infol. harles ) seated on the rightside Jesusthe on seated table, ofandthe opposite to hesigma 6 She . )

ly foldeddifference Thedrapery.biggest .I. Minott.

than in the scene ininthanscene Vekenega‟s the Evangelistar 53r where 53r Jesusisidentified also and with cross a mentions that .

- shaped table and Jesus isseated table shaped Jesusrepresented and ury. a plate withbreads fish, plate astwo knivesand sc Theicono 267 roll inlefthishand.rollleaningJohnis an

together

interiorwhich suggestedis by bar anda two

the would adddisposition the that also of graphyofthe Fre differencebetween

with to the

elistary they are alsopresentare they elistary 1059 the of Monte Cassino Monte oppositeside ofthe - the horizontalverticaland 1071by RosaAnna scoesof Lifethe ofChrist Last Sup Last a

manuscript 269

the with

concerns the per in per two scenes two

the y.In on

78 a

CEU eTD Collection 272 centuryeleventh illumination…”, 93 271 270 (fig.129 fol.In used.were prototypesthat SouthItalian Vekenega‟s evangelistaryto decoratedExultet rolls lightmay on pos shed the are Thed d The Supper Last andMarkdepiction the of St. becauseparallelsclosest the for Asthe products.(Capua) influences Unlike B2. Naples VI the identificationinTheFormis.halo no ofandJesuswith cross a andB2Naplesis VI Judas s Apostlesaroundrepresentedseated are sigmathe culturalfromthe circleprototypes theBenedictinewhich drawn,the were Italy.of circleSouth Allthe roll 1554)Exultet andin Vat.gr. which,opinion2, her feature that manuscriptCassinese Judasgesture ofhanding Christcan bread the to convincinglyin scenecomparedbethe to by Emanuelaasanother feature Elba thisproofregardsiconography the sceneofthat the halo. Grgić. alsocontainsB2) with depictionsof Christ halo.no

EmanuelaElba.La decorazione fols.On 63v fol. and 90r, reproducedMyrtilla in Avery. “A manuscriptfrom Troia…”,figs. 1,5. Marijan Grgić. “The BrankaTelebeaković P the the a constantfeature in decor the

ecorated “E” forecorated beginningthe textof the of

ecoratedofbeginningfor“E” the 271 115v Gregorianreform se 270 )

Thus, parallels to depictiothe parallelsto The letter isThe letter formed semi by two , t

dating However, However, mentionfailedthey to th isabsent he in executedin

Vekenega‟s evangelistary there is“ Vekenega‟slargeaevangelistary there depictionof there maythere be

of the miniature theI of

from all other representationsfrom (NaplesB2, all Supper Pisa LastofVI other manuscript the ecarski.“Notae artis..”, 54 created the since the motifsincethe

“

I the ” eated earlycentury twelfth are - ,127 a possiblea

the initialso

during

Last Supper Supper Last with n of the Last SupperLastin the nconvincingly of evangelistaryVekenega‟s show

- Stockholm ationof among 128 would

the abbacyOderisius,the abbot of the fevangelistaryVekenega‟s that Apulian isChristian.Early

Bitonto ( manuscriptBitonto the apostles as in1554apostles the as Vat.gr. or the opt for indatea opt the the - a

curved structures that intersectinstructures middlethat thecurved containand - hasparallelsin

55,Jovanka Maksimović. “Beleške..”, 196 fragments) cross and no halo,no and cross Exultet Exultet text. Theletterscomparison in ofthese decorated at the at Exultet and prototype for depictingforwith andChrist cross prototype theno a

- permit shaped table without haloes inshapedaswithout table the previously Exultetand revealsthe

cariedout such E” comprisingfull lengthE” the page. of the

the

She symbolicout thehas pointed that the both Apulianboth Campanian(Bari)and the previouslythe mentioned a earlytwelfthcentury

hasparallels monogramforVD mentioned something conclusion.

influenceof the

bysametheillu the monogramfor VD chieflyreflect Mazarine,364 MS.

HomeliaryNaples from (VI recognizedbyMarijan in

ininofJesus depictions

the fresco infresco Angelo theSan the .

Gregorianreform. minator who didminator the

the the the

Apulia was Pisa Veredignum similaritywith Veredignum

the influenced ,which is sible Exultet 2, Exultet n

272

79 a

CEU eTD Collection 277 319 276 275 274 273 monogram). (inVekenega‟s evangelistarydepictionthe ofChrist inpresent Vekenega‟s evangelistaryseparasas thewell 134 133, (figs. fromt illustrations”,of in ThelambrepresentationtheChrist of by surrounded the depictionof lambinisThe depicted profile The infirstofhalfNaples executed and the of onlyinSouth one Thesubstitutionmonogramfigureofinsidewith the lamb oftheChrist a Christ ofbirdheads biting monogramisThecreatedbyquatrefoila structure flankinginner but theheart human juxtaposed headsat extremitiesin theas in letter (not profile of Vekenega‟sthe evangelistary in movement, but dogs entangledinlacescreate which interlac midd in letter Theparallelclosest is profil birdinmotifs movement, ofdogs heads interlac and T

heremonogramwordsforis a VD the Exultet rotoli liturgici, illustrationson 113, 331, 404 Exultet roto ThomasForrest Kelly. Exultetrotoli liturgici Exultet.Rotoli liturgici - 324,description by Antoniad‟Aniello, 393 Veredignum le. e set on the upper and lowerandparton letter.upper the set eof the - hetwelfthcentury and Exultets the lamb.the ing

(fig.13 the

pattern, unlike pattern, Pisa Exultet issemi PisaformedbyExultet two 277 li liturgici,li illustrationson 107, 325, 398,description by ValentinoPace, 101 the , described , , 13 ,

Thequatrefoil form of 0 275 Christ )

monogramin Thelettershaftin ofthe Italianroll, Exultet 5

such as Vat.lat. 9820 executedsuchat9820 theasVat.lat. ofend ) at at , , illustrationon 315, description by Orofino,Giulia 313 Allthe , , 163 The ExultetinSouthern Italy with - the laces.middleInthethe structure is there circleofathe with representationof a lambinevangelistary. Vekenega‟s thee arethee

by Thomas Forrest Kellyby Forrest as Thomas

. what is foundis what

- the decorated “E” decorated the se shaped letter ofthestructure the

Exultets alsoExultets . It .

a the birdheadss and

Salerno Exultet moredynamic holdshalo,haswhichnoand identical features cross a theare to

Exultet Exultet Veredignum the Veredignum - 396 inVekenega‟sletter structureevangelistary the where of the is

Exultet 2 fromExultet Mirabella Eclano, the the r . contain oll is formed by two c ollformedisby two

twelfth cent twelfth inthe .New York,Oxford: Oxford University 1996:Press,129 . PisaExultetis in divided

- curved structures that curved structures that

imilarlyto effect. effect. r

oll i a

n fol.n

monogramwith Pisa2 Exultet variantsof ing - dense interlacdense lambinsidein separated isthecircle a created the

The l The pattern ation of Christ inChristation an letter insideof theform oval

symbols of 117r ofVekenega‟s 117r evangelistary “ uryprobablymostin Benevento. Exultet E

Vekenega‟sevangelistary ” etter etter ).

inmiddlethe thirteenthof thecentury. s

the the

as well as the motifashumanthewell in ofheadsas “ r 273 ing urved linesurvedend that olls“thecycleshowingBenevento E quatrefoilformof - 13),3century, tenthI (B Cas.724 314 the ” , (ca 1059 (ca , Christ Christ

only pattern and pattern enriche in .

to four evangelistsfour foundcanbe the Veredignum

compartmentsfilled with meet not intersectin meet the separated held Pisacontain Exultet - 106,description by Brenk,Beat - 1071),although the

inlibraryNationalthe

inovalan canalso Veredignum th

in can be foundcanbe ere

d with motifs with d animal heads.animal 274

. are

(fig.13

. (fig.13

two s nos

1 an 276

) 2 80

)

CEU eTD Collection Neven Biserkaed. Rauter Plančić (Zagreb: Galerija Klovićevi 2006),dvori, 185 byNikolaJakšićin theFor descriptionand the relevant literatureon the reliquaryArontiusof St. (Tw estoria letteratura, 205:275 Calendarfrom Naples: LostThe 'Kalendarium Tutinianum' Rediscovered»in calendars(with MS. Canon. Liturg. 277 included)andBeneventan martyrologiesVirginia Browin Comparethe analyses of saintsin medieval Naples calendar withNeapolitan sources, Capuan calendars, Beneventan Pelagia St. virgin, St. Ignatius). various in Beneventan calendars andmartirologies (St.Basil, St.Mary of St.BatholomewEgypt, apostle,the calendarthat Grgić has labeledEastern andassumed that they were not 218 283 282 281 VitoloandF. Mottola. Cava, 1991:457 Scrittura eproduz 280 279 278 monBenedictine inhalf second the of depictions Arontiusofrest Twelvebrothers the and of Holy (especiallymade veneratedin Benevento) calendar Apulia.Theinties betweenZadar and Benevento fromBenevento contemporary ExultetMirabella Eclano Unlike in beenExultet the that suggested Apulia originated influencesofbecause PisaExultet the Thesimilarity of (such cross as Bari 1, Benedictional,2) Barior Exultet depictionsChrist of manuscripts traditioninherent inproduced to Itdiffers from Benevento. lambas(depicted inVeken it Thus, out turns that of foundbein Ex

For listthe of saints included incalendarthe of ThomasForrest Kelly. Exultet rotoli liturgici, descriptionby RosaAnna Calderoni Masetti,151 GiuliaOrofino. “La decorazionedei manoscritti pugliesi in beneventana dellaBiblioteca Nazionale diNapoli” in Exultet rotoli liturgici, illustrationson 138, 149, 207,185 Exultet rotoli liturgici, ill the - 249.As Grgić statedhas only feast ofthe Barbatus St. points toBenevento. However, those Budak eleventhcentury. the inthe

MS. Canon. Liturg. 277Canon. whereMS. Liturg. certain deco . „ Was cultthe of BartholomewSaint a roya with the

ultet 1 from1 ultet Mirabellain probablyinmostmiddle that Eclano Benevento originated the ionedocumentaria nel Mezzogiorno longobardo MS. Canon.in andMS. Liturg.277 silver the reliquaryof

Prvihpet stoljeća hrvatske were presentwere side inby side astery of St. Mary inSt. Zadar. asteryof the Troia1). Exultet

Vekenega‟sevangelistary. enthroned the decorated “E” decorated The E the - 278 ustrationon 309,description by Orofino,Giulia 303 361. eleventhcenturydisplayed andinexhibition in art permanent aof sacred the r quatrefoilin evangelistarystructure Vekenega‟s separationofthe Christ and

oll 2 fromollcontains Benevento that 2 (fig.1 xultetinSouthern Italy ega‟s evangelistary) in a separate framein separate a monogramega‟sevangelistary)inside to the point

inherent Exultet andto Benediction 3 - 488:460 6 279 ) inthe

displays umjetnost(First five centuriesof Croatianart). Catalogueof exhibition,the the .

Exultet Exultet to the the Veredignum 283 the MS.Canon. Liturg. 277 see Marijan Grgić. ,131, 132, 8

The a mixtureofa Campanian Apulian andit andhas traits

l option l inearly medieval Croatia? late eleventh late /earlyfrom twelfthwith century those the

question 280 those in those

eleventh century are, to someshownin eleventhto century extent are, a , but also but in, Capua rated initialsrated .Atti Convegnodel internazionale distudi. Eds.G. .

monogramswith depictionsofon Christ common should - Pisa Exultet 2 also2 Exultet Pisa 187 a

- depiction of Christ the lambthedepictionChrist nearlyis of 157 . For . c the TerraSancti Benedicti

. - r

reveal beinfluencesthe raisedwhether in 305 olls produced inolls B produced elveHoly Brothers)see acatalogue entry

the head of St. Arontius, headofSt. thewith the .

Veredignum West preciselyare thosefeasts found onnectionswith Benevento see also 281

older prototypes older

and “

in reflectsvarious

Monte Cassino Monte feastsincludedin the Theman ofmany devices, Časoslovopatice Čike, n. «A newn. Beneventan . Roma: . Edizioni di

monogramswith ari (Bari Exultet ari(BariExultet

the St.Margaret,

282 spheres .

the its

CEU eTD Collection pugliesi…” VitoloandF. Mottola. Cava, 1991:457 Scrittura eproduzione documentaria nel 287 The Beneventanscript 286 285 monasteryof St. Clare inKotor. Virg Marcum 8:1 284 CEUPress, 1999:241 who 277 (“C”Liturg. in ismentioning doubleIt worth also that formspointedletter in “A” usedrepertoryornamentalthe the of featurewasinitial,used a decorationthat throughout the ofVekenega‟s evangelistary. alsomanuscriptemploys set depictedasrect busts a characters on 6. BNaples,VIII paral a are letter veryletterthe in to similarthe evangelistary. Vekenega‟s hasEmanuelarecently Elbaoffered Thed provenance it 394, wi fol.In andLiturg.277 Canon. K. 394),parallels other Although,all at andeither are of text composed ismonogram, smallquite initials,Thenumberisofthat other Otherinitials elements itappearance Typologically

th bird heads with hooked beaks. A birdhooked heads th with lacesthe theywithsimpleinitialsor are decorated Vekenega‟s evangelistary Vekenega‟s GiuliaOrofino. “La decorazionedei manoscritti pugliesi in beneventana dellaBiblioteca Nazionale diNapoli” in On basisthe of paleographical evidence, A.E.Loew has EmanuelaElba.La decorazione, 125, tav. 6 c S.N. iniaBrown. wandered ecorated “A” ecorated in

lelwith 7v

canconvincingly also be to compared (Cod.I,formerly Kotor in in the monasteryof St. Clare), saec.XI in,folio, 1 Homiliary (Haymo, Homiliain were handledwere . there isthere

- , the , 9andOrigenes, Homilia 4 inMattheum, (Mt 7: 15

full manyfull ways Festschrift... : inhonor ofJános M. Bak.

these initialsfirstglance these at displays , MedievalStudies

a the VD monogramBeneventoVDis the affiliated to

decorated “A” decorated Cod. I, now in Cod. now I, London infol. 285 a decorated initial withdecorated a“A” topped - , 77,, 151, 355 249.

Thisissinceverya interesting parallel this the artistic ties with Apulia.Perhaps,tieswithartistic this freedom in particular

and byand 81v and “A”81vand London fragment isfragment Londononly as

would (f 40 (1978):40 254. The photo offragment the takenin1987 preservedis inthe Franciscan ig. 137) ig.137) . simplifying them is what can be labecanwhatissimplifying them

from of intof - 488:464

Mezzogiornolongobardo

, be expected in anexpected be evangelistar

other other than infol. manuscripteleventhcenturyan e part from comparison part withthe rlacing are foundarein featureslettersas decorated

- inthe - d mostly 465.Furtheron Giulia Orofino. “La decorazione dei manoscritti .

85r).

an pattern

T “ might he McCarthyhe collection. I initialin“A”fragmenteleventhof century anKotor resemble Zadar eleventh century manuscriptsZadareleventhcentury(MS. resemble (fig ”

- datedthismanuscript initials, drawn

. s a

14 an also be mentioned.alsobe 21) in bright stylizedfloraland pen ornament strokes. .Atti Convegnodel internazionale distudi. Eds.G. 0 elaborate stylized foliageelaborate ornament

, but the structure and but structure the ornamental, repertoryof )

the

but Eds. decorated

color eleventhcentury initsornamentation general and BalázsNagy andMarcell Sebők beled y.fifteen Theyto comprisetwo lines angulargeometric “Beneventan” tothe the sandbird heads sometimesbiting held the 284 letter“A”

“

eleventhcentury. See A.E.Loew. inlibraryNationalthe of E

Dalmatiancontribution? (figs.137 ”

for Exultet and Exultet for

inthe 286 the way the infol.

hagiographic -

287 139 MS. Canon. MS.

56v of K.56v of )

various .

Budapest : flanked the

CEU eTD Collection fol. O, 122r f 288 “I” basecan,petal example,for“ribbon” double and ornament (fol.manuscript131v inboth ink Smallinitialsin Exultetofusedthetext the in“F”resembles shapeornamental and repertory largewithinvertical alace stem entangled enriched andbir with birdmotifswithout (ff 103r head from Apart ol. 119rol.

fol.116r infol. motifs , - O,H,H

- 121v of MS. Canon. Liturg. 277.Canon. MS. Liturg. 121v of - I,F,I,P, fol. 122v E, G,E,L, fol. 116v the the a , MS. MS. le initial “A”, ininitial“A”,evangelistary Vekenega‟s are there two fol.119v tter “C” tter Canon.andwhichLiturg.277 K. 394, - T, fol. 180r T, - M,I,S,Q infol. - -

Q, U, Q, P,fol. 117r M, R, M, f - E, 105r E,

, f 15r and 15r ol. 123rol. ol. 120rol. - S, fol.S, 180v - A,114bv - N, P E, - a - A,A,C, V, H D,S, letter“F”

288 .

- -

G,D,fol. 117v are typologicallysmallin identicalinitialsto outlined red P). P). A,181r the Them previously infol. , fol. 120v fol. ,

initial“C” - D).

issimi 152r a 152r - Thed be T, Q,T,H - D,P,H, fol. 121r convin infol. d heads. The upper part part heads.Theletter of upper thed swell ecorated“T” lar , f ol. 118rol. entioned letter“F” entioned

for other initialsornamentalin the cingly compared to compared cingly other

31v of K. 394. K.31v394. of asa -

H,H,H, fol. 118v

interlacedinitial fewinitialsinterlaced - A,5 F, O,x fol. 121v infol.

131vwith

infol. the - H, N, O,H,O, N, O s

decorated

with 152r is 152r - S, O,N, S, a three bird 83 , -

CEU eTD Collection Hrvatskogarheološkog društva according topaschalthe announcement possibilitythat manuscriptthe was executed in1070 Nicholas,which means that manuscriptthe was written for the Benedictine Osoris mentioned.In the of text Exultet 290 105:96 relationship).in provenijencije Segnoetesto Hrvatska,2002: 311, opaticeČike Mon dell’abateDesiderio. Manoscritti Cassinesi secolodel XI 1987:24,Giulia Orofino. “L‟eta‟ dell‟abate Desiderio. I codici cassinesi 191, 339, 453,99, 571,108, 144, 520”. Catalogueofexhibition the inheldMuseum for Arts andCrafts 30. 06. ArchiviodiStato, 1986: 199 liturgici diPuglia arheološkogdruštva (1980):21 190 (Notestheabout illuminationsof southernItaly andDalmatia in Middlethe Ages). Letteratura, 1980,vol.2, 163, Jovanka Maksimović. "Beleške Minuscule Croatian PhilosophyBelgrade, in 1965: 70 (Beventanscriptoria and 269 94: 45 (Unusedcategory of Dalmatian historicalsources from eighththe until the twelfthc.). 1946:151 205 announcementon the Epihanyday Osor in andSplit). objavljivanjuUskrsa danBogojavljenja, na Osoru na 16.V.Novak. “Exultet osorskog evanĎelistara” (The Exultet of evangelistary).Osor‟s Dva beneventanska priloga 65,74,152. F.Ehrle 1913., EliasAvery Loew. Revuedebibliothèqu Missale Romanumim Mittelalter 289 identifiedas the evangelistary Osor evangelistarywell asas madebe sametheliturgical theand genre same approximatelyperiod to factVekenega‟thatThe evangelistary, 278 qu. lat. theol. 2.4.2

Osorprovenance of manuscriptthe is visible fromfourteen MS.On Borg. Lat. 339 see A. Ebner.

- - possibility that itpossibilitywas that 353:335 210. H.E.Kantorowicz, tecassino:Abbazia diMontecassino, Universita deglistudi diCassino, 1989: 19 . Vekenega‟s Canon.61). evangelistary,Bibl.Lat. (MS. - 55.Marijan Grgić. “Najstarije zadarske note”(The oldest Zadar notes). - 97

Studies - .2 edition nd prepared andenlarged by Brown.Virginia vols.2 Sussidi Eruditi33, 34.Rome: Edizioni diStoria e oftheirpictorial decoration

153.V.Novak. Neiskorištavana kategorija dalmatinskih historijskih izvoraod osmog do dvanaestog stoljeća”

(TheBook Hoursofof abbessthe Zagreb Čika). - 4(2006): 107 350.Branka Telebaković Beneventanski Pecarski. skriptoriji slikarstvo i Dalmacijiu od 11 - - vezateksta islike” (Sanctorals of Dalma coming out comingof out 199:194 Hagiologija/Kultovi u kontekstu

9 .Eds.Gerardo Cioffari, Giuseppe DiBenedetto al.etBari: EdizioneLevante, - 10(1969): 41

- e 7(1982): 201 P.Liebaert, E )

vol. (1902):12 41 manuela Elba.“La decorazione codicidei beneventana in dellaDalmazia XItra eXIII secolo”. held and -

the paintingthe inDalmatia from 197,AnĎelko Badurina. “Osorski evandjelistar” (O TheBeneventan script. history A ofthe south Italian minuscule - 147:129

- the inlibraryin executed Vaticanthe 1070 and 232:213, Igor Fisković the Laudesregiae. study A inLiturgical Acclamationsand Me produced inproduced the

7(1982): 201

Freiburg) i.B.1896, 153,308, P.Cagin. “Le manuscript latinM VII,2 deMusée Borgia.” the samethe scriptorium - Berlinevangelistary - Specimina codicumlatinorum vaticanorum, 132:78 Osorevangelistary 77,Marijan Grgić. “The EleventhCentury Book Illumination Zadar”. in - 205,Giulia Orofino. “Gli Evangeliari beneventana in diBisceglie eBitonto” in

- 132,Rozana Vojvoda. infol. infol. - Iter italicum - 73,F.M. Bannister. 82,

and the most andthe -

EliasAvery Loew. 205:203. 59r.AnĎelko Badurina.“Osorski evandjelistar” (Osor Evange

the 58r,58v there theis prayer for the abbotandthe congregation of St.

Osor scriptorium. Osor (Hagiology Cults in context)./ Zagreb: Leykam international, 2008.: 89 Berlinevangelistary - 1071as well as in1081

iu Splitu” (Two Beneventan contributions tothe paschal ( Romaničkoslikarstvo VjesnikHrvatskog arheološkog društva Quellen Forschungenund zurGeschichte und the tian manuscriptswritten inBeneventan script

. . Catalogueofexhibition. the Eds.S.Adacher. Giulia Orofino.

come (MS. Lat.339) Borg. (MS. so this idea remainmustso this eleventhuntil commonly “ - MonumentiVaticani dipaleografia musicale latina. oiluminacijama juţne Italije Dalmacije i u srednjem veku" Sanktoralibeneventanskih rukopisa dalmatinske thcentury Laudes Hrvatski Zadar: drţavni arhiv, Kršćanska sadašnjost, Matica

The BeneventanThe script. AHistory of Souththe Italian from Zadar, while the Osor provenancefrom whileZadar,Osor the of

– 290 15.10.1987. Zagreb: Muzej umjetnosza

the used used

, However, no However, products other

, monasteryNicholasof St. inOsor. The

permits uHrvatskoj sor Evangelistary). the - thirteenthc.). Ph.D. diss,University of and

1081was bygiven AnĎelkoBadurina 2 RadoviInstituta JAZU u Zadru nd “

in fol. in

- “Berlin I edition(Berlin 1071 or 1081 or 1071 the ” Prilozipovijesti umjetnosti Dalmacijiu - - initials.Vekenega‟s

- 102: 22,Marijan, Grgić. a moreprecise a comparison

RadoviJAZU Zadruu Osor evangelistary Osor

similarities 59vinwhich Michael the bishop of

diaeval Worship.Ruler (Romanesquepainting inCroatia). a hypothesis. a .Oxford: ClarendonPress, 1914:

evangelistary”(

N.S.15 (1928): 191

ArchivioS.Nicola, di IzdanjaHrvatskog - Leipzig),1927, p.xviii, no. - 1082 gives1082 to rise

- Kunstgeschichtedes an textand image d differences d

- 13

Journalof -

listary). 289 3(1957): 39 togveka havebeen

Časoslov 12

MS. MS. Berkeley,

L’eta’ belong to -

t iobrt, t 13(1965): Lipsiae, - 201, Icodici

Izdanja the to to

84 -

CEU eTD Collection 292 291 examples. in produced Benevento The wasthe substitutionsno of In for however,preventsreachingus the issuch itinfoundunlikelyispracticea only the that once accompaniesread pericope the 14 Missal representationof exceptionis ofbust the the T evangelistarycreated. was that initialstypethis ofw afor rectangularpart upper triangular rectangular stemupper the and or part display anomaliescertain as decorative variouscontain m neverwhichextend formsstylizedfoliagefloralwithand ornament handlingof evangelistary. ofdate evangelistaryOsor‟sThe earlier in canbe traced skill initialsto the aswell as Geometric healmostalwaysareevangelists depicted throughtheir anthropomorphic zoomorphicand symbols any

1 MarijanGrgić. «Eleventh century illumination..», 80, Emanuela Elba,«La decorazione..», 143 GiuliaOrofino. “Gli Evangeliari…”204, 11 note the Sanctoral evangelistary Osor ) ed Veredignum AccordingGrgić Elba,andto uch morevariants uch Osor evangelistary Osor

of Kotor provenance Kotor of ill

usualin practiceevangelistary. Vekenega‟s uminator and itandwas uminator

the

human ofheads,knots decorative “ the I

”

in are accompanied byaccompaniedofmutilatedmanuscript,are evangelists. state The depictions of - “ initials, I geometric elements in elements the Vekenega‟s evangelistary Vekenega‟s ”

Luke Luke - monogram initialsinasbusts depicted evangelists with anthropomorphic depictions or symbolsanthropomorphicevangelistsdepictionstheor of down , as inas , “ the evangelistthe with stylizedisfoundhairbeardin and also . Luke while

I They ” , as farasas canbefrom , discerned t as through the wholeintheTheseinitials page. through evangelistary Vekenega‟shave

- “

initialscomp I a ” h the

- in the evangelistthe represented eld theyextendrelatively are , small or a not wellestablished the

initialspartwithin upper (flanked the

for ornamental repertory missingornamentalfromrepertory Vekenega‟s evangellistaryVekenega‟sp Apulianevangelistaries ofBisc

in decorated “E” decorated of

a 292

the feast of St. John the Baptist. Although,feastofJohn St.the is Baptist. the valid a thisargument, displaywithmanuscript us abundant

the finalconclusion.

the bust actuallybustthe JohnsinceSt.it Baptist the represents part BerlinStaatsbibliothek rised ofriseda . However, However, . . This freedom in handling the forms, in freedomforms,inmy. Thishandlingthe opinion,shows .

an form s , bird , headsinloweroccasionally and part), the dogs interlac

verticalstemand the in

the the Exultet differs to aExultetdiffers certain fromto Apulian extent ing infol. Osor evangelistaryOsor illuminatedbyless was a a scriptoriumVekenega‟sawhere manuscriptandall that pericopes in other the he presentstate manuscript, of the e pattern that sometimethat pattern e oints to to oints

35v of the manuscript.35vSuch ofathe the ( eglie and Bitonto. andeglie Ms. down Osor evangelistary Osor comparedcanbe ,

the

topped with topped for examplefor

the Lat. Fol. 920) Lat. birdhead Osor‟s evangelistaryOsor‟ssuch as the through wholethrough thethey page, e traditionof

ofgold asVekenega‟s regular, almostuniformregular,

for “ for motifsbirdheadsandof , an

the substitutionofthe . 291 the s flankverticalsthe I interlac ” infol. the

initialswhich , The only twelfthcentury Exultet Exultet rolls

108v. ing there arethere

pattern pattern

(fig. (fig. a

i 85 n

CEU eTD Collection 297 296 caelorum 295 University diss, of Philosophy B in Dalmacijiu od 11 candleand depictionthe o depictionsthe of Christand archangelsshould be interpreted as 81.According to on 294 Borg.MS. Lat. 339(Osorevangelistary). Compare evangelistary),Canon.MS. Liturg. 342 (Missale Ragusinum), Berlin, Staatsbibliothek: MS. lat.fol. 920 andVatican library: 293 inscenes, Christ andMajesty fourangels angelsheads other in withto thereduced Theand haloes arefusion background. theof two representing Christ Inthe rolls Exultet suchas depictionin ofChrist andMajesty isThesecond example caelorum andrep angelstwo ineachsidestandofon him is30337,Christ andaadd. on thronemaking holding represented book a signofblessing,thewhile flanked but byOnroll a angels. of r Th celorumturba manner program of holdingglobe/orbawith the base decorated The candle. andEaster the includesDalmatian examplesomethat centralof the depictions In ollsbyaccompanied

Seeillustrations in Exultetrotoli liturgici Grgić suggestedhas but elaborated not the According toMarijan Grgić, orbthe witha cross represents «a oflump wax known as «Lamb the of God» tobeblessed There fourare Dalmatian sources for the e words words e ArchangelsandMichaelholding Gabriel poles/tridents andMichaelside right theof Christ on

whole scene iswholeprecededbytitlescene the EasterVigil and taken byhome faithfulthe as protectionagainst misfortunes. Marijan Grgić, «Eleventh century..»,

Troia Exultet evangelistaryOsor eated timeseated three .Marijan Grgić, «Eleventh century..», 80, the precedingthe title . 296 Lumen ChristiLumen the

(fig.14

. BrankaTelebaković thePecarski orb is actually

295 - (which can also be(whichas regarded canalso SouthItalian Exultet 13

- togveka Exultetrotoli liturgici enthroned R 3 the , 253 , ) f a deaconf a in a marginalspace. Branka TelebakovićPecarski oll1 a 293

the depiction of Christ in ofdepictionChrist Majesty, . The . Bari Exultet I and I TroiaBari3. Exultet Exultet . (fig.14 an

infol.

(Beventanscriptoria and the paintinginDalmatia from eleventh until thirteenthc.). Ph.D. preceding ofthetext the Exultet , t Lumen Christi Lumen Exultet Exultet inscribedcross. he

elgrade,1965: 77.Further on Branka Telebaković Pecarski

the

scene that followsis immediatelyscenethat afterwards withinleftholding hisraisedhands,cross hand.flanked ais He by two words

53r we findwe illustration53r anof 2

angelica turba caelorumturbaangelica ) the

the Monte Cassino Monte r on factthe oll I fromollwhich I Troia, in iconographicalfusesitsprogram the r ,135,183, 433 Exultettext:Oxford, Bodelian Library: MS. Canon. Bibl. Lat. 61 (Vekenega‟s olls, ititturnsprobably most olls, out that illustrates

Lumen ChristiLumengratias deo angelica an Lumen ChristiLumengratias deo

and

Thomas ForrestKelly. ofadoration. act foot 294 that the miniature depicts the

- a Ifcomparewe scen the

note 99 note turba caelorumturba

“E” letter“E”rotateddegrees) 90 withand busts ofChrist . firstwords followingof the text

origin partof the .

a a patena andthe tridents candlesticks.are She thinks that Christ who is not surrounded iswhoChrist not by evangelists preserved inLondon preserved

297 points to Apulianto points pa mayfoundbe Lumen ChristiLumen

the 145 (figs. 144, The ExultetinSouthern Italy liturgicalceremony signaled by paschal the , similar , inthe

are writtenare below scenethe Exultet text Exultet text a

and the miniature that followsminiature andis thethat a reducedversion of

e with e Exultet Exultet ly

Beneventanskiskriptoriji islikarstvo

inSouth Italian two Exultet to some Apulian to other

isin letterswritten capital the , 14 , the whichis

r at the at ollsdeaconthe suchas Beneventanskiskriptoriji angelica turbaangelica rallels. However, However, the rallels. 6 iconographical ) Exultet iam angelicaExultetiam

the the

Britishlibrary, insimplifieda

,8 the onlythe angelica turba - 9,78.

CEU eTD Collection indicatedbut notelaborated 303 openandthe Paschal candle 302 301 300 299 298 po to Pacehasstated evangelistary. Osor This parallel with positionbodyhishisandof holdsthe inclinedis body towards lefthand indressedliturgicalwith garments at evangelistary, more figures)candle two and containsfiguralthe illustration ofExultet text identified possibleCapuanorigin, Emanuela inaboveroll of headChrist the offeredby Bari BrankaTelebaković wasExultet 2 Pecarski and of hasLibraryasbeenrecognizedbyalready Marijan halono andhas parallel factChristthatThe (Naples:Benevento library:INationalfrom Exultet MirabellaEclano). Cassino rowin first scenes withpoles/tridents, frontalrepresentationarchangelsofthe astheir well representation as

the samethelevel ssibilitymodel for deacongesture ofthat maythethe found beinscene the a The parallel According toThomas Forrest Kelly ValentinoPace.“La decorazione”, figura 21, see alsocriticalthe analyses of Vat.lat.10673, 414 BrankaTelebaković Pecarski. seefoot Seeillustrations in the liturgicalthan rather ceremony verticalhorizontalbarsand with

(Vatican library:BritishBarb.Lat.592,London, Vat.lat.3784, library:(Vaticanand Add.30337) - while Exultet roll mannerExultet makessignablessing inofGreekand a with note

by Elba.

to a cross andhalo cross no a

270. moreprecisely depictioncandlea in marginalwith ofdeaconanda Easter an a space set

, the illustrationthe with hishan with right 300 itis in scenepossiblethe that as

Exultetrotoli liturgici fromt There isThere one , depicted ,

a Christ andChrist spherewith s on is the

he the in touchedby another assistant. ThomasForrest Kelly.

byEmanuela Elba,“La decorazione”, 132

the infol. Lat. 10673.Infol. Vat. angelica turba caelorumturbaangelica Beneventanskiskriptorij disproportionallylarge leftinare hefeet hisrepresentedforprofile.and Except pure fact the that

302 inmiddlethe

the eleventh century Apulian manuscript VI B 2 fromVImanuscript2 BApulian eleventh century other . (fig. . 15 , .

d he makessignheblessing.the d of the scenethe representsthe deacon singing from a roll 35vVat.lat.10673 in and an (fig. 8)

archangels. his a inscribedcrossand

scenemomentdepicting particulara ancientparallel,more precisely 216,241, 254, 308

the stola the 1 Itismore i all the Vaticanmanuscr ) , coma

This scene can be compared to the miniatureThisbeincan comparedthe scene to isshownwith the fallingfrom his shoulde 303 the Vat. Lat. 10673Lat. Vat. the infol. - i

, 73, , Emanuela Elba.«La decorazione....», 131 In like strokes atlike strokes similarformstheirtwo cross endsto

Grgić. 5v hand is identicalishand deaconrepresentedthein to the

35v in . 301

the Vatican manuscriptVatican the a , itc , (the deacon with Exultet roll,deaconwith (the Exultet Easter the illustration 299 palium can bepalium angelscomparedcanthein to ipt isipt only not As Valentino typological. nterest Exultet rolls inExultet originated that

Thecomparison of ontains the bust of Christ setontains base aofbust Christ on the .

verticalhorizontalbarsand of His head is depicted frontally,isdepictedHishead his ingsamethemanuscriptbecause shouldasan interpreted beallusion infol. rs holds the Exultet rollholdsrs hisExultet the with the TheExultet in SouthernItaly basedon 298

53rof tenth centurytenth Gradual of

(figs.147 in , his

whilethe

the it. He alsoHeit.introduces the

the the ofthe smallfingerraised, the

Byzantineiconography tonsure the Osore the - 417

two ass “commemoration 15 NaplesNational .

vangelistarywas istant 0 d - .

)

partiteforms deacon

Monte Monte the holds theholds roll the . . plate9 Osor Osor cross cross the the the .

CEU eTD Collection evangelistary 310 309 Evangeliari…”,225 308 307 iconographyof which Exultet, cannot be supported. “Beleške..”, 195.Jovanka Maksimović, however, states that there is sceneno ofbenediction the of Easterthe candle inthe 306 (Troia441 Exultet 3) (Nouv.acq.lat.710),300 (Capua, Exultet), 338 (Cas. 724(b I 13)3),373 (Gaeta Exultet 3), Montecassino,386 Exultet 2), 305 wellas as figures havehaloes, two tonsureshave 304 wasinknownin usedsimplified Dalmatiaandandreduced variant. a represents Until arrivedt reachto scriptoriumthe where feature evangelistaryconstant ofOsor ( evangelistary. andChrist isone also someoldin prototypes parallelswith (which inmarginalillustration the space suchas similarity the identifiedfrom Apart Christ and1 Troia2), Exultet faithfuldeaconthe where may scenetherepresent blessingof the candleof the program of valid includedfaithful”,ofthe iniconography the of

“ ValentinoPace.“La decorazione”, 415 BitontoIn m ValentinoPace.“La decorazione”, figura 23 Compare Compare illustrations in ValentinoPace also I figuralillustration ”

- for marginaldeaconandthes candlein the the some initialswith bustthe of Christon was th he an

e betweenthe

a r the the . actof preaching. Valentino Pace. “La decorazione”, 416 of the firstofmanuscriptsthe containswritten in that script Beneventan , inasGiulia turn , Orofino e headstwo monks ofdepicted evidencenew the

uniquewitness

anuscripttwo miniatures setare inmarginal space asearly as illustrationsin 310 the base for base SouthItalian Exultet

- If we leaveIfconsiderableawe forof amount pat the time 230,fig. 12 . Vat. Lat. 10673Lat. Vat.

indicatesthat there are in Vat. Lat. 10673Lat. Vat. the “ the Exultetrotoli liturgici a solutiona opted the

the the manuscript andmanuscript ambiguousmeaningthe the isscene,ofthere the third a appear

blesses Exultetrotoli liturgici . figuralillustration. executionExultet ofthe

to fact the to I late tenth/earlyeleventhcentury. bya ” -

initial the ,all three barefooted,are the gesture of deaconthe can be interpreted as s,

also also cross and no halo,no and similar cross the the faithfulcandlethe the with a indicate the figuralthe illustration evangelistary Osor itis wascreated, the that possible - basefoundare 416,figura 26 309 rolls has inrecallspracticethe

that that numerousinaccuracies , a featurea is, that Osorwidelythroughout the used and the “ the . for

infol. , iscompared point

115(Vat. Lat. 9820), 171 (Pisa Exulte that the illuminator that illuminator ofthe the

the someby timeMaksimović. ago Jovanka I , ” 188, (Troia, Exultet1),198 - iconographicalof program Osor evangelistary:Osorit alsocontain marginal depictions initialwith ed

the . 11r. i

n fols.4r,n

out influencedout by Exultet rolls. Exultet 307 paceof 305

to it, to (fig.15

in fol. in but also but scenethe commemorationof the t of 32r,36r, 37v, 41r,42v, 44v, 46v,48r of inthe - in a 417 the scenethe (naturallyin the

the bustand bustsofChrist of

the depiction:the candlethe is already lighted, all three 53rand2r. See Giulia Orofino “Gli in( background the

2 ityin Exultet in Exultet eleventh century Bitonto manuscripteleventh Bitonto century ) Osor evangelistary.Osor If 304 the Althoughthe

As ByzantineLectionaries)

the Osor evangelistaryOsor havemay (TroiaExultet 2).

terns forterns the The imilarinterpretation representation of the deacon inrepresentationdeaconofthe the the t 2), t 263 (Add.30337), 289 Vat. Lat. 10673Lat. Vat. a Osor evangelistary Osor South Italian South Exultet synthesis of the bust synthesisofbust ofthe positionofthe as inas se a 306

JovankaMaksimović. reduced version)reduced type the the the se inse s Troi iconographic

of initialsof the evangelists) mightbe manuscript

, i a 308 tials tials

Osor benediction a Exultet Exultet a

allthe

used used r olls ,

he 88 a

CEU eTD Collection 315 Catalogueofexhibition the inheldMuseum for Arts andCra Splita,1972: 154.Duško Kečkemet Diana,NadaGogala, Sofija Matijević. Kečkemet.“Romaničke minijature u Splitu” (Romanesque miniatures Split). in Peristil 8 Easter (fol.79 of r additionalfigural motifs, theresimilarityis a between 314 313 312 311 decoration inZadarby11 ofendthe the According Splitcathedr manuscripteleventhin(MSC) 625 writtenandcentury Carolinepreservedin script Treasury theof absent.are ornament Theparallelclosestinitialsin mytheseto are, opinion, because and does modest depictions linessemicircularornaments, feastsofsaints.Occasionally six gold inst parts thesehavesimpleinitials achievedwith alternation of mainlyconsistsofsimple The Cassino fromsuch(Vat.lat.9820,Exultetas1 Benevento TroiaMirabellaEclano), (Troia insidefoundthe insidewhichit,little cross is inaswell. details impressiongeneral influencesfromItaly South did Similar

MarijanGrgić. «Eleventh century illumination..», 82 Apartfrom the general resemblanceof structurethe of fols.149r,149v Seecompletethe description of decorationthe in Seeillustrations in lines of text. linesTheyoftext. accompany - Berlin evangelistary differs both fromBerlinboth evangelistarydiffers Vekenega‟s Its evangelistary. Osor‟sand leaf (the initialleaf background)theitselfand green(the or combined red, with blueand ly

the Gaeta(Gaeta Exultet), Exultet(Avezzano Salerno (Salerno3) Exultet).or ead ofead

to decoratedinitials to “E”an

in to Marijan initialsto Grgić,the of in typical features of Zadar initialsoffeaturesZadartypical bird heads, suchas al.

some foliosmanuscript.some ofthe this manuscript andmanuscriptmanuscripts illuminated other this 314 - the the eagle, fol.eagle, 169r

Veredignum n

Thes

(figs.153 ot Exultetrotoli liturgici Berlinevangelistary fol. and 54r of the Split Evangelistary).theOn Evangelistary see Duško given bygiven moreformusual rectangular of

correspond incorrespond mall initial“V”formall a

“ I circle inmiddlecircle thethey and sometimes are composed , 15 , ” color the decoration, which undoubtedly points to direction.decoration,undoubtedlythattheiswhich to This points testified th , - - obviously a reduced and simplified versionobviouslysimplifiedandreducedof a

. fivepoi and initials that comprise initialsthat

they initialsin Entryon century”.

4 not Rizni ) , geometric patterns.,

s (red, blue,s(red, yellow) ingreen andlayers. applied thick Occasionally more importantmore

contain its come to nted star, fol.nted 169v ca splitske ca katedrale. d “VD”fromVekenega‟sd evangelis ,113,309, 185, 228, 366,404

stylistic features to other eleventhmanuscriptsstylisticto features other century Zadar Evangelistary 315 the

the some additional ornamental features suchfeaturessomeadditional as ornamentaldots, trefoils, Veredignum Inmylack the ofanyopinion, between theresemblance 313 South Italian South Exultet the the the “ the

. Berlin“a evangelistaryilluminatorynewrepresent style The illuminationThemanuscript inis,ofthe general,quite catalogue

Zadar the “ the V

feasts in ” fts in Zagrebfts in 1964: 283 the “ the two or two - -

initialthat accompaniesthe readingfo I chalice Minijaturau Jugoslaviji ” - region T initials,which in . (Thetreasury Split ofcathedral). the Split: Muzeji grada

I here are some rather skilfulhere somerather are marginal infol. through ”

. letter. More luxuriousMoreletter. initials three

exclusively fromexclusivelyApulia,d .

54r of 54r

linesoftext the in out the r ollsoriginating

the scriptoriumthe San Chrysogonus of interlac the the - 284,cat. no.6

liturgicalyearand certain Split manuscript tary, itshows that the tary, .( Osor evangelistaryOsor a contains - MiniatureinYougoslavia 9 (1957): 125 ing the . . The the “ the

pattern andpattern cross or crucifixion cross or Exultet 1), Exultet

I in mainis effect 311 ” of . -

r the Saturday r before initialsfroman various centers

decoration

two triangulartwo comprise - are 141:130 , executed in executed , espitethe adornedwith

the Monte -

133.Deša pearl three to three 312 ).

, 89

CEU eTD Collection sacra Kniewald.«Zagrebački liturgijski kodeksi XI whichinforms us that thiswas once 28 Beneventanpart,which originated inSplit in1015 codexwritten inCaroline script ori 258r secondpart written in (Ascript Passionale with lives beginningof saints with St.Andrew andending with St.Clement on fol.in fol. 257r) and 317 Montecassino di launchany tradition, of end made inMonte 316 infirstdecadesused of the a at time archbishopPaul ofandpreciseSplit,a framethus, is time libraryZagreb(Metropolitan ps Liber in produced the Cassino Monte olderinprototypesbe canstillwhichtraced thei of manuscriptsAllilluminatedinZadar preservedwritten fromthedate Beneventan halfscript second the CenturyEleventh 2.5 illuminator wasilluminatorprobablymostmemberthe monastica ofthe community. T As ismanuscriptCarolineinthe script. in Beneventan written script scriptoriuma scriptoriumSan of illuminatedwasbywhoilluminator handan the of lackandof the

Thisspeculation The PassionThe the . - T 259r,

10(1940): 1 the he eleventhcentury theiranddecoration an an artist almorum

tenth/beginningof elevenththe century was certainly illuminatedby artistunfamiliaran with T between1015 VitaMariae Egypticae sort ofsort ransmission ofthe Script Beneventan Illumination fromand

wasnewcomer,a inwhere trained center a

ale MRale 164 consists of oftwo parts different manuscriptsbound together. firstThe part written is inCaroline C .I.I secoli VIII assino

who a - newstyle in w Dalmatian town ofSplitDalmatiantown canactually 128:104

could “Beneventan” character

as the source for source asillumination.the beginnings theAZadar parallel of with of Split origin (MR 164) writtenofinSplitinand origin 164) Beneventan preservedin fragmentsscript (MR Beneventanscript ( - Chrysogonus and who wasmore andfamiliar Chrysogonus in who illuminatingmanuscripts withwritten used ,

A GiuliaOrofino has

bestrengthened by parallel a from C -

- the Ottonianthe 1030. These 1030. valuablefragments,which display ofBeneventantype a script 107 andViktor Novak. omparisonSpli with

the - the X,Roma 1994: 31. , 259r , - conservativeMonte ginatedinNorthern Italy, probably the in middleof elevenththe century. In the Metropolitana)

eleventhincenturyDalmatia th -

266r).It is recorded in 15ththecentury inventory of Zagreb cathedral. Partof the quaternion.

hollowshaft LiberPsalmorum shown - XVstoljeća» (Liturgicalcodices fromZagreb XI inthe -

1030,infol. 261v there signsare of quaternion,the aRoman number, thatoneof manuscriptthe

Scripturabeneventana ObviouslyBeneventan the codex was insize.large See Dragutin pre 317 initials.

t Cassinoscriptorium.

dominantly illuminationmeans evangelistarythe that was waswritten byrequest deaconthe Maiothe at of r decoration asdecorationhistoricalwell r as data - the partthe of Jerome St.

a not Basedon the Monte help

the familiarwithpracticeillumination thein of the

providedw C strengthen this hypothesis.strengthenthis Caroline script wasprevalent.Caroline script reveals assinoscriptorium. In herstudy of manuscripts ,

may keytherepresent , , 37, preservedmaterial, this manuscriptdid GiuliaOrofino. s

(Cod.82)

57, 68 Apulian influence. However, someinfluence. ApulianHowever, Secunda expositiosuper psalmum CXIX itht - 71. he manuscripthe

produced I hus,

talyto I codicidecorati dell’Archivio - XVthcentury). it isit possiblethe that at in Monte in

to answering to D

SanChrysogonus, The almatia in in the almatia indicate that the the manuscripts manuscripts the being 316 localvisual

assinoat the

Croatia executed executed

not

90 a ,

CEU eTD Collection 322 Furtheron Giulia Orofino. 321 320 Furtheron Giulia Orofino. 319 proposedsee Emanuela Elba.«La decorazione...», 115 318 the laceletter.bitingisatthe top thesituated ofthe endletters both 1 “A” letter p. on interlac innercompartmentsframeswith and initialgeometricletter(both with of shaftverticathethe the repertoryof manuscr evenmorewhenevident execution,which Splitinitial,the showthat m executed although parallels Althoughthesethattwo elements the ofshow th latecentury194 Cod.pagetenth ofmanuscript, a Cas.402 well initialThehorizontal ofbarsthe comp (949 258 “I”p. on manuscriptofCassinese a motifaswell asthe of yellow display letter barsfoliageofformssomethefloraland stylized ornaments. verticalstemandpa rectangular the comp incomposed i decoratedinitialstwo preserved, are questionsoftransmission o nitial “F” comprising 15 lines which“F”on 15 nitialtext comprising theof text opens

GiuliaOrofino. GiuliaOrofino. GiuliaOrofino. GiuliaOrofino. ItalianFor parallels(Benevento, Bari) todecoratedthe initials ofSplit Passionalethe that differ from those that I have

Splitis 228r pagefoundofPassionaleon

- as 950/51)when t rised ofriseda

and blueand ing verticaldivideinnerlinesthat space convincingly canbe theto compared ipt . ,

As for the letterAsfor“A” the Cod.Casin. 148 the such

verticalstemand

I codicidecorati I I codicidecorati dell’Archivio diMontecassino I codicidecorate.I secoli VIII I codicidecorati dell’Archiv in tenth century Cod. Casin. centurytenth Cod. 269. (least ofall) (least (fig.15 washes. 81 of connects

a way that itsverticalactually way a that part Beneventan resembles volutes, there are semivolutes, are there hemonksCassinese

I codicidecorate II, 1, I codicidecorati I the the it isit compared

birdheadwith late centuryCasin.tenth Cod. 402. it to provincialitproduced to outsidemanuscripts, f the script andDalmatia.f from decoration script Italythe to ,

writtenininmakes Cassinothat 1010 Monte usedecorativeof the

,fig. 83a. infol. a rectangular part. rt is rt filled completely with the displayingalternating .

rised ofrised

25 io io diMontecassino. I.I secoli VIII , to to

initials“F” - - Cod.Casin. 269

resided X, a 7,9, ?dtav curved protuberances on the shaft of the letter andprotuberances letter ofcurved shaftanthe the on animal 8r 8r of the longelementsbeakare that 29 5 the

- - initial “F” on p. 342initial “F”inp. on nearly a contemporary ) 117, tav.1a 30,fig. 83d. half uch later uch

321 the Vivid Ane Pal.lat.909,copied inCapua.

The i The -

Split acanthus leaves,acanthusstylizedfoliage floralforms anda Ab infol. ven m ven color .I irdheadwith nitial“F”of ,reveals - Liber d. , I, 1. is

executedinmiddle centurythe tenthof the , 319 and 259r

ore convincing parallel ore to s, the fill of the lettfills, thethe of

blank compartments andblank compartments initial“F”ofCassineseare they origin, also lhorizontalbars)individedand executedin I codicipreteobaldiani eteobaldiani

322

(fig.156 the psalmorum an

(figs. a interlac lifeofS simplified formsimplified uncertaintyand of the in - the X. a

) 158, 69 158, Naples between 976 andbetween976 Naples longisbeak connect Roma,1994: 28

initial“A” Monte Cassino Monte Cassinese manuscript ismanuscriptCassinese ing Monte Cassino Monte , itcan be , to compared t. Mary is oft. Egypt Color

geometric pattern. pattern. 318 ) erwith interlacdense

Thetriangular ofparts this initialthis to Unfortunately s the include infol. shown - ones Theh 29, XXXIV,tav the initialo “F”

. initials 320 . This becomes .

letter “A” letter

258r. 258r.

filledwith

red, green, red, (fig.157 orizontal biting .Roma: 1996: to the

The only a initial

the at n pure pure

) in ing the 91 s

CEU eTD Collection 326 libraria Itra secoli X 325 324 323 Sacramentary(in specimen that oldest the inofBeneventan script Dalmatia, sanctiDomnii MartyrumDoimi,Anastasii, CosmaeCoenobium SS. Damiani et sanctorumatque CosmeDamiani et isThisbysuggested existenceof been Split Regardingquestionscriptorium,ofthethe the inmorphologyofthe bysuggested ofscript the regions, twobut earlier thereception fromdecorativeofthe This repertory is same thesource. also inmanuscripts inApuliaDalmatiaand repertory illuminationinApulia. andCas.are402 byPal.lat.909 Cod. regarded manuscriptsinfluencedscholarsthat as ofpractice the out allIt mentionedturns that the parallelsto constitutiveof elements a interlac 1025. heart

IvanO On Barithe type ofscript Beneventan see Guglielmo Cavallo. “Struttura earticolazione della minuscola beneventana GiuliaOrofino. GiuliaOrofino. Exultet 1 or Neap. VI2.BNeap. Exultet1 or

asked as a mancopyliteracy,as manuscript. a asked The ofsecond to infer the solution bethewould to andinwh waswhotrained Maio, center a 323 - ing shapedendsasvolutewell ornament as

stojić. (fig.159 re

pattern a pattern presents proofpresents that a Metropolitanski kaptolu Splitu . scriptorium in the Chapter scriptoriuminforwasofsincemanuscriptChapter Split,produced the Chapter. the the 326 the I codicidecorati I I codicidecorati I serted intwelfth a serted Sacramentaryincentury minusculewritten ordinaryof uncertain

- ) Theexistenceit isofscriptoriummerelyais hypothesis a but by strengthened XII”. The letter inThecontains letter Pal.Lat.909 lateeleventh insimplycocenturyand not isApulia Dalmatia to due t the top of the letter,t top the ofthe the its 324 Studimedievali

were the fact that itwas writtenfact that letters di letters

AsmanuscriptSplitwastheitsin certainly decorative Dalmatia, written the Split letter “A”.Split letter

influencedby Passionale

325

the earlythemanuscripts centuryin eleventh written both script Beneventan ,30. ,30,Valentino Pace.“La decorazione”, 420

fferssubstantially contemporaryfromsuch ApulianasBari / products

, serie 3, 11 (1970): 343

anduntil

(Metropolitan ChapterinSplit). Kršćanska sadašnjost, 1975:12 , which possesses featureswhichof possesses ,

it isit Monte Cassino Monte

the the ere Beneventan script waspracticed,Beneventan ere script w less for the ad sanctorumlaudem initials eleventhChapterthe century of Splitwas likelyat that a

triangular parts of the letter, whichtriangularofparts the all are symmetricalbirdheadsandof pair - 368. inthe . Thesimilarity of. an

early ninthfragmentscenturyearlyof a

Split

that time no scriptoriumthatno intimeactive was whenitreceived titlethe - Liber P Liber 421,

martirum Domnii, Anastasii martirum Domnii, the

figura40. roundBeneventanbut script, salmorum the

illumination

ould Cod. Cas.269, Cod. ntactsbetween Capitulum an

simply calledthe - in 13.

the

have

fact

CEU eTD Collection The Beneventanscript 331 330 329 Novak.“Fragment..”. ofoldestthe 328 fragments. For Venice: EdizioniMultigraf, 164 Reynolds.Roger Reynolds. and thatscriptthe and 327 e byand letter preceded any The “r”with another,which after oneis casealso the with fact that fr right(likei‟s)the consecutivewhich is“c”moreinoften used Sacramentary a and foundbemay form prolongedto ha the morphologyinmanuscriptslettersTheis of “a”very both similar: noticeablyscript incenturySacramentary Dalmatia.originated Inhis analysesof Dalmatia. inalreadytheit inat wastime rebound Split when silver in the whichmy covers, opinion in from Sacramentaryimported earlywas ninthItalyfragments that and century already the were inserted scriptorium Ane Doimus. provenance equently

ve it. However, I I However, it. Cod. Casin.contains3 Alcuin, De Trini ViktorNovak. “Fragment..”, 182. Seechapterthe on Trogir manuscripts fragments. and On fragmentsthe of Sacramentarythe see Novak. Viktor "Fragment najstarijegsplitskog sakramentara” (The fragment RogerReynolds thatstates scribe the was clearly trained to inwriteBeneventan script, butwrote inCarolingian instead

In myInfragments the Sacramentaryof the opinion, are the stylisticthe analyses silver ofcovers the ofcodex the seemy analyses chapterthe in on Trogir manuscriptsand Caroline“d”

arlytransmission longaxes, any

a the

328 329

longstemand scribal Splitsacramentary). inHowever,manuscripts. both present

- in (figs.

“fi” ligature is“fi” ligature not

South Italy DalmatiaSouth or

in letters that the Chapter of Split. Naturally, there isofNaturally,Split. Chapter there thepossibility a twelfth thecentury that the hasa resembles would 16 mistakesin these

,341,see the reproductionsinGiulia Orofino, a musical notationpoint tosouthern Italy Dalmatia.or See analyses catalogue in a entry by Roger “e”

0 transition to the next letter, nexttransitionthe to , 1 for

shaftitself,backbent upon Tesori dellaCroazia. hasa fragments opt for opt 6

the 1

the script wouldscript the ) -

166.

the reveal

VjesnikHrvatskog Arheološkog društva s)xcept and

“o” stroke whichand upper lowerthe stroke curves divides the

employed the Cod. Cass.executed 3 Cod. maybeseen Sacramentary ,

the earlier date earlierof thedate solution that solutionfragmentsthewhen insertedthat were codexwas the ViktorNov tate; Computiecclesiastici, Tabulae paschales, Annales, &. AveryElias Loew. 327 are ) are preservedprecisely) in Treasurythecathedralof St. the of

the evident in Cod. Casin.in Cod. 3. evident Catalogue ofexhibitionthe heldVenice in 2001, 9 regularly and regularly

naturally hypothesispossiblestrengthenthe about unassibilated

th 330 the inmanuscripts. both ak does ak

e occur withoccur the

the

“li” ligature. Theligature.ligatureformed“li”peculiar “ro” ofout letters “m”letters “n”and an the final“r”

the Sacramentary the earlier date earlierdate

somewhatlater,between 874 “f” not the probably

Icodici decorati I

“ti” extends completelyideathe ninththereject that “f” and “i” are frequently“f”“i”and are hasa

n.s., 15 n.s., (1928): 159 are amongare

assibilated for the

short vertical short The stem.difference Oldligaturesare“tu” “te”and beyond the mainbeyondline, the is Cassinesebecause of origintheir

shaped like two contiguous likec‟s,shapedtwo lackthe . The .

Sacramentary isSacramentary ,115, 117,131, 143.

the reasons that ViktorNovak reasonsthe that

“ti”followedbyvowel(ti a

broken formbroken of

little turning strokes to - and 187.Further on Viktor isnoticeably th - 892.

June simply 331 apparent - the 4

were th

(fig.16 the

November. “h”“l”and written written made letter letter

inthe 2 )

93 in

CEU eTD Collection 338 Scripturabeneventana, 37, 67 centuryeleventh inventory fromthe monasteryRainerof St. that mentions… 1639.principia dirle messe monasterioal diSan Rainerio 337 NevenBudak. 336 Croatia).Vol 2.Split: Benediktin 335 334 90r.Elia Loewlistedhas theall examples known toOne him. is from Zadar,MS. Canon. Liturg 277, which has 333 eStudiTesti Beneventan manuscripts”inCollectanea Vaticana in honoremAnselmi M.card. Albareda Biblioteca a Apostolica edita, 332 Benedict), founded(formerly inSt. 1060/1061. theirSplitprovenance theirandconnectio Philippensesad Pauli Croatianthe inArtsAcademy Sciencesmutilated aandZagreb, of bifolium containing SplitBeneventan to script Benedictinethrough Thesefragmentsthe order. preservedin fragmentarAnother speculation. pure (Trpimir archbishopPeter himcalls for return that monasteryisinSplitandarchbishopdocumented foundsubsequentlyitsway monasteryin is It possible also transmissionof this fragmentsIfSacramentaryofthe theindeedSplit reached timeapproximately the theyat written, were Splitthe diacon n(ost)er;Sacramentary writtenaswith“ner” similarink,brownish similarityinexecutioncapitalletters,writingthethe inof of the rubrics date

On Benedictinethe monastery of St. fragmentsThe haveseventeenth a century “1638,note: ac.39. Liber 22.Il giornodisantissima Trinitafuche 19li Iugno PublishedinCD I,3 On firsttheBenedictine monasteryCroatia in see IvanOstojić. onfol. 263v,see ViktorNovak. EliasAvery Loew. ViktorNovak. “Fragment..”, 182, An early centuryninth dateb has

would d D

the Sacramentarythe uke Trpimiruke Georgechurch thedonated andof St. s Averys Loew. a

220,Vatican City,1962: 211 represent

donationliturgicalmonasteryforneededfor theof silverthe provided objects andby Prvastoljeća Hrvatske

Croatia , the

alsoabbreviationuses rare this

that monks thecodex Cassinobrought thethat ofMonte The BeneventanThe script Beneventan script from BeneventanDalmatia. script Italyto - il The BeneventanThe script

8.For discussionthe concerning the authenticityofdocument the and bibliographyrelevant see 335 valuablewithfrommonksCassino ofproofMonte earlyand contact the y preserved manuscript, however, manuscript, ypreserved an the were discoveredwereNovakand by analyzed Viktor dom , founded by, to the to abbreviation lineabbreviationinsteadof - 68. two manuscripts two alsohave

inus skipriorijat Tkon, 1963: 299 by various meansvariousby

Scripurabeneventana…

late eighthlate century.

(Firstc n(ost)er, fol. n(ost)er, 220r). Benedict,later St.Rainer see IvanOstojić. - 244:235.Further Eliason Avery Lowe. “A New Li dilectus com dilectus D , 208, , Viktor Novak, “Fragment..”, 183 Due tothe rarityebbreviationof this enturiesof Zagreb:Croatia). Hrvatska sveučilišna naklada,1994:75 uke Trpimir inRiţiniceTrpimirinnearuke Solin , , 209 n to femalemonasterynthe Rainerto Benedictine ofSt.

to to 338 once once .” Novak.” alsohas suggested identification with codex a from an the pater , , 36,70. 332

the (figs. 1 (figs. 333 -

Split Chapter. ASplit relationship Chapter. betweenthe the 306 Further306 on Ivan Ostojić. incommon generalBesidesthe impressionscript, ofthethe so (fol.263v). ).

In this context, itisIn this verycontext, interesting that Benediktinci Hrvatskoju bears 336 -

more usual “nr” (Cod.Cas. 3,morep.74usual “nr” (Cod.Cas. called“Trpimir‟sinforms that donation” its 63

Becauselackofathis ofsources, remains een proposedeen byAvery Elias Lowe. “A New ofList possessions archbishopricthein to ofSplit ,16

witness 4 the et librumet I de epistolaPauli ) 334 Novakconcluded fragmentsthe that

veryforabbreviation rare Benediktinci Hrvatskoju vol.2, to the to 337 to a

, who , the firstBenedictine the halfand the script uncial

earlythetransmission of the

Benediktinciu Hrvatskoj, vol. 2 (The Benedictine(The Order in st..”. was the ninthit and century that

deus

first the the Archive the of …ViktorNovak. n(ost)erinfol.

Epistola S. Epistola dominus to detect noster - Maio 76. 354

362. ,

94 .

CEU eTD Collection splitskihbenediktinki“. nunnerywellas as 342 341 Spain). VelikogI Izidora i Španjolskog” contribution(A tothe researchof oldestthe manuscriptsby Greatthe I Leo andIsydor of MediaevalStudies 340 339 inbothconcluded influences Zadarandthat fromSplit, RegardingtransmissionDalilluminationthefrom and ofscript Beneventan Italy to infragmentspreservedArchive the of “c”and isscript with round atype ofscript Beneventan cancellarius Croatian monasteryBenedictZvonimirthe in king to of St. written Split,by findwe writtencenturyin that document bythe Beneventan script After inmanuscripts written presumecentury betweencanalso we Apuliancontacts Split townsandaswell circulationasthe of manuscripts, affiliationthe initialsinsimilarmanuscripts,aswith but eleventh centuryused Zadar ininitialstypethis of lea(largeacanthus yellow),blueand initial preservedfragmentisdecorated of anthe Rainer Benedict/ Marulić. humanistMarko Marulić‟s Bira Vira)monasterysister (or wasabbessthe ofoftheSt. lateMiddleIn the fragment wastheAges, used cover as a of century. canits andactua script Theusedtypeinfragments ofscripts Beneventandiffers from employedthescript the by deaconMaio iswhich Ave somewherein originated SouthernthemItalydated and

CD I,CD 169 IvanOstojić. Informationon fragmentthe published inVirginia Brown. « EliasAvery Loew, “A New List…”,241. the ry Loew dated themlater,moredated precisely Loew centuryry a

the ArcheologicalininMuseumand written Split Katolički list the The

the date date the Liber PsalmorumLiber - 170,dated in 1076 short form short of of the cathedral of St. Doimus, cathedralofSt. the as wellof as Bariconnection Benediktinci Hrvatskoju

( the 1988):584 341

acceptedhere. 72.29 a fs confirmation

pearlandornament bird headslongbeaks.differs with It hooked in and Vjesnikarheologijuza i historiju and

inlowerpart the - llybewithcompared the 30(Zagreb, 21,, 28.July 337 1921): perhaps the -

626:615 pure Bari pure type ofBeneventan script.

- with writt 1078 finalitresembles“r”, of script the mayinbe seen also

of donationthe 339

. eninby Maio 1015 deacon eleven he cam he Forthe discussion on theauthenticity of Zvonimir's donation -

616.See also ViktorNovak. “Jedan prilog izučavanjeza najstarijih rukopisaLeona

vol. 2,356,vol. 3, 343.

but the the th century th Apulianinis productionclear.Thus, e into possessionethe of Croatian Academy ArcheologicalCroatian andofSciences Museum. byIIStephen the

birdfromheadsnotin are outlined contours) green

dalmatinsku an BariHomeliaryfrom product 2 B VI “ I an eleventh century fragmenteleventhpreservedincenturyanlibrary the

” inclination to left,inclinationthe preferenceto the for - initialfrom composed A SecondA New ofList Beneventan Manuscripts”(II). a - 39,350 the pure Bari pure type ofBe

and literaturerelevant to Monte Cassino Monte to the to withsaec

royal for 63 - - 1030, it isuntilit not 1030, of end the - 53. 64(1961

withEliasearlycentury. However, tenth a printeda book byowned

the the cancellarius

a . fragment

deaconMaio XI in, that isin, XI that Splitscribe - 1962):199

camegraduallyearlierwereand see an neventanscript . Theod through her.One through 342 NadaKlaić interlac - 219

, (fig.16

, the donationthe of muchmore

from1000 . or matia, itcanmatia, be toBenedictineSplit , ing the

the presbyterthe and the . the ” 6 O falsifikatimaO

) pattern (red, pattern earlyeleventh

eleventh 340 Thoughthe the e the Split a its - . the than to thanto broken 1030, 1030,

(fig.16 details details leventh the Zadar Zadar 95 5 )

CEU eTD Collection (asCapuan period Zadarfromworkshopcame manuscripts to Cassinese initialsThezoomorphicin in favour speakofthe fact that inThesimilarity Dalmatia. with influences entirelyhypothesisthese not that for appearancewerethe ofinitialtype this responsible of Althoughfirst glanceworkshop. it signals at wave inflstrong the of Dalmatia introductionThe part upper typological difference Theco cen inmedallion hand, other therepresentation inthe mainly medallions, saintsof correspondsthe enclosed to ininitial)“head profile”type origin(initof Eastern and archaicbecauseincludetheycentury some tenth prototypesWestern Cassinese (earlierform of of example,initials For thehumanin withdepictions prototype useprototypesto shows wellanalysesofastheVek similar Theanalysesoftwo eleventhmanuscripts, Zadar century 2.6 literacyBeneventaninin actuallySplit Chapter.the Split started manuscriptsand ofSplitcharters relatedorigincertain which to Split Chapter, the are may si inwrittenofZadar Beneventan originhave script haswhichbeen followedby .C tury. tury. onclusion that illuminationinthe that mparison

geomet s. from s

in s a

in stronger wavewas,influencesApulia.stronger from This input ofApulian K.394.

1081) represents, inrepresents, my 1081) opinion,

preserved

ric

the of the initialsthe inof of deriving

maybeinseen initialsappearedhuman the with bust atin same thetime Apuliaand Dalmatia the Exultet II,Apulian Exultet datingmanuscripts,lastquarter from eleventhofthe the

liesin the

Beneventan reception fromreception ,

from moreprono MS. Canon. Liturg. 277Canon. MS. Liturg. e nenega‟sevangelistary the the the useof the

Zadar comparison with comparisonwith latemorecenturyApulianrecenttenth along with eleventhcentury geometric Cod. Cass. Cod. 91 MS. Canon. Liturg. 277 Canon. MS. Liturg. unced inunced in Zadar Elevenththanmanuscripts century Split.

a geometric

wasworkshop commonsource,

initialinitssynthesisin(foundwithbust human the a

a further stepinfurther developmentpracticeofthethe the of initialsofvertical composed stem , MS. Canon. Liturg. 277Canon. MS. Liturg.

that include that executed mostexecutedprobablyin the Benedictineconnection in created the Cod. Cass.manuscripts influenced Cod. 218) or by rather ialswith c that ontext ofotherontext

and conservative.T infirsthalfthe of is the ,

MS. Canon. andMS. Liturg.277 K. 394 Monte Cassino Monte K.394 human bust andhuman bust uences from Apulia, I opt forfrom Apulia,I uences opt peacock

shows

Dalmatianevangelistaries appearfarmorebe to - while eaglemotif he illuminatorshecontinued Monte Cassino Monte

that onlythe substantial the . basedmaterialthe on

the a tenth centurytenth / s blessinghand).On

and rectangular and eleventhcentury in myin opinion gnal that gnalthat

the and the the and the saints ,

the may

96 as

CEU eTD Collection Apuliafromthat cameat time. Benedictional workshop. 277 myApulianIn smallprototypes. the numberopinion, ofinitialtypethis in of this signals that numberinitialsofthesein large backgroundthe and However, initialstypethe interlacfromofmade the eleventhbeginningthe andof Apulian affiliationmanuscriptto ApulianBondsproduction. with 394 inCassinesefavorofparallelsspeaks Cassinese prototypes. II) opens factthatThe initials this offoundbeinApuliantype contemporary canalso (Bari Exultet production Cassineseinin someexecutedmanuscriptancient second the half of Cass.eleventhexecutedVat.in lat.90 4222,Casin.(Cod. Abruzzo, Vat. lat.century 7810)as well443, 277 in insubstantiala practice the change workshop of the Thezoomorphiccomparisonbetweenthein initials Cod. Cass.106, 109). centuryduringthe beinitialsconvincingly comparedinmanuscripts e to the Cas.109). (Cod. fr peacock inmonasteryMary executed theAlbanetta). initialsThe zoomorphicofofSt. in the om manuscripts executed inmiddlemanuscriptsexecuted the eleventhof om the influenced centuryby and Capuan production K.394 MS. Canon. inMS. Liturg.277 Capuanilluminationfromofpractice Theconvincingmost . parallels that display that shows

number -

eaglemotif

up the up display

Thei that the manuscript ismanuscriptthat theand initialtypethis older that of s

r in oll executed inmiddle olltheexecuted eleventhof the century

the nitials innitialsboth question

a The zoomorphic initials containing the dog motifinitialsThe zoomorphic dog the containing in K.394 a distinct Apulian influencedistinct (interlac timeof movement andmovement dynamisminitials from absent the K.394 birdhead also also

Abetweencompromise t the , in manuscript, sectionsthe all of of came to cameto

abbot Theobaldand Cass. abbot 73) (Cod. K manuscript whether the Cassinesethe whether Apulianinfluencesviavia manuscripts or came old . 394 the motif K.394 its

zoomorphicsy twelfth century fromtwelfthcenturyparticularly Bisceglieare Bitonto) andvisiblein the isfar greater inthan s of withislongand hookedbeakssof Apulian exclusively and may

Zadarworkshop frommanuscripts (Cod.Cass.Capuan 218) or a and isolderthan

reception fromreceptionmanuscriptsCassinesewhileinitials other in

be foundbe the firsthalfthe of the MS. resembleMS. Liturg.277 Canon. ing patterns ing mbols

in Cassinese manuscriptsfrominfirstCassinesehalf the of wo seems inwo order

MS. Canon. Liturg. 277 Canon. MS. Liturg. the hadoccured ing

the

with MS.

the initialsbirdheads)testifywith xecutedinfirsthalf the of ,

MS. Canon. Liturg. 277 Canon. MS. Liturg. testifies , decorated with decorated ,

its Canon. Liturg. 277Canon. Liturg. eleventh century (Cod. Cass.eleventh 317, (Cod. century ox and lionandmotifox the

. This . becausezoomorphicthe dog

s was

to earlyCass. years Desiderian (Cod. (evangelistariesfromendthe of the

MS. Canon. Liturg.277 Canon. MS. the strong Apulianstrong the found

becausenumbergreat the of dominantyet innot the may influences the that suggest tenth century (Cod. Cas.77century tenth (Cod. in and a the

pearl on ornament the initials frominitials K.394 s K.394 andmorefaithful to MS. Canon. Liturg.Canon. MS. .

MS. Canon. MS. Liturg. .AccordingElba, to

the

eleventh

that containthat to to hassh influence astrong the - can mostcan own that that own initials their Bari the a . The . dark dark the the ). a K.

CEU eTD Collection connect Theanalysespictorialofthe ofdecorationVekenega century. the Basedon andpriorthe invited monknoblescityformerthe Cassinoof Madius, aof Monte centurywhententh 986 manuscriptsmonasteryChysogonus around inSt. the was of rebu Zadar analysestheno are hasthere shown assumthat obstaclesto sucggestsan number Thegreat ofvisual in parallels Cassineseinproduction smalldetails such as from illuminator Apulia or foundin those busthuman contains Apuliancenturyand production te Thevisual parallels of initial century. the foundinnumberwhichin are great initialof manuscr be usedandin manuscripts to continued Cassinese 277 Smallinitialsink,in ornamentalalso very outlined red middleApulianfromproductionthe eleventh of the century ( from initialsfromrelyCassinesesecondon the half prototypes of categoryinitialdisplay of that the Theinitialsornamentalf composed the eleventhcenturygradually were re CapuanandexecutedCass. incodices firstCassineseExultet half552) (Cod. the of and

the firsthalf the of eleventhcentury. signalstheir ed

ipts that display ipts that influencesThis,in Cass Capuanmysignals(Cod. 321). this opinion, type that K.394 T a already

visualus the parallels,

hereare onlyofthemtwo largeinterlacnumberof to both eleventh to products century s

earlier execution and itexecution earlier and islinkedmore the

rely on initials that originated ininitialsrelyoriginated on that came to Zadarilluminationin cameto MS. Canon. Liturg. 277Canon. MS. Liturg. connection inthe the two identical two

the eleventh century that display eleventhcenturyCasin.and that influences 759) Capuan (Cod.

MS. Canon. Liturg. 277 Liturg. Canon. MS. isfaithfula copy with early Desiderian yearsCass. 339). early(Cod. Desiderian to Apulian to suchprototypesas e

Apulian production. H Apulian production. of ancient Cassinese ofancient fromprototypes, firstashalf those well of as the most nthand centuryearly production.Cassinese eleventh connected ing rom interlac rom the s dependence on someCassineseon sdependence ancient prototypes. I think that i n K.394 n

placed by Apulian influencesinApulianmiddleplacedby the eleventhof the initials decorated withinitials birdinitialsheadsdecorated and geometric with

the MS. Canon. Liturg.Canon. MS. similarity MS. Canon. Liturg. 277Canon. MS. Liturg. mean the that

of of

from initialssamethethatpage on and the insertionthe andofthe the ing an Apuliananexemplar the

with Zadar

and tenth century.tenth from pattern Capuan period of illuminationCapuanCass. of 175) (Cod. period ‟shasevangelistary showed

the similar K.394 owever, the ornamental initials owever, ornamentalthe

the firsthalfthe of hypothesisitilluminatedis by that an the s MS. Canon. Liturg. 277Canon. MS. Liturg.

ing 277 and stylized foliage formsfoliageand belongstylized to the MS. the the

testify to initials foundto that that display tenth century (Cod. Cascentury tenth (Cod.

Exultet II executedIIin last Exultet quarter the BariBenedictional).

Geometric initials “a matonella”,“ainitialsGeometric Canon. Liturg. 277Canon. andLiturg. these relatedCapuanto production

mustbe rejected to to birdhead a their linktheir the Cassinese motifsfromCassinese came resemblance to initials resemblanceto from haveparallels eleventhincentury

the motifinoftypethis , swith that itwas that

to becomeitsto abbot. MS. Canon. MS. Liturg. and

. even. Thereare

very K.394 the K.394 eleventh s. 402) s.

only only K. 394. K.394. eleventh

strong similarto . . These

in ,initials that iltand

a The ly

CEU eTD Collection Vekenega‟sevangelistary importedfeaturesdecorativefrom becameApuliadominant eleven number initialsappearanceinterlacof with This firsthalffrom the of relyforms foliagethat from prototypesCassinese on half second the of 277Canon. whereMS. Liturg. numerous most the initials are littleiswith different ofa Vekenega‟sevangelistary( initialsnumerousmost initialsin(interlacedK.with394 bird heads and Theanalysesoft parallels evangelistary) Veke norLiturg.in277 Canon. K. 394. however,evangelistary, anthropomorphicdepictionsevangelisof the identicalheadsalmostin found ininitials profile two manuscripts. zoomorphic other inteclearlysymbolsthatevangelistsof the presuppose Vekenega‟sinsteadevangelistary us Thesimilarity betweenVekenega‟s evangelistaryand lace.with a the in executed similarframe:amany time humandecorativealsoheads.Therecertainare details testifythat longinterlacbeaks,with hooked and with part without upper or bondK.394 with e

peculiar“floralhorns” onceand

ofgold verticalwithstem and topped demonstrates nega‟sevangelistary th century isfirstdocumentedtheus century th s

with manuscriptswith than in K.resemble394) usedthat in than those - leafand

Thes and he decorated initialshe decorated in miniaturesmanuscriptshasand preservedZadar show liesinuse the

ame can becaname s that in

the striking resemblance of certain motifs.strikingofThesethe certainresemblance are the the compositional the pattern the

the have eleventh century that display eleventhcentury that features. conservative

executed a fromCapua.andBari were created were Canon.277 MS. Liturg isoldthe geometric

human bust, generalthe similarity of

no expressed similarity to initialsexpressed no similarityhuman to within depictions either aid

of geometric initialsofgeometric comp usingthe Mark ing an

for by different illuminatorbyhave Apuliandifferent parallels ( there isthere a in

interlac

“ pattern g the I of the of . The interdependence . Theof c ”

the pattern - initials without evan the or with decorative humandecorativeinheads evangelistary, Vekenega‟s e

eaglezoomorphicthe John as of symbola St. evangelistandin depiction the Supper Lastof the

ts ts of these initialsofthesein ing s

feature bird heads that decorateinitials birdheads that , carriedout sand a foundin the

pattern) are those pattern) pearl ornament and littlepearlandbirdheadsornament much smaller (in the , inthe inwhich a the pearl ornament), and pearlornament), BariBenediction

MS. Canon. Liturg. 277Canon. MS. Liturg. bymainin the illuminator Vekenega‟s rised ofriseda

MS. Canon. Liturg. 277.Canon. MS. Liturg. The est Zadarmanuscriptsthreeof and the est the depiction of during

ornamental initialsornamental compose

two subsequent initials two connected are the to fact the to the ertain motifsinertain Zadar scriptorium. Zadar Apparently,the with the timethe both verticalstemand ornamental heads repertory(bird

the Apulianparallels. Thesituation a rdependencebetween two the gelists, gelists, the r pearl ornament) andpearl ornament) oll from the middlefromollthe of the tenth century or initialscentury tenth or

that that Last SupperLast especially peacock motifs peacock inused in botin the ” the the I lies ” h manuscriptsh the - manuscriptswere K. 394 andK.394 initialscomp MS. Canon. MS.

a in

Bitonto Bitonto inusethe rectangular swell as abundantthe there are there d of n stylized stylized

the that thethat the

rised rised some have MS. MS. 99

CEU eTD Collection 344 special regard totypethe of Dalmatia 30,ViktorNovak. abbreviation Catalogueofexhibition the inheldVenice 2001, 9 dixit Beneventanscript 343 psalmorumLiber in originated andApulia,CapuafromeleventhBenevento centuryand parallels illustration inExultet motif itsgeneraldecorationappearance po of mentionA of appearedsimultaneously inApuliaDalmatia? and evento earlier initialbaseIs asa with bust. conceived human a isfirstmanuscriptsmanuscript inofonethe employswritten Beneventan that script us the evangelistary Osor to fromThesecondderives solution typologicalilluminationthe ofresemblancefeatures of some Naples, fols.230v203v and of eleventhlate us the century, but Vekene inwellestablished interlacedtimeinitialswhen with to problem this approximatelymanuscriptscreatedatApulian were myare solutionssamethere time.twoIn opinion, Apulifrom fromevangelistariesandBitontoBisceglie Bari. However, alleged, initialsthe thesetransmission of in created 1070 “ of Dalmatianpecul andus the 277 andLiturg. interpretedVekenega‟sbeascopying evangelistary manuscriptcanthus from olderthe I ”

GiuliaOrofino. “La decorazionedei manoscritti pugliesi…”464 EliasAvery Loew the -

initials as typical only hasparalleswithonly the moreusual “au”with ga‟s evangelistary ga‟s Neap. VIII B 6).BVIII Neap. e autem a to Dalmatia to certainaposes problems biggest the and

together together of “local”EvenVekenega‟sofin prototypes. its are features evangelistaryscript, contains that

Dalmatianabbreviations. Virginia Brown. Calogue e the the ,176,198 . This type of initialsThisof type . - Scripturabeneventana osobitims obzirom na dalmatinsketip beneventane

1071 or 1081 1071 or iarities such as the frequentwithiaritiesusage of such“aut” as the seealsoViktor Novak. “Većenegin evandjelistar” (Većenega‟s evangelistary).

VD ( VD of Split origin (MR 164), executedin ofSplitorigin 164), 1015 (MR refers to refers Zadarsi area the withbuststheof evangelists

the a Veredignum Zadar scriptorium at the endZadar scriptoriumthe of at an - tenth centurytenth manuscript of Capuanorigin,possible 199.Virginia Brown mentions “aut” insteadof for“au” 344

Osor evangelistary, Osor which hasparallels

“aut”for

eleventh century hagiographiceleventhcenturyAp wasproduced

an -

1082 abbreviation line.abbreviation n Beneventann script).Zagreb: JAZU, 1920:40 ncethis

e Exultet Exultet

of human bust inhuman ofbust synthesis with autem bird ) monogram ) and arrived

head

as the intsApulia,to monogram but structure the mainofitstheand earlierdate r . Apulianno. Thereare evangelistariespreserved to prior finds parallelsintrue olls that originated in olls originated that Benevento. th

June

motifs inmiddlethe of exception toregular practice inBeneventan script, E.A.Loew, -

4 in 343 it not is th

November.Venice: EdizioniMultigraf, 2001: 171. On Vekenega‟sevangelistary

superior wouldexplain better initialhow samethetype of appeared The great varietyThe skillthegreat and in

the therefore possible therefore initialthisthat of type came - 465. ntry on Trogirntryon Evangelistaryin eleventh/earlythe twelfth timecentury,

ulian manuscript ( manuscript ulian to that to that

the ) fromZadar ) Apuliato - 1030 withpreservedilluminated1030 two the eleventhcentury (approximate an ofthese to late eleventh/late early twelfthcentury a foundin the

abbreviation lineabbreviationfor Beneventan initialBeneventan is documented a tenthcentur .

autem is the fact that Dalmatianis fact the that and Thisis casealso the with

the and“dixi” instead of for“dix” may

(Beneventanscript with a NationalinLibrary

Osor evangelistaryOsor Vat.lat. 1 Vat.lat. Monte Cassino Monte y Gradual that clarify my point. The myclarify point. StarineJAZU

Tesoridella Croazia. .Thepractice the autem executionof 0673.This e

51(1962):

the ly . instead inthe The

The

the the was was when

“ I 100 the ”

- n

CEU eTD Collection ObituaryLegend of the and Ritual fo beneventanskiliturgijski priručnik legende iobreda blagdanasv.Nikole iz XI. stoljeća 348 (2008):275 Studies (III)”. Manuscripts (II)”. Manuscripts Beneventan of List New 347 moreFor information onsubject the visit Dr. manuscriptsdisplaying distinctivethe writingknown „Beneventan.‟as Prin MedievalStudies 346 345 Nicholas ofSt. ( hasMihoDemović discovered a BeneventanaLiturgica Dubrovnikhavebeen recorded inwrittenpublishedin Beneventan script dealing beenwork withanysame thesubject. withfragmentsinallmanuscriptsand written Beneventan scrip 3. 3 illuminationdefinesmanuscriptswrittenofthein Zadar script. Beneventan andvarioushandlingselective of use continued oldto patternsand prototypesisconfirmBenevento it to things:possible two influencessolelyinApulia.from of terms Therefore, on basisisthe possibleinterpretofitZadar illuminationpreservedcodices, not I think to on samethesource, manuscriptseleventhinboth incenturywritten Apulia script BeneventanDalmatiaand influence initials

. 1.Introduction

DUBROVNIK MANUSCRIPTSFRAGMENTSWRITTENAND INSCRIPTBENEVENTAN Miho Brown.Virginia “AManuscriptsBeneventan SecondofNew List (I)”. broadThe andprincipal ofaim the BrankaTelebaković Peca

SinceBranka Tel RichardF.Gyug 61 (1999): 325 (1999): 61 displays ,

Demovićpublishedhas facsimile a edition of a manuscript with

- the 355

. practiceilluminationin presentApuliaadditionalof thus and that early the proof

Libellus S.NicolaiLibellus M

similarit

Toronto, Canadais the discovery,study, andediting of medieval liturgical texts contained in and Dr. and

edieval Studies edieval - 392. that is,thatillumination in practice ebaković Pecarski‟s doctoral thesis written in 1966 ininebakovićPecarski‟s doctoralwritten whichthesis 1966

project rski.

RogerReynoldsE. Virginia Brown. “A Second New List of Beneventan Manuscript (V)”. Manuscript Beneventan of List New Second “A Brown. Virginia ies

Beneventanski withcoCassinese

346 r the feast r of Nicholas St. fromeleventh c as result the of 56 (1994): 299 (1994): 56 MonumentaLit entire especially ,

their their influencesinw what creating http://www.pims.ca/research/mlb.html ) 348 . I . eivl Studies Medieval selectiveinfluences.receptionvarious I freeofthinkthis that manuscriptin writtenon Beneventan script

skriptoriji myself Medieval Studies Medieval Through discoverytheThrough of

- by itsby 350. “A Second New List of Beneventan Manuscript (IV)”.Manuscript Beneventan of ListNew Second “A 350. urgicaBeneventana I dices (Cas. 269, Cod. Cas.402,dicesPal.lat.909),269, (Cas. that

nan on continuousresearch havefoundfragmentsin writtenunpublished

(Beneventanscriptoria) leader Monte Cassino Monte 0 18) 584 (1988): 50 - going list of new manlistgoingofnew , Dr. VirginiaDr. , Brown. the

morethanfromfragments newtwenty an

projectcentered conservatism of the illuminatorsconservatism the of Medieval StudiesMedieval cipalinvestigators ould t accompanyingstudy: 345 entury

. . - relatedDubrovnik,hasto there

2. A eod e Ls o Beneventan of List New Second “A 625.

byofteamthe the (last accessed06.05. 2011, eventually become a localeventuallybecomea school olderCass , 231 ). Zagreb: ). PrvostolneKor crkve (DubrovnikBeneventan Liturgical - 244

at Pontificalthe Institute of

uscripts and fragmentsand uscripts . 40 (1978):239 40

includeDr. 347 inese, Capuan or inese,Capuanor

one Dubrovački the

Mediaeval studies Mediaeval chapter deals chapter Monumenta lifemiraclesand were

VirginiaBrown, - 290.“A Second 18:54

depende who ) cameto Medieval

not

101 nt nt 70 70

CEU eTD Collection UniversityDepartment of Music.IshamLib Hughes G. David “S Kelly,. IstitutoGuglielmoRoma,Cavallo,StatoPoligraficodelloZecca e 353 352 Dubrovnik,Dominican monastery:fragment i,saec. XV, folio,1 351 manuscripts"(V)". recentlylistpublished of Beneventan manuscripts/frag withshelfthe 350 2004,2005 Hereby,expressI mysincerest thanksto priorthe andlibrarian Kristijan Raič, who was very helpful during myresearch in monastery2004. in I contacted Zaninovicapparently did and did introductorykeptnote insamethe f AveryElias Loewbook for his Beneventanon script that appeared in1914 Apparently, as he himselfsays the in labeleda 349 provefurther century.disagreeI with thisearly date andthink th zagrebačke,Dubrovnik: Biskupski ordinarijat, 1998. In the accompanyingstudy datedhe has manuscriptthe with proceed anlate analysesoftwelfththirteenthfragmentsand century and theircomparisonwith in Mary monasteryofSt. consideringthe intend I Inthis to chapter isBeneventan script primarily itsDubrovnik area, origins, isThere notation exultet theof manuscriptandthis text provenanceand Missale so from Apart discoveriesinthe items newin Beneventan of written script havebeenDubrovnik there century fact collectthe that more during Beneventan script

mescholarvery important the RichardFrancis Gyug, fragmentsThe (Dominican monast Thesefragments are kept in samethe f Thomas Forrest Kelly. “Cerimonia liturgica e melodia” in in melodia” e liturgica “Cerimonia Kelly.Forrest Thomas Cavtat,

fragmentsin Scientificthe eleventhcentury not Professor - 351

, however, however, , i.AnteZaninović, aprior Ragusinum rcue n Onmn n hn:Te ae f eeetn xle. In Exultet.” Beneventan of case The Chant: in Ornament and tructure - h Lbay f Baltazar of Library The showtoBrankathem Telebaković who Pecarski, , 2006and 2008. the task - on mark A mark in text.the a ua i ree . on, abig (Mass.) Cambridge Boone, M. Graeme di cura a , historicalcontext Mediaeval Studies Thomas Forrest Kelly has contributed Kelly Forrest hasThomas contributed VirginiaDubrovnikBrown'sinresearchto visit the - in

1349;fragment a found inaprinted book withshelfthe ionsfragmentsinfromhouseareafourteenth/fifteenth Dubrovnik eleventhto the no worknoyet of 352

2004 not

MissaleRagusinum , a thirteenthmanuscript, writtenincentury ofDubrovnikscript Beneventan re .

After the analysesAfterthe of

- manage topublish fragments,the they remained unknownuntil myr consider

provide

the islandthe of Lokrum, D at r.VirginiaBrown, who came toinspect the fragments inSeptember 2005. a lyFrancis Richard contributions;

the Dominican monasteryDominicanthe ofDubro older chronologicaland possi overview at a

Bogišić: ery:fragments j that involvesthat questions of the monastery and 70(2008): 275 Benedictines L

ing aswell,for will I opt lessa paleographicalanda to ibraryDubrovnik. of andwritten older raryPapers,4), 249

this materialmoreurgent. this even seems .Toronto: Pontifical Institute of Medieval Studies, 1990

n. II Ink. in in Archivethe ofDominican the monastery Dubrovnik in fragmentsas e manuscript - on

- - 355. the ments.Virginia Brown. "A second ofnew list Beneventan s,Scientific library Dubrovnik: afragment bound with aprinted book 26 c .

ript. ript. May 353 a , the

Dominicanscholar handedthe informationon fragments a eleventhfragments,Iearlywilland twelfth century ac XIV saec.

carriedout 9,

firstBenedictinefounded monasteryin Dubrovnik Exultet. Rotoli liturgici del medioevo meridionalemedioevo del liturgici Rotoli Exultet. 1960wanted he topublish - was 277:252, 259, n.9, 264,268, 272, n.17.

to r the Missale 350 the possibility the that - Libreria d Libreria

createdin

the 2 folios, 2 , Due to the manyto Duethe newdiscoveries -

odn Hrad nvriy rs, 95 (Harvard 1995 Press, University Harvard London, researchinthe Dominican monastery1964. in As . development indevelopment ofBeneventan script esearch

Gyug hascriticalpublishedGyuga edition ofa er ble Benedictine context, becauseble context, Benedictine the ello1994,19 Stato, vnik -

mark CR degree the Missale, Missale, thirteenthcentury, which willI try to s that have beenthat Essays on Medieval Music in Honor of of Honor in Music Medieval on Essays with newwith ummer an - III

ascriptorium

the ih em (ei 4 (Feria neums with - historical art analys 195)are includedinthe of

fragmentslabeled j information 2005, shefound 2005, two - 38:24,37. esearch labeledj .

inDominicanthe

existed Thomas ForrestThomas tothe

aswell as on - - p Pent.), p. 6 s -

s s himself , a cura di cura a , 349 musical

is.By

eleventh at the at

- and h toh the the 102

CEU eTD Collection Dubrovnik of neums with fragment (The pontifikala” BeneventanPontifical) beneventanskog dubrovačkog fragment “Neumatski Demović. Pseudo of version Latin Pseudo verzije latinske jedne fragmenti "Dubrovački Pecarski. consecrazione la per rito consecrationofchurch”. the 355 informationon fragments see cataloguethe inthe appendix 354 con ofthe the content Sincefrthese provenanceisthe about caseswhe behavesurvived sincejudgecanwe illuminationand educationand eleventhfragmentsearlypreservedin/ twelfth century ZagrebSplitandcollections. beenfound isfragmentin preservedScientific theDubrovnik Libraryfragmentsand of some twelfth century Franciscana concerned.The isinDubrovnikfarfragments writtenrichest town Dalmatia theinareas the as script Beneventan 3.2. DubrovnikRelated to E 3.2. scriptorium. intendreconsiderandto theirusethemdate as Beneventanscript, thirteenthmanuscriptsDubrovnikofcentury attested writtenA inprovenance. group wholeof charters

Further Antun VitaeSactorum Them 1.Introduction leventh and Early leventhand Century Twelfth

has

aioi. Da dok saiso ord z pseej cke (w famns f h acet ie o the for rite ancient the of fragments (Two crkve” posvećenje za obreda starinskog odlomka “Dva Zaninović. on tent re ajority of the fragmentsthe ajority of inArchivewillState thein I forargue Dubrovnik. also inthe text,I will sometimesnot

ndDominican incunabulas books printed and agments were not were agments 356 the se , , itbemustvery addresearch littleadmitted to , of cause

the fragmentsfromdating obligatoryreadin , the it Rad JAZU409

Liturgica - paleographicand lmne' Recognitiones) Clementes' solely on a ground of fewsolelygroundmodestlyfragments.aof on Most of the decorated el chiesa”. della

so theyusedaswerecovers

ListDubrovačke biskupije provided - calledforgeriesLokrumfrom

provide been monasteriesbeing

etc.After identificationthe the

identified

(1988):225 detailswhere andunder whatshelf .

that are that asga gregoriana Rassegna gs of the monksuseforin not andthe service.in the gsof Theypoor are subjects of individualsubjectsinof studies except ,

to a lesser degree to the . Theybeenhave . - preserved 253. comewith . F eleventhand Zbornik radova Vizantološkog instituta knj. X knj. instituta Vizantološkog radova Zbornik

ragments Written in Beneventan ScriptragmentsBeneventan Writtenin

the richestthe X (1910):X 62 an

for .

additional argument for additionalexistencethe Lokrumofargument the

incunabulas or sixteenthincunabulas or In books.century printed were 0 11) 387 (1911): 10 -

Klementovih Recognitiones". (Dubrovnik fragments of a a of fragments (Dubrovnik Recognitiones". Klementovih a note from note aowner the

the , re -

64,86

the arthistorical I analyses, once

positories.earlyOne eleventh century simply labeled fragmentsoflabeledHomiliaries,simply twelfth / thirteenthtwelfthcentury/ exists and I twelfthnumerousquite are withcentury - mark fragmentsthe are preserved.For otherall

- part part of 87.Antun Zaninović. Dubrovnik style of illumination,Dubrovnikstyleof - 9. gsio Pertusi Agostino 398. the

Dubrovnik provenance of lateDubrovnikprovenanceof patristic manuscriptspatristicused a fewcases

valuableinformation

“Duediritagliun vecchio 354

16): 39 : (1967) - 355

rna Telebaković Branka P

eventheir reserved o

fragments - 5 Miho 45. have in

103 r

CEU eTD Collection preferred,or theat beginning of a new sentencein oflieu capital a letter. A.E.Lowe. lineof wherea space is lacking for 360 region 359 p. IV, 390 [information about the newshelf ma manuscriptcan be found in the eletteratura, 1980.:38.However, Virginia Brown kindlyhas informed me shethat is more inclined todate the fragment 358 BritannicisdePallazolo, die 24.Decembris 1494) has no incunabulum(Guilielmus Paraldus. Incunabulum68 357 Brown."Asecond newoflist Beneventan 2006,I will 356 writingcenter. suggest line the of scriptoriumi Dubrovnik fully to possibleisit script, the of roundness theBy Dubrovnik. century eleventh early with and dot symbol, 167) (fig. among writing, scientific of ( Sevilla of Isidor of unique writing, Beneventan in fragment small A 3.2. n willto try will amely the amely

The uncialform (a)so typical of Carolinethe minuscule is In fragmentThe is l The AlthoughI haveidentif earlycenturyeleventh wh 2.Analyses earlycenturyof an preserved eleventh fragmentDubrovnik in provide - ane fledged nearesttoPuglia.

fragmentis preserved in Scientificthe library of Dubrovnik.It stillis possible to in terms of terms in - the mailVirginia Brown

provide script, the ofappearancegeneral theBy connect

took place took

mona form of of form some arguments for a possibleafor someargumentsDubrovnik n Dubrovnik at such Dubrovnikanat n early date. an , but , it also ahas newshelf Bari type Bari 360

oblique lineoblique

isted referencestothe recentlypublished handoflist Beneventan manuscripts andfragments. Virginia

stery of St. Mary ofsterySt.

theirexecution Benedictine the monasteryinto Dubrovnik s perhaps s its content since it since content its

CAPUT IV. De serpentibus. De IV. CAPUT the as ied the contenttheied

358 in first two decades of decades two first in the . saec.X /XI. in Virginia Brown. 359 ich isich accepted She here. has alsoinformed thatme a letter “a” shaped like two contiguous c‟s, contiguous two like shaped“a” letter

and BibliotecaNazionale

has suggestedhas that It is, doubtlessly is, It

and the a

, Summaaurea

that the manuscript originated somewhere on the periphery of a strong strong a of periphery the on somewhere originated manuscript the that normal “a”normal or inmarginalia andglosses, where the economicalmore form is naturally thus

liturgical and patristic fragments patristic and liturgical a s

dot dot on , manuscripts"(V)". ofth -

mark writtenmark on presents the oldest example of Beneventan writing writing Beneventan of example oldest the presents

represents represents islandLokrum. of the with rk]). eseas

devirtutibus & viciis thistext may have

preserved a roundish aspect, it seems that the f theit seems that aspect, roundish a in

yetunidentified fragments an Naples:Legature distaccate 21 (New III,list p.329 (i) andNew list the categorize itcategorize Theo owner

Italian import since the arrival of of arrival the since import Italian CAPUT V. CAPUT a discussion of various animals from animals various of discussion a the the rare the Hand oflistB a of existence the excludes which century, eleventh , MediaevalStudies

like 's note. ccasionalintrusionof

paperfolder on the opening page of of page opening the on

originincasesandcertain I the

originated

use uncial“t” .Gulielmi Paraldi.

as a as De vermibus De

eneventanmanuscripts of abbreviations, omission ofomission abbreviations, of inwhich isit nowkept Bari

that have been found been have that the , in found 70(2008): 275

usedonly for

the southernthe ofpart Abruzzo,the i.e.,

membrumdisiectum type interpunction consisting of a dot dot a of consistinginterpunction The BeneveThe during myresearch in ) find . It is thus, isthus, It .

script, but it differs from differsit but script, - a

Brixie:Angelus &Iacobus de

Caroline “a” inmiddle “a”Caroline the , it underit the shelf

special reasons,as at endthe nuauu 68 Incunabulum - ragment dates from dates ragment 355 ntan .Roma: Edizionidistoria

. : Rkp. : 936/1a the the

script

the only example example only the

in the Benedictines in in Benedictines

thesame in yet found yet ,

Etymologiae 133

the w the - Dubrovnik mark a . 2

- inter - shaped shaped c. The

357

104 of to the the the

the

in in is .

CEU eTD Collection est fr(atr)iblasio fr(atr)isseraphinide bonis or(dinis) Prophetasminores et monastery:Inc. 34 Cornucopie 365 full 364 QuaritchCatalogue 1128, 1990:19. 363 362 Studies whoBrown has allowedtomecheck photographs offragment the during mys wasrecorded by Fragment Furthero SeealsoVirginia Brown. “A Second New ofList Beneventan Manuscript (V)”. 361 is(Bona fragmentincunabulum which preacher‟sorder. which referto fragmentprintedwasthebook friarto the belongedattached) to Cherub ItalyDalmatia.and AccordingVirginiaJohn. Brown, popularwasmostto ofthisoneof Augu the membradisiecta monasteryDominican Franciscaninthe both monastery.Dominicanthe andThese are dividedremnantsweremonasteries. between two conclusionthe leads fragmentsto the that oncebelonged fragmentsSimilaritiesbetweensome collections mentionedAs above, preservedDubrovnik in oforsupposedDubrovnik provenance eleventhLate and early 3.2.3. centurytwelfth patristicin script Beneventan fragments written t fragment If period. earlier in brought was itself fragment can We hefirstscribes

The fragmentThe ewas formerly pasted According toa handwritten fromnote 09.05. 1960. fragthe VirginiaBrown, Richard L Virgi Fragments textof the

in nia Brown. nia "A second new list not n Virginian Brown. "A second newlist

f Toronto,Canada in2004. a

arrived in an in arrived can no belonger found (Venice,1508). Dubrovnikfamilypatrician

of manuscriptof state with certainty whether the incu the whether certainty with state e inscriptioninthe catalogue. Published inVirgi

and the the

eius

- hadseen VIII

f 364 of the same manuscript Augustine‟scontainedsameof thatthe Gospel the St. treatiseon of MonumentaBeneventana Liturgica

wereknown toA.E.Lowe who labeled them eleventh century product de(m)or(di)nis." The information quatuormaiores 363

- Theprintedbook 2:Hieronymus, the Aaddition later o and earlier period this period earlier F . ragment inenthal.

FranciscanmonasterDominicanand fragmentsin written Beneventan script.

Allig. 1 Allig.

in in Dominicanthe monastery.Hope existsthat still is it therebut misplaced.Luckily it

Furtheron

p(rae)dicatorum deragusio was

f (Venice,1497). Exlibris: (title Bookhandsofthe Middle Ages:part IV: Beneventanscript (V)" onto waspasted down Expositiones inHebraicas questionessuper Genesim necnon super duodecim 362 a parta of : : 296.

a printed a book: Dominican monastery:54

(figs.168 to whichto fragment

held name VirginiaBrown, Richard Linenthal. (V) f

the Franciscan fragment informsFranciscanthefragment (this book maythe usthat

would have beenhave would

” nowadaysinFranciscanmonaster Dominican theand : 339 : ) and brother Blaise brother and preacher'soforder. ) the

belonged to brotherReginald,to belongedSeraph Bonis De brother

about team in 1988.Hereby -

170) kept170) now on nabulum was imported along with the fragment or the the or fragment the with along imported was nabulum F

the frontthe andback covers of printed booka (Dominican ragments ragments nia Brown. nia "Asecond newlist a

theincunabulas andprinted books whichto fragments the in

ment wasment bound tosome incunabulum from 1495. See the scribal practice existed in Dubrovnik and if the the if and Dubrovnik in existed practice scribal "/(inadifferent hand)" e m

- wasattachedhasno page)" anuscripts from anuscripts one of the specimens of Beneventan writing writing Beneventan of specimens the of one from ie

inmonastery,Franciscanthe s fragments e and f fragmentsand e Ad Ad usumfratris Reginaldi ,

tay

inDubrovnik I expressI my the same manuscriptsametheare Mediaevalstudies -

an analyses an at Pontificaltheat Institute of Medieval Bookhandsof Middlethe Ages - VI Cui(us)morte(m)post co(n)cessus

- the same library,samethe whose 11:Nicolau

s (V)":296 gratitude togratitude . stine‟s works in stine‟sworks southern TheBeneventan script owner contain

.London: Bernard 70(2008):275

, 361 . s' note s'note s Perottus,s

"; (fol." Ar)

365 heldnow Dr. the richestthe

the

Virginia being while all - 355 . actually

ies ex librisex St. inthe kept kept ,

. the 64.

105

CEU eTD Collection list..(V): 294. StudiesMedieval 370 SeealsoVirginia Brown. " 369 368 SeeAveryElias Loew. 367 366 B Dominicanthe monasterywere attached was bygiven Ante Zaninović in his notesandpublished in2008 by Virginia Sometimes for slantpossessesleft. that Theyto slight abetraythe 173) 172, (figs. these are monasterytwo are there interrogationsign as the above signabbreviationand stroke abbreviation), with sict abbreviation signover because1),Allig. writingis the also Dubrovnik F slant ofmanuscriApulian 3 / Schøyen62 (MS collection IndianaUniversity the bysurmounted a populusforabbreviation abbreviations abbreviationsthe and Theymay Fragme ) rown. "Asecond rown. newlist.."(V): 339. ragmentb

. . She Dalmatianfragmentssupports the originlacksthe because backdistinctof scriptthe the

A fragmentA was alreadyknown toA.E.Lowe who labeled it VirginiaBrown, Richard Linenthal. f A se punctuation The omnis abbreviationby signsurmounted dot a membradisiecta e

ormfound regularly in thefor Beneventanrules abbreviations inElias Avery Loew. fragment nt nt , fragmentss.n. e date date a

(fig. 171). Itreveals (fig.171). sicut andmissingfragment 369 lesssicutforas common abbreviation such as the abbreviation forabbreviation the suchas the usethe 50 (1988): 584(1988): 50 goes, goes, to to

contain s.n Fragmentarefragments.n.andk in written

iswith written dot is dot occasional , a , the hs en ulse i Vrii Bon “ Scn Nw it f eeetn aucit (II)”. Manuscripts Beneventan of List New Second “A Brown. Virginia in published been has . at at TheBeneventan sc

2 ofcaninmanuscriptthis foundbe except Beneventanthe signs

late eleventhlate century Bloomington - use of Asecond newlist.".(V): 338 shapedsign ingthe

ot Bari type a “l”)through vowels(omissionofstroke the theand

(exhibitedinundersacristy glass themonastery) andof the pts and pts of both forms of the letter “ forms ofletter both ofthe

brok her - 625: 595 and fragment" and 595 625: exRosenthal) and

fragmentsbetraysimilaritythat mentionedfragmentbgreat with and writing ofofHaymoHalberstadt en formenof"c", out out a great similatygreat a with the

Bookhandsofthe Middle Ages:part IV: Beneventanscript ofmanuscripts because ofbecausethe ly used inly used f ,

, Lilly, the (the Library

ript an the aswell asthe at beginningthe at andendthe at sentence.ofDominicantheIn the t

in whenitoccurs , 164 , abbreviation.The

i,initinstancesitdiffers but has some as a Baritype .It sicut, - given 165.

fragments usesthe the . an

in sictwith presenceof

k eleventhand twelfthcentury that the general aspect of the script,ofthe general the aspect Allig. 1 Allig. older abbreviation sign forabbreviation older sign " has been recently published in Virginia Brown. A secondne Brown. VirginiaA in publishedrecentlybeen has " markingthe , ithas similar, Parma sict with sict use

atline, endthe ofthe the f the

c”. Fragment c”. an Caroline

e of a numberofcollections world;a the around

eleventhcentury product. manuscriptfragments contain and

The BeneventanThe script

at Archiviothe( at di Stato an ragments of Augustine‟s (frragments ofwork Ricketts 16 Ricketts writteninare the Baritype an abbreviation lineabbreviationon membra disiecta membra f

brokenform“c”, olderofabbreviations

of. mainlesserpauses, and abbreviation stroke on stroke abbreviation “ isheld a ly 367 ”

uncommon abbreviationssuchuncommon as f at en the at

VirginiahasBrowndiscovered that contains some lesscontainssome common

0 ofBeneventa ) inmonasteryinDominicanthe , a Baria type inOslo

(it is(it also : d of the sentence and as f sentenceofthe d as and

187,193. suggests 366 omnibus

inDubrovnik.

The Beneventanscript . -

London, An a the the …19. Frammentidi codici morefrequent

n script, inn script, writinga Beneventan script. Beneventanscript.

abbreviationsign Visigothicinfluence. writtenwithout t and t oldersystem of fragment k fragment - the „ the

omibwith

there isthere the regular regular , inthe

t the agments e, f, e, agments ‟.

368

- left , an . use

64. 370 at at us 106

ar ar of - w

CEU eTD Collection Galatinus,Petrus 372 (I)”. by taken were they between because Toronto in p Institute the check to Pontifical me the at exist fragment MonumentaLiturgica Beneventana the of photos Luckily misplaced. su the in there conductedresearch I time the during 371 group ofrest the homogenous mentionedgroup ofThis fragments.(fig. fragment 175) may be wellas h Fragment fragmentsalready discussed fragmenteleventh century; Thereare three rule andofBeneventan co the script in produced the fragmentsmonastery), can It be fragment detachedthe concludedfromthat 98 Inc. with omiawith signof isthere a similarthe wa century.It featuresfragmentpossessesall of the providingthrough fragmentdetachedfromwith a Giventh membradisiecta layoutfragmentandactuallypageoffragmentsthe the that shows res linehorizontal Beneventanpoints puctuation;plus two

EliasAvery Loew. This fragment was fragment This emblanceandletterstypeofthe system theof of interpunction andcontent the abbreviations, of the , indicate , theyusedwere MedievalStudies an

the a systema abbreviationsofcorrespondandpunctuation January abbreviation signover e s e

2 an - uses the stroke surmounted bystroke dot a hape of the letters andlettershape of the shapedsign 372 abbreviation stroke above abbreviationstroke - yofexecut Dearcanis catholicae veritatis Manuscripts Beneventan of List New Second “A Virginia.Brown, in listed is fragment The 2004. April asan hotographs during my research stay at the Pontifical Institute of Medieval Studies Medieval of Institute Pontifical the at stay research my during hotographs containsofexplanations other same workshop and sameworkshop

becausehasscript the from

itscontent The BeneventanThe script

40(1978): 239 held at held broken abbreviationsign

fragments

the samethemanuscript. b

although itmissingis although

/ ing the Franciscan monastery, but monastery,Franciscan the s.n “ h c

previously , fragment , wavy lines for quotationforin marks),except interrogativelines wavy that sentences , insomeBenedictine monastery. “ ./ ./

team

a the “ the aswell as - Inc. 98 Inc. k ntent of 290:250 saec.XIas ex. valuableconnectionwith kept ,fragments the . Hereby t

” inthe incanmonastery Dominicanthe alsobe that dated : . general impression, fragmentsimpression,general the , 64.Itwas r

is usedthroughout the

, itseems that they, containsthat commentarya Benedict on rule the of St. thus

an j the a the a the

(Ortona,1518).

andfragment the , roundBeneventan and canbe script dated pronounced slant to the leftpronouncedslantto it theand coma, coma,

I older system older abbre of same time period, that is same timethat period,

fragments,especially Benedict‟s commentarytheSt. on mmer wouldtolike “

psalms, e I non

” - at endthe at sentence.of theIt f

and a similara and emovedfromaprinted book: ( a - in the of broken broken dot withTheanddot hook dot. a 2005

inspite of the librarian‟s help I was unsucessful was I help librarian‟s the of inspite and uses a uses and

SeeVirginia Brown. Dominican monastery)Dominican p express my gratitude toexpress mygratitude .

.Although they “ Hope remains Hope the c are not partnot ofthe are ” , lyuncommon , fragment

B intext the ing the enedictineorder. Baritype of the viating

the fragments the of sameinterpunctionsystem (note of s.n , the , b

,fragment that it that , All s.n.

omnis fragments.A close "Asecond new(V)":list 3 lateeleventh century.The the reveal ig. 1 ig.

abbreviation for sicutforas abbreviation

also may still be still may and Dr. Dominican monastery:XIII lacksthe

distinguished fromdistinguishedthe , samehomogenousgroup.

. Virginia Brown. who allowed were mostprobablywere

( omnia manysimilaritiesto has k inthe 371 Beneventan script a Beneventan script dot surmounting dot a k

are closelyare affiliated

the previouslythe and fragmentand

(fig. 174) the to the to

;

unusual in the monaster the in Franciscan

omnia abbreviation in to the to

Toronto, Canada Toronto, late eleventhlate This writtenas in finding it finding in

40. late b

are use - y, but y,but sict II the s 107 - 9:

CEU eTD Collection datedbeen GrisogonoinZara”. 376 Erasmus, Caesareusq 375 from librarian the andthe prior Duringmy research inSeptember of 2008,I could not locateprintedthe book Dominithe in fromaprinted book Dominicanthe in monastery: preservedvitae. Fragment 374 Levante,Archivi BisceglieeBitonto” in 373 fragment the to correspond of sway the (especially signs punctuation the that recognized I fragments, Dalmatian century eleventh other with fragment this of analyses comparative the During Teachers'Library. pr a attachedto frommonasteryDominicanthe ofDubrovnik discoveredfragmenta on p F inprobably executed makebeneathcomparabletouch textscripts the from to appearanceandscriptof the somespeci fromgroup ofrest the the lineabbreviation larger j Fragment maisculefilled withletters red yellow with “ the specificfeatures brokena “c sicut.for abbreviation Sicut resentsexampleanBeneventanlarger withofround scriptlettersa scalea on than ragment p

GiuseppePraga datedhas Suetonius,XII For decorationthe and the reproductions Thereis amention of other preserved patristic fragments.preserved other patristic s ”

letters , and onceand , Annotataineundem et aliquotloca restituta tothe uead tempora sua ”, olderformsabbreviated ”, ofand omnis . contain

inmonasteryinDominicanthe Dubrovnikcontains vita . It It . I odiS. Nicola, Archivio Stato, di 1986: 199

t saec.byXII AveryElias Loewa Caesares intedbook that containsa

isactually include Archiviostorico per Dalmazia la beneathit the

375

Icodici liturgicidiPuglia ing morphology of the letters, the layo the letters, the of morphology

St. Januarius St. episcopusthe i the text although fragmentthe does correspond not toany of his

insular forminsular“est”for the

p oftext ; Ausonius, ;

Gregory the Great‟s homilies ishomiliesinGregoryGreat‟s theBeneventan but round the written script wasdated tosaec.the exXI in VirginiaB

thefragment a widea arch ApulianTrani.city of .Fragment ;Giovanni Battista Egnazio,

verylarg ofmonastery,the Kristijan Raič

. a

held mayfoundbe (fig.176)

membrumdisiectum attached to aattached printed to ( book

had came

DeXIICaesaribus per SuetoniumTranquillum scriptis and Tetrasticha a Iulio in the Franciscan monastery of St. Francis in Zadar in Francis St. of monastery Franciscan the in oncebelonged to e tothe

of j inthe . tri

(fig. 178)

probablyfrom dates also T

374 the manuscriptsee Orofino.Giulia “Gli Evangeliariinbeneventana di - al hesystemdiffer ofabbreviations not does punctuationand form saec.XI ex in “Lo„Scriptorium‟ dell‟ Abbazia Benedettina diSan . Eds.Gerardo Cioffari, Giuseppe DiBenedetto etBari: al. Edizione

nd Virginia nd Brown. Elias Avery Lowe. “A New ofList Beneventan Johannes Godscalcus.

features suchas (fig. 177)

was infragmentabbreviwrittentext without the of a

“ri”ligature, in “ri”ligature, washes. washes. the c the

vol.VIII, fasc. 46 (1930): 87 (Lyons,1537). See Virginia Brown. "Asecond newlist" (V)": 297. m

373 evenencounter - Thefrom Scientificsmallfragment the abbreviation andabbreviation curious a m i h sg for sign the in oma

De romanisDe princibus libri from - 232,figs.1

an Inthe the ,towhom I givehere sincere thanks. abbreviation bysignsurmounteddot. a

ut of the page, the system of abbreviations and and abbreviations of system the page, the of ut the samethemanuscript the Royalhighschoolinand Dubrovnik shelfmarkA the the s rown."Asecond new(V)":list 296. ummer lateeleventh - Latinisermonis observationis 2, 10

word “est”, word way the dot and way dot thethe ed. the - . 12

P of . lateeleventh century.The general

aragraphs - that is asthat 2005, 2005, 100,plates 14, 15. fragmentThe has the - 1349) in 1349)

III and Evangelistary fromEvangelistaryBitonto the “ the ia pause final ly D canmonastery despite help from touching dot and dot touching r. Virginiar. Brown in Annotationes yet un yet e ” the

the text are markedare text the

sits

abbreviatio which the fragmentwhich the Scientific Library

identi

(Venice,1536). 376 tightly against distinctio finalis distinctio L

Itwas removed containing the the containing ibrary was

in Suetonium; in fiedand ation. It uses ation.It the n linen T the found he with 108 ,

)

CEU eTD Collection Recognitiones".., 383 40Studies 382 Vizant Recognitiones".(Dubrovnik fragments of Latin a version of Pseudo 381 platesexist in publishedthe study by Branka Telebaković Pecarski, see followingthe foot 380 379 whether it ha 296.(V)": 378 377 vol.2,1980., 174. edition2nd prepared andenlarged by Brown.Virginia 2 vols.Sussidi Eruditi33, 34.Rome: Edizioni diStoria e Letteratura, 220,Vatican City, 1962:211 manuscripts”inCollectanea Vaticana in honoremAnselmi card. M. Albareda aBiblioteca Apostolica edita, same workshop, monasteryFranciscan fragmentresembles decadesof inclinedmore am to monastery fragmentfromA detached Ink.104 the fragmentseleventhdiscusseditit mycan iscentury aboveandthat be opinion dated linedescendsbelowthe willfragmenta Dubrovnik, that bediscussed resemblesthat shapethe of flag lettmaiuscule folio other withof parts byGregoryGreat the r Fragment be locatedincannot monastery.Dominicanthe notes Zaninović'sAnte discuss fragments of group manuscript. same li ves

AgostinoPertusi VirginiaBrown dates fragmentthe AgostinoPertusi wasI unsucessful finding in the manuscriptinthe Franciscan m Recentlypublished in JohannesGodscalcus, I askedVirginia Brown for opinion her and receivedconfirmat twelfth century. -

like letters. onof the top strokes of Sts. Cyriac, Largo and Smaragdus and Cyriac, Largo Sts. of ološkoginstitutaknj. X (1967)

During myresearch inDominicanthe monastery (1978):250. 380 d an the 379

wasstudiedby B ers executedersin ink inmiddle littleblackletters with thelittle shaftsofand thedots the of

twelfthcentury. 44. ex

held - - more - Branka TelebakovićPecarski."Dubrovački fragmenti jedne latinske verzije Pseudo Branka TelebakovićPecarski."Dubrovački fragmenti jedne latinske verzije Pseudo

libris 377

fragments

inmonastery Dominicanthe the (fig. 179) 179) (fig. Virgi .It Latinisermonis observationes

that is that - preciselyins the ,

The .

evenwiththe ofhelp - the viewfragmentisperiod later the thanthat proposed to attached fragmentwas the is inis extremely 244:243. Elias Avery Loew. nia Brown.nia "A second newlist

ed above, it is quite is it above, ed the text whichtextalmost are unreadable.

detached fromdetached generaldistinguishesof fragment appearance fromscript the this ranka Telebakovićranka Pecarski e : 39 : 382 letter letter - As the fragment " fragment the As tothe f

and - Inher article Pecarski 45.

“ twelfthcentury. "Asecond newlistof Beneventan The l The

g containing b criptorium of St. Mary ofcriptoriumSt. ” poor

preservedin inthe the the . They actually reveal actually They . etter etter ink. 98 ink.

priorand condition,withfolio completelyone almost and destroyed later. (Venice,1536). Published in 378 All

“ pro

g is The Beneventansc a

” during

ig. 11 ig.

Thelesshasscript a rounded text text . actually (V)":296 has bable that bable

ifr oacran xetfo h homogenous the from extent certain a to differs " S the the heconcludes theythat were a ionof my hypothesisin e her

a by onasteryduringmy research sixteenth century printed book, which presently whichpresently book, printed sixteenthcentury September2008, I - librarian. fragmentfrom monasteryinFranciscanthe suggests that previ the suggests

Clementes' Recognitiones).Clementes' Zbornik radova peculiar lowerpart peculiar Dominican monasteryDominican and

. She . Pseudo . a

bifoli (fig. 180) on it has a Zadar provenance Zadar a has it

dated it dated

that they are they that ript.AHistory ofthe SouthItalian Minuscule

the islandthe ofLokrum. - Clementes um that contains umthat VirginiaBrown. "Asecond new"list

to the could Paragraphs are markedParagraphsare with - note. , that is, fromthat the

- not , held ,

membra disiecta membra

lateeleventh century. amarked inwardcurve ously mentionedously -

manuscripts". in2004 mailfrom March 12,2009.

locatebookthe aspect ,fiaspect ligature that allproduced

inFranciscanthe the the to the to . - -

Luckily K Kle 383 Moralia in Job in Moralia fragmentin the lementovih .

mentovih mentovih StudiTesti e According to to According firsthalf of She does Medieval

first todiscover ,

six the from in the color late 381

109

the the

. I

CEU eTD Collection Zagreb:JAZU, 1920:80, 1. note obziromna tip dalmatin antiquities.Itis unknown how he 385 384 Dubrovnik. later(nineteenthfragment hasa inkcentury)addition infragmentfrom isthe black statingthat monasteryand script MoraliaGregoryGreat‟s the in Job, TheNational S and have abbreviation I that for ScientificLibraryinDubrovnikanalyses (see the peculiarfoundbeinabbreviationlatethirteenthfragments centurycanpreservedin twelfth/ the presenceofthis mentionedone it fragments that and isfragments. Thisfragmentthinkthiswhy that I formofc maeleventhcentury interchangeablymoreusedrecent ones with islackbecauseofinofbeforespaceholethe the (it written parchme the “a”Carolingian endthe at and employssentence. It usage theof appears fragments.Sometimes, respected though, thisandnot is noticerulewe two formed dots triangleasth a at sentences several reasons. however,that layoutandisinas punctuationthewell similar pageof the as all the providenot

ViktorNovak identifiedhas the author ofwritten the addition as Mijat Sabljar, person a who wascollector a of Enim enim used inusedtext the

is regularlywritten eni as with horizontal line above ov 384

is not present isnot - er er

385 where itwhereis written suprascriptsignlike nuarabic shaped the a detailed paleographicaldetaileda analys the

the f the

the odd

abb The f The interrogativeand word ragment from ragment fragmentsdetachedfrom

cientific libracientific reviation is, inmyis, opinion, reviation abbreviation skebeneventane nuscriptsas was produced inwasproduced the ragment from ragment closely

and not

ergo foundin anythe of cameinto possession of fragment.the resembles e endappearcane which not sentenceofthe does

, more , aseni with igitur

ry inZagrebry where Ink. 104 Ink. is

an (Beneventanscript withspecial regardtothe type ofBeneventan Dalmatian script). written a written Ink. 104 Ink. witha

abbreviation sign surmounted by a dot andbysignsurmountedinserteddot abbreviation occasionallya rarely

except that the tur is except that thetur abreviated sic

that found inthat the

belongs to firstdecadesbelongsto of siprascript siprascript 3

differscertaina fromto extent was written for waswritten , shelf markshelf

. However, . is a signa for inl middlethe of the s a “g”sa withcansuprascript“o” a that Ink.98

employs

holds and yet other other maybe later

only

another argumentanother for a the “ the and meral2 manuscript fragmentspreservedin collections. Dubrovnik fragments - the

a R 4107 R inIhave text). the a form

igitur saysgeneral n

moresystemrecent for a bit l bita ” Ink.104 mainpause .See AveryElias Loew. sicut

ViktorNovak. sign above

isstill . ater than ater (fig. 181)

with b fragment infragment Beneventan script ine, ininstanceine, one probably only , indicatingmissing“m

frommonastery.TheFranciscanthe e the se ly - the written inmannerold the written of f

a appears ,

. On . that systemthe ofthat abbreviation fragments. It is fragments.It my suprascript suprascript s.n interrogativeand word three twelfthcentury.Pecarski nt the Scripturabeneventana s osobitim a TheBeneventan of typeround the ) ,

lso spotted a peculiara form spotted lso laterdating sincethis

the other hand other the - k and lateeleventh century shaped

not be foundin not other forfragments other and

at endthe at ofthe The Beneventanscript

older formsforolder its r not be foundin not other

2 the interrogative fromDominicanthe - shapedsign.

mentioned , an , , the , opinion, opinion,

broken omnis from ,172 sign sign Th 110 e

. a

CEU eTD Collection 386 initialwhichlinesofeightheight a with ofAugustin.text openssermona by St. monastery fragmentsTherewrittenare in three script Beneventan Fragmentsdecorated 3.2.4. liturgica)initialswith (patristica, former eleventhlate willgroup century,aI fragments differ aconsider ofthat to indicatingDubrovnik?anBeforepoint arguments that existence ofscriptoriumto inain Dubrovnik productionofthes fragments modestdecoration, any,even a fragment f Afragments group wholeofof patristic (fragments writing e.g.Naples, andtext, B3 Bibl.B andVI Nazionale 11 VI Dubrovnik, Dominikanskisamostan s.n. Halberstadt withformat, lineslarge40 double columnsof about similaritynumbermanuscriptsaof Italianwith fragments havelayoutpunctuationsameo the fragment Fragments and atletters maiuscule begin the maymanuscript have isthat Ink.98 less Although ragment ragment roundBeneventan layemployingscriptsimilar a

VirginiaBrown, Richard Linenthal. the common , the ,

group because illuminated.group they are

flag and R 4107 R s.n R

the script isscript the und

. s.n was firstdecades of Allig.1 - Fragments withFragments - in 4107 Allig. 1 Allig. ., like theletters. ofstrokes theon top

, occurrence of the brokenoccurrenceofthe

the Abruzzi( k most probablymostin created same thescriptorium

and ) emerges ) ,

e manuscriptsfragments)(preserved as e fragmentdetachedfrom apart , . It appears to beItappears coeval . to with e

b - been meant to be beenmeant to f , layout, they havea , the the fromresemblancethe oubtadly rounded oubtadly

. It It . the fragmentdetachedfrom a firsthalf 12 of nings of paragraphs which have little dots havelittleparagraphswhich of ningsdots shelf with

can be to dated twelfth century. As the fragment istwelfthfragmentAs century. thesuppliedwith the accents, original Bookhandsofthe Middle Ages:part IV: Beneventanscript - closest parallelsclosest mark n

the page the “

read aloud.Aread parallelfragment to c Allig. 5 Allig. ” th

with

shape Ink.104

and century) to other Beneventan other manuscriptsto century) with same the

the with in

two columns two of

an an

the

(two folios) (two fragment suggests late eleventhlate and

the same content. Virginia thehassamecontent. the comparedBrown -

two columns linesAs30 fortwo around text. with of out a out old manner formannerold in ir , Ink.98 withthe

the

ApuliaAbruzzi.and script with ndsystem ofabbreviationsand the fragmentdetachedfrom can connected be

that fragmentlateristhefragments that than r s , fragment ,

e traces traces ofdecoration

, and with fragmentcontaining

- contain a singleacontain the Theq f , Allig.1 the –

around 40 lines40 around and

systemofabbreviation and

the the eleventh and twelfth centuries uestionarisesthe whether fragment

abbreviationomnis j earlyincentury, written twelfth placed ,fragment , fragments , certainfrom extent th

r This homogenous group group Thisof homogenous to a scriptorium to in

can be foundbeincan

modestly decorated detachedfrom inlettersofshaftthe the

(fig.182) held Ink.98 …32 text from text h b , fragment ,

,fragment in - d 33

isplay the Franciscanthe .

and

isused Itis absence Haymo of of Haymo the Ink.104 ,

a the r is , and , k , the , , 386 e

of 111 the - f

, ,

CEU eTD Collection reproductionson 230,231, 232, 233 390 (1972):94 monasteryofMinor Friars inDubrovnik). 389 Sciences)fols.on 49r (third initial “B”), 50r (initial “B”) 388 387 fragmentspreservedinsome Thisbrokenof arch “sp” ligature architsmentionedofand insuchas of manuscript: datingthe he disagreeproposed.withdate the Italy. South description 8 5310/210/7, MS. theymoregracefully.accompany inZadarinitialsmanuscriptsmoreboth are skillfully adorned with executed, rightsteminitialthe ofthe lacesbeaksbitingthe of the initialThe standardBeneventanbeaksa repertoryofpossesses birdshooked birds long and with with codex. modest throughout the bein Judgingprovincial character. letterisThe scriptorium.ofthe leftwasunfinishedeitherstemis (the partially v inkin brownexecuted and comp ertical stem of the letterand stemofeyebrowserticalthe birds of the are

MihoDemović. "Thefragment with neumsof Dubrovnik Beneventan Pontifical". AnĎelkoBadurina. “Iluminirani rukopisisamostana Male Braće Dubrovniku”u (Illuminated manuscriptsfrom the Compare decorated initials in Oxford:Bodelian libr the Other illuminatedfragmentsfolios)Other (two in monasterypreservedFranciscan the g distinguished with an opening initial,illuminationdistinguishedan g with opening canconclude that oneprobably was quite Carolingian“a”, - 114:95

hereditas, episcopus,ecclesia hereditas, fragment 389 ofthem the allthe

Miho Demović argued forMihoDemović argued - non 96, reproductionsof fol. Ia/b,fol. 2a/b .

moreconvincinginitial because theis betrayingunskillfully rather certain drawn a - and (figs. 183, 184)(figs. 183, to the the regular regular ary,Ms. Canon.Liturg. 277, Budapest: Hungarian Academy of Sciences,394 K. the usethe “sp” ligatureis“sp” invisible the generally connected generally

tenth century,tenth ending intri ending a

eleventhcentury manuscripts oforiginZadar K. 394(Budapest: Hungarian Academy of use letter, foundletter,in eleventhcodices.century Zadar the by

of rised of birdofrised the two preserved fragmentstwo contain thethat texts, different three only one Domini the

the 390 RadoviInstituta za povijest umjetnosti TheyBadurina, publishedbywere AnĎelko who “e with a tail” instead“ewithoftail” a

I think that all I hethinkargumentsthat theproposes as that crucial for long use

can monastery: fragmentmonastery: can and are - the partite shape of partite

infragment the “

, pretiosis , actually

I the origin of the fragmentBenedictine originto thethe of scriptoria Dubrovnikmanuscript,wouldbut provenance I ofthe headslongbeakswith hooked andbiting ”

color sucha , 55v , “E”),(initial 56r (initial “E”)

onpage 95 editinsimpl or red) good previously s . He spotted a veryfeaturespottedaHe . peculiarof b

the word the emphasizedcolor red a with the

. argumentsDalmatianfor provenanceof the

Allig.11 stylizedfoliageforms the

discussed discussed deInde j “ae”

andfragment 1/2

held

, Rad JAZU409

writtenwith even yreflects

inmonastery.Franciscanthe Allig. 5 Allig. 387

. color

where it is not necessaryit is wherenot

Thesamecanbe said r

s and fitinsand text the th .

fragment have 388

.Themodest initial (1988):225 e modestpractice e a provideda . However, .However, the long at at .

the shelf mark mark shelfthe the letter.the “ I andalsoin ” roken roken - 253, ,

the usethe in short

The 112 of

CEU eTD Collection 397 396 395 partite virginis 394 Virgi 393 Budapest:Hungarian Academy of Sciences,394: K. compare examplfor 392 Virginia 391 initialilluminated fragment illuminatedAnother fragmentis copiedwere bysame thescribe. deta roundness has Theapplicat manner (fig. 185) 11 Allig. indicatesthat someisareassurfacetheis green damagedwhere initialsapplied). The impresiongeneral ofthe what but sameelements: similarity one sectionsInitialsdifferentopen havethat approx oftext sometimeswithadorned protuberance codices. Thed musicologist, manuscript fragmenthasThe beendated

EliasAvery Loew. VirginiaBrown. "A second "new (V)":list 294 Virginia The i Rome: Oxford:Bodelian library,Ms. Canon.Liturg. 277:compare examplefor "d"letter on fol. 25r, 50v, 99r,121v, 122. Virginia - a i nia Brown.nia "Asecond newlist lineinitials that l s ecorated initials ecorated moreelongated appearance.Thetype ofBeneventan script petalelement theat base ofinitial the ) nitial“d” ( such as such Brown inthe similar to similarthe to 392 ArchiveofPontifical the Irish College: MS. 13.

connects

(

a . It is It . Itis withadorned bird Brown Brown the to a

They are formed from interlacTheyformedfromare 397 391 fragm ionof Romefragment composedare .

Zadar

in 1999. Handlistof

(fig. 186) and on the note accompanyingandnote the on in

. . similar eusquide viviset electis interlacing initial“d” Hand oflist Hand oflist the lower part of the ent of ent

“ them firmlythemis The BeneventanThe script, color T w serve to ”

eleventhcentury Zadar

as placethe but oforigin, in

comprising around fivealinesof around text; comprising

the B is moreisc Itis damagedbifoliuma ( fragment the

eneventanmanuscripts fragment

in B B pattern Liber Regum Liber eneventanmanuscripts eneventanmanuscripts of the Missalfragmentthe of stress sentence.the to the

(V)":321 396 - held head the arefulinon fragments the then the s

the

, birdheadscurved and , protuberancesletterof shaft the the on r twelfth century intwelfth century Virginia Brown's )

uncertain executionanduncertain ( that is inmonasteryinan Dominican the Dubrovnik i s

s inthe greatly n the n ofthe . 64 “G”.letterslist Inher new , blue, red and yellow lacesyellowandblue, red and ,

and stylized foliageand formsstylized an .

) ing .

held

Dubrovnikfragments and green in Dub sameelements but theya have Dominican monastery)Dominican

. patterns, decoratedin yellow patterns, blue,red, green,and

codices resemble the initialsresemblethe the

inmonasteryFranciscanthedecorathas a ,37. .Roma: Edizioni distoria e letteratura,198 a The

Missale(Nat. Mariae). Dubrovnik origin cannot be Dubrovnikentirelyorigin cannot r fragment a

393 fragmentcontains ofHomeliary)athat an . initialsfragmentsinDubrovnik rovnik rovnik andblue in

imately ofp ossible Zadar origin.ossible Zadar written einitial "m" on fol. 61v and initial"d" on fol. 70v applicationof

three linesoftextthree the , used lacksused the

VirginiaconcludedthatBrown they in

by Hana Breko, a Croatianbya Breko, Hana

initial“d”( a

MS. 5310/210/7, 8 5310/210/7, MS. late eleventhlate century Zadar n unusualn nd Saec.XI2, published in the the a

Hand list of of listBeneventan Hand especially visibleinespeciallysome pearlornament Romefragment. heads of fantasticheadsofanimals. color eusquiper beatae mariae

motifincommon: th

eleventhcentury They are formedTheyfromare - heightandare there

(inexamplesboth on d is labeledis d 0.,37.

have the biggesthavethe

uledout

andinitial the executed

ed V ed Furtheron - etri initial. .

394 ina - of its of

, 113 395 .

CEU eTD Collection (1928):15 211 passionale 399 Duplančić 398 Tryphon continuously.isSt. p fr saintofTryphon,St. patron ofKotor coercentes in provenance.First house ViktorNovak, Accordingto MuseumSplit of T Somearguments 3.2.5. forDubrovnikprovenance a liturgicalthemanuscripts ( closelyresemble parallels11, (Allig. centuryscript illuminationthe moreconservawas illuminatedfour possibleBaseditfragments ison conclude not levelto any with whetherof certainty fragmentisconcluded not the ofthat Dubrovnik origin. script the form, fragmentseleventh century in aswell as differencebetween and letter especiallythe ofapplicationthe longbeak initialtypicalyellowBeneventanend ofand red, laces composed blue that here isherefragmentpassionsofthe aof agment. Thefragment isin stood bifolium aagment. quire that middlethe bifoliumreadstext asthethe and

red. The fragmenthasbeenThe dated red. ViktorNovak. "Fragment dalmatinskogpasijonala s pasijama Sv. TrifunaiSv. Blaţa" fragment(A of Virginia the

the more the any ortography ,

containing

whowas very duringhelpful my research in2002. s reveals

Brown in monasteriesBenedictine until

and and hooked beak hooked and - small details: the bird headssmall insideoutlinedthemerely birddetails:not on the but arewith green outlined 219. may

Raphahelis recent abbreviationsrecent for .

. Hand oflist

, ininitals produced the 398 a

–

the pa hesupported Dalmatianfragmentthe provenanceofthe sometimes lessround

the

the using“ an (fig.187) Zadarelev ssionsof St. Tryphonus andSt. Blaise). MS. 5310/210/7, MS. 8

MS. 5310/210/7, MS. 8) B instead of found 399 s eneventanmanuscripts ) andspace ) empty ed

lacedbefore ac be

the fragment was foundfragmentsinceislandwastheHvar, but on theH of

asp ” accompanied with an initialaccompaniedan with that

enth century Beneventan initialscenturyenth Beneventan inco Dubrovnik instead tive than the script itself, thantivescript the tak ect than other eleventh thanect other specimens. century That to saec.XIthe ex to

and Raphaelis the

omnis Dalmatianpracticeillumination ofparallels), (Zadar and that the celebrated on saintsTryphon Blaiseand of color

) It is ) It conclude only ilthe that to possible the passion of St. Blaise,passion the ofSt. sixteenthcentury,rightlyNovak “ , hac were morewererichly illuminated. omnia s

,136.

reveals

He filledinkwithand ” , l lectionsitbecauseveryhas a

the attributed the fragment to Kotorattributedsincefragment the to passion the I are usedinterchangeablyare oldthe systemwith and expressmy sincerest gratitude to byE

additionof the the Vjesnikhrvatskog arheološkogdruštva iZagrebu n.s.

liasAvery thirdofFebruary handunskillful illuminator. of rather The n illuminated n inSplit now fragment ing isidentical to appears a “ a

into consideration into a twelfththat a the i n the Library of the ArcheologicalntheLibrary the of

pearl ornament. Thepearlexecutionof ornament. h Lo ” , patronofDubrovnik ew using

apparentV.N.)(according to in inthe . Itd . ,

birdh suggested suggested isinincluded the cohercentes

eleventhcentury iffersfrom other ir unusual the

general impressiongeneral eads ( eads

is l

uminated initials uminated librarian

why I havewhy I a a differenta both withboth var broken Dalmatian

, for

, Arsen did not did

and inand “ c

” 114

CEU eTD Collection manuscripts 400 anddominant the birdsnamelylongwithbeaks biting unfortunatelydamagedquite illuminatedinitialThe Blaise,passionopens thethat of lines St. comprising sometwelveofthe eleventhcentury. Iwoulddifferent afor script, opt date also fragmentofthanthe the least with ligature li Splitfragmentthein ( features all in Although,feature abovetext) fragmentinpreservedtheno that Dubrovnik exists “sp” with interchangeable script, they probablefor DubrovnikExcept similaritprovenance.the comparedfragmentGreat‟sR thewith Gregory Theof script angularity Kotor fol.1r) Blaise isSt. put Berlinwithshelf a saintsandTryphon Blaise excludedopinion,not withTryphonus,passion the of St. Novak doesSince Viktor alsoHedated fragmentworkshop. the to indicationsfindsthisattributefr Novak some the to

ligatures,

The fragmentThe beenhas dated to secondthe ofhalfeleventh centurythe Brown, in Virginia.

similaritybetweenfragmentscenturyearly twelfth Dubrovnikan ligature ligature the to the provenanceisreallyvalid.not

showingthat Dubrovnik

, , 136 has no similaritiesinhasno withSplitscript thethe

possibility that the fragmentpossibility the that possess the possess the found the the Splitfragmentthe

ri before that use s 400 with a broad curve,with broad a trong inclination trong of color -

in mark Ms. Lat. fol. 920 mark Ms.Lat.

late of

the sequthe a by

the

few sameandpuctuationsystem abbreviation of ofthe

eleventhearly/ century twelfth

Novak‟sarguments. not provide not

andthe brokennon and

of St. ofTryphonusSt. incalendar ( the ofthe . However, it However, . encesaint‟ of

inter withits the Dubrovnik fragmentslistfragmentsDubrovnik(seethe employing of that

Kotor mansucript Kotor lacing the possibilitythe fragmentis theinDubrovnikis that origin,my of

at The twelfth century script, whichThe twelfthscript, century certaina shows tendencyto shapeletters ofthe the the argument forany other

the lacethe letter letters. ofistheThein stem the of red, executed

unmistakabl came

the pattern is green.The pattern empty inkfilled spacesare with and almostcursive ofstroke letter

- reveals are compared.are s names asone forsnames Novak‟smain of the argumentsto opt broken

secondhalf of from Dubrovnikfrom than rather This all the more so ifall moreThis so the the “ - 4107inkept i ” the

“ to the left)to the agment to agment to c y formthe ”

typical Beneventantypicalrepertoryof

round type of Beneventan script can,oftypeBeneventan however, be round script form.similarityAnother of fragment. , fragments iesapparent

In especially the the Kotor the

B the a twelfth century intwelfthcentury the a lasii martyrlasii et Kotorprovenance contentthe except twelfthcentury. Kotor rather to than that that

Scientific aforementioned argumentsspeak at the

lies

the (older forms(older proposedisby that Novak, d the general impressiongeneralthe d of the

assibilated manuscript

in specific the generalthe impressionofthe fragment passionsofthe of the a L Kotor workshop.Based Kotor on

ibraryinZagrebofand brokenofarch S anctus Trifoni m anctusTrifoni Hand oflist Beneventan

ri the

ti for , in

the ligatureand the S canto comparedbe a Berlin omnis tate Library tate in Dubrovnik fantasticanimals, Split assibilated , )

fragment the feast the and the

li artyr the text an

ti late , and 115

the a ,

is of

CEU eTD Collection D.M. (A. CC.XXV)”. 404 VIII. AnteEd. can.Liepopili. Dubrovnik, 1908:26 403 passionalewith passionsthe of St. Tryphonus St. and Blaise)....21 402 membradisiecta Split, in concludedI that fragments ofArchive,the don Slav publishedinVirginia Brown. "A second new (V)”:list 328 401 (fig.190) codex. paleographicalasfeaturesfragments 9 Fragment ObituaryDubrovniknameoriginthe contain of Pantaleon. a (1335)manuscript century containsthat PantaleonThe existenceofin St. cultof the is frominformation Dubrovnikconfirmedby Dubrovnikorigin. of BlaisepassionTryphon, ofSt. St. and( feastcelebratedon rightletter side). on I bothdecorativeon sides linestrokes ofhorizontaland slanta paragraphdecorate are rightthe form but comaslanta fragmentssame;fullthe are stop the is,Thedecisive however,identical theletters. ofelement the The signs shape ofscriptfragments suchNovak as 189) 188, fragmentof Pantaleonispassion the ofSt. 8 and Fragments7 fragments withadorned mention

Seeanalysesthe ofGrazfragments further in text.the GrazOn fragment StateArchive of Dubrovnik.Chiese emonasterii, vol. 1/XIV,fol. 5v, alsopublished in ViktorNovak. "Fragment dalmatinskogpasijonala s pasijama Sv. TrifunaiSv. Blaţa" fragment(A of Dalmatian Fragme the same . The . nts

Peculiaritiesfragmentin offromthescript the Archeological the Museum of from

1 codexand the

- in brachiumsanctipantaleoni

9 a

interrogationinsignsmanner.shaped areat letters samebeginnings thethe The of fromsamethe manuscri ,in Archivethe ofArchbishopric the inSplit wereofpart collectionthe of latetheLovre Katić. Theywere

the

pearl orament. Stylistically,pearl initialilluminatedinitialsorament. to theisthe related ofthe the same collection that contasamethecollection that passionis ofTryphonitSt. that Blaiseof andth probably work the the Franciscanthemonaster

cursivefeaturesletters ofthat the 7 ZbornikFilozofskog univerzitetau Beogradu

koKovačić, who allowed tomeexamine fragments.the During myinvestigation offragments the from

and would ing , d ind in andgreen red mannerandexecuted (e.g. samethe

27 judgingfrom a

th 8 line,whilecoma the Archivthe

, ofJuly alongspeci the with suggest that fragmentsthat suggest , 7 401

, 8

and, are writteninare resemblingscriptsuch a to extentan ) and ) pt, anidea that was approvedbyBrown Virginia andincluded in her newlist. e of the Archbishopricinpartsoffolio ethe same ofthe containing Split, is 9 7

as wellas as fragmentthe with passionsthe of Blaise St. andSt. Tryphon are lacuna and shaped in themanner;shaped same their the a yin 403

listo - 27. 8 . fragmentfrom Archeologicalthecontains Museumthethat

. It . feasts celebratedon Itis interesting also that Dubrovnik ins

between isformedby a f

isprobably al the the extend -

329.wouldI herebytoexpresslike my gratitude tothe curator features offeatures 7 relics Dialogues byGreat the Gregory

and 1. the .

belowlinebasethe

11(1970): 149 8 in 404 two feasts two

the contain

Dubrovnikandcathedral

ing strong cursive stroke andcursivestrong stroke the ssee ViktorNovak. membrum disiectum membrum

the 3 the linedescends to basethat the of the ligatures mentionedligaturesin text the i the ng the , rd -

173. the passion of St. Pantaleonpassionthe of(a St. a substantiala two dots are notaredots setabovetwo the ofFebruary Graz fragmentsGraz of

Listdubrovačke 402 for

are clearlyare visiblein the

Necrologium Ragusinum the

the punctuationthe e samee scribe. ) actually ) letter“T” has same Passionale the script inscript the fromsamethe noted

has one a

little to end

biskupije the samethe a

that by Viktor the fourteenth were part part were

includes

above. the

.Series (fig. (fig. in

the 116

CEU eTD Collection mentionedinsources in monasteryMichaelof St. inPakljena on the ofisland Šipan andthe monastery Andrewof St. monasteryThe Maryof St. Ro in 407 apart".Elias Avery Loew. contemporaryhands occasionally showsame the in MS. so markedadiffe 406 special regard t 405 Mary monasteryofSt. to examination Anpreservedmanuscripts.fragments based onopinion type pointAlthoughhave scholars triedto Apulia,where round Beneventan typethe was of script scriptoriumamanuscripts to in probable showsthesepatristicwerethat as obligatoryreadingsread readingsinmonasteries, Benedictinethe isSinceBeneventan the primarily script illumination. isthat comparable up suggests inappearcollectionsmonastery, different (Dominican Franciscan monastery, Scientificlibrary) dated abbreviations systemof homogenousingroup; they written are aboveThe analysespresented showed that monastery the the island Maryon ofSt. Lokrum originThe of the3.2.6. discussed fragments

a Therewere many Benedictine monasteriesin "Experienceteaches that it is impossibletobe ofcertain ofdate the MS. a from aspecimen of oneor twosincepages, ViktorNovak. T The centuries.in later Those s DubrovnikmonasteryBenedictine herewasmonasteryonly inBenedictine Dubrovnikonearea

of to the

questionisamwith concernedwh I which

the that originalthemanuscripts locationlibrarythefor have beena would punctuation andpunctuationis abbreviations(especially indicative the

roundBeneventan script lateeleventh Theandfact frag century. earlythat twelfth otypethe of Dalmatian Beneventan script).Zagreb: JAZU, 1920. of a complete or partially manuscript or ofcomplete a preserved

that may foundbethat Scripturabeneventana osobitims obzirom na dalmatinsketip beneventane

to Dalmatianmaterial to from the The Beneventanscript on thirteenthcentury

the islandthe ofLokrum.

ţat was foundedţat in1123, the monastery Maryof St. fragments

inmajorityfragments)ofa Benedictine monasteryBenedictineinmonasterya rather thanin Dubrovnik to 405 out out

camefrom that are that although , the difference is differencewhen, themore easily onespotted needsreinforcedbytobe examiationthe of the a the …315, 316. that t Benedictine script and Benedictinesince script the manuscriptthe round round typeofscriptBeneventan Dubrovnikarea,but they foundedwereall

illuminated theywereprobably founded in heredifferencesare between - the

407 somescripto arguments forBenedictine a

the same library samethe ether we canwe ether

eleventhnamely century,

According to foundationAccordingthe to charter Benedictinemonastery.

practiced isasreliablenot as one display fragments ; .

406 they have the sameandhavethelayout theybe can page rence instyle rence skill and as toseem generations assign

Thus, .

, the remainsthe of, which i the same style of illuminationsamestyleof the n the lateneleventh the century

use from ments

the productiontheof these the attributionfragmentsthe of the

the content fragmenofcontent the the on

the ofsomeuncommon

the ofisland Mljet in1151, the Dubrovnik formDubrovnika ; twelfthcentury. The monastery from the

the they employsimilarthey a

(Beneventanscript with dePellago formed ApulianDalmatianand after Zadar style Zadar of

the samethemanuscript

historical context.

the Lokrumthe monastery. ,

from compares wereonly

408 were divided were

archbishop

rium at riumat , the

the , one ,

117

CEU eTD Collection "ASecond New o List 412 Arhivskivjesnik detailed scriptGothic states that citythe commune gavewholethe island toBenedictines.the However, statesscript that citythe communegave partthe of isl the out forgeries 411 410 thirteenthcentury Beneventanwritten in script akademija,1928: 185 409 Zagreb:Jugoslavenska Akademija znanosti iumjetnosti 1967: 62 408 Benediktinskipriorijat Andrew Klobučca“)1234, in Benedictinethe nunneryof St. Thomas Benedictine nunneryNicholasof St. was first mentioned insources 1233,in Benedictithe Castello de Dubrovnik archbishopDominic declares that the monastery continshould exceptionthe of the nunnerySimonof St. founded by Dubrovnik citizens Benedictine nunneries foundedin1222. Maryof St. the on ofisland Mrkan was mentioned sources in in1218 and the monasteryof St.James Višnjica in was an isinThedocument and round atypewritten displays of script someBeneventanofdistinctivefeatures representsoriginalthe charter. charter was never charter ofdate the questioned. thirteenthlabelincenturyin appearededition the documentalso of the century. authenticstated the expressed but writte Šišićanalyzed also inpriest the oflabeledDuklja),heforgeries which them Beneventanscript Pancratiusinchurch ofSt. Babino Polje documents, monasteryfoundation charter in ofisthe preserved Rocchiusand ofLokrum Vitalis rector communeofthe theand ofDubrovnik

T onlyThe historian who FerdoŠišić. FerdoŠišić. JakovStipišić,Miljen Šamšalović. Ed. Marko Kostrenčić. eleventhcentury scri the biggestthe difference between two transcripts of Lokrumfoundationthe charter he document he n innin Beneventan written oneand Caroline

analysestopicthesince wasfounded (theinin written wasonewritten script) Beneventan from 410

and Benedictinethe nunneryof St.Bartholomew, laterSt. Mark

and appointand (fig. 191, 192) (fig. 191,

the the Benedictinethe monasteryof S Ljetopis popaDukljanina (The annals ofthe priestofDuklja) Ljetopis popaDukljanina (The ann

10(1967): 185 the

was attributed an eleventhwas centuryattributed an by date so

priest Leon, a futureabbotaLeon, priest monastery ofthe , - - in in 1270.

227.I will re fBeneventan Manuscript (IV)”. calledforgeriesconcernLokrum that possession the of were wereanalyzedŠi Ferdo by Tkon,1963: 416 the disputed

ed foundation monasteryLokrumofthe incharter transcripts, (preserved two one exclusivelysituatedinside the pt such consasthept

IvanOstojić.

Peter - s 234:229,foot Hisopinion

of wereher text -

theauthenticity charterof this was considerthese documents

, a monk, monk abbeyoncewasthewho a at abbotTremiti the of under - 486 the Benediktinciu Hrvatskoj .

opinion that opinionboth fromthat transcriptionsare - t. Mary t. on the ofisland Mljet,she mentionsthe note 309. note has from on

Onhowever, basisI the think script, of the foundation the that the alsofthe priestofDuklja). istentuse

remained undispuremained

the islandthe TheseofMljet. documents Dubronikcollect

“Mljetforgerie šić instudyhis šić MedievalStudies

andcalled citywalls - wasfounded Gothic script) Gothicscript) Virginia Brown Virginia Codexdiplomaticus regni Croatiae, Dalmatiae Slavoniaeet the

, later of

Lampredius - 65. the Dubrovnik State Archive DubrovnikState

in textthe together with other fragments of /twelfth ville fromthe s”.NadaKlaić. "Mljetski falsifikati" (Mljet forgeries).

and ions. (TheBenedictine Order inCroatia). Vol 2. Split: brokenform of the 61(1999): 325 the e the ted in Croatian ted scholarship toBenedictinesthe werefounded in Ljetopis popa Dukljanina popa Ljetopis uetoexist). BenedictineThe nunneryMaryof St. , in1234 andBenedictinethe nunneryof St. before

Croatian historianNada Klaić. In atext about the , to initiateto monasticlife

werefounded in …205

on the basis of the script ofbasisthe on , whichhashecalled Beograd,Zagreb: Srpska kraljevska leventhcentury

part donated islandlandofthe on the

thirteenthcentury. 1108 ( 1108 - s 206.

; the

the charterthe the - 392:341.

the

the Codexdiplomaticus the ne ne nunneryPeterof St. ( dateof documentthe which in

and Lokrum monasteryLokrum the

letter twelfthcentury andlater Lokrumdocument andpoints the she carriednever out a

, twelfthcentury, the along other with the charterthe 412 writteninBeneventan

writtenin

early thirteenth

“ and for whichfor hashe C 409 . See Virginia Brown.See . Virginia

there ”

(Theannalsof ,

and 411 thus

writtenin

. The . S the incethe ,

possibly , , the ” older od of , a

with 118 the .

CEU eTD Collection enlargedby Brown.Virginia vols.2 Sussidi Eruditi33, 34.Rome: Edizion Graduale). 415 HarvardUniversity pre 414 documentthe existed metropolisRagusina Zagreb:Jugoslavenska Akademija znanosti iumjetnosti 1967: 79 JakovStipišić,Miljen Šamšalović. MarkoEd. Kostrenčić. 413 assignedthe to ofTremiti to prior noinare documentsthere written monasteryrelated Beneventanto Marythe script ofSt. importantmostofquestionsonethe is of typealso the foundationSincementions thecharter Mary archiveofMonte isislandLokrum. It of document a foundationthe charter, one for exists introduced were fragmentsinwrittenofbecause Beneventanit script Thee century Beneventan script. possess itbe dated some moreformsrecent ( numberofthirteenthmanuscripts century olderabbreviationfor system contains n centuryscript factitwas directlyto the that copied formbroken of informsaforsometime thirteenthmanuscriptsspecialcentury appear reason systemofabbreviation as(suchabbreviationomibfor with signs In JuneIn 2008

Folios1 For the hist LuigiDe Giorgi. leventh century ofcharter date a laterf o nLokrum an

two consecutive two EliasAvery Loew. - the 3,98,100, 101 and of103 cartularythe a are palimpsest, the lower script Beneventan,is saec. points to points to undisputableroundness no andof trace , eature

ory ofmonastery the see I askedVirginia Brown who was Dubrovnikfragmentsoriginof the

abbeyisTremiti of everthless appear infinishedeverthlessappear the product the to L'isola diLacroma ossia , ,I,pages 38 . She . contactedhas vicethe

C .

a property once donated to propertya the to oncedonated monasteryby

the The ss, 1986.:689 Beneventanasearly script as assino letter “ the ois

thirteenth century or moreprecisely thirteenth century or manuscript onlythe re is re ” thirteenthcentury , “ The BeneventanThe script. History A of Souththe Italian Minuscule . In this . document, “

“ C p oe - other no featureno ” ” 41(Dominican monastery Dubrovnik in 36

's written in the manner of Gothic letters).inmanner 'swritten ofGothic the ” in omnis

- with abbreviation lineforwith abbreviation 694.

the Herbert Bloch.Herbert eleventhc its cartulary (Vat. lat.10657). itscartulary(Vat. was that ,

thirteenthTrog century frommanuscript) older an omne

marks a i Notiziegeografiche nfoundationthe monastery Lokrumofthe charter

carryingout linkwithmonasteryMary the ofSt. - archivist . This isThis . this older system thisolder ofabbreviation as entury document mentionsmonasteryMarydocument enturythe ofSt. firstpublished by

an additional argument for additionalan argument Slaba “ Montecassino in Middlethe Ages omis , to dated the Cod the

donMariano Dell'Omo especiallyletters invisibleshapethatthe ofthe

the research , a ” ex diplomaticusex regni Croatiae, Dalmatiae Slavoniaeet eleventhAsoundhistoricalcentury. thus context would mean would ,

Dubrovnikprior “ - angularitythat Beneventan 82. ome e storiche e dettasu isola .Forexample, omnis Avariant ofdocuments the alsoexists inCerva, at ” irfreeevangelistarymini with

the monasteryof Monte

eleventhtwelfthandcentur withabbrevi idiStoria eLetteratura, 1980:155. For the LudovikĐurĎevic , the although - omne IV 415

omnibus that monksmonastthe that ofLokrum

- script used there. Unfortunately, usedthere. script Dominic. priest

14 Baseddocumentstherecorded on ,

isfortypical ). who unfortunatelycould )neverthless theypossess always

the

Thes returns monasterythe to o the possiblethe

some featuressomethirteenthofthe .Vol. I. ). The). occurenceof these ation lines.inAlthough ation a

Trogirevangelistary iswith simultaneously used .Vienna, 1860:15 on ame (e.g. occurencetheof the (e.g. .2nd edition prepared and

that may bethat certainly the islandoftheTremiti,

413 Cambridge,Massachusetts: C thing isthingtrue assino the

who found it infounditwho the

Dubrovnikorigin thirteenth

to ies

xi”(part of a on that suggests that a checkwhether - from Apart .

t not 16 ures isures due

the islandthe . See . also

for the find it. on f St. Sacra . ery

119

the 414

CEU eTD Collection Zagreb:Jugoslavenska Akademija znanosti iumjetnosti 1967: 44 418 417 Bullettinodell' ArchivioPaleografico Italiano2 416 italianoperi l medioevo, 1960:158 Monastero BenedettinodiS. MariadiTremiti (1005 339. 53 pa of onerected possessionsthe abbeyofthe of subordinationof (th Cassino Benedictinesin Croatia Chrysogonus monasteryBenedictin that the of St. formerlyMadiusmonkwas a and possessionsgoods the th monasteryZadargivesisto the earlierChrysogonus(monasterythan century)in oftenth St. all Zadar inChrysogonus Thishasparallelacase restorationin concerning Dalmatia the of insubabbatisregula qua insula, TremitanaRocii beenPeter monasteryofthe o impetusandDubrovnikgave landthe the TremitimonasterLokrumand Petruccistated nothat are hasdocumenalso there fragmentsmoreseems even preservedfragmentsin written script Beneventan Dubrovnik basedon libraryarchive,a scriptorium aunfortunately,and development, be whose traced. cannot monastery,PetrucciArmando has Tremiti the reasonablythat monastery suggested anpossessed books oncepart propertyof the grou abbeyofthewellthe as as in richnessthe monastery,cartularyto the testifying of thepreservedinventory the twelfth centuryof limpsest leafssee ThomasForrest Kelly. “Montecassino andthe oldBeneventan Chant.” - JakovStipišić,Miljen Šamšalović. Ed. Marko Kostrenčić. ArmandoPetr ArmandoPetrucci. "L'archivio ebibliotecala del monasterobenedettino diSanta Maria diTremiti (XI Monte Cassino Monte 83:61 isat Forcodicological a a ,

- Madius) withoncehadabbot who contact but actuallyp but a recorded 64,78 the preservedthe sourc , who wasmonk, abbeyTremititheoncea at ( of ,

- ucci. Ivan Ostojić pointed out inIvanout Ostojićpointed on relationship histhe betweenarticle Monte 79. the the

ThomasForrest Kelly. byindividualsgifts). as n Codicediplomatico,

tenth century.I tenth

Lokrumonlythe andlink with ab the monastery to nd paleographicalnd descriptionof the that the that

likely at itatonce es, it is not possibleitdirectes, isa link draw not to - at ies 177.

monasteryhaddirectChrysogous no connection of St. with the monasteryBenedictthe in ofSt. Monte . rivatewithcontract person the .

417 MonteCassino Furtheron

n a charter fromn charter a proconsul Maius, of ofprior andDalmatia986, p.xxxiii, I note

The Beneventan Chant Monte Cassino Monte This is not ascuriousit is Thisasnot possessed - 3 (19561957): / 291 for foundationthe I Monte Monte Cassino nthesecircum - ArmandoPetrucci. 1237)

and establishe and . . vols.3

ts ts wouldpossiblebe degebat Monte Cassino Monte Codexdiplomaticus regni Croatiae, Dalmatiae Slavoniaeet

indicating cartulary

hadmonasterimpactstrong aon the - 46.

Fontiper storiala Cambridge:Cambridge University 1989Press, -

beyTremiti of stances, however, stances, 308 (th ). ). hic itaque Petrusmonachuspresbiterdeetitaque hic

seeArmando Petrucci. Codicediplomatico

at were inwere at abbeythe someto casesgiven .

a longa d

p fromofpreserveddocuments Tremiti

and the and seemsbecausecommunethe of

Madius th .

Further inFurther hetext thesays the that e

only ifonly - Zadar monastery ZadarofSt. term between

d'Italia Dubrovnikthe originof

C would havewould asthe assino.factAs this

connection betweenconnection

these these the abbeythe of Early MusicEarly History .

98.

the abbeythe ofTremiti and

the abbot the Codicediplomatico del Roma:Istituto storico monasterieswere

C - XII secolo)".XII Monte Monte y ofSt. 416 assionand 418

. This . Monte Monte Thus,

suggests 5 (1985):5 the :317, 120 the .

CEU eTD Collection zbornik 419 earlyas Dalmatianparallels to eleventhlate earlyand twelfth centur identifiednotfragmentswithdo correspond thatthose homogenous the offragmentsto group himthe TremitiwhomofcommuneDubrovnikthe called from transmitted isnothingknown linkAsthe with istarget showstheseobligatorywerethat readingsreadingsinmonasteriespatristic Benedictine isSinceBeneventan the primarily script Dalmatian comparedmaterialto from fragmentscenturies.Those originalmanuscriptsthe collections inmonastery,(DominicanFranciscan monastery, different Scientific the abbreviations systemofandpunctuationis abbreviations(especially indicative the form homogenousinagroup; they written are aboveinThe inanalysespresented someshowedfragments that text the 3.2. itfromcontinuedmonastery,Tremitidevelop the independently. to Therefore, likely Theparallel with monasterylathey evenafter Cassino

a IvanOstojić. "Montecassino benediktinci i u Hrvatskoj" (Monte

eleventhlate and centur early twelfth 7.Conclusion scriptoriuminDubrovnik.

abbeythe Tremitithat of did 21

liturgicalbook the some - wouldrecieve 22(68/69): 389 itseems eleventhcentury among DalmatianBenedictines. foundinthesemany of Benedictine monastery Benedictine the

South Italyclear. South not stillis the restoration of the monasteryChrysogonusrestoration thein ofofSt. the Zadar about the type of script used intype the about ofscript in Tremiti

, that once the Beneventan script was acquiredBeneventan oncethe that script

abbey ofisTremitionly attested notably Zadar manuscriptsnotablyZadar - s 402: an

indispensablemonafor camefrom

annual

392 with unched monasticlifein on territory unched the question.

- 393,

illuminat censum

398.

not the same librarysamethe

ies

fragments), havelayouttheysameandthepage canbe dated inDubrovnik the

playrolein lifesignificant a of the

and that th that and a ies

ionsdisplaya eleve or or Benedictine script and Benedictinesince script fragmenof content the the . The fact thatThe fragmentsthe . pensionem Peter a nthcentury,namely , stic life.mymayisstichypothesis It books thesebe that

round type of Beneventan script, roundoftypeBeneventanthey script, employ similar a show show that wasproductionathere manuscripts asof upon , is . a , the remainswhich the of ,

in hom formermonk

to establishmonastery, to a probablybrough

the foundation monasteryofthe thecharter and as

similar style of illumination that canilluminationsimilar styleofbe that andin ofwasthe abbots of chargethe C o assino genous group of fragments genousgroup mayof be ascribe the The

andthe Benedictines inCroatia), eleventh century, eleventhcentury, the at the at Benedictine monasteryMaryBenedictine St. of

at the use

the monasteryMary the ofat St.

Zadar style of illumination.Zadarstyleof Lokrum monasteryLokrum

from the ofsomeuncommon

the were dividedwere Dubrovnikcollections 419

same manuscriptappear same

Lokrum monastery.Lokrum shows that itis verythat shows

L ibrary)

wayscthe

, the probablthe ,

up suggests , possibly ,

Historijski inlater fromthe ript was ript t with t ts

that to

121 e d

CEU eTD Collection by proposed Demović. afor argue thirteenth century date also provenancepaleographicaloffeaturesthethe and mymanuscripts includeand will observations; own I accompanyingbystudy MihoD studiedbyRichardFrancis Gyug Ragusinum manuscriptsbyprobably mostexistencewritten in inof two the Dubrovnik ThestudyofBeneventan script Introduction 3.3.1. DubrovnikDubrovnik to Related or 3. scriptorium. monaBenedictine centuriesin fifteenthcentury fromJudginginthirteenthfragmentscentury Dubrovnik fragmentcollections evenfromand a comparison thirteenthcentury moBenedictine inwritten Beneventan script, willlighthopefullyon shed eleventhandcentury contin then lateprovebe that possible the formthirteenthfragments twelfthto century / homogenous also group, a image wasenoughthere monksfor time to islandon theLokrum of wa 3.L

presentsome for Dubrovniktheprovenancearguments additional of one couldone argue ate of

the T

welfthThirteenthCentury and Beneventan Manuscripsand andsothe the with Dubrovnik scriptorium lies inDubrovnikscriptoriumlies paleographical the analysesof nastery, Dubrovni ,

fragmentswritten there stery insteryarea Dubrovnik thre are thre

for - calledNicholas. ofBook St.

seemshave been to

willoccupy the presencethe of k area. Since area. k monasteryfirstandLokrum the the wasthe two manuscr two ued itsinfurtherscribalued century. Inanalyses practicethirteenth the which inmeansinfoundedwhich of almosthalf 1023, period s that the centurya the existencethe of the

inthirteenthDubrovnikcenturyquestions origin is of regarding emović. I willemović. I results summarizeofthe their analyses regardingthe so while for - inmorescriptBeneventanfruitful.

calledforgeries, certainlyLokrum wri a startusing

the Book of St. Nicholas BookSt. the instead ofof crucial place. Luckily, crucialplace. preservedmaterialamongst the

i The Book of St. Nicholas facsimile,ofBook St. wasThe publishedas a with pts of attested Dubrovnik willof attested makeprovenancepts that certainly a Dubrovnik scriptorium that started to develop indevelop lateDubrovnikto astarted scriptorium the that

there seemslittlebe there itto thatalso possessed doubt an active

an intensivean a possible a group scriptoriumof the documents Lokrum, on

Beneventan script. Theinnext forming Beneventanstep script. possible a

MissaleRagusinum use

of Beneventan script inofBeneventan precedingscript the

wascritically andedited

the the later tten tten

Beneventanscript F

MissaleRa eleventhcentury date ragmentsPreserved in

at the fragments;if it would

most importantmost

Lokrum gusinum fromthe , the Missale aided and 122 an

CEU eTD Collection (V) Brown‟s newoflist Beneventan manuscripts fragments and (alreadymentioned as Virginia Brown. 423 century). 149 422 “ASecondNew ofList ManuscriptsBeneventan (II)”. 421 420 Libraryin1817 shelf the with Library Bodelian Ragusinum Missale manuscript ofthe 3.3.2. Nicolai S. 3.3. itpossibilityalready that was scriptoriumeleventhactiveinathat latepossessed century. the possiblemonasteryscriptoriumMaryislandis isofon St. thebecause theLokrum there of great a were Zagrebformerlycollectionsin that kept Dubrovnik Thecollections. targete investigatewhetherwillis thereDubrovnik possibilityafor a also insomeforfragments originof the whethertheyco displaysome Patristica origin. individualofsubjects cases Only in studies. researctwo the these did manuscriptsBeneventan and script namelywasinfragment,alreadyChantilly the Averyincluded EliasBeneventan on book Loew‟s ChantillyinCondée)andOne(MuséeUniversity fragments, of(the Graz). Librarythese Graz of inmonastery),Scientific Zagreb (the L preservedinScientificmonasteryDominican (the Dubrovnik Library,the t and becausesurvivedintheyincunabulasfor later used andbooks asperiods.werecovers They printed are inwritten Beneventan sc madeThesemanuscriptsbelatepermit comparisonwith twelfth / to thirteenth fragments century

I haveidentified contentthe of majoritythe of fragments in myresearch in winterthe of 2006,bu ViktorNovak. “ VirginiaBrown “A Second New ofList Beneventan Manuscripts (I)”. EliasAvery Loew ”) since”) has appeared, I will include the referencesto her list. - 2.Twothirteenth century manuscript 173. Milko Kos. "Fragment jednog dub 420 1. 422 Priloziza književnost, jezik,istoriju i folklor , butmajority fragments, discoveredwerelaterthe listed and in of and dated a MissaleRagusinum

In this chapter, I intendIn I identify chapter, fragmentsstillthis are that to simplythose called 423

, analyze , paleographicalfeaturesfromthe fragments ofalland the Dubrovnik conclude , Necrologium Ragusinum

itwas propertythe Venetianofcollector the .

The BeneventanThe script

s lt titet cnuy aucit f urvi origin Dubrovnik of manuscript century thirteenth late a is ript and preserved inand preservedript Dubrovnikhavemostlycollections elsewhere,thatand

historiography questionand remarks someof the the provenance on fragments mmonfeatureshavewhetherinand might I theybeen Dubrovnik. written

- mark

rovačkogobituarija XIII veka" (Fragment of Dubrovnik a obituary fromXIII th (A.D.M. CC.XXV)”. , 64,74,338 ibrary of Juraj Habdelić and the Croatian State Archive), ibraryHabdelićJurajin State Croatian of the and

byBrown. Virginia S Cnn Ltr. 342 Liturg. Canon. MS. sofDubrovnikMissaleLibellus Ragusinumand origin,

(1924):193 MedievalStudies

- 209. ZbornikFilozofskog univerziteta u Beogradu

421 50 (1988):50 584 , MedievalStudies

MatteoLuigi Canonici(1727 The ChantillyThefragments were Grazand . Before coming into the Bodleian Bodleian the into coming Before hers propose a Dubrovnikpropose hers - 625: 595

40(1978): 239 heFranciscan d monasteryd afor .

"Asecond new list t since t Virginia kept List of of List Liturgica

- 290:249 in the Oxford Oxford the in - 1805).

11 (1970): -

250. or

123

CEU eTD Collection Latinskapaleografija support in of idea this 429 1800:13,16, 47,430 428 135 Millenusvicenus sextus cum annus.foret quibusCum Blasiet Coelitusostensa, simul translata fuerunt; Andrae,Petri, non Christidiscipulorum CorporaLaurentii, sed non illiusadusti, JudiceLampridio, residentibus urbe Rhagusa 427 Mentionedbased on 426 FrancisGyug. 425 Benev Oxford 424 discounted. He also Gyug Richard place chronicleofbyRagusa Sacrum Illyricum also They inscriptionaccordingthein to martyrs.tomba Dubrovnikon ato church the dedicated sunt s Ferrari‟ Filippo quote both They Dubrovnik since manuscript, churchmartyrsathe existed dedicated there. to that and Dubrovnik) of outside anywhere Lawrencemartyrs ma the of provenance the Regarding edition. the century twentieth the ofdecades last the In studies E ( Andrew and Peter Lawrence, ( Dubrovnik to attributed was manuscript The is vr Le wo xesvl woe n h subject the on wrote extensively who Loew Avery lias

Novaksuggested Kotor or Dubrovnik JacopoColeti. Postmodicum tempus Vitale Metropolitano, FilippoFerrari. RichardFrancis Gyug, Madan,Falconer. M. Bannister, Henry.

himself has concluded that the claims of other Dalmatiancities other claimsof the concludedthat hashimself Missale Ragusinum Missale H sgetd a suggested He . entana.

. Vol. . 5.Oxford: Clarendon, 1897:16. in inMiletius‟asverses.stated 1066 . 425 424

430 rvd information provide V MissaleRagusinum ol.2,pl. 94

Illyricumsacrum CatalogusGeneralis Sanctorum Qui inMartyrologio Romanonon sunt

constat caput repertumesse RichardGyug. ) -

, . 432. (LatinPaleography). Beograd: Naučna knjiga, 1980:151.

since it

Pet He mentioned MissaleRagusinum

e who discusses the cult of the martyrs at great at martyrs the of cult the discusses who .

date date

the 12 the r ( , appearedas just a

codicological, paleographical, musical and liturgical analyses liturgical and musical paleographical, codicological, and Andrew is restricted to Dalmatia (in Loew‟s opinion the cult is not found found not is cult the opinion DalmatiaLoew‟s (in to restrictedis Andrew and

. for

th VI,

Missale Ragusinu

Viktor Novak‟s opinion Novak‟s Viktor a century writer writer century

h mrydm f arne Pet Lawrence, of martyrdom the Ecclesia Ragusinacum suffraganeis, ecclesiaet Rhiziniensis Catet

about Jacopo Coleti‟s opinion (the continuator of Daniel Farlati‟s Farlati‟s Daniel of continuator (the opinion Coleti‟s Jacopo about

feast celebrated on July 07) by Henry by 07) July on celebrated feast

asthe (Coleti, p.13) Quoted according toRichard Gyug. Catalogus Generalis Sanctorum Qui in Martyrologio Romano non non Romano Martyrologio in Qui Sanctorum Generalis Catalogus A Summary A catal nuscript

.Toronto: Po EliasAvery Loew

provenancefor descriptivenoteabasic in text on Bene

428 ,

Richard FrancisGyug Richard ,

both Loew and Gyug stress Gyug and Loew both Ragusa) Miletius 38, foot ntificalInstitute of Medieval Studies, 1990. ogueofWestern Manuscripts inthe Bodelian Library at the . - TheBeneventan script

note 135.note 427 based on based 429 MS.Canon. Liturg. 342, butdid

that the that was

thinks that the that thinksrelicsoftranslationthe cetn te foundation the creating ,

rbby h pae f rgn of origin of place the probably the presence of of presence the

, published the most detailed study of of study detailedmost the published

manusc e especially Kotor especially r

, length and length

n Ade i 14 i Ko in 1249 in Andrew and

ventanscript. See ViktorNovak. , ed was it but Bannister, Marriot 64. ript ript .Venice, 1625: 277

the fact that the cult of of cult the that fact the Missale Ragusinum EliasAvery Lowe. may be of be may , based on based , a

mass for the martyrs the for mass not ,

cannot be entirely becannot entirely

FurtherRichardon 426 offerany arguments ) and its and )

o al further all for

harensis.

Kotor origin Kotor

the metrical metrical the - 278. ,38, note Scriptura critical critical Venice,

took took 124 the the the the tor tor .

CEU eTD Collection curiae Rhacusinae.. 2004:98/179; Dubrovnikagrada istoriju,jezik iknjiţevnost srpskog naroda,sv.III. 6 (Histor 434 context). in Zagreb: Leykam international, 2008.: 105 institutions as 433 arhitekturuiurbanizam Instituta za likovneumjetnosti JAZU, 1958: 72. 432 Liepopili: can. 7,26 Peter,SS.Andrew Lawrence and 431 430 inworkingmanualdays court the bemass to the ought in Dubrovnik of description his listo inincludedis the Andrew Lonza. Nela by described in martyrs these of cult the of continuity stood condition poor destroy was Dubrovnik was Saviour t was in there. Andrew preserved and Lawrence,Peter treasu the of Andrew) and Peter Lawrence, from lesson Steph St. of Body the of Invention thefor feast the in occurs hand Beneventan a in written note marginal a and missal the in 87v) p Kotor point this At

1363 in Dubrovnikin 1363 Mentionedbased on NellaLonza. “GraĎa drţavnih institucija kao hagiografskodubrovačkivrelo: primjer” (The documents from state The inventoryis RichardGyug. See Lukša Beritić. Beritić. Lukša See he only ecclesiastical building on Stradun apart from the Franciscan monastery (the church of St. St. of church (the monastery Franciscan the from apart Stradun on building ecclesiastical only he

ical ical andlegal documents)sv.1. and its name comes from the from comes nameits and rovenance a Acta Minoriis Consilii ,

e f urvi cathedral Dubrovnik of re sourcefor hagiography: examplethe Ecclesiasticus not I MissaleRagusinum it was it (Thedescription of famousthe town contest contest (Rhacusii: TypographiaOcchi, 1784): 81. held - 27.

for ul utl 1520 until built

Lonza:

raitči avtk Dubrovnika razvitak Urbanistički in held

, the manuscript. the

torn down in 1801. in down torn was situated in the main street of Stradun in t ofStradun street mainin the situated was the ed in a big earthquake in 1667 and renovated and 1667 in earthquake big a in ed Richard Gyug‟s opinion because I think that there are no reasons to assume to reasons no are there that think I because opinion Gyug‟s Richard

433 StateArchive of Dubrovnik. in the chapel of the Rector‟s palace inRector‟s the chapelof the Liberomnium reformationum

n fol.n 7r). sd n hs es and feast this in used She ,vol. 22,ff 4v reflects f feasts in f feasts ,40.

the Dubrovačkizakoni i uredbe compiled notes notes

which ), compound Croatian version of of version Croatian compound fifteenth century, includ century, fifteenth The i

The i The a place place a that the official celebration of the cult of Lawrence, Peter and Peter Lawrence, of cult the of celebration official the that ,

nventorypublishedis in the aig rm 1335 from dating 432 - 5r, vol. 32,ff5r, 136r

nclusionof the (Beograd:SANU, 1936), XVIII, 7;Filip de Diversis. byBona.Nikolica ofDubrovnik) in

123:118, 119 reformationum omnium Liber A 431 inl te motne ie te ut Te hrh in church The cult. the given importance the signals with ofDubrovnik). Ed. Zdenka Janekovic Zagreb: Römer. Dom isvijet,

Dubrovnik Republic on an official level was recently recently was level official an on Republic Dubrovnik street still exists near the place where the church once once church the where place the near exists still street

The church The

Chieseemonasterii Te ra Dvlpet f Dubrovnik). of Development Urban (The , ed. Aleksandar, Solovjev u

a strong cult of these martyrs. these of cult strong a on i a in found a

(Vol.1.Dubrovnik lawsand regulations),Zbornik za

. mass

- HagiologijaKultovi / u kontekstu 137v;Nicolaus Bona.

ing

itself, en, , a holiday a , ListDubrovačke Biskupije otis information contains 434 for Lawrence, Peter and Andrew (ff. 87 (ff.Andrew and Lawrence,Peter for

Require in Sci. L. p. a p. L. Sci. in Require the fifteenth century list of days when when days of list century fifteenth the

complete complete

: I / XIV.:I / (information abou the dedicated to the martyrs and erected martyrsand the to dedicated he middle of its north side north itsmiddle of he

saints' nam saints' afterwards. However, afterwards. from

also i also Istorisko , mentionedin by, Diverside

form the thirteenth century that that century thirteenth the ofinlistnon ncluded the Praxis judiciaria juxtastylum - es pravnispomenici The oldest inventory inventory oldest The in the Mass of SS. SS. of Mass the in

,VIII (1908).Anteed. about the relics of of relics the about Petilovrijenci

(HagiologyCults / (referring to the the (referringto Zagreb: Opisslavnoga t the t relicsof

due to its its to due . Thus, it it Thus, . ao za Zavod . The The . 125 a - -

CEU eTD Collection dedicatedtoSt. Helena. Translation Diversis.Badurina, ofisland Lokrum. The last record Dubrovnika mentionedin1272 Bened HagiotopografijaHrvatske renamed Mark St. was built in house twelfthandthirteenth century (first mentioned inwritten sources in1348.) Gradacthenear park andPucićthe church no exists.longer AnĎelko Badurina. in the writtensources in 1235) outside the city wallsin HagiotopografijaHrvatske Zagreb:Institut povijestza umjetnosti, Kršćanska sadašn Urbanističkirazvitak Dubrovnika ofDubrovnik thenear complex of thirteenthcentury accordingto AnĎelko Badurina andin1334 according toLukšaBeritić. Itis situated inthe southern part sestara školskih Samostan presentThe church Sigurata, Dubrovnik: Dubrovnik). in Lord the franjevki,Dubrovnik, of 1986. Transfiguration the Lukša of text monastery the the and in (further 76. 1958: JAZU, Dubrovnika umjetnosti likovne za Instituta urbanizam Beritić. Lukša pre Dalmatian southern in built probably the with coincides that century) seventeenth chur the since structure, original the (of architecture of type the byjudging but 1281, in mentioned ofthe church The westernthe 437 436 ofMontenegro, isit inclu Zagreb:Institut povijestza umjetnosti, Kršćanska sadašnjost, 2006. (CD 435 Saints. St. Baptist, the John St. Cross, Margaret, St. to Lord, dedicated the churches of codex; Transfiguration the in included feasts and saints other to dedicated churches also medievain mention that importantisto it think I codex the originof Dubrovnik James St. Thomas, St. Lawrence, churches whom to codex the of sanctoral the in included saints important some listed for has Gyug arguments Richard manuscript. hagiographic additional are there that think also I martyrs.to the ha Kotor In

I willI onlychurches list that were built inside citythe walls and Dubrovnik the area inthe narrowKantafigsense (with as RichardFrancis Gyug,. See the . Itwas . great iktinski priorijatiktinski Tkon, 1964: 482

the list oflistthe churches inKotor inAnĎelko Badurina. 437 period when period rece d

, 76. , Badurina, earthquakeof 1667.Another church of St. Elias wasinbuilt ) by border ived (fourteenthived century) St.Mark. Itwas destroyed in

almost vanished almost

AnĎelko B AnĎelko destroyed in Ivan Boţić. Ivan special issueofperiodical the Urbanistički razvitak Dubrovnika razvitakUrbanistički 435 the

Transfiguration of the LordTransfigurationthe of

andSt. butit

of HagiotopografijaHrvatske

in Dubrovnik were dedicated: St. Peter, St. Blaise, St. Stephen, St. Nicholas, St. St. Nicholas, St. Stephen, St. Blaise, St. Peter, St. dedicated: were Dubrovnik in the mid St. St. Margaret

Mentionsof first it occur

adurina. adurina. the wasdestroyed the in twelfth / thirteenthcentury. First it wasdedicated toSt.Bartholomew and ded - the eleventh century. The church The century. eleventh James as easternthe border). Missale Ragusinum . ) churchThe of HagiotopografijaHrvatske. Ostojić,Ivan.

Missale Ragusinum Missale here

great

, something that can be concluded since there concluded since be can somethingthat , :71,75. AnĎelko Badurina. Hagiotopografija Hrvatske (Hagiotopography of Croatia). Sigurata about the Jesuit the monastery and near the towerof Margaret St. (1426 because it

earthquakeof Badurina. 1667.

wasbuilt in1571 on placethe of Mary Magdalen, St. Sebastian, St. Magdalen, Mary

- the churchthe fromis 484. . Benediktinciu Dalmaciji

St. St. Elias Crkva i samostan Preobraženja Kristova u Dubrovniku. u Kristova Preobraženja samostan i Crkva HagiotopografijaHrvatske and was Thechurch dedicated to great , 39 , . Filip . deDiversis. Opis Dubrovnika (The Description of Dubrovnik). , called "Sigurata", a Croatian folk version of a Latin Latin of Croatianfolka version "Sigurata", called a , S. Mary St. ,

historicallyofpart Dalmatia. in1348 (The Urban Development of Dubrovnik). Zagreb: Dubrovnik). ofDevelopment Urban (The

placecalled "Ilijina glavi ear

wasbuilt between

t Eis S. ate, t Mark St. Matthew, St. Elias, St. a written was thquakeand renovated1675 in

T jost,2006. (CD het Dubrovnik is although HagiotopografijaHrvatske a still ex still

hirteenthcentury church dedicated to fifteent 436 I odr o teghn the strengthen to order In . HagiotopografijaHrvatske but wasit probably older. Itwas situated near presentthe tant the greatthe ,1983: 13. churchThe of century h description of Dubrovnik by Philipde Benedictine(The Order inDalmatia). Split: ,

a AllSaints the cult of cult the

. The church.The of the medievalchurch built in and a street next to it has the name "Od Sigurate" "Od name the has it to next street a and - - the ROM)(further in textthe Badurina. ROM).Although Kotor is sit - oaeqe one Romanesque twelfth andthirteenth century (firstmentioned in ca",which means Elias's head twelfthcentury

earthquakeof 1667.Badurina, the

“Domino” ( Annunciation of St. Mary and All All and Mary St. of Annunciation a Peter

- (Hagiotopographyof Croatia). 1709 St. Matthew St. Dubrovnik provenance of the the of provenance Dubrovnik was no church there church no was arnead nrw in Andrew and Lawrence , . on

- Beritić, Domusomnium sanctorum ae oe cuce, t was it churches, domed nave

. the Holy cross Beritić. S. Benedict, St. ,

theisland of Lokrum. The The BenedictineThe church of l Dubrovnik there were were there l Dubrovnik - the 1571)LukšaBeritić. St. Benedict was

latetwelfth or wasbuilt between Urbanističkirazvitak in enlarged was ch Zavod za arhitekturu i i arhitekturu za Zavod uated (Sigurata. The church The (Sigurata. raitči razvitak Urbanistički ruet o the for argument Transfiguratio eventually . It .

inRepublicthe

wasdestroyed wasfirst

summer

was dedicated dedicated the

onthe

is first is Holy Holy the ) is 126 the the the the .

CEU eTD Collection Missale Ragusinum Beneventan mass.Both secretthe andpostcommunion unattestedare elsewhere. Quoted from Richard Francis Gyug. missalsso widely separatedinorigin anddat antiphonalsandthe Campanian lection lackingapostcommun onlycollects the are in agreement:the secrets differ and the mass in Vaticanthe fragment deficientis end,theat thus diffe Augiense253, fol. 96;sacramentarium, ca. 630 ofMissal Abruzzithe (Vat.lat.4770) andin Gallicanthe Masses of(Karlsruhe, Mone Badische Landesbibliothek, fragmentary in a eleventh 440 439 438 wasin1460built next toDominicanthe monastery. Badurina, Beritić, centurydedicatedchurch tothe Annunciation was built inside citythe wallsin “Od Puča” Annunciat Lučarica in theinside city wallsinKaštio the area. chapelThe dedicated toAnnunciationthe of Mary St. was built inside citythe wall built in earthquakeof 1667.Badurina, Gruţbuilt in churchthenear of Martin St. (hence the areais Sumarticalled calledarea Srednji Kono. Badurina, existsstill inthe Gundulić villa inGruţ dedicatedchurch toSt.John Baptistthe was situated Baptist razvitak sixteenthcentury dedicated to Jesuitmonastery destroyed and the in earthquake of 1667. missalDubrovnik there thinks He 1551. in Carmelites church eastern and region Gyug Francis Richard to According intraditioncult the of Dubrovnik. Tra the of church the as well as century), /thirteenth twelfth and (twelfth Elias St. to dedicated churches Two sources masses first The century. twelfth the before range but west, throughout the feastcelebrated was Transfigurationofthethe that mentions GyugRichard Italy. Southernin as Dalmatia inearly as appeared Lord the ofTransfiguration Transfigura The of church century eleventh The compositionsofthe lections ofgospels)(epistles,thedeclared inandanalyses RichardGyug‟s Andrew, Peter martyrs Lawrence, feast ofthe alongthefeasts with are, Elias St. to dedicated in Dubrovnik churches the of existence the thinkthat I

Before its adoption by RichardFrancis RichardFrancis Gyug,. rent from rent the prayersinBeneventanthe missals.Even inOxfordthe manuscript and Vaticanthe fragment, however,

the Urbanist wassituated Dubrovnika nsfiguration of the Lord, Lord, the of nsfiguration from ionof Mary was in1536.built It situatedis thenear Ploče (thegates twelfthcentury ( r epcal important especially are

S treetin1295 and

the elevenththe century. ičkirazvitak Dubrovnika ,130, 131. Gyug,.

,72.Badurina, near thenear southern Dubrovnik Ploče gat ,

ionfor comparison. Although feastthe of isElias unrepresented inoldthe Beneventan mass m ay be ay - the the centurymissalBeneventan in script of the Missale Ragusinum Missale Ragusinum it wasit first Carmelitesin1551, feast,the though common inthe east, foundis elsewhere inwestthe only

the HagiotopografijaHrvatske

was

es because the feast was not common in the west until its adoption by adoption its until west the in common not was feast the because es anmass.Beneventan old Holy

destroyedthe in HagiotopografijaHrvatske HagiotopografijaHrvatske - mentionedinsources

lists, appearancethe prayerof a for such a distinctivefeast intwo Beneventan C while a

all ross is situatedrossis inGruţ next toDominicanthe monastery.

,72 439 eadn te urvi poeac o t of provenance Dubrovnik the regarding ,

eof composition implies anearly antecedentfor the text,perhaps even old an rdt h raino h Missal the of creation the predate

the feast of Elias shows the connections between the Beneventan Beneventan the between connections the shows Elias of feast the Badurina, , 127. , , - a be may 139. seventeenth ce 640,Burgundy). BothVat. lat.4770 and Massesthe of Mone present texts

great inan HagiotopografijaHrvatske

. The church.The earthquakeof Renaissance1667. The church dedicated tothe areacalled Pile f The tion of the Lord ( Lord the of tion

e . It . osblt ta te as f Elias of mass the that possibility from 440 for this feast feast this for

nturydedicatedchurch toSt.John Baptistthe situatedis in HagiotopografijaHrvatske. . .

ifteenthcentury Dominicanchurch renov was torndown in1463. Th A

1150) and rebuilt in eth Gothicchurch dedicated to Baritype , irteenthcentury dedicatedchurch to

dedicatedto . A to be to n) in 1358n) in

fifteenthcentury dedicatedchurch toSt. John

are found in Catalan and Beneventan Beneventan and Catalan in found are (Vat. lat.10645)(Vat. in southern Sigurata regional. the . Gothic. The church of the . Itwas . Transfiguration of the Lord and and Lord ofTransfigurationthe . They . the Annunciationof St. Mary f The Dubrovnikgate).

sixt S ) had treet 438

shows

torndown inthe ourteenth/fifteenth century eenthcentury. Itwas he missal because these these because missal he St. St. MaryMagdalen

also testify also

.It a much moremuchrestr a an Beritić,

wastorndown in1907.

that the cult of the the of cult the that eleventhcentury ,

ated inated included in the the in included The s The St. Sebastian St. St.John the Urbanistički great to to eventeenth the h long the -

, located was

was icted 127

the the an s

CEU eTD Collection IvanOstojić. MarijanGrgić in1963. Itis notclear, however,whether Marijan Grgić also supplied Ostojić 445 1963:432 444 diplomaticus 443 417 442 Hannover:Hahnsche, 1980: 544 441 and monastery a for than church cathedral a for appropriate He accept. to hard is Roţat historians. Croatian information rabiata in mariae sancte congregatio Unfortunately Roţat. monasteryof the of mention monastery This monastery. Benedictine Lokrum the by governed be should of monastery the if monasteryLokrum the of that documents on reported also Mary St. written Rabiata in dicitur qui loco of doors bronze and and books church with equipped monks three objects. liturgical sent abbot The Roţat. in monastery a establishing to cups silver precious two sent family Gundulić of Chronicle the to According 1123. ( Roţat inMary St. monasteryof Benedictine to tended has scholarship Croatian manuscript, the for argument additional with also but Missal the in masses T the of feasts distinctive the As

IvanOstojić reports that he IvanOstojić. T HerbertBloch. HartmutHoffmann ed. - 418 adijaSmičiklas ed. the

a history of the monastery from the time of its foundation its of time the frommonastery the of history a Dubrovni - ‟s 435

in Roţat has become a parish church (torn down (torn churchparish becomea has Roţat in Benediktinciu Hrvatskoj IV(Zagreb: JAZU, 1907):37 ae several made 445 .

Benediktinci Hrvatskoju , this was was this ,

Montecassinointhe Middle Ages isl M. ao. iug 342) liturg. Canon. (MS. Missal Monte Cassino Monte k archbishop,. k T he monastery was established monasterywas he Codexdiplomaticus Cassino Monte ihr Gu hs ocue ta te trbto t a eeitn mnsey in monastery Benedictine a to attribution the that concluded has Gyug Richard DieChronik vo a

. the found

lis n Roţat on claims Savin Dubrovnik provenance Dubrovnik

. 442

mentions esn ht h atiuin o oa ws ee srosy usind by questioned seriously never was Roţat to attribution the that reason

theinformation on

441 n i wr n urvi Bndcie monasteries Benedictine Dubrovnik on work his In , : (TheBenedictine Order in Croatia

show an interesting relationship between the monastery in Roţat and Roţat in monastery the between relationship interesting an show ransfiguration of the Lord and St. Elias are not only represented represented only not are Elias St. and Lord the of ransfiguration who initiated who In Dalmatia prope civitatem Ragusam ecclesiam sanctae Mariae in in Mariae sanctae ecclesiam Ragusam civitatem prope Dalmatia In

, n Montecassino/Chronica monasterii Casinensis (The Benedictine(The Order inCroatia). Vol 2.Split: Bened Later

the - he for 38. II (Zagreb:II JAZU, 1904.): 29,285 Monte Cassino Monte

Miho Demović‟s opinion that the l the that opinion Demović‟s Miho

states churches dedicated to them, I think that they represent a strong strong a represent they that think I them, to dedicated churches .

some reason c reason some 444 ,

the name of the possession in Dalmatia was was Dalmatia in possession the of name the

. Vol. . I. Although it is not clear how Ivan Ostojić came came Ostojić Ivan how clear not is it Although

through incorrect Rabiata a the shelf Cambridge,Massachusetts: Harvard University pre w C Monte , for founding of the monastery foundingofthe

ith the permission of of permission iththe Osto - , out mark andexactthe title ofcodex the fromCroatian scholar ) situated outside of Dubrovnik and established in established and Dubrovnik outsideof situated )

the ly ould not manage not ould the manuscript. manuscript. the connect

that one of the prayers in the Missal mention Missal inthe prayers the of one that i sgetd ht it that suggested jić h hsoy f h monasteries. the of history the Dubrovnik nobleman Sabin (or Savin) of Savin) (or Sabin nobleman Dubrovnik assino after ).Vol 2: 433.

the creation of the manuscript to to manuscript the of creation the

- presented the in abbot the from help requested and 286,294 until connection meant that that meant connection great As for As

monastery the the late sixteenth century when when century sixteenth late the P - 295.Tadija Smičiklas ed.

iturgy of the Missal is more more is Missal the of iturgy ope Callistus II (1119 II Callistus ope earthquake of 1667). He has has He 1667). ofearthquake

. MGH Scriptores 34. examples in the liturgical liturgical the in examples

with with thisincorrect information. ,

the clos the stated in his last will that in will last hisstated that a been had iktinskipriorijat Tkon, ,

er vn soi has Ostojić Ivan in Roţat, then it it then Roţat, in inscribed

provenance of of provenance created in the the in created 443 the Lokrum Lokrum the ss, 1986.:ss,

During a a During Codex by

- on the on 1124) 1124) 128 this this

the the the by

CEU eTD Collection 447 RichardGyug. Jahrhunderts used scribe the that 446 fact the mention also They script. the of period late the of formthe of mentionangular peculiar the for sign contraction became for sign abbreviations century thirteenth typical Theyhavestrengthenedletters. the of use occasional the ofjoining the consecutive two thus ofmarking frequent line, the on precisely placed be to not letters for signs the list Gyug and Loew Both (e.g. ligatures leftthe to right the to bow large a by marked is and line) the ligature the features; appearance angular of work the apparentlyis writing the that state scholars Both far. so mentioned not were that script the of features includeother some to try and analyses their resultsof the of script the meticulouslystudied E scriptDubrovnik centuryin Beneventan Paleographical3.3.2.2.Canon. Liturg.featuresMS. of itwas createdinis monasteryMary that possible St. the Lokrum? ofon used use. monastic for than whichmanuscript of thestructure lias Avery Loew Loew Avery lias

E. A.E.Lowe MihoDemović. in

and created for the cathedral in Dubrovnik. The question that I would like to pose is whether it it is whether pose to like would I that question The Dubrovnik. in cathedralthe for created and standard in the thirteenth c thirteenth the in standard ipse

. .Kölner Loew Loew , Scriptura Scriptura Beneventana Missale Ragusinum a abijt “ r barred ” Musikund Musiker in derRepublik Dubrovnik vom Anfang des 11. Jahrdunterts zurbis Mittedes 17.

to to that noted Beiträge zurMusikforschung 114. Regensburg: Gustav Bosse, 1981:368. Quoted accordingto ).

the w i fi his n est - an an 446

ith

does not descend not does “ following s

uncial ”

n abeitos niae b sprcit etr. oh oe n Gyug and Lowe Both letters. superscript by indicated abbreviations and The Missal of Dubrovnik was thus, in the opinion the in thus, was Dubrovnik of Missal The a general inclination to the left. They have detected typical Dalmatian Dalmatian typical detected have They left. the to inclination general a

for “ser” but also abbreviations that developed earlier but the but earlier developed that abbreviations also but “ser” for

when onewhen citr Beneventana Scriptura ,38

, - “ Vol.2, 41 a the indicate ”,

“ . a for argument entury such as as such entury that that e

” even in the middle of the line the of middle the in even “ 342. Liturg. Canon. MS.

I by a s a by pl. XCIV.pl. Richard Francis Gyug. “ ” These . I suggest a date late in the thirteenth century thirteenth the inlate date a suggest ‟s with hairstrokes, the descent of descent the hairstrokes, with ‟s ” 3 below

- that the content of the Missal is more suitable for secularformore is suitable Missalof content the the that

follows another, the se the another, follows form traight line without the curved shoulder of earlier periods; periods; earlier of shoulder curved the without line traight

the line (or according to Gyug descends slightly descends Gyug to according (or line the primarily sign that indicates that sign

late thirteenth century date by thirteenthdate latecentury “ T . aia

n Rcad yg n his in Gyug Richard and he descenders descenders he ”

, with a contraction sign for sign contraction a with

342, a baseforof342, a study thirteenth the creating a broken irregular appearance; the the appearance; irregular broken a creating include a single a 447

cond one extends below the line as in as line the below extends one cond I will briefly summari willbriefly I

h ue of use the Missale Ragusinum an ,

are reg are and the frequent contact between between contact frequent the and hand and that it has that and hand omitted omitted

the ularly ularly s “ “

final ipe of Demović and Gyug, Gyug, and Demović of m notingthe ” ” considerably hooked

isl Ragusinum Missale , 32 , -

given with a contraction contraction a with “

anima an an somethi r - ” 34. ze and co and ze

below the line, line, the below old system of of system old a

use the

, pronounced pronounced presence of presence “ ng

e of which which of tenden ”

typical typical with mpare below 129 use use cy cy a

CEU eTD Collection office(33 449 crkvezagrebačke, Dubrovnik: Biskupski ordinarijat, 1998: 4 LiturgicalManual ofLegend the and Ritual for feastthe of Nicholas St. from eleventh century). Zagreb: PrvostolneKor Dubrovačkibeneventanski liturgijski priručnik legende iob interestingold manuscriptwithold neumesandcontacted priest a brotherhoodof priests. Thisarchive was negl Bishopric)inDubrovnik when he 448 miracles,thelegends,songs theNicholas and officeofthe St. MihoDemović‟ Li3.3.2.3. the of analyses will theI script Beneventan the within written proceed I Before origin. Dubrovnik confirmed and possible bas the represent of features paleographical The manuscript. standard the that means This red). in ( (highlighted punctuation Beneventan question the of end the at point the above also here by surmounted point the that and pauses lesser for used also is which line, the on point a of consists stop full the that state Gyug and Loew both punctuation, the Regarding Dubrovniklater.becollectionsas willshown sicut origin Dubrovnik of fragments Beneventan twelfth early and eleventh form this that demonstrate Beneventana. will I analysis my in Later Ifully asthought. unusualnot Loew isolder RichardGyug abbreviationsystemwith agree as of the of use continuedthe that appears now it Dalmatia, fromitems Beneventan more many discoveryof ex earlier an of copying faithful the reflect for abbreviations As for the abbreviations the for As

In Benthe AsDemović us tells so

and there. Interrogative sentences have an inclined 2 inclined an have sentences Interrogative there. and with a suprascript sign resembling sign suprascript a with of of - calledNicholas. ofBook St. - sict with a contraction sign abov sign contraction a with sict 44), bellus Sancti Nicolayi,bellus Sancti eventanpart, the manuscriptcontains the legendof Nicholas St. (1

propriummissae s is discovery omnis

for comparative analyses with Beneventan fragments from fragments Beneventan with analyses comparative for ,

themanuscript was actuallybyfound apriest , omnia ,

itnto finalis distinctio I would like to add that that add to like would I 448 wastrying to

(44

of the manuscript written in Beneventan and Gothic script containing the containing the script Gothic andBeneventan inwrittenmanuscript ofthe

- as omis, omia with a contraction sign. Loew suggested that this might might this that suggested Loew sign. contraction a with omia omis, as 47) andtwo withouthymns notation (47 the -

theorigin ofthe manuscript isl Ragusinum Missale ectedandl

discuss a discuss systematizethe an e , the “t” the arabic number two can be found in found becan two number arabic distin

emplar, but Gyug has rightly pointed out that with the the with that out pointed rightly has Gyug but emplar, ay

on the floorthe on on script script reda blagdanasv.Nikole iz XI. stoljeća to media ctio .

for use SanctiPetri in cathedram , sicut

conservative feature feature conservative J.Njavro, who contacted M.Demović. Miho Demović. in nte manuscript the in

, - another manuscript another a support shaped sign over the interrogative word and and word interrogative the over sign shaped D.Gatić is

449 and an the same form that can be found in late late in found be can that form same the

inner terraceinabig pile. Gatić noticed an is - , subdistinctio

48). valuable in Biskupsko in sjemenište (Seminary of the 33),antiphones and responsoriesof the

late thirteenth century date date century thirteenth late . The . The an Gothicofpart the manuscript

archiveofDubrovnik the

oblique stroke is only u only is stroke oblique for the studythefor ofBeneve of abbreviated form abbreviated s rsn in present is

connected the peculiar abbreviated abbreviated peculiar the i not is ) the several

(DubrovnikBeneventan thirteenth ce thirteenth

these these followed fragme

to Dubrovnik, to

Dalmatian Dalmatian fragments fragments of of nts from from nts ntury of of ntury

inth sic for for sic in the the in

ntan 130 and and sed sed is. is.

CEU eTD Collection 452 451 Dubrovačkibeneventanski century).Zagreb: PrvostolneKor crkve z (DubrovnikBeneventan Liturgical Manual ofLegend the andRitual for the MihoDemovi (1997):93 chants(The of Dubrovnicthe Liturgical Manual 450 Bašćinskiglasi NikoleXI.izstoljeća” (The chants ofDubrovnic the Liturgical Manual offeast ofthe St.Nicholas from eleventh century). toSt.Nicholas (55 (49mass containsmass prayers thefor f Epistolaryfrom both in contempora are manuscript part Beneventan the regarded the that argued for argument decisive a is saints patron Prijeko on witnessed as Dubrovnik origin Dubrovnik of use the of examples some listed also He Dubrovnik. of patron the after liturgicalfor Dubrovnik placethe that stated Demović priests the in found was of brotherhood 1948 the of Archive name the official of the part with priests was Dubrovnik manuscript the us, informs study Demović‟s As inmanuscript 1998 time first the for mentioned Demovićpublished because Dubrovnik in script

Seechapterthe on the Trogir manuscripts. MihoDemović. MihoDemo , a

the Archive was transferred to to transferred was Archive the mention of St. Mary and St. Peter and Paul, followsand Peter Paul, Mary St. mentionand St. of - 54) eeetn n Gti script Gothic and Beneventan - 147. they were foundwere they ‟

. . Thereis also a Street Street ć. zabulus a

vić.“Napjevi dubrovačkog beneventanskog liturgijskog priručnikablagdana svetog XI.Nikolestoljeća” iz 6 (1997):6 30. cie I a chapter a In rchive.

Dubrovačkibeneventanski liturgijskipriručnik legende iobreda blagdana sv.Nikole izstoljeća XI. the the -

Dubrovačkibene 64). the aucit s cmon wr from work compound a is manuscript late nineties late inside the city walls. city the inside

for

450 thirteenth / fourteenththirteenthcentury / an analysisan MihoDemović. “Napjevi dubrovačkog beneventanskog liturgijskogpriručnika blagdana svetog for in the absence of absenceinthe

. liturgijskipriručnik

h mnsrp ad e lo etoe te tog ut f t Ncoa in Nicholas St. of cult strong the mentioned also he and manuscript the

Gothicofpart manuscriptthe with musical notation diavolus use by east ofeast Nicholas St. and .

He then He ry and b and ry

numerous churches numerous in scientific lit scientific in in Dubrovnik in t s ey liekely very is it as being as ventanskiliturgijski priručnik, in

of the manuscript inmanuscript inofarticlethean

the past century. There is no record record no is There century. past the agrebačke,Dubrovnik: Biskupski ordinarijat, 1998. and con

pr oth oth esented

contradictory arguments, arguments, contradictory cerning the . 451 Nycole was s

come from the from come much older, I think that the Beneventan and Gothic part of the the of part Gothic and Beneventan the that think I older, much for

the Biskupsko sjemenište (Seminary of the Bishopric), where it it where Bishopric), the of (Seminary sjemenište Biskupsko I think that the mention of St. Blaise in a place reserved for reserved place a in Blaise St. of mention the that think I ; i ;

erature the feastthe Nicholasof St. from ogeai pebtrrm aci er i Petri Sancti presbyterorum Congregatio n

the

a very strong argument that that argument verya strong Dubrovnik origin of the manuscript. Although Demović Demović Although manuscript. the of origin Dubrovnik

not uncommon in Dalmatia as witnessed by the Trogir Trogir the by witnessed as Dalmatia in uncommon not the h pae n te ae f h rgn f h manuscript the of origin the of date the and place the nta of instead

, that the manuscript is a local product. product. local a is manuscript the that

firstSunday Advent of the (49), prayers and canonthe of the especially the el the especially

. Gothic part of the manuscript in a canon of the mass the of canon a in manuscript the of part Gothic 452 and an and

thirteenth 23 - Nycholae extended the 24, the the a

mention of one particular saint particular onemention of 27 Croatian version of Latin names suc names Latin of version Croatian eleventh F the - eastof Nicholas St. from Bašćinskiglasi 29. eventh century church of St. Nicholas St. of church century eventh century. The century.

manuscripts should bemanuscriptsshould

including study along with along study the o streng to of eleventhcentury). - thirteenth century because he he because century thirteenth how the manuscript c manuscript the how the antiphons andintroits

Furtheron manuscript was written in manuscriptwas written

t hen practice of writing of practice

when the manuscript is manuscript thewhen the argument for a a for argument the the a MihoDemović.

Bašćinskiglasi facsimile of the the of facsimile Cathedra n In eleventh connected connected 1997

- St. Blaise, Blaise, St. a connected me into into me , Miho Miho texts texts h as h

. In In . 131 6 to to ,

CEU eTD Collection 455 143):133. codices HanaBreko. "Hrvatski sre 454 priručnik, 453 seen is text) the The script. in Dubrovnikcollection script Beneventan angular of examples no are ligature the especially the also witnessed creating it script, of type Cassinese featureitsisinscriptofmanuscriptsstriking elevenththe written angularity. centuryUnlike I shaping letters, ofmodestycolumns illumination. ofand the parchment, the of look the includes also he and century Demov on date HanaBreko discovered as it labeled Brown Virginia literature: scholarly for co and arguments century. eleventh script Beneventan in written manuscript the of part the dated Demović Miho above, stated As 3.3.2. would disagree that that disagree would

EliasAvery Loew. VirginiaBrown. A Second New ofList BeneventanManuscript (IV)”. MihoDe

Croatian musicalCroatian codices. look of the parchment. As for As parchment. the oflook h mnsrp. pnos htte manuscript the that Opinions manuscript. the

color eleventh century angular Beneventan script: relatively short ascenders and descenders and and descenders and ascenders short relatively script: Beneventan angular century eleventh in 4.Paleographical manuscriptand argumentsfeaturesthe of forthirtee its -

on crossthe pathsof differentcultural traditions). ić argues that that argues ić common the

27 a

mović.“Vrijeme i mjestonastanka”(Time andplace of origin) in of the ink is not a trustworthy criterion as already stated byLoew stated already as trustworthyacriterion not is ink the of somewhat broken irregular appearance, typical for thirteenth century Beneventan script (as (as script Beneventan century thirteenth for typical appearance, irregular broken somewhat - 29. script Beneventan in written fragments and manuscripts rgr codices; Trogir

in the in

d in thirteenth century Dalmatian manuscripts written in Beneventan script as as script Beneventan in written manuscripts Dalmatian century thirteenth in 453 mpare

the musical part of the manuscript as manuscript musicalofthe the part The BeneventaThe

As I I As . On . conspectus generalis generalis conspectus Missale Ragusinum Missale dnjovjekovniglazbeni kodeksi fi fi the them as well as well as them that does that

the contrary the believe displays a displays opcu generalis conpectus 454 an

nscript

Evangelistary

the not not ht h mnsrp i considerably is manuscript the that ,

, shaping of the columns, writing in long lines (one column of the the of column (one lines long in writing columns, the of shaping 286 descend below the line. As discussed in discussed As line. the below descend for tendency the fragments the

indicate additional reasons additionalindicate ). Closer inspection shows features that could that features shows inspectionCloser ). - 287. of the Beneventan part of the manuscript points to eleventh eleventh to points manuscript the of part Beneventan the of

from - na razmeĎi različitihkulturnih tradicija" (Croatian medieval

Raukarovzbornik

reveals a

dates thirteenth century manuscript in manuscript century thirteenth

letters not to be placed precisely on the line, thus line, the on precisely placed be to not letters h tre the reveal the comingfromthe

to to an an el

sr o te ahda o S. arne in Lawrence St. of cathedral the of asury the predominance of of predominancethe the vnh n ery wlt cnuy in century twelfth early and eventh eleventh century date because the most most the because date century eleventh MedievalStudies color . Neven. Ed. Budak. Zagreb: FF press: (127 hrenh etr aray xs in exist already century thirteenth Dubrovačkibene

to support to

published in published of the ink, the appearance of the the of appearance the ink, the of later

thirteenth century in her study study in her century thirteenth 455 61 (1999): 325 , I will list all Demović‟s Demović‟s all list will I ,

and the same can same the and a thirteenth century date date century thirteentha ventanskiliturgijski a

previous chapter there there chapter previous the Medieval Studies Medieval nth century date nth ha round Beneventan Beneventan round

nd list of newly newly of list nd not - 392:341

be found i foundbe an angular, angular, may be be may said of of said .

132 and and the the the the the

n ,

CEU eTD Collection 458 457 456 manuscripts old abbreviation the because incorrect is This fratres eius him Loew as Beneventanfrom9 of endtheMSS. the is, abbreviation this because argument this instead“i”of letter intersectingthe the mentioned also has Demović anima of scribe Eva script. Beneventan Dalmatian of features their pointing in right is he Although “ the “ t with “ the inthe use scribe the that argues Demović seen be Dalmatianmaterial can as rich very is codices liturgical in illumination century eleventh hand, of legends and is date century modestyThe date. of scribe the that copy a on depended largely Split. in Museum Archeological the of Library the from columns: hand,fragments containingOn eleventhcenturyother in the Trogir. Trogir, i ”

e.g.Bamberg HJ 15IV saec. VIII. See AveryElias Loew. EliasAvery Loew. Seechapteron Za , omis and the horizontal stroke over over stroke horizontal the and omis , glsay ih re iitrs rm rgr s el s in as well as Trogir from miniatures free with ngelistary

i with m ” use he horizontal stroke over over stroke horizontal he

and ” with an

for

does not exclude the thirteenth century date of the manuscript because of the conservative conservative the of because manuscript the of date century thirteenth the exclude not does the the “ei”and centur thirteenth and twelfth Epistolary and Evangelistary from 1259, presently on display in the Museum of Sacred Art Art Sacred of Museum the in display on presently 1259, from Evangelistary and Epistolary nomen anima a

isl Ragusinum Missale fragment fragment horizontal stroke above stroke horizontal connected to connected 458 the dar manuscripts. ).

The BeneventanThe script an , and the abbreviation for abbreviation the and

instead of instead saints were never richly illuminated illuminated richly never were saints especially eleventh century manuscriptsfromespeciallyeleventhcentury Zadar. the us p - sign appears sign illumination mentioned by Demović as an additional argument forilluminationmentioned byargument asadditionalDemović an

from the Dominican monastery in Dubrovnik and and Dubrovnik in monastery Dominican the from the genre of the codex the of genre the

the

the “ the employed out out

more recent more uses an “ an o use , that th that ” 199. seldom. He also mentions the mentions also He seldom.

ies th for the ei the

the “ the of to beginningthe 14 ofto the . He mentionsthe He . ”

abbreviations use abbreviations nomine “ with letter letter fratres e abbreviations he abbreviations e l sse for system old ff the used n o An ” m

“ for fratres with fratres for ” aia an abbreviation

“ for for is

, r in used also was abbreviations of system ld of the ty the of ” The Beneventanscript, . The . ” us instead of insteadof

simply with the horizontal stroke over stroke horizontal the with instead of instead omnis - sign ( sign

preserved Dalmatian material shows material Dalmatian preserved nor were the were nor pe used in the Book of St. Nicholas appears St. of Book inthe used pe

use omnis h s The a instead of ois and ois of instead d in d not an arguemen an not dot and comma). I strongly disagree with with strongly disagree I comma).and dot ef aee it labeled self “ “ says

noie ei of of a “ the the eleventh century and not those those not and century eleventh the ff ”

haping of the columns that actually actually that columns the of haping horizontal stroke above stroke horizontal

and th ”

“ ” for saints in used were

ama isl Rgsnm atog the (although Ragusinum Missale

centur with and the horizontal stroke over stroke horizontal the and use

181. patristic omnia eius 456 ”

of with a li

ies

ves horizontal stroke above stroke horizontal , the , but but , with a horizontal stroke stroke horizontal a with t

”

the . a

“a standing feature of of feature standing “a for a 457 are often written in two in two written often are readings. On the other other the On readings.

horizontal stroke over over stroke horizontal abbreviation horizontal stroke over over stroke horizontal the

Passio Sancti Blasii Sancti Passio T an a heforabbreviation

the recent system for for system recent eleventh century, century, eleventh eleventh century century eleventh in

“

i it comparative comparative ” an , appears in appears the “ the

“ the eleventh eleventh frs

” noe li

133 ves the the

for for it in ” .

CEU eTD Collection 460 459 word interrogative final a for (12r part second the of punctuation the In sentenceof9v,10r).the (fol.8v, 9r, and pointthree (1r is there differenceasame thecenter), scribal the that means probably(which letters the between resemblance morphological script. 1r fol.from wrote manuscript the of part Beneventan the that think also I Demović. features other alsoscriptof the itsand script resemblance to decisivemost Although forI thinkthe that argument foundandin also (fol.9r) scribefrequentlyemploye signals omitted the 11r) onlyin (fol.1v,6v), foundbenot before speaksthat Demovićthere that concludes letter suprascript u letter the of periods all in sed in the Book of St. Nicholas inofSt. sed Book the

EliasAvery Loew. EliasAvery Loew. -

11v)consistsmainly of 460 for interrogative sentences he uses 2 uses he interrogativesentencesfor . Iwould thatalso. addshape theBeneventan the signof the Although th

“ e e.g. finalstop, a foranother after one s, l thirteenthcenturythe suchas to ” stop abbreviationsic

“

for aIlaterdisagree date. becausewith script the Demović ipm

the the - “ populus the

” - s s The BeneventanThe script, BeneventanThe script, oh scribes both 11v two two

” “

with the

and 2 and m script. Finally, Demović argues that the scribe uses popl and the line intersecting intersecting line the and popl uses scribe the that argues Demović Finally, script. for thirteenthcentury ” while thirteenthcenturyabbreviation suchas points has populus a

d a d - instead of of instead contraction sign forcontraction sign shaped sign at the end of the line the of end the at sign shaped points, a isused the

Caroline the scribe who wrote from 12r from wrote who scribe the verystiffandform angular

are n a om. n nergtv snecs e ss 2 uses he sentences interrogative In comma. a and support a support

thirteenthcentury was also was is employ noabbreviation in the

for bothfor very rare invery DalmatianBeneventanrare script. for “ pp 276. 184. “ sicut MissaleRagusinum a ”

- ed ” use thirteenth thirteenth shaped sign over signover shaped

used inused with 24v), however, the scribe use scribe however,the 24v), even

the

with a similar system of abbreviations and there is great great is there and abbreviations of system similar a ofaccents aboveconsecutive connected connected ipsum medialfinalandstop the the in a the

the body of a word. Atbody thein manuscriptofword. apoint one the MissaleRagusinum in rather the than suprascript2 suprascript letter letter suprascript

a (fol.5v)3r, thirteenth century thirteenth fol. 6r, 9v), dots with hooks dots 9v), 6r, fol. thirteenth century date isthirteenth century date angularitythe was to punctuatio to entire

that is that the .

written by two two by written

- , 24v

usually highlighted in red (e.g. fol. 13v, 13v, fol. (e.g. red in highlighted usually manuscri interrogative word and interrogativeword resembling “ , typical for, ipo - 459 signlessisa whichusual abbreviation

used eleventhbyproposed century date ” and featuresandbecamethat s

with n.

“ (sometimes scribethe two uses reveals , system, the abbreviations of and s . The . a much larger scale Beneventan Beneventan scale larger much a ” Thep pt andfeature no pt d the d . The abbreviation of the type type the of abbreviation The . a an “ the I different contraction sign forcontraction sign

”

abbreviation

unctuation of the first part the of unctuation certain features that can featurescertain that arabic num arabic -

standard Beneventan sign sign Beneventan standard letters (fol.letters9v,10r, 4r, thirteenthcentury

scribes were scribes are - scribes; shaped sign over over sign shaped a point point a used sporadically used b in er 3 which3 er “ pp the script script the

one one common ” at the end end the at trained in trained ofthe

with ipso . The . scribe scribe 134

the the or or

CEU eTD Collection ( families noble Dubrovnik of surnames the the match in persons the Dalmatia in of used names match names names the that the discovered analyzing By date. century thirteenth its in written is fragment the that states He wrote re the the Professor fragment The Graz. is provenance Dubrovnik of script Beneventan in written folio One 3.3.3. DubrovnikoforDubrovnikprovenance 3.3. undeterminedorigin. comprises Nicholas St. of Book The manuscript. verticem like intensive the as well as letters "d" minuscule the Unusual continued work thepreviousof the one. they the by Judging protuberancesinshaft the two comprising initials larger manuscriopt of part second the in yellow and red with decorated and ink in also is difference and 13v) abbreviation in found also practice a 15v),

3.Twelfth centurythirteenth / in fragments written Beneventan year 1225, which is written in Roman numerals on one on numerals Roman in written is which 1225, year reversus - were 1.Thirteenthcentury GrazChantilly and fragments

or ie o tx ae sd ht possess that used are text of lines four

features of the script such as the appearance of little flag little of appearance the as such script the of features

5, 13v), 5r, (

Bernard Bisschoff. Novak dated the fragment that he call he that fragment the dated Novak Bisschoff. Bernard “ written by two scribes trained in the same scribal center and that the that and center scribal same the in trained scribes two by written oium fr bas firm a mainder

(5r that that ir - ”

v, 8r, 10r, 11v,14v 10r, v,8r, overall appearance and the subtle differences between differences subtle the and appearance overall

appar are not found not are with

of the text. text. ofthe was

verba verba is ent an an

s studied by Viktor Novak in 1970, after he after 1970, in Novak Viktor by studied o cmaaie nlss ih rget i Bnvna srp of script Beneventan in fragments with analyses comparative for

in the execution of the initials the of execution inthe of the letters). the of brvain ie above line abbreviation from (15r), (15r),

in the first part such as as such part first the in thirteenth century Dubrovnik together with together Dubrovnik century thirteenth the the vermium ), anniversario ), isl Ragusinum Missale

Beneventan script that that script Beneventan -

the analyses the (9v) appear with same frequency in both parts of the the of parts both in frequency same with appear (9v) a use

(12r), eeetn character Beneventan the

of 2 of clericus Nicolay Scapluati, Pascali de Crosii, Crosii, de Pascali Scapluati, Nicolay clericus

the “ the . While . “

i adversus In . - ” . In a In . shaped sign above sign shaped

for

m - side of the folio by the same scribe who who scribe same the by folio the of side

historiographyanalyses and ” h seco the

omnium

in first part simple initialssimple part first in with great majority of cases the surnames surnames the cases of majority great has a has - like strokes pointing downwards on on downwards pointing strokes like (9v) ed the ed kept at kept learned about the about learned the the

scriptpreserved in certain angularity certain conversus nd part, there are also also are there part, nd the ( suprascript suprascript a

Necrologium Ragusinum Necrologium syie foa moti floral (stylized more recent system). The The system). recent more

two parts, I conclude that that conclude I parts, two the University Librar University the

the “ the the

N second scribe simply simply scribe second

(15r) ecrologium Missale Ragusinum Ragusinum Missale u ” “

i for ”

, diversa , fragment for

ver in words in ver connected to connected were michi

, Novak Novak , f drawn drawn s and and s (10r), (10r), a some some

from (fol. (fol. y of of y 135 yet yet

to to

CEU eTD Collection 464 Kršćanskasadašnjost, 2006. (CD AnĎelkoBadurina. Hagiotopografija Hrvatske (Hagiotopography ofZagreb: Croatia). Institut za povijestumjetnosti, according toavailable documents from the medievalperiod 465 Benediktinci Hrvatskoju ofDubrovnik). Zagreb: Beogradu Mentionedbased on Benedictinemonastery the on ofisland Šipanwas consecrated toSt.Michael wellas as onetheon islandthe of Mrkan citythe walls, century,destroyed), presentthenear Jesuit monastery(12 463 “NecrologiumRagusinum (A.D. M. CC.XXV)” 462 (1970): 461 the E infragments executed inwere Dubrovnik the is fragment they although Chantilly the that opinion the expressed He folios. innow origin of study his In thatproba were these dates anywhere Gruţ in situated with confirmed Geminianus, St. of case and res the but eighth, the feast September on date regular the on celebrated is Mary Virgin Blessed of birth the also has Novak Kulin. attested is version) Slavic in (KrbašGervasius count mention the de Bogdanus Scarcelle, de Petri Mariga uxoris Zorga Grede, Johanne et Maria Pisini, Getaldus Mazosi, Mar Biguse, Pascali presbiteri mater Radanega lias Avery Loew, who dated the Chantilly necrologium Chantilly the dated who Loew, Avery lias

ViktorNovak. “Necrologium Ragusinum (A.D. M. CC. XXV)” The m Mentionedintwo docume ViktorNovak. “Necrologium Ragusinum (A.D. M. CC. XXV)”. pectively, which does which pectively,

- 467. thirteenth century has also also has century thirteenth the 31 the s

of St. Michael and St. Geminianus are celebrated on September the sixth and September the third Septemberandthird Geminianussixthon thethe September Michael celebrated are St. and of St. 461 149 …) As one of the most important indicatorofimportant most the of Asone …) The recentlist of churchesthe all consecrated toSt. Michael shows Dubrovnik in that andDubrovnik area, edievalchurches of Michael St. Dubrovnik in were situated inLapad (12

11(1970): 1

- 173:161 else st

the of of January for St. Geminianus. Since both saints were venerated in Dubrovnik which is, in is, which Dubrovnik in venerated were saints both Since Geminianus. St. for January the the

lo have also churchwas called Agapis uxoris comitis Gervasii comitis uxoris Agapis nDlai)ad oatre i DbonkadDbonk area Dubrovnik and Dubrovnik in monasteries and Dalmatia) in noted unusual noted the 462

ViktorNovak. “Necrologium Ragusinum (A.D. M. CC.XXV)”. - Musée Condé, ChantillyCondé, Musée 164.Further on

68.See additional data inLukšaBeritić. Urbanistički razvitakDubrovnika (The Urban Development and Zavod arhitekturuza urbanizam i Instituta za likovne umjetnosti JAZU, 1958:72. Graz fragment Novak mentions fragments of another necrologium of Dubrovnik Dubrovnik of necrologium another of fragments mentions Novak fragment Graz

(The Benedictin(The the nts from 1283nts (

not great morphological similarities. Novak thinks that probably both of these these of both probably that thinks Novak similarities. morphological great

bly the dates blydates the

- case of St. Michael with numerous churches numerous with Michael St. of case ROM)

match the standard dates for their feasts their for dates standard the match

DeLabis features related to the to related features noted ViktorNovak. “Necrologiu .

eOrder inCroatia). Volume 2.Split: Ben Div. 1,canc., 123; Div. canc., 2., 13

that it contains the obitof Archbishop Bonaventura who died in died who Bonaventura Archbishop obitof the contains it that

(12 of ,167. th

by (Musée Condé Impr. Fol. V, A.8) V, Fol. CondéImpr. (Musée translations ofrelics or /13

th scriptoriumof h existence the , because the existence of of existence the because ,

century,destroyed), Pileat (12 th /13

untiltoday there were tolo de Buto, clericus Matheus Ballislaue, Petrus Petrus Ballislaue, Matheus clericus Buto, de tolo th

saints mentioned in mentioned saints in the century,destroyed), insouthernthe ofpart Dubrovnik near m Ragusinum m (A.D. M. CC.XXV)”.

,170 a charter from 1189 issued by the Bosnian ban ban Bosnian the by issued 1189 from charter a ZbornikFilozofskog univerziteta u Beogradu Dubrovnik origin of the fragments he stresses stresses hefragments the of Dubrovnikorigin on the basis of its of basis the on - the of of 171. a Lokrum Benedictine monastery.BenedictineLokrum

church the ). th

later ediktinskipriorijat Tkon, 1963:451 altogether Mentionedbased on /13 consecrationchurchofthe

(29 ZbornikFilozofskog univerziteta u th the the

eiae t him to dedicated the /13 century),Lokrum, Portoč (12 than dedicated to him to dedicated th

September for St. Michael St. for September

twelfth century Dubrovnik Dubrovnik century twelfth

paleographical features paleographical Necrologium inFrance thirty

century,destroyed). the 463 - four churches.four See Graz necrologium, necrologium, Graz , Novak concludes Novak ,

ViktorNovak

two comprising IvanOstojić. ; the feast of of feast the ;

(more than than (more which was was which

11 The 464 es . . - th

458, /1 136 3 to to th

CEU eTD Collection 469 century). 468 regardingthe script andwithout the 467 466 465 researchersof on KosMilkodated that fragmentthe Summerizingstudyofnecrologiumobituariumthe / Kos byMilko and1300 Lowe'scorrected samethe place fragment can lettersfoundlines beinthat decorating for note forgeries.Lokrum marks ArchiveofDubrovnik Beneventanscript onfragment) Graz the Branka and word; a between parallelsclosest The latera angularity,fragments ofscribeboth the possesses pronounced a The script parts are of fragmentsspeaks offeaturesthe paleographical betweenthe the listed VirginiaBrown manuscripts, and fragments as serve not can 1293 very pronounced horizontal line stretching outside the body of the letter if letter the of body the outside stretching line horizontal pronounced very

BrankaTelebaković MilkoKos. "Fragment jednog dubrovačkog obituarija veka"XIII (Fragment of Dubrovnik a obituary fromXIII th Thesedocuments will be analyzed inaseparate chapter because is it notpossible toanalyze only onedocument Virginia Elias the calendar letters assignedcalendarSundays,the proposesto she Graz fragments and proposed proposed and fragments Graz the . 465 ;

the

systemfor ofabbreviations

AveryLoew. Nr. III,5;2),certainlyin I, were Nr. that Nr. because belongtheyLokrumexecuted to Telebaković Pecarski has analyzed the Chantilly fragment (back PecarskiTelebakovićhasfragment analyzedChantilly information the sheno thenhad capital letter capitalletter Priloziza književnost, jezik,istoriju i folklor . However, this obit is However, laterthis isaddition. written obit it nota and “ . Accordingher, mentionedChantilly. andthein forgeries to fragment Lokrumproduced were

itwas Brown. letter

” the same manuscript.samethe , the the , “ onlyin 1312 that isthat Hand oflistbeneventan manuscripts d littleflag a suggestion . . She 467 Chantilly fragmentsChantillyagre ” The BenevThe - basis for dating the fragment. In her revised version of Lowe's list of Beneventan Beneventan of list Lowe's of version revised her In fragment. the dating for basis

Pecarski, Pecarski, has

“ Sheexpressed opinionthethe that usescript, thethe angularity of of b

, (at the Branka(at time of Telebaković i

” n herinndoctoral thesis,relatedDubrovnikchapter afragmentsin to written compared its script withits compared26 script documents XII the scriptorium of the monasteryMary scriptoriumthe St. the of of

a has the samehaslinethe letter. top decorativewavythe of at the

little flaglittle - like stroke pointing likeletterstroke downward theof theon top entan Beneventanskiskriptoriji

that that

that P that

fragments overallcontext. script A

omnis, omnia omnis, to the to rchbishop Bonaventurerchbishopdied ininmentionedishebecause 1293, ope Clement V ope appointed - a like stroke on the top of the sha the of top the on stroke like , aetitet etr ae o oh fragments. both for date century thirteenth late 64 , 1. note

come year 1250. Sheyear 1250. e that efragments the date

these

(1924):193

in the shape of the letters: the of shape inthe

, 33. ,

andin onlypoints

two documents two (Beneventan

the Chantilly fragments asfragments Chantilly the

- 209.

disagrees,with hishowever, dat

a datea Pecarski

scriptoria) a supports newarchbishop betweenand1257 1268. can also be foundcanbein also

468 in ' d s the to someto time

ft of the letter pointing downwards downwards pointingletter the of ft research they had different shelfhad they different research and XII 26f and XII the hand of the originalofhandthe the s , Telebaković , Pecarski on ,

236 Virginia Brown's thesis that that thesis Virginia Brown's punctuation.

the islandthe She of also Lokrum. - the 240. used a used letter

it occurs occurs it part of part for

fromState the “ after the middlethe after of

tironian note for note tironian d “ Dubrovnik.

” e

, and littleand , wavy ” the same codex as as codex same the 466 the , for example has examplehas for , at the end of the the of end the at

ing 469 The similarity similarity The Chantilly the a

tironian Th mentions and, c so ribe so it so ribe us, - called based based

all “ they 137 et - ”

CEU eTD Collection newlist 472 “Resid. and R printedthe book. orati 471 470 identifiedas fragmentwithThe Scientificinlibrary Dubrovnik. F collections 3.3.3. fragmentisthen oftheDubrovnik not probably origin. indicatedthirteenthiscentury angulardistinctIf character. systemisa of abbreviation that thirteenthforistypicalcentury usedor eith permitting inallare chapter written for manuscripts Thescribes points. isThere lettersbe tendencynot forline, to placed thus the precisely on Dubrovnik Nicolayi S. Libellus Ifscript the compareweof time obitone Novak's revisionforof Viktor date fragmentsChantilly morphologicalthe Asthirteenth century. great resemblancethe scriptbetween the ragments written inwritten Beneventa ragments

Identified as shelfThe VirginiaBrown in omnis er the er ons ofons Cicero (Basel, 1539). fragmentThe are nowkept separatelybutthey stillcan be tracedthrough the shelf , after middleafter the , thirteenthofthec 2. Late twelfththirteenth2.Late / century fragments written in script Beneventan from Dubrovnik (V) , an

represents

” twelfth thirteenth centuryor dated shouldbe and s dating issdating - : markindicates the printed book towhichfragment the formerly belonged, abook of commentaries on the a agusinae.Soc. Jesu” inconsistenyin the 340.

containother a fragmentaof Beneventanscript Breviarium

omnia The printedThe book anowner‟shas note:“

“ASecond New ofList BeneventanManuscripts (I)”. the employ )and the suggest . developed Thel shelf mark:shelf

( yearofdeath De AuctoritateT.P.; Domenica secunda post octavam paschae

the the

conservativefeaturessuch asthe

a ate eleventh ate and early twe standardforabbreviationstypical the

that they that represent distinctivelyofframeBeneventantype andround script athus Breviarium Graz andGrazitin Chantilly out fragmentsturns that

becauseofot use latethirteenthmanuscripts ( Dubrovnik century . Fragments that Fragments that . 470 displaying n script from nscript

Theybooks.coversof printed servedas all CR ofmainlystandardisBeneventanwhichlimit punctuation, the for - Graz fragment, namelyfragment, Graz III entury. entury. 472

that person that

- . a 206 her

(fig.193) pronouncedalsoshowspracticed.angularity It was the 471 evidenceanddoes script the

membradisiecta Iunii Nicolai deSorgo containa twelfthandcentury preserved thirteenth are , consistsfolios ithasbeenof two and recently . The . lfthfragmentsincenturydiscussed previous the

to the

manuscript itselfmanuscript probably system ofabbreviations that use

twelfth century iftwelfthcentury do they the ,

the

creatingirregular brokenaappearance. of older insteadmoresystemrecent ofof older MedievalStudies

from thirteenthcentury although

year year1225. This ”

(SorgoDubrovnikis a patrician familiy)

the same manuscript, I propo manuscript, I samethe

not ).

the

VirginiaBrown. "Asecond 40(1978): 239 MissaleRagusinum

possess angularity an thirteenthincentury from came from a laterfrom acame

indicatein dates ,

not

Graz andGraz writtennext to

- work possess 290:

i ed to to ed n

250. the the - mark of the , a sea

the 138 s

CEU eTD Collection 476 475 474 473 ininhasconcluded2005 summerfragmentDubrovnik thishas that a hasVirginiafragments writtenexaminedwho in Brown script Beneventan forabbreviation sign for latebelongsearlyto twelfth or younger The scribeusesthirteenth century. theabbreviations system of so ofinpronouncedangularitynot isasthirteenth fragments, other it probably century Dubrovnik Gregory St. Great the fragmentwithA i whichinterrogative word shouldaccompany this linewavyemployresemblinghe not althoughomegaGreek did middlethe for bothforscribe finalmedialbut points sometimesuses and he stops AsDalmatianfragment. punctuation, originforofthe hein Twiceuses text the iswritten the “ the non indicatesthe fragments lineabbreviationfor for line forsystem becauseBeneventan ofsopronounced.script roundnessT aspect not is the differs,almostequal however, It from curves. fragments eleventh the written in century of Bari type descendingt below byabsencelozenges constitutingof the beginning theshortness endminims, andthe ofofstems T nitial letters letters nitial hescript

GregoriusMagnus, Moralia inIob shelfA SeeAveryElias Loew. SeeAveryElias Loew. onnis suprascript , “ g ” no

with omnis ” - ,

mark indicatesthe printedbook FrançoisTitelman.

out omnia with from reveals omnis, omnia omnis, a for late twelfthcentury complete , suprascript suprascript the “ “ an

Dubrovnik. ThisDubrovnik.

omi i ,e.g. the paragraphsandtheyellow red withdecoratedare washes. ” the

. Oncont the . abbreviation line,instead abbreviationof offeatures some final stop. Forinterrfinal stop. hebase ” shelfmark omnia

non . with “ 476 The Beneventanscript, The Beneventanscript ly oi

” . Aspunctuation,forit seems. that scribe the onlyuses points. e.g. (fig. 194) “ except for syllablethewhichfor except tur 2 the

“ dixi - with horizontal linehorizontalforwith an a an o , linerisingandhead abovethe ” so “

for ” omia mething bbreviationfor line rary,

,4.23.42, 43 insteadof

, CR date

ergo aswell absencethe ofas Bygeneralthescriptof the appearance ” the - he useshe archaicmanneran of abbreviating

20. 911 20. with . Thescribe . use , he does, ogativehe sentencessometimestwo uses Bariscript;Beneventan type which is never foundinneveriseleventhwhichlate earlyand century twelfth , 204, 205 186. - an “ 44,45, 46,see Brown.Virginia "A second (V)”:new list 340 dix 475 abbreviation linefor abbreviation

” an “ an

not incondition ratherpoor

with with

style omni omni n use ” PhilosophiaeNaturalis libri XII. d

an with

a of markinginterrogativeofthesentences. the , an certaininconsistency but also but abbreviation lineabbreviationfor “ - g

line equivalent form forequivalent somewhat less somewhat an ” any

with suprascript o for with suprascript o abbreviation lineabbreviation and the and pronounced roundness of the scriptofthe roundness pronounced

the suprascript 2 suprascript the a latera omnia - also also shaped sign isshapedused.sign a rounder appearance rounder occasioned membrumdisiectum use

system e.g. containsthe uses two usestwo ,

common

“ of hescribe use omis andfact the that aspect the insitu

the mayobservedbe dixit igitur 473 igitur

” points -

letter , duri ,

with shapedthe signover points and , which ,

ergo abbr “ , is, that

Moralia in I in Moralia oia namely word the although healthoughuses

ng her ngresearch

an “ surmounted bysurmounted a

eviation for eviation d 474

” e and with a coma inwithcomaa

” an with abbreviation

signal

in preservedin ,

“ older

a “ a two two no

T an : the : g ” he s ” ob with the

with ,

by 139

CEU eTD Collection 483 scrap30.53, II, scrapI 482 AveryLoew. MonteCassino 640 saec.XII /XIII, Vat. lat.4981 s Monte 481 480 479 478 477 shelf Naturallyisinfragmenssameabbreviationsthesystem fromthe of theScientific as the servedit hasalso coveas the samecodex. The withshelf “ produced were insuprascript Gothic.correctionsAsthe are mark formofabbreviating “ Thescribeuses ab found also from 104) monasteryinFranciscanandthe Dubrovnikofprovenanceprobable thirteenthcentury. of abbreviationinhasbeenmentionedA. Loew Beneventan on consideringbybook his E. the script forformabbreviated fragmentand th Great. fragmentwithThe mark:shelf manuscriptsfragmentssameCRas inmonasteryrealizedandDominican the that samethelibrary withshelf the a oib

” breviationtypical 47 According toLoew t GregoriusMagnus, Moralia in shelfThe VirginiaBrown. "A se Seefoot the Two . Aspunctuation,forhe . only

” fragment - -

V marks CR C forabbreviation with sign 480 suprascript2 - larger assino133,saec. XI,Naples VI E43,saec.XI XII, / Naples BVI 11, saec. XI /XII, Rome ValicelliC 9,saec. XII, 17:Luigi Lippomano, , although , badl - - - III note 349 note - mark markindicates the printed book Theoderetus Episcopus Cyri. in The BeneventanThe script,

482 CR - fragments 206.

the m

in astheOcassionalsame fragment. oftheperiod thetext (fig. 196) - erefore helpful195)comparison.for erefore (fig. “ CR 20. 911 and911 A 20. inismonasteryinDominicanthe Dubrovnik another no MissaleRagusinum

Theinteresting feature itfragmentofcontainstheis that corrections written 481 II, - ” - he abbreviation he for shaped of the of 20. 911. 911. 20.

Moraliain igitur ofthe sicut cond (V)”:new list 340 with It is It foundinear y damaged, iscondition yinmuchdamaged,previously the better than a discussed Itpiecescontains formed two oncefolio) (that sameandthe scraps three and

a Sanctorumpriscorum patrum vitaenumero centumsexaginta tres Moraliain as

DubrovnikBeneventana. which iswhichthe sign instead signof horizontalfor line r of the printedofthebook. r Iob “

- sic Iob - mark A mark A 165. 1006 ,22.5.10 employed omnibus - ”

1006 19.27.49, 27.50,28. 51,30.53

with suprascript s with suprascript - 20. 911 and911 A 20. Iob sicut ;

anditBookNicholas,thepossibly ofSt. an represents “ lytwelfthcentury - 479

g - 20.15.39 1006. Sheexamined hasalso “discovered”1006. newly 7.14.See same ” as ,

, that contains , that the with a“ a “ points aec.XIII,Oxford Bodelian Library CanonLit.342, saec. XIII. sic horizontal linefrom horizontalin manuscripts carried g

- featureused fragments m,fragmentsactuallyaren and o ” ” 17.43, non a

with VirginiaBrown. "A second new(V)”:list 340 with suprascript , , similarly 483 - , 1006 from1006 Scientificthelibrary.

Threelittle scraps: latera

a out

ign numberresembling2. arabic

a suprascript 2 suprascript

withinksamethe manuscript In fragmentfindthiswe unusualthe

systemabbreviatingfor

in as stated alsofor stated as VirginiaBrown. "A second new(V)”:list 340 Moralia in I in Moralia “ o the Deprovidentia sermones ”

- for shapedsign twelfth century fragmenttwelfthwithcentury “ o scrapI ergo fragment ”

membrum for ob

l and y - ergo Moraliain color ,

isused in

by St. Gregory bySt. the the scribethe use s the an

, but he, but uses (once attached to (onceInk. attachedto , itis , possiblethey that

membra disiecta membra

archaic formarchaic the disiectum membrumdisiectu (Venice,1551) omnis 478

Iob eleventhuntil X(Roma 1545). The

19.27.50,28.51, L , 477

d an d ibrarywith omnia . Since itSinceis . use

from

the fragments

ofthis . uncial

archaic

a Elias igitur the

e.g.

ofthe

shelf the . use m 140

CEU eTD Collection withshelfthe 487 486 485 Z 484 angularnor ofthe aspect does fragments century twelfth the of script The ( family noble Dubrovnik the had that book printed a to attached was once and Dubrovnik in abbreviation distinctive fragment the of case The question. interrogationcheckmresembling signs suprascript a abbreviation ergo Thesystemisin ofsameabbreviationstheas cover the printedofthebook. color alsoscripturalcontains passages.It incorrections shapedsign membradisiecta the F labeledfragmentand other washes.Two smallscraps in line.offragmentLiketheA the omni signisused, with word the aninović'snotesthat accompan ragment

a FrancoisTittelmans, Moralia in Iob33.8.15 Moralia in Iob9.19.30 45

Moralia inMoralia Iob

Gothic script in Gothicscript , fragments fromfragments - , . One folio. of II

a latera “ - 32:Giovanni Guerini daLanciza, no

” n

. Asfor . with

mark 18 also book.onceservedcoveras the printed of the , systemfor latera of “sic”of unl being ; ike an “

- no by St. Gregory byGreatSt. the

fragment membradisiecta I systemfor ofabbreviations abbreviation signforabbreviation punctutaion Librisexde consideratione dialectica - the the same inkabovesame the words color, written written the 6. - - for ” n from a from 9.17 20.31,21.32

withabbrev omnis andfragment two “ late twelfth and twelfth / thirteenth century m centurythirteenth / twelfth and twelfthlate sicut the dixi -

Junii Nicolai So Nicolai Junii 10.18 ied

out larger

o thirteenth century Dubrovnik fragments.thirteenthcentury Dubrovnik ” 487 , Breviarium

, the fragments.the The fragment is now and

omnia - instead of instead that contains that - 19,10.19

complete except the scribethe andpointsuses 1006 fromit1006 ScientificalsotheLibrary, - (fig.198) 33,22.34

a pieces of fragmentpieces of iation line for lineiation PauloOrosio

suprascript2 from

o e.g. , also contain letter filling ,alsoletter contain - 11 - non

23.35,25.37. “ the the same codex same the “

.21. dix rgo oi 485 Moralia in Iob Moralia . . Thescribeocasionaly also uses

”

the Dalmatian origin is certain because of of because certain is origin Dalmatian VirginiaBrown. "A second new(V)”:list340 ”

), it is reasonable to assume its Dubrovnik provenance. provenance. Dubrovnik its assume to reasonable is it ), Thesystem abbreviationsisin of sametheas other with

omnis tradotto ditradotto latinoinvolgare with the contraction sign above sign contraction the with - for the syllable tur atfor syllablethe endthe tur non

other other shapedsign. a not

Gothicinabove script words the an ark above the first word andfirst word lastabovetheafterword the ark ofa (Paris,1542) , VirginiaBrown. "Asecond new(V)”:list 340 (maybesimultaneously).

, m sicut possess omnia abbreviation lineabbreviationfor membradisiecta ,

have initialhavefilled yellowletters and red with from standard Beneventan quotation marksstandardBeneventanfor quotation

abbreviatedas byGregory GreatSt. the kept

484 e.g.

the Except for Except

kept the Dominican monasteryDominicanthe in Dubrovnik

s separately. (fig. 197)

“ wit round aspect of aspect round oi

in in Dominicanthe monasteryDubrovnik in ”

h red and yellowhand red washes.

ay with owner‟s

(1520). Thiswas stated in ;

possesses “ be of Dubrovnik origin. In the the In origin. Dubrovnikof be

points, scribethe used g “ Oned

” sic an omni

with

” whichfor 2 the It is It interestingthethat lineabbreviationfor a

note by note with Caroline the amagedfoliocontains and a

corrections the

suprascript suprascript “ .

, the

486 a i an the p the ”

suprascript 2 suprascript eleventh century century eleventh . Since it is it Since .

alsoserved as a same inksame unusual

“ member of of member a resence of resence . ”

Ante at endthe at - shaped executed “ o ”

held for - 141

a a

CEU eTD Collection Croatia). in Vol 2.Split: Benediktinski priorijat Tkon, 1963: monasteryAndrewof St. the on little island of Andrew. St. tomonasterythe Jamesof St. in Dubrovnik, from1466. exceptarea for Lokrumthe monasterybelongedthat tocongregatthe 489 Autissiodorensis, Nicomachumad filium libri decem, nuper quidem à Ioachino Perionio 488 Beneventanfromformarkspassages quotationquoted the rules Beneventan strict o disiecta abbreviation “ script Gothic in the Given monastery. a has book the cover a as with fragment The 3.3.3. manuscriptscentury of Dubrovnikorigin to attached (once fragment century twelfth 2 number arabic for line abbreviation for except normally as written (ergo abbreviation of system similar a does but of fragment the with similarity certain a have The m ). As for punctuation for As ).

The MljetThe congregation was formed in1527 andthe memberswere all maletheBenedictine monasteriesof Dubrovnik The ” thirteenth century. thirteenth

membra disiecta membra has 3.Thirteenthcentury scriptDubrovnikBeneventan fragments in in collections written shelf the general aspect of the script, script, the of aspect general the

of the codex the of

not This a - for a for 489 markis actuallyshelf a

stiff and angular form. It is interesting that this fragment employs the same unusal unusal same the employs fragment this that interesting is It form. angular and stiff “ have a pronounced angular aspect of thirteenth century fragments century thirteenth of aspect angular pronounced ahave

basicallythatmeans book the might havebelonged sic (fig.199) CommentariusinApocalyp

while book. printed owner‟s n ” appears in these in appears with a the

non of shelf of

t In the In he Beneventan sign in the fo inthe signBeneventanhe

a in Moralia in Iob in Moralia Mo abbreviated ). A distinct abbreviation for abbreviationdistinct A ). as as suprascript symbol resemblingsymbol suprascript

- the fragment, the scribe only use only scribe the fragment, the mark

ralia in Iob in ralia appli Mljet the of congregation the to belongs book the that stating note abbreviated word word abbreviated

- It It mark is still attached attached stillis CR d o ucuto in punctuation to ed

fragments, the same unusual abbreviation that was used in used was that abbreviation unusual same the fragments, for - the “ 20. 799 20. sim tur

a a printedbook

the by St. Gregory the Great ( Great Gregorythe by St. by Gregory the Great Great theby Gregory monasteryMichaelof St. Pakl in , the , 2(Apoc 3: 19 ”

particularly pronounced particularly syllable, Ink. 104 Ink.

488 MissaleRagusinum the

propter to a printed book by Aristotle by book printed a to in the Scientific the in

IvanOstojić. Breviarium “ 436 ,

g Aristotelis r a - mof ” ) of probable Dubrovni probable of ) 21).See -

more recent system for system recent more sicut 441. with , the the , the an

ionof Justine St. in Padova (Cassino congregation) not just not tothe monasteryMaryof Mljet, St. in but also an the

, “sic” with a with “sic” , (Lyons,1556). arabic numeral2 arabic a hrenh etr. e lo use also He century. thirteenth ,Ethicorum sive demoribus VirginiaBrown. "A second (V)”:new list 340 two p‟s are fused together as is custom is as together fused are p‟s two d BenediktinciHrvatskoju arabic numeral 3 for indicatingfor numeral3 arabic .

(

suprascript suprascript

Bible. T A points which indicates the decay of decay the indicates which points he script also also script he -

1006 L andBookNicholas.the ofSt. A ibrary of Dubrovnik has also served also has Dubrovnik of ibrary jenaon the isl angular -

1006

CR The fragmentThe is identified Haymoas suprascript signresembling suprascript , “ o CR

- aspect it can be assigned to to assigned be can it aspect 20. 911 20. ” although ”

k origin and origin k for lacksthe omnis - andon Š of page opening the and

20. 911 20. either s

icut (TheBenedictine Order , fragments ,

, . They . omnia as in as ipan

fragments i round character character round gitur

the and the , d all an

, “

thirteenth thirteenth is the the the no standard standard membra membra

m omitted omitted possess possess written written ”

, m

early early n . with with

142 , , ary the the an an o n ) ,

CEU eTD Collection 495 494 Manuscripts(I)”. Beneventan in s 493 Comparealso Richard Francis Gyug. Italiansouth minuscule epoch. Beneventan manuscripts signthe of int 492 Brown."Asecond new(V)”:list 340 Benedictipatris monachorum (saeculum IXSmaragdi 491 490 withlineabbreviationanfor Augustin's St. gospeltheJohn on commentary of St. back. andFour ofthe mark Dubrovnik. T filledparagraphsthe yellowandare red with the frominbutmonasteryDominican alsothein Nicholastext, discussedthe earlier ofBook St. the and wordand first lastafter word theofquestion, a iswhich systema similar TheinterrogationBeneventan sign and pointmedialand stops mansuscriptaslightlypunctuationlimitedis single point ofthe on to line or both for abovethe indicatingfor with m permita fragment Benedict. rulethe ofSt. Itislandwasthe HomiliaryitofonceaMljet. contains commentary and isfragment preserved smalltwo parts. f A here are thirteenthfragments centurytwo written in Beneventanscript ore ore

SeeAveryElias Loew. S.Aurelii Augustini episcopi Hipponensis inJoannis evangelium tractatus CXXIV, XIX shelfThe Unlike non Smaragdi commentarisinregulam SanctiBenedicti. Expositio regulam in BenedictiB. Incipit . prologus regulae B. shelfThe

ragment with ragment MissaleRagusinum the

MS. 463 MS. thorough On interrogation suprascript

it - - markactually theindicates markis actua shouldbe dated - The rather poThe rather Beneventan manuscriptsthat invariably interrogationthehave cript stillare attached. an 493

Mediaevalstudies investigation (fig , omitted omitted the (fig. 201) .Oxford: Clarendon press, 1999(fi - . 200) 200) . “ signsBeneventan in manuscriptsseeElias Avery Loew. shelf

o pieces f pieces lly indicated The Beneventanscript. ” . . The

Thescript for the m orlyillegable almost preservedand -

mark The -

and ( to the to ergo shelf consistsofsix attachedto still pieces a of the systemthe of abbreviationsof ipse alsowordshave Thereadingforataccentsletters beginningaloud. the of orm a complete folio complete ormofaapprox. thirtylines o

signresembling 40(1978): 239 . owner -

MissaleRagusinum

stroke medial stroke signs. belongedbook the monasteryto Marycongregationthe oftheSt. of on - A The fragmentThe was first listed in errogation mayor maybe not placedendtheat , mark ofmark printedthe book , which is, unmistakablesignun

“ Antiphonarium - thirteenthcentury.Althoughsmall the 492 478 no hasan angular , checkmark, resembling suprascript a s' note on the opening page of the printed book wherebook s'noteopening the printed ofonpage the the ”

490 with , preservedin , Scientific the 184. - 290: 249. an abbreviation lineabbreviationan

color abbatismonasterii Sancti Michaelis Virdunensis)

an from 1545written in , rstpublished Oxford in Clarendonat Press, 1914):236 35

Arabic number 3) hasnumber Arabic3) sharp a aspect . .

494 M.T.Cicero. Epistolead familiares.

Thisfragment

andgiven the VirginiaBrown.. “A Second New ofList Beneventan

itnoted becan in

certain places fragmentwithcertain places shelfa - for a signplaced theat endof question,the in ofa

an Gothicscript towhich fragmentsthe written The BeneventanThe script. A historyof the non

Antiphonarium

L thirteenthcentury date. contains ibraryofDubrovnik consistsof overallappearance of

depending i by and Beneventan the that sign size of the size of n the Franciscan monasteryinnFranciscanthe to one the to

, f text. The fragment containsfThe text. that scribethe that uses

,XX,XXI the a the m ay beay

the abbreviationthe and angular form.angularTheand bbot Smaragdusbbot - thatdepends up

foundabove the

piecesdo usedin fragment

(1545) Lyons,1526.

see Virginia in 495 the

not a “ a the front the

- onthe

the 270. The “

491

ipe g ” final

on 143 ”

CEU eTD Collection 501 500 499 498 497 BeneventanManuscripts (I)”. Savin St. 496 Matthaeum shelf the scribe. same the color paragraphs, use scribe the puctuation, “ tempore fragment less populus scrip Beneventan in written for abbreviation bythe confirmed is concerned abbreviationsare line the of end the thecollections, in in p'sfused together two suchandas script detailsangularity of the omnia i the that shows “ as for line abbreviation Jeremiah. Romanum A finalstops. hasscript a tpe ipe

fragment withfragment Here SeeAveryElias Loew. SeeAveryElias Loew. SeeAveryElias Loew. VetusTestamentum, shelfThe the the “ sicut sicut aia ” ” common . Virginia Brown recently (May 2008) discovered 2008) (May recently Brown Virginia .

with with

, I would, like to ” brvae word abbreviated s tl peet in present still is

on 500 - with omission of the vowels and vowels the of omission with with which mark 497 f

- theisland of Daksa Dubrovnik. near ; once he use he once ;

a 3 a markactually theindicates

folios. three of consists and (1545) an

pronounced an pronounced and the text is written in one column (in Dubrovnik examples it is written in two columns) intwo written is it examples Dubrovnik (in column inone written is text the and monastery. Dominican the in

the h srb use scribe The

- a abbreviation line for line abbreviation form eeetn abbreviation Beneventan 130:f1200:17. 130:f1200:17. use nte marks the marks horizontal letters are slightly are letters 501 the

It is It

Ordosecundus, Prophetarium changeable use of both older and more recent system recent more and older both of use changeable sign for sign

e lo appears also shelf x omnis The Beneventanscript The Beneventanscript The Beneventanscript press mypress gratitude to “ no d held

Mediaevalstudies

the populo -

”

tepore with tepore d gularity. Asfor gularity. mark sixth

line, ) forms for forms )

with d the ny ons oh for both points only and t

hrenh etr. Th century. thirteenth in

(fig. 203) The 203) (fig. le ( older omitted omitted a the MS. 189 MS. occurrence of this unusual abbreviation in fragments and manuscripts manuscripts and fragments in abbreviation unusual this of occurrence an S . Te ot important most The . Martirologium practice found in found practice connected connected larger abbreviation line forlineabbreviation mlry to imilarly Bancroft Library Bancroft ipse “ omis a omnis

D “ 3 suprascript 499

40(1978): 239 ,194 ,188 ,175

496 Thefragment was firs which is found only in only found is which m r. Brown r. who generously shared this information with me. ( the comprising from comprising a bt n Dubrovnik in but , ” h srb as dd not did also scribe The ”

is still attached to the back and front of front andback the to attached stillis , while , horizontal stroke through the letter the through stroke horizontal , , 195 . . - con folio , ih brvain ie for line abbreviation with

incipit liber Jeremiaeprophetae o Dubrovnik. to puctuation,scribethe use

omnia from1541, written in other other

fg 202) (fig. the th e “ the the

- p

- previously 290:249. interchangeably. However, he abbreviate he However, interchangeably. tains at the at ” form eil and medial

irteenth century date is also confirmed by the the by confirmed also is date century irteenth

has a horizontal stroke horizontalhasstem.through the Asfor a stroke another twelfth and thirteenth centur thirteenth and twelfth non similarity t t listedin a

sign for sign

University of California of University and h srb use scribe The

text by Bruno of Segni, Segni, of Bruno by text t co It - of 3 lines of text) and decorated with decorated and text) of lines 3

fragment tha fragment “ t a used was it a discussed fragments from Dubrovnik Dubrovnik from fragments discussed the the sic Gothicscript inthe Franciscan monastery of tis h Old the ntains the with other other with the VirginiaBrown. “A Second New ofList

the ” occasional use thirteenth century. This fragment fragment This century. thirteenth

with final stops. stops. final abbreviated word word abbreviated d omitted omitted .

omnis

points for bothfor points the s

a of a of d

t suprascript 2 suprascript standard abbreviation for for abbreviation standard

in an ad one (i with (ois younger and ) was probably written by written probably was fragments as far as the the as far as fragments bbreviations for bbreviations use “ “ the the m abbreviated form for for form abbreviated l ” T At the beginning of of beginning the At

” a is which form a , of of estament, book of of book estament, the

ies and once he use he once and in Commentarius in in Commentarius lvnh c eleventh a

498 Martyrologium Martyrologium Caroline the Berkeley, with Berkeley, propterea -

shapedsign and he uses uses he and medialand d

omni entury entury anima “ a a

144 and and ” red

at s, s, d , .

CEU eTD Collection collectionw Habdelić T argumentsfor theirDubrovnik origin 3.3.3. fragmentsinthe writtenand Beneventan presently script Mary monasteryofSt. forbe additionalanthe werargument opinionthey that proceed I withBefore analysesgroup ofofthe documents forgeries"called "Lokrumwhichthe will andhomogenous group I inthink they created samewere thescriptorium in Dubrovnik. the fragments monastery: Dominican ( origin to attached once fragment in numeralfor 2 standardBeneventana abbreviation not iswhich instead script convention recent more and older in (as points to mainly is limited which punctuation of system the as well as fragments the all in similar is abbreviations of system they and line the above directly placed not are letters Nicholas ofBook St. origin: Dubrovnik confirmed of fragments and manuscripts by witnessed Be of type angular the with similarity These indeedwas morph the T herefore these fragments these herefore wo fragments wo

the the isl Ragusinum Missale 4.Thirte

in the in thirteenth century fragments are, in my opinion, of Dubrovnik origin because they display great great display they because origin Dubrovnik of opinion, myin are, fragments century thirteenth

al tefh etr famn o poal Dbonk rgn ( origin Dubrovnik probable of fragment century twelfth early of membr

Scientific Library Scientific ology of the letters, however, points to the conclusion that that conclusion the to points however, letters, the of ology the

the same.the

as Missale Ragusinum Missale moreconventional sicut

disiecta a enth centuryscriptZagrebBeneventan fragments enth in in collections written the from

starting point to detecttry startingto theirDubrovnikpoint to origin.

is used in two isin two used

the Jesuit Library of the Jesuit monastery in Dubrovnik in monastery Jesuit the of Library Jesuit the and

the island of Lokrum, I investigateislandthe I po of theLokrum, from

the n te ok f t Ncoa. hs famns undoub fragments These Nicholas. St. of Book the and probably Ink.

in Zagr in Chantilly and Graz fragment Grazand Chantilly

h sm mnsrit Scientific manuscrript: same the Missale Ragusinum Missale . In all the fragments the all In . 104 “ ofthe m n s ”

eb , ), do not come from the same manuscript. The resemblance between between resemblance The manuscript. same the fromcome not do

o abbreviating for with a contraction sign. The most distinctive abbreviation, the one distinctiveone mostthe The abbreviation, withsign. contraction a n . The fact that these fragments were once were fragments these that fact The . the , eetn citue i urvi in Dubrovnik in used script neventan

fragments( o ) and ) twelft the h ,

/thirteenth century fragments of probable Dubrovnik Dubrovnik probable of fragments century /thirteenth “ sic thirteenth century manuscripts of Dubrovnik origin Dubrovnik of manuscripts century thirteenth CR ) oe fragments Some . ” , the , omnis

e createdine scriptoriumthe Benedictineof the - with a suprascript symbol resemblingsymbol suprascript a with 20.799 found ae a have

s “ . Apart fromangularity Apart pronounced the . , n ” omnia

, inZagrebcollections. with a contraction sign is used for used is sign contraction a with MS 189 MS

somewhat irregular appearance. The The appearance. irregular somewhat L s sibilityof which is again comparable to the the to comparable again is which ibrary: the scribe for the two fragments two the for scribe the

contain ) and found is ) this abbreviation the the A

are preserved are rnicn monastery, Franciscan - the the Missale Ragusinum Missale 1006

interchangeable Dubrovnik origin for Dubrovnikoriginfor thirteenth century as as century thirteenth kept ,

tedly form a a form tedly - 0 911 20. a i Dubrovnik Dubrovnik n an A an - the the

some use rabic rabic Juraj Juraj , , the the , , the the , non 145 the the of of a , ,

CEU eTD Collection DominiM.D.LXXI. Vale. 503 togetherwith the incunabulum. sealthe Bibliothecae Res. S.Rag.I. inwhich fragmentsthe once served as pastedowns. Now, fragmentsthe keptare 502 writtenbysecond the scribe. strongly and Nicholas the is isone TherereadingTheforalso have words aloud. stops. accents signs; Beneventan standard for line Gothic in of centurydate the by confirmed is characteristic c fragment back the contains fragment incunabulum the of fragments The scribe. first the by written manuscript of origin Dubrovnik ofmanuscript aNicholas, St. of Book the of part Beneventan the ( stops beg the sicut for line abbreviation us also He script. Gothic in custom the is as together fused are they p's consecutive contain an for line abbreviation abbreviationssystem confirmedof by thealso characteristic folio. same the of fragment A

JurajDragišić. The brvain ie for line abbreviation

that that

shelf use a inning

omnis, omn omnis,

non point a point res is foundis

script. - f ite flag little of markactually emble ,

the “ of o

are decorated decorated are oium a Denatura ang f Dalmatian Beneventan script in script Beneventan Dalmatian f nd a hook) but for but hook) a nd (fig. 204) 204) (fig.

the

the 503 Missale The scribe use scribe The Chantilly and Graz fragments of Dubrovnik origin. The script of script The origin.Dubrovnik of fragments Graz andChantilly s

in Dubrovnik fragments and manuscripts written in Beneventan script. script. Beneventan in written manuscripts and fragments Dubrovnik in

the script script the ia -

fragment is also visible inis visible fragment also

ontains ”

Dalmatian Beneventan script in script Beneventan Dalmatian the of presence life of of life parts of two folio are use are folio two of parts non , e.g. he e.g. , ipsa with indicates - ie toe on strokes like

shelf a with anima and the same unusual abbreviation unusual same the and

It is written in a Beneventan script that possesses an angular an possesses that script Beneventan a in written is It which does which

elica an the a a in

inthe used

life of St. Longinus. The type of script also reveals also script of type The Longinus. St. of life

point and a hook for hook a and point ani abbreviation line for for line abbreviation red. As for punctuation for As red.

d Pseudo of Gospel the to according Mary Virgin Blessed

(Florence, 1499)with exthe and

ncunabulum “

aia “ the Beneventan part Beneventanofpart oips

abbreviation - later a

” mark n he stop final with ot ” the

with occur before the thirteenth century. He also use also He century. thirteenth the before occur

2027 Opusculadivi Bernardi abbatis Clarevallensis minuscule letter letter minuscule an ytm for system the way the that wasemploye that an d as the front and back fly back and front the as d abbreviation line for line abbreviation

the 502 abbreviation lineabbreviationfor “ ipa only used only consists of two pieces that actually formed part of part formed actually that pieces two of consists the the omnium thirteenth century. Th century. thirteenth

” , two consecutive p‟s two the

there are standard Beneventan signs for medial for signs Beneventanstandard are there libris with abbre with medial and two points and coma for coma and points two and medial thirteenth century thirteenth mi, omnia omnis, Book of St. Nicholas, especially ofSt. Book Vitae AdVincentii Nicolai usum amicorumqueeius anno A for As . “

“ sic points. The script great script The points. d d ” ” a etr found feature a ,

because the scribebecause the

Sanctorum unusual with viation line for line viation anima the omnipotens

and the compound words that that words compound the and a suprascript 2 suprascript ucuto, h scribe the punctuation,

. The . - feature of the script and that and that feature script ofthe written are leaves. (fig. 205) The f The 205) (fig. leaves. , e th e “

are still preserved within within preserved still are no

irteenth century date is date century irteenth thirteenth century date date century thirteenth ”

the . Whenthere . with

the

ipsa , (Venice,1495) with in

used especially the part part the especially

strong angularity angularity strong Vitae Sanctorum Vitae close together as as closetogether ed the Book of St. St. of Book the - ly

. Th . an shaped sign for for sign shaped effect which is is which effect

resemblance “ “ Matthew and and Matthew The letters at at letters The abbreviation abbreviation d no ipa in e th e

“ ” aia the script script the ”

the

with irteenth irteenth with are ”

used final final with with

ront two two 146 an an an s

CEU eTD Collection informationno regardingthe provenance(except mentionthe of MiroslavVanino) is recordedinthe acquisitionbooks. fragment andthe possibleDubrovnik provenance.curatorThe of th contactedthe Croatian National Archive inZagreb order in to someobtain additional information on the acquisitionof the 505 504 evidence. belonged monastery be fact, in that possibility no comp was catalogue Pecarski's Telebaković Since 1948 in acquired wasZagreb in ArchiveNational information acco an contain that century thirteenth in that mentions she script, Beneventan Dalmatian on thesis doctoral Pecarski's Telebaković Branka of catalogue the In HabdelićScientific li with fragments the and Archive g a minuscule from fragment The Beneventan suchas that morphologyletter the the of the L to resemblance great a shelf the with Zagreb Chonis in archangeli Michaelis from bifolium A Dubrovnikorigin. of possession the the T ibrary . They are written in two columns and the and columns two in written are They . ibrary and abbreviation of system the letters, the of morphology he

VirginiaBrown. "A second ofnew list Beneventan m BrankaTelebaković Peca ood thirteenth century as thirteenthcentury Juraj

hnil ad rz rget o Dbonk origin Dubrovnik of fragments Graz and Chantilly it seems as if the word is crossed by crossed is word ifthe seems itas

possibilit

Habdelić Scientific Habdelić

“ d

from ” another another the - let

y that the fragment with the miracles of St. Michael from the Croatian National National Croatian the from Michael St. of miracles the with fragment the that y the t Jesuit monastery Jesuit Richard Francis Gyug, a fragment with the shelf the withfragment a Gyug, Francis Richard the er (like a little flag pointing down) and it also has accents. Thus, I think that there is there that think I Thus, accents. has also it and down) pointing flag little (likea er

this is really is this L “

the ibraryactuallyare - a urvi Facsa mnseyteeaetodmgd oisdtn from dating folios damaged two are there monastery Franciscan Dubrovnik to thirteenth century with century thirteenth ebu disectum membrum mark ” Ti i mrl a yohss which hypothesis a merely is This . , rski. the may be seen bemay “ rain ainl rhv as hs hrceitc ak o te o of top the on marks characteristic has also Archive National Croatian

r ”

Beneventanskiskriptoriji s. 57/9 MSC and rget of fragments L

A ibrary

the same fragment, but in my opinion there is a possibility that that possibility a is there opinion my in but fragment, same the ) is preserved in the collection of of collection the in preserved is ) common feature feature common “ t ” in ves , or or ,

strongly Dubrovnik, I think that there that think I Dubrovnik, in the system of abbreviations and there is a great resemblence in resemblence great isa there and abbreviations of systemin the .

the n o te ials f t Mcal nw lost. now Michael, St. of miracles the of unt from Longinus St. and Mary Virgin Blessed the of membra disiecta membra (fig. 206) A f A (fig. 206) a

the horizontal line;horizontal fro middle part of the letters s letters ofmiddlethe part resemble resemble m an anuscripts (II). ia Sanctorum Vitae

the same codex the fragments from the Franciscan Franciscan the from fragments the codex same the (Beneventanscriptoria), account of account in . It . iled

written text has the has text written both fragmentsisboth

was a gift of a Jesuit scholar Jesuit a giftof a was ragment with ragment

in the ecollection, Ornata Tadin

from the

the A tee fragments these As . thirteenth century Book of St. Nicholas and Nicholasand St. of Book century thirteenth MedievalStu

the sixties

ut still must samethecodexof scribe employ scribe

the miracles of St. Michael ( Michael St. of miracles held - mark MSC 57 / 9 from 9 / 57 MSCmark the is a great great ais

punctuation of the fragments from from fragments the of punctuation of the last century last the of the

uch as as uch 249 the dies n h Juraj the in

shelf same width same

- rain ainl rhv in Archive National Croatian

e conf be 250 tendency tendency (1988):584 - the

ed mark MSC 57 / 9 display 9 / 57 MSCmark likelihood ,

has kindlyinformed me that

the upper part of letters letters of part upper the Beneventan i Dubrovnikorigin. rmed with additional additional with rmed

. The . r atal in actually are Miroslav Vani Miroslav to Habdelić Scientific Scientific Habdelić - 626:621.

connectletters 504 , there is almost almost is there ,

that they are of of are they that

script script According to to According the Apparitio s. s. Apparitio

“ I havealso s the Croatian Croatian ” dates

it may, may, it or or no Juraj Juraj

“ 147 505 the the the the e

so so to to ” s . .

CEU eTD Collection 20.799 T origin, probableDubrovnikfoundwhichbeinorigin and manuscriptscanalso century thirteenth of Dubrovnik ab unusalabbreviation o manuscript:sameScientificlibrary: (Scientificlibrary:CR have I fragmentsconcluded do thatthose that descender suchscript asthe inusedscriptalso Dalmatia. Thescript olderand fortypical Beneventan line,thus withscriptpronounced a angularity was Theanalysesof ininusedscript Dubrovnik origin,namely inusedfromscript Apart Dubrovnik. thirtee thirteenthmanuscriptsBoth century byproposed centurydate Demović for in ofNicholas,Book St.haveAsthe acodex. for I the thirteenth insteadof argued argumentsfor continuityofLawrencePeter,theSt. cult the of Andrew,and incodexandthe churches thesanctoral of the manuscrupt originatedandhave I add summarizedresultsofthe Nicholasmanuscriptslocal theshowed are that caseInthe ofproducts. Thethirteenthanalysesmanuscripts,oftwo century 3.3. ). ). heinanalysesof thirteenthfragments century kept Dubrovnik collections (Scientific breviation that wasused in breviation that The l The 4.Conclusion , the A ate earlytwelfthate / century thirteenth ,

- s. later creatingirregularisbrokenaappearance. Thereinconsisteny inthe 478 MissaleRagusinum the

punctuation, which is mainlyiswhich punctuation, points. limitedTheto scribes

, thirteenthcenturyinismanuscripts although of interchangablecase there the system the these the fi Chantilly and Graz fragmentChantillyGrazand

ligaturedescend does not that Franciscanmonastery: of “sic”of

s manuscriptsfragmentsand showe -

III for - a 206) or late 206) earlyor twelfth/ century thirteenth ( omnis the studyby Richard with the

and the Book andofBook St.the Nicholas. thirteenthcentury. , early twelfth century fragment(onceearly attachedtwelfthto century a omnia . The laterdateThe . suprascriptsignresembling A comprise a basiscomprisea ed someed - 1006 reveals used which con the shows MS. 463,189 MS. MS. , nth century manuscripts,fragmentsnth century two ofDubrovnik membra disiecta membra

F. in Dubrovnik. The lettersinnotTheare placed Dubrovnik. precisely the on not that presentwere that additional

some typical features of the roundofsomefeaturestypetypicalthe ofBeneventan s Gyug that point to Dubrovnikpoint Gyug that to theplace aswherethe - also help also

20 haveangular character distinct a

below wasconfirmed

. the

911 for studythe of

d that inthat d MissaleRagusinum

the linethe and argumentssuchas , ed the

inidentifyingoftypeBeneventan the

)showed th that Dominican monastery:Dominicanfragments servativefeatures Beneventanofthe of the sameofthemanuscript an A an inassomewellDubrovnik area, as the through rabic numberrabic2 thirteenthcenturyBeneventan a the the the used membradisiecta relatively short ascenders relatively short and thirteenthcentury Beneventan

a paleographicala analyses. MissaleRagusinum

a a

an standardabbreviations

comparisonsaints ofthe localfeast is use d the Bookthe d ofSt.

type ofcantypescript

ofstandard Ink.104 date to the

for

employ the L sicut ibrary: al

from eleventh so so ) of use , same, the

included

twelfth the

, the

CR of both of I have I m

, - 148 n ,

CEU eTD Collection donationsissuedthe The 3.4. L 3.4. should forgeries" "Lokrum the called documents of group the of analyses The thirteenthcentury. inLokrum indications wasscriptoriumainthere that monasteryMary Benedictine the of St. homogenous group factthatThe there withasBeneventan script opinion, Theangularityscript the of BookNicholasofinthe ofSt. script fragments.andthe Chantilly the Graz and the signresembling similarities,fragment other ofthe confirmed originthey that Dubrovnik showed 2027 preservedinZagrebc ispunctuationmainlypoints.the Thelimitedcomparative ofto analysesscriptsomeoffragments the 189 MS. resembling for ( for a easilymanuscriptsfragmentsbeandwith ofcomparedconfi the “

pronouncedand angularity script of omis omnis non Vitaesanctorum 1.Introduction "Lo , , the okrumForgeries

” serve as an additional argument for itsfor serveasadditionalexistence.an argument

instead of krum forgeries"krummainly severalofcomprisegroups ofdocuments, confirmationsdonationsand with ). majorityInthe fragments of related ,

Missale, VitaesanctorumMissale, omnia the an A an an late eleventhlate and centurearly twelfth

to to rabic number 2 fornumber 2 rabic an A an abbreviation linefor abbreviation . In two examples.In two the are the

strongly suggests

has littleflaghas by rabic numeralfor rabic 2 ollections (Croatian State Archive:ollections (Croatian State

morecommon a numbera manuscriptsoffromfragments and influenceof

the Lokrummonastery. “LokrumBenedictinenameTheythe acquiredthe –

in A , characteristic , of the Beneventan / Gothic Book of St. Nicholas.BeneventanGothicthe / ofBook St. R econsideration - the like strokes pointinglike strokes downwardson , the

sicut ) andusedin Beneventan manuscripts) thefragments and script of appear the “ omnis

Missale a n that a s a that Gothic script usedinperi Gothic script that ,

”

similarofabbreviations:system the

sicut (Scientific contractiona with sign, ) and ) strict Beneventanrules

thirteenth century Dubrovnik Beneventana is, inthirteenthmycenturyBeneventanais, Dubrovnik criptorium

contains

were foundin unusualabbreviation later

mostinprobably Dubrovnik.written ies L ibrary: (

, I willproveit was I also activei try that to , the samethe abbreviation “ the ois existed existed

MSC 57/9 MSC Dubrovnikexamples ”

CR with rmed Dubrovnik origin. Dubrovnik They all rmed in - the 20. an the of ,Scientific the od andinterchangeably sometimes od of “ of

abbreviation lineabbreviationfor interchangeable 799

punctuation are not obeyedpunctuation not are and Dubrovnik area. AsDubrovnik area. are there the thirteenth century that formthirteenth century that a sic a “ a , found the minuscule ” no

with of “ of ” Franciscanmonstery:

L withcontractiona sign

while ibraryJuraj in sic a on the the suprascriptsign ”

the islandofthe use “ with

d the fragment ofthe following pages pages following ”

- Apart from Apart ofolder letter f letter omnis a Habdelić : : Habdelić suprascript ) forms ) ound n reveal the 149

CEU eTD Collection udţbenikeza i nastavnasredstva, 2006. Ţivković Lokrumthe forgeries andDesa‟s d Kampuš.“Novi prilozio lokrumskim falsifikatima Dese”kneza (Charters by Desa, ofZahumlje). Foretić.“Dvije isprave zahumskog kneza Dese o Mljetu iz 1151.godine” (Twooncharters Mljet from 1151by Desa, čast DubrovackojRepublici?”(How Mljet became propertythe ofDubrovnik Republic?) in Telebaković Mljetu»(Charters on Mljet by Klaić fromXI th andXII thcentury Babinoabout polje theon island of Mljet). 508 507 «Lokrumforgeries» on(further Ferdo Šišić, Chronicle(The of priestthe of Duklja). Zagreb 506 monasteryas writteninandnot as script Beneventan monasteryMljetBenedictineits controversyof establishment.date the andThethe is about document foundation TheofDesaconsideredcharter it becausewillonly implies be briefly discussionthe of the goalis analysesofandthethe that transcripts mentiondocumentsAsthethat chuthe whoseopinionswill I refer Šišić.forgeries"bySome "Lokrumofthe recentlywere treated disputed fromDesa,count apart of but Zahumlje, Nada conclusions.In hasbeenthere from Apart Josip Vrana who Mary inSt. Pulsano. ofdukeZahumlje Lokrummonastery Benedictinethirdgroup a and monastery;Lokrum monasterydonationthe Pancratiusandchurchof the of inSt. polje on Babino indocuments forgeries”

JosipVrana. FerdoŠišić, FerdoŠišić. "Ekskurs o lokrumskimfalsifikatima" (Digressionon Milana ."Mljetski falsifikati . Portreti . the

- , Rešetara. through Pecarski, Pecarski,

they will not betheynot considerwill AnaliHistorijskog instituta Dubrovnikuu authenticity

"Ekskurso lokrumskimfalsifikatima" (Digressionon to "Ispravezahumskih vladara iz XIXII. stoljeća i o Babinu polju otoku na Mljetu" (Zahumlje chartersrulers' the locationthe of no

srpskihvladara IX the three groups: three

can alsobe found in thisediton

, serious challenge inseriouschallenge and Croatian

(From the Dubrovnik past. Essay that concern that FerdoŠišić's intwenties late lastcentury.studywritten ofthe Beneventanski fiftieslastcentury sixtieshistoriansandmostly of the withdealtof charters the "Ekskurso lokrumskim falsifikatima" (Digression on a 507 "(Mljet forgeries). group concern group

of Desa' s donation of Mljet to PulsanoDesa' Mljetsdonationof Benedictinesof to C

ount Desa) ount C later on ountof Zahumlje). a possible scriptorium, possibleisdiscussionathedirectly scriptorium, not documentofthe o maintained a

nation tonation

ed - groupconcern skriptoriji XIIveka

the donation of the islanddonationthe ofoftheto Mljet use . 508 ed ed with ed Priloziza književnost,istoriju, jezik ifolklor the Arhivski vjesnik

of Beneventan script inofm Beneventan script Dubrovnik Benedictine inMartinpreserved are ofSt. Šumet asrch eighteenth century

- inasimportance no maintheychapter thisof are regarding the (Portraitsof rulersSerbian from I isI yetthinkthatnot enough there target evidenceMljettheto Beograd:

(Beneventanscriptoria) different opinionsdifferentfrom severaldocumentson the group, of the PulsanoBenedictines).

iDesinoj darovnicipulsanskim benediktincima” .

the donation of the church of St. Martin donationinthe churchofthe to of St. Šumet Anali ed with ed

Klaić s in the in honors of Rešetar)Milan Dubrovnik, 1931: 47 (1952)vol. 1:63 Posebnaizdanja Srpske kraljevskeakademije: 1928: 184

historijskoginstituta Dubrovnikuu containing

10(1967): 185 formerYu

and to some andMihajloto Dinićextent

the foundationtheLokrum the Benedictineof the the ,

Historijskizbornik 231 Lokrumforgeries): 202. Lokrumforgeries) in a transcript a of - Historijskizbornik 72. goslavia the - -

234.Mihajlo Dinić. «Povelje Desekneza o the 244. GregorČremošnik. “Isprave zahumskog the SerbianŢivković,historian to Tibor Lokrumforgeries). BranimirGušić. IX

scholarships the th

Iz dubrovačkeIz prošlosti

- 28(1962) vol. 1 XIIthcentur

Benedictinemonasteryof a 15(1962): 317 charter issued charter by Desa, 13(1960): 155 ,

the island the the ofto Mljet declaredauthenticby

Letopispopa Dukljanina 3(1954): 71 506

“Kakoje Mljet pripao (New Šišićdivided to F ies acsimilesof the ,

).Beograd: Zavo

Šišić‟s - nobody

2:5 contributionson onasteries. onasteries. - 324. - - 74.Ivan 166.Nada - - 16.Branka 54. .

Tibor Zbornik u

Vinko - 255 the the C ount . 150 d

CEU eTD Collection 511 Slavoniae 510 Furtheron Virginia Brown. “ 509 previously charter andin concluded f is documenttext the the that didand also Pecarskidoes Ragusanpatricians itcoincides withofrules the the t originaldocuments. Gothic indocuments;in Beneventan written onewritten one and Dubrovnik: firstfromdocumentThe is group the forgeries analysesTheand non3.4.2. ofBeneventan add study. definiteto aviewoffer documentsitthehistoricalbecauseof surpthe of context those criticalwill Although I short a offer o comment were which mainly,completelydates, not byproposedthough with those coincide Virginia andBrown indocuments Iwritten intendcritically script. Beneventan to commen analysesinalthough discussiondocuments of thethe BrankaTelebaković onlythosePecarski refers to far, So only Fe specialforimportance considerBeneventannon asaswell related to

FerdoŠišić, Heusedediti the Virginia Brown. A Second New List of Beneventan Manuscript(IV)”.Beneventan of ListNew Second A Brown. Virginia itionala hirteenthandcentury proceed publishedin casespropose I wheresubstantially dates differthe However, I intendanalyze I However, to script. script.

I.Zagreb: Tiskom D.Albrechta, 1874 -

proposal of new datesofproposal new Dalmatian rgument

XI, 1. XI, not carrynot out "Ekskurso lokrumskimfalsifikatima" (Digressionon Lokrum forgeries): 185

(figs. 191, 192)(figs. 191, not rdo Šišić, BrankaTelebakovićrdo JosipPecarskiandhave Vrana paleographical presented onof documentthe published inIvan Kukuljević.

mentionat all,document the while Josippublishededitionused Vranathe by Šišić the DonatioinsulaeLacromonensis Benedicti monachiss. called 510 s

scribal practice inscribalpractice for Handlist of manuscriptsBeneventan of Handlist fragments and

understanding However, he bothHowever, mentions documents that A SecondA New List the presencethe of

a paleographicala Asanalyses.have I Beneventanofanalyzedscriptthe the match asnameswitnessesthattheused at time. diplomatics

Šišićdid

ed to analyze ed to - Beneventan documents frombecause firstgroup Beneventan documents theythe of are the

the foundationthe monasteryofthe charter ( the scribalthe practice

not paleographicalfeatures ofthese document the -

a scribala inpractice 1875: 103 ofBeneventan Manuscript (IV)”. from

provide Beneventan script. I will,in BeneventanI however,take script. - Beneventan documentsBeneventanin the group called Lokrum

the

n the content stcontentthe - the 104. first half first of

anypaleogra

historicalespeciallydocuments,ofthe in context

at the at frombyproposeddo those I Šišić, a Codexdiplomaticus regni Croatiae, Dalmatiae et Caroline chancery script influencechanceryscriptCaroline the atingis charter thebecauseauthentic that the

Lokrummonastery.Benedictine Medieval StudiesMedieval p Lokrum Benedictine monastery.BenedictineLokrum hicalheanalysessince eleventhandcentury namesthe of rom were

t theirresultsnewon and t propose the

probablyfromtranscriptions ) comprise ) that two . 511 509 eleventhwillcentury I only

BrankaTelebaković

- 186,20 61 (1999): 325 (1999): 61 the asseslimitsthis the of sand usethem as State ArchiveState of 4 - to to 205. neversaw

- 392: 341, 342.341, 392:

not d by d

intend

that that

the 151

CEU eTD Collection 514 513 regniCroatiae, Dalmatiae Slavoniaeet 512 moreislabelthinkminuscule,precise it I to script the isinAlthoughŠišić pointing right becausepartminusculepapal upper the script of thirteenthcenturyhe andopinion the expressed tha inPalla insula monasterioinsulaBenedicti Babina Meleta s. in Lacromensi documenthasinŠišićthe written dated ordinaryminuscule ( writtenoneversions,in minusculeinwrittenordinaryoneand Beneventan script. byruler Ljutovid, ofZahumlje refersThe seconddonationthe document Pancratiuschurchislandto issued ofon St. of ofthe the Mljet rulesof coincidefirsthalfthe with of mentionthe of authenticity Theolderthedocument. of differsfrom island,entire but merelyis thishypothesis.fact the that However, a wasdocumentpossibly by created BenedictinesLokrum the wasandprobablythere in that alreadythirddocument werea changes which included. This alleged Paschalisprobablydid themisland.whole the ( lacromensiin estinsulacuiusvillenomen etdonamusimpedimentoabsolvamuset omni inquietacionemonacho, eos ab ( the Vitalpriorthe and of LampridiusDubrovnik,together noblemen with all the charter difference biggest and 1229 the referto differencethe between andfromoriginaltranscriptionthecharter the donacionem fecimus deo omnipotenti etdonacionemomnipotenti quibusdamnostrisdeo presbyteroconcivibusPetrofecimus etLeoni

FerdoŠišić, Nada Seeeditionthe of documents both Jakov in Stipišić,Miljenko Šamšalović. Ed. Marko Kostrenčić.

pa influenceCarolinewithchanceryscript the ofGothic script, before rt rt islandlandofthe on of theLokrum called , Klaić diplomatics regardsland givenLokrum.the on . "Mljetski . f the D "Ekskurso lokrumskimfalsifikatima" (Digressionon Lokrum forgeries): 209. uke John Dandolo, Johnuke Dandolo, the eleventh century document iseleventh century valida not, indocument doubt my theto opinion, argument Tremiti abbot Rocchius Tremitimentionedand end abbot thewitnesses at document of the

ineleventhcenturythe are alsifikati"(Mljet forgeries).

one not Lacronomaminsulam

already mentionedalreadyby Nada havea the

to monasterythe sligto itandhasLokrumtwo on .Zagreb: Jugoslavenska Akademija znanostiiumjetnosti 1967:62 eleventh century. I haveeleventh I accordingcentury. Šišić, mentionedalready that to

the Beneventan charter while heBeneventancharter out out DubrovnikarchbishopArengeriuswitnesses. other and that feature isthispapascriptforof the characteristic featuresBeneventan employedround of the wellscript asas ) ) ( 513 emphasized

Arhivski vjesnik The text inThetextsays Beneventan the charter that ). Thelogical).most is notary theconclusion that followed the Ville t the script of the documentoft scriptthe the becan characterizedas lettersf,ands, h,d b very are tall

a Klaić

by R.V.) while byinR.V.) the Carolinewithchanceryinfluence the script of aswell. the

10(1967): 185

XII,26c asa as a reason to doubt authenticityreasonastheto a the of monk made produced

precaution to prove precaution theirto ri

the

Peter hisdocumentofthe transcription . DonatioecclesiaePancratii s. de

thirteenthcentury transcription - 234:229, foot

byinnotarythe Pachalis and ) in to the eis

later the htlytextual different

Dubrovnik the firsthalfthe of campun scilicetcampun illud, thirteenthin century

priest Leonpriest

documentthey give - Codexdiplomaticus note 309.note 514 - . 65. (fig. 207) A ,

l ght rchbishop donated donated 512

sto the The

the

152 the

CEU eTD Collection diplomaticusregni Croatiae, Dalmatiae Slavoniaeet document,who l inscription theat back writtenis inBeneventan script has alsoescaped 519 518 Italiansouth minuscule Be 517 516 centur Furtheron Josip Vrana. "Isprave zahumskih from 515 frombyKonavleJohn ( inwritten 1168 halftwelfththecentury script thebecause of documentof the for Asthe century(see Lacromensi insula ( in Palla Baritius, Babina de ban Pancratii s. by ecclesiae donationis issued Pancratius St. of church the of donation the of hand the to abbreviation beginning, minuscule. pancratii sancti Šišić century. inscribewriteto originally trained indicati inVirginiaincludedlistdocumentthis her ofBrown manuscriptsfragments Beneventanand with abbreviation. resembling lineendthe ofthe autem Šiši the minusculepapal asalready proposed

neventan used symbolneventan a resembling

FerdoŠišić, Wherasinordinary developed minuscule FerdoŠišić, JosipVrana. "Isprave zahumskih vladara iz XIXII. stoljeća i o Babinu polj VirginiaBrown. A Secon ć mentionscontains script the that ć secondhalftwelfth the of century. the ies) did not consider not did

as au insteadasauof ons of the owner /owner collection,the shelf onsof XIthandXIIth centur 518

mainIwith agree document, of thetext Josip fromis Vranadocumentthe second thethat 519 an A an , top the on line decorative small a

the 517 "Ekskurso lokrumskimfalsifikatima" (Digressionon "Ekskurso lokrumskimfalsifikatima" (Digressionon Lokrum forgeries): 208, 209. of

I, 26d XII, abeled it (fig. 208) 208) (fig.

“ discussiondocumentforthirteenthofthe century date indicatingfornumber 3 rabic , s

, ” a

same same incorrectly he that script Beneventan in written

resembles .Oxford : Clarendon press,1999 (first published inOxford Clarendonat Press, 1914) 171, 172. for Caroline chancery script andCaroline chancery script a

an interesting feature at the back; a small inscription small aback; the at feature interesting an the ) Caroline/Gothic script. See Jakov Stipišić,Miljen Šamšalović. MarkoEd. Kostrenčić. sancti Thus, . Canale d Newd ofList Beneventan Manuscript (IV)”: 341 scribe who wrote another document from the same group, group, same the from document another wrote who scribe iesconcerning hs inscription This

Caroline

the

with ) andby ) written

h psiiiy rss ht h isrpin a md in made was inscription the that arises possibility the anA Beneventan the a “ rabic number 3. AveryElias Loew.

aut vladara XIiz Stoljeća” i XII. ( suprascript the by

515 Babinopolje the on island of Mljet). the Beneventan script. The date she script. isBeneventanThe date proposes ” Josip Vrana. As for Vrana.dateVranaAsthe Josip document, ofproposesthe omitted

with - Beneventan abbreviationBeneventan marks and dates. She says that itSheandwas markssaysprobably dates. that by written a greatly . Zagreb: . Jugoslavenska Akademija znanosti iumjetnosti 1967: 72. “ the a e “ the the

” m contraction sign and that the lettercontraction signandthe that “ f h lte “d”, letter the of . kept kept ” 516 omited i

” was indicatedwas by a horizontal lineabove vowel, the the DubrovniknotaryMarco res

and He didHe mls ( embles in the the “ the m the attentionthe of

not Stat ” general inclination of the script to the left) the to script the of inclination general Lokrumforgeries): 190. factThe that the , a distincta , Meleta monasterio s. Benedicti in insula insula in Benedicti s. monasterio Meleta greatly Zahumljerulers' ecclesia

mention, however, the e Archivee wasissued of It Dubrovnik. u na otokuu na Mljetu" (Zahumlje chartersrulers' - 342. The Beneventanscript. Ahistory ofthe of “ of the Historijskizbornik resembles

XII,26 the au

ive the authorsthe of laterthe edition of the letters, the of shape same called rte with written ” ,

tt Archive; State

withforcontractiona sign Beneventan

facta a lutavitto de ecclesia ecclesia de lutavitto a facta . One witnessof. the names chartersfrom

d a contemporary round round contemporary a

another later

“ the e a ”, 13(1960): 162.

inchapter). the a of confirmation e twelfth

use if -

the caudata document document it occurs the the

ofsymbola XIthandXIIth Confirmatio Confirmatio thirteenth thirteenth Codex

t the at at

153

the the

CEU eTD Collection ofList Beneventan Manuscript (IV)”:342. Stipišić.Pomoćne povijesne znanosti u zahumskih 522 centur 521 knjiga,1980: 227 520 thinksdocumentthe that isthat andscript sheout points that BrankaTelebaković century. wasproduced JakovStipiši forpaleographical he opted arguments anddocument final“r”and inm monastery(listed Loew‟s Josipthehand,Vrana, on other thirteenthŠišićcentury. However, like secundum usethe inherentscriptof the to Šišićthat the stated isinŠišićitconcludedVrana and written that Pallainsula ecclesiaeBabina in deMeletainpancratii Lacromensi monasterioinsulas. Benedicti s. writtendocumentFor inthe scriptBeneventan do 1266) Dubrovnikanonymousscribe. Later notariessuchas elongatedascenders: documents lettersnotHeare elongated.of the provides other examples withCarolineof the chanceryscript pointed that out the was written

FerdoŠišić, JosipVrana. "Isprave zahumskih vladara iz XIXII. i see a ies) the , Greek epsilon..) and finallyandepsilon..)Greek he documentthe dated

the of 522 ,162. reproductionof docuthe

vladara XIXII.iz i stoljeća notemploy , a

use the horizontalline as

ć inBeneventan script. the "Ekskur

infirsthalfthe twelfth the document theof century. Virginiadates Brown

. the ligaturesgi,ri, ntti,(!), st, ei, re (twice)of

who includedinwho documentthis his auxiliarystudyonhistorical sciences letter Dominican fragmentsDominican

s os lokrumskimfalsifikatima" (Digressionon ductus biggestdifference -

Pecarski either s

“f”andnotdo “s”that the comes a

Carolingian “d”Carolingianwith of the scribe shows that he was not ascribeofhethe professionalthat showswas not scribe Beneventan the elongatedascendersthedescenders. or the document containsdocumentthe ment in Viktorment in Novak. an

disagrees onograph on Beneventanandon onograph concludedform short thescript) that of

compared

” fromfirsthalfthe thirteenthofshe the However, stressescentury. that

concerning abbreviationsign, teroriji i praksi.Zagreb: Školska knjiga, 1991:72

( 520 Zahumlje chartersrulers' from neverprovided

Thiscomparison wasalready between afordate inthese documents

with Šišić t Šišićwith inin script itsandgeneral all ofperiods

havein common

the elevenththe infragmentscenturypreserved Dominican the

the treatythe ofPisDubrovnik with extend an

stoljeća with the script is of Ljutovid'sthe document ascendersthe that and a Latinskapaleografija uncalligraphic notarial uncalligraphicscript. Beneventan

wavy linewavyforabbreviationas the sign anypaleographicalargument , fi, , hatisin documentthe written the

almost samealmost thecontent onlyelementof one

the below ”

( typicalforabbreviation Beneventan the Zahumlje chartersrulers' from notary(1206 Blaise to . Although he. did the characterist

the endthe of the mainthe line the Lokrumforgeries): 207 XIthandXIIth centur 521

provided (Latin the middlethe eleventhofcentury.the

the letteric paleography).Beograd: Naučna the represent twelfth or firsthalftwelfth or of

VirginiaBrown. SecondA New

not

- byrightly Vrana Josip who notarial script, Beneventan a writtenaby ( 1219) and 1219) Pascal (1228 XII,26cII. “

list s e use

- ” for date. this proposed the 208.Josip Vrana. "Isprave ies) a ,

any . He . the notarialBeneventan featuresLokrum

( XIth andXIIth : 158 : use letter letter , other

listed featureslisted thinks that it thinks that

indict -

to the of an 160.Jakov Donatio eius (fig. 209) the

“ z ione

” twelfth I ,

- shaped autem longa, . She . the 154 ), - ,

CEU eTD Collection island otherare examples of transcriptions samosta destroyed( notaryforJohn the cartulary ofBenedictine the nunneryMary.of St. scribeThe wrote that original the was almost 525 Benediktinski : priorat Benediktinci Hrvatskoju Slavoniae SeeJakov Stipišić,Miljenko Šamšalović. Ed. Marko Kostrenčić. forgery a there proof is that he takes documentthe from 1050 where has rightlyoutpointed that Leon was actually firsthe firstwas the abbot of 524 523 useof thirteenthdocumentssometimescentury,thewere if copied they Althoughearlier. script. attributed Theisbutdate to charter the 1039, date this fo fragmentscenturyofprobable Dubrovnikorigin twelfthcentury eleventhlate earlyanddocument twelfththe century basisof eveninsupposed paleographicalno speakthat arguments andBeneventan rathersimilar script to script the 5310/210/7/8 infragmentscentury Dubrovnik ( for abbreviationand strokes monastery Dominican similaritiesbetweenscripthe withagree isI writtenPecarski not document the inthat fragments she therefore scribeconcludesthe that cop itdoes und in und

In Zadar,In The textthat accompanies editionthe BrankaTelebaković

“ sp of 524

the na svetena Marije u Zadru ” not Molat and

.Zagreb: Jugoslavenska Akademija znanosti i umjetnosti 1967:71. Further on

in word the

paleographical features related to the mentionedpaleographicalrelatedfeatures fragmentsinto the written from Beneventan script Ljutovid's document. Ljutovid'sdocument. quadam cartapene consumpta For thisreason monasticcartularies.for community,e.g.

e an havethe

and earlytwelfth century document (1107) was transcribed in secondthe ofhalf twelfththe ce , Liber , Regum .

I wouldfor I opt f inthe ly

the frommonasteryinDominicanthe Dubrovnik. the

–

- cop angulara Pecarski, Pecarski,

protospatharii Tkon)1965: : Lokrum monastery(1023 i i ostalim našim krajevima pra bay

that are that Peter ied

cticefaithfuliscommonof not in of untilcopyingdocuments Dalmatia the I think that thinkthat I the usethe of

examplesdocumentsof older /

Tilag Tilag - wasalready inabbot1039. Beneventanskiskriptoriji ChartulareJadertinum monasterii Sanctae Marie Allig. 11, 11, Allig. t of the document anddocumentofthe fragments eleventhcenturyt the ppearance :

especiallyvisiblein roundness the script, ofthe a document a from 986

an of which 305 the Peter ofdocument the in )but hedid , a featurecana found bein, that manyeleventhandlate early twelfth earlytwelfthcentury the - this isthisactually 306. Franciscanmonastery:

wastranscribed in the ismentioned asbeginning his abbacy. This means that ifdocumentthe is not broken formbroken of

of the thirteenththe and of Dalmatian century script Beneventan to

D iedexamples e.g.eleventhcentury of Beneventan script, - a thirteenthcentury

1050/4). However, in workhis on Benedictines inCroatia, IvanOstojić (BenedictinesinCroatia other and areas relatedtoCroatia), vol.( 3 ominican monastery: fragmentsmonastery:ominican t abbotofmonastery the weas fromlearn foundationthe charter. Thus, not

alter anything( - moreisuniform , foundin 999inwhich Zadar noblemengive the (Beneventanscriptoria) Codexdiplomaticus

525 a transcriptionof a

shouldlikelybe to dated the

the Codexdiplomaticus regni Croatiae, Dalmatiae et seemsbe to the a date date as eleventhcentury Beneventan in script.

Ljutovid‟s document. Therefore, as Therefore, are Ljutovid‟sdocument. there notarialand that are script there Beneventan letter "C". I haveletter "C".I also proposed by proposed Šišić Pecarski)and a nequeaddidi, neque minui becauseofscript the fragment ofPontificale,a date date 523

had beenhad and lackand

too earlycoincide too withto the

(andwhich certainlywould appear saysthat a , . Zagreb: . JAZU, 196

233 document - s Codexdiplomaticus

234. destroyed by damp or for by thedestroyedor damp

Peter the r

and

the irregularappearance

mentionedinthe document fo

that wasthat

lateeleventh early / fishing the j dots surmountingdots und ).ViktorNovak e ) writtenin )

and lateeleventh

a brokena arch - 197,258. There MS. MS. nturyby right f Codex

issued fromthe .IvanOstojić.

andthe on s

the Kartular the

Split 155

CEU eTD Collection centur 527 Croatia).Zagreb: Institut povijestza umjetnosti, Kršćanska sadašnjost, 2006. (CD HAZUu Dubrovniku expansionofRagusan the commune / 39.Ana Marinkovic. “Teritorijalno širenje dubrovačke Koločepa ofisland Mljet,our newnational par says and (twobays) and had 526 Handlistof Beneventanmanuscripts diplomaticus, later a document foundation charter monastery)Lokrum ofchanged.dothe was not I valida not iscomparisonbecau itsdiffermonasterytranscriptions concernsintwo and that placethat possession the mentionspropertyinHe document. older thefoundation parallel a with Lokrumofthe thecharter Benedictines writtennewin thecreated ordinaryminuscule document and precededby that donation churchof hisBabinothePolje of Pancratius. without St. supports He argument inwrittendocumentis Beneventanoriginal the script only that document referencecontainedthea to wherementionedpossessionsare hardlythe could Josip hasdocumentVranaalreadythe that withargued in withsamethecontent ordinarymark minuscule (shelfearlier. discussed and letters red the itto was word ink.inwrittenPreceding word red the lineshand.different Two isinscriptionmentioned:areathe erased the and“ interventionsbecause later of seemsme This document to rgument that gender thergument erasedofthat femtheproperty not was

JosipVrana. "Isprave zahumskih vl churchThe o

AnaMarinković prop the churchthe babino pale babino , a

ies isexcluded). BeneventanOn word the "a". ) .(Pre ,158 , prephatum

writtenin scriptBeneventan

49 - - the 160. Romasquechurch architectureof islandthe of Koločep). Dubrovnik: Matica hrvatskaDubrovnik, 2003:38 dates f St. Pancratius,f St. formerthe protector of Mljet - 51.The charter beenhas dated

adjective a

unlike

round a round 45(2007): 219 from

color . A hand. r theusing oseeleventh/twelfth an the

the pse.According toCvito Fisković, ink thisbeofthat the shows might the eleventhcentury. Branimir Gusić below,

prephatum later inserted later

to be to in ,175 - k).Zagreb: JAZU, 1958:73 234:228. AnĎelko Badurina. se the older document (which is, in(whichmy is, olderse thedocument opinion

the adaraiz XIXII. stoljeća i the most importantmostplaces, namelythe possessions the where are

there isthere again

a originalofandforgerythe transcript a not document especially . Republicandthe churches of patron its saints)

maledicti . He argues that whenarguesHe . that church the ecclesiam ,

to the is ed inkeda madehorizontal "u" tinyletter change the onto stroke ecclesiam

century the

eleventhcentury paleographicalon komune / republikeicrkve svetacanjezinih zaštitnika”(Territorial there isthere additionthe original document, but Istrongly originalwithagreedocument, Vrana‟s an

date there isthere sanctum pancratium de babina pancratiumde sanctum erasedandarea have

, could

is a small,is a one andAnĎelko Badurina in databasehis of inchurchesCroatia it canit be dated ” - - CvitoFisković. ( 74.Ivica Ţile. Zahumljechartersrulers' from its Hag beena the have highlymadeinterventionsvisible iotopografijaHrvatske

inine adjective

same be a forgery.aIn Vrana's opinion - nave structurenave wasthat once barrel en tothe twelfth (thus the word word the onem Predromaničko crkvenograditeljstvo otoka Otok Mljetna

- followedby not scribe that wrote scribethat ROM). 526 prephatam ,

the word word the agree Ljutovid‟sthat in red ink.in red wasbuilt Anali ZavodaAnali za povijesne znanosti - later

grounds

XII, 26c). XII, “ / thirteenth ecclesiam

(Hagiotopographyof š isthe inserted

novinacionalni the quod , but originally but the , is” writ ecclesiam ,

byBrown.Virginia the Lokrumthe Ac XIthandXIIth s

. original century.Ivica Ţile

527 and hedocumen omparison ofomparison ” the

is inserted, inserted, is bythe ten However, this hoc ,

new in

added inwith Ljutovid's

- park

vaulted places places and

fact

(The t

156 a -

CEU eTD Collection The chr proposedthat by chronicletheŠišić that was written in secondthe ofhalftwelfth the century. The eventslast narrated questions that havewidelybeen debatedin Croatian and MaticaSplit: hrvatska,2001.The identity ofauthor, the the date of textthe and the reconstructionof origthe publishedinŠišić's edition listedbelow). See alsoIvan Muţić, wastext) butmade so twelfthcentury is,insome cases, confirmed by historical evidence fromother historicalsources. century.introductoryThe chapters ofChronicle the are not reliable,but ChronicleThe contains Duklja).Zagreb: Kršćanska sadašnjost, 1991: 119 Peričić. Eduard see manuscripts Dukljanina popa these Ljetopis Barskog. For Grgura Regnum transcripts. century seventeeth two in preserved M are of translations Republic the in (today Bar in 529 our newnational park). Zagreb: JAZU, 1958:92. priorijat Tkon,1963:435 and acquiredin1477. IvanOstojić. propertyof knownthe properties of onlypossible withtocertaintystate propertythe that question in was on Mljet because thiswaspart notchanged. Howeve 528 inDubrovnik. ofthirteenthcentur DukljaStefanhasŠišićactually Vojislav. documentofdate usedtheprove the thatto regionisChelmanae Chronicleof with(first Stephen Firstthe and statesHe the that title mentionedseparatelynever are together. and str Šisić Accordingto bothŠišić documentssupposedlywas byconvinced that issuedLjutovid withdocumentthe interventions interventionswithdocument writtendocumentandin it minuscule,argueis that ordinarypossible to differencebetween itinsertlatertried forger in to twelfth look thecentury. Unsatisfiedthat with the inwritten Beneventan script inwrittendocument Beneventan scri Therefore, -

called “Croatiancalled Redaction,” atranslation of partthe of text the into atigos ServieatigosZachulmie et Withoutthe appearanceof somenew evidence is it impossibletoconclude what documentthe originally contain oniclebecan historicallyidentified anddated toyearthe 1148/9. Thisyear thus appears as a The chronicle The t th erminuspost quem non at titlethe not at and Serbia Zahumlje do the itmoreislikely that

Gothicchurch of St.Trinity in the 529

of the priest of priest ( Dukljaof the it wasit

priest ofpriest Duklja choseandcharactersof onethe

, y the Ljutovidtitle (Lottavittus)'s a , allyand Byzantineof leaderthe, emperor the armyoftheruler the against of , the

- catalogueof the Chroniclethewasand not ofalso readbut priestDuklja ofonly theused existed 436.Branimir Gusic definitelybefore firstthe ofhalf the sixteenthcentury unknownby an author ( protospatarius epi to chrusotriclinio to protospatariusepi two hands,two he

LokrumBenedictines on Mljet is basedis on two arguments.According toŠišić, Chroniclethe was present Ragusa in earlyas as

- , did , not

crownedin 1220). Benediktinci Hrvatskoju isfictionalinatitle,because

the interventionsthe madewere becauseBenedictines Lokrum the usedthe neer) Te rgnl text original The ontenegro). the

served as a pattern for a forgeryinafor servedpatternasa ordinary minuscule.written called rulers of rulers mythicthe

pt as a patternasforgery.a a for pt contain Pancratiuschurchreference thea of to St. produced the - CvitoFiskovic.

Regnum Sclavorum Regnum

- village 120;143. (Sclavorum Regnum of Grgur of Bar. The Chronicle of the Priest of Priest the of Chronicle The Bar. of Grgur of Regnum (Sclavorum appear

former a newa document. of Finally,heconcludes protospatarius epi to chrusotriclinio,ypatusetto protospatarius epi

includethe Proţurain easternthe ofpart islandthe accompanied by

(The Benedictine(The Order inCroatia). Vol 2.Split: Benediktinski

RegnumSclavorum together beforetogether of era the Hrvatskakronika 547. Otok Yugoslav ) is a medieval thatchronicle a is ) , Mljetnas novi nacionalni

rte in written extant

cannot be foundbeincannot any documents Greek

Croatian(the first chapters27 of of47 Latinthe dubiousproperty ofBabino polje and the partthe that referstothe middle of tenth the ian

, Lottavittus(Ljutovid) , scholarship.

I I thinkthat Given Greek documentsGreek theseexisttitles a from endtheof lvc language Slavic that the forger usedforger that the the -

the similaritythetext the of the of 1089. were The g The

Ljutovid'sdocument (CroatianChronicle 547

the forgeries.

park

enerallyaccepted view is terminusante quem non obviouslythe showed Itis uncertainwhen the was Nemanjad the

(The ofisland Mljet, ,

mostprobablycreated fifthuntil s ot bt h Latin the but lost, is at a 528

princeps versionis the beginningthe

i andthat the nal textnal the y the nasty confirmed Sclavorum

ed twelfth

to , are - a

1089). . It . is

cell the 157 .

the r, r,

CEU eTD Collection scientifique, NicolasOikomidès. ofSerbia udţbenikeza i nastavnasredstva, 2006:101 531 43,2003.: 44. proximitytoDuklja." However, thismay merely reflect closerhis association with Byzantium,which may in turn beconsequence a iupannusor banus todescribe Ljutovid, supports the notion that he theheld supreme authority among Serbsthe thatat time. supportimperial efforts againstthe of ruler neighbouringDuklja, Stefan Vojislav. The use ofLat the princepsof Zahumlje (chelmana), Ljutovid received Byzantine ambassadorsoffering ofpiles imperial silver and goldto Duklja,which was theat time warat with empire.the We told,are the banof Bosnia, Serbiaall suggests thatbeen he had courted by emperor,the and awarded nominal rightsover neighbouring lands, including Chrysotriklunou, hypatosstrategos and of SerbiaZahumlje. and Ljutovid's c 530 MAthesis thisFor onnote the Chronicle Štefanić(Zagreb: Matica Hrvatska, 1950). Mijušković(Titograd:Biblioteka “Luča,” 1967); (Zagreb Standar Chroniquedu prêtre deDioclée. fauxUndocument historique.“ claimsthat the Chronicle is editorsthe and translatorsof chronicle:the see Mijušković, especially157 Letopis was it transported in1215. Therefore,chroniclethe was written sometime between 1148/9 andapproximately (Šišić,1200 Vladislavus rests in c the name firstthe half forgery.the centuryByzantine title wh composforger sothe hrisotriklinioutou protospatarosepi inofpriestDukljaofChronicle thethe mentions he and existence the also that titleofthe The mentioned Zahumljes Serbiaandto Ljutovid'st emperor?Some customaryLjutovid'snot titlesign wastimea the but at not Zahumlje do above Asstated

TiborŢivković "In a charter"In a issuedinJuly 1039 Slavic the ofruler Zahumlje styled himself Ljutovit, protospatharios epi tou Serbianhistor Ljutovidwas chosenfrom the Chronicle(Šišić, - , , 104).For similar a argumentati d - calledŢivković Escorial addsTacticon. Beograd:

n rulersfromn IX editionsof textthe The 1972: 273.17

ofthirteenththe century because Šišićwas convinced Ljutovid'sthat documents as havingbeenas itlecontrary,the problematic,on they extendeduseformulathe ofasLjutovidruler of

531 - 158and175. A differentproposal F oundation

ed . Portreti . Posebnaizdanja Srpske kraljevskeakademije): 1928. ,

recent Šišić'smainfactis Ljutovid'sthe that objectionSerbia fictionalis title that andand appear the document indocumentthe thirteenththecentury Leslistes deprésence byzantine des IX siècleXeet

PaulStephenson. ianLjutovid‟sŢivković that inTibor thinksis titlefound story accordancethe with .

hurch of hurch St.Mary Krajina in -

XIIthcentury)

srpskih vladaraIX historiansPaul e.g. Stephenson a include together beforetogether yth ofMedieval Ra how sixteenthcentury forgery byMavroOrbini, aDubrovnik Benedictine. Solange Bujan. concerning

en a moresimpleformulation aen would granted bygranted Byzantium.

that at h timethat that possiblyLjutovid : Ferdo : Š onand dating(between 1177 TheLegend of theBasil Bulgar .

the priestthe of Duklja, I havemainly used data collected by LovroKunčević in his

- canlistfoundbeofinByzantine a di 102. ( išić. - XII XII veka the gusa LjetopisPopaDukljani – Letopispopa Dukljanina F

thatthe textwas written between 1350 and1450 urtheron Tibor Ţivković Nema

Letopis (defendedat usque inhodiernum diem

, (Portraitsof Serbian rulersfrom IX

and withand fully I thisagree 530 LjetopisPopa Dukljanina njad , 214 ,

Revuedes étud , mention , y - , the 216)Second, chroniclerthe claims that the body of St. nasty. However, However, nasty. mark

whyhecomplicatedcopya would such tenth - 1189)see Peričić, CentralEuropean University 2003):49 in - ,Paris: Slayer LjetopisPopa Dukljanina na, ofspecial courtesy . havebeen laimtobe strategos only not of Zahumlje,but (The Chronicleofpriest ofthe Duklja). VladimirMošin ed,S. tr.Mencinger andV. . Portreti .

this document document this . . Cambridge: CambridgeUniversity Press, eld es Byzantines .However, accordingto reliabledocuments Centrenational de larecherche

nominal authority innominallandsauthority the ,107. (listed below) the ofţupan Raška, andthe Slavic

srpskih vladaraIX itmay bethat possiblealso SclavorumRagnum

, gnitaries from971 gnitaries sufficient for purposethe sufficient of

that ifathat that suppose we - XIIthcentury). Beograd: Zavod

were 66(2008): 5 but but bythe ,ed. andtr. Slavko

forgeries andthat donot find inprinceps, rather than –

wasmade by oneof

- Byzantine Byzantine . - XII XII veka 38 SolangeBujan , 141 , .

ofZahumlje's - 975 - - 52. 175,

(Portraits

” , the

La in 158

CEU eTD Collection 532 itthatpossessesmodestangular and aspect that a scriptFor thedocuments. ofdocument centuryinmoreisalthoughprecise she BrankaPecarskiTelebaković documentsforgeries withthe are that Šišić agrees issuedbanbyBaritius. letters)applysuprascript for only characteristicfor sameinthehand Lacromensiinsula in ecclesiaedonationisPancratii s. de Confirmatio monasterio in BabinaPalla Meleta s.insula Benedicti "LokrumArchiveforgeries" issuedbansupposedlyby Baritius(State Dubrovnik: Meletainsulainsulamonasterio Benedicti in in s. Lacromens ArchiveZahumlje, Gavril(State Dubrovnik: writtenŠišićinand analyzeddocument supposedlybythe script bishopof Beneventanissued the originalas document documethe BabinoPolje prove anddocument rightstrytheto of to donated the Ljutovid‟sthat document letters document, concernofinthethat property later the twelfthcentury. However, asmentionedtranscript. inkhanddifferentaboveamade usinginterventions red partsthe on frominare middle document havthe the eleventhof century, theI Basedon andsummarize datethe Chronicleof the ofit priest Dukljaofthe sinceopen of date historicalforanother existencethe source of Ljutovid we Theopinion that

FerdoŠišić, s

the Chroniclethe priestof the noisof Duklja how samehavethemust scribe written

the script itscript the nt "Ekskurso lokrumskimfalsifikatima" (Digression , on

writtenin ordinaryminuscule

Lokrumlater that interventionBenedictinesand myinLjutovid‟swrittenis forgery.conclusions. a Beneventan document not script

the islandthe copyingI thinkof Mljet. thatof the the the

are ). ). thirteenthallpaleographiccentury. However, arguments that the thirteenthconsecutivecenturyon (accents the must havemust been 532 (

figs. 210. 211) figs.211) 210. not dealing not forgerymeans withalso this athat

patternfor ,

writtenin scriptBeneventan

the his

document withdocument created in created earlythe included centurycharacters astwelfth andthe XII, 26 f XII,26 Hepointed out thesedocuments that the indicating forgery. LokrumBenedictines Pancratiusover inchurch the ofSt. ,

XII,26f. simply because the forger knew that he knewforgerthe because simplythat

Ljutovid‟sin believe document I ordinary minuscule.

(supposedlyissuedbishopGavril) by Pecarskistates

the letters haveletterslittlethe characteristic decorative strokes the differences between the scriptbetweendifferences thethe of longer the

and Donatio ecclesiaePancratiiDonatio BabinaPallas. de ,

onthe Lokrum forg wasissued confirmationasasome property of

shelf valid.will,leave I however, question the of Šišić's goes beyond goes i. - mark ) alongdocument ) withfrom another the swere “ i use ” e opted for opted e

unusualByzantine title T let XII,

he of the document regardingdocumentofthe the ters, ters, the carried to out document may bedocument usedas use eries):210, 211. 26 d 26 the main theof chapter goalthis

of red inkof andred of type the were , the use that is that

fromthe

solution that

forgeries XIId 26 ofabbreviations with

forge the original ,

was

the indicatedwere as the thir usingan document appears two two

produced by produced teenth this isthis

the 159

CEU eTD Collection 537 536 535 centur 534 533 Lacromensi Pallaecclesiae donationismonasterioPancratii Babina in s. indeMeleta s. insula insulaBenedicti Asalready wassupposedlyby written fictionalmentionedfiguresnot sinceinthey historical are any other document. isforgerydocument a attributed Theisdate to charter the 1151 dates omnis thirteenthcenturyuseof (the 26supposedly d XII document issuedbishopGavrilitby does and myInanguldistinct opinion,asthe infeaturescenturyfailanddocument one samethe purpose by proposed Šišić mark withagreeAlthough I andisŠišić there resemblancePecarskithat a between supposedlydocumentthe issuedbanbyBaritius analys fromoriginalhalf seconddocuments the the twe of thirteenthcentury.basedHemore this on conviction documents thethedate are that transcriptions of both documentsexecutedstates werein that half second beginningthe thethe twelfthof the or of mentionsfrequently. Shesuprascript s the also that andscribepronouncedthe that to the document withforcontraction a sign signals endthe at (

FerdoŠišić, EliasAvery Loew. Virgin JosipVrana. "Isprave BrankaTelebaković s ies), to to

is and XII 26 d andf,d XII26 26 XII previouslydocument discussed – . ia Brown.ia A Second New ofList BeneventanManuscript (IV)”: 342 the secondlatethe half or twelfthcentury. 534 us 165,166 XII,26 anima , the Virginia supposedlydates documentBrownthe issuedbishopGavril by noted - ) supposedlybyBosnian issued) Baritius, a Ban ru bus "Ekskurso lokrumskimfalsifikatima" (Digressionon letters d,lettersi,q, and mentionsp, s).r,She t form stiff quite a angular and of semicolon that , and , .

byPecarski,andwithŠišićdocument the , mentionedby would it not beit wouldnot

d The BeneventanThe script by the same hand. If the forgerihand.Ifbysame the the -

Pecarski, Pecarski, (supposedlyissuedbanbymentionsBaritius) shethat zahumskihvladara iz XIXII. Stoljeća” i ( – because que

ending omnis the Beneventanskiskriptoriji it does notit seemdoes likely in they sameproduced thewere or, that period the

priest Milagai priest ban Rastimir,ban aswell as used Pecarski tironian note fornote tironian and s

unacceptableforger/forgerswouldthat be hidethe able to thirteenth , arity of the isarity thirteenthpresentBeneventan inof century not script

a accents over consecutive over accents I , tironian note tironianfornote of“ . She . 175,180, 187, 210 were which aia to do so to

says, however, that says, thehowever, that ” a

with a contractiona with sign t inused also

the church of St. Michael.church the ofSt. coincidesŠi withused. script the to the ,

et (Beneventanscriptoria) eswere in another. - lfththenpaleographiccentury on letterhas sharpa

andsystemrecent ofabbreviat -

et 213 thirteenthcentury. other other Zahumlje chartersrulers' from and

. the

carried out duringcarriedout the the

Lokrumforgeries): 219. a latera dignitaries mentioneddignitariesinare document the

ler,

twelfthcentury - shelf mark XII 26 dshelf26 ( markXII letters andletters .

revealsund

appearance not contain not

systemofabbrev ,

, for Gothic form.Gothic

234

anima 535

- the 236. ithas

the same period andsame theperiod with the isputable featuresisputable

536

Carolinemore“a”

537 typical featurestypical of angularity is moreisofangularity . ) Whileanalyzingthe šić a strong resemblancestrong a documentswith shelf

the so Gavril‟s document 533

to the to ionswordsfor

Confirmatio argu XIth andXIIth mostprobably iations

JosipVr ed

twelfthand

th of “ of at the at ofthe ana from oi ”

as 160

CEU eTD Collection 539 538 transcriptionoriginalofthe does ruledBaritiusfrom who supposedly avoid Althoughcopy feature script. ofthe triedearlierof heto scriptthe the hand, other the bescribeimitatedthe signala XII26 thefthat copiedof document script also thisand explainedinfluenceasan the exampleappearancepeculiar assibofthe the wrotewho one the the couldwho write rastimiroceterisbano zachulmiegabrilloetet nobilibus linemiddle suchas isThis also (such feature as writinginBeneventan eight. feature:distinctive common BrankaTelebako appearance fragments), andGraz Bishopric: the manuscriptsandpreservedin ( Dubrovnik Th of ligatures,including the the thirteenthcentury

I BrankaTelebaković the e th e

Theappearance this of letters i,mentionedq,lettersr,and t p, s byuseof thePecarski and MS.fragmentattached463, to wouldlike to

not

538 inserting thirteenthfeatures. century This suprascript irteenthisconfirmedcentury also date by thirteenthcomparisonwithfragmentscentury other

The correspond to the

visibleindocument. this issued byforgery.wasdocumentBaritiusisissuedAsissuedtheban bya shownby an rum Book of St. Nicholas) ofBook St. expressmy thanksto the ina vićPecarskihasrightly -

s ending in document inending document - - letterand inletters the Carolineandchanceryscript Pecarski notarial script aswell. notarialinscriptionscript Thewas certainlyby same thescribeaswritten

withscript inscriptthe ,

mainbecausedocumentofthe morphology isletters text identicalofthe the (for this was also skilled inskilled wasalso typesofwherescript other type this of an

11 inscription backthe the at of

derived

rum intensive , 53

date because it is at least a centurybecauseais itleast date later. at although Beneventanskiskriptoriji the - the

- 1167 andattributed1167 datethe isto charter scriptthe 1159, the obviously ending in ending document veryspecificsignfor d,l, hs, ( that allthat D intensive : from notarial script. the r. Brown r. who suggested thispossibility in the use

and this isinthis because unlikely Scientific XIIf 26 angularity of the letters, accentsangularity letters, above ofconsecutivethe

ofabbreviationswith employa

noted in the de ecclesiade dataepiscopomeletasanctidepancratii ab use

foreigncollections ( ilated Franciscanmonastery:

of that documents XII 26 d and XII 26 fddocuments26 thatXII26 and XII canexplainedbybefact that the the supposition L

various

(Beneventanscriptoria), the ibrary: A ibrary: similars ti XIId 26 - ligature). littleI thinkthelines that decorative on Caroline “a”.Caroline

rum document withdocument longrise ascendersthat abovethe

)

. indicates. This trait that was this "archival"hands). - ystemofabbreviations and ending which islikeendingshapedwhich -

478, 478, largelywhetherondocument the depends ,supposedly issuedbanoncan byBaritius, the t the the t the he CR superscriptsign,

thirteenthcenturynotary the service MissaleRagusinum - The the ironnianfornote 20. 799, 20.

document faithfully hedocument could 235. an

fragment attached to MS 189,MSfragment attached to possibility arises that possibilitythat arises e

- mailcontact (19.05. 2008) 539

the

the rum Ordinarythe of the Bos scribe contain - et gothisiced formgothisiced end isusuala end the nianban a ,

the canalsobe number

, angular “

i apart from apart a scriba ” Chantilly

a letters this isthis

not 161

CEU eTD Collection from HistoricalArchive inDubrovnik. Josip Vrana. "Isprave zahumskih vladara XIiz 543 542 541 540 decades first ofthe thirteenthcentury. Desa‟sand wrote scribewho Thus,probablydocumenttheI thinkthe document. that in the originated alsobut I script, withagree is there that theVrana script the d writtendocumentby basedHescribeMilagai. his the on similarity opinion thescript the of it centurythat representstranscriptionanda thinkswrittendocumentinthe that Caroline consecutive over I‟s, hasminuscule diplomatic(abbreviationsthirteenthfeaturesthat century accents letters, with suprascript A State PancratiusThe donation issuedSt. churchofthe by of hidingthe Šišić‟s andXII26scriptissued the copiedf,actually of document bishopGavril moreisby convincing than Thus, butisinBeneventan whichf. script 26 XII, document used issuedbishopGavrilfby this and nostristerredecessoribusantiquis princibus referenceto century documentscreated In earlier. Beneventan Ljutovid‟swrittenon script hedocument in I thinkminuscule, that ordinary have AsI recognized this ofhand the thirteenth scribe century Zahumljehe isagreesdocumentwiththe although that Šišić certainly challengehas recently triedto explanation was ocument writtenocumentby

The documentinquestio FerdoŠišić, TiborŢivković FerdoŠišić,

alreadywell organized the I conclude I the that suggestion rchive in Dubrovnik isinfromdocumentrchiveanother th Dubrovnik XIthandXIIth centur contains thirteenthfeaturescentury . Šišić points out banŠišić that had Baritiusnever . points anyin authority Zahumlje. an "Ekskurso lokrumskimfalsifikatima" (Digressionon "Ekskurso lokrumskimfalsifikatima" (Digre . Portreti . earlierissued bydocument ( Ljutovid

that the that thirteenth century features especiallythirteenthfeaturescentury visiblein angularitypronounced the the of the a

closedfirstloop n copyis n Bban of Bosnian Kulin‟s treatyDubrovnik with issuedin1189 srpskih vladaraIX scribe Gataldus and the script script scribeGataldusthe and idea ies),

se so that so

documents were created indocumentscreatedsamewere the bysucceededscribewho aperiod

164

that the that the - 165 generally accepted view that Baritiusgenerally viewnever that hadinaccepted authority

explainsof presence the the main documentof the the text .

of the scriptof the

the

same - XII XII veka for

“banB

the maiusculetheletter M”).

carried out carried ). Ialsohe copied). thinkof XII,that scriptdocument the scribe created document XII26scribecreateddocument d,issued chancery script chanceryscript

(Portraitsof Serbian rulersfrom aritius‟ document” aritius‟candocument” one infailed inbut documentone other. the similarityhandbetweenthe scribeofthe Gataldus ssionon the Lokrum forg a lotava C in

byscribethe Gataldus ount Desa ofZahumlje ount is

Desa‟sdocument. the

group. According isgroup. Šišić,script theto the specificthe

itto protospatarioalias etitto litera dates to Lokrumforgeries): 210. in should the back inscription written ininscriptionbackwritten the

iXII.stoljeća”

542 the secondthe halftwelfthof the

a forgery.a

Josiphandon other theVrana, rum eries):220

be followedbeby notary‟s the the - 543 , ending that is endingunusualfor that

for examplefor IX

I agree withagree I Šišić that from

541 and preservedinand the (

Zahumljechartersrulers'

- XIIthcentury): 174

540

the originalthe and

byban Baritius Tibor ŢivkovićTibor preservedinthe used ,

finda s ab aliis sab ina

a - 188 in 162

26 . ,

CEU eTD Collection 549 centur 548 547 546 545 544 Virginiadocumentthe dates Brown He alsoBeneventanstates script. that script the fromis linethat “ thirteenthcentury indicator of abbreviatio century. handof standardsmakesparallelanda similarthe with inabbreviation stroke for listed document form(theminusculepapalcrossed script of believe insul in ecclesiaedonationisPancratii s. de Confirmatio monasterio in BabinaPalla Meleta s.insula Benedicti fromdocument Another is group the inmentioned isLokrumthe archive that mentionedandhe why thesame wasthe scribeMilagai, scribewho controlof Zachulmie althoughmentions inruledthat fromDesa Zahumlje 1144. Serbianhistorian AlthoughLokrumthe Desa‟smonasteryto donation wasalready d et

VirginiaBrown. JosipVrana. BrankaTelebaković EliasAvery Loew. FerdoŠišić, TiborŢivković ” dating the text to datingtextthe the to , ies) a the Gothicletterformletter"g"and“s” ofis fact the the that inofsome parts text a Lacromensia the that itwas a that 545 the ,159 runs abbreviationsusedligaturesbyand hescribe, thespecified only argument paleographic one the was , appears , onlywith Miroslav,

ns simply because itnshas becausesimplyverticalthe a shaft, Although he is right inAlthoughishe pointing right eleventhcentury, Zadarnotary Blaise a .

"Ekskurso lokrumskimfalsifikatima" (Digressionon “ the document supposedly isssuedbydocument the from top theshaft through the letter. ofthe thirteenth century date. thirteenthcentury date. Nemanjafamily.

Ispravezahumskih vladara XIiz created between firstmiddlecreated halfthe the thirteenthand thecentury. Although of Šišić . Portreti . “ ,

, A SecondA New ofList Beneventan Manuscript (IV) Tibor Ţivković Tibor

The BeneventanThe has stated that scripthas thestated that -

Pecarski, Pecarski, notarial alsoHestated that scribeinsertscript. theBeneventan ) the (fig. 212) The e

srpskih vladaraIX thirteenthcentury

words words Beneventanskiskriptoriji, an idea that heidea anbased that

544 who worked from worked who script. secundum ,

T has recently added a strong argument to confirmstrong hasa recentlyargument Heto added standpoint. this hescribe documentofDesa‟s to the a 546 xtremelynon

134 confirmationissuedby - XII XII veka

the TelebakovićPecarski -

I XII.I stoljeća 135 The . twel

out out and reveals the br .

other ofStephenother Zahumlje whentheNemanja, under was

fthcentury. (Portraitsof Serbian rulersfrom IX that Carolinethe use

letter eiusdem reveals scribeuse

(Beneventanscriptoria)

B on comparisonon writteninwith Ljutovid‟sdocument endthe ofbeginningtwelfththe andthirteenth of the

t of - he calligraphic appearance of the script, leappearance calligraphicscript, ofthe ishopGavril.

“s”inŠišićpart). theupper thethat thought

” an

influenceofscript: Gothic ( the influencethe ofminusculepapalscript. use Zahumlje chartersrulers' from . He states that statesHe this that . 547 uncial “d”uncialwith d the -

549

Josip Vrana argued that Hranko‟s Josipthat argued Vrana 1153, title1153, the ofDesa, of the uncialofthean abbreviationsfor “d”is not uncial ” Lokrumforgeries): 209.

:342 , the the

who haswhodated documentalso the “

d must havemust . dignitary Hranko. ( dignitaryHranko.

eclared a forgeryeclareda rather than rather the ”

was moreinoftenwasused

236. an

did not meetnot did abbreviation stroke by stroke abbreviationthe usedfromolder documents th - XIIthcentury): 163

the Caroline “d”withCaroline a ed magnuscomes terre tironian note for tironiannote byŠiši XIth andXIIth

XII,26e. is the features offeaturesthe written with awritten

Beneventan ć a , d Šišić to to Šišić d the document

548 -

164 to the to

163 an

CEU eTD Collection 550 Pancr S. ecclesia Lacromenside Dubrovnik: of Archive Slavogost. ban State by issued Mljet on Pancratius St. of church the of donation the of Benedictines One inwrittenpattern.asa Beneventan script in document) Hranko‟s sametheindication of T couldthe donate inappearswithout document theis the titlemorewhichth Šišić'sfor Asforgeryargumentsthat isdocument the a yetrepresentsanother samesystem ofabbreviations as (apparently to due incalligraphic a the is(Strangelyindocumentthisenough preserved issued charter bybishopacknowlethe of Paul, Ulcinj,who Dubrovnikparallels. Du no script (thefeatures inappearsin DalmatianBeneventan script fromJudgingthe wasaccustomed writeand in who morescript. angularto script the Pecarski'sargumentsbecausedo I mayligatures suchscriptoffeatures the as I t islikelyt not that he thesimilarity of Ljutovid‟stext in to writtendocument

FerdoŠišić,

shelf other s brovnik thisparallels to ), ), - itseems mark XII, 34a markXII,

definitelyreveals ouet rm h gop of group the from document use "Ekskurso lokrumskimfalsifikatima" (Digressionon suggest t suggest ppearance, the script of the documentof scriptthe theppearance,

that documentthe that the landthe does later

the Šišić “ e The script, however,does have Theascript,

”

fact that scribefact the that was reason to the systemfor ofabbreviations

hat - with ‟s shows

Iuramentum Pauli episcopiIuramentumPauliDulcinensis

and Vrana and time, but the scribewritethe notarialto aswas well. trained disagree script I some of with

the hand of a scribe who wasofscribehand a the who an the unusualthe

was scribewho that this

not abbreviation line for lineabbreviationfor XII, 26g. 26g. XII, date atii de Babina Palla in insula Meleta monasterio s. Benedicti in insula insula in Benedicti s. monasterio Meleta insula in Palla Babina de atii in

not

Hranko's document. As datethe Hranko'sdocument. ofthe existin that maybe mentions

‟s idea‟s Hranko'sdocument

think that thinkthethat scribe used markedan

form of the letter “s” letter formandofthe the the ofrai dntoi mnsei s Bndci n insula in Benedicti s. monasterio donationis Confirmatio date that

differ

not not Lku forgeries "Lokrum twelfthcentury form d to this isthis a the

accustomedwritein to accustomed to writ accustomedto attempt omnis ent abbots( ent

the second half or late secondthe halfor twelfth century. Th . sameascollection est 550 displays slight resemblanceslight Beneventanthe to script ,

he mentionshe is foundisin twelfthasas thirteenthwell century

notarialscript to to andthe

not the an strange since the legalanbasstrangesincethe by dges the rights themetropoly. ofRagusan a dges twelfthcentury. a

Lokrumforgeries): 216

Beneventan script whichBeneventan includesscript even the forger the accu

and Peter insametheangularity either the either ). ). use ” stomed to writeinstomed to scriptBeneventan (fig. 213) absence the s t is

inand GrobaLjutovid‟sdocument the of ing

cursive strokes cursivestrokes of iscorrect he confirmation to to confirmation he the a

strong argumentHrankostrong that the inhas noscript Beneventan tironian note for tironiannote Gothic "s" or "g"Gothicalthough "s" or document isitdocument 1189,

us ofthirteenthanycentury Lokrum forgeriesitLokrum and

Although e Beneventanand script)

Ljutovid‟s document -

although 218 .

ductus it isit is

the

on which hewhich on

et certain more the

letterin“i” that that ere are ere

Lokrum Lokrum in

has ( 164 the

the the a

CEU eTD Collection 557 stoljeća XII. inscriptionthe 556 555 (Latin 554 553 centur 552 551 Croatian, the becauseinterestingmainofoneŠišic'sis forgery arguments that document thehis is a that objection inscription a Panchraciifacta (fig. 215) Šišić indocumentsboth same theoriginated surroundi beingdistinct the factbothusedandthatscribes thein Beneventantrainedwere inbut featuresmost (visiblemany the inwrittendocument isThereno issue secondhalftwelfthof thecentury reveal fromtwelfthcentury. Apart DalmatianDubrovnik examples,insome other created thedocuments minusculepapalinfluencevisiblein JosipVrana writtenbyinscribeoriginally a date andtrained Beneventan the noted also He century. document the that thought he Ljutovid‟sdocument) to relation inLjutovid‟s(writtensame thety document with script chancery Caroline document as such script the of features characteristic Lacromensi.)

FerdoŠišić, expressI my thanks to Virginia Brow FerdoŠišić, P VirginiaBrown. A Second New ofList BeneventanManuscript (IV): 342 Josi FerdoŠišić,

title reserved in d byd ies) did not noticenot did paleography).Beograd: Naučna knjiga, 1980:226 p Vrana.p "Isprave zahumski used :161 a the He ” a executed was

t mucht reads Latinvariant ofSlavica word ( Zahumljechartersrulers' from is correct when is hecorrect states - de ecclesiasancti panchracii facta a "Ekskurso lokrumskimfalsifikatima" (Digressionon "Ekskurso lokrumskimfalsifikatima" (Digressionon 162 "Ekskurso lokrumskimfalsifikatima" (Digressionon

innot Zahumljewas the calledit Split of (fig. 214) 214) (fig.

ChapterArchive Split, in see the

the second half and the beginning of beginning the and half second the de ecclesiade facta sanctiPancracii use

similarity archbishop archbishop bano that inscriptionthe that documentofbackthe the at a

of Italian minusculeItalianand minuscule(XII, 26c) as well but similar the script content typeasthe of

Slavogosto ed Šišić Ferdo in the first half of of half first the in

symbolresembling use between h vladarah iz XIXII. stoljeća i

Gaudentius

the of Beneventan letters. Beneventan of a n who confirmed n this readingin

ban papal minuscule influence. On the basis of of basis the On influence. minuscule papal

eeetn etr “” “” “” n “” He “r”. and “t” “k”, “a”, letters Beneventan (under the

that isdocumentinthe written the shape the letters of the noted noted aswrittenin countdocument,ofthe text but ( the tall ascender tall a XIth -

knesus and written in written and similaritywithth linedR.V.) by komeso pe of script) and other Dubrovnik examples (listed above in andDubrovnik aboveother (listed examplesscript) of pe reproductionofcharter the inViktorNovak. provided a provided

that that the andXIIth centur the .

ng ). hrenh century. thirteenth number 3 to indicateto number3

slavagasto hs et was text this 557 s a knesoa . s and that itwas sandcreatedin halfthat second the of the

” The

552 (

the Zahumlje chartersrulers' from readinginscriptionofthe as

1150. 555 foundin

Virginia Brown states that this docume this that states Brown Virginia the the the questionarises wrote scribe why the did who thirteenth century. He century. thirteenth

. Josip . Vrana. "Isprave zahumski ies) Slavagasto

is d Thisinis part Lokrumforgeries): 218. Lokrumforgeries): 192 Lokrumforgeries): 210 an

type oftypescript it : 165 : 554 e was

. to the to -

rte i in written mail

Hranko‟s document andHranko‟s Ljutovid‟sdocument .

was

551 a twelfth the of half second thefrom from

Caroline chancery script withchanceryCaroline script twelfthcentury.

(R.V.)

oi Vrana Josip written inwritten Beneventan script. omitted omitted June11, 2008.Josip Vrana reads

incorrectsince the ,

for examplefor charter the 556 a papal minuscule script script minuscule papal

. . Thisisextremely

the Latinskapaleografija noted “ m

a de ecclesia sancti sancti ecclesia de XIth andXIIth conclude called called ” ) signals that signals that ) comparison with with comparison 553 h vladarah XIiz i

the Beneventan the knez

the script script the

in d

script that the the that nt was nt

165 a a

CEU eTD Collection in documentscreated were samethesurrounding hasŠišić beleiv hishave accepted analyseshistoricalthe concerning person mycore Asthehas ofbeen analysespaleographicalthe an andwrittendocumentin Slavogost's minuscule. ordinary inscriptionsinthe at scriptback BeneventanLjutovid'sthe written of in minusculedocument ordinary haveconcluded I also thirteenththecentury that scribeof th Pancratius ofSt. inwrittendocument by ordinaryissuedminuscule and withagree I inŠišić writtendocument the that Beneventan and inwritten Beneventan script, incenturyLjutovid'swrittenare: ordinarydocument minuscule, transcriptionof charter inmonasteryfromis Beneventanwritten script incommonlyIhave Croatianaccepted foundationthe scholarlyliterature. concludedthat of the charter Thepaleographical above analysespresented monasteryislandBenedictine Maryon ofthe Lokrum ofSt. 3.4. twelfthcentur hebecausewasSlavogost‟sLjutovid‟susingforgeriesanalyzingand from secondand the half the of propose Thus,I that scribe the of Beneventantheadded inscriptionLjutovid‟son document century wrote scribewho mistake?a haveidentifiedhandinscription wrote BeneventanI who the the thirteenth handaas the of quite withaccuracyhe opposite, acquainted the wasnot or, Zahumlje heandtitlesmaderulers' simply factof awareZahumljethe that hadnever rulers inscriptionbackthe inBeneventan script 3.conclusionThe a document issuedwritten in document by ordinary minuscule.Slavogost e that that document represents that that e , Ljutovid's in, writtenfrom Beneventandocument script carried out a out carried yhisfor forgery.newly thirteenthcreated century the date to the to date views that documentstheviews that forgeries are mid

detailedanalys – -

eleventhcentury original)andfrom seconddocuments the half twelfthof the the forgeries the positiveasa argumentfor scribal practicethe a in the

thirteenthcentury. a document supposedlydocument byBaritiusissuedban ( documentissued by supposed

isofthe a transcriptionof s and the rulesthe sand diplomaticsof the try banBaritius

to correct to th

produced rules ofthe

the the holdingthe s

andt

eleventhprobablymost century and originalthe the

Count Count

hat theycoincidewithcompositionof the writtendignitaryin Hranko script Beneventan the ‟ results that differresultsthat substantially views from

e titlee document changed the back inscriptionchanged backdocument the simply with the exceptionthe with of diplomatics at that diplomatics timethat suggestingat that

alyses of the documents, I have I documents,ofalysesthethe on relied

written inwritten Caroline chanceryscript). originalmid script and issuedandby banscript Baritiusand

e document issueddocumentbane byBaritiusadded title Desaregardingdonationthe churchof the in

the

a ban Slavogost from Slavogost doc earlytwelfth( century

andfelthe umentissued bybishopGavril - eleventh century document. eleventhcentury document.

presente the samealsothescribewho

Ljutovid'sdocument the ban d byd I andŠišić need for historicalforneed

to to knez a ? Was?he

the

the 166 . . I

CEU eTD Collection 1 Desekneza o Mljetu» (Charters on Mljet 559 558 Michael 1177, whole the of possession in were Nada document. this Nada 1151. in Pulsano Count of properties some to threat a was forgeries se the in created were analyses right their prove to tried the the and minuscule ordinary in ru written the Slavogost, Zahumlje, of forgery bishop the Gavril, by a issued supposedly documents for pattern a as used was Ljutovid by issued and the of middle the around once and century the In twelfth century. thirteenth the of half second the in once forgeries, their monastery.isThiswillwhy I of scope the beyond n The PulsanoinBenedictines duringhisafterwards. 1151, rule and Lokrum‟spossessionBenedictines‟ before donation the of existthey monksLokrumneededd Pankratiuschurch ofSt. probably in possessionwas the of untilŠišić Mljet. periodthat assumes eastern sidethat the of Mljet kingofSerbia Zahumljeand makethat reasonto forgeriesthe the in first place the indocuments o is witnessesŠišić forgers theactually hasomitted. that proposed fromauthenticmain sametheThecharters is withdifferenceperiod. part theand that signatures - 2: 2: 5

Nada FerdoŠišić, dignitary Hranko were created. As the property in question, for which the Lokrum Benedictines Benedictines Lokrum the which for question, in property the As created. were Hranko dignitary - 16. ew dates, however, demand a different historical context, which is a very problematic issue and issueand very isproblematic which ahistorical demand context, however, different a dates, ew Klaić in which he confirms the properties of properties the confirms he which in Desa of Zahumlje donated the whole island of Mljet to the Benedictine monastery Benedictinethe to islandofwholeMljet the Desa ofZahumlje donated Klaić

o n produced

. "Mljetski . falsi mentions a very strong counterargu strong very a mentions "Ekskurso lokrumskimfalsifikatima" (Digressionon 559 rder to choosemostrder later convincing theto one

Although

forgerieswere supposed that to Pancratiuschurch testifyin the that ofwasSt.

this chapter, chapter, this Klaić s, show theirocuments rights to fikati"( second half of the twelfth century, the document written in Beneventan script script Beneventan in written document the century, twelfth the of half second

is , Count Count

located

of the whole islandwholeofthe ofMljetto Be the only

and to some extent Mihajlo Dinić have been disputed the authenticity of of authenticity the disputed been have Dinić Mihajlo someextent to and The cond half or or half cond

of Issued present my Lokrum hypothesisthe present that Benedictines presented twice Mljetforgeries). eas oain s eeal acpe as accepted generally is donation Desa‟s ocre mil wt defining with mainly concerned on the island of Mljet and as the forgeries, the as and Mljet of island the on le serya 11 h bl f lxne h I sud in issued VII the Alexander of bull The 1151. as early as Mljet

by C ountDesa) the the the ment Arhivskivjesnik late twelfth century, I assume that the that assume I century, twelfth late Pulsano Benedictines mentions onlymentions Benedictines Pulsano orm eeitns by Benedictines Lokrum

was against Priloziza književnost, istoriju, jezik ifolklor

to theseproperties the a Count Count the donation indonation 1220 on

Lokrumforgeries): 220, 226 558 the opinion that the Pulsano Benedictines Benedictines Pulsano the that opinion the Lokrum monasteryLokrumand theobviously

10(1967): 185 and present itandas evidence. present

produced Desaofthe along nedictine monasteryMary nedictineSt. of on

s cribal practice in the Lokrum Lokrum the in practice cribal with Babinopoljewith the and . As the documentsAsthedid .

different variantsdifferent ofthe - 234 .Mihajlo Dinić.«Povelje the by whole an

Stephan Nemanja, Stephan based on based Pulsano Benedictines. Benedictines. Pulsano authentic document, document, authentic ler of Zahumlje and and Zahumlje ofler of - 227 the Mljet to Mljet .

reason for reason of St. Mary in Mary St. of

church of St. St. of church paleographic paleographic He suggestsHe

28(1962) vol. the

not the the

167

the is

CEU eTD Collection 562 931,170 s 561 560 representsanLokrum that additionalhousedscriptorium ain proof fragmentsmonastery:Dominican examples( andabbreviationby brokenligaturesigns arch surmounted dot a of the appearanceand fragmentsin written script BeneventanDubrovnik. usedisBeneventan th script ancenturyearly twelfth transcription of isdocument Theearliest written inwhich Ljutovid's document believe script Beneventan I represents monastery the Mary monasteryLokrum.documentsThus,ofon thebecomeSt. testimonies thesedocumentsforgeriesare only the placethat proveshavebeenis theywherethe created could regardingargument inscribalthe practiceBenedict Lokrum properties. already Šišićthat concludes then, nullu predictisetde terris, etrupta sit falsa isit whichendthe at stated: monasteryLokruminsome land over Thedispute ended Brgat. fromdocumentthe 1299 by inproposed isŠišić.mentioned This accordanceinteresting also withby data who Šišić, Pancratiuschurch ofSt. Thirteenthissuedbydocumentsbyandcentury ban Baritius bywas athere some threat Pulsano Benedictines oftheirto property. Mljet on polje it that fact the However, VI bull in1123 Cassino Monte to donated Dubrovnik privileges. papal in Mljet.

FerdoŠišić. "Ekskurs o lokrumskimfalsifikatima" (Digressionon HerbertBloch. Nada I ‟s sud by issued

bull 560 Klaić

(situated in Babino polje, R.V.) However, thereexamples However, are in R.V.) (situated Babinopolje, does not consitutea not does 562 the . "Mljetski . f

The mainuseThe however, ofthesepurpose analyses,was thisto documents positiveas a

Franciscanmonastery: fromperiods. different island Montecassioninthe Middle Ages nsais V sud n 134 sm tit yas later. years thirty some 1153/4, in issued IV Anastasius similar morphologyletters, ofsimilar thethe , strengthens the idea that the L the that idea the strengthens , hs is This alsifikati"( may concerninga

contains a contains e sameusedein lateofscript type eleventh preserved early / twelfthcentury “

havebe Et si aliquositempore aliaEt carta parte exdictialiqua fuerit inventa cenobii

h case the crucial argument that crucialthat argument The

the r

Mljetforgeries): 199 and en created upon created inendonation the asofNemanja Stephan 1220, mention Lokrum monastLokrum the

dispute in the Dubrovnik court betweeninDubrovnik communedispute the the court and the j with a ). Thus,). writtenthisin monastery document Lokrum on the

fragmentof document issued indocument . Vol. . II. (parts III mvigorem habeat

h Bndcie oatr o S. ay n oa near Roţat in Mary St. of monastery Benedictine the . However, . of

the properties of properties the - Count 200 ocrum Benedictines created the forgeries because because forgeries the created Benedictines ocrum eryitsforknown was Ordo Ordo use The similarity is evident inThesimilarity is the evident .

of the broken forbroken ofthe its first appearance in papal privileges is privileges papal in appearancefirst its the - IV).Roma: Edizioni distoria e letteratura: 928 MS.5310/210/7/8 Desa‟sdonation inemonastery. majorityfact the that Theof Count Count Lokru ”. ”. the

in mid

mforgeries): 234, 120.note a deal and a document was issuedinwasdocumenta and deal a the Desaconcerning thedonationthe of the

- eleventhcentury.The type of Pulsano Benedictines in Babino Babino in Benedictines Pulsano where late eleventhlate and early twelfth “ sp 561 ” mof

forgeriesconcerning that may that foundbe would havebeena would

hrfr, h Alexander the Therefore, , the donations appear later appear donations the Liber

the scribal practice inscribalthe practice the letter"c",

Regum pronouncedround

mentions - Allig. 11, the

in other forgery. forgery. land - 933:

in 168

CEU eTD Collection and letters abbreviationsthe Th used. monasterylabeledfragmentsDominican ( fromfragmentsDubrovnikcollections ( However,manuscripts.century latecomparisonbetween the early twelfth/ the century thirteenth mainlybecause have supposedly documentI the dated byissuedGavrilbishop writinginwaskinds of different script script in The notarialscript twelfthofthe century and writein trainedBeneventanto mainIn both notarial scribeand the the text, script. uses inscription mainboth, andthe the text characteristicof appearance morphologydoeslettersthe of ascenders bishopthe ininscriptionofanZahumlje, written possessesappears scriptthatBeneventan large very inwrittenin Beneventan half secondscript thethe twelfthandby of centuryissued supposedly Gavril, Beneventanindicatingabbreviation omitted the rulerofZahumlje, also ordinaryminusculeinha second the monasteryLokrumcouldwho write form especiallyin document, the the by reference.that Pancratius inLjutovid'swrittendocument Beneventan script scriptorium. centurythat and Moralia inMoralia Iob the t the a a use

scribe who couldscribewho write symbol). Thus,it symbol). s tyronnian note for tyronniannote

hirteenthcenturywill there aswitnessed

of two oftwo . In . indicating itindicatingwaswritten by

s the secondthe halftwelfthforgery athecenturyfor includesused pattern asit of a was that . These documentswritten. arein three red same, the The f The

kindsin half isinformationtwelfthofsecondthecenturyscript the becausevaluable of

the script doesscript the byGregoryand St. Great) the the the orged d orged inthe preservedwrittenfragmentsin Dubrovnik Beneventan script show seemsthat displays et

, Beneventan / Gothic Book of St. NicholGothic / ofBook BeneventanSt.

typicalfor ocument that scribesthewrite that in accustomedwere to in Beneventan asaswell inthe the

not n use assibiliated

ot featurescharacteristicBeneventanfor (e.g. script the

insecondthe half twelfth the wasscribein athere of century

Beneventan script aswellBeneventan script ( appear

differ(onefrom canmain not the text possess of lftwelfthbythecenturyissued supposedlyandof Slavogost in of e script represents script e a scri a the in a the both Beneventanboth notarialand script Ljutovid, as the paleographicasthe Ljutovid, analyseshasshown the no

the document document the m

distinct simultaneous usagesimultaneous

practice,rather thanexception the tarial script. Thus,tarial script. the , Scientific be who was used to writwasused beto who ti n -

ligature) anddocumentofthe thus and pronouncedangularity characteristic “ m ive containedreferencesno membradisiecta o ” ) ,

Beneventan abbreviation forabbreviationBeneventan the displaysresemblances L ibrary: were a

3 mixturefeaturesofsomeof - form

writtenby samewasthescribewho

use shown the CR to

sign).Onbackof docu the

three documentsfromthree secondthe half ofboth the secondthe half twelfthofthecentury - as. This meansThis practiceas. the that of

III from color ingin a

bysomeBeneventan abbreviations - 206

, the sametheinmanuscript the the ink.

for examplefor to church the ofto St.

s (

B notarial script aswell. notarial script The inmorphologyofthe the

Thed BeneventanGothicand at thisat scriptorium reviarium

were Ihave conclu an ocument writtenin ocument of omitted omitted , find ,

the use

thirteenth

cr ) the ,

, eatedin that CR

Baritype of

of waswritten

rum

ment the the - “ 20.911 m - ded that that ded . the ending ” , the

, a 3 a , 169

CEU eTD Collection it"Lokrum Thus, out forgeries"turns that createdinmonasterycertainly the Lokrum on fragmentsinand written prese script Beneventan documentsthefrom Theanalysessoofthe thirteenthcentury byBaritiusban fragmentChantillyGrazand forgeryuse also similaritysuggests centuryBenev andplac Thescribe marking discussesindicatedby letters,abbreviations"m"e.g. superscript with betweenthe be placednot to precisely displays comparisonbetween ofscript the origin: hand,caneasilymanuscriptsfragmenbe andwith compared the Thesupposedlydocumentbyin issuedban created Baritiusand islandthe ofMljet. documentsalongin withprove other their thirteenthto rightcentury Ljutovid'sinbelievedocuments minuscule), written I ordinary that lacksitSincethirteenthinscriptionthe inat backBeneventan theandcentury script (like Slavogost evideasstrong isforgerydocument a thus and professional asignals thisnot Although,that have scribewas Šišić's I views accepted scribe. this that the writtenThein only document that scriptBeneventan possibilitystrong inallfragmentsmentioned executedwere Lokrum thethat the scriptorium. will appearancethat be suchdoscript asdescendersthat

document issueddocument by the

ed the same inclination leftthe same to the of MissaleRagusinum

used some lessusedsome a stroke letter through stroke the a doubled

lettersandfeatures other typical entan fragmentpreservedinmonasteryin entanDominican the Dubrovnik (fragment nce fornce lackexistencethe scriptoriumofmaterial. ofthebecause the ofcomparative thus d

. small strokes decorative

that thisDubrovnikthat abbreviationfamiliar wasTheto scribe scribes. Lokrumof the - ihairstrokesand usage with the presents - come m come calledforgeries""Lokrumhas the early twelfth, lateearlyand twelfththirteenthtwelfth, centur

o common abbreviationshecommon abbreviate.g. n the line,nthus the dignitary Hranko. dignitaryHranko. s a

and , , ore pronounced laterin pronounced thirteenth the century. I thinkthere ore that strong argumentstrong for existencethe of

the itprobablymost in itbecannotmonastery,Lokrum theoriginated used

no the in Book of St. Nicholas ofBook St. and t descendmaint line the below ingrowing aangularity and the Book of St. Nicholas. ofSt. Book the MissaleRagusinum “ l ” in , an abbreviation which I have also foundanin whichhavealso abbreviation, I

, the vertical strokes of some letters, ofverticalsome thetendency lettersforstrokes the at

creating a brokenafrequent irregularcreating contact appearance,

the minusculeletop of of Thee

thirteenth century thirteenth manuscriptssuchalready the as

rved infrom Dubrovnikrved collections the the usethe xtre possessesno shown melyuncallig

and t he“

that the usedinthat type ofscript Beneventan the the T ts e the t the he Graz and Chantilly fragments. TheandGraz fragments. Chantilly ” previouslydiscussed

ofalready Dubrovnik confirmed ed Dubrovnikinmyis,parallel opinion,

with script usedinscript the itpresentedwasasevidencenot tters, a feature characteristic tters, a sto hirteenththe century,on ot

raphic appearance of the scriptof the appearance raphic

Lokruminscriptorium a populus ies suprascript "i""mihi",for suprascript

an the church the PancratiusofSt.

reveals abbreviation line"est".for abbreviation

byvowelsomittingthe

great similarity great to document issued document the document document , se

eleventh display

periods. periods.

the f

isa ) her . . This

in the the the

the 17 on 0

CEU eTD Collection groupafor used pattern asaof documents, monasteryintranscribedinLokrum the containingdonationthe of existenceof fromBeneventan script fromBenedictine scriptoriumin Apart Dubrovnik.homogenous thegroup of fragmentsin written incentury Dalma lat.10657). monasteryAs existencein(Vat. the of Benedictine scriptoria assignedanywith certainty islandTremiti to of prior indocuments written scriptBeneventan possible about wa rather than monasteries.forhaveBenedictine I opted fragmentsofcontent the show that thesepatristicwere readings that monastery,Dominican fact layout. Thefragments the that uncommonabbreviations employsimilar systema ofandispunctuationindicative abbreviations (especiallythe formandnumeroushomogenousThey agroup.in writtenare Thefromdatespecimens Beneventan of writingthat on in created samethe inscriptorium inwrittenand Beneventan script Theanalysespreservedmanuscriptsoffratheand 3. addition chronologydevelopmentofoftheBeneventan inscript 5

s the islandfoundedintheLokrum, of 1023. .C

the originalinthemanuscripts dividedlater were centuries called by the city commune to establish calledbycitymainly themonastery) to becausecommune a onclusion al argument forargument existencealthe Lokrumofthe scriptorium. at the

the Tremiti monastery of St. MaryTremitithe monasteryinSt. Apulia of where (from late elevlate

LokruminA scriptorium. inwritten document issued Beneventan 1039 script tia is attested w isattested tia enth and earlyandenth twelfthscriptoriumTremiti century island. at the the the that are contained that the Franciscanmonastery

lateeleventh twelfthcenturearlyand to isabbeyTremitithe thirteenth thecenturyof cartulary thirteenth century or thirteenthmorecenturyprecisely or on the rulerofLjutovidZahumlje, ith connected the from Zadar, Dubrovnik area, namely area, monasteryMaryDubrovnik Benedictine the of St.

the that canthat connectedbe the sameintheappearmanuscript collections different ( the

there are noare there

the to Dubrovnik hasto shown that earlytwe ina

possibility so

majorityfragments)and they sameof havethepage

and - gments fromlategmentseleventh thethirteenth to calledforgeries".As"Lokrum analyses has the the , lfthincentury and

the

seriousassum obstaclesto the

late eleventhlate earlyand twelfth ce that these fragments inthese originated that Dubrovnik

, Scientific

to Dubro and came from cameand the the

to monasteryMarythe to ofSt. that were that ies LokrummonasteryBenedictine was

roundtype ofscript, Beneventanthey v niknecessaryandareaa provide , one , L ibrary) points to ibrary) to points Peter lymanuscript the other itis ve the readasobligatory readingsin we almost know nothingknow almost we

the same library samethe lateittwelfthcenturywas , eleventhand twelfth a

argumentsp

nativeofDubrovnik ry likely ry ing There are no Thereare

from that wasathere that that maythat be the use

that they were that

nturyare

possibility

the ofsome eaks .

on The the century

the to to the 171

CEU eTD Collection "mihi"for suprascript"i"marking andof manuscriptscenturysuchbyindicated letters, "m"abbreviationsase.g. the superscript with precisely leftinclinationthe to script the Ragusinum greatlyresembles F monasteryMaryLokrum ofSt. Theconnectionthirteenthmanuscriptsofthe centuryand fragments origintheythat showed sanctorum Archive:Croatian State origin.Theanalysesscriptofcomparativefragments the of some thesedocuments 20.7 Theinanalysesof thirteenthfragments century kept Dubrovnik collections ( the Beneventnaoffeaturesthe used in script Dalmati interchangable abbreviationstypical standardBeneventanpoints. punctuation,mainlyiswhich limited Theto scribes line,preciselythus the on angularitypronounced waspra monasteryBenedictinebe defined.The can analyses has shown that inthirteenthcenturyused Beneventan script namespersonsofthe(largely familifrom noble Dubrovnik samethe obituarium hagiographical in Dubrovniktheyevidenceandtwo that created are were there manuscripts, Thereare two afor The thirteenthevidencecentury scriptoriummonasteryinMary Lokrumthe very ofis St. strong. scri shown,documentof scriptthe the orgeries pt and preserved inand preserved pt use 99 ,

of littlepointingof minusculeon strokes decorative top the ofdownwards A ” o containedin the - . This docume . inmanuscriptsandused Beneventan ) thefragments and script of confirmedDubrovnik 478 n the line,frequentcontn the , the , use BookNicholas ofSt. and the caneasilymanuscriptsfragmentsbe andwith ofcomparedconfirmed Dubrovnik the

manuscriptsfragmenand

of both olderof and Franciscanmonastery: , the , of the of in various

the vertical strokes of some letters, ofverticalsome thebe notlettersstrokes the placedtendency forto w MSC 57/9 MSC

nt ChantillyfragmentGrazand ,

ere

MissaleRagusinum , creatingirregularisbrokenaappearance. Thereinconsisten

the thirteenth century although inmanuscriptsthirteenth century casealthough therethe of supposedlyinissuedban bycreated Baritiusand

most probablymost

cticed inThearelettersplacedcentury cticed . not thirteenth Dubrovnik,

‟s Dubrovnik collections. so

is - greatly called act betweenact andthe letters features other typical , shown the later JurajHabdelić Scientific MissaleRagusinum

a resembles the system

byfromdocument group ofthe soone MS. 463,189 MS. MS. doubled ts produced the

Graz Theandcom fragments. Chantilly of

and the and Dubrovnik area and most probablymostDubrovnikand area inLokrum the an s a. There are someThereare speci a.

for - alreadyDubrovnikorigin: confirmed

i withThe hairstrokes. scribe docum ofthe the script the fragmentsofinthe written Beneventan

s, omnis inDubrovnik. above

that that es) recorded es) , - display

and the Book andNicholaspossessSt.ofBook the that mentioneddocument omnia )showed the that scripttype of

L preservedinZagrebcollections( ibrary: ibrary:

associatedwith whichconservativethe shows their Dubrovnikorigin their a

Beneventanwith a script

inthem al 2027

features of the script suchasscriptoffeatures the the the . Thus, a typeThus,a of. , membradisiecta “ Scientific d the u thirteenthcentury - ” sed called

displays of

letter.

Dubrovnik Missale, VitaeMissale, parison betweenparison

standard thirteenth thirteenth c y iny the maybe

“ the

Lokrum L s

the samethe ibrary:

a inthe Missale used inused

ent ent to use

from

the the ,

of of 172

CEU eTD Collection accus fromthis shows from documents kindsisconfirmedin also ofmonasteryscript in Lokrum the asBeneventan script to due Theangularityscript the of Bariof(round) type fragments and Great) the ( infragmentsusedscriptwritten inand preservedin script Beneventan forgeriesLokrumw twelfthsupposedlycentury.A issued document by lettersofthe angular fortypicalcharacter defined.TheBeneventan script frprovidesscript a andinBeneventan that script was thirteenththere century factinthatThe were itcanThus, be thirteenthmanuscriptsfragmentsconcludedthat centuryand utilized isexpanditforgerybecause conceivedto a property L of the the forgedsupposedlydocumentby inissuedwasbancertainly monasterycreated Baritius Lokrum the letters, scribes.TheforgeryLokrumscribe the useof also (fragment inthe by vowelstheandletter throughstroke aplacingomitting the supposedlybyBaritiusissuedban the Scientific tome possibly

eleventh century Beneventan fragmentBeneventanpreserveleventhcentury

the the a featurea characteristic

older documents fromolderinmonastic archiveLokrumdocuments the group isin group with Beneventanwritten features script somethat

f d influenceof m handwritein ofscribe a to accustomedlateBeneventan. Another twelfth century document )

. . Thisconcurranceleadsto to writenotarial to aswell.script , that is that n created in created the L membradisiecta

the and ibrary

the group group ofthe ame lateeleventh centuryearlywaspre anda theretwelfth typical fortypical ritten insecond the halfritten o o the in ). isThe). angular not aspect : work the CR the BeneventanNicholas.Gothictheinterchangeable / ofBook TheSt. Benev Gothic script usedinperiod Gothic script that andinterchang sometimes - apparent III

Benedictine monasteryBenedictineLokrum. on inwhich the the ofthe entan script usedin script entan the -

206 in from thirteenthcentury but so

the fragments the late eleventhlate earlyand century canbetwelfth dated used some lesssome used

- (

called"Lok

Chantillyfragment Grazand ofNicholas. Book St.the and The Breviarium ininthirteenthDubrovnikmyBeneventanais,century opinion, the same manuscriptsametheinmonastery Dominicanlabeledthe as the

the conclusionthe familiarthisthat Dubrovnik abbreviationto was

evolution of

fthe rum forgeries" are written inrumforgeries" written are ) held as ,

common abbreviations e.g. hecommon abbreviatabbreviationse.g. d CR twelfthacentury easily canbetype of to compared the the

pronounced but the script definitely but scriptpronounced from the differs smallminuscule onof the top decorativestrokes ed inmonasteryinDominicaned the Dubrovnik

in Dubrovnikcollections that - late ellate the do notdo have t episcopus Gavrilepiscopusbelonging to group ofthe and 20. 911 20. Beneventan script inBeneventan script Dubrovnikcanbe area use e the

venth andventh centur early twelfth “ of

( l the way hewaythe the composed ”

Moralia okrum Benedictines and because heokrumbecauseBenedictinesand a , an abbreviation, which late twelfthcen distinct angulardistinct ofBeneventantype he

various round aspect inmorphologyroundaspect the indicate scribethe in Iob - dominanceof connected a

Dubro

notarial that script byGregory St. the tury because two becauseturytwo lackthis v eably witheably nikcollections to the

to Dubrovnik to

a also appears also document. document.

ed round round was was ies

use

distinct late populus .

oftwo ive 173 the

CEU eTD Collection script osobitimobzirom na tip dalmatinske beneventane illuminierteHandschriften inDalmatien publishedOxford: At Clarendon Press, 565 discussedon. later independentare 564 preservedin Evangelistarywithfree miniaturesis 563 publishedineightiescentury.twentiethof the the until century twentieth evangeli Trogir S of Museum the in display on presently are codices Two script. Beneventan in written codices century ri of possession in still Dalmatia in town only the is Trogir Origin of and thethe Date Manuscripts Evangelistary4.1. Evangelistaryfree Epistolaryof 1259, miniatures with and TROGIRMANUSCRIPTS4 WRITTEN INSCRIPTBENEVENTAN script fourteenthfifteenthandin fragmentscentury Dubrovnikstren area of laterthirteenthshowscenturydistinct aand morphologygrowingletters.inangularityBeneventan in usedofthe themiddle the the script of suchscript as fragmentsincenturywrittenstill Beneventansome features script show of inBeneventan wasthat script monastery foundationofthe the andconnectionsAp with Beneventan script Onbasisthe precedeof the acred

The E I usingam termthe “free miniature“ toemphasize the fact that these miniatures were not The Evangelistaryfrom1259 and abbreviations and the morphologyabbreviationsofthe and books undispensable books monasticforlife.

type wasdominant vangelistarymentionedis A.inE.Loew. A

). Zagreb: ). JAZU, 1920:37. Itis dated post 1228 t n rgr n oe s still is one and Trogir in rt theTrogir - the

“free“fromformthe of th tr wt fe miniatures free with stary

relativeshor emerges cathedralof Lawrence St. since medieval inpreceedingthe centu ulia. In the beginning, the monasterybeginning,Inthe the ulia. Lokrumon suppliedwaswith certainly today

. TheBeneventan reached. script Dubrovnik Benedictinethrough the order d , ingpossibleconclusions, a evolutionof the picture of Dubrovnik

a scriptoriuma foundedscribeswith employinwas

use . tness of ascenderstness of descendersand the 565 held 1914), 65.We findshort description

.Leipzig, 1917, 81

untilcentury. earlyLate the twelfth twelfth early and thirteenth Epistolaryare

A in in the treasurycathedral of the of St.Lawrence. codicesThe have pro

e letters.This is importantfor the typologydecoration ofthe willthat be facsimile of of facsimile held letters andletters

(Beneventan

The BeneventanThe script Based on Based 564 ive ries. n h Tesr o the of Treasury the in

a atatd h atnin f coas ic te early the since scholars of attention the attracted has angularitysomepecularitiesand

display Museumthe in of - 566 basedon 87.It is mentionedby ViktorNovak. typical fortypical the the

the preservedmaterial the scriptwith aspecial toregard Dalmatian the Beneventan times

aucit ln wt a eald study detailed a with along manuscript

the inclusionof feastthe of Francis St. by Antun .

. New. York: Oxford University 1999Press, (first chly decorated thirteenth/early fourteenth fourteenth thirteenth/early decorated chly the s

ofminiaturesHans in Folnesics. although DubrovnikTheexistence area. of gthens C terl f t Lawrence. St. of athedral S acred

the idea Beneventanthe the that but they but also ,

the

some fifty yearssomeafter the A littera rt rt in BarioftypeBeneventan g the g

connected t connected Scripturabeneventana s

e Trogir. TrogirThe –

historiata

Baritype H istoriography, istoriography, display o formthe e Die , , that is,they bablybeen

a 563

was The 174

CEU eTD Collection liturgicalstructure of manuscriptthe in catalogue.the 569 568 Trogir t MihoDemović onlythe is whoscholar thinksthat manuscriptthe written). 567 566 2007:362 Medi cathedralof Split. Trogir scholarItalian Emanuela Elba.She alsouses the notionof 280 centuriesof Croatian art).Catalogue ofexhibition, the ed. Biserka Rauter Plančić (Zagreb: Galerija Klovićev FFPress, 2005:187 and konzervativnostdalmatinskog sitnoslikarstva benediktinske tradicije” (The illuminationof slightlyaltered especiallythe notionof historicalstudy coincidesthat Catalogueofexhibition the inheldVenice 2001.Venecija: EdizioniMultigraf, 2001:170, 171. 2005In 162.The most accuratecodicological andpaleographical description is ( (1994):135 DraganFilipović. “Trogirski Epistolar iEvandjelistar” ( Museumfor Arts andCrafts 1987: 72,147 Fisković.Igor CraftsinZagreb 196 Prelogin thirt slikarstvoDalmacijiu od 11 Humanistica Telebaković arheologijuza ihistoriju dalmatinsku Zaninović.“Doba kojemu je napisan t in created probably was codex the that statement with decoration the celebrate with are feasts whose saints those of codex Evangelistary the in inclusion the of because mostly luxurious questioned, the of origin Trogir The to suggests she why is This Germany. and France Italy, in 1250 after only side, flesh the on begins verso last and recto first the of text the quires, thirteen the codex. the in wrote who been has manuscript The hat Illuminatedmanuscripts in

the endthe o St.Lawrence, St.Doimus, St.Michael, St.George, St.Cross, St. John Baptist,the St. Peter,St. Andrew. Compare the VirginiaBrown, AntunZaninović. “Doba ko u MihoDemović. - eenthc the the finalthe reductionwas Trogir and Split area. Splitand Trogir 284. The most recentart historicalstudy oevo: l’Europadelle cattedrali, ski evangelistary, conservativetradition Vjesnikza arheologiju ihistoriju dalmatinsku

Minijaturau Jugoslaviji EvanĎelistar - 369. enturies - - 173. descriptionThe of manuscriptthe app

Pecarski. “A Pecarski. Monument of Dalmatian miniaturepainting from thirteenththe century”. 14(1962): 69 following f thirteenth or evenf fourteenththirteenthcentury thebeginning or the of Romaničkoslikarstvo Hrvatskoju

andwill be 567 “L‟Evangeliario miniatodellacattedrale diTrogir eculturala artistica adriaticadel XIII secolo.”

).Ph.D. diss,University of Philosophy in Belgrade, 1965: 130 Virginia Brown suggests suggests Brown Virginia TrogirskiEvanĎelistar - Tesoridella Croatia 4, 16 unusual its 208as well as acatalogue entry the for exhibition Evangel .( the the The

- Zaninović‟s discovery that the feast of St. Francis, canonized in1228 Francis,canonized St. of feast the that discoveryZaninović‟s 17, 285,catalogue number 11. Itis included inthe monographof Romanesque art in Croatia. - presented in the Rozanathesis. Vojvoda. “Iluminacija deliberate 75.She also analyzed manuscriptthe in herdoctoral dissertation carriedout - Croatia).Zagreb

13 Trogir istary1259 and in 569 in in the main

- dated dated

togveka (Beventan scriptoria andpainting inDalmatia from Dalmatianillumination relatedto jemje napisan trogir

. ( The us The

itr o Bznie n Wsen lmns lo i Trogir fit also elements Western and Byzantine of mixture MiniatureYougoslavia in Evangelistary Attidel IX Covegno Internazionale diStudi (Parme,19

trogirskie expressed 45(1922): 21

in to ,170.

the . ( e withthe chapter dealingwith ,cat.no. 52. The codicological, liturgical andmusicological analyses wasdone by the thirties and forties of the thirteenth century by all the scholars scholars the all by century thirteenth the of forties and thirties the

of Beneventan script long into the thirteenth century as well as the the aswell as centurythirteenththe into long script Beneventanof The : Krsćanska : sadašnjost, Institutza povijest umjetnosti, 1998; page 8,cat. no. thirteenthcentury when fe the emphasizing the

vanĎelistar“ time(Thewhen th

conservatismof Trogir (Romanesquepainting in Croatia)Catalogue ofexhibition the held in HistoriaSalonitana )Split: Knjiţevni krug, 1997: 9 an - 24.Detailed art historical anlyses ski even later date date later even

45(1922): 21 earsinAnĎelko Badurina. Evangelistary The Trogir‟s

EvanĎelistar“(The timewhen Trogirthe

the theinfluence of VenetianandPaduan art ). ). Catalogueofexhibition the heldMuseum in for Arts and deliberateconservatism of

he mo he the

dates tothe twelfthcentury and the DalmatianBenedictines. Some of myviews beenhave - , Evangelistary and Epistolary). ) Split:) Knjiţevni krug, 1997. 24. nastery of St. John the Baptist Baptist the John St. of nastery Benedictinetradition). In a Prvihstoljećapet hrvatske provided the thirteenthcentury manuscript preserved in the indicating its

a Tro st free miniatures was never seriously seriously never was miniatures free ofFrancis St. eTrogir girevangelistary in followingthe pages,

byBrownVirginia in - - trogirsko 138.We findthe description by Milan 13. Iluminiranirukopisi u Hrvatskoj . 568 co

werecarriedout

that the codex should be dated dated be should codex the that Evangelistarywas written). dicological criteria: in each of of each in dicologicalcriteria:

the g the , EvanĎelistara

wasadded. Miho Demović. - artists/scribeswho crea the Beneventanskiskriptoriji i

23settembre 2006), Milano, Trogir Raukar eleventh until

Evangelistarywas umjetnost(

Medievaliaet wascarried out Bašćinskiglasi

Evangelistary a

Tesori dellaCroazia. , ovzbornik

byBranka

practice adopted adopted practice Ipublished anart -

raskoši supported by supported i dvori, i 2006), , The f The

is included included is the well. The The well. .Zagreb: . irstfive

In 3 by - Vjesnik ted

luxury the d in d the 175

CEU eTD Collection Venice2001, 9 572 esecolo”.XIII manuscriptswritten inBeneventan script. Bašćinskiglasi Epistolarywas doneby DraganFilipović. “ (Zagreb:Galerija Klovićevi 2006),dvori, 214 stoljećahrvatske Trogir November.Venice: EdizioniMultigraf, 2001: 172. However, insamethe catalogue Evangelistaryis1259 published in Kršćanskasadašnjost, Institut povijestza umjetnosti, 1998: p.94 becan found inAnĎelko Badurina. Museumfor Arts andCrafts 1987: 72,73, 76,147, Igor Fisković.in Universityof Philosophy Belgrade, in 13 bystudied Branka Telebakov exhibition inheldMuseum of Arts andCrafts, April Brank BibliotecaApostolica edita, AveryLowe. “A New ofList Beneventan manuscripts”Collectanea in Vaticana in honoremAnselmi M. card.Albareda a (Beneventanscript with aspecial toregardthe type ofBeneventan Dalmatian script). Zagreb: JAZU, 1920: Dalmatien 571 Croatia in missions,sometimes regardedthe abbey Johnof St. the Baptist itsfoundationas andits abbotswereentrusted with important po femalethe monastery a regionalsynod Zadar in and amongst 570 She proposes leaf, s detailed. are ones recent the only which of descriptions, catalogue various of consists texts of number largest the exist, Epistolary of aspects different on studies scholarly Although andoneBaptist, richestBenedictineoldest ofinthe monasteries Trogir. hypothesisthe support localproduct a is codex as centuries preceding the in script Beneventan the of dominance us the However, sources. historical miniatures free ofnumber small inincludedthe is Baptist Johnthe St. of depictionwith theminiature free the that Badurina Fisković, Pecarski, Telebaković (Prelog, scholars different lightly later later lightly

- VirginiaBrown. Catalogue entry on c The earliestThe information about the monasteryJohnof St. the Baptistgoes bac togveka the a a TelebakovićcanPecarski be found in

Epistolarybypublished Virginia Brown: 172 odicesbrieflyare mentionedby Folnesics, Novak and Loew.Folnesics.Hans

, Leipzig, , 1917: 87 fourteenth many infound practice a line, ruled top thebelow begins text vol.2) Split: Benediktinski priorijat was houses

(Beventanscriptoria andpainting Dalmatia in from in

th Segno e testo foundedearlier because 3 (1994):3 135

date date

the codex. The exi The codex. the a June Romaničkoslikarstvo u umjetnost( . The . nunneryDoimusof St. andlater St. Nicholas inTrogir was founded in1064. The city of Trogir thirteenth even - than the Evangelistary since it exhibits a distinctive codicological feature: on e on feature: codicological distinctive a exhibits it since Evangelistary the than 4 th

November.Venice: EdizioniMultigraf, 2001: 174, 1 the governmentof bishopric.Trogir Ivan, Ostojić,. StudieTesti

Thef ić 4(2006): 107 - -

173. EmanuelaElba includedhas them in her recentarticle on the illuminatedDalmatian 91.Viktor Novak. -

as part ofpart as

fourteenthcentury 571 irst five irst centuriesof Croatian art).Catalogue ofexhibition the Tesori dellaCroazia Iluminiranirukopisi u Hrvatskoj

In her analyses of of analyses her In

1965: 122 stence of the scriptorium of St. John the Baptist is not confirmed not is Baptist John the St. of scriptorium the of stence the the Trogir the

Hrvatskoj. 220,Vatican City, 1962:211 her doctoral her dissertation. EmanuelaElba.“La decorazione codicidei inbeneventana dellaDalmazia X tra -

participantsthere wasDamian, abbotthe of Trogir. Itbecan assumed that the Trogir usualpractice in Dalmatiawas th 147:135 e

- Minijaturau Jugoslaviji f eeetn cit in script Beneventan of 217. codicological,The liturgicaland musicological analysesof - Tkon,1963; 269,271. - Scripturabeneventana osobitims obzirom na dalmatinsketip beneventane 130,138 ski Epistolar i EvanĎelistar”( Epistolary in cat.nos.54, 55.Brief descriptions of

- - (Romanesquepaintingin Croatia) Catalogue ofexhibition the inheld - June 1964inZagreb: p. 284(cat. no.8),plate 14.Both codices were 175.Virginia Brown‟s description is also published in 137.

date for date . Thec that there was there that

- 145.Brief mention anddescriptions of bothcodices be can found the the the atalogueofexhibition the inheldVenice 2001,9 Tesoridella Croazia the Epistolary, Virginia Brown suggests that it is it that suggests Brown Virginia Epistolary,

(cat.163, nos. 164). Same description of the Epistolary.the T Beneventanskiskriptoriji islikarstvo Dalmacijiu od 11 eleventhuntil

rogir Evangelistary from 1259 and 1259 from Evangelistary rogir (Illuminated manuscriptsinCroatia). Zagreb:

- (MiniatureinYugoslavia) Catalogue of the 244:236.

a Benedictine scriptoriumBenedictine a at the BenediktinciHrvatskoju 75.

male monaste The Trogir k tok b A thirteenth century presupposes the the presupposes century thirteenth the does the great great the does 572 ,

.Catalogue ofexhibition the inheld there is the and riefdescriptionof the Epistolaryby thirteenthc

570 Die the twelfthcentury. 1108,In wasthere , Filipović) relies on the fact fact the on relies Filipović) ,

‟s Evangelistar illuminiertenHandschriften in

Evangelistaryand a detailed a description of ries ries , ed. Biserka, Rauter Plančić enturies shouldbe founded - century manuscripts. manuscripts. century po

sv.2.( ssibility that the the that ssibility ). Ph.D.diss, ). y and Epistolary). the liticalandchurch in Prvihpet 34, 37.Elias

Trogir Benedictines St. John the Johnthe St. the

The TrogirThe th the

June Epistolary before Trogir Trogir

inthe The - 4 of a of 176 th ach

I -

CEU eTD Collection Split). version), 575 Ragusinum 574 573 Anastasius St. does insign codexwasthecreated that Anastasiusthefor andtranslation07.)St. Domnius a the of 07.), distinctiveoftranslation(28. St. (29. andth Epistolary, DubrovnikBodleianorigin Liturg.342). Canon. Library, (Oxford: MS. placedare andinfeatureSilvester foundin Sanctoral,a thealso Temporalsaintseventheand of Christmas week EvangelistaryEpistolarymanyand and manuscripts:itofincludesall three allinsaints thein celebrated andarea Trogir contained andBeneventan script as ThefromEvangelistary( 1259 complement to Evangelistary.the manuscriptsliturgical Epistolaryof thestructure she hasthat suggested thirteenthcentury Missal of inincludedEvangelistary the Trogirfor and EvangelistaryofSaintsitthe limited is feasts andmajorthat andto tho manuscript( ofthe largerscale.In scribesatsomeone veryissuggest the least and in same later thetrainedtradition who a writing on BeneventanmanyShe statesscript. that paleographicalsimilaritiesscriptbetween the of to resemblancecodices:ofscripttwoof the principaltheTrogir scribeofveryisthe Evangelistary similar isfoundinwhat the Epistolaryfact inthe that andis Trogir that preserved th TheTrogir originEpistolarythe questioned never of was

a For listthe of manuscripts that contain the division of Seeliturgicalthe structure inthe catalogue being In the ninth century ninth the In

scribe“A” of Starohrvatska prosvjeta the

part itsameof thewas ofwrittenpart to fact codices,indue the that group , 41

SalonitanSeeMarasovićmartyrs. , note 142note its her e Evangelistarye vicinity. The feastsandofvicinity.TheLawrence, Peter Andrew Elias, prophet the andnot the

which liturgic

not

Trogir evangelistary with freeevangelistary Trogir miniature with the cathedral of Split was dedic was Split ofcathedral the

Trogir Epistolarywrote from who 1r kept

necessarilymean codexthe that contained no rubrics) and concluded that itrubrics)concludedandmostlycontained no that coincidewithofProper the

15(1985): 290 al analyses of the manuscriptanalysesofalthe

in Trogir for aforinyears. PropernumberisItsof elaboratmost Trogir of Saints the Dubrovnik (MS. Canon. Liturg. 342). Due342).Canon. DubrovniksimilaritiesLiturg. (MS. the to in the ,

are examples of Dalmatian and regional feasts also includedexamplesfeastsare ofregionalalsoinDalmatianand the the of of

the date contained indate 1259 containsfeastthe1259

Splitarchbishopric.

- 291. - other saints other Alujević, M. “HagionimisrednjovjekovnogM. Alujević,(Hagionims Splita”of medieval

ated to St. Domnius and St. Anastasius (Staš Anastasius St. and Domnius St. to ated the

Stephen,J Sanctoraland .

573 the manuscriptfol.on was137r)the generally viewed

TheSanctoral isfromcompletely divided , is was Virginiaidentified ofProper BrownSaints the although the date was althoughdate the 575

type of thirteenth century script isthirteenthtype century of script to similar - 65r and w 65r who of

s created in created Although the inclusionAlthoughDomniusthe ofandSt. ohn Evangelist, the . Virginia . hasspecifiedBrownthe

St. Domnius (07. 05.)Domniusalso but feast(07. St. the the the

Temporalsee Richard Francis Gyug.

thirteenthcentury Missal of sewith liturgicalsignificance the 574

Like rote calligraphicrote mostthe Splitthan rather Trogir had

a the possibly mostlybasedthe on the thirteenthcentury

laterEvangelistary Holy Innocents - shortened and Slavic and shortened been the the two two compiled compiled Missale ed 177

CEU eTD Collection forBrown allowing tomeconsult it. 578 Zagreb:Biskupska Konferencija Jugoslavije, 1975, 200 (?) 577 to inheldVenice 2001, 9 Anastasius St. on fol. 53v. Forbrief descri bishopric. fol.on 112r St. and Anastasius. In 576 inmadeadditionwassometime “p”) andletters the byJudgingofscriptBeneventantype the forThe feast Christi1259. later text ofCorpus the addedfol. on was139r additionsof calligraphic,lessdisjointedbut andBeneventantype attractive ofscript, different byhands. Theseadditio two Beneventanadditions the excluded codices. Domnius. in Split, O bishopricaexistas bishopricand ceased became and Trogir ofto part a mentioninsteadofof Split (1830 inwritten non by Evangelistaryin non written Trogirorigin thus and translation becausebishopricisvenerationthe ofcharacteristic these saints npalaegraphicalground

my Basedon Opći Twofourteenthce Trogir Evangelistary with freeTrogirminiaturesEvangelistary with lastTrogir bishop the colleagueAna Marinković who supplied withme thi - 1837) on fol1837) on šematizam an ideaan However, I However, Trogirthinkthe originbethat totallycannot rejected. F that there were scribes in Trogir who wrote inscribes were inthere that wrote who Trogir 578 - rom rom endthe of fourteenthcentury

v.Itis significant VirginiaBrown's unpublishedcatalogue entry on of the relics of the mentionedasrelicsoffarthethe saintsknow, innot, includedof areas I codex anyof other

the Idefinitely agre - Beneventan script mentionindulgences byscript MiossichBeneventanbishopPaulthe Clement Split Trogir evangelistary with freewereevangelistaryminiatureswith Trogir actually linked with

katoličke crkveu Jugoslaviji; Cerkev v Jugoslaviji1974 supported bysupported the nturymanuscripts of Missale canonicorumTraguriensium th andBonifačić 141r QuirinClement . (1923 terminu

June

, in

maystronga argument forrepresent - , Trogir Evangelistaryfree Trogir miniatureswith 4

thatfeastthe of St.Anastasius celebratedis on JohnAnthony Pinelli(1794 s,

the s ante quem non quem sante

November.Venice: EdizioniMultigraf, 2001:180, 181. I acknowledgemysincerest thanks Virginia Brown thinks that itmoreVirginiais probable that thinks codexBrown the that - e that paleographicaldifferfeaturesthe that e subst Beneventan script inBeneventan Latinand script

Trogirbishophappenedinbecause Splitbecamearchbishopricthe 1828 the presence of the previouslythe presence of the ptionsof the manuscriptssee lateearlythirteenth/ fourteenth century. ns do not not scribes werens only there inshow that wrote do who

the Trogirorigin

with itswith Martirologium Romanum

of 1264 whenof1264 . This .

sinformation.

strikingfused appearanceGothic (e.g. consecutive held (1394),St.Doimus is mentioned on fol. 99r andSt.Anastasius

isconfirmedactuallyby the -

inthe Chapter Archives of alsoTrogir includeSt.Doimus 1821) folios1821) on 140r Evange a different manner different a P

ope Urban establishedope feast, IV a this a - mentionindulgencesCroatian the Tesori dellaCroazia.

mentioned feastsmentionedofAnastasiusSt. St. and listaryfrom1259.I acknowledge my to thanks Splitadditionsinorigin. Later the - 1954) fol.1954) on 140v.The change and the

.Eds.Krunoslav Draganović others. and includes feastthe of June28

on fol. 104r and fol.andfol.on 106r, 104r Trogiraswell, , which , typicalis the a closealook reveals antiallyfrom other thetwo in The

to to v142r. and the script of script the Splitbishopric.

the Evangelistarythe the

Catalogueofexhibition the possibility of

St. Doimus St. on fol. 26v and script 576 the Evangelistarythe of

the feasts for feaststhe ofthe

foundin Otheradditions later was cannot be cannot

577 Split

that thesethat produced

created of issued a less 1259. 1259. 178 D r.

CEU eTD Collection I F F L primis in 580 November.Venice: EdizioniMultigraf, 2001: 171 “ci appearanceofpericope the thefor feast and 579 connection. and 135r) Virginiainclusionhas that out pointed Brown of Trogir or if but beitre can TheidentificationAugust. tenth feast( of of this Lawrence, St. onesaints ofpatron ofTrogir,the 02.) Splitafterorigin.and fol. OnfeastofAgnesbeforeSt.feast113r, theVincent (21.01.) the of(22.St. provides monasteryJohnBenedictine churchthe andof the St. Baptist besuitedto the moreandprecisely to Beneventanthroughout the sanctoralthe zone, regioncodexrestricts ofthe the feast ismentioning It worth also that manuscriptspreservedwere added) Evangelistary(fol.of137v)1259 because 104r mainscribeof layout (withlineslefttext offor the empty anof two space ofDalmatianevident origin In n principion eratverbum R(equire) In nativitatis domini ibergenerationis (equire) R In nativitatis sancte marie uit uit iohannes uit indeserto. R(equire) quintaferia ante nativitatis domini

bus On fol.On 137r it In herdescription of the , indiebus herodis R(equire) in vigiliasancti iohannis , s there isthere t

” as “ti”

added annunciationThisthe fol.on offrom106r. Easter addition wascopiedclearly the to be read Palm on to Sunday Trogirfreeevangelistaryminiatures, a scribewith

. a puzzlea

the same place as insametheplace as Proepiscopodefuncto

bus

he feastLawrencehe ofSt. (written ”. Virginia”. Brown.

the is written:is prominentplacefor feastofJohn,becauseSt.the Baptist the the of solv

which, ifitbecanwhich,would solved, Trogirfreevangelistarywith The Trogir ed itwill ed the towns of Trogir or Split. In mytownsSplit.oftheTrogir In or opinion, In sabatoIn palmarum sunthaec quattuor evangeliaquod debeat legi inquattuor cornibusaltaris

579 inlocation samethe

Evangelistaryfree with miniatures,Virginia Brown mentionsthe uncalligraphic

Tesoridella Croazia.

the shed light light on questionshedthe of addedandfol. same104r thereading on the vigiltheJohn (fol. Baptist theSt. 11 of

(fols.135v

from Evangelistary from 1259. Thus,fromitEvangelistary seems 1259. suggestth

four cornersfour altar. ofthe .

an -

136r) shows that manuscriptsshowstheha that 136r) e empty space was leftforwerewas neumsspace neverthe empty (that

Dalmatian heritageofscribe the

in sanctivilaurenti in e miniatures and inferiorandminiatureswrotefol.to scribe the ewho on

Catalogueof exhibitionthe inheldVenice 2001, 9 dedicationchurch?)ofquestiontheopen remainsan

that is that the and used inandliturgical usedsame the context.

shedlight

gospels forgospels votivethe masses included laterincludedin on codexandthe celebrated with the whether the manuscriptinwhetherwaswrittenthe

there on farless skillprincipal the scribeandthan

initialThe“I”).scribeinferior to the 580

questionsof

the Althoughfeastis celebrated this . . TheTro

? ). It is It not entryfeast). thefor of the Trogir environment 8r) 8r) produced a completelya produced identical that is is includedis biggest amongst very likelyvery gir whether itis whetherof oforigin Evangelistaryof1259 evident in spellingthe of ve I

n synodumn episcopal presence

that the that to Dalmatia to

wasmore th

June

Trogir Trogir of the of

(fol. - 4 th Split

179 or or

the

CEU eTD Collection ( ( Nicholas St. or 584 Order inDalmatia). Split: Benediktinski priorijat 1964:Tkon, 282 lost. Today, monasterythe knownis donatedby localfishermen. mentionedeven before scholars ofareopinion the Trogir.In 583 EdizioniMultigraf, 2001: 175 582 2001,9 and thatof SS Simon and Jude (2 Francis‟ position,the per 581 betweenrelationshipBenedictineFranciscansthethe and order a suggests monasteries Franciscan in preserved is Dalmatia in script Beneventan in written fragments influence Franciscan The oftheir name the by called are they documents somein but years,four or three lasted monasteryfemale the in monastery monastery Benedictine the to moved mon to monastery their gave Baptist the John St. of Trogir, s The ( mass influence. Franciscan missalis t in those with Advent, of Sundays Fourth and Second First, the g. e. feasts, some for epistles of correspondence the Brown, Virginia to according but Francis St. for reading no is there Epistolary accompanying reading the In miniatures manuscripts. three all in visible is influence Franciscan The The etiam in s.in etiam francisscilegatur

The f The VirginiaBrown. VirginiaBrown not In 1318, the collectors of Pope‟s tribute testify that they received some money in Trogir from the monastery of St. John monasterySt. ofthe from Trogir in somemoneythey received that testify tribute Pope‟sofcollectors 1318,the In astery of St. Doimus, by that ti that by Doimus, St. of astery BenedictineOrder inDalmatia): 271. trong Franciscan influence can be explained by contacts contacts by explained be can influence Franciscan trong de scrutinio de th emaleBenedictine monastery,active today,even was founded in1064

diesnatalis something June temporary

a of Haymo of Faversham (d. 1244) and in no other Beneventan manuscript suggests suggests manuscript Beneventan other no in and 1244) (d. Faversham of Haymo of

document for - 4 th icopebecould used forfeast the of Stigmatathe (17.09.), but more likely simplythis is mistakefor a

oatru snt oans e Tragurio de Johannis sancti monasterium strategic reasons strategic November.Venice: EdizioniMultigraf, 2001: 171 Tesoridella Croazia

on04 October. Hence gospelthe reading should haveplacedbeen between feastthe of St.Matthew

residence. of monks the when 1315, of event the by confirmed is which from on fol. 136v also mention that the read the that mention also 136v fol. on es

that

that placementthe of feastthe before feastthe of the 582

thatthe oftitle St.Nicholas was already inadded1194. churchThe of Nicholas St. was ,in1189. Itis generally believed that church the was named afteranaltar table

1246 Over

. In

, 8.10).”Virginia Brown. o

the the coursethe of time, the monasterycalledis monasterythe Doimusof St. 584 Toi mnsrps a wl a te at t fact the as well as manuscripts, Trogir n ).

Evangelistary from 1259 the rubric of the reading for the first votive first the for reading the of rubric the 1259 from Evangelistary connected to the to connected

St.Nicholas. IvanOstojić. IvanOstojić. . . Catalogueof exhibitionthe heldVenice in 2001, 9

of St. Peter. St. of

h fat f t Francis St. of feast the already called the monastery of St. Nicholas, while the nuns nuns the while Nicholas, St. of monastery the called already the name Tesoridella Croazia the

war with Mladen Šubić. The stay of the Benedictines Benedictines the of stay The Šubić. Mladen with war 583 sive sancti Nicholay sancti sive

St.Doimus frequentlymore Franciscans and moved to the female Benedictine Benedictine female the to moved and Franciscans

The Trogir commune demolished the Franciscan the demolished commune Trogir The - 283. .

ing can be used for the feast of St. Francis St. of feast the for used be can ing between s

regardingscribal practice. A .Catalogue ofexhibition the inheldVenice at Benediktinciu Dalmaciji postleMatthew (21.09) curious.is “In this s included is

the theinitiative John,of St. the bishop of . vn soi, eeitni Dalmaciji u Benediktinci Ostojić, Ivan ).

Benedictines and Franciscans in Franciscans and Benedictines

Trogir evangelistary with free free with evangelistary Trogir andSt.Nicholas although hat the largest number of of number largest the hat came th

June n o. 90v. fol. on

second andwas eventually the Benedictine abbey abbey Benedictine the - 4 th

November.Venice: (TheBenedict

ofNicholas St.

581 some he

In Ordo Ordo ine 180 the a

CEU eTD Collection neglectedin analysesthe since are lines,f3 76r 586 neglected. 585 a formedfroman head with enriched and largest the among also is Sunday Palm for readings the accompanying initial The letter. the lion the motifs: figural with enriched is feast Easter the accompanies in divided a oblique initial, “I”). 76r (fol. feast Easter accompany initials luxurious most the l (theywholecomprisethe largest The incodex. feasts major the readingsthefor initials twelve are There 4.2.1. largerare th they since codex the ininitials the hierarchy of in the important more as regarded obviously are initials red blue, initials the depictions p The 4.2. THEEVANGELISTARY1259 4.2. FROM

heart. The initial “I” on fol. 85r (13 l (13 85r fol. on “I”initial The heart.

Theseare: f 1v Oneline red initialssometimes filled withyellow washes

b 1.Typesofand function decorated the initials , text text adly

(figs. 216, 217) 217) 216, (figs. is placed in the top of the initialthe of top inthe isplaced of of 1. Bright colored1.Bright type and their initialsfunctionofBeneventan coil eoain f h Eaglsay s ahr oet wtot re miniatures free without modest, rather is Evangelistary the of decoration ictorial found

damaged a -

color to fantastic animal attached to a lace (f 45v lace(f a to attached animal fantastic i to useful more thus is It . - mage relationship. relationship. mage I,27 lines,f 85r, I,13 lines,f 107v a

three compartments and filled with interlac with filled andcompartments three n the Gothic initials,nGothicthe throughout codex the throughout

- and yellow washes and washes yellow and

.The I interlac ,10lines,f 1v te oe ed s p is end lower the t

possibilityexiststhat theybelonged tothiscategory: f 1r These initials are of traditional Beneventan type; the rectangular upper part of the the of part upper rectangular the type; Beneventan traditional of are initialsThese ing 586

it isit possible not tojudge

ornament filled withornament ends pearlsand -

A,5,5,f 6v ht i it te aeoy f bright of category the into fit that

The c The few 585

lassification of the initials shows that there are two basic types of of types basic two are there that shows initials the of lassification discuss the position and the function of of function the and position the discuss - ; while laced C, C, 5 lines,f 11r in number and accompany the most importantmostfeasts.in numberaccompanyandthe the the ines of text) that accompan that text) inesof the the - I - 14,5lines, f 118r bright

mor two heads of fantastic animals decorate the vertical stem of of stemvertical the fantasticanimalsdecorate heads of two on a slender vertical shaft. The upper rectangular part is is part rectangular upper The shaft. vertical slender a on

withcertainty how they looked. e modest red initials of the Gothic type. Bright type. Gothic the of initials red modest e - colored

standingat - - I,5 lines,f 45v initial “I”, 13 lines of text). text). of lines 13 “I”, initial

ing - F

initials of Beneventan type executed in green, executed typeinitials Beneventan of - 9lines,f 124r

,which stand beginningtheat of paragraphs are - pattern and pearl ornament. The initial that that initialThe ornament. pearl and pattern initial“I”) and Passion Friday (f 70r (f Friday Passion and initial“I”) - - in I, I, 13 lines,,f 70r,I 25,5 oflines text,f 75v colored

ies the feast of Ascension is unusual is Ascension of feast the ies an interlac an - Mar St. of symbol zoomorphic 4lines, f 54v - I -

20lines . There are two initials that

initials. They accompany the the accompany They initials. the ing - I, 6 I, (fig. 218) The initial is is initial The 218) (fig.

ength of the page)the of ength decorated initials than initials decorated pattern in shape thepattern of . 5lines. They are

or -

colored human - initial

k 181 and and - , a a , V, V,

CEU eTD Collection shaft. dense the because interlacing a is 124r fol. on “I” initial The initial. the of body the 118r fol. on “F” initial The obvious. is shaft relation the outlined, not is shape rectangular intersect Beneventan lines). 124r (f Mary Virgin of 107v (f Nicholas St. of feasts the are These initials. Evangelistary1259 of of Saints of Proper the Although feasts. important very for only reserved obviously was initial of bright the of The role 6v 1v are (f forms foliage stylized time and laces of out of or text) of Proper lines I,10 the in feasts Other text). e of composed initials lines modest with accompanied 3 75v, (f motifs animal with enriched and of formedout is ofHoly Saturday feast the on “V”beforereadings the initial The initialfoliageformedis formsofstylizedout vertical placed and red a on shaft. the of part upper The shaft. vertical a on placed initial rectangular Beneventan traditional a of variant - initial “C”, 5 linesinitial“C”,text; 5 of

fg. 220 (figs. ing

ornament (such as on fol. 45v) and the already discussed typical Beneventan “I” initial, initial, “I” Beneventan typical discussed already the and 45v) fol. on as (such ornament “ ie ta end that lines I ” - initial. The upper part of the initial is p is initial the of part upper The initial. - 222) 222) inter

colored is very elaborated veryis - lacing initial “I” initial The initial “I” on fol. 107v represents one more variant of a traditional traditional a of variant more one represents 107v fol. on “I” initial The

with

domenica in septuagesima,in domenica initials in the Proper of Times is very important sinceus the important veryis ofTimes Proper ininitialsthe ornament that forms the upper part of the initial is placed on a vertical vertical a on placed is initial the of part upper the forms that ornament - n interlacing an 20 lines) and the feast of St. John the Baptist Johnthe St. of feast the and lines) 20 , there are only three feasts that are marked with bright colored colored markedbright are with that feasts only are three , there ship comprises ither out of out ither

atr fle with filled pattern

with - initial “I” initial the unusual laced laces and stylized fo stylized and laces f11r interlacing Beneventan rectangular initial on a vertical a on initial rectangular Beneventan

- - on a vertical shaft and is formed out of of out formed is and shaft vertical a on initiallines“I”,5 oftex 14,5 lines), the feast of the Assumption Assumption the of feast the lines), 14,5

mixture of the initial comp initial the of mixture - initial “A”,5,5 lines; “A”,5,5 initial a

ornament ( ornament pearl ornament. Although the the Although ornament. pearl liage forms that entangle entangle that forms liage

(

fig.219) (fol. 118r (fol. in rogationibus in an interlac t). t). in epiphania in

e - initial “F” initial

of this type type this of rised ing

pattern pattern

- of of f 1v f 182 the the an an , f , - 9 -

CEU eTD Collection I F F L primis in 589 588 135r 130rFol. 125vFol. I, I, 119v 112r 108r 98v 92v Fol. 86r Fol. 78v Fol. 43r Fol. 31v 22v 16v 9v Fol. 587 particularcalligraphic Lent. in Sunday f with decorated is Pentecost after Sunday ninth the accompanying of text the accompanies and modest more th at mentioned 125v fol. on found is typeiswith initialsadorned the red elaborate typemostinitials. of The treatment visual their in through Weekdays and Sundays on both readings different lette the of shaft the withzig treated are letters Some lines. wavyand dots ofconsisting ornament modest more slight leftun are There column. the of w text or red completely are letters the the initials: the insideof treatment the in variations placed are “L”) “P”, “F”, “E”, (“C”, letters codex other the throughout scattered are type frequent Gothic the of initials red Modest initialsRedtheir 4.2.1.2. function and n principion eratverbum R(equire) In nativitatis domini lge work iligree ibergenerationis (equire) R In nativitatis sancte marie uit indiebus uit herodis R(equire) in vigiliasancti iohannis iohannes uit indeserto. R(equire)

ff37r,fol.4v,fol. 40r,fol. 82r, fol. 1 Fol.2r On fol.On 137rwritten: is it - - - - I, Fol. 99v Fol. I, 32v Folio I, 23v Folio I, I - - - - , I,I,Fol. 135v Fol. I, 112v I I zig zag,zigFol. I 120r ,Fol.106v Folio17r - colored - - 10r Fol. I, - -

I, Fol. 86v Fol. I, 44r Fol. I, I, Fol. 79rFol. I, - Fol I, - ly foundly I, Fol.130v I, I , Fol. 2v - L, Fol. 126rFol. L, . 93r . - - - I, Fol. 100v Fol. I, - -

I, Folio I, 17v like ornament adorns the letter “I” on fol. 15v accompanying the reading for the first first the for reading the accompanying 15v fol. on “I” letter the adorns ornament like - - I, Folio 33r Folio I, I, Folio 24v Folio I, in the middle, they are adorned with nicely drawn filigreework drawn nicely with adorned are middle,they inthe I, Fol. I, 107r I, Fol.113r I, - e end of the codex to be read on the PalmSunday.the on read be to codex the ofend e - - - I, Fol. 10v Fol. I, - - - I,I,Fol. 136r

I, Fol. 44v Fol. I, I, I, I, Fol. 93v Fol. I, that clear is It I, Fol. 87r Fol. I, I in the man inthe , - Folio80r I, Fol. 131vFol. I, FolioF,f3r 3v - r I,Fol. 120v - 588

- initials. initial “L” accompanying the feast of the birth of Virgin Mary. This reading is reading This Mary. Virgin of birth the of feast the accompanying “L” initial I, Fol.126v I, - - I, Fol. 101r Fol. I, - Insabato palmarum sunthaec quattuor evangeliaquod debeat quattuorlegi in cornibusaltaris - . These rather simple Gothic initials comprising 3 comprising initials Gothic simple rather These . - I, I, - I, Folio34r I, has I,Fol. 108v I,Fol.113v - I, Folio 26r Folio I, - - - I, Fol. 12r Fol. I, Folio18v - r 54 Fol. 45r, Fol. I, I, Fol. 87v Fol. I, I, I, Fol. 94v Fol. I, I, I, I, Fol. 80v, Fol. 81v 80v,Fol. Fol. I, I, - uscript are placed in the marginal space, next to the readings they open and and openreadingsthey the to next marginal space, inthe placed are uscript

I,Fol. 136v - parallel I, Fol.132r I,

feria quintaferia ante nativitatis domini

- - I,Fol.121r

I, Fol I, there is no strict system behind the more elaborate treatment of these these of treatment elaborate more the behind system strict no is there - 17r,fol. 119v, fol. 129r I, Fol.127r I, - - I, Fol. 101v Fol. I, - - - - I, Folio19r I, I, Fol. 36v Fol. I, - I, Fol. I, 109r 13r Fol. I, I, I,Fol.115r I, - I, Folio 26v Folio I, I, Fol. 88r Fol. I, s . 4r,fol. 4v .

- with subtle differences between differences subtle with - 95r Fol. I, I,I,Fol. 137v - I, Fol.132v I,

- I,Fol. 121v - I, Fol.127v I, - - - - I, Fol. 62r, Fol. 68v Fol. 62r, Fol. I, I, Fol. 37r Fol. I, - - I, Fol. 13v Fol. I, I, Fol. 102rFol. I, - the I, Folio I, 20r I,Fol. 109v I, Fol. 88v Fol. I, - - - I, Fol. 82r Fol. I, 27r Folio I, - - C, I,Fol. C, 5v

I, Fol. I, 115v 95v Fol. I,

- annunciation Easter I, Fol.133r I, - F -

I, Fol.122r I, . -

- - I, Fol. 39rFol. I, I, Fol. 128rFol. I, - 14r Folio I, - - - - I, Fol. 102v Fol. I, I, Fol. 89r Fol. I, I, Folio I, 20v I, Fol. 82v Fol. I, I, Fol.110r I, - - I, I, Fol. 96r Fol. I, I, - 27v Folio I, – I, Fol.116r I, I, Fol. I, 6r out the out -

I, Fol.133v I, - - E, Fol. 69r Fol. E, I,Fol.122v - I, Fol. 40r Fol. I, - - - I, Fol. 128v Fol. I, - I, Fol. 90r Fol. I, - 14v Folio I, - - I,Fol. 83v I,Fol. I, Fol. 103rFol. I, - I, Folio 21 r Folio21 I, I,I,Fol. 110v 589

I - liturgical year. The slight difference difference slight The year. liturgical - - - I, Fol. 28v Fol. I,

I, Fol.117r I, I, Fol. 96v Fol. I, I,Fol.7r

a The letter “F” on fol. 137v is a bit bit ais 137vfol. on “F”letter The -

while I, I, Fol. 134rFol. I, I, the - candl a - I, Fol. 75 r 75 Fol. I, - I, Fol. 40v Fol. I, I, Fol. I, 123r filigreework - -

I, Fol. 90v Fol. I, I, Fol. 84rFol. I, - same types of bright of types same I, Fol. 129rFol. I, - - - - I, Folio 15r Folio I, - I, I, Fol. 104rFol. I, I,

I, Fol. I, 8r e 5 lines of text accompany text of lines 5 I, Folio I, 21v - - ith a portion of parchment parchment of portion a ith the letter “I” on fol. 94v 94v fol. on “I” letter the - - I, Fol. 29r Fol. I, I, Fol. 97r Fol. I, - I,Fol.117v I, Fol. I, 111r - like shape at the top. top. the at shape like likeornament - - 587 I, Folio41r I, - 76v Folio P - I, I, I, Fol.134v I, I, I, - I,Fol. 123v - I, Fol. 84v Fol. I, I, Fol. 91r Fol. I, - . I,I,Fol. 8v - I - - “I - - - I, Folio 15v Folio I, - zig zag, Fol. zag, zig I, Folio 31r Folio I, I, Fol. 97v Fol. I, like It ornament. I, Folio I, 22r - - - - I,Fol.111v I, Fol. 105rFol. I, I, Fol.119r I, initials” - - - zag line zag I, Folio42r I, - - - I, Fol. 77v Fol. I, I, Fol. 85vFol. I, s I, Fol. 92r Fol. I, I,Fol.124v -

I, Fol.9r I, or with or - - colored - I, I, Fol. Fol. I, I, - most , I, I, Fol. I, I, -

I, Folio I, I, Folio I, I, Folio I, 129v - - - I, Fol. I, I, F I,Fol. 183 s

ol. ol. - - - - in - - A I, I, I, I, I, I, I, I, a -

CEU eTD Collection (Osor‟s339 evangelistary) 592 591 590 withboth examples, century eleventh with similaritytypological evangelistary). Vekenega‟s evangelistaries Dalmatian for initials Hours” of halffirst the in introduced was form simpler a in initial of type This ornament. in divided Beneventan primarily are These century. thirteenth the into longillumination Dalmatian century eleventh in used forms of survival the is codex and betray high very not is achievement artistic His execution. its and initial the for left space the between was scribe the of decorationThe pictorial DecoratedEvangelistary initialsDalmatian 4.2.2. the and practicethe 1259 in of illuminationof VirginMary). accompanying initials them to systemprecise possib not is it Although Baptist. the John St. of feast the of Matins the and Vigil the after celebrated is mass major the since Baptist, the John St. of feast the of importance the underlines major the for 119v fol. 82r fol. Lent, of Sunday 37r fol. 4v, (fol. Temporal the in readings s 223) (fig. initial. luxuriousmore a expect might a 4v fol. on “C” letter the is example with marked those are codex, Another its

Oxford:Bodelian Library: MS. Canon.Bibl. 61 (Vekenega‟s evangelistary), Vatican: Vatican Library: Hungar StateArchive Zadar: in St. Jerome,

high in the the in high a eti poica caatr h ms neetn tig bu h dcrtd initials decorated the about thing interesting most The character. provincial certain a s 591

and to not to and ian Academyian of Sciences: group of red initials that differ from the plain and modest red initials scattered throughout the the throughout scattered initials red modest and plain the from differ that initials red of group

to from the end of eleventh century and in its elaborate form became form elaborate its in and century eleventh of end the from

compartments and filledwith compartmentsand

, for

the tte ae time same the at initial

e the different treat different the

eleventh century eleventh

that they appear near the readings related to local liturgical practice (examples of of (examples practice liturgical local to related readings the near appear they that .

the major mass, the annunciation of Easter and the feast of the Nativity of of Nativity the of feast the and Easter of annunciation the mass, major the hierarchy -

Fourth Easter Sunday) and Sunday) Easter Fourth as. The Mass). the Evangelistary of 1259 of Evangelistary the 592

Horarium an hs om f h iiil in initial the of form This Breviarium inPsalmos ,

mt zig empty with h illuminator the . 590 ments ccompanying the reading for the Vigil of the Nativity, where one one where Nativity, the of Vigil the for reading the ccompanying

,K.394, initials of type this found are on 5r,19v, 44r n h cnet f hs atclr oe. Th codex. particular this of context the in nta fr h m the for initial

It from

geometric was used sporadically in the so the in sporadically used was an interlacing an

of the red initials, it is still possible to detect a certain logic certain a detect to possible stillis itinitials, red the of

- - curious most The letter. the of shaft red the in line zag

rdy eoe h Ffh udy f et fl 40r fol. Lent, of Sunday Fifth the before Friday h e the It becomes clear, therefore, that this type of red initial initial red of type this that therefore, clear, becomesIt f h manuscript the of , shelfmark: Misc. 182, p.1

nd of eleventh century (Osor‟s Evangelistary, Evangelistary, (Osor‟s century eleventh of nd rect seems t seems the

angular pattern in red, blue, green, yellowand green, blue, inred, pattern M 129r (fol. Sanctoral s i priual ifraie eas it because informative particularly is ass o be the work of one hand ofone be work the o the

the geometric the “I to rgr evangelistary Trogir - initials”

Dalmatian illumination as early as illuminationDalmatian since there are no discrepancies discrepancies no are there since - .

called Vekenega‟s “Book of of “Book Vekenega‟s called

placed on a vertical shaft, shaft, vertical a on placed

the -

rectangular Beneventan Beneventan rectangular Vigil of Al of Vigil characteristic type of of type characteristic .

ey accompany the the accompany ey . It is likelyis It . MS. Borg.MS. Lat. le to to le displays l Saints and and Saints l provide

a - in

great great pearl Fifth

that that 184 this this the the as as

CEU eTD Collection 593 a “C”in letter in found is forms foliagelaces stylized andof initialsout composed ornamentalsimply as wellfantasticbirds as of lac of formedout initials of repertory extensive most The century. twelfth counterpart their have also animals fantastic of heads and ornament verticalpartwhichinitialon shaftupper the of theis placed. of composedandout those interlacing a of variant Th placednext them accordingly has he and tradition long a of proof were initials these that aware was illuminator the that it becauseimportance great ofis codex this execution, artistic the level of modest the of spite In are initials Beneventan the In initial)were In different. completely “ Beneventanevangelistaries is initials the of function the However, yearsis remarkable. time in divided initials betweenthe eva similarity the above, mentioneddifferences the of treatment the in found character the of lion,MarkEvangelistheads.Thesymbolfantasticthe depiction thethe of of animal the as such details the of treatment the in of1259 Bene The 44r). 34v, 32v, fol. (e.g. text the of column whole the Beneventan where evangelistary Vekenega‟s in initials “I

great similarity great - of out either composed but form rectangular Seechapteron Za the th e initials” h s The

E “I renh etr dt of date century irteenth

vangelistary display a a display - mall initial ” initial the

ornament (ff 85r, 124r, 1 124r, 85r, (ff ornament with and without the evangelist symbol. It is also especially also is It symbol. evangelist the without and with Zadar eleventh century codices MS. Canon. Liturg. 277 and K. 394. K. and 277 Liturg. Canon. MS. codices century eleventh Zadar the MS. Canon. MS.

traditional Beneventan type of type traditionalBeneventan initials of of initials

constant and mostand constant

dar manuscriptsandfragments. between by less careful execution lesscareful on fol. 76r betrays easier handling of the forms and it does not have not does it and forms the of handling easier betrays 76r fol. on

of of major feasts inmajormanuscript.feasts the 1259, Gothic initialsthe perform Gothic 1259,

Liturg. 277 Liturg.

the the letters formed out of red and green laces and stylized foliage forms exist, formsexist, foliage stylized and laces green and red of formed out letters the interlacing the now “I

rgr vneitr formed Evangelistary Trogir - initials” the common vneitr o 1259 of Evangelistary exceptions and preserved for the major feasts in the liturgical year. year. liturgical inthe feasts major the for preserved and exceptions 67v). They actually represent a mixture between geometric initials initials geometric between mixture a represent actually They 67v). (fol 42r), and and 42r), (fol

pattern. The link with the traditional type is visible in the slender inslender linkvisibleis the with The traditional thetype pattern. ” (with or without the symbol of the Evangelist at the top of the the of top the at Evangelist the of symbolthe without or (with ”

related to the lesser the to related absence

initial “ I gls smos in symbols ngelist - initial a

s of green and greenof

tlzd oig fr, intersect form, foliage stylized the inmanuscript. the

” with ”

letter “C” in the Evangelistary “C”in the letter function of the earlier Beneventan initials, and initials,and Beneventan earlier the function of “I

s eonzbe n hs iiil m initials those in recognizable is initials” skill of the artist. There is also a difference difference isa Therealso artist. the of skill by outlinednot initial the of part upper the from the ventan

red contour lines in the treatment treatment inthe lines contour red the

ae ad eoae with decorated and laces sometimes comprise the length of of length the comprise sometimes the

s “I eleventh century. In spite the the spite In century. eleventh

- connected connected es and decorated with motifs motifs with decorated and es elevent initials” the

eleventh and and eleventh by 593 h century Dalmatian Dalmatian century h

ing of almost almost , and ,

If we compare the the compare we If to the typology of of typology the to

the E the of 1259 of lines or or lines the

placed on top top placedon two hundred hundred two vangelistary

«heraldic» «heraldic»

the (fol. 6v), 6v), (fol. d a a as ade a a shows

dense dense early early pearl 185 of of

CEU eTD Collection Alexander. Afghanistan 598 597 Brown. 596 MedievalStudies that is 595 SecondNew ofList in ManuscriptsBeneventan (II)”. fragments Beneventan of list The r/6v. I written is it century fifteenth repair to used Dimensions: 49 manuscripts250x mm, the of “Fragments written: is it whichBreviary”.There arefragments 12 on fascicle small a in preserved is an is there fragment one On provanance. 594 codex remarkable and phenomenon with initials in The ofspace notions gestures and masterThe 4.3.1. Trogir ofthe ev T 4.3. initialsEvangelistary the then Missal century Archive Chapter Trogir from fragments to dated script Beneventan in written fragments Dalmatian 224 from Dubrovnik in monastery Franciscan 125 of Evangelistary 1259 of 1v fol. “A”on letter the between made be can comparison sameThe elaborate. lux more is initial century eleventh the that fact the of spite in

one case, the blue madeblue the case, one Itis well known that bestthe blue Oxford:Bodelian library:MS. Canon.Liturg. 342.See Fragmentof a Ink.14, The r The In In - Trogir Evangelistary contains free miniatures of highquality ofminiatures free contains Evangelistary Trogir 227)

red red andfilledwith gold leaf.Published inVirginia Brown. “A Second New ofList he h Trogir the and “ASecond New ofList ManuscriptsBeneventan (II)”.

ed initials scattered throughout the whole codex are s are codex whole the throughout scattered initials ed

T Missa MedievalIlluminators and Their Methods ofWork .The rogir the hi generous their

Missale 61(1999):325 useof this

votiva etr A dpce in depicted “A” letter hpe Acie hr are there Archive Chapter he E an

vangelistary with Free with vangelistary Miniatures ld s ey fe rltd o rmral pro ad seily in especially and person remarkable a to related often very is

inhonore s.Crucis exception 9 is 9

inCavtat: Baldo Bogišić collection, 2 folios, it fewhas Gothic redinitials. Published in n oein irr i Oxford in library Bodelian in the

coloras well as

very similar to to similar very distancebetw

- from 392:374

insidebutonly writtenoneis Beneventan in script

s o gold of use

of 1259 of

was in lapislazuli

the Beneventan illumination in Dalmatian cities. As the creation of a a of creation the As cities. Dalmatian inillumination Beneventan the . madefrom lapis lazuli the mostexpensive “

angelistary and theanalyses and angelistary miniatures:patterns, of the I , binding, 3 fragments still inside the incunabula, the third one has -

een two texteen columnsof the initial metals,especially goldbut also silver, denotes aluxury book. Jonathan J.G.

andBeneventannotall.the at appear initials do K. 394 394 K. 594 various the Ti suggests This . ” , Split Dominican monastery DominicanSplit , the Medie , which resembleswhich , fills fills initial “V” found in a fragment of fragment a in found “V” initial

twelfth century and of possible Dubrovnik origin. Dubrovnik possible of and century twelfth rget o Bnvna mnsrps f presumabl of manuscripts Beneventan of fragments val Studiesval (f 39r, f 52r). 52r). f 39r, (f the backgrou the the h Trogir the .New Havenand London, 1992:40. chapteron Dubrovnik for MedievalStudies 597

and of Dubrovnik origin has simpler Gothic Gothic simpler has origin Dubrovnik of and

50(1988): 584

hpe Acie s ulse in published is Archive Chapter “ ht hy should they that I

- - initials the

nd of the miniatures the nd of 60, length60, the of oneline imple Gothic initials that also appear in appear also that initials Gothic imple urious (filled with gold with (filled urious

h i The thirteenth/early fourteenth century: century: fourteenth thirteenth/early ,

executed executed ” 50 (1988): 584

in in -

the Trogir the iil V o fl 7 v of v 75 fol. on “V” nitial 625:617 color 595 more information.

BeneventanManuscript (IV)”. and Cavtat and

since in be regarded as a special special a as regarded be - 618. expensive

Evangelistary.The - 625:594 the itssource lay 598

- the

on Liber regum Liber ) 596 and igna Brown. Virginia

9, fragmentthenear Evangelistary the the

- . The thirteenthThe . leaf) and more more and leaf)

color the decorated decorated the a “ a Benedictine Benedictine far away far in y D

s (except s(except Dalmatian - Virginia

initial fragment

in the the in (figs. (figs.

186

the the

” “A “A of of

CEU eTD Collection 85.Thistext presents the mostevaluation recent of termthe and liststhe literature.relevant riconoscimentod 6 Starohrvatskaspomenička baština, uredili Miljenko Jurković, TugomirLukšić, Zbornik radovaznanstvenog skupa odrţanog paintinginsouthern Croatia) theon term see Fisković.Igor “Adriobizantski sloj zidnogslikarstva u juţnoj Hrvatskoj” (AdrioByzantine layer of mural Museumfor Arts andCrafts 30. 06. FiskovićIgor 602 Historyof Christianity Salona). Split:in Knjiţevni krug, 1996:24. mixtureof Western and East 601 annunciationismarie 600 timeTreguan evalutionofcodex the show has miniaturepainting… visitthe Benedictine monasteryofVito San inPisa stay and forthere awhile. Pecarski, whoartist decorated codexthe was alocal whoartist Treguan(1206 Asforconnection the between 151 angel an of Cod. In 175,Casin. on pagecentury. 2, the tenth the of half first the from period, Capuan the from datesbackground the in church the with Benedict San Cambridge1999. UniversityCambridge:Press, Newton. Francis see activity scribal Cassino' Monte of age the which in 1202) Lat. (Vat.Benedict St. of codex the from miniature the is examplefamous most The church. the of consecration 599 I master. same the by done the support opinion been have miniatures the not or whether discussed been already has It actually program boththe sideAdriatic. of pictorial Its figures the adriobysant of of category broad treatment the to corresponds the and Western iconography and Byzantine the of in mixture both characteristic element the is miniatures the of impression general The isinthere possibility a codexhas1270, beenforthe that created consecrated was Baptist the John St. of church the As Baptist. the John St. of church the or monastery codex) the of Sanctoral the within miniature free only (the Baptist the John St. of birth of scene the of inclusion the year. liturgical the throughout feasts important accompany miniatures Free occasion. of consecration the to tradition - 8.listopada 1992. Zagreb, 1996 (Exegi monumentum, znanstvena izdanja3) 371

Writingabout the miniatures The termwas firstused 1933 in byDyggve, E. when was he describing the monumentsof He Salona. compared the 9r fol. The .

ot Csio traditi Cassino Monte - in die sancte innativitatisdie domini A

. See . bbotpresentsbooksthe Desiderius spentas Romaničkoslikarstvo - 1254),from Tuscany

egli affreschiAdriobizantini» sulla sponda croatameridionale». is exceptional and points to the to points and exceptional is Giulia Orofino. I codici decorati dell‟Archivio di Montecassino. I. I secoli VIII secoli I I. Montecassino. dell‟Archivio di decorati codici I Orofino. Giulia sit ,75,foot ,fol. 86v bishop.

of Branka Telebaković Pecarski who argued that the codex isargued that single ofcodexofthePecarskiBrankatheTelebaković who work the t h tp f h hierarchy the of top the at ernelement tocitythe of Ravenna.See Einar Dyggve. RaĎanjeprvog hrvatskog kulturnog pejsaža - 602

note 13.Althoughnote it is temptingto n of on the nativitatissancti iohannis baptistae A n in Trogirthe

bbot presentsJohn the codex to St. Ben that codexthe

Trogir Evangelistary and a remarkable indi

– u Hrvatskoju originally, the 15.10.1987. Zagreb: Muzejumjetnostza iobrt, 1987: 72.For the basic a

church

, lvnh century eleventh

fol. 30v

Evangelistary,FiskovićIgor

along with the buildings to St. Benedict. For a recent analyses of the golden recentanalysesBenedict. the a For buildingstoof the St. with along indirectly 599

was The earliest codeearliestThe (Romanesquepainting in Croatia).Catalogue ofexhibition the inheld , there is a possibility that the codex the that possibility a is there , Domenica in palmis Domenica in

created in studied

playedsome inpart creationthe of connection connects inism

in art inartItaly wherew he h srpoim n Lbay t ot Csio 1058 Cassino, Monte at Library and scriptorium The

the h decora the connect x that testifies that x

601

late thirteenthcentury, whichdoes h peetto o te ok t S. eeit n the and Benedict St. to books the of presentation the

that signals the Byzantine features in art on art in features Byzantine the signals that

600 , fol. 82r , of the codex with the Trogir Benedictine Benedictine Trogir the with codex the of , ( edict

the codexthe placesthem into

Thebirthof firstCroatian cultural landscape As there are only five such miniatures, miniatures, such five only are there As

that occasion.that tion of of tion vidual,Pecarski thinks that enthroned to

Hortus ArtiumMedievalium in purificatione in sanctamarie - Povijestsalonitanskog kršćanstva 386 andIgor Fisković. “Un contributo al to codex ofthe offering the of scene the as sentbyas Treguan.The paintercould to Treguan,the rece the Amonument ofDalmatian

and and assisted by symbolicthe figure

the Trogir Evangelistary and and Evangelistary Trogir

the codex. the She thinks that the

category“adriobyzatinism”. was - X, Roma 1994, tav. XX, tav. 1994, Roma X,

created created not nt codicological nt

TheTrogir coincidewith the

bibliography 4(1998): 71 on , fol. 83r fol. 83r ,

such an an such

bishop

- (The 1105. 187 )

in -

CEU eTD Collection 91v 604 bycreated Demovićthinksthat “Nativitythe of wasChrist” done by one Monumentof Dalmatian miniature painting from thirteenththe century”. 603 on. touched peculiar certain stress to aim analyses following The codex. archaic same the from copied were they that possible is It Nativity. the of corner upper left the in angel the of testify that details Some features. of scenes the between differences copyi artist the that probable highly is It codexandthe thus y linesand withhorizontal decorated and “I of scenes on architecture stylized the forms of rectangular fol. on 73r), (e.g. symbols Evangelist on appear differences; peripheral codex the that testify that details numerous other are There sametreatment th of hand of hand the 30v, fol. Jerusalem”on to Entrance “The C of hand the compare to enough also is It 98v. fol. on Matthew 98 97v, fols. on initials Beneventan and “Nativity” the of miniature the of framing in similarity ais There forehead. the on hair of locks stylized three two, with color white of use the rich and of tones of figuresgradation with manner, the same the to in treated types is drapery facialThe miniatures. in resemble Matthew Evangelist the of symbols figures, Human fact t between detail and style in similarity The phases. different certainlylengthy resultsmaller the beginning work theareof the that codex)aandat ofhad theprocess (bigge size in variations the that and artist one of work the are they artist Fol. 9r -

fol.11v,13r, 57r, 57v,59r, 61r, 62r,63r, 63v, 64v,65v, 68r, 69r,f70v, 72r, 72v, 75r,f80r, f87v, f89r,89v, 90r, 90v,9 BrankaTelebaković initials” manner. same the in treated are “Annunciation” and Jerusalem” into “Entrance - both both init 603 hatwas responsibleartist one for codex. the . There . to a to . Although free miniatures show the divergence in style, in divergence the show miniatures free Although .

twomore or illuminators.“ in diein sanctedomini nativitatis e angel in the scene of the “Anunciation” on fol. 83r to discover to 83r fol. on “Anunciation” the of scene the in angele

ials,92v, 93r,95r, 95v, 96r,96v, 99v homogeneous style,homogeneous of nuances different with filled panels the of one has panels three on divided

are also certain details that connect them e.g. male characters are almost always depicted depicted always almost are characters male e.g. them connect that details certain also are

includingthe ,

- represent Pecarski thinksPecarski that codexthe is the

parallel white stripes on the edge of the animal bodies (e.g. on fol. 6v) also also 6v) fol. on (e.g. bodies animal the of edge the on stripes white parallel are found are

clumsilysmallin depicted fingergesture of the yet

Trogirski evandelistar including the including another argumentanother for uniquethe stylecodexandofthe singleartist. a the the

in the scene of the Annunciation and the scene of the Nativity Nativity the of scene the and Annunciation the of scene the in

Ntvt” n te Annito” with “Annunciation” the and “Nativity” (fig.228) - . ed from ed

forms.

knot o knot thework of single a artist who wavered between models.his “A 604

,29 different exemplars, which can explain can which exemplars, different

single illumina T n the cloth the n hey are scattered from the beginning to the end of of end the to beginningfrom the scattered are hey

the angel “I ad h angel the and r Medievalia Humanisticaet - ha initials” ing - evangelist Matthew on fol. 98v and the the and 98v fol. on Matthew evangelist torwhile the rmainder d a d h

of rist rist “I

homogeneous style in spite of the the of spite in style homogeneous -

the r initials are towards the end and and end the towards are initials r initials” features which have not yet not have which features

giving a giving and free miniatures points to the the to points miniatures free and angel Gabriel and on the cloth cloth the on and Gabriel angel they have all beengiven haveall they - the symbol of the Evangelist Evangelist the of symbol

of the codex testify that that testify codex the of blessing Eastern blessing.Eastern

The l The of miniaturesthe its

14(1962): 70. Byzantine facial facial Byzantine arge number of of number arge in a single color single a

the scene of of scene the the obvi

Miho were

been been 188 ous ous the the 1r,

CEU eTD Collection thirteenththe century”. branchesanddresses purelyis Western. Branka Telebaković EntryJerusaleminto itself Byzantine. The representationof two atevents samethe time 606 stato, 1994, 423 medioevomeridionale Trogir 605 different of zone on found of zones the a time of notion The it. from fleeing actually but Jerusalem and with going disciples ass (the the actions taking two the and Gospel Matthew‟s of text the follows precisely scene consideration. into aspect Telebakovi Branka features. iconographical of miniature The 30v Fol. MattheEvangelist the in Presentation the of scene solemn. something of presence the in reverence denotes and art Eastern for typical are angels fo reserved is blue the while sphere, in probably as such parallels Apulian resemble modeling green of tones dominantly angelgroups, the th angelson in two two set are miniature the of part upper the In middle. the in baby the bathing midwives two and right the is there miniature the of part lower the In babythe incradlethetheir breat with infant the with donkey Anheraand head. ox turnof slight the and communicates handshalfherraisedwith Christ She miniature. the of center the into diagonally set Mary, Virgin the to as depicted isbackground belongs Christ of Nativity the of scene The

“Inthe Palm Sunday (Matthew 1 XXI: The depictionof architecture on amentioned

Evangelistary. stylizedIt is similar in a manner and treatedwith bluered, yell and

Domenica in palmis Domenicain the dark zone of of zone dark the on

archaic character character archaic the

- color the 429. and additonal and

twelfth century. twelfth far

w colors .Eds.Giulia Orofino, Oronzo Pecere. Roma: Istitutopoligrafico ezecca dello stato, Libreria dello

MedievaliaHumanisticaet ht ugs h sae help space the suggest that

the on the left of the miniature soleft miniature ofthe its

Entry into Jerusalem is a complete mixture of Byzantine and Western Western and Byzantine of mixture complete a is Jerusalem into Entry young) are depicted simultaneously. What is confusing is the depiction of of depiction the is confusing is What simultaneously. depicted are young) amotif taken by the ersns ifrn time different represents 606

an color “I

The notion of time and space depicted in miniature is quite is miniature in depicted space and time of notion The - yellow lines yellow irregular red and blue surface. The scene is dominated by t dominated is scene The surface. blue and red irregular

while

initials” (fig.229)

T that represents the earth, while the blue the while earth, the represents that 605 emple, Simon‟s hands are covered as as covered are hands Simon‟s emple, -

9),Christon shethe andass plathe . The red red The . the notion of space is achieved by achieved is space of notion the r the angels, the r h.

found

Exultet e right leans down towards the shepherds. The miniature has miniature shepherds.Theleansthe towards down right e a

is situated situated is WestfromByzantium. The representati 14(1962): 70.

depiction of St. Joseph sitting on the left, two shepherds on shepherds two left, the on sittingJoseph St. of depiction that that ć throughout codex. throughout the - color

Pecarski has already analyzed the miniature taking this this taking miniature the analyzed already has Pecarski the the is similaris todepictionsthe of architecture on a miniaturesof it looks as ifit looksasChrist clarify the nd space actually work together in the miniature and and miniature the in together work actually space nd - richly decorated Exultet 3 from Troia, created most created Troia, from 3 Exultet decorated richly

Pecarski.“A Monument of Dalmatian miniature painting from - a , e.g. the older disciple is depicted on a different different a on depicted is disciple older the e.g. , represents the space for the shepherds, a terrestrial a shepherds, the for space the represents

the apostlesthe who bringthe she ass andyoung her andthe

in the middle the in rigid Byzantine iconographical scheme and the the and scheme iconographical Byzantine rigid celestial sphere. celestial

the logic of the miniature. The characters are are characters The miniature. the of logic the cingof Peter in compositionthe are purely

of the composition the of was The c The color are

not heading towards Jerusalemheading not towards color ow.See

the angels the onof childrenwith palm . A stylized cave painted in painted cave stylizedA . overed hands of one of the the of one of hands overed

denotes open space. T space. open denotes Exultet.Rotoli liturgici del warm ‟ . It . -

he depiction of of depiction he symbols of the the of symbols s form and its its and form s unusual are warming warming are The In . The The .

189 the the he he a

CEU eTD Collection Eds.G.Vitolo F.Mottola. and Cava,1991: 457 Napoli”in compareorigin Giulia Orofino. “La decorazione dei manoscrittipugliesi inbeneventana dellaBiblioteca Nazionale di medioevomeridionale 608 607 that is difference only (the temple product. depiction the in Presentation the of scene The motherhisisbecause same thetime at he child. a h hand, right his with emphasize S to Jesus of mixturechild ais child the of the posture The Simon. giving miniature, the of action main the stressing middle the the in of is Red gamma dominant. the makes blue of amount reduced warmer The miniatures temple. the of space the define that blue space; the define zones horizontal is miniature the of background the and tabernacle a is there and Simon left, the on Mary and Joseph Presenta The of scene the In 82r Fol. blue brownishis miniaturetones warm, impressiondominanceof thethe The generalof Annunciation. climbing Gospel. the from words the of illustration with s ofimage The miniatureislogicvillage,the of the them than background imon and and imon

The And color . They are, however, depicted to the left o left the to depicted however, are, They . a Exultet2 preserved is in he whit 608 broughtthe ass and colt,the andput Scrittura e produzionedocumentaria nel Mezzogiornolongobardo inmariepurificationesancta a i

n background.ofthe

the divine and human nature of Christ hedivinenature the human andof Christ The disposition of the characters is the same as same the is characters the of disposition The man same the in depicted is branches the of swirling The tree. an the of frame e the

uccessive depiction of time on the miniature is visible in the depiction of the red mantle mantle red the of depiction the in visibleis miniature the on time of depiction uccessive early type where the child reaches for his mother (lower part of his body). As if to to if As body). his of part (lower mother his for reaches child the where type early

Exultet 2 Exultet on .Roma: Istituto poligrafico ezecca dello sta

n appearance in the rest of the minia the of rest the olds a scroll a olds

in Pisa that contains a large Chrystological cycle and possibly and cycle Chrystological large a contains that Pisa in the A

tion in the temple there is a symmetrical disposition of of disposition symmetrical a is there temple the in tion Museodell‟opera del duomoPisa. in postle John, also depicted on the back of of back the on depicted also John, postle

in his left left his in a that itshould placedthat be

the black and green zone where the characters stand characters the where zone green and black than

(fig. 230) (fig. T

- onthem their clothes, andthey set{him} thereon. 488:460 ml hs n cngahcl aall in parallel iconographical an has emple ia xle hs three has Exultet Pisa t the ure. The two pupils were sent by Jesus to a village a to Jesus by sent were pupils two The ure. in hand

607 prophetess Anna on the right. In the middle of the scene scene the of middle the In right. the on Anna prophetess the the .

f the miniature. Since Jerusalem is further is Jerusalem Since miniature. the f

n h rgt ie f h miniature the of side right the On late Byzantine type where the child eagerly hurries to hurries eagerly child the where Byzantinetype late

and with the lower part of his body he body his of part lower the with and Entry into Jerusalem; red, orange and golden are are golden and orange red, Jerusalem; into Entry makesblessinga to,Libreria dello stato, 1994: 159

more to the left.moreto the Seeillustrations in is in well as the background that that background the as well

.Atti de arches as opposed to one. one. to opposed as arches the stylized form o form stylized the

l Convegno l internazionale distudi. a

ner as on the scene of the the of scene the on as ner Exultet. Rotoliliturgici del oky Ti is This donkey. Matthew21:7 the - contrasting with the contrastingwith 174.For Apulianthe ,

eleventh century century eleventh

h cide are children the a and the and

the

temple. Three Three temple. turns turns is an is off characters; characters; marks The most most The .

an ahead

than the the than Apulian Apulian towards towards red and red

exact exact

190 the the

of of

CEU eTD Collection plate20. dellecattedrali, “L‟Evangeliario miniatodella cattedrale diTrogir ela cultura artisticaadriatica del XIII secolo.” 612 Symeon“renewed by swiftest the ofwing desire……as iflevitated by spirit”. the Henry Art Maguire. andEloquence, 90. alsoarranged accordingtothe liturgical c weretemple known and read insouthern Italy. thirteenthA 611 HenryMaguire. re throughthe air in haste his tomeet child.the The point of departurefor these exaggerated accounts of Symeon‟s joyful wehear oldhow the prophet seemed todance, howwas he raisedfrom groundthe by enthusiasm, his and howeven he flew homilistsoften described priesthow Symeonthe ranimpetuously theto greet infant Messiah inthe temple;in t overstressedand depictedhe is inaposture of young a man. textualThe prototypes wereByzantine homilies.“Byzantine mainthe message.Sometimes inscenethe of Presentationthe inthe used 610 609 2:39 where readingsfromamongst the Luke2:36 and does Anna prophetess The insteadpigeons fouroffor two illumination orange bright are mantles Dalmatia Byzantineorigin that man old an not is who and e Simon” and Messiah the see to desire his of because only alive kept is who Simon, of age old the between contrast Benedictine, that accept to hard misunderstanding is this that thinks She man. young a as depicted Theunusual ofdraperydiffer becausefiguresmore substantiallyareelongatedTrogir and the volumi treatment the as well as figures ofproportions features, Facialsquare. next the within place empty one similarity striking mersed ceptionof was Christ single a phrase inSt. Luke‟s Gospel: “And hecame inSpiritthe theinto temple” (Luke2:27).

“Branka Telebaković should“It be innotedconcl Maguire BrankaTelebaković ,

during - she points points she infant until some proof some until 40 610

comesa in the action, his right knee is bent and bent is knee right his action, inthe

611

carriedout an thescene ofPresentation the in the

hc atal ft te ye f io in Simon of type the fits actually which eu i te sec o te story. the of essence the is Jesus

. The ma The . thing in the scene, already inscene, the thing practiced at practiced ol nt ae been have not would AttiIXdel Covegno Internazionale diStudi (Parme,19 Artand EloquenceinByzantium at

sentence, which is actually not insentence, iswhichBible: not theactually

baby Jesus baby lies in lies - an Pecarski. “A Pecarski. Monument - Pecarski. “A Pecarski. Monument of Dalmatian m in protagonists of the topic, the of protagonists in

was brought to

analysesof rhetorical figures inthe visual art of Byza artist who paint who artist must at

Monte Cassino (Cod. Cass. 98, p.6) from p.6) 98, Cass. (Cod. Cassino Monte

the representati the usion that Greekthe sermons that employed hyperbole describing in Symeon‟s journey tothe

the moment when hi when moment the

color not have not remain a hypothesis a remain

with the with his . There are certain details in the miniature that point directly to the the to directly point that miniature the in details certain are There . alendar,includes the sermon attributedto Timothyof Jerusalem speaks that of sacrifice.

aiir ih h tee f h Peetto i the in Presentation the of theme the with familiar

a ed sc T noted raised finger. finger. raised

in . Princetom, . New Jersey: UniversityPrinceton 1998,Press, 71. emple.Exaggerations usedare insome features of depictionthe tostress on of on roll in her hand her in roll cod

Dalmatian miniaturepainting…”, 70. - 612 38 and 38 ices

byBrankaTelebaković er Mgie hwd ht hr is there that showed Maguire Henry

s life mission is accomplished, an iconographic an accomplished, is mission life s the he stands with his with stands he

, - for liturgical use and use liturgical for

centurysouth the Christ child Christ the is the existence of the iconographic type of Simon, Simon, of type iconographic the of existence the is architectural decoration in the form of squares with with squares of form the in decoration architectural

The gesture corresponds gesture The iniaturepainting…”, 70, foot the T as would be would as emplethe ofhaste Si Trogir Evangelistary; Simon is completely completely is Simon Evangelistary; Trogir - 23 set23 - hic estpueraltissimihic Italiancollection of sermons andsaints‟ lives, tembre2006), Milano, 2007: 362

ntium.He showed that hyperboleoften is and Simon are united by united are Simon and left foot on tiptoes. What ispossible What tiptoes. on foot left on the - Pecarski

the part of the artist artist the of part the usual in usual

who may who eleventh century; Joseph holds holds Joseph century; eleventh

mon mon totakechild the is ,

- is the fact that Simon is Simon that fact theis note 6.Emanuelanote Elba. Byzantine iconography iconography Byzantine to the text on fol. 13r, 13r, fol. on text the to In

possibly Medioevo: l’Europa a

nous. type of “flying “flying of type T h emple. The The emple. 609 heir accountsheir color ave been ave -

369:365, , but it is it but , type of of type , their , 191

CEU eTD Collection 615 miniato…” Studi di (Parme, 19 eculturala artistica adriatica XIIIdel secolo.” commonByzantine features found inall depictions. See Emanuela Elba. Porečmosaic andespecially with E 1277. in Thus,she argues for the influenceof PaduanandVenetian thirteenth century ar Annunciation)and the representationof the CivicaQueriniana, MSA miniaturecan be compared tothirteenth century Paduan miniatures(late thirteenth century Breviary, Padova, Boblioteca 614 Evangelistary 613 represent might that opening fl Elisabeth‟s an with structure black big a is there Elisabeth, size. and posture armchairs, for accounts right the to Elisabeth head right. the his to of movement inclination the and yellow, and green in defined by defined is group TheVirginMary. towards arms miniature the of corner right upper Jerusale into Entry the of scene the to similar register, one in place takes action The Nativity. the of miniature following and Zacharias Elisabeth, with along Mary bir the representing miniature The 86vFol. ofnature. connected is feast Byzantineforlogic wasdivine theab springthere that writers and that showed Maguire Henry origin. Byzantine of is vegetation rich The humilityacceptance.and with house, her of front in depicted wings raised with Virgin the to comes angel miniature onlyis the Annunciation The 83r Fol. filius vangelistary.I agree that there theis similarity

HenryMaguire. In her recentevaluation of miniaturesthe of scholarDemović first waswho topeculiaritythepointed text,Mihoof Demović.this quempropheteannuntiaverunt venturum per virginem m

nativitatis sanctiiohannis nativitatis 615

inmarieannunciationis

an apocrypha. The characters are smaller than in the previous miniatures except for the the for except miniatures previous the in than smaller are characters The apocrypha. an although ):16. making

ight

- Art Art andEloquence I 23settembre 2006), Milano, 2007:362

from Herod‟s soldiers. In the Protogospel of James which is the basic textual source source textual basic the is which James of Protogospel the In soldiers. Herod‟s from The s The

si here the movement goes from the right to the left. The group of visitors in the the in visitors of group The left. the to right the from goes movement the here - ia gsue. Parallelism gestures. milar V - yie frso h iy r iutdt h left the to situated are city the of forms tylized 24,fol. 7v, initial“B”, Epistolaryfrom1259,P 614

the

PaduanEpistolary, but am I more inclinedtoview this ,44.

, (fig.231)

ih h bb i hr rs and arms her in baby the with

(fig.232) , h of St. John the Baptist is unusal because it includes the Virgin Virgin the includes it because unusal is Baptist the John St. of h

the her hands half raised and head inclined head and raised half hands her visible as busts, points to St. John the Baptist who stretches his his stretches who Baptist the John St. to points busts, as visible In the Trogirthe Annunciationonciborium the of Porečexecuted by Venetian the workshop in betweenthe Medioevo: l’Europadelle cattedrali,

the codex the

ru of group

blessing hand blessing Evangelistary,Emanuela Elba argues that the “Annunciation” - s 369:365,366. Further on Emanuela Elba. “L‟Evangeliario

“Annunciation” miniatureof ewe Eiaeh n Mary and Elisabeth between

a where dark

iios Ti scene This visitors. -

. pink the background isbackground the 613 “L‟Evangeliario miniatodellacattedrale di

etween the annunciation and the renewal annunciationetweenandthe renewal the and adova:Biblioteca Capitolare, MS2, fol. E 37v,

background. The space of Zacharias is Zacharias of spaceThe background. , with a stick in his left hand. She is She hand. left his in stick a with , the Attidel CovIX Virgin Mary are sitting in big big in sitting are Mary Virgin tin illuminationsthe of of Trogir the Trogirthe

Mary. Between Mary and and Mary Between Mary. similaritythe in context of as the was probably executed executed probably was ski EvanĎelistar ski she expresses surprise, surprise, expresses she parchment itself. The itself.The parchment are the prefiguration of of prefiguration the

Evangelistary with egnoInternazionale

biu i the in obvious an the the

( TheTrogir Trogir overall overall Trogir to 192 the

ir a

CEU eTD Collection 618 79r, 80r,81v, 84r, 87 3r, 2r, 83r81v, 48r47v,45v,46r,44r, 43r, 41v, 31v, 617 Oxford:Clarendon Press, 1924. abletogo up.And immediately mountainthe clave asunder and took M.her in.R. James. Elizabethgroaned andsaid with a loudvoice: mountainOof God, receivea thou mother with child. a andhimwent up into the hill 616 and Vekenega‟s of typology same The substituted Beneventan rectangular are most The forms. of repertory Beneventan d The centuryDalmatianmanuscripts, especiallyevangelistaries the written decoratedThe initials4.3.2. Trogircontextofeleventh of the and twelfth Evangelistary in miniaturesthe despitearchaiciconographicthe conventions. the in “Presentation the of of tones of gradation the by achieved scene figures the of plasticity the in architecture of forms stylized identically detailstransparent such manuscripts century twelfth and eleventh of master of work obviously Jerusalem” the into are “Entry “Annunciation”the and of language similar fiv of out manyunifyare miniatures: treatment that inthingsthe space, of definedhorizontalin thethe four zones the as well as and characters the of “N the types between differences facialobvious are there the Although iconography. in visible elements, Western and Byzantine of hergaveshelter. isiconography, there Byzantine for The ana The

“ ff29 58r,19r, r, 69v, 73r,75v, 78v, 86v,94r, 98v BOOKOFJAMES, OR PROTOEVANGELIUM 3:XXII: ButElizabeth when she hea I - initials the

13v, 18r, 19v, 25r, 26r, 41 r, 46v, 49v, 52r, 53r, 55r 53r, 52r, 49v, 46v, r, 41 26r, 25r, 19v, 18r,13v, ecorated initials of of initials ecorated - v, 85r v, other three miniatures, three other lyses of the free miniatures of of miniatures free the lyses of ” e examples, examples, e

the Trogir miniatures Trogir the with - by v, 89r, 90r, 91r 90r, 89r, v,

anthropomorphic or zoomorphic anthropomorphicor symbols evangelists. of the the v,88r 616 Osor‟s Evangelistary. Both Osor Both Evangelistary. Osor‟s evangelistsymbol: ff

- v,89v, 90v, 93r the identical the the - - as v, 92rv, countryandlooked about her whereshe should hide him: andthere was no hiding the “I

the previouslythe gestures. Stylized plants swirling in the wind on the scene of the the of scene the on wind the in swirling plants Stylized gestures. - - - initials” v, 49r, 50v, 51r50v,49r, v, v, 95r v, “ Trogir Evangelistary are valuable source valuable are Evangelistary Trogir

I - it is not possible to talk about talk to possible not is it initials” - faithfully follow faithfully

v,95v, 96r, 97v, 103v - 4r, 1r, 5r v, 9 v,

treatment of the drapery, the of treatment the

6v, 97r, 98r, 99v,100r 98r,6v, 97r, is found in in found is

the

story of Elisabeth‟s invocation to the mountain that opened and and opened mountainthat the invocationto Elisabeth‟s of story - - ih r ihu te vneit symbol evangelist the without or with v,8r

v, 53v, 54v, 56r, 57v, 58v, 59v, 60r, 60v, 62r60v,59v,60r, 57v,58v,54v, 53v,56r, v, mentioned two doves instead of three in dovesinsteadtwo ofmentionedhandsthree Joseph‟s or Trogir Evangelistary shows undoubtedly shows Evangelistary Trogir common “I common . -

rsn in present v, 9r, 10v,v,9r, 11r - v, 57r, 58v, 59r, 61r, 64v, 65v, 66v, 70r 66v, 65v, 64v, 61r, 59r, 58v, 57r, v, ed .

‟s

two two

old iconographic patterns and the influence of of influence the and patterns iconographic old and Vekenega‟s evangelistar Vekenega‟s and - v, 101r, 102r101r,v, - - initials” v,12

eleventh century Dalmatian evangelistaries: evangelistaries: Dalmatian century eleventh eeitn circle Benedictine r -

v,13r, 16v, 17v, 20r, 20v,21r, 22r modeled by modeled

completely different style different completely color mark the mark color

that open the sentence the open that - v. “ I - initials s ativity” and the “Annunciation” “Annunciation” the and ativity”

for establishing for

means of white of means a ” in Beneventan scriptBeneventan in rd that theyforsought John, took The Apocryphal NewTestament 618

- without the evangelistwithout 1v, symbol:the ff single v, 63rv, s - v, 71v, v,

thirteenth century date of of date century thirteenth is - 617 v, 66r, 67r, 68r, 69r, 71r, 78r,71r, 69r,68r,67r, 66r, v, visible even in some some in even visible

ies hand. I think that the the thinkthat I hand. 72r

and an

ForElizabeth was not - v, 74v, 75r, 76v, 77r 76v, 75r, 74v, v, have Beneventan Beneventan have

- unusual v,23v, 24v, 28r, 27r, s In illo tempore illo In the h “I the T

because there there because color emple”. The The emple”.

long life of of life long - place.And -

initials” mixture mixture and the the and

193 the the the - . v, v,

CEU eTD Collection exhibitionthe heldVenice in 2001, 9 Muzejigrada Splita, 1972:153 130.Deša Diana, NadaGogala, Sofija Matijević. DuškoKečkemet.“Romaničke 622 andhalf middleof thirteenththe century. Emanuela Elba. “L‟Evangeliario miniato..”: 363 withfoliage rich ornaments can be connected to liturgicalthe manuscripts of Venetian/St. Mark prove evangelistarytheir strongin andvivid Venetian in manuscripts. Elba think thatapart from Beneventanthe repertoryformof framedinitials 621 Gospelsame readings Matthewof St. evangelist), the inVekenega‟s Evangelistary: 620 619 stylized intertwined and letter the of part round the forming they that visible is it but faded almost i The 234) script. Caroline in written and cathedral Split in preserved D) 624 (MS Sacramentary century the (with frame e unusual 98r and 97v folios On virgins. the of Common the to dedicated in variations initials” Beneventan traditional the of function the also but forms the only not that means This page. every initials” earlier discussed 1259 from Evangelistary Trogir the Unlike identical.almost the Evangelistarycontain Last indepen depiction evangelistary containsa similarity Another substitute ant has also evangelistary Vekenega‟s “I vangelist Matthew on fol. 98v is the only representation of an evangelist symbol that appears in the the in appears that symbol evangelist an of representation only the is 98v fol. on Matthew vangelist -

On Sacramentarythe (before RogerReynold‟s study In her recentarticle on pictorialthe decoration of e.g.in ff20v, 10r, 33r, 40v,44v, 65r, 51v,47r initials” thirteenth century Trogir evangelista Trogir century thirteenth Supper. If we add that apart from apart that add we If Supper.

, the Trogir Evangelistary has over one hundred and twenty such ini such twenty and hundred one over has Evangelistary Trogir the ,

the Trogirthe in eleventh century evangelistaries is respected. respected. is evangelistaries century eleventh in reua mne ta rsml te rm o te Ntvt” iitr (o. 9r). (fol. miniature “Nativity” the of frame the resemble that manner irregular for rregularly framed initials “P” on fol. 4r and “C” on fol. 4v are veryd are fol.4v “C” andon fol. “P”4r onframed initials rregularly

with or without the evangelist symbol placed at the top all through the manuscript and and manuscript the through all top the at placed symbol evangelist the without or with to a the

thetype ofcorpo“a initial chiuso” or initial“bombé few exception of his of exception

Evangelistary: “I .

- of th of initials” between

only few small decorated initials smalldecorated few only ,

e the -

minijatureu Splitu” (Romanesque miniatures inSplit). Peristil 8 Beneventan 154.Roger Rey .

619 the “I the

color

June initials” initial“A” on fol. 3r, raised wings). (fig. 233) 233) (fig. wings). raised Trogir Trogir - S v - s, extensive s, 4 . it (92r aints

th “I

nolds. Entry Sacramentarynolds. on of in Split November.Venice: EdizioniMultigraf, 164 h the

ooohc n zoopi smos of symbols zoomorphic and ropomorhic ry and Vekenega‟s evangelistary evangelistary Vekenega‟s and ry - Riznica splitskeRiznica katedrale. ih n wtot h Ev the without and with E initials” ipa a display dent of the initial, on fol.106 initial, on ofthe dent

aglsay n Vkng‟ i te at ht Vekenega‟s that fact the is Vekenega‟s and vangelistary “I the Trogirthe -

use initials”, the Sacramentary the was referred toas the - 103v) with masses for apostles, martyrs, confessors, confessors, martyrs, apostles, for masses with 103v)

. They are all placed in the section of the manuscript the of section the in placed all are They . ofdragongold, motifs with metallicshells andthose initials the the

typical Romanesque repertory of forms: dragons dragons forms: of repertory Romanesque typical evangelistar initial “C”initial on fol. 15v (historiated initial“A”on fol. 7v, 620

the

” I have traced this irregular frame in frame irregular this traced have I it appears that the typology of initials used in initials used of typology the that it appears

typicalfor the miniature The Trogir evangelistary as well as Vekenega‟s Vekenega‟s as well as evangelistary Trogir vine with y,Emmanuela Elba relatesthese irregularly (Thetreasury ofcathedral).Split the Split: rgr vneitr however Evangelistary Trogir

branches. Another variant Another branches. only two traditional Beneventan traditional two only angelis s , r, that is that r,

the the initialsthe of Tesoridella Croazia. t symbols are framed in an an in framed are symbols t - from the the from 363 initialon“C” fol. 13r follow the - 166. tials that appear on almost almost on appear that tials .

amaged

s - , Missale Romanum

9 (1957):9 125

ofcrusades the andfound a free miniature of miniature free a

initialwith depictionthe the evangelists that that evangelists the the Trogirthe eleventh century is is century eleventh nance nance . Their . from Catalogue of - 141: 128

of the of

color a 621 the firstthe ) 622

twelfth twelfth reveals see

(fig. (fig.

The 194 -

has has the the “I “I “I - - -

CEU eTD Collection no.6 ( cathedral).Split Split: Muzeji gradaSplita, 1972:154. Duško Kečkemet 8 623 gold with them of one fills and panels with letter the of shaft the divides illuminator the 42v, fol. on “V” initial century eleventh Dalmatian and Apulian decorated the general, In Apuliancentury Dalmatianevangelistaries.and 103r),feature ahuman and ornament 5r, (fols.withheadtwicetypical decorative a is it filledwith Beneventan The of1259 The blueleavesa “I”onletterson spiralshaft the fols. stem adorn ofthe 62v 88v and 625 (MS cathedral Split ofthe inparallelt nearest the found have I script. Beneventan in written manuscripts century eleventh early in found be cannot three with laceswith spiraladorned are instead Two manuscript. d knowledge, my to and, unusual from “L” letter the generationis beast The baseshort whichsymbolsplaced.upon Evangelistthe are ( bodies animal the from formed are They church. the of dedication the for reading the opening 102r fol. and Virgins initials” MiniatureYugoslavia in - 9 (1957):9 125

On Evangelistarythe seeDuško Kečkemet.“Romaničke minijature Splitu”u (Romanesqu . heavier and more “solemn”. The stem of the letter ends with motifs o motifs with endsletter the of stem The “solemn”. more and heavier “I

“I

aa (o. 1) Te at ht h mntr a a ua ha dpce i half in depicted head human a has monster the that fact The 51r). (fol. Zadar - - initials” , because there is no use of gold and the initials are treated initialsistreated andusebecauseofare no gold the there , initials”

is represented represented is - leaf. - a human depiction on fol. 6v that substitutes substitutes that 6v fol. on depiction human

pearl ornament is omitted and there is a gold ais there and isomitted ornament pearl “I - is unique in the manuscript. The animal body is depicted in depicted is body animal The manuscript. the in unique is . Its closest Its . 141:130 -

(fig. 237) 237) (fig. initials” a in of winged beast on fol. 102r and 102r fol. on beast winged

“I both Vekenega‟s and Osor Evangelistar Osor and Vekenega‟s both he decorated initials of the eleventh initialsthe of decorated he the - - initials” ). Catalogueof exhibitionthe held inMuseum for Arts andCrafts inZagreb 1964:283 133.Deša Diana, Nada Gogala, Sofija Matijević.

luxurious Trogir Evangelistary have the usual elongated vertical stem of the the of stem vertical elongated usual the have Evangelistary Trogir luxurious y the by bu

The

“I parallel are t - , on fol. 63r and 103v and 63r fol. on , initials”

use

C) and written in Caroline script in which similar, but stiff but similar, inwhich script Caroline in written and C) unusual uh hre. The shorter. much

of small rectangular panels filled with gold with filled panels rectangular small of is oes

in appear to be closer to Cassinese e Cassinese to closer be to appear

the initials on fol. 100v opening the reading for the feast of the the of feast the for reading the opening 100v fol. on initials not “I

small initial “L” in K. 394, an eleventh century manuscript manuscript century eleventh an 394, K. in “L” initial small

- per in appear initials” -

lobe a dog on fol. 100v) depicted in prof in depicted 100v) fol. on dog d leafs d lack interlacing . Even in the forms of small letters, such as the the as such letters, small of forms the in Even .

century Evangelistary preserved in the Treasury Treasury inthe preservedEvangelistary century older, older,

- the shaft of the letters divided in panels and and panels in divided letters the of shaft the

leaf filling that makes a different impression: makesdifferent a leafthat filling ies .

. o the for (fig. 235) 235) (fig. Entryon , resemble more resemble , Riznicasplitske katedrale. eleventh / twelfth century Beneventan Beneventan century twelfth / eleventh

atr eeue i bright in executed pattern in

Evangelistary nta “” n opens and “L” initial bright red, bluered, yellow bright and This rather rich This rather leventh century initials than to to than initials century leventh an f dogs in movement, a floral floral a movement, in dogs f acrobatic e miniaturesinSplit). Peristil - closel leaf on which the incipit incipit the which on leaf

in 623

Min . of of y the y (fig.236) (Thetreasury of the ile eleventh / twelfth twelfth eleventh/ ijaturau Jugoslaviji

foliage ornament foliageornament position to form to position - . They . profile is very very is profile

Evangelistary Evangelistary er

three color - 284,cat. the

bite the the bite

color - and s Liber Liber lobes lobes 195 s. .

CEU eTD Collection special regard totypethe of Dalmatian Beneven 627 626 625 XXXI. Eds.S.Adacher. Giulia Orofino. Montecassino: Abbazia di Montecassino,Universita degli studi diCassino, 1989: Tav. II 624 inpu office, Parishfragments the discovered were and Zagreb in library Scientific and National them dated and Rab century twentieth the of beginning Trogir of initials o island decorated the on office Parish the the to parallel century offragments thirteenth the Dalmatia: in found be can Evangelistary another that however, seems, It initialspredomi illumination of system the liturgicalm theyear feasts through artist the Regardlessway. different ina manifested are they but 1259, of evangelistaryTrogir the parallel is manuscript Trogir for convincingexplanationmost The RabThe Evangelistary 4.3.3. other century thirteenth and parallels the Trogir to illuminatorwherecentercould the consultarchaic different prototypes. t show has Sacramentary initials the of comparison the as such script Beneventan inf Cassino Monte the where script Beneventan Dalmatianto exemplars close initials decorated the of typology the as far As onlyinDesiderianMonte eleventh century (mpore) (I)nill(o)te ypology of eleventh and twelfth century codices, this, in my opinion, points to a monastic scribal scribal monastic a to points opinion, my in this, codices, century twelfth and eleventh of ypology

ViktorNovak. HansFolnesics. Rab:Parishthe office: fragments without shelf marks, Zagreb: National andScientific Library: R 4106. Compare the illustrationsin rud htte oiiae i eeet cnuy ot Cassino Monte century eleventh in originated they that argued

may be foundonly be may has littleskill has Scripturabeneventana osobitims obzirom na dalmatinsketip beneventane na Dieilluminierten Handschriften inDalmatien te

in blue letters is placed is not found in Dalmatian and Apulian evangelistaries but but evangelistaries Apulian and Dalmatian in found not is placed is letters blue in inmanuscript. the that it was copied from copied was it that o the to is of no great skill, his placement of traditional B of traditional skill, placement his great no ofis n A te oe ws rae in created was codex the As .

L’eta’dell’abate Desiderio. Maniscritti Cassinesi del secolo XI

in Tro in for

wlt century. twelfth

the

eleventh century Beneventan manuscripts because Gothic calligraphic calligraphic Gothic because manuscripts Beneventan century eleventh f Rab and in and Rab f Apulian style of illumination, eleventh century manuscripts written in manuscriptsApulianillumination,written styleof eleventh century gir. As already mentioned Asalreadygir. arks ,

Hans Folnesics discovered some fragments in the Parish office at office Parish the in fragments some discovered Folnesics Hans the

a recognition of this type of initials. However, he is not copying initials.not isheofthis However, recognition aof type tan script).tanZagreb: JAZU, 1920:71 , extreme conservatismextreme included them in his book on Beneventan script in Dalmatia in script Beneventan on book his in them included

C assinomanuscript ancient exemplars. So far, it appeared that the Dalmatian Dalmatian the that appeared it far, So exemplars. ancient 626 the the luence

n 1920 In blished and dated blisheddated and is National and Scientific Library in Zagreb. in Library Scientific and National

concerned ,Leipzig, 1917: 159, no.74,74a is

in the in

, visible and some manuscripts written in non in written manuscripts some and visible

the the h lt titet cnuy n displays and century thirteenth late the itr oa dsoee fragments discovered Novak Viktor ,

the conservative features are noticeable in noticeable arefeatures conservative the Rab evangelistary. They are preserved in preserved are They evangelistary. Rab s.

twelfth century Split Evangelistary and and Evangelistary Split century twelfth visible in visible 624 the illuminator illuminator the

to the to 627 - 72,plate4.

eneventan initials next to major major to nextinitials eneventan Sm tit yas ae more later years thirty Some .

the pictorial decoration ofpictorial decoration the

eleventh century by AnĎelko AnĎelko byeleventhcentury

(Beneventanscript with .Catalogu

used .

Evangelistary eleventh century century eleventh eofexhibition. the of of

the fact that that fact the 625

At the At in the the in

196 the the the the

- -

CEU eTD Collection 107 632 EdizioniMultigraf, 2001: 170 631 fragments listedare with thirteenth century date,brief descriptionand bibliography. 630 withinitial St.Mary Magdalen on page 25,cat. 39, no. 142 Museumfor Arts andCrafts 30. 06. 629 Rab) evandjelistara krajaiz 11. stoljeća Rabu”u (Fragments of illuminatedthe Evangelistaryfromendthe of centuryeleventh in Michael St. 628 for line horizontal to point features Several t of impression general the of script BeneventanCassinese the not and Trogir similar script Beneventan the and origin Dalmatian of fragments the of features paleographical the that think I century. both preserved are fragments a factors cultural ( Zagreb thirteenth another of remains fragmentary andthe Beneventan that script in written been have to known now evangelistaries of examples latest the produced scribes Dalmatian in published proposed who scholar first the was Brown Virginia miniatures the eleventhfragmentsthe acceptsand century date. included has Croatia who in painting Romanesque on Fisković,monograph his in evangelistary Igor questioned. ever date century fact Badurinadid EvangelisttheRab on codex the that argued who Badurina, liturgical book. liturgical

EmanuelaElba.“La decorazione dei codici inbeneventana dellaDalmazia XItra eXIII secolo”. VirginiaBrown. VirginiaB IgorFisković Badurina - 147:135 Peristil has 632

the ee actually never

a insteadof

useddata from the - 8 rown. “A rown. second New ofList Beneventan Manuscripts” (II) in thirteenthcentury date 137.Further on Emanuela Elba.“La decoraz -

9(1965/66): 5 ainl n Uiest Lbay. h as cnldd ht vrey of variety a that concluded also She Library). University and National Mediaeval Studies Mediaeval not Romaničkoslikarstvo was

Tesoridella Croazia take into consideration into take that 631 the ipse

probably responsible for the preservation of what is essentially an archaic genre of of genre archaic an essentiallyis what of preservation the for responsible probably Emanuela Elba, Elba, Emanuela moreconventional mentionof John St. Baptist.the AnĎel . 628 , rather rather ,

- .

been 12:10

ir Confiteor in he script that that script he the

hrenh etr dt. h srp is script The date. century thirteenth type type

– on . Beneventan manuscripts in question are the Trogir Evangelistary and the manuscriptsBeneventanTrogirinthe Evangelistary are the and question 15.10.1987. Zagreb: Muzejumjetnostza iobrt, 1987: 24,plate representingthe acknowledged in Croatian scientific literature, nor was the eleventh eleventh the was nor literature, scientific Croatian in acknowledged the thirteenth century such as as such century thirteenth . 630

uHrvatskoj Rab . . Catalogueof exhibitionthe hel for themfor

to that that to

toestablish the provenance of manuscript.the angular shape of abbreviation that signals the signals that abbreviation of shape angular In a catalogue entry on entry catalogue a In

an had probably had and Italian a Italian lacks the the lacks used in Dalmatian scriptoria in Zadar, Dubrovnik, Split and and Split Dubrovnik, Zadar, in scriptoria Dalmatian in used - in

(Roma century evangelistary century inlistsm ofoneher of Beneventan membradisiecta once the connected Zagreb dates the fragments the dates Zagreb 629 ione deiione codici”. . nesquepainting in Croatia).Catalogue ofexhibition the inheld r

t historian who is aware of the fact that that fact the of aware is who historian t

the

belonged to the Benedictine monastery of St. John St. of monastery Benedictine the to belonged regular and uniform character of Cassinese script. script. Cassinese of character uniform and regular eleventh century. This is primarily manifested primarilyis This eleventhcentury.

eba disiecta membra d in Veniced in 2001, 9 the the the

of the Evangelistary exist in Zagreb.exist Evangelistaryof the

Mediaevalstudies Trogir Evangelistary Trogir abbreviation “ipe” surmounted by a a by surmounted “ipe” abbreviation Rab Evangelistary point both to the to both point Evangelistary Rab

found on found , a

koBadurina. “Fragmenti iluminiranog also fails to fails also half St.John the Evangelist to the to

- Rab (Parish office) and office) (Parish Rab angu th

anuscripts and fragments and anuscripts June in Rab and Zagreb and and Zagreb and Rab in

50 (1988):50 611. The

last decades of twelfth twelfth of decades last lar thirteenth century century thirteenth lar

- omitted “m”, shaped shaped “m”, omitted

4 Segnoetesto mention the Zagreb Zagreb the mention th

, November.Venice:

she stresses that that stresses she from religious and and religious manuscript

isfollowing

the Rab Rab the 4(2006):

Thi 197 in in ir s

CEU eTD Collection verso 634 Norman thatart came toDalmatia fromSouth Italy. 633 white the towards turned 14 16: (Mark: Ascension the of feast the for readings the opens fragment bigger the on Mark St. of symbol the symbols: evangelist The it manuscript, luxuriousthis a was Mary, Anastasis Saturday. Holy for reading Gospel the opens Pe St. and Andrew St. Baptist, the John St. are feasts on based in fragments the of representations the all identified has Badurina AnĎelko forms. isfilled withnor panels,it into divided “I liturgicalGospel readingsthrough theyear and substitute that saints the of depictions shafts), vertical slender Bene on placed typical of consist fragments Rab the of decoration The (possiblyBeneventan wrotescript same thescribewho the text main fragmentsdif accompanies Theneums ofBeneventan the Rab that horizontalscript stroke. unusual ol and i) over stroke horizontal for forms recent more for line horizontal a by surmounted and line base the on stands “fi” ligature the e.g. script Beneventan of type round the of features certain in visible is origin Dalmatian “ (e.g. sign supracsript 2 numeral arabic like t ” -

The biggerThe EmanuelaElba thinks that this wellas as the placementof initi ). Apart from Apart ).

Zagreb fragments, parts of consecutive folios, consecutive of parts fragments, Zagreb side color 633 the Resurrecti the als” arabic number 3, numberarabic3,

brvain s ei with “eni” is abbreviation while

(figs. 238, 239) (figs. 238, the Gospel reading they accompany. The saints that open the Gospel reading related to their their to related reading Gospel the open that saints The accompany. they reading Gospel the I was It . and

are leftun are

fill the body of the animal and resemble resemble and animal the of body fill the fragmentwith depictionthe ofsymbol the of thelittle fragments contain Mark: 16:19 the Enthroned the the

rbby rte b aohr cie oe h ws o acsoe t writ to accustomed not was who one scribe, another by written probably et ih ha ecrld ih hl dpce i gold in depicted halo a with encircled head a with text simi on of Christ and possibly Christ of on colored larity with thirteenth century Dalmatian items written initems BeneventanthirteenthDalmatianwritten larity centurywith script, the nomine

strokes above strokes consecutive

and they differ from the traditional type: the upper part of the initial is not initialis ofthe part upper traditionalthe thetype:from anddiffer they

Blessing Christ accompany Christ Blessing - 16). 16). der forms for forms der ( “ cannot be cannot hr i a is there

noie (fig. 241) 241) (fig. a autem

3 an interlacing an - ” hpd in for sign shaped

petri ih hrzna ln oe i and i) over line horizontal a with

Emanuela Elba.“La decorazione codici..”,dei 135 that is typical for Dalmatian manuscripts. The scribe uses uses scribe The manuscripts. Dalmatian for typical is that

excluded that that excluded

frequent the Transfiguration of Lord. As the fragments reveal that fragmentsthat reveal As the Lord. Transfiguration of the omnia above 2 suprascript with pet as abbreviated is h wne lo i dpce i three in depicted is lion winged The the the - 20 on (fig. 240) 240) (fig. the 634 zoomorphicEvangelists. the symbols Beneventan of the

evangelistMark the

the

( pattern reveal dragoninstead of dog “ “ omia use

I ter. The representation of St. Mary Magdalen Magdalen Mary St. of representation The ter. rectoside. stylized folds of St. Mary Magdalen‟s dress in dress Magdalen‟sMary St. of folds stylized ” enim - andletters Confiteor Confiteor the the there were there of

” eitos of Depictions

that t that but

with a horizontal line above i). A i). above line horizontal a with nta of instead feasts of of feasts the

ventan

instead it is filled with stylized foliage itfoliage filledisinstead stylized with he illuminator also us also illuminator he onverso abbrev in Gothic script).

the free miniatures on the lost folios. lost the freeon miniatures - “I the heads heads unusualabbreviationswith

iation “aut” instead of “au” “au” of instead “aut” iation the containsMark: 16:14 - the initials” the Assumption of of Assumption -

the more usual “eni” with a a with “eni” usual more indicates an ef Cneti lns in lines Concentric leaf. “I homines ohr f God of Mother - initials” Parish office on Rab Rab on office Parish

(rectangular forms forms (rectangular - - 137 quarter position, position, quarter

ed influence

( .

and open the the open and “ fers from the from fers

hoies zoomorphic - the 16on the -

” Virgin Virgin of nother orans ing

letter letter the with with 198

the the an an in ,

CEU eTD Collection Istitutopoligrafico edellozecca stato, Libreria dello stato, 1994. Compareillustration in 637 Zagreb:Tuksar, Hrvatsko Muzikološko Društvo InternationalMusicological symposium Zagreb, in held Croatia, Septemberon 28 RadovimeĎunarodnos Musical Cultures mediteranskihglazbenih kultura in Liturgythe of morthernDalmatian region.”Richard Francis Gyug. “Innovation, Adaptation andPreservation: GenealogiesThe of Christ in the Analyzingthe fragment that contains the Genealogy of Matthew, Richard F.Gyug pointedhas out that “the order of clauses Luke 10: 38 Saturday).feastThe of Assumptionthe of Mary i MaundyThursday in Rabthe fragment on verso the sidethere immediately follows the andrubric the readingfor Holy fragments havequite u a 636 Budapest:Hungarian Academy of Sciences: 394:f K. 30r, f 72r 635 veryoftenby commissioned the in included regularly scenes the pictorialofelevent program of one was Hell of Harrowing the but manuscripts Dalmatian topic the present to order dynamism the avoided and Hell of Harrowing the of iconography complex of part and legs crossed his with black in depicted devil, a makes he hand right ( bars horizontal double with cross aholds mantle.He blue haloencircledwith a with of iconography Byzantine the evangelistary Trogir the in As datemanuscripts bothscholars to component Western and Beneventan century eleventh initials” traditional the employ evangelistaries both evangelistary: Trogir of program pictorial the of impression overall The inused Dalm squares intersected with initial the of part upper The (Johnfeast ofPentecost the 14:24). preservedfragments the

ThomasForrest Kelly. Itis alsoworth mentioning that faras as the liturgicalstructure concerned,is Trogirthe Evangelistarythe and Rab Oxford:Bodleian library,MS. Canon. Liturg. 277: 34r,35v, 59v,60 Rab evangelistary: e.g. the resurrection of Christ is represented in a reduced version of of version reduced a in represented is Christ of resurrection the e.g. evangelistary: Rab

Rabfragment corresponds tothe or

and smaller archaic initial archaic smaller and - 42instead of morethe usual Luke 1:41 atian manuscripts.atian

MedievalDalmatia,” in ,

g muzikološkogodrţanogskupa u Zagrebu, Hrvatska, 28.09. Exultet. Rotoliliturgici medioevodel meridionale nusualfeature The ExultetinSouthern Italy

gesture of blessing. Underneath his feet is the representation of the conquered conquered the of representation the is feet his Underneath blessing. of gesture on s

with an

n acas in archaism and

Anastasis / Rab. The decorative decorative The Rab. h and twelfth South Italian htwelfthExultetandSouth

Zagreband Croatian Lands aas Bridge between Central the Benedictines. I Benedictines. the inscribedcross

in the frame of the of frame the in , 635

the in common; in they lack theboth readingfor Good Friday (after the readingfor to the

Zagreb1094 der inthe Trogir Evangelistary,suggesting that the Trogir variant circulated in the s . Both . (fig. 242) Byzantine component is more pronounced in certain depictions of of depictions certain in pronounced more is component Byzantine , that is that ,

eleventhcentury. / Croatian / MusicologicalSociety, 35 1998: n both then Trogir Evangelistary and Rabthe fragments is accompanied by

evangelistaries display a characteristic mixture of Byzantine Byzantine of mixture characteristic a display evangelistaries

- , 50. , their -

1994: isin depicted .New York,Oxford: Oxford University 1996: press, 121 It is filledwith gold It the Harrowing of Hell. of Harrowing the

t is possible that the iconographyis from Italy possiblethe South t that came “

I cngah a iconography “ - Zagrebhrvatske i zemlje kaomost izmeĎusrednjoeuropskih i I the initial - . initial

Rab evangelistary can only be compared to to compared be only can evangelistary Rab resembles 636 ” his

” crux gemina crux on the smal the on v,61v, 62r,72v, 73v, 77v,83r, 85v, 91v,98r, a

. No scene No .

. . Eds.Giulia Orofino, frontalindressed position, body visible. The illuminator reduced illuminator The visible. body

637 wl as well s

- rolls written inand rollsscript Beneventanwritten eleventh century ornamental initials initials ornamental century eleventh leafdecorated and - October1,1994, urednik ed. Stanislav/

- 1.10. 1994.Proceedings / of the (fig. 243) 243) (fig. l fragment opens the reading for for reading the opens fragment l ) in his left hand, while with his his with while hand, lefthisin ) of

the ua dpcin ta le that depictions human - - Europeanand Mediterranean 55:45 neett hstee in theme this to inherent Anastasis

OronzoPecere. Roma: C .

hrist in ,

bluegreen and a is preserved in preserved is whose head is head whose red tunic and and tunic red the .

typical typical 199 the the “I a d - .

CEU eTD Collection 1914:Press, 44. 639 ArchiviodiStato, 1986: 199 codiciliturgici diPuglia BenedictVat. Lat.1202 (p.48v). Compare Giulia Orofino. “Gli Evangeliariinbeneventana diBisceglie eBitonto” in ofChapter:the Exultet III. Montecassino manu 638 formhalo.Theof Byza and lines thin with stylized wings, short raised 246) ofsymbol 94v fol. Mark, St. of symbol 60r, fol. (e.g. Evangelists the for symbols animal the especially initials, Calendar, the be to continued script Beneventan where Salerno near Cava of abbeyBenedictine famous the in preserved 1280) 19, (MS script Beneventanin written codex Rab the of impression archaic overall the to evangelistary Due evangelistaries. Dalmatian in used were Time ofandSaints inProper saintsthe illumination of fragments The display foldsandthat archaiccharacter an in depicted unfortunatelyare dam quite Baptist Johnthe St. whileGospel, they if as movement, in represented are Peter St. and Andrew St. Christ open. wide being impressionof leave the that eyesof treatment the andfigure Go of Mother the of representation The and script Beneventan in written connected fragments / manuscripts century twelfth / eleventh of decoration 638 onlyhas it that concluded and figure the legsof crossed the of fragments he In preserved. not are which manuscripts Dalmatian in used was it that and

SeeAveryElias Loew. Apulianproducts include Bitonto, Biblioteca Comunale. An Thus, the rare motif of motif rare the Thus, The animals are depicted inTheanimals three depicted are

givinga tla prle t te itra dcrto of decoration pictorial the to parallel Italian related to Benedictine related to circle St. Luke, fol. 145 symbol of St. John) resemble the initialsthe John)resemble St. ofsymbol fol. 145 Luke, St. the found in the in found , the late the

it isitcopiedit was Dalmatianalso possiblefrom that ancient an exemplar. the blessing is another exampleofanotheris blessing Trogir Evangelistary: elongated figures whose garments are modeled are garments whose figures elongated Evangelistary: Trogir a opl and Gospels tail entangling a leg and going through the back legs into the marginal space is very marginal into legvery isthe space legsbackthrough thea entangling going and tail the . . Eds.Gerardo Cioffari, Giuseppe DiBe eleventh century Apulian Evangelistary Apulian century eleventh The Beneventanscript - 232:219 a eaglsay are evangelistary Rab

evangelistaries. Apparently,evangelistaries.

aged, but but overallcharacters is the figureshumansimilaraged, representation to of the crossed legs of the devil of the Rab fragment ha fragment Rab the of devil the of legs crossed the

. the

the “I the is shown in a inshownis ue f t Bndc ad has and Benedict St. of Rule s - . quarter position, withquarter the - scriptsof initials” d

. Oxford:. Clarendon Press, 1999 (first published inOxford: At Clarendon - orans a totalofstylisabsenceGothic sucha the

with complicated iconographic themes in the Proper of of iconographicinProper the themes complicated with strict frontal position. strict reveals aube ore fr understanding for sources valuable EvangelistaryAcod. 45 eleventh centuryeleventh Lectionaryis containing the life of St. ntine features such as pearl ornaments around the the around ornaments pearl as such features ntine nedettoal.etBari: EdizioneLevante, Archivio S.Nicola, di rigid frontal hieratic posture. S frontalhieraticposture. rigid the the

used strong Byzantine features in the posture of the the of posture the in features Byzantine strong elaborated elaborated rgr vneitr is Evangelistary Trogir

a un , few Apulian and Montecassino parallels. Montecassino and Apulian few

Giulia Orofino has charted the motif of of motif the charted has Orofino Giulia til the fourteenth century. fourteenth the til ir

head

are stepping are a “I striking -

(fig. 245) The f The 245) (fig. in the in - s “fragment5” andTroia: ArchiveThe initials”

seen from seen tic features. tic

ly Trogir Evangelistary. Trogir (fig. 244) 244) (fig.

rhi apaac. Its appearance. archaic towards the text of the the of text the towards s with representation with td n illuminated on study r

direct parallels in the the in parallels direct a a t. Mary Magdalen, t. bird‟s perspective, bird‟sperspective, thirteenth century century thirteenth aces of the saints saints the of aces in

the system of of system the

The white stylized stylized white 639

It contains It enthroned enthroned I

(fig. (fig. s 200

of of

CEU eTD Collection o art 641 The Beneventanscript, 640 Benedicti new the with along century fourteenth earlyin the or Baptist Johnthe St. of church the ofconsecration Evangelistary Trogir the that possible is it context, this In message. practice conservative the and luxury be can of creation the that think testifiesit because solemn,more becomesarchaic more represents It isolation. or ignorance their by explained f traditional older, the on relied they that fact The Benedictines. the of conservatism architectur This it Benedictines into possessionthe cametheir church of again, arch pointed Gothic with arcades the with bell Matthew Benedictines. bythe in 1270 consecrated and forms Romanesque in built was Trogir in Baptist the John St. of church The style. Romanesque traditional represent where Franciscans Trogir in Baptist the John Saint of church the of case the mentioned He Benedictines. Trogir ago Long samethe conservatism shows it that concluded be might it Thus, manuscripts. century twelfth and eleventh for characteristic Cava from manuscript the Although Gothiccontains richlyinitia elaborated abbreviations. of system the in particularly script, the in visible also isdecoration pictorial the in visible archaismThe animals). the to similar towards entranceinthetowards

LjuboKaraman. Loew has fCroatia studied Zori ne"restoration" of the , the )Zagreb: Društvo historičara umjetnsti, 1963: 79, 80 noted Trogir Evangelistary animals (the end istr end (the animals Evangelistary Trogir at

only in the context of context the in only

Odjelovanju domaćesredine umjetnostiu hrvatskihkrajeva rain r hsoin jb Krmn rt about wrote Karaman Ljubo historian art Croatian hat the scribethehat used the beginning of of beginning the

xml fo te ae eid n sm evrnet testifies environment same and period same the from example 175. ed found

the a

h pooes f the of promoters the mature Romanesque mature style.

the church.the Trogir evangelistary with free miniatures as well as well as miniatures free with evangelistary Trogir 640

inDalma

the unlike However, the archaicform fourteenth century, it was given to the Franciscans, who built the the built who Franciscans, the to given wasit century, fourteenth the ls (fol. 183v). ls183v). (fol. tian examples. examples. tian was

on i the in found deliberate conservatism of of conservatism deliberate

rae in created “ ama s

. When, after the fall of the “tyrant” Matthew Zori, Zori, Matthew “tyrant” the of fall the after When, . the e Gti frs n Bndcie represent Benedictines and forms Gothic new ” At with horizontalstroke above

641 rgr vneitr represen Evangelistary Trogir

rgr n Rb evangelistar Rab and Trogir .

a the time of the civil war and the government of of government the and war civil the oftime the the to the long the to

- deliberate act of using ancient forms. What is What forms. ancient using of act deliberate partite as opposed to Trogir to opposed as partite

thirteenth century, it still retains features features retains still it century, thirteenth they elongated .( tradition of the Benedictine order. I I order. Benedictine the of tradition Theeffect of domestic environment inthe was the the

created either in 1270 for the the for 1270 in either created Dalmatian Benedictines. The The Benedictines. Dalmatian osraie rcie of practice conservative

the “ the m the the ” for ies t a choice and a a and choice a t evangelistary Rab to to , the codex also also codex the , bi anima orms cannot be be cannot orms - partite partite the deliberate deliberate the . A.E.Loew. tails of of tails 201 the the ed

CEU eTD Collection “i”,“f”,1 placesleft for initials, 99r “b”,“i”, 91v fol.“s”, 85r 646 645 644 Ediz 643 642 character. initialsTheinitialshuman with depictionszoomorphic and possess 4.4.1. andtext codexwastheobviously be to meant accompanied T scribesquaternions by written different aftermanuscriptit.workinghe stopped on assumptionthe is fols.68vscribeC69r and ThreeBeneventan scribeson worked forreading feastofJohnItSt.the Evangelist. the was initialinstances,suchfol.theexecuted, never 13v was aswhereon andcompleteand correspondencethe of text decora the illis t forms.stylizedfoliageinitialsAs thebeginning Oldthe theopenepistlesof readingsthe or Testament with pattern inclusionheadsfunctionoccasionalanimal of that as initialshumaninitialswithzoomorphicdepictions, and or initialsTheink, inEpistolary,brownofonly Trogir becan inexecuted divided Typesofand function decorated4.4.1. the initials 4.4. hroughout liturgicalmostthe year, the he codex isheincodex Gothicwritten sc

Fol.66r, fol. 67r, 69r,69v, 70r,70v, 71r, Fol 72 fol r, 73v,fol. 74v,fol. 75r,fol. 75v, fol. 76r,fol. 77r, fol. 77v ff67r, 66r, 69r, 69v,70r, 70v,71r, 72r, 73v,74v, 75r, 75v,76r, 77r,77v VirginiaBrown. Initials“R”, “L”, “P”, “Q” eachare used once inthe manuscript. fol.78v,fol. 79r, fo ” (16x) and “K” for “ forand(16x) ” “K” ioni Multigraf,ioni 2001: 175. T 1. Initials with human1.andInitialszoomorphic depictions with initials he Trogirhe Epistolary 04r verytiny 647 - “f”,“b”,fol. 86r - - “f”,104v, 105r “i”,92r

Zoomorphicnaturalisticinitials entangledinare and quite exuberant Tesoridella Croazia

that scribe Athat forwas responsible the - letters indicatingletters initialwhich “v”,92v l. 79v l. - “a”,99v - - - “m” is indicated,fol. 80v,fol. 81r “f”,105v “i”,fol. 87r Karissimi

- -

“e”,93r 78v.

- “i”,100r

643 - - ript ript “i”.

“f”,93v, . . Catalogueof exhibitionthe heldVenice in 2001, 9 Afterfol. empty65r, leftinitialfor spaces - ” (10x) as well as “H” for “ for asas(10x)“H”well” “i”,fol. 88r

- f the “i”, twice,100v rom fol. 78r until rom end the . However, . common

manuscript. Scribe manuscript. fols. A1r wrote 94r T - hereinitialsspacesleftarefor the - “g”,95r

“b”,“f”,fol. 88v

was to belater drawnin to was the letters areletters “F” “ for

- theyexecuted.never were by “i”,101v - “f”,fol. 95v -

“f”,f 81v

a spacea initials becauseemptyininitialsare leftthere thespaces illuminationitdisappears from since the tioncanbe

namentalinitialsconsist of that - “i”,“k”, 102r - “k”,89r - probably reserved for a luxuriousafor initial. probablyreserved “f”, fol. “f”, 82r, fol. 82v,fol. 83r, fol. 83v,fol. 84r Hecdicit -

“b”,

of the manuscript.ofthe an

“d”,96r studied - an a “f”,89v fratres ornament, ornament, distinctivelynon

empty spaceempty - ” (8x).” “i”,102v -

“f”,“i”, 96v - ” (44x), “I” for “ for“I” (44x), ” with no obstacles. no Insome with “i”,90r s -

space 645 th 65r, scribe65r, fols.65v B becomethe 642

June to in -

a “k”,“i”, 103 103v r,

The the following two the three categories:three pearlandornament - . . TheGothicof part foliageformswith “i”,“b”, 90v . - 646 4 sits th - “f”,97r

Epistolaryis

November.Venice: -

Beneventan next to nextthe to

an interlacingan rule In diebus In - “i”, 98v - 644 “i”,91r .

and - “h”, “h”,

- - 202

- two

CEU eTD Collection 649 648 initialsfill 647 28 handslegscrossed isHeandand in raiseddressedhead). inacharacter the fol. sametunic theshort as A figuremaleornament. figureismarginal letterplacedincompletely(withand the space climbsthe for Romans)the (fig.thirdPentecost.Sunday24 after initialThethird figurein humanfol.readingepistlea accompaniesthePaul with (the 52v ofthe St. to andpalms. rubricmightthebe r accordinglyrepresents scenethe likelyisSunday, itisimagefromthisfigureclimbing ofchild a tree that the probablymost initialofchild.Sinceforathat reading processionthe accompanies the Palmon isHestrugglingit. withwear raisedheheadornamentthegrabsas withandhands it both seems is heasthough climbing or in“tail”monster the dividedstructure inisstructurehalf withsame lineinwavya (the placed entangledinfoliage(offoundornament kind the a ininitials) with zoomorphic topped unusualanoval figureisincludeshumana on wascertainathere inis leftiffoot drawnerror drawing; thefoot. as it Theinitial wasright nextthe that illuminatorbetrayscouldwhoof humanhandthea the figurein motionrepresent convincingly, quite lection.ofistheHe in dressedwithhis piecetunicon ofa aclothAlthou left shoulder. lookingbeardedwithshownraisedhead,and a pointing up, his hand with beginning thetowards right Isaiah prophet marginalconnectionthe Its withspace. inrubricfigure theidentifying reading the andhelp the the as infirstSundaythefol. fullfigureAdvent2v.for“I”A letter isof standinginsubstitutingthe situated initialsofinFirsthierarchyinitialscodex. the withfigure the of humanf a reading theaccompanies initialsThehumantheinitials with depictions levelandsamebelong the zoomorphic to obviously top usuallyin character, fighumanfound missing.are ornament initialshumanThe depictions, thehand with on other tri

- v. He isbeardless,v.Hewithlargehair and short young a probably aman. and middleInhat the represents

Exodus15: 27,16:1 onlyThe two exceptions are partite ends partite usualfeaturesthe and such Beneventanofthe ornaments as Isaiah2:1 edin

that accompanies pictorialthat in morethiselaborate foliage Thereading a decoration. ornament 649 - 5

withinkand

648 . figure. (fig. 247) The

- elated to the text aswellelatedto text the becausefromtextmentions the sons the ofExodus Israel initial on fol.initialmale 16r). The figureisinon shownthree a

the stylizedthe a pearlornament.

“ I - initials ing hairtunic,he short a hasfigure short and face beardless ais so the

fol.Itis28v.(fig. initialrepresentsyouthful 248) “I” a an figurethat

” branches tree. ofThefeastindicatedthethe depiction to by related

withsnake motifs on fols. 34v and63r, ures ininmanuscriptswrittenures Beneventan script.

of a maninisofa skillfully drawn three

9) It is 9) It initial“F”foliagea withadorned a resembling the middleoftri a the interlacingpearl pattern or - - , quarter position quarter with a quarter position, quarter ishe the Entry into Jerusalem, into Entrythe

lack

the

Beneventantype of a Byzantine gh the figureghthe

- partite partite or or 203

CEU eTD Collection Monday 653 652 accessed2011,10.05. 6:56 p.m.) attributed London: Thames andHudson 651 650 week the accompany They initials. to addition In extremities. isanimalwithslightlywing one curved, visible(similar to the is(resemblingbird)to tail the attached isveryfol. 32r tailanimal,mostlywhichthe of isdepictedinanimal and also turned theentangled towards profile, text seriescontinueswith the the for dragonthe ends the frombodythe skillfullyof the (identification signaled dragon drawn monster The foundare elaboratemost The accompanySunday can,initials. however,previousbe initials concludedIt thehuman that withdepictions always Therelationshipinitial ofhumanthis with the depictions with fantasyartist‟shumor”.and Alexander,journey”“soul‟sjustJ. the mightaswell upward “a but be simply they product of the letterare trunk ofwidespreadthe in ele maywith mentionedhatimpious athe simplyin represent or text the Romans.Figures climbing the be meantcolored.drawingThe connectionwas to rubricwiththe text the blurred.or is grabsthat initial,istreatment aitof interestingtheisline letter that visible, figure‟s handbelowof the right the featureline,obviouslypresentinluxuriou a the foliagenaturalisticofwiththe ornament tri

fol.16r G.J. J. Alexander. Seeinitialthe “I” ofearly the centuryeleventh Pericope Book reproduced in Romans5:6 depictionofwings

horizontal“F”.monstersbar letter ofthe entangled inBoth are toNivardus of Milan, reproducedon

–

the stem of the letter. Thisstemletter.the may depictionthe ofsignalfigurethel that cameof the n folios 16r, 20rand folios major32v.Theynfeasts.16r, Sundaysand accompany the

type initialtypeopens with firstSunday after octave the ofEpiphany, the fol. 20r

unusual the monster initials, snake initials form a separate category within the zoomorphic zoomorphic the within category separate a form initials snake initials, monster the in

TheDecorate a foliagea or

s zoomorphicinitialscomp

( the lying ; the beast has beast heads;leftthe onethreethe ; , 1978: , plate 14 andalso initialthe “F” infol. inearly an centuryeleventh Ottonian manuscript “ firstSundayPalm Advent, of Sunday,

- 652 initial parallel to itscreate parallelbody)to shapedistorted theThe letter. to body ofthe of d letter

namentbitingwithAit.itsring astylized body own on dog,

resembles ”

- , , 66. i an day n fol. 20r, fol.beautifulmostnone 20r, of the - venth century initials.venthcentury impressiveinitial like structure of the lower part body.oflike ofthe bodythestructure Thethe of http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=1578

r eadings

- the dog the partite ends there isendstherewith samepartite theoval wavystructure a rised s initials in this codex (fols. 16r, 28v). As28v).ininitials fors16r, codex(fols. this the .

654 , of monster/sofsubstituting

ends

The snake The ina i n fol. 16r. fol.16r. n

the Sundaythe of Sexagesima, fol. 32v

651 foliage ornament. The monsterfoliage Theinitial ornament.

bitesits text istextless incertainlythenclear dragon depiction) and two frontdepiction) dragon two and

- Theymayin ofwords J. represent, the the t the initial J.J.G. Alexander. (fig. 250) A(fig. l 250) hirdPentecost).Sunday after byscales the

a own bodyown and thirdthe i in n fol. 34v represents the snake snake the represents 34v fol. n foliageThemonster ornament. initials in initialsmanuscript. The the

the foliage Thethe ornament. for the form of the lettersformthe the of 653 etter

over his over body and TheDecorated letter

ast and that the ast 650 “F”formedis

Thefigure - ,

Easter substitutes head

(last the

i two n 204 .

CEU eTD Collection 26rfol. 23v dominicaquinta post octavam epiphanie, fol. 19r epiphanie,f 17v dominicaquarta de adventu,f 10v 656 quarta quattuor temporum 37r domini,fol. 39v 40v fol. pasche,fol. 39r 10r 655 SundayPentecostfrom ( 654 Ascension and Easter Nativity, Time; of Proper the aroun initials “K” and “H” of grouping a discern to possible is It qu of repertory a on reliesinitials “K” and “H” of creation the while heads) animalornamental ornament, of elements typical from conceived type the in variants two are There 4.4.1. luxuriousinitialsmost illumination of system from the which manuscript, differ inthe initialstheselack readings accompany alwaysinitials initials.Snake monster is function their and Sundaysaccompany show has initials zoomorphic the as well humanas depictions with initials the of position ofthe The analyses marginalspace. animal 251) with snake and ink with filled is inbetween snakeThe ornament. space empty The letter. the of ornament foliage the with b (signaled

itefoliagenaturalistic253)forms. 252, (figs. f f4r fol.34v - - -

K K F 1r -

The snake initial The snake n - - - dominicacapitis quadragesime, fo 3.Ornamentalgeometric and initials - F - H sabato(after Easter),fol. 49r inprimo gallorum cantu, f 10r F

- htte mr impor mark they that turns K - - dominicaprima deadventu, f 1r dominicatercia de quadragesime,fol. 27r vigilia nativitatis,fol. 8v

- -

dominica tercia (afterEaster) fol. 41r Thursdaythe in Easter week, 47v fol. y the stylized scales on its body) turned in the opposite direction opposite the in turned body) its on scales stylized the y a scale a

- towards the text. Both initials are placed in the lower part of the page and page the of part lower the in placed are initialsBoth text. the towards - -

K K F -

do - -

dominicaprima (after Easter), dominicase the minica posttercia octavam epiphanie, f 18r - covered

- quattuortempor distinct Beneventan anddistinct character

initial,

i inweremanuscript ofBeneventanthe type. n fol. 63 r is almost identical to the initial identicalthe almost to is fol.r 63 n

cunda(after Easter),fol. 48v - body with raised pointed ears, pointed raised with body F i - at points tant n fol. 47v is one of the most ski most the of one is 47v fol. n H -

in die in nativitatis,f 14r -

- - feriaquinta (after Easter) H i n nocte nativitatis,f 9r

l 24v l - ) - in die in nativitatis,fol. 14v F s -

the the dominicasecunda deadventu, f 2r f raetl ntas “” ntas ad I initials “I” and initials” “F” initials: ornamental of - F - - sabatotemporum,quatuor fol. 25v form Beneventan - in F

K analogous analogous - -

dominicainseptuagesima, fol. 22r

WednesdayAscension, after fol. 63r F - the liturgical year: initials with human depictions always always depictions human with initials year: liturgical the

- dominicaquarta (after Easter), fol. 44r dominica detercia quadragesime, fol. 28r

- F

- - octavanativitatis, fol. 17r -

K feriaquarta to the zoomorphic initials, namely the category of of category the namely initials,zoomorphic the to - I,fol. 49v -

F -

655 - comprise in in nocte nativitatis,9r - dominicaquarta post octavam epiphanie, fol. 18v H .

repertory in epip in during the during “ is F - llfully drawn initials in the manuscript; a a manuscript; the in initials drawn llfully - ” H ent H,fol. 62v - inthe - initials feria quintaferia (afterEaster), fol. 62v

haniadomini, fol. 38v i the most luxuriousmost initials the category of - d the readings for the major feasts of of feasts major the for readings the d n fol. 34v, except that the headth of the that except 34v, fol. n angled in the foliage ornament. (fig. (fig. ornament. foliage the in angled

F - dominica detercia adventu, f 4v -

( Evangelistary of 1259 of Evangelistary F week As sta As week an interlacing ornament interlacing an 656 - - - dominicasecunda dequadragesime, F H - - F the in numerous most the ,

dominicainquinquagesima, fol. - - H -

dominicasecunda post octava Wednesdayafter feriaquarta quattuor tempor,fol.

- to -

K in in primogallorum cantu, f

the text and interwoven and text the - -

F dominica postascensione - dominica depassione, ted in the beginning, beginning, inthe ted - K

dominicaoctava extend the

, where the the where , are mostly mostly are sixte - H - ,

- F into the the into

a a feria - enth - F pearl pearl pearl pearl - 205 e

CEU eTD Collection 657 dominicatercia dominicasextadecima post octavam pentecostem, f 3v quartadecimapost octavam pentecostem, fol. 62r duodecimapost octavam pentecostem,Fol.60r dominicaoctava post octavam pentecostem, fol. 58r 56rfol. octavampent,fol. 54v 50v Easter),fol. 41r 29v fol. 221) 220, typological Epistolary the of 36v Epistolarythetypologically They repertory. Beneventan of out composed initials those and stem vertical and straight re Beneventan for reading the (accompanies 36v and Easter) after to ofEvangelistary t feastof the after Sunday placedis It evangelistaries. century Dalmatianeleventh interlacing that initial same an themselves repeat neverletters these motifs, year. liturgical the throughout Sundays are they because manuscript of page opening the display sometimes connect appearance, in austere rather and elongated manuscript,

K. its - F a

- 394, sabatoquatuor tempor,fol. 52r anywhere lack of lack - - pearl ornament. They represent a mixture of Beneventan of mixture a represent They ornament. pearl F F

- geometric - them to the practice the to them dominicaseptima post octavam pentecostem, fol. 57r dominicapalmarum, fol. 30r Horarium

s has a has atr) p pattern) . 657

- K color ctangular type of initials. (figs. 255, 256) 256) 255, (figs. initials. of type ctangular

- dominicaquarta (after Easter),fol. 42r They differ in their function slightly when compared with compared when slightly function their in differ They

in the whole manuscript. As for the for As manuscript. whole the in 1259 and the different and more modest impression of the Epistolary “I Epistolary the impressionof modest more and different the and 1259 rectangular form (divided in (divided form rectangular ,Hungarian Academy of Sciences, f(two 10r “P”‟s)

a - form but a structur a but form . Two Two . F

constant feature in the manuscript and they accompany the readings for all the the all for readings the accompany they and manuscript the in feature constant - dominicaquinta postoctavam pentecostem, fol. 55v laced the the

he Ascension. (fig. Ascension. he “I Trogir Epistolary is the same feature we find in eleventh century Zadar Zadar century eleventh in find we feature same the is Epistolary Trogir

- resembles

n vria se, tpcl eeetn nta o te id on in found kind the of initial Beneventan typical a stem, vertical a on are again analogous to the to analogous again are initials” of eleventh century scriptoria. The connecting of connecting The scriptoria. century eleventh of - F - - F dominicaprima post o ly - cenadomini, fol

resembles placed e of e

the the - F - - F dominica tredecimapost octavam pentecostem, fol. 61r

H - “ an - dominicaquinquadecima post octavam pentecostem, fol. 62v owever, despite the “worn out” repertory of Beneventan Beneventan of repertory out” “worn the despite owever, I F -

i - 254) 254) initial n fols. 34r (accompanies the reading for reading the (accompanies 34r fols. n - dominicaundecima post octavam pentecostem,fol. 59r interlacing to F

d it is impossible to find two letters findtwo to impossible is it d - - the

feriaquarta, 15v F . 32r . panels: one is empty and other two two other and empty is one panels: - vigilia ascensionis,fol. 49r It is actually very similar to this type of initial ininitial of typethis to similar very actuallyis It ”

“

ctavampentecostem, fol. 54r - - interlacing I i F F n fol. 124r of the Evangelistary the of fol. 124r n - the - “ - nta” n o. 107v fol. in initial” dominicasancte pasche,fol. 40v

dominicaseptima pos ” initials I” Evangelistary of 1259 of Evangelistary i

n fol. 45v and accompanies the reading for the the for reading the accompanies and 45vfol. n pattern and the empty space is filled with ink ink with filled is space empty the and pattern Friday after Easter) are later variants of the the of variants later are Easter) after Friday The upper rectangular part is actually not not actually is part rectangular upper The .

- F

- dominicainfra octava epiphanie, fol. 53r - atr bt fud n h tra the in found both pattern F geometric - in dominicasexta post octavam pentecostem,

the manuscript, there is only one one only is there manuscript, the - t octavam t pentecostem, fol. 57v feriaquinta (after Easter)

f h Evangelistary. the of

- rectangular initials put on on put initials rectangular

the : the initial the : - dominicaquarta post the nsa features unusual “K” and “K” - K same two initials on on initials two same

that are that - . The . dominica tercia (after are

- the F - - filled w filled initial” is due due isinitial” i do

n fol. 34v of of 34v fol. n initial -

H initials “H” Wednesday Wednesday minica F completely - - dominica - F I,fol. ditional ditional -

i ith n fol. fol. n (figs, (figs, - F that that 206 - - the F an -

CEU eTD Collection ascensiodomini 659 distinguishedfrom the foliage ornament. 658 Benedictinethe context. wasc actually artist traditionthebecause that argue to try will I pages following with case the inscriptBeneventan written Dalmatianexemplars ancient from of copying the departure of are Epistolary Trogir the inluxurious initialsmost the that fact The the reveal however, difference, The manuscripts. miniatures, similaritythe of illumination the of system the compare of bright of initials zoomorphic and depictions as function same the substantiala that change Epistolary of illumination the of system the If readingsSundayon weekand initials Ornamental b lection troped the accompany “L” accompanies and “R” manuscript. the in once only four are There pattern Beneventan typical a represents actually Epistolary, the of initials Initial“I”

In casethe of snake the 4v f TrogirEpistolary exhibit -

Epistolary is less isEpistolary - colored 658 strong Byzantine component Byzantine strong R -

h bgnig f h tro the of beginning the filledinkwithand i n fol. 12r that accompanies the feast of St. Stephen, although close to zoomorphictheStephen, snake St. althoughaccompaniesto feastofclose that fol. the 12r n the Sunday after ChristmasSunday“P”the andAscension.after feastof thethe .

Beneventan initials Beneventan the other

- vneitr o 1259 of Evangelistary initials in

ntasta eogt h es uuiu iiil i h manuscript the in initials luxurious less the to belong that initials the

the Epistolary function as a constant feature of the manuscript and accompany accompany and manuscript the of feature constant a as function Epistolary the

markedly took place took mayseen be i

Gothic calligra Gothic n folsn 34v,47v and 63r, bodythe snake of the is alwayscovered withscales and a a -

days throughout the daysliturgicathroughout e lcin f 12v f lection, ped pearlornament. Westerncharacter.

Beneventan and less programmatic inthe programmatic less andBeneventan in . Ornamental initialsOrnamental . of s

the

while initials with human depictions and zoomorphic and depictions human with initials while a i n the factthat initialsnBeneventaninnumerous mostthe the both are lies in lies distinct opying twelfth century non century twelfth opying pic initials in initials pic Evangelistary of 1259 of Evangelistary

hs os o rpeet a represent not does this and the Epis the

- Q the fact that free miniatures free that fact the

ly is compared is the the -

dominica infra nativitatis, infra dominica non Trogir evangelistary with free miniatures. In the the In miniatures. free with evangelistary Trogir tolary with tolary - Beneventan character have the same function as as function same the have character Beneventan the Evangelistary of 1259 of Evangelistary the a lyear. predominantly Beneventan character predominantlycharacter Beneventan to to . This means that the pictor the that means This . the Evangelistary of 1259, it 1259, of Evangelistary the the the

- Beneventan manuscripts related to manuscriptsBeneventanrelated luxurious Evangelistary with free free with Evangelistary luxurious

nta made initial departure from the Benedictine Benedictine the from departure a

o. 5v fol. non

659 in the in way initials are used are initials way - Beneventan type Beneventan -

fr Christmas, efore rpd lection troped . Initials with human human with Initials . Trogir Evangelistary Evangelistary Trogir rm an from

. They . as was clearly clearly as was

ial program program ial

interlacing

ini o. 42v fol. turns out out turns signals a signals

t appear appear . If we we If . ials of of ials serve “ 207 Q” Q” - P - -

CEU eTD Collection 661 660 the painting. that miniature in opinion spread wide Elba‟s is initial support not do I codices. f two climbing because climbinginfluenceof figures typethis Venetiansignifies a resemblance oftwo the links naked) is manuscript Venetian figure climbing the of iconography the However, connection. real no display Legendary Venetian the and Epistolary Trogir the in initials the IX (Cod.lat. Venice, the of 52v fol. inMarc Biblioteca the inLegendary the ofvolume third in the letter 143r fol.in initial an Epistolaryand the climbing figure the to parallel a on based influence Venetian proposed influenced codex a 151, gr. Barb. Vat. art Norman three the to visualparallel interesting an from influences exhibit found has Norman.She as hasdescribed Elba labeled Romanesque, havegenerally I Thus,forms.what dragons and snakes rep Beneventan traditional assimilation of Dalmatia replacedthe and to transmitedfromApulia elegant with initials zoomorphic recentl has Elba Emmanuela maysimilarwea intentionthat supposeexisted during reasonably creationEpistolary. the Trogir ofthe deco pictorial The decoration? therefore, and executionsupervised its miniaturesprogrammatic,obviously freewas evangelistarywith the in difference such exhibit Evangelistary, Trogir the complement liturgically to intended probably was which Epistolary, the that then it is Why inwritten non the with compared script Beneventan in written cloth their in in and types facial their in both Western, unmistakably are element Byzantine oflack complete their of because script Beneventan in written f animal and human full with initials The theDalmatian on context visualThe parallels4.4.2. ofnon tas although itials,

J. J. G.J. J. Alexander. EmanuelaElba.“La decorazione dei codici…”, 137 - Beneventan script. script. Beneventan a TheDecorated letter

eea Rmnsu rproy f for of repertory Romanesque general - manuscripts century eleventh Dalmatian in exists animals fantastic of repertory 28 (2798)). (2798)). 28

, y argued that the initials in the Epistolary with exuberant plant forms and and forms plant exuberant with Epistolary the in initials the that argued y

(e.g. K. 394 of Zadar origin), fantastic animals can mor can fantasticanimals origin), Zadar of 394 K. (e.g.

660

- Beneventan initials in the Trogirinitials Beneventanthe special in stressEpistolarywith

. London: . Thames andHudson As for stylistic features and the treatment of the body of the letter, the of body the oftreatment the andfeatures stylisticfor As - wearing a large hat (with the difference that the figure in the the in figure the that difference the (with hat large a wearing

headed beast in fol. 32v of the Epistolary in thirteenth century century thirteenth inEpistolary the of 32v fol.in beast headed by Norman art. Apart from the influence of Normans, she she Normans, of influence the from Apart art. Norman by 661 igures represent an exception in Dalmatian manuscripts manuscripts Dalmatian in exception an represent igures - 139, tav.15 a

However, Elba‟s proposal that Norman art exerted an exerted art Norman that proposal Elba‟s However, - d, tav.16 a ms, found in stone plastic and manuscripts manuscripts and plastic stone in found ms, , , 1978:66. - b .

ing A fr h zoomorphic the for As . ration in the Trogir Trogir the in ration s . The h The e convincingly be be convincingly e uman figures figures uman ertory of of ertory iana in iana igure igure 208

CEU eTD Collection Normanliturgical practice. See Richard Gyug. “FromBeneventan toGothic…”, 301, 40.note dedicationof church a revealfeatures of eleventhZadar century illumination although their text shows influencethe of 666 293 Virginia to Brown on occ the toGothic: Continuity andChange insouthern Italian Liturgical Ceremonies” in Hrvatsko Musicologicalsymposium inheldZagreb, Croatia, on September 28 s kultura Dalmatia” in RichardF.Gyug. “Innovation, Adaptation andPreservation: GenealogiesThe of C (Biblioteca“Centrodel per collegamentoil degli studi medievali eumanistici nell‟UniversitadiPerugia”, 3),409 Foundation ottobre1985) Twelfthand ThirteenthCenturies.” Toronto,1983. (soon tobe published as abook). Richard F. Gyug.“Tropes Prosulas and inDalmatian Sources of the 665 century),Neap. 664 descriptionof the Convegnsulla Preistoria 663 1991:457 documentarianel M decorazione dei manoscrittipugliesi inbeneventana dellaBiblioteca Nazionale diNapoli” in 662 in. evident the text are these if even influences Norman reveal not do script Beneventan in written manuscripts Dalmatian manuscript) t ofthe fragmentarystate the of becauseincomplete Dalmatia in practice liturgical on influence Norman was there that convincingly manuscripts century eleventh/twelfth late few a in only found is script Beneventan in written manuscripts Apulian of illumination the on influence Norman the that shown thi late ais which Epistolary with Trogir lessthe evident Staatsbiblipothek. Berlin the in preserved Missale Kotor M the of study her in thesis her demonstrated convincingly She well. as century twelfth the in continued century, eleventh inthe evident Dalmatia, and Apuliainteraction between the that argues she practice), written manuscripts Apulian via or Apulia from Dalmatia in arrived that books liturgical Norman from through came influence the that proposes she clearwhether not isDalmatia (it to influence Norman ofmediation explainthe not does ElbaAlthough deservesCroatian but scholarship special atten in upon touched been never has that topic a is This interesting. extremely is Italy South via influence

meĎunarodnog muzikološkogodrţanogskupa Zagrebu,u Hrvatska,28.09.

artirology of St. Mary of Pulsano and its illumination which she compares to the twelfth century century twelfth the to compares she which illumination its and Pulsano of Mary St. of artirology Illuminatedfragments kept in Franciscanthe monastery in Dubrovnik (MS 52310/230/7,8) cont RichardF MS.Neap. AAVI 3 (the lastdecades ofeleventh the century), MSNeap. VIII B 5second (the ofhalf twelfththe EmanuelaElba. For influencethe of Normanonart Apulian manuscriptswritten Beneventan in script see Giulia Orofino. - 310.

Zagreb andCroatian Lands aas Bridge between Central Furtheron Richard Francis Gyug. “FromBeneventan toGothic…”. MuzikološkoDruštvoCroatian / Musicological Society, 1998 : 35 - 488.Further on Giulia Orofino. “La decorazione dei manoscritti pugliesi..” ,acura diClaudio Leonardi ed EnricoMenesto, Spol rancis Zagreb1094 - Perugia(2 VIII13C (the twelfth century) Giulia Orofino. “La decorazione dei manoscritti pugliesi..”: 457 compared to the Trogir Epistolary. Although Richard F. Gyug‟s liturgical studies indicate indicate studiesliturgical Gyug‟sF. RichardAlthough Epistolary. Trogir the to compared MS.lat. fol. 920

” G ezzogiornolongobardo DallaPuglia allaDalmazia: sulnote Martirologi yug. 666 - - ProtostoriaeStoria dellaDaunia. 5settembre 1987) organizzati dal

- An EditionofLeningrad, B. N.,A. F. no.200: The Lectionary and Pontifical ofKotor. 1994, asion ofher 65th Birthday

Zagrebihrvatske zemlje kaomost izmeĎu srednjoeuropskih imediteranskih glazbenih

held inBerlinheld the State Library seecatalog In

Latr adizionedei tropi liturgici .Atti Convegnodel internazionale distudi. Eds. G.Vitolo andF. Mottola. Cava, ,eds. F. CoulsonT. andA.A. Grotans, Turnhout:Brepols, 2008: tion. Ed. ArmandoEd. Gravina. San Severo, 2007:169 CorpusTroporum 662

in Beneventan script but influenced by Norman Norman by influenced but script Beneventan in

eto,italianoCentro distudi sull‟alto medioevo, 1990

- Europeanand Mediterranean Musical Cultures rteenth century manuscript. Giulia Orofino has has Giulia manuscript. Orofino century rteenth - o di S. Maria S. o di diPulsano (XII secolo)”. delAtti 27o October1,1994, uredio ed. Stanislav/ Tuksar, Zagreb: 663 .deiAtti convegni sui tropi liturgici Parigi (15

In my opinion, however, the parallels are are parallels the however, opinion, my In - - 55.Richard Francis Gyug. “From Beneventan 1.10.

hat the twelfth century illuminations in illuminationstwelfth thecentury hat

ue. sottol‟egida dell‟ Classicaet Beneventana: presentedEssays 665

1994./Proceedings of Internationalthe hrist in Liturgythe of Medieval , there is also evidence (although (although evidence also is there , .

664

n nn fteecn be can these of none and Scritturaeproduzione

EuropeanScience aining - 181. ordo “La

For a detailed forthe - 488. Diss. - 438.

Radovi -

209

CEU eTD Collection Jugoslavenskaakademija znanostiumjetnosti, i 1952 topographical,paleographical, diplomatic andchronological studies; li analizaPetar Skok.(The cartulary Peter;of ed. St. Viktor Noval, alsothe authorof introductory archeological, historical, arheološkim, historijsko 668 27. 2: preparedandenlarged by Brown.Virginia 2 vols. manuscriptthe see Elias Avery Loew. outa detailed study ofmanus the requireadifferent context from the manuscriptswritten inBeneventan script.However, I Ihopethat will be able tocarry 667 letter “I” ofthe visiblebehind nakedchildashaft partlythe represents C) Evangelistaryofthe625 (MS are parallels three with initials the to Tre the in Evangelistary century initials the to havefoundparallel a I script. Beneventan inCarolineboth andPeter near written Omiš, monasterySt. Benedictine of cartulary of the in Library Széchényi Budapest National the in preserved 329 Lat. Cod. the in script Caroline the accompany initials Beneventan Dubrovnik, in monastery Dominican the in kept Benedict St. of Rule the in found be mayinitial interlacing ABeneventan typical script. inCaroline manuscripts written in found be may initials Beneventan that show that examples are there manuscripts, century eleventh/twelfth Among consultedwerebecause they non for script Caroline in written manuscripts probably most and initials Beneventan of repertory the for script Beneventan in written con probably the illuminator The random. that been have believe cannot initials of choice I miniatures, free with Evangelistary Trogir the complement liturgically to created the that suggests Trogir production, th of its illuminator century in thirteenth used where decorated exemplars ancient richly that the shows which of Evangelistary repertory decorative the with comparison The Apulia.across mayinfluenceTheybewell as be illuminationcame byinfluencedpracticesNorman that EpistolaryformsBeneventan inwere Trogir the cannot it Epistolary, Trogir the of illumination the on influence mycomparativeisconfirm In proper materialno in opinion,as there to Dalmatia propo this

For facsimilethe of manuscriptsthe and accompanyingstudy see Thiscodex has notbee

668

667

ht lo otis aog te txs te Rule the texts, other among contains, also that “I - initials” e Trogir Epistolary also copied old exemplars. As the Epistolary was most probably probably most was Epistolary the As exemplars. old copied also Epistolary Trogir e - topografskim, paleografskim,diploma n dealtwith n in thisdissertation because writtenis it inCaroline script and itsanalysis would

with human de human with - lobe

criptinfuturethe and hopefullyshow originateditthat inZadar. For bibliographythe of were in some way related into Benedictinewaythe were some related tradition.

The BeneventanThe script. History A of Souththe ItalianMinuscule oig forms foliage a sury of Split cathedral (MS 625 C), already mentioned in relation in mentionedalready C), 625 (MS cathedral Split of sury - eeetn ntas n yoiin hs non these opinion, my In initials. Beneventan inthe pictions SussidiEruditi33, 34.Rome: Edizioni diStoria eLetteratura, 1980. vol.

Trogir Epostolary in the initials inof the Epostolary Trogir .

d by non byd in i n fols. 6v and 7r. 7r. and 6v fols. n

the Trogir evangelistary with free miniatures. These These miniatures. free with evangelistary Trogir the tičkim i hronološkimstudijama Viktor Novak ; lingvistička - Beneventan manuscriptsfromBeneventan Dalmatia. Supetarskikartular ng uistic

f t Bndc ad h tefh century twelfth the and Benedict St. of

analysesbySkok) Zagreb: Petar (figs. 257, 258) 258) 257, (figs.

ttd ih etit ta non that certainty with stated ; uredio ; i popratio uvodnim sulted some old manuscripts manuscripts old some sulted the late eleventhlate -

The initialThe Beneventan codices codices Beneventan .2 edition nd sed Norman i n fol. 6v fol. n / twelfth twelfth /

ship 210

CEU eTD Collection cathedral).Split: Muzeji grada Splita, 1972:153 codices Zagreb,April Jugoslaviji 670 669 Ston,Croatia, 04. * does cathedral. the of Treasury the in anfront opinions between connection the spotted first who Pecarski Telebaković thirteenth late master. same the of work the probably most are back Domini codex s The codices silverThe4.4.3. cover silver richlywhichcovers, decorated were consulted Epistolary the link The the depictions human with initials decorated The Epistolary. dif substantially are creatures other and lizards rabbits, of portraits e.g. Evangelistary forms foliage them. relation the and hair curly Epistolary Trogir in depictions human three all enough a movementlacksplasticitythe ofand it hugging and

I presentedhave apaper on this topic

ua depiction human A descriptionA ofsilver coversthe of BrankaTelebaković Pecarski possibleartistmodelsthefor of

not yet not ilver covers of the Trogir Epistolary with Epistolary Trogir the of covers ilver

A s A (figs. 259, 260) 260) 259, (figs. maybe

* d a d on

between later

(Miniaturepainting Y in imilar comparison can be made with the initial the with made be can comparison imilar

- depiction ofdepiction the front and the Virgin with a child flanked with archangels Gabriel and Michael and Gabriel archangels with flanked child a with Virgin the and front the June1964,Zagreb: Museum of Arts and Crafts,1964: 283,284, cat. 6, 8, nos. plate14. Descriptions of Split

exi found in Dešafound in Diana,Nada Gogala

in the text. the in - on in found . The initial The . 07.10. 2005. date the of because century st in Croatian scholarship Croatian in st

the Trogir Epistolary and Epistolary Trogir the i n fol. 54r. The zoomorphic initials of the Evangelistary, however, with realistic realistic with however, Evangelistary, the of initials zoomorphic The 54r. fol. n i fl 2v f h Epistolary, the of 28v fol. n and s of the Trogir Epistolary in comparisonTrogir in the silverthe with Epistolary sof covers Split ofthe the the the the 669

Myidea

ship the Beneventanskiskriptoriji Crucifixion on the back adorn backadorn theCrucifixion on . Th . accompanies the reading for the feast of feast the for reading the accompanies Evangelistary, amongst other non other amongst Evangelistary, rgr psoay a b cmae wt sm dcrtd initials decorated some with compared be can Epistolary Trogir

ugoslavia). silver covers of of covers silver

e th e between the body of the letter and the figure itself is what what is itself figure the and letter the of body the between

at the Trogirthe (figs. 263, 264) 264) 263, (figs. s wills be explored further here.

theconference DaniCvita Fiskovića (Days of Cvito Fisković) Orebići the ird the set of set TrogirEpistolary. The c The - 154.Further on Deša Diana, NadaGogala, Sofija Matijević. century thirteenth initialwith

. O . Epistolaryand

,Sofija Matijević. probably atalogueofexhibition the held in the nly brief descriptions have appeared in four catalogues. four in appeared have descriptions brief nly hn the when silver covers covers silver the the Split Evange Split , a 156

A detailed study o study detailed A depiction of Pentecost on the front and back of the the of back and front the on Pentecost of depiction

Split Evangel Split

fg 248) (fig. executed by master.executed samethe - 157 the

(figs. 261, 262) 262) 261, (figs. rgr Epistolary Trogir

show are Splitevangelistary was published in i Riznicasplitske katedrale. n fol. 7r of the Evangelistary. the of 7r fol. n the previously m previouslythe in

with a with

listary and the possibility that the artist of of artist the that possibility the and listary

the Evangelistary, thus Evangelistary, the - o‟ ha loig up looking head boy‟s Beneventan codices Beneventan istary with the with istary the

depic n looking upwards looking n f two covers and I will refer to her her to refer will I and covers two

ferent from the repertory of the the of repertory the from ferent the covers of these three codices codices three these of covers the

the They can They tion of tion the

Holy In Holy a created was entioned Split Sacramentary SplitentionedSacramentary Museumof andArtsCrafts in Maiestas Domini Maiestas ir (Thetreasury ofSplit the

not

depiction of depiction nocents. Although it it Although nocents. ,

is attested attested is be earlier than earlier be , ) with with )

wards represent one of of one represent . It was Branka Branka was It . Minijatura u The e The Riznica

its - (curiously (curiously Korčula Maiestas xuberant xuberant connects by stylized on on the the on in

their their

211 - the the the the 670

CEU eTD Collection exhibition inheldVenice 2001,9 basedelevenththe on 674 673 Hrvatskoj photographoffront the of Evangelistary labeled as 672 Evangeliarium Evangeliarum Sacramentary),Sl.93 671 exhibition,ed. Biserka Rauter Plančić (Zagreb: Galerija Klovićevi 2006:dvori, 210 threecoverssilver in haverecently apublishedshort catalogue entry forsilver the coversofSacramentary the (MS624 where D) I and Crafts1987: 73 Romaničkoslikarstvo u Hrvatskoj splitskekatedrale. of illuminators the that proposes She apostles. the of benches as identical is inscriptions the of letters the of withinapproximately charactersmore far Epistolarydepicted that and similar stres She thirteenthcentury). of (end Epistolary the of those than older somewhat are Evangelistary the freeevangelistaryminiatures.TheEpistolaryofsilver the with covers accordingl it dates she and manuscripts Pecarsk Telebaković Branka mythenanalyses.offer own and views Pecarski‟s summarizeTelebaković willbriefly I master. same the of work the Epistolaryare of agree model the on based I was Sacramentary Split the Evangel that implies Reynolds Roger Sacramentary Evangelistary Croatia. in art Romanesque published incorrect by t Unfortunately do not do

AlthoughRoger Reynolds onlybriefly describes sil the IgorFisković. pageOn 74 Sl.92 is tid of third first

with Branka Telebaković Pecarski that the silver covers of the Split Evangelistary and Evangelistary Split the of covers silver the that Pecarski Telebaković Brankawith - The photographsThe offront the andback of Evangelistarythe labeledare istary.

(Romanesquepainting inCroatia) ses the fact that the stylistic features of the figures, their facial types and garments are very very are garments and types facial their figures, the of features stylistic the that fact the ses upr h pno htteEaglsaydts from dates Evangelistary the that opinion the support . The . , Sl. , 94 photograph the of fronttheof Sacramentarythe withdepictionthe of ,

.Deša Diana, NadaGogala, Sofija

thereis aphotograph offront the of Sacramentarythe labeled Evangelistary andon page 75 explanations in the guide the in explanations

674 o the to Romaničkoslikarstvo u Hrvatskoj o the to

he photographs of two silver covers in the Treasury of Split cathedral are accompanied accompanied are cathedral Split of Treasury the in covers silver two of photographs he (The treasurySplit ofcathedral). the A sh same mistake was repeated when they were reproduced in the catalogue dedicated to dedicated catalogue the in reproduced were they when repeated was mistake same -

76.Further on Igor Fisković.

n minor any Prvih stoljećapet hrvatske - - or twelfth the the t

he he photographof backthe ofSacramentary the with scenethe of Crucifixionthe is labeled

hrenh century. thirteenth wlt centur twelfth hrenh century thirteenth

- centuryEvangelistary Roger of Split. Reynolds.E. th

(Romanesquepainting in Croatia)Catalogue ofexhibition the inheldMuseum for Arts i considered the Trogir Epistolary Epistolary Trogir the considered i

June differences can be explained by the fact that the silver covers of the the of covers silver the that fact the by explained be can differences 672 to to

- eoe 1230 before 4 n hs catalogue this In th

November.Venice: Ediz . ad h sle cvr o te rgr psoay and Epistolary Trogir the of covers silver the and y

book to book 673 umjetnost( Matijević. Romaničkoslikarstvo u She . a

(Romanesquepainting in Croatia),73 n h ms rcn dsrpin f h Slt Sacramentary, Split the of description recent most the In Missal - 1240, which in her opinion was the date of the Trogir Trogir the of date the was opinion her in which 1240,

the Treasury of the c the of Treasury the are vercovers ofcodex, the also he mentions that theywereprobably leaves the possibility that the silver covers of the the of covers silver the that possibility the leaves

The f The (that is Riznicasplitske katedrale. ort description ort of threeall silver covers is in IgorFisković.

the ornaments on the throne of the Virgin and the the and Virgin the of throne the on ornaments the ,

irst five irst centurieso Igor Fisković dated the silver covers of the the of covers silver the dated Fisković Igor , , a ioni Multigraf,ioni 2001: 165.

Sacramentary)Fisković.Igor

Hrvatskoj same to be to the the Missaleromanum cover

- the oldest of the preserved Trogir Trogir preserved the of oldest the twelfth century and I I and century twelfth Trogir Epistolary were the same same the were Epistolary Trogir

athedral 213 Tesoridella Croazia fCroatian art).Catalogue of the (Romanesquepainting inCroatia). I (Thetreasury Split ofcathedral) the the .

dimensions. The morphology The dimensions. - 76 MaiestasDomini twelfth / beginning of beginning / twelfth .

671

y, cannot be oldery,cannot than hr hywr first were they where

Romaničkoslikarstvo u (thatis .Catalogue of the , , a ,

there is a is labeled compared the very much much very the the the Trogir Trogir Split Split Split

212 the

CEU eTD Collection 677 676 Sokol,Olga Perić.Split HistoriaSalonitana: a historyfirst of the priestsof Salona andSplit). 675 side left the states: right are Spirit Holy word by word pictorial follows and iconography Byzantine typical upon based is side back the on depiction The Phillipbeardless). represented andThomas for forehead Matthias), forehead large with head “bulb” of type the h apostles The dove ( shoulder left their on sits Spirit Holy the of dove the and heads abovetheir depicted are (apostles movement in interc depicted rows, three in apostles shows cover front The Spirit. connected are Epistolary the of cover front and back The the script of Beneventan creation in the written codices to century inherent thirteenth context similar the that argue to try will I and Pecarski Telebaković was hasshow codex ofthe codicologicalpaleographicalevaluation because recent and corrected the hypothes of series a on formed Aristodi is it because and Matthew to covers silver the of attribution Telebaković‟s Branka to Sheth proposes incodex the byHeretics) the venerated (especiallyJohn Evangelist the feastofSt. the finds also She water. baptismwith of refusal heretical the in mentioned Zadar, of citizens archdeacon. the Thomas, of chronicle and Apulia from Zorobabel of sons Aristodius, and Matthew who artists

execute it laterexecutebecauseit importance itsof BrankaTelebaković Toma ArhiĎakon.Historia Salonitana : povijest salonitanskih isplitskih prosvećenika. VUL2Acts 2:1 silvercoversof

rae in created sits hangeably

on the the c Spiritus sanctus in apostolos in sanctus Spiritus ). reated

, ave distinctive portrait features visible in the shapes of shapes the in visible features portrait distinctive ave

h s The ir the description of the Coming of the Holy Spirit from the Scripture the from Spirit Holy the of Coming the of description the and styles beard different at codexthe at shown as as shown

stepping to the right the to stepping the the

right shoulder right

these

Peca :Knjiţevni krug, 2003: fol. 71v. h sle cvr o bt cdcs n se dniis them identifies she and codices both of covers silver the ae thirte late eated apostles are in closed space, indicated by the doors in the middle that that middle the in doors the by indicated space, closed in are apostles eated rski,Beneventanski skriptoriji, 156 codices

a curved lines in the upper part of the depiction the of part upper the in lines curved tonsure for Bartholomew) and pronounced youthful appearance (James and and (James youthfulappearance pronounced andBartholomew) for tonsure was not actually not was

nh etr. wl ad eti tig ta wr nt etoe by mentioned not were that things certain add will I century. enth s ). ). .

675 and to the left) the to and

She connected the choice of the to the of choice the connected She

(the r (the ,

unusual but actually but manageddo never to e finished and the artist leftinitial finishedthis artist the and s

executed but but emains of possibly same inscription same possibly of emains

no firm argument firm no artls hi r (hair hairstyles - . An . 198. an in a Byzantine manner of Paul, Andrew and and Andrew Paul, of manner Byzantine a in from

Facsimile. argument in the fact that the initial following following initial the that fact the in argument inscription with their names in capitals runs runs capitals in names their with inscription to

Trogir can be applied to t to applied be can Trogir the same topic same the EdsRadoslav Katičić, Mirjana M s aised . Her proposed date needs to be be to needs date proposed Her . their their while (Thomas Archdeacon.the pic, the Pentecost the pic, p away up for head , the , so

. John and Matthew, the the Matthew, Johnand s the as 676 the description on the the on description the

s unfinished, intending unfinished, us is hard to accept accept to hard is us

descent of the Holy Holy the of descent

(slight variations in variations (slight 677 upright from the the from upright may be found on on found be may . The rays of the of rays The . was never made never was

heretical artists artists heretical he creation of of creation he , atijević

with the the with n that it that 213 the the ly, .

CEU eTD Collection let the morphologyof the Pecarski,Telebaković the the when only (omitted like Evangelistary two o folds the to identical are arm left his cover andshoulder right with thos to identical is feet Christ‟s of position and treatment The figures. stylized carefully middle nose elongated are features facial is, that th of cover resemblance The whether or replaced then and damaged were apostles the of figures original the concludewhether to impossible posit quarter inthree depicted are Matthiasbelow situated leftside the on apostlesadded while two Paul‟sgesture), ( hand left hisin book a holding andhand right his with blessingof gesture a making c the of side right the on Simon, St. below apostle added The figures. bodyandunconvincing postures b same have all They a figures missing are Philip and Judas Jacob, represented left the to turned head their with apostles (the disposition portrait the but head, inscriptions abovetheir no are There left. the on and right the on set are apostles five of groups and composition the of top the Thes outside crowd the represent very untalented artist untalented very ut eeat n ti cre lns ht inl h bgnig f h nc. s already As neck. the of beginning the signal that lines curved thin and elegant quite a its ot di most cene is explained by the inscriptionby the explainedis cene

letter letter St. Peter and Peter Paul St.

rendered by rendered but but

complicated knot of folds of knot complicated the codexthe e Trogir Evangelistary Trogir e

in ion with raised hands ( hands raised with ion iutd eit situated “ tntv faue ihrn t al h caatr o characters the all to inherent features stinctive

covers ” h sm way same the using

betwe s ht inl h ed f h gret n te beginni the and garment the of end the signal that using rendered wasnever

, some ,

road faces, executed in short, broken lines, broken short, in executed faces, road n ln ad n sot line, short one and long one ,

depicted depicted her to very left or to the very right right very the to or left very to her dense parallel carves and there are there and carves parallel dense possibly in the same period same the in possibly en on

in the same manner, same inthe

h ramn f figures of treatment the of the of the Epistolary the

wondering how it is that is it how wondering finished. n h bc sd o te oe) wih indicates which codex), the of side back the on crudely persons have long beard long have persons sitting are most clear when the characters facing to the front are compared, compared, are front the to facing characters the when clear most are

“marks” of this artist this of “marks” in from

imitation of the gestures of of gestures the of imitation

drawn hands that attempt to imitate attempt gestures to theoriginal ofthehands that drawn between his knees. The folds of the mantle that start that mantle thefolds of knees.The his between Hii qui locuntur galilei sunt locunturgalilei qui Hii

the back of the codex. They codex. the of back the cover features of the apostles as well as the logic of their spatial spatial their logic of the as well as apostles offeaturesthe ters in the inscriptions on two cover two inscriptionson inthe ters the and Christ in Majesty Christ and , arches of the eyebrows are connected with a rather rather a withconnected are eyebrows the ofarches

the on or a bit later judging by their overall appearance. appearance. overall their by judging later bit a or

Galilean people can speak different languages. different speak can people Galilean

, the Trogir Epistolary Trogir the

eyes are big and the pupils are never in the the in never are pupils the and big are eyes s are

or stylized embroidery on the garment) and garment) the on embroidery stylized or or or a

the side few locks of hair on the forehead of the the of forehead the on hair of locks few right on the front side of the codex are codex the of side front the on right n

thick and deeply carved lines shaped shaped lines carved deeply and thick the mantle of St. Peter. However, the the However, Peter. St. ofmantle the n with f h eye, the of

the . Peter and Paul are represented at at represented andare Paul Peter . the Trogir Epistolary and Split Split and Epistolary Trogir the g f kn area skin of ng on e of St. Paul as Paul St. of e stylized curly hair and beard and hair curly stylized pslso h etsd) t is It side). left the on apostles have been have odex

the Evangelistary the ,

is represented frontally, frontally, represented is the cover

htte dep the that beard replaced by clumsy clumsy by replaced s is identical as as identicalis s in and th and below imitation of St. St. imitation of is his is s

and hair are are hair and

ose on the the on ose cover s

ictions of of ictions

noted

the neck neck the from garment garment . The The . 214

are are his by s - ,

CEU eTD Collection University1970:Press, 160 681 meridionale NewOxford: York, Oxford University press,1996: 8 Diocesano, Exultetof S BibliotecaCasanatense, Cas.724 (B13)I 3, 680 predvorju refektorija”(The discovery frescoof a Fani and Ţupan, reveals studyon the restoration processo foundationof Dubrovnikthe Franciscan monastery), propos depictionof blessing.An archangel 679 Appiano, 678 Monte century eleventh in appear Virgin the of notare enclosed but busts, in medallions. and connected art Byzantine byinfluenced Museum, century twelfth the of half second the from Psalter the of miniature a In medallions. the in figures standing full as represented are rolls Exultet in found those as well as painting monumental common time firsthalf fourteenthcentury the of artists Byzantine in by veryisadored archangels motifof The the for codex the ofback the on archangelsby flankedthe child a withVirgin enthroned character Epistolary Trogir the Evang has and Virgin Evangelistary).Theofbust the of throne the Epistolary), the

London,Brit. Mus.,Psalter, MS Egerton1139. Compare Otto Demus. Par It represents the Palatinechapel of Palermo,1160, Monreale and Ceffalucathedral from the the

an c o aoain while adoration, of act es robi onmns n h bnh hr S. ee ad t Pu ae etd ( seated are Paul St. and Peter St. where bench the on ornaments rhomboid dense is:Bibliotheque Nationale, Nouv. Acq.Lat. 710, h cdx oe ws executed. was cover codex the al toal date to it elistary were, in my opinion, executed in approximately in executed opinion, my in were, elistary irolderappearance. almost identical face to the apostle James o James apostle the to faceidentical almost ae wlt/hrenh century. twelfth/thirteenth late 1200.

in twelfth/ thirteenth century Italian illuminated Exultet rolls Exultet illuminated Italian century thirteenth in twelfth/

.Eds. Giulia Orofino, Oron Crs i Mjsy urudd y h symbol the by surrounded Majesty in (Christ the

the other archangel. frescoThe has enthroned , motifof the aswell as archangelsby flanked Virgin

the firstthe ofhalf has recently has ,

alerno provenance,alerno twelfth/thirteenth century.Thomas Forrest Kelly. dressed in a . It is the topic itself, one that required that one itself, topic the is It .

frescotechnique - 161,Fig. 176 Virginwith

an n on a common thefresco by the

rich garmentrich the angel been discovered in discovered been

h sil the zoPecere. Roma: Istituto poligrafico ezecca dello stato, Libreria dello stato, 1994.

fourteenthcentury beenhas made by FiskovićIgor t (since 679 .

her

usedby , which means that the motif was not uncommon in Dalmatia at the uncommonmotif not inwhich at Dalmatia themeans , that was – the

678 head inclinedhead to inindecorationbyart influencedthe Byzantine of Italychurches the e cvr o te oe te ae eitd s ut ad e in set and busts as depicted are they codex the of covers ver h e The

not Exultet ofExultet Benevento provenance, twelfthcentury, Salerno: Museo

, at 681

fec pitn wt ti motif this with painting fresco A stands symbol ofsymbol

the entrancethe tothe refectory). Byzantineartists. Ana Poţar Piplica, Fani Ţupan. yetbeen analyzeddetail in from the art historicalpoint of view, butthe

conservatorsat the - adate Archangelsindepictedasbusts medallions set 9.Compare illustrations in trnd ign ih cid drd y ange by adored child a with Virgin nthroned the the the by Exultetof Fondi provenance, first ofhalf twelfth century, Rome:

generallysupportedby Croatianscholars and acceptedhere.

her her leftside. frescoThe partiallyis pres the n

inscri wards

the Epistolary the C the to

Dubrovnik Franciscan monastery and monastery Franciscan Dubrovnik assino manuscripts containing the Rule of St. St. of Rule the containing manuscripts assino

Crusader art, the adoring angels ar angels adoring the Crusaderart, evangelist Matthew

e cos f h hl o Jss ( Jesus of halo the of cross bed Jesuswho sitis s of the evangelists on the front and the the and front the on evangelists the of s

CroatianInstitute for Rest

Byzantine Artand Westthe the Evangelistary the

the the

late twelfthcentury,

cover Exultet.Rotoli liturgicidel medioevo same period as the silver covers of of covers silver the as period same Dubrovnik the 680 s

inlap her and makesgesture a of . However, the angels from the However, angels the . . enthron The s The , on

1(2009): 183 TheExultet inSouthern Italy rsmby xctd by executed presumably

ilver covers of of covers ilver to have a have to the Evangelistarythe ed Virgin with a child child a Virginwith ed or

his ishis the dateof the cover the ation,A ervedandthus lacks .New NewYork: York

“Otkrivenioslik u held Chapelof Castel ) is responsible isresponsible ) - 196

na Poţar na Piplica more hieratic hieratic more in the British British the in e depicted as as depicted e on . the is

s is ls the each side eachside the dated dated Trogir Trogir cover cover Split Split Split Split also also 215 The the . to

CEU eTD Collection ofprovenance,Fondi first ofhalf centurytwelfth his mother‟sface MuseoDiocesano, 684 West 683 teobaldiani,Roma 2000: 20, 411. layersof flankedby two archangelsset inmedallions. depictionsThe have 682 restrain emotionally are they Crucifixionthe impression The century. the of turn the has Christ in treated Sacramentarythe of covers the date to inclined am I motif. same the include that Sacramentary the of covers silver the Maj in Christ of depiction The manuscriptilluminated manuscript illuminated icons, painting, (monumental these o covers silver the with comparison the as century thirteenth This rolls Exultet twelfth/thirteenthcentury and Virgin ges the ( icons the of one painting century showing Jesus motifssubordinated me They t 442. Cass. Cod. Benedict, ocoettplgclprlesaetitet etr ios otpoal md i Constantinople in made probably most icons century thirteenth are parallels typological closest wo

Rome:Biblioteca Casanatense, Cas. 724 (B13)I 3, The icons are p.On 160 dallions. . New . Yo

speaks examples confirm that the choice of topic choiceof the that confirmexamples eit h Vri o a hoe with throne a on Virgin the depict tures of her hands are similar to to similar are hands her of tures color

the of 683 they are they the rk: New rk: UniversityYork 1970:Press, 212 .Compare in to the to

the the xbrn lna mne characteristic manner linear exuberant

held effect of monumental appearance and grandeur, a style that appears in Byzantine art at at art Byzantine in appears that style a grandeur, and appearance monumental of effect who the n oh cn te ealos r salr hn h hl o te ign n clearly and Virgin the of halo the then smaller are medallions the icons both In on Christ of the Evangelistary are represented frontally as in twelfth century miniature century twelfth in as frontally represented are Evangelistary the of Christ the s Cod.Cass. 442there is ascene of offering where

to the to the employing this motif. However, the flow of flowof the However, motif. this employing

inWashington D.C. inturn leaningis backthe Exultetof Salerno provenance, twelfth/thirteenth century archaic tendencies tendencies archaic bond, emotional

. The . wide open open wide Virgin seated on a curved throne), the way she puts her feet on the pedestal and and pedestal the on feet her puts she way the throne), curved a on seated Virgin s Gi

). ). lateearlytwelfth foldbecauseor century thethirteenth

uliaOrofino, I codici decorati dell‟ArchivioMontecassino. di II, 2.I codici preteobaldiani e throne is more richly elaborated and the Virgin and the elaborated morerichly is throne

682

cover ed

eyes of Christ of eyes

However, the Virg the However, esty on the front the on esty

and and correspond to the “older type of Crucifixion”: Mary has Mary Crucifixion”: of type “older the to correspond and

her her head towards him.Paris:Bibliotheque Nationale, Nouv. Acq.Lat. 710, Exultet

differs from thirteenth century depictions depictions fromcentury differsthirteenth

contributes to to contributes at the at something that will becom will that something found in found 684

. the

NationalGallery Compareof Art. Otto Demus.

and twelfth ce twelfth and h Christ the ,

Virgin with the

the depiction since it was probably executed in executed probably was it since depiction the 217,figs. 237, 238. was cover Exultetof Benevento provenance, twelfthcentury, Salerno: in is represented standing and without without and standing represented is in the their on

firmly linked either with eitherlinkedfirmly

archaic impression of the depiction. The scene of of scene The depiction. the impressionof archaic f the of child

of the Evangelistary was probably influenced by influenced probably was Evangelistary the of a s

the silver covers of the Evangelistary. the of covers silver the pupil ) or or ) ntury monumental frescomonumentalntury rather the

and s to monkCauso kneel yai Cmein style Comnenian dynamic crude

the set in the middle the in set

n e h Bndcie otx (xle rolls, (Exultet context Benedictine the

lne b bss f rhnes e in set archangels of busts by flanked characteristic for thirteenth/fourteenth thirteenth/fourteenth for characteristic the Trogir Epistolary has show has Epistolary Trogir the

folds on the garment of the Virgin the of garment the on folds . In Paris . Exultet Jesus appearancedue tocorruptionthe of tilts

of John and Mary, because because Mary,Johnand of s befores

practices in practices her head while looking at lookingat while head her sof

of their eyes their of ByzantineArtand the s

and mosaicpainting and Christ‟s

the Virginthe rests The . the

Byzantine art art Byzantine

his cheekhis onto garment are garment whois child. T child.

her her gives gives figure of of figure Both the the n hands hands All .

216 late late the the the he in s, . .

CEU eTD Collection Museum in of andArtsCrafts, April eighteenthcentury products. Compare consideredPecarski outerthe frames of Epistolarythe the as ofwork seventeenth century somewhat leftbetween flowersandsquare decorative filledforms with 687 secoliVIII Universitadegli studi diCassino, 1989: 145, fig. 13. secolodel XI nell‟ArchiviodellaBadia.” “Considerazionisulla produzione miniaturistica altomedievaleMonteCassino a attraversoalcuni manoscritticonservati and placing his legson the terrestrial globe,surrounded by th “ 686 (Lexiconof iconography, liturgics andsymbolism of Western Christianity). Zagreb: Kršćanska sadašnjost, 1990:500. 685 th late contemporary a for was same fact themaster forthat theoffer context In order covers.to possible a silver its commission the of to applied also was context this presumethat I inTrogir, codices preserved archaic, appear to designed was Epistolary the As Evangelistary. Split created who master samethe believethat I out similarityofthe covers period silver these between connection a was there Apparently notionhesupports the that consulted probability all in had moti Western distinctively on depended expression artistic whose Latin the as andGreek not was He art. Byzantine Split and Trogir between traveled who artist talented of covers silver the executed who master The in Christ of type Majesty this where painting miniature Benedictine by influenced was rainbow a on seated Byzanti to related is angelsby adored throne a Virginon the of depiction Asthe 66:1). (Isaiah, terrestrialglobe the representingcurve smaller the on feet hiswith vault celestialthe of rainbow the on seated Universe the show to not decided he apparently but Sacramentary is It emphasizing makes John and prayer in raised O

” The outerThe frames of In Cod.Cas. 175, BrankoFučić. Entryon theme the - initial oninitial 3page there is a representationof Christ, the ofRuler Universe seated on the rainbowof very likely very s after after s ne art but also to alsoto but art ne hadbeen more recent - X,Roma 1994: 27, XXII tav.

variousmotifs .Catalogue ofexhibition. the Eds.S.Adacher. Orofino.Giulia Montecassino: Abbazia diMontecassino,

hisas role their marginal frames were replaced. The need to replace the outer frames probably gre probably frames outer thereplace to need The replaced. were frames marginal their

that the artist of the silver covers of covers silver the of artist the that

a employed since the firstemployedhalf sincethe of

Monte anddiffer in the the in

.They may silvercovers of the technique used inmedievaltechniquethe period. used MiscellaneaCassinese a

C the witness.

assino manuscript fs used irteenth century manuscript related to the Benedictine context, that is that context, Benedictine the to related manuscript century irteenth Benedictine context, there is a possibility that the choice of the Christ type type Christ the choiceof the that possibility ais there Benedictine context, (Christ inMajesty (Christ

their -

June1964 Zagreb: in p.284 (cat. no.8), plate14. ofCrucifixionin Leksikon ikonografije, liturgike isimbolike zapadnog kršćanstva

Minijatura u Jugoslaviji olderprototypes. date tothedate the the 685 . treatmentbeing densely filledwith dynamic foliage

the

sign of blessing with one hand and holds a book holdsa andhand one with blessing signof twelfth/thirteenth century silver covers of the Split Sac Split the of covers silver century twelfth/thirteenth Bothandfrontthe backthe

Splitcodices were a rhomboidornament(o

LateRenaissance /Early Baroque period. outerThe frames appear rendered

47(1983):131 the Giulia Orofino.I codici decorati dell‟Archivio inscriptions, probably made by his hand his by made probably inscriptions, Trogir Epistolary was responsible for the creation of the for responsible Epistolary was Trogir the the surrounded by the evangelists) display. evangelists) bythe surrounded

inCapuanthe period (first ofhalf the esymbols ofevangelists. four Compare Giulia Orofino. Trogir Epistolary and and Epistolary Trogir

the (MiniatureYougoslavia) in Catalogue ofexh the te made - nthcentury. 185.

Split Evangelistary consulted the covers of of covers the consulted Evangelistary Split enthroned

bysame the masterandcomprise foliage ornaments, L’eta’dell’a nly 687 in the in

covers 686

ht appeared that Evangelistary)withsome empty space C

bateDesiderio. Maniscritti Cassinesi hrist, but rather the Ruler of the the of Ruler the rather but hrist, of the codex are finelycodexare the of gilded.

the like craftsmen Split Evangelistary was was Evangelistary Split ornament.Branka Telebaković the

te th other producing tenthcentury)

diMontecassino. I. I even in much later later much in even and claspsthe as the in , as well as well as , irteenth century century irteenth The fact that he he that fact The

his other hand, hand, other his celestialvault

silver covers covers silver , i ramentary ramentary ibition held nside nside the

some some , the , 217 the the the w

CEU eTD Collection 691 232:232 GerardoCioffari, Giuseppe DiBenedetto etB al. 690 689 688 fifteenth late two of names the because century belonge certainly codex the that thinks He codex. the of origin the of place the as Dalmatia or Italy southern to point codex the in used notation musical of script are codices these Sacramentary. that assume may we and representations pictorial men from1400 cathedral inventoryofthe The itthatcouldextent supply cathedrals. an such to acquisition) (or production book in active was Apulia century twelfth in order Benedictine does parallel Amando city, the goods of bishop the and Pietro Trinity, St. of monastery Benedictine the of andcathedralsthe monasteryStephen.patronsthe were oftheSt. of the with e cathedral the andchapter relationship This week. Easter after Monday the on Chapter the of canons the all for lunch prepare to obliged were Stephen St. of monks the that testifies document century twelfth A libraries. script Beneventan with along not is it opinion, my century. Stephen St. of monastery the was Split in monastery important most abou not has Kečkemet Writing Benedictines. the to belonged Evangelistary Beneventan discussed already As isthat Epistolaryand

DešaDiana, NadaGogala, Sofija Matijević. CompareGiulia Orofino. “Gli Evangeliariinbeneventana di Bisceglie eBitonto” in IvanOstojić. DuškoKečkemet. “Romaničke minijature Splitu”u (Romanesque miniatures inSplit). Peristil 8 , ( , Aog te objects other Among . the , . a

688

Caroline script written by a scribe who was trained to write in Beneventan) and Beneventan)in write to trained was who scribe a by written script Caroline

SplitEvangelistary, I He do He

manuscript, Metropolitanski kap not 691 an

es As for the Split Sacramentary, Roger Reynolds has recently show recently has Reynolds Roger Sacramentary, Split the for As , eleventh contribute ed

an interesting example from Trani in Apuliainfrominteresting Traniexample an

not

that the only depiction of depiction only the that , an

h non the

imply that the Evangelistary belonged to the monastery of St. Stephen, but, in but, Stephen, St. of monastery the to belonged Evangelistary the that imply

unlikely solution since Caroline script was used in Benedictine monasteries monasteries Benedictine in used was script Caroline since solution unlikely

osby y vneitr itself Evangelistary by possibly - ven le ven twelfth century manuscript, preserved in the Treasury of the Split cathedral, cathedral, Split the of Treasury preservedin the manuscript, century twelfth mor

the bishop received an Evangelistary with silver covers. Although this this Although covers. silver with Evangelistary an received bishop the tol utol Splitu - while eeetn initials Beneventan wouldchose a information e d some Croatian scholars to conclude that the canons of the cathedral cathedral the of canons theconclude that to scholars Croatian some d 690

h bos rte i Crln scri Caroline in written books the Riznica splitskeRiznica katedrale.

ari:Edizione Levante, Archivio S.Nicola, di Archivio Stato, di 1986:199 (Metropolitan ChapterinSplit). Zagreb: Kršćanska sadašnjost, 1975:34, 35

the possiblethe Benedictine c tions

a on -

century canons of the cathedral the of canons century 689 saint in the Evangelistary is St. Stephen and that the the that and Stephen St. is Evangelistary the in saint

the the RegardingBenedictineofrelationship thethe order in d to the Treasury of the Cathedral since fifteenth fifteenth since Cathedral the of Treasury the to d

Evangelistary and Missal with silver covers and and covers silver Missalwith andEvangelistary Split Evangelistary, it serves to show that the the that show to serves it Evangelistary, Split the Epistolary Epistolary the Bsds i i qie possible quite is it Besides, . (The treasurySplit ofcathedral):38 the te miniatures the t

should sub pinis sub

be mebe were ontext. I codiciliturgici diPuglia the the t were pt

ntioned. In 1182, the prior prior the ntioned. In1182, nlecd y oe non some by influenced

Split Evangelistary and and Evangelistary Split founded in founded , in

- Georgius de Muralis Muralis de Georgius

9(1957): 125 a the codex, Duško Duško codex, the n at f monastic of part

that the type of of type the that the exchanged , the Bari type type Bari - . .Eds.

141:133. eleventh that the the that 218 - -

CEU eTD Collection Venice2001, 9 692 useduntiland evenfifteenththirteenth/fourteenth inthe centuries Dubrovnik. is typicallyIt bysupportedlongDalmatian. lifealso continued be the Beneventan of the that script to illuminations.andscript Thisin labe conservatismbecentury thirteenth cantherefore the similaritiesaboveall andchoiceconservatism the pronouncedliturgical to of applies whichbook, the Inperiod.that thirteenththec illuminationinin Dubrovnik itdiffers fromscript, eleventhillumination centuryearly Split almostanythingand know we about known problematicThistask. wasfragmentaryof becausethe state preservedmaterial.ofAlthough the lot is a However, definitionthe beDalmatianvariant ofthe complex ofaillumination proved to rather and show BenedictineDubrovnik thefor or to manusccontext Benedictinemorepossiblethein about suggest inworkshop DalmatianBenedictineZadar, workshop displayedThe BenedictineDalmatian context facetslearn differentin and attemptsto towns different decorationBeneventanaccompanyingthe script. manuscripts inofcontext writtendefine in Beneventan to script andDalmatiaof Dalmatianvariant the Benedictinesc I CONCLUSION5 samecodices belong thatcultural to context, onlynot codices between link the Since inliturgical genre same the of codexthe fromand dating inscript Beneventan written codex, boundthe with v) inserted two contains SacramentarySplit the that writ to accustomed scribe a th Grosso Caput de Rogerius and

began e Sacramentary belonged as well to the Benedictines is strengthened by the fact that it was written by itwas written that fact bythe strengthenedis Benedictinesthe to well belongedas Sacramentary e

RogerReynolds.

about Zadarlate illuminationeleventhmanuscriptsabout to inrelatedcentury written Beneventan my research was th

June r written in southern Italy or Dalmatia, the placing of ninth century Beneventan fragm ninthBeneventan century of placingthe Dalmatia, or in Italy southern written ipt” lies intheir lies An e An - S 4 . With inpursuedlight . mind goalmoreI the this of onshedding Benedictine the th

with the statement inwithmy statement mindthe ofback the

ntryon November.Venice: EdizioniMultigraf, 164 the

the ing

thirteenth century Trogir codices and codices Trogir century thirteenth silver cover silver

entury, however, Trogir manuscriptshowever,entury,Trogir fragmentsand displayRab

Sacramentaryof Split a

, in Beneventan, a typical Benedictine script. It is also worth mentioning worth also is It script. Benedictine typical a Beneventan, in

twelfth century codex, in my opinion fits my opinion in codex, century twelfth are written after a series of benedictions. of series a after written are s but also in the decorated initials indecorated the also but s isa perhaps,

folios of an old Sacramentary (on fols. 217 r 217 fols. (on Sacramentary old an folios of Tesoridella Croazia.

- ripts ininterestingproduced ripts Trogir results. Benedictine one. 166:165 “ t . isBeneventan he script prima

the

Catalogueofexhibition the held in the Split eleventh / twelfth century century twelfth / eleventh Split , I am assuming am I , the early ninth century. Whether Whether ninth century. early 692

Benedictine context Benedictine Thus, the

possibility that that possibility led as that all these all these that - rily v, 220r v,

well a ents ents 219

- .

CEU eTD Collection initialinsynthesis with verticalstem onlysubstantialtypological Theco Zadarworkshop.the reach to started Zadarapproximately that eleventhlate intime becomebyhadandat century dominant inmid executed the i dominantinitialtypeyet innotof was works the havelower I concluded the that background dark and composedare Apulianinterlacing patternsproductionofthat initialsinandnumerousK. 394 manuscriptpresentin initials allare areof sectionsthe that typical of smallthe ornamental f mostly foliageandpatternsforms stylized asass well initialsnumerousare 277 Canon.inearlier theMS. Liturg. Theanalysesfrequencofthe andinin kept394) one BodleianOxford, library277)theCanon. Liturg. (MS. manuscriptscentury origin, foundof oneinZadar in Budapest AcademyHungarian Sciencesthe (K.of inmostly Mywascomparison thetheory supported inmanuscriptsApulianmiddle the eleventh the of century. eleventhlonglifetheyincentury insteadworkshopaenjoyed Zadar theof being viapromptlyacquired conservative also andoncecertain acqthat wereprototypes to illumination started possibilitythinkthein about work in late Zadarelevenththat the was century founda bygathered scholarsconcerning affiliationofDalmatianinthe but Apulian andend theproduction, I expectedatnot my beginning deepentheinformationwas of actually I research. tryingto already illuminationfromfromTheItaly.analysesresults the o Zadareleventhon manuscriptsfragments,centuryandfocused the on motifstransmission inof thirteenthinrevisedcentury I fromresults Dalmatia, research label Havingcorrect most conservatismestablished asB forthe nitials inboth nitials rom

the firsthalf the eleventhcentury of mparison on Cassinese prototypes fromCassineseon halfprototypes second the of

great numbergreatin fromilluminatedmanuscriptsofprototypes Cassino.I have Therefore, Monte s

and K.394

of the initialsthe inof a dle of the eleventhofitinfluencescentury.theIndle suggests my Apuliafromthat opinion, rectangular upper part in rectangularpart upper

initialsquiteinare similar used277,Canon. to MS. Liturg. mostthose that the motifsof and a

human buhuman MS. Canon. MS. Liturg.277 difference ymanuscriptsincertain initials typesmostof of thetwo showed thethat

bird heads with hooked and longbirdheadshooked beakswith numberinitialofoftypethis in

the two late eleventhmanuscripts two the centuryalso revealedZadar st (found in(foundin provincialst a vari Dalmatia rather that display featuresconservativethat

betweenthem was

K.394 mall initialsornamentalout hop at the time Oxford manuscriptat timehop theThe was created. Oxford resembleinitialsfrom of the initials in two veryinitials inlateofthe eleventh two similar . Theintroduction . of fmaterialIZadarhadthatthe traits exhibited the tenth century (Cod. Cass.century tenth402) andthe (Cod. the fromuiredCassinoin Monte tenth/early the ornamentalinitialscomp , deco , use

eneventan script and illuminationand eneventanin script the MS. Canon. Liturg. 277 shows277 Canon. MS. thisLiturg. that

of geometric initialsofofgeometric composed rated withrated .

(Cod. Casin. (Cod. 759)

the linedinkin red the BariBenedictional roll a Beneventangeometric

pearl on ornament ant sincein ant 1081, rised of interlacingofrised . Theyrely . . Apart from. Apart initials that the that a 220

CEU eTD Collection Vekenega‟sChrysogonus.evangelistary)represents distinctivemark a Zadarofof workshop theSt. In Thespecific ofpeacock type prototypessuchas initials.T inexecutedCass. firsthalf552) the of resemblefromfrominitials Capuanearlythe Exultet the eleventh century hand). the including277 Canon.in MS. Liturg. Ihave Furthermore, infoundunusual, archaictraits t Cassinoits Monte or dependences. manuscripts) withbust) humana inmanuscripts written employs scriptBeneventan that “Iuse ofthe the aevangelistary century tenth ofmanuscriptpossible to Capuan origin probablyin Dalmatia.T influencesApuliafromnot were Vekenega‟s evangelistarywas created. that intypethis of for part a upper triangular upp the suchheads,ashuman knots decorative page evangelistarythey hanuniform ev fromevangelistariesandBitontoBisceglie Bari. , ofmanuscriptZadar origin, evangelistary and itsZadarworkshop Apulian growing affiliation to production. evangelistary Osor‟s DalmatiamayApuliaand s angelistary reveals the that the latteris the angelistarywhichrevealsthat the ofearlier andate can “headin profile” . They .

Geometric initialsGeometricmatonella”,“ainnumberwhich in found are great er rectangular er andexamplefor part display anomalies certainsubstitution as of the he insertionhebirdofmoheadthe

contain variouscontain he Monte dling of the geometricofthe dling “I

appearedat t (Oxford: Bodelianlibr (Oxford: ir

similaritywith itialinwell was establishedZad the

have the intitalsinthe the C andfactgeometricthe that ) represents, in myrepresents, ) opinion, assino decorative elementdecorative many

heinsame time one , the featurestypologicalillumination, someofresemblance in of Osor‟s elements in anelements upport an upport haveparallelsineleventh/ late Apuliancenturyearly twelfth - eagle zoomorphic initialeaglezoomorphic

. This freedomin. morevariants initialsinfoundeleventh the century entirelyfor appearancethe ofinitialtypethisresponsible in of

ary, MS. Canon. Bibl. Lat. 61),Canon. late aary,MS. Bibl. Lat. elevenththird century Exultet II II Exultet - tenth century Cassinese prototypes of WesternCassinesecenturyoftenth prototypes (

initials” earlier the Asfor the origininitial,wouldthis of I of thetype that suggest in ) and ) Eastern origin (initials with tif ininitialtypetifof thissignals their

interlacing

eleventhcentury. In ornamental repertory missingornamentalfromrepertory evangelistaryOsor‟s . Theyc . reception fromreceptioncommon their which neverwhichextend

written initialswith(judgingbusthuman a bypreserved the howforms handledthesewere a ComparisonVekenega‟s evangelistaryof Osor‟sand further step in step further development the an bean

he initialshehuman with pattern

ar in the last quarter inlastquarter of the in MS. Canon. Liturg. 277 (alsoLiturg.277 Canon.in fo MS.

scriptorium

relatively small or extend relatively smallor s

that sometimes flankthat verticalthe stem or K.394 over These initialsinThese Vekenega‟s of St. Chrysogonus St. of Cod. Cass. 91 Cod. , Vat.lat. 10673 (thefirst Vat.lat. , be traced inbe traced

there are there onlyof two

the wholethe page. - initial”baseconceivedas a a and Cassinese codices (Cod. andcodicesCassinese (Cod.

the source, source, human bust andbusthuman blessing depictions

MS. Canon. MS. L connectionto , inmy , opinion,shows eleventhcentury. the in

executedmost down the practicethe ofthe an regular, almostregular,

InVekenega‟s earlier form earlier of where und inund

the wholethe a iturg. 277,iturg.

Apulian such rectangular

221

CEU eTD Collection inChrysogonus waswhenrenovated 986 m Capuaninitialsornamental productionto similar eleventhespecially specificcentury, initialspeacock the suchas Ihave script, inmylateThus, eleventhmanuscriptsthese research two on in Zadar century written Beneventan representationscorrespo representation manifestationsbondsstrongof the between ApulianZadar and initials productionthe are with ornament on mentionedalreadyinitialtype of s Apulianviaviamanuscripts or Cassinese old prototypes. quarter last eleventhofthe century)opens initialtypefoundbeinof canalso contemporary manuscriptCassinese (C convincingparallels display wasa Thezoomorphiccomparisonbetweenthe initials likezoomorphicsymbols the beginningthe of Cass.109). duringthe beinitialsconvincingly comparedin manuscripts to motif. appliThis also eleventhcentury Cass.manuscripts influenced Cod. 218) or illuminationby Capuan half first of mythis opinion, eems more likelymoremanuscripteems Apulianbecause to affiliationofBudapest thein is an productionevident anuscripts. Thisin isanuscripts. historicalwithdat accordance od. Cass.executedVat.in lat.90 4222,Casin.od. Abruzzo, Vat. lat. 7810)as well443, in someancient

substantial change insubstantialpracticet the change of The zoomorphic initialsThezoomorphic containingmotifin dog the a movement andmovement dynamisminitials from absent the in ruleof

However,links the a opt s es to to es dark background dark and

tenth centurytenth (asCapuan period / ofsaints

ed fored compromise.a T peacock the (Cod. Cass. 317, executedinCass. Mary 317, (Cod. monasterytheAlbanetta). ofofSt. abbot Cass.Theobald 73) abbot and(Cod. zoomorphic twelfthc may s

created

nd enclosed inmedallionsenclosed

- be found in Cassinese manuscripts fromfoundbeinfirstmanuscriptshalfCassinese the of eagle motifZadarfromworkshopeagle manuscriptscameto Cassinese

mainly to withmanuscriptApulian

entury from Bisceglie and Bitonto) arefrom particularlyand Bitonto) entury visibleinBisceglie ox and lionandmotif ox

inhalfsecondthe of

initialscontaininthat variant K.394 another peacock ofthe -

those with the motifswiththe of the

he great number hegreat ofparallelsCassinese comprised of saints insaintsmedallion the prior noblesformerandprior theinvited cityofMadius,the a up the up heworkshop because zoomorphicthe dog s

. that are presentinmanuscripts. that These both

s Apulianproduction( inand277 Canon.showsK. 394 MS. Liturg. there becanininitialsseen comparisonwith in a the the question upports anupports earlier the dated to dated s a whicha monasterythe tellsthat St. us of

(evangelistaries from(evangelistaries endthe of interlacingpatterns

the bird heads with hooked and longbirdandheadshookedbeaks with tenth century (Cod. Cas.77). fact century Thetenth this(Cod. that

In the caseInthe of secondK. 394, the solution early Desiderian years (Cod. Cass. 106,Cod.yearsearly Desiderian (Cod. of of MS. Canon. Liturg. 277Canon. MS. Liturg. s

the firsthalfthe of

whetherinfluencesCassinesethe came in MS. Canon. Liturg. 277 Canon. MS. Liturg. - the Bari Exultet II. II. Barithe Exultet eagleinitials the zoomorphic or practice

reception fromreceptionCassinese the , decoratedwith , Bari Exultet II Bari Exultet fromfirsthalf the of the froman tenth the eleventhcentury the can mostcan

- eleventhcentury .Themost initialsin the

dating a eleventh and the pearl from - eagle . Other Other . to K.394 d earlyd

the the

the

222

CEU eTD Collection MonteCassino. samesource, manuscriptscenturywritteninboth in Apuliascript BeneventanDalmatiaand practiceilluminationinApuliaof Cod.with Cas.codices402,Cassinese269, (Cas. executedbetween (MR164), centuryparalle evangelistary,inhaswhichcenturyparallelsin tenth aGradual Capuaoriginated andthat eleventh parallelsin rolls ThisfromcaseExultet illustrationisthe the inBenevento. with Exultet also the Osor‟s structure indicatesthe Apulia,monogrammainofits but the and m visiblenot firstglance. The general decoratedofmonogram at the appearance ( VD have I a “local” prototypes. Vekenega‟sininterpretedmyasevangelistaryresulting canbefrom opinion ofact copyingan of interdependenceLiturg.277.Canon.The motifs inand277 ofCanon.certain MS. Liturg. the almostidenticalVekenega‟s in Two evangelistary.heads can profile manuscripts. interdependenceThebetweensametwo decorativefor saidhumancanbein heads John St. zoomorphicclearlysome other andevangelists the symbols anthat of presuppose inmotifsusedanforevangelistary Vekenega‟ssubstitute as eaglea in symaszoomorphic the useofgold Thesimilarity betweenVekenega‟s ev initialslace.subsequenteach to by aother connected are initialsdecorate the haveisunusual“floralthe horns”andfeature where oncethere eventwoa manuscriptscreatedwithinwere simi a especiallyalsocertainofarehumandecorative show use There heads. thethe that details that longbeaks,repertory andheadsinterlacing(birdhooked with and and patterns pearl a ornament) with part withoutandhuman upper a or rectangular general the bust, simi linksshowsmanuscriptin initialsK. 394manuscript with the geometric ofvertical compriseda stem inreflected decora the influencesApuliafrombein isdominant This graduallyto Zadarworkshop. the grew particularly hand,lateOn other affiliation theeleventhstrong the to Apuliancentury production that shows monastery the monk from lso spottedlsosome inilluminationprototypesin ancient the Vekenega‟s evangelistaryare which -

Monte Cassino Monte leafstrikingmotifs.betweenthe andresemblance Theseof certainthepeacock the are

was supplied with liturgicalwasbooks. suppliedwith ls from Apulia, Benevento and Monte Cassino.andApulia,from lsBenevento Monte The

tion for Vekenega‟sforlatest tion manuscripts.of evangelistary,thethe Zadar This three ,

to become itsto abbot.

1015

. They represent. therefore - 1030 angelistary and the MS. Canon. Liturg. 277Canon. liesinMS. Liturg. theangelistary and abundant the lar time frame:inmanuscripts,both manythelar time bird heads that ,with initialspreservedilluminatedtwo displays similarity It assumeitsIt is upon logical establishment, only to that Pal.lat.909

additional ), that weree ),to that otif (the Christ (the otif Liber psalmorumLiber

also be foundbein initialsalso in MS. the proof that earlythe that eleventhproof larityornamentalthe of ventuallyinfluencethe were - lamb)hasonly

Veredignum dependent the dependent on

ofSplitorigin bols of of bols ) 223

CEU eTD Collection of illuminator “I t and page every The foundevangelistaryin identical isthose the to initials from decorated apart that add we If evangelists. the of and symbol evangelist sentence the the d The Johnfourteentat beginning theBaptist theof the namelyarcheliminationthe Gothicandof the elongation pointed the Romanesquechurchofthe of St. conservatismBenedictinesinthe something of alreadyin Trogir, theirarchitecture;documented prototypesTheuse ofvisiblein ancient mayEvangelistaryofdecorationthe be the w paralleled Trogir. monasteryto churchtheJohnin the and Baptist oftheSt. Benedictine Trogir,the monasteryin oldest liturgicalfeasts throughout theyear, contributes the to TrogirminiaturessmallaEvangelistaryaccompany free numberamongst importantof most that the inclusionminiaturedepictingThe Johnofa birthoftheinSt. luxuriously Baptist the the decorated usedaTrogirprototypesbasedthe and on Benedictinethem have to I related context. classificationinitials ofindecorated manuscripts writteninofandall Beneventan three preserved scritp inmanuscriptsinitasencounterwe Inmycentury product. conservatismopinion,thisimitation andofdecorationofeleventh the century thirteenthluxuriouscentury bywasfirst researchersEvangelistarybethought anthe to eleventh inmanuscripts written was suchscriptconservativeBeneventan foran to that, extent lateTheanalysesofthirteenth century manuscriptsilluminationinZadar written of Beneventan script. influencesvariousinhandlinglocalofwould what creatingeventually becomea schooldefines useoldinfluences. andpatternsvarious selective theof reception I freethinkthisand that selective confirm is to things:conservatisapossible two influencesfrominApulia.Byprototypes Cassinese,Beneventoof termsCapuan discovering older or it On - initials”

the basisthe ofpreservedcodices long life of lifelong rgrEaglsay h Evangelistary Trogir ecorated initials of initials ecorated

in n lo tempore illo In h eeet cnuy Evangelistary century eleventh the Trogir evangelistary, amongst other prototypes, used some from the eleventh century century eleventh the from some used prototypes, other amongst evangelistary, Trogir the his means that not only the forms but also the function of the traditional Beneventan Beneventan traditional the of function the also but forms the only not that means his , Beneventan repertory of forms of repertoryBeneventan t per ta te yooy f ntas sd in used initials of typology the that appears it “I

- the initials” as over one hundred and twenty geo twenty and hundred one over as

Trogir Evangelistary Trogir are

therefore, it ispossibleinterpretittherefore, not Zadarillumination the to solely meant to substitute for the for substitute to meant geomet

the EvangelistaryIthemadehave wasdeliberate. andplanned a

codices preserved incodices illuminationpreservedhasthe shown that Trogir of ric etnua Beneventan rectangular eleventhcenturyevangelistary Vekenega‟s m in the illuminatorsmeantm in the that they that continued to hcentury. “I

in Dalmatia in was - ntas ad re miniatures free and initials” a be to out turned

idea maymanuscriptthis that havebeen related

respected. respected.

anthropomorphic or zoomorphic symbols symbols zoomorphic or anthropomorphic . The most most The .

metric Therefore, I am convinced that the the that convinced am I Therefore, “I establishing for source valuable

the - initials th initials initials” common“I hrenh c thirteenth

hr are there with or without the the without or with at appear on almost almost on appear at

- example, late the initials”

. entury Trogir Trogir entury

e sm few

that open open that ith the the 224 all all

CEU eTD Collection “ipe” as such bysurmountedhorizontal linea century thirteenth the of typical abbreviations of presence the do as origin typical Dalmatian of presence the that for line abbreviation concluded an with “au” of instead “aut” as andsuch abbreviations Dalmatian fragment the of analyses paleographical century preliminary thirteenth University elev an and be the to (National thought Zagreb by also and and Library) confirmed Office) (Parish is Rab in statement fragments This in preserved Trogir. evangelistary to limited not were fe conservative Dalmatia the that suggests it likely, highly is codex this of origin are initials calligraphic Gothic because manuscripts evangelistary, through feasts major to placed classificat the but provincial rather is decoration The 1259. T monaa typical typology a inwritten Mont the where script Beneventan in written to close exemplars Dalmatian century conclud To script. Caroline a in written manuscripts century twelfth and eleventh of initials in parallels have Few but evangelistaries Apulian gold eleventhcentury usual possess “I geometric of inspection Closer probablymosttradition, one. Benedictine a as isolation decoration of system the is of it copying think careful not the do explain I to so. possible do to instructed was he that and script Beneventan in written Evangelistary he se

leaf on which the incipitleaf thewhich on “I interlacing pattern interlacingpattern

conservative features conservative stic scribal center wherecould illuminatorthe sticcenter scribal consult - traditional Beneventan traditional e, a e, the usual elongated vertical stem vertical elongated usual the ntas wt ter unusual their with initials” . In myactfaithfulthe Inlong ofof an opinion, . testify oldcopying aservedto exemplarthe a s far as the typolo the faras s non

he -

Beneventan scriptBeneventan evangelistaries is omitted. Furthermore, t Furthermore, omitted. is evangelistaries of eleventh and twelfth ce twelfth and eleventh of did

not copy the system of the illumination of eleventh century Beneventan Beneventan century eleventh of illumination the of system the copy not executed inbrightexecuted out is typical for typical is are also visible in another another in visible also are

gy of the decorated “I decorated the of gy

(I)nill(o) te (I)nill(o) h ltria year liturgical the geometric for - . initials” with or without evangelist symbo evangelist without or with initials”

ipse As the codex was created in wascreated codex As the irregular

the Apulian style of illumination, of style Apulian the

confirmsits thirteenthcentury date.

s characteristic s enth century product by the first researchers. I have made a a made have I researchers. first the by product century enth

(mpore) and interlacing and the

color ntury codices, in my opinion this suggests the presence of of presence the suggests this opinion my in codices, ntury Desiderian rm ad tlzd ie rnhs n three and branches vine stylized and frame Csio in Cassino e s

. Unlike, the illuminator of the luxurious Trogir Trogir luxurious the of illuminator the Unlike, . is placed in blue letters is not found in isnot letters Dalmatianand blue in placed is and filled with a pearl ornament present in Dalmatian presentin filledornament Dalmatian andpearl a with - initials”concerned,is osat feature constant evangelistary

of of eleventh century Monte century eleventh initials he this type of initial but are much shorter. The The muchshorter. are but initial of type this lec ws visible was fluence a varietya of use o o iiil sos htte illuminator the that shows initials of ion

the

executed in red, blue and yellow and blue red, in executed of small rectangular panels filled with with filled panels smallrectangular of late thirteenth century and it shows itshows and century thirteenth late

preserved in Trogir and created in created and Trogir in preserved in the manuscript. manuscript. the in

archaicprototypes. eleventh century manuscripts manuscripts century eleventh the illuminator illuminator the xrsin of expressions atures in thirteenth century century thirteenth in atures

ls has revealed that they they that revealed has ls and some manuscripts manuscripts some and

C assino manuscripts. assino autem used ignorance or or ignorance

As the Split Split the As - confirms i confirms oe leafs lobed

eleventh eleventh -

term term next next 225 ts ts

CEU eTD Collection out, pointed been hasrecently as and, century thirteenth the in archaic very is genre a asEpistolary the luxuriousT the with case the clearlyis as archaicprototypesdependent on the that possible is it whether myself asked therefore I interchangeably).usedwere the from wo interruptiona presupposes which without Gothic, the continuedto Beneventan manuscript the of content the that consideration into take we if strange more even is (which script Gothic in written manuscripts in initials contemporary than ininitialsinmanuscriptsmorethey Carolineandfoundcenturywritten resemble twelfth eleventh non Trogir distinctive a display luxurious that the of decoration the in a initials sophisticated as most the Evangelistary, manuscript, the in dominant are forms Beneventan traditional displaying initials the Although forms. foliage naturalistic quite display initials ornamental while ornament), pearl the and heads (bird forms in of repertory only Beneventan the executed employ drawing, decoration have manuscript, this in initials decorated numerous most The origin. thir late third a Epistolary, the of placed. is initial the of part upper the which on shaft vertical slender the in visible is type traditional the with a of composed are instead compartments, individed or outlined shaft upper the lack 1259 of Evangelistary between mixture a are they actually 1259, of Evangelistary the in initials geometric the of some to compared be formscan foliage stylized filledwith shaft upper hollow a with fragments Rabin initialsGeometric legsmotifinformofdevilcrossed a with ofreduced the of scene the in doves four of instead two as th iconographical oddities certain le that depictions human component Western and Byzantine of mixture characteristic Beneventan century eleventh to comparedbe evangelistary canonly Evangelists initials” that saints the of depictions shafts), vertical slender on placed forms (rectangular o decoration The stylized fol stylized Traditional geometric initials and their thirteenth century variants also appear in the decoration decoration the in appear also variants century thirteenth their and initials geometric Traditional

n oe te opl readings Gospel the open and emti iiil ad hs com those and initials geometric

and small decorate small and iage form, intersecting lines or a or lines intersecting form, iage te a ad arb rget cnit o geometric of consists fragments Zagreb and Rab the f a d scholars to date both manuscripts both date to scholars d

- “I Beneventan character. These skillful initials are quite archaic because because archaic quite are initials skillful These character. Beneventan d initials. d - initials” at have eleventh century South Italian and Benedictine parallels (such (such parallelsBenedictine and Italian South centuryhave eleventh at teenth century manuscript preserved in Trogir of probable Trogir Trogir probable of Trogir in preserved manuscript century teenth the

and smaller archaic initials and both ev both and initials archaic smaller and hogot h ltria ya, year, liturgical the throughout The overall impression of the pictorial program of of program pictorial the of impression overall The Trogir evangelistary: both evan both evangelistary: Trogir pri Presentation in the temple the in Presentation re those with human depictions and zoomorphic initials initials zoomorphic and depictions human with those re sed of an interlacing pattern. The initials from the the from initials The pattern. interlacing an of sed dense rkshop where both Beneventan and Gothic scripts scripts Gothic and Beneventan both where rkshop interlacing pictorial decoration of decoration pictorial Anastasis s

to the to n rhim in archaism and

infragm Rabthe

ornament

eleventh century. century. eleventh

in Trogir manuscript and the the and manuscript Trogir in gelistaries gelistaries rogir evangelistary. After all, all, Afterevangelistary.rogir zoomorphic symbols of the the of symbols zoomorphic . In both codices, t codices, both In . Bene the Epistolary was also also was Epistolary the their their angelistaries display a a display angelistaries are ents). ventan employ traditional traditional employ substitute iconography and and iconography They also show show also They

“I - the for s initials” he l he

script script other other Rab Rab 226

ink ink “I -

CEU eTD Collection the that fact the but proved, be cannot illuminator the as person same the was Epistolary the of covers Whethe instead. minuscule ordinary an in wrote who script Beneventan in writing to accustomed scribe a by written was it that fact the in as well as Sacramentary ancient the in be may Benedictinesthe he that notion the supports consulted he probability all moti Western distinctively parallels). expre artistic whose and Byzantin Split and Trogir between traveled who artist talented of covers silver the executed who master The Sacramentary). Split the of covers the for model (the a evangelistary as served have possibly may which Sacramentary Split the of to and som accepted shed been heretofore has than creation their for frame time different a for argue to order anhave analysesI carried out Trogirofsilverof thethe Epistolary coversin Split Evangelistary the and is codices two the thirteenthcentury. between relationship The Epistolary. sam the by executed codiceswere both of coverssilver the that fact the by strengthened the in depictions human with initials eleventh/twelfth non the in consulted depictions human wr also Evangelistary with century illuminator initials two the between that similarity hypothesis the in the manuscripts for support found have I CarolineBeneventanand script twelfth also that Budapest in in script Caroline Benedict St. of inmanuscripts written script: Caroline manuscripts or codices script. Beneventan in survive havenot itCould to known Epistolary an of example substantial only the is codex this etr cruay f h Bndcie oatr o S. ee na Omiš near Peter St. of monastery Benedictine the of cartulary century e art (thirteenth century Constantinople parallels, twelfth/thirteenth century South Italian Italian South century twelfth/thirteenth parallels, Constantinople century (thirteenth art e e more light on the context of their creation. I have also included analyses of the silver covers covers silver the ofincluded analyses also have I creation. theirof context the on lightmore e e a not was He

oe rcsl manuscr precisely more once t Dalmatia to connected

held beenpossible that an eleventh century eleventh an

aets domini Maiestas

in the Dominican monastery in Dubrovnik, Beneventan initials accompany the the accompany initials Beneventan Dubrovnik, in monastery Dominican the in

contains

found in the insertion of ninth century fragments written in Beneventan script script Beneventan in written fragments century ninth of insertion the in found re a te ai inscriptions Latin the as Greek te i Crln srp (pi: rauy f cathedral, of Treasury (Split: script Caroline in itten f s employed

(Christ in Majesty surrounded by t by surrounded Majestyin (Christ the s , . in addition to other texts, texts, other to addition in

twelfth/thirteenth century silver covers of the Split Sacramentary Sacramentary Split the of covers silver century twelfth/thirteenth

the illuminatorconsultedthe

s ersne o te front the on represented is codex of possible Zadar origin Zadarorigin possible codexof older prototypes. older ps rte i Crln script? Caroline in written ipts hr ae examples are there a typical the the interlacing Trogir Epistolary and and Epistolary Trogir

The link between the Split Sacramentary with with Sacramentary Split the between link The

Beneventan initialBeneventan where h Rl o S. eeit and Benedict St. of Rule the rbby ae y i hand his by made probably archaicnamely codices, he evangel he

of both the Evangelistary and the the and Evangelistary the both of eeetn initial Beneventan in

the the In eleventh/twelfth century century eleventh/twelfth In ists) display. ists)

National Széchényi Library Library Széchényi National r the master of the silver silver the of master the r Split Evangelistary was was Evangelistary Split may bemay S 2 C 625 MS was ssion derived from from derived ssion

found in the Rule infoundRule the

non ae on in found are s written The fact that in that fact The e master e - -

Beneventan Beneventan Beneventan finally, n some and ) and the the and )

in late late in both both 227 the the a

CEU eTD Collection century, from script Beneventan in written fragments of group homogenous assum to obstacles attested is Dalmatia in century twelfth and cartulary manuscript only Mary St. monasteryof the monastery a Pe where (fromApulia in Mary that likely seems readings patristic obligatory were these that shows fragments the libraryrem same thewhose belongedmanuscriptsto the fragments fact that abbreviations uncommon a employ Be of type round in written are They group. homogenous a form and numerous specimen The on likely very that in shown scriptorium same the in have created Dubrovnik to related or preserved century thirteenth until eleve thefrom manuscripts and fragments onf research from derived results the hand, hypothetical other the On the in employed methods the of John ofworkshop inSt. Baptist the Trogir. understanding precise a to than script Beneventan man to pertains this as Dalmatia in century thirteenth the in practice illumination of generala moreto picture contribute my research resultsofthein Therefore, John Trogir. Baptist theSt. levelcert of beany with affirmedcannot it that aware am I although conservatism, obvious this explain to context Benedictine the on decided have I Epistolary). the of covers silver the executionof inthe as (suchfeatures inother as wellasthem us initials the of typology the in conservatism apparent an display fragments Rab/Zagreb century thirteenth the and Trogir in preserved manuscripts century fourteenth thirteenth/early that out turns It my stronglyhypoth to contributes context) Benedictine the to related (possible prototypes copied covers silver the of master

the islandfoundedintheLokrum, of 1023. rnicn monastery Franciscan another from iia sse o pntain n abeito (seily indic (especially abbreviation and punctuation of system similar

on Lokrum on s of Beneventan writing that date from date that writing Beneventan of s

the monastery (Vat. lat. 10657). As the existence of Benedictine scriptoria in eleventh eleventh in scriptoria Benedictine of existence the As 10657). lat. (Vat. monastery the

argument

ht a b certainly be may that these fragments originated in Dubrovnik rather than the Tremiti monastery of St. St. of monastery Tremiti the than rather Dubrovnik in originated fragments these from ing esis that the illuminator also illuminatoresisthe usedthat older prototypes.

ht hr was there that ) mainlybecause )

the sameintheappearmanuscript collections different ( found

exists to support the support to exists on n t and

the island of Tremiti prior to to prior Tremiti islandof the tar, a native of Dubrovnik, was nativeDubrovnik, ofa tar,

in a majority of fragments) and they have the same page layout page same the have they and fragments) of majority a in he the the

Scientific Scientific Dubrovnik area, namely the Benedictine monastery of St. Mary St. of monastery Benedictine the namely area, Dubrovnik also

ainty that the Trogir codices were executed in the workshop of inof workshop the executed Trogirwerethe codices aintythat t sind o h aby f rmt i te hrenh c thirteenth the is Tremiti of abbey the to assigned h

ere are no documents written in Beneventan script related to inrelated scriptdocuments Beneventanwritten no are ere a in

Benedictine scriptorium in Dubrovnik. Apart from the the from Apart Dubrovnik. in scriptorium Benedictine

the example of Zadar, I think that there are no serious serious no are there that think I Zadar, of example the existence of L ibrary) ains the

were divided in later centuries. The content of of centuries.content later Thein divided were hw ta i i psil that possible is it that shows late eleventh and early twelfth century are are century twelfth early and eleventh late the a Lokrum scriptorium. A document written written document A scriptorium.Lokrum

thirteenth century or more precisely the the preciselymore or century thirteenth establish to commune city the bycalled used the

late eleventh and early twelfth twelfth early and eleventh late in Benedictine in

the tv i the is ative Dominican monastery, Dominican neventan script. They They script. neventan uscripts written in written uscripts monasteries. I monasteries.

use the original original the

they were were they

of some some of entury entury s . The The . ed in ed 228 nth nth t

CEU eTD Collection inwascertainly itforgery monasterybecausecreated Lokrumis the a conceivedto fragmentGraz smallminusculeon letters, top feature theastrokes ofdecorative characteristic marking"mihi"and suchabbreviationsas frequentcontactbetween line,andletters the other typicalfeatures leftthe scriptbetween the MissaleRagusinum reveals It close forgeries monasteryMaryLokrum ofisSt. Theconnectionthirteenthmanuscriptsofthe centuryand Dubrovnikfragments related to the with letters. suchscriptof the conserv interchangable abbreviationstypical mainlyisBeneventanwhich punctuation, points. limitedTheto scribes line,the thus withBeneventan angularitynotscript pronounced area placedletters practiced. Thewas precise monasteryBenedictinebe indefined.The can analyses has shown that thirteenth century Dubrovnik, thirteenthcentury Beneventan scr namespersonsofthe samethe obituarium hagiographical in Dubrovniktheyevidenceandthat created a were there manuscripts, Thereare two forTheevidence infragmentsinand written preserved script Beneventan document the of script the shown, has analyses the As forgeries". the In in monastery Lokrum the in transcribed was monastery Benedictine Lokrum of donation the containing 1039 in issued script Beneventan in as used was it century twelfth late in ative featuresBeneventanoftheative ”

. This document. the verticaltheletters, ofsome strokes ,

creating a broken irregularcreatingbrokenaappearance.There inconsistenis s use

and the Book of St. Nicholas. andofBook TheSt. theforged supposedly document issued resemblancemanuscriptsfragmenandto

a thirteenthcentury scriptorium asthe

inthe of both older and youngerboth olderof and system , , the , the the

of the of recorded recorded being

use

BookNicholas ofSt. and

dou MissaleRagusinum Chantillyand

was

the thirteenth century although inthirteenth century although of littleofminuscule strokesdecorative pointingthe of downwards on top bled indicatede.g. letters, by superscript inthem supposedly issuedsupposedlybyinBaritius ban created and so - “ ipt used iniptused probablymost Dubrovnikandin area Lokrum the - shown inshown called i ”

with hairstrokes.with

(largely from Dubrovnik noble families).Thus,fromanoble (largelytypeDubrovnik of the

script usedinscript Thereare Dalmatia. MissaleRagusinum the

Graz fragmentGraz one document from the document one

andth a pattern

tendency for lettersbe tendencynot for to pl at the is

the Lokrum monasteryMaryLokrumthe veryofis St. strong. s

forged for a group of documents, documents, of group a for Graz and Chantilly fragments.andGraz Chantilly Thescribe forgeryuseLokrumof the also for various ts

s writing the case of manuscriptscasetherethe of

that that ofalready confirmedDubrovnik origin:

document showsdocumentsame theinclination to and the Book andNicholasSt.ofBook the that reveal

Dubrovnik collections. the an

omnis of

group group ofso "m"with ruler of Zahumlje, Ljutovid Zahumlje, of ruler greatly

thirteenthmanuscriptscentury their Dubrovnikorigin intheir the

, employed re two re omnia c y iny the also

resembles

a the acedprecisely -

of the of membradisiecta somefeaturesspecific suprascript"i"for called which the the

early twelfth century twelfth early standard standard use help thirteenthcentury so A

Chantillyand

“

again

of standard of byban Baritius - comparison the script script the Lokrum was called "Lokrum "Lokrum called expandthe

shows the shows o nthe have

ly on d , from

in to to the

“ 229

the the the the d a

. ” .

CEU eTD Collection illuminationwritteninin manuscripts Ibelieve, script. however,leastBeneventanhas that thisat work inthe Beneventan the script noDalmatia completelyquestionsresolvedthe surroundingtransmission the and scriptof developmentthe the of Zadar,The into Trogirresultsof manuscripts research Dubrovnik means,and fragments and by has, no fourteenthfifteeandeven the “angular”distinctcenturythe into inusedscriptBeneventan Dubrovnik thirteenth theand possibly andconnectionsApulia with conclude, To t that doc script that belong documentsthat to group ofthe isconfirmedscriptin also monasteryin Lokrum the asscript influenceof inTheangularityscript in thirteenththe mycenturyBeneventanais, dueof Dubrovnik t opinion, usedinBeneventan script “o”). Theandangul membradisiecta CR inwritten secondthe half of supp ofthe typical script which in factinthatThe Lokrum. manuscriptsDubrovnikfragmentsandto related createdin were monasteryBenedictinethe on archive propertyLokrumthe because Benedictinesof he and

the - ument III indicate scribethe osedly issued by osedly issuedGavrilgroup episcopusbelongingofthe to and

used inused angulardistinctcentury type thirteenth a ofBeneventan script lateeleventh anddatedbe centuryearly twelfth can - the ofthe 206( when he composedhewhen

a evolutionof in revealsthe the Beneventan / Gothic Book of St. Nicholas.BeneventanGothicinterchangeablethe / ofTheBook St. Beneventan script andBeneventan preservedin script

the Breviarium the group group the

thirteenth but century the fragmentsthe col preservedin Dubrovnik hereachedBeneventan Dubrovnik script through the the Gothic script usedinperiod Gothic and interchangeably script sometimesthat with Beneventan

from

the lateeleventh centuryearlyand twelfth ar aspect issopronounced not aspect ar definitely but script thefrom differs

handofscribeaccustomedwritea in to late Another twelfth Beneventan. century

twelfthcaneasilycomparedbecentury to

the sametheinmanuscript monasterylabeledfragmentsDominicanthe “m”, “n” the wasaccustome ofthe ) ,

CR the Beneventan script inBeneventan script

his document. Thus hisdocument. . It evolved fromevolvedin lateIt eleventh/earlyround oftypescript. the the twelfth

nthcenturies. - "Lokrumforgeries"inwritteniswith Beneventan features script some lateel 20. 911 ( 20. do notdo have e venthearlyand century. twelfth d the Morals Gregoryof Jobbythe on Book Great) St. the

to writ to r hasitprecise offeredar definition Dalmatianvariantof the of so

- called"Lokrumforgeries" ingin , it , becanconcludedthat

various the the a round aspect inmorphologyaspect round lettersathe typicalofthe DubrovnikThecanbeareaBeneventan defined.

th notarial script aswell. notarialscript used e

Dub lections latetwelfth becausecentury

to the to the older documents fromdocuments older monastic Lokrumthe ro v round Beneventan round script nik( collections

lackthis

the latetwelfthcentury. A document

mediationofth type of script usedintype fragmentsofscript wasused “

Lokrum forgerieLokrum that were that

the distinct angular character angulardistinct character

thirteenthcentury providesframea use the writtenin

e Scientific of two kinds two ofof

there are there Benedictine order the s”, written in written s”, dominatedand Barioftype , a

L andthe notarial two ibrary: work o the 230

CEU eTD Collection knowledge our contribute to illumination.ofessentiallyandthisscript Mediterranean Beneventanbelieve fragmentsthat andinmanuscriptsemerge will possiblyto continue and Dalmatia manyfrthe newfindsoftext inmanuscriptsscriptoriain where Dalmatiawritten produced. Encouraged were Beneventanby script morestudiespreciseto will contribute definitionSplit,ofBenedictineZadar, Dubrovnikand other amfurther historicalI art convincedthat historical, m andpaleographical, future I think researchlabelthat the that “Dalmatian”will canused show conditionally be only because inFranciscanscentury thirteenth regardingDalmatiascribal practice. fromDalmatiaeleventh thethirteenth thecentury connection betweentheto and Benedictines transmissionBeneventancomparativeofthe script, analysesin Benedictineof architecture Italy and andBeneventan preservedin script Dalma cultural questionspertaininghistory,to a functioninvestigationsoftheand these contributed topicsto paths newforopenedup andThese research.pr are tasks agments over the years thewas agments studying over I alsomaterialstronglythis I , genre ofgenre paleographical tia, an investigationroleantheby in tia, of Chapters playedthe codices written inwrittenwhichlightcodices Beneventan canshed script on

reevaluation of all the charters writteninof reevaluationall charters the

usicological and liturgicaland usicological imarily

and 231

CEU eTD Collection with* Tho Ifdatathe beenhas changed, the isreport given inthe foot studies studies 693 providentissermones A coversof Cicero, A Znanstvenaknjižnica 463 MS. 189 MS. 5310/210/16 incunabulum,the XII, Ps. saec. 104. Incunabulum missingdetachedand presentlyare coverthe pasted incofto the 98 Incunabulum 11 Allig. secundumcomprehensa,librisxLucam libersecundus Mediolanens AmbrosiiSancti xii, xi, caput Arianos. et Paganos Judaeos, 5 Allig. 1 Allig. 5310/230/7,8 FranjevačkiBraćeMalesamostan DUBROVNIK coversofOvidius, Ink.II BibliotekaBaltazara Bogišića CAVTAT fragments Manuscriptsand preservedCroatia in SCRIPTRELATEDDALMATIAANDTO LISTHAND OF WRITTEN 6. MANUSCRIPTSFRAGMENTS AND INBENEVENTAN - -

This islist based Virginiaon Brown. “A Second New ofList Beneventan Manuscripts (I), (II), (III),(IV), (V). 1006 478 seitems that havenotbeen included inHand (V)list as appearedit during the last revisionof the handlist are marked

61(1999):325 40(1978): 239 , saec.XIII,2 , fragments, - , saec , saec.2XI, fragments, Augustinus,, 26 se. I x 2 folios, 2 ex, XI saec. , , , , saec.XII,fragment, 1 , Antiphonarium Martyrologium Romanum ,

saec.XIV

. XII/XIII,folio, 1 . 2,saec.XII, folios, saec.XII/XIII,fragments, 2

, Epistulae familiares - GuilelmusDuranti - 392, Heroides

290, Thomas Aquinas,Thomas

, 2 folios,,2 X, Rome, 1545) X,

Mediaevalstudies Mediaevalstudies (ScientificLibrary) , 1545. , f Initialand

, Venice, 1485) , unabulum, saec. XI ex, saec.XI unabulum,

Missa - Smaragdus,ExpositioSancti in Benedicti, Regulam Gregorius Magnus, MoraliaJob in GregoriusMagnus, (TheLibrary BaltazarBogišić) of Liber Clemens, Sermones ordo

, 1541. , finalInitialandfly

(FranciscanmonasteryFriars Minor) of le, le, Rationale divinorumofficiorum Rationale , Lyons, , 1526) theologica Summa

regum 70(2008): 275 for consecrationthe ofthe 50(1988): 584 withneums(Feria4 Liturgica Recognitio

Tractatus in Iohannem Tractatusin ( inalfly

S. Augustini admonitio in sermonem de symbolo contra contra symbolo de sermonem in admonitio Augustini S. 693 -

note. - - - , with , neums 355 625,

leavesinare saec.XIII Beneventan, Benedicti Commentarius regulamS. in nes

)

Mediaevalstudies , , theymissingdetachedpresentlywereand are

II - II,foliosfourVenice, 1495, bound to were - 6 p. Pent.)(pasted p. to andfront6 the back - leaves are inleavesare Beneventan, saec. XIII

church(?)

47.1,2 (boundwith Theodorettus, , Venice 1485, two leaves,Venice 1485, two were 56(1994): 299 is episcopi expositio evangelii evangelii expositio episcopi is - 3

prol. (pasted the to - 350,

Mediaeval , they were De Med iaeval

232

CEU eTD Collection e, Fragment Dubrovnik) e Fragment inLIXTractatus 119 psalmos d Fragment 11:6,7 c Fragment manuscripts(Fromasandfragmentsame k the fragment s.n) b Fragment (ii)inHomiliaeBeda, 1.14;Ps. evangelia apostoli2);? cap. HaymoPauli(cf. Titum, ad Autissiodorensis, in HomiliaMattheum2:13 InBeda,Lucae(i) (Lc2:40); evangelium1 Smaraexpositio a Fragment MonasteryDominican Cyriac,Passionalelives and withofLargo theSts. moanstery, Smaragdus,Franciscan Zadar Frommanuscriptsasinfragmentsamemonastery p the Dubrovni Dominican aliquotrestitutaloca eundemet Egnazio, Battista scriptisTranquillumperTetrastichaIulio CaSuetonium and à with(Suetonius,ofprintedhairabook side uppermost, XII A 1a labeled/ Rkp.936 Paraldus, Incunabulum shelfenvelope separate no with coversthe pasted to of CR manuscriptfragments(fromsamefromm+n+otheas Dominicanthe withTitelman,Francois CR (fragment 21) boundAristoteles, with 20.799 CR - 1349 - - III206 911 20. - 13,15 , saec.XI ex, binding, fragment, Summa de virtutibus et vitiis virtutibusdeet Summa , saec. XIII, 1 folio,,saec.XIII,1 Autissiodorensis,Haymo

, saec. XII, 2 folios,2 saec.XII, , Breviarium ( , saec.XII/folios, XIII,2 , Gregorius Magnus,43 inMoralia 4.23.42, Iob saec.XIII,1 , bifolium, TestamentumReg1:10 Vetus (2 - ,saec.XI, , +Fragment f saec.XIfolios,ex, 4 damaged two bifolia, Homiliarium - saec.XIfolio,ex, 1 Augustinus,Tr saec. XI, 1 bifolium,saec.1 XI, 23,24 68, De romanisDe princibusIII libri

saec.XIin, folio,1 - - 12:3) c inc.Fragmentac / 6 68 (corr.ex 4)

Commentariiin 1 folio,1 ArnobiusCommentarii Iunior, in 118:81 psalmos

Philosophiae naturalis libri XII Philosophiae naturalislibri

(fromasmanuscriptAllig. fromsamethe1 Franciscan themonastery,

mark) (Lyons,1537) Haymo Au Haymo

,presentlyBrescia, separately 1494), folderinpaper a kept Isidorus,Etymologiae Et

CiceronisOrationes Vitaesanctorum hica - Origenes, HomiliaOrigenes, inMattheum2 De Auctoritate T.P.; Dom. 2 p.Oct.Dom. Pasch.)T.P.; Auctoritate De , Lyons, , 1556) tissiodorensis

and actatusin Iohannem 11.4 Annotationes in Annotationes , Lyons, , 1551) , presentlyreinforce , servingbindingthe to

CommentariusApocalypsim in

, Basel, 1539, now keptnow in Basel,1539, , separate a gdus, Collectiones gdus, oct. (In Caesares in 2 Cor 6:5 in Cor 2 (used to be (usedbound withto Guilielmus

esaretemporasuausquead

Suetonium

- ; Ausonius,;

monastery,Dubrovnik) 18,20

- 7,7 - 5 -

- 2:1,2 k and fragment andof ak 8; 8: 17 8;8: ;Erasmus, - De 176; Hieronymus, - 9,10

XII Caesaribus XII - - 44,45,46 (bound 24;9:1. Nat. dni Nat. (Lectio

- 2 (Apoc 3:19 (Apoc 2 , , (formerly 16;10:19 Annotata inAnnotata ; Giovanni ;Giovanni - 18)

- 233 -

CEU eTD Collection was(V) a 694 Magnus,inMoralia 3.16.30 Iob r,Fragment monastery)samostan(Franciscan asFrommanuscriptDubrovnik, sametheZnanstvena A knjiţnica sermonisobservationes p Fragment 1542) (Paris, fromremoved(18 printedabook o Fragment 1520) (45 book from printed a n Fragment tres 38 book m Fragment 2 fragmentsasFrommanuscript in sameZnanstvena thethe A Dubrovnik, knjiznica, +o Fragmentsm +n similitudinibusVenice,rerum, 1499) from(3 Removedbook printed a l Fragment biblicalvariousinXIII commentaries writingsaec. Gothic k Fragment (36 j Fragment i Fragment h Fragment g Fragment lostpresently f Fragment 0.911

Myidentification of fragmentZadar as the -

III (Venice, 1551), 3 scraps3 from1551), folio, (Venice, i Moralia another

7)containing AntoniusRempegolus,Compendiumfigurarum saec. XIV Bibliae, lreadypress in was confirmed by Virginia Brown - VI - , saec. XII, fragmentsaec.XII, folio,, ofin1 Augustinus, 3,5,6 Tractatus Iohannem 45.2,

, saec.XIfolios, ex, 2 , inAugustinus,Tractatus Iohannem 43.12 ,saec. , saec. XII, 2,saec.XII, bifolia, Isidorus, ,Moralia 12:Aloysius Lipomanus, saec. , , saec.X , , saec. XI ex,1, saec.XI damagedfolio, removed book from (Joprinted a ,Moralia in9.19.30 Iob folio,,saec.1 XI, Commentariusin psal

, Moralia , in20.15.39 Iob

saec. XII, 1 damaged1 saec.XII, bifolium,so mutilated l most that ofone XI, 1XI, folio, Gregorius Magnus,inHomiliae evangelia24.3 XV, 1 folio,XV,1 I, 1 mutilated1 I, and damagedbifolium,from (36 removed17 MS in33.8.15 Iob in.GregoriusSaec. XII/XIIIMoralia Iob. Magnus, , Venice, 1536) , - II

- 32: Giovanni32: diLanciza,OrosioPaulo latino tradotto Guerini in da volgare,

- Missale 19.35,56 28.55, 5 - Passionale I - - I 6:François Tittelmans, - - - 12,Johannes Geminiano,Sanctoexemplibus Dede et

9,17, 9.179,17, 20.31, 21.3220.31, Sanctorumnumeropriscorumpatrumvitaesexagintacentum - membrumdisiectum 17.43.2,2 fragments sameofthefolio, from removedprinted a

Sententiae

with lives of Sts. Cyriac,lives andSts. with Smaragdusof Largo - 10.18,10.18

- 33, 22.34 33, mum77:34

2.1.7

ofsame the manuscriptinthe period when Newthe list n Iob 19.27.50, 28.51, 30.53 19.27.50, n Iob

- Libri sexconsiderationeLibride dialectica 5.13 - - 23.35, 25.37,damaged23.35, 1 folio,removed 19,10.19

- 49 - 1349 and1349 Zadar:Franjevački

- 11.21,damaged1 folio,

eaf is missing, Gregoriusmissing,is eaf - 15, 43.15 15, hannesGodscalcus, - 5 (removedfrom5 47 MS - 1006 and1006 CR - V -

16,42.2 - 23)containing - XV

694 -

Latini -

234

CEU eTD Collection medievalpalimspests 695 insulain Lacromensi.Benedicti XII,26d Lacromensiinsula XII,26cII inscribeoriginally Beneventan.trained Lacromensiinsula XII,26c 1. XI, diplomataActaet (ASMM) DržavniDubrovnikarhiv writing Antiphonale; 44, 44 pp. N. S. presbyterorumPetriCathedras. in ArhivBiskupskogOrdinarijata libraryScientific ofZagrebJuraj Habdelić in book printed 2027 ZagrebHabdelić in Dragišić, Parts foliosof5335) two bound sidewaysasandfront used flybackand N. S. BibliotekaDružbe Isusovaca epistulamadPauli in HebreosHaymo 12 Antiphonale (i)Frag. isscript Beneventan,saec. 72 (36 MS. sanctis”de linesZaninović‟sfragment,fewtranscriptionremoved of thefrom preservedwith “Aan s Fragment

VirginiaBrown. , saec. XIII, 1 foliosaec.XIII,1 in , 4 neums cut (Fer. Missalehalf,with , folios,,saec.XIII,2

saec.XIII, DonatioinsulaeLacromonensis Benedicti monachiss.

. Missale . De natura angelicanaturaDe Donatio ecclesiaePancratiiDonatio s. deinsula monasterio Babinain Palla inMeleta s. Benedicti Confirmatiodonat .

- Donatio ecclesiaeBabinadepancratii insulaDonatio monasterios. in Palla inMeleta s. Benedicti , presently , missing,folios,containedVita2 Mediolanensis Ambrosii ep. to according ,fragmen 1 Opuscula - 24 , fragment, 1 folio,1 fragment, , 15 “PalimpsestedtextsBeneventan in script: A withhandlist some identifications.” ), Libellus s. Nicolai s. Libellus ,ed. Georges Declerque, Brepols, 2007: 116 . saec.XII . saec. , sermonesin 14

t, 1 folio, 12 t, diviBernardiclareuallensisabbatis - 48,Missa neumis,1 pages,cum 64 XII. WrittenXII. in

Vitaesanctorum X/XI, Passio XIIFratrum X/XI, 2297) (BHL

(The State Archive Dub (TheState of ionisecclesiaemonasterioPancratii Babinain Palla s. Meleta s. deinsula

, Florence, 1499) / nowFlorence, / preservedin, 1499) the

(The Library of the Jesuit(TheLibrarySociety) ofthe

saec.XIII

th th (TheArchive Ordinaryofthe (formerlyofBishops) )

:pp.1 c. foll. centurywriting, 320

c. ordinary minuscule,features,bywithordinary someBeneventan a , fragment, 1fragment, folio, , 11 -

22,Vita; 22 pp. (Longini,4965;Virginis BeataeB.H.L. Mariae,B.H.L.

rovnik)

- 31,Miracula; 31 pp. , Venice, 1495 / now preservednow Venice,/ in 1495 , the - 48

- (A.D. 1023), saec.1023), (A.D.

362 are palimpsest,fromare 362 - - th ininremainderthe Beneventan, Gothic 5keptQuadr.)ebd. 4 with together the

c.; 695

Scientific libraryScientific Juraj of - leaves inleavesb printed a - 33,Epilogus; 33 pp. XI

Bibliologia Congregatio Congregatio 344r ntiphonarium ntiphonarium - 362 the ook (Juraj ook 26. Early 235 -

CEU eTD Collection N. S. N. S. 2/2 c 50 Arheološkimuzej SPLIT fragments18 saec.XIII, ofEvangelistary župniuredRapski RAB Ink.9 Opatskaknjižnica KORČULA 8567,Ink.Ink.15/16, Ink. Franciscan ofMuseumthe monastery KOŠLJUN the edges pasted in“Psalteriumof to outer the Gothic Maius” writing N S. Franjevački Sv. samostan KAMP XII,34a ordinaryminuscule,features,bywith someBeneventan in scribeoriginallya trained Beneventan., Palla Babina de XII,26g Lacromensi.insula XII,26f insulain LacromensiBenedicti XII,26e ., saec. XII, Antiphonalesaec.XII, ., scraps(?;Dni)4 purposesTransfig.forserving of repair asare tabs and

saec.XII, bifolium saec.1XI, folio, (Seneca,

OR ,saec.folios,XI 2,2 . . . . Donatio ecclesiaeinsulamonasterioPancratiiDonatio Babinain Palla s. indeMeleta s. Benedicti Confirmatio donationis ecclesiaeConfirmatiodonationisPancratii BabinainPalla s. deMeleta insula monasterio s. Iuramentum Pauli episcopiIuramentumPauliDulcinensis monasterioConfirmatiodonationis s. insulaBenedicti in LacromensiPancratii ecclesia de S.

(Krk)

Operaphilosophica

in insulamonasterio in Meleta s. insulaBenedicti in Lacromensi.

(Archeologicalmuseum):

saec.XII (The Library of the Abbey) Library ofthe (The (RabOffice)Parish Leo Magnus (TractatusMagnus Leo , Graduale , Eufemije

Passionarium . sa . ec. XII ec.

, Treviso, 1478), 21478),Treviso, fragments, , (Franciscan monastery of St. (FranciscanmonasteryEuphemiaofSt.

( SS. TryphonisBlasii) et SS.

51.6

. . saec. - 8); Isodorus XII (1189?) XII

( De offi De Liturgica

ciisecclesiasticis

)

saec. XII Written inXII

37.1 - 3) 3)

236

CEU eTD Collection Archological(olim museum,2/2) S.N. c 50 1102)FromFragm. +B.H.L. same7 asthemanuscript Fragm. from 8 samethe collection Split,and Fragm.9 ArchologicalSplit, museum,(olim2/2) S.N. c 50 (Pantaleonism.sameNicomediae)Fromtheasmanuscript Fragm. from 9 samethe collection and Fragm.+Fragm.7 8 Fragm.6 repairstripsKaptolski Trogir, usedandto 8, fols. MS189 206 arhiv Fragm.5 ofVienna, ms.frominkeptremoved now and 17 anin isfol. offset envelope, impression227r 8, MS reversedthe sanctorum From(?)) 3242 samefragmentsasthemanuscript the Fragm.4 Geschischtsforschung,HS. 176r TheS.N. Archive (Antiphonale Chapter offols.the sanctis, de 7956 bB.H.L. interpolationibus) cum Fro Fragm.2+Fragm.3. CollectioLovreKatić lost) Liturgica NadbiskupskiArhiv ininare saec.IX Beneventan, 624 D 623 D 622 BC 135 621, D Riznicakatedrale -

- 136v,143v (Bari144v,type), 242v,246v 245v,and v), MS 15MSv), (fol. and (fol. and18 MS 19r) Vienna, 46r) , saec. , Evangeliarium Sacramentarium , saec. ,

, saec. XI 2,Vitae saec. XI sanctorum , (Be saec.verticalXIII,a , strip,Patristica (?) fragment,saec.XIII,1 , fragment,1 saec.XIII, (Sacramentary?),bifolium, saec.XI/XII, (formerlyinin nowKaštel Sućurac, archive Parish , a scrapa a , Universität, Institut für Universität, Institut österreichische Geschischtsforschung XIII, ThomasSpalatensis, XIII, , Arhiv KaptolaArhiv Registrummonasterii S.PetriSelo in nd offset inms.nd227r),scrap37r,in (fols.offset a ms.(fol. 8 15 1r , saec.XI /XII,fragments, , two

, s (The ArchiveArchbishopry)the(The of

writtenin half

aec. XIaec.2,2 formjoin triangular scrapsfragment, Vitaeto a sanctorum writteninFoll. minuscule, saec.a ordinaryXII, 217 D

Vitaesanctorum VetusTestamentum

(TheTreasury Cathedral,ofthe The Archive Chapter) ofthe - uncial, saec. VIII in. inAdditionssaec.VIII fol uncial, on Beneventan occur HistoriaSalonitana mfragmentsasmanuscriptin samethethe and Trogir, offsets nedicti ab.nedicticasinensis,Gregorius Magnus,Dialogi II.2

(Gallicani, Iohannis et Pauli,vel(Gallicani,Iohannis B.H.L.3236 et 3237,

Vitaesanctorum

from Trogir, Thefromarchive Trogir, Chapterofthe (Gen41:10

Universität, Institutfür Universität, österr 4v/7r, 51v, 209v), scraps51v,209v),4v/7r, in (fol.9 MS - 24, 24 24,

(SymeonisStylitae Senioris, , HS. G HS. , - 38), from38), leafsamethe asthe nd( 220

- v), andv), stripa Sacramentarium eichische Vitae l.91v,

- 3, 237 )

CEU eTD Collection (i) or repairlater fragments9,12,manuscipts17,18 used to 8, (in 15, writing,Gothic Kaptolskiarhiv N., S. N. S. sakralneMuzej Trogirumjetnosti N. S. Riznicakatedrale TROGIR Cornucopiae,1489) Venice, Incunabulum98 writtenin saec.XI, ordinaryminuscul 1, MS. SamostanSv. ŠIBENIK Quinti(Venice,1529)) 1523 and(Ferrara, 1526);OrdinationesVenice, MinorumFratrum s FratrumMinorum Ordinis magistrumetgeneralem Ordinis Fratrum Conventualiumeiusdem miscellaneousFranciscan( texts S.N Franjevačkisamostan ThomaeVenice,Aquinae, 1497) insidepreservedandfrontdebook the onbackcovers(Petrus ofprinted Bergamo, a Tabula operum Ink.12 Barbarus, 1499) Venice, book binding (Themistiusofprinted a Peripateticus, Ink.9 Dominikanskisamostan Vetustestamentum Vesperale . saec. XIII, 1 folio.saec.XIII,1 , a. 1259, ,a.

saec.XIII ex, , (form , saec.XIII, , Offsetsin, offsets. s Beneventan saec.XIII,

) erly

Evangelistarium Franje

(TheArchive Chapter) ofthe Epistolarium , saec. XI ex,andfront saec.XI fly back , Ink.14 Vita s.Vita Vidae

(TheTreasuryCathedral) of the Evangelistarium , saec. XIII, strips2 insaec.XIII, ms.(fols. 8 ,

(The Monastery of St. Francis)(TheMonastery ofSt.

Missale - Poljud

), saec.XIII, ),

(Dominican monastery)(Dominican

(Rome:1517);

(foll.1 2andfront folios , back to the coversof(pasted (Dom. 2 (Dom. (Franciscanmonastery Bullaconcordiae inter ministrumgeneralem fr ordinistotiuss.

- e) Missa 77 are inare 77 Beneventan)

useum of sacred art art useumTrogir)of sacred - aec. XII (?)containing XII aec. Magnus,DialogiGregorius 2.2 3 p.3 Epiph.)servescontaining bookcover as the ofprinted a Statuta Statuta generaliaregularisFratrumMinorum observantiae votiva

- leaves,

in honores.in Crucis ParaphrasisAristotelem in

- Poljud) 189r Sermones -

v,206r

(Rome,1517);

(pasted to Nicolausto Perottus, (pasted eu Constitutioniseu Martini Papae - v) , 2 scrapsreinforce2 usedto , the

, trans. Hermolaus , trans. Liber sequentiarumLiber Gradu Bulla unionis Bulla ale, Antiphonale ale, - ancisci 3 are 3 , 238

CEU eTD Collection saec.XIIIscrap (ii) a179r), (?), (fol. (fol.(i)139r bycopiedCaffafraTrogirAntonio presumablyby and fol.him,ofdate signed1418, at on a 178r with N S. lingua M Castiglianada nostra nellaridotta (Luigibook introduttioneDella dellanuovamentedial Fede Granata, simbolo dalla parti quattro S.N horizontally damagedcut fromfolsstrip bifolium a reinforces 16 MS 76r, 111r),110r,18 40r);71v,72r, (fols. writtensomeinare 35r, Beneventan script visibleare (xi) (fols.inoffsets 1512 mss.5r, 83v,17r, 84r), (fols. 7r,29r, 6r,28r, 18r,4r, 57v, manuscriptsfromasSplit,same the TheArchbishopric, fragm.Archivefragm. + 2 ofthe 3 fol. saec.XI/XII,18, MS 46r, manuscriptsTheasSplit,Archive Archbishopric,ofthefragm.fragm. + 2 3 fol. 15, MS 19r samethemay inbemss.codex (x) a maystripc., inbems. 9 part sameof thecodex, (ix) stripms.andinfrom17 keptremoved now envelope, an (viii) (vii) 13 (vi) Fragm.+ 2 3) manuscripts(Fromas same the 5276)evangelistae (B.H.L. fol. 9, MS(v) 176r (iv) (iii) 81r (ii) th - Vitaesanctorum Antiphonale

.cover,saec.XIII, Antiphonale (Innocentium;AAgnetis) bifoliumofprinteda coveras the serves Augustinus, Tractatus in Iohannem Tractatusin Augustinus, v,128v) Vita s. Donatis. ep.Vitain Epiro Patristica Patristica c., c., . 2in fragments. repair BeneventanwasinAntiphonale an serveXVto writingthat saec. Gothic Hieronymus in Matthaeum Hieronymusin Vitaesanctorum ,undeterminedbindingMissale fragment, p.Dom. Dom.5 Quadr., (Fer. date, Quadr.),2 a 3

v), s v),

, 1 strip1 , (?), 1 scrapin1 ms.(fol.(?),13 16v),15 - , saec. , v, saec. XI/XII, v,saec.XI/XII, aec. - v,saec.XI/XII, , scraps in15scrapsmss. r), (fol. (fol.31r 30 , 9 , a scrapandain227r), scrap in ms.(fols.offset a , 8 37r, ms.(fol. 1r 15 XIa(?), unidentifiedtriangularscrap,text inms.(fol.22r 9 XIII,7in scrapsmss.77r,54r, (fols. 209r 91r,8

Vi , scraps in, mss.

12 (fol.81r 12 Split,TheArchbishopric,oftheArchiveCollectio LovreKatić, Fragm. Vitaesanctorum III,3 stripsfrom leaf samethe tae sanctorumtae Vitaesanctorum

- , 1 scrap,1 ms.and fromin 17 keptremoved now an envelope, v), 13 v), - .FilippoPigafetta,Venice, 1596) v), 15v), (fol. 19r th 8 (fol. 190 r (fol.190 8

(Eustasii,filiorumet 2761), Theopistae B.H.L. c.,

(Georgiifrom Cappadocis3393), same theB.H.L. th

c.,

(fol.Marcifol.176v: Georgii176r: 3393); (B.H.L.

- - v), 18 (fol.18 v), 46r), v),9 (fols. - v), andv), 18 13 (fol. 1r), . 1r and 1r 6v in ms.(fols,12 in93r

1v, 25 r 1v,25 - v), 9v), (fol.25r

- v), 15v), (fol.67r - th v,103r

c.. Otherc.. scraps of - v)and(fols. 12 -

v),13 - v), andv), a -

v),13

61r, 62r,61r, th

c., 239 th

CEU eTD Collection Saniveni pro fuit, caps. ideminquomodo monasterium inet insula sitpossesiones Yculo Postimana adeptus XXIII,caps. br.23 Chrysogonus XVIII, Caps. br.34. NobilesIadere.Iaderae monasterioChrysogoni s. Tilagopiscationisconceduntius in br.242.XIV, Caps. Chrysogonus St. massoI, broj3. Caps. B, Grisogono San 182,Poz. 4,listSv. 4, 182,Poz. 4,listSv. 3, 182,Poz. 4,listSv. 2 182,Poz. 1 Sv. Miscellanea DržavniZadar arhiv sideinone blackwithpatterns greenpetal r 28 (9/a),(17/1), 383633 10 (15/b)(15/a), (13/a), ZadarOrdinarijat N. S. N. S. ArhivMarije Sv. samostana ZADAR (signed saec.fol.XIV “1372” 1r) on N. S. and30” Joanni “SequenzaL carte a Morti deiCarte a “Sequenza cover) front del Santo N. S. Antiphonalefols.123 (“Antif. foliati pencilledaccording theC., to N. S. estored, formerlyestored, to choirbacknailedAnastasiathethestalls in of onCathedralofpainted theandSt.

Numerous Damagedfragmentsoffsetsarenumerousand found inlabeled manuscript variously: a (inside 5scraps,in insidedown pasted on condition,wretchedare the ofspineancoverof the Gregoriusmagnus,inMoralia saec.XII Job, CodexJaderensisS.Mariae IX, br.1120)*no.IX, (old.

, saec. XI ex,5, saec.XI folios,

fragments fromservefragments repairmanuscripts variousto in Antiphonalean writing Gothic

domofiliorum Constantini permutat

*, (1067) saec.(1067) *, (Ordinary of the bishopric(Ordinarythe Zadar) of

saec.xi mademonasteryS Donationthe to ofSt.

, saec.1XI, folio, , saec.xi ex.

(State Archive (State ofZadar) palimpsest,upperscript,1 saec. XII, folio, Graduale saec.XIIex,fragment,

saec.xia. 1044) in favour(post testament of Dauseta Monasteryof the of

(TheArchive Mary) monasteryofthe ofSt.

(1033) saec.xi, (1033) Chrysogoni Monasteriumolim S. domum,quae (post a.1072) Donation (post Monastery theof Zovinna St. to of , sea , \ c.xxx MessaMorti.ede / ximonasteriiabbas ex.Petrus, Chrysogoni declarat s. Iaderae,

Breviarium in PsalmosBreviariumin c. c. Graduale XII, firstXII, is in part written script Beneventan

Graduale

saec. XI, 5 bifoliasaec.5 XI, XXX."

Car: LXXVII”;Car:i v)”Sequentia(fol. di S. on) , Antiphonale , . Grisogono circa. 986 a

, fragments , are

- 999. 240

CEU eTD Collection 697 696 HrvatskiNacionalniArhiv kingKrešimir iupanusSuhovara,between monasteryChrysogonus the and Vekemir, inof ofof frontLuka St. the D Fragm.5 Fragm.4 ,/verso Venerable XLIII Bede, Fragm.3 Fragm.2 Fragm.1 andart) ArhivumjetnostiAkademijeznanostiHrvatske i 4107 R fragmentspreservedinare Rab) 4106 R sveučilišnaNacionalnai knjižnica 201 MR insideon andfrontbookthe coversback( ofprinted a MR 166 MR 164 MR Metropolitana ZAGREB saec.XIIIfragment,(ii) Breviarium, saec.XIfragment,Passionarium, ex(i) S.N (patristica?) G MS. D MS. FranjeFranjevački Sv. samostan -

Thisfragment is reportedby Virginia Brown, «NewList..»(1978) D I - .Miscellany uring myresearc 1 1059 . ,fol. XXIIIIv, , in, offset, Inanis inantiphoner Gothic offset an writing there saec.Beneventan saec.XIex. , saec.XI/XII,1 , folio, Gregorius Magnus, saec.XIII, , fragments,two

, saec.fragment,XI, Homiliae, saec.XII, , Psalterium. . leaveslastnine The (foll. 258 , saec. XI ex,1 saec.XI folio, , folio,saec.XI/XII,1 , (?)“saec.rectoSt XII”, / , , , inoffsets containing saec.XI Beneventan saec.XII, in, saec.folios,XI 2

h inh Confirmatiochartulaedonationis Radovani Missaleplenum Passionarium

Patristica CroatianAcademy of Sciences

(CroatianArchive)National

Epistula S. Pauli S. ad PhilipensesEpistula GregoriusDialogi magnus,

(?), a saec.XII2 a (?),

In Lucae evangeliumLucae In expositio Vita S. Iulianae S. Vita

(?)

Evangelistarium

. Augustin, . (FranciscanmonasteryFrancis) St. of

(MontecassinoBenevento) or (NationalUniversityand Library) 696

In In Joannisevangeliumtractatus in 2002, in

Moral -

266v) are in266v)1015 are a. Beneventan, (TheArchive AcademyCroatianofthe sciences of (this is the part (thissameofisthemanuscript part the of which

Exaltatio s. Cruciss. Exaltatio Vita etVita Hieronymi transitus S. the librariancouldn't locate the fragment ia in Iob ia

,278 as

, , A. D. 1070,a , A.D. disputeabout land the

libersecundus Liturgica

. (B.H.L. 4178) are preserved4178)(B.H.L.are

697

CXXIV, CXXIV,

, Venice, , 1485) - 30 XII fol.XII on 95v

. tractatus

241

CEU eTD Collection LibraryJesuitthe Society of book printed 2027 Society Dragišić, Parts foliosof5335) two bound sidewaysasandfront used flybackand N. S. ZnanstvenaknjižnicaJurajHabdelić 4107 R sveučilišnaNacionalnai knjižnica 11:19;Gal1 1: 57/10 MSC 57/9 MSC rukopisaZbirka confirmata regeII (1089) HR HR HR vindicabat, tamendiesMaioeidemvitaead sinecensu co monasteriiCgrysogoniins. vineamLaucarani,filius Jaderae campo quamsibiBarbae, Maius, iniuste HR StephaniJa HR antiquissima Monumenta Spalati Benedicti Documentamedievalia 2. varia: - - - - - HDA HDA HDA HDA HDA , saec. XIII, 1 foliosaec.XIII,1 in , 4 neums cut (Fer. Missalehalf,with , saec. XIII, 2 folios,,saec.XIII,2 , 1 folio,, saec XI/XII

De natura angelicanaturaDe - - - - - , saec. XIII, a ,saec.XIII, bifolium, 876 876 876 876 876 derensis - 11 Opusculadivi Bernardiclareuallensisabbatis ------, saec. XI/XII, 2 mutilated,saec.XI/XII,2 bifolia,and damaged 11 10 5 9* 4* 3:5)

, saec.XII , (formerlyantiquissima1070.Chartula Documenta a. 6) donationisRadovani

(The collection of manuscripts)of(Thecollection (formerlyantiquissima DonatioDocumenta saec.XII. Svinimir 9) (formerlyantiquissima1078.Donatio Documenta a. Suinimiri 8) regis (formerly (formerlyantiquissimasaecconfirmatio (?), Documenta (1067), XIII episcopi4)

Vitaesanctorum

Documenta antiquissima Documenta (1075 5) Gregorius Magnus, Iob Moralia in , Florence, 1499) / formerlyFlorence, / , 1499) inLibrary theDubrovnik, Jesuit the of

Apparitio s. Michaeliss. Chonisarchangeli Apparitio in (formerlyantiquissima Documenta 10)

(NationalUniversityand Library):

( Scientific libraryScientific ( Juraj of Habdelić)

(Longini,4965;Virginis BeataeB.H.L. Mariae,B.H.L.

ncedit , Venice, 1495 / formerlyVenice,/ in 1495 , the Dubrovnik, - -

NovumTestamentum 6), saec.XI6), ex Petrus,abbas(?), . 5keptQuadr.)ebd. 4 with together the

- leaves in(Jurajleavesbook printed a Possessioness. monasterii

iStephano aregis (2

Cor 8:19 Cor

- 242

CEU eTD Collection no. AccessioniNuove 34, NazionaleBiblioteca FLORENCE Fol. Universitätsbibliothek1703 GRAZ T ex, saec.XIII Impr.condé Musée Fol. CHANTILLY Fol. 920 Lat. Theol. StaatsbibliothekPreussicher Kulturb BERLIN 394 K MagyarTudományos AkadémiaKönyvtára BUDAPEST Matthaeum 130:f1200:17 ofUniversityCalifornia, Bancroft Library BERKELEY 1 Lat. Palaeographical University, Seminar BELGRADE Manuscri heintoleavesprintedChantillyboundacopy are 1503) of Xenophon(Venice, V, A.8 V, , saec.XI 1,presently , lost (formerlysaec.lat.5), octavo Cod.

Lat. Quart. 278 Quart. Lat.

pts and fragments and pts preservedof Croatia outside

II.30.6(Mt 9:10 (2 foll.) (2

, saec XII 1,,saec XII

NecrologiumRagusinum (formerlysaec.Bruno ep.A2M2XIII, Signien1200:17), ff 2MS

, saec.XI ex, , V, A.8 V,

MissalePlenum 35 - 12) ,saec. saec.XIIIfol. ex,137, ,

(2 foll.) (2 + XIex (Dubrovnik?) Evangelistarium

esitz

XIex, (Kotor) GRAZ, UniversitätsbibliothekGRAZ, 1703 :

(TheLibrary AcademyHungarian of of Sciences) Horarium

NecrologiumRagusinum

(Zadar)

sis, +

Musée condé Impr.condé Musée (fol.137) Commentariusin

243

CEU eTD Collection Irishcollege Lat.339 MS. Borg. ApostolicaBiblioteca Vaticana VATICANCITY 13 MS Archivethe of ROME foll.(iv) 178 foll.(iii) foll.(ii), 3 foll.(i) 1 F. 2 no.MS. AcademySciences USSR)ofof the SSSR SobranieRedkoiinostranyhi Rukopisei OtdelaRukopisnoi Knigi BibliotekiAkademii Nauk PETERSBURG ST. liturg.Canon. 342 MS. CanoniciLiturg. MS. CanoniciLat. 61 MS. Bibl. LibraryBodleian OXFORD Chrysostomus, N. S. inHomilia1 Marcum8: N. S. collectionMcCarthyThe LONDON II Cod. FranjevačkisveteKlaresamostan KOTOR

(Cod.I.,formerly in monasteryClare), Kotor in,ofin St. saec.thefoliXI 1 (Cod.II

(CollectionDepartement ofand ManuscriptsManuscript of the Library of RareBooks the ofthe , saec. XI 2,lower, saec. partXI leaf, ofa , saec.1XI, folio, , Augustinus,

- 67

2, 200 2, -

64v, saec. XII, 64v,saec.XII, -

177v, seac.XII, 177v, - 00

193v,seac.XIII , formerlyinmonasteryinClare), Kotor folio,oftheSt. saec.1 XI,Iohannes

De proditione Iudae proditioneDe PontificalIrish College - (Kotor) 201 (fly201

, a. 1082, ,a.

277

- ,seac.XIII, - 9 and9 Orig leaves), saec.leaves),XII, Lectionarium

,saec.XI ex, ,saec. Pontificale Evangeliarium AbsarenseEvangeliarium Sermonesecclesiaededicationem in

XIex,

enes

30 (pp 103 30 (pp MissaleRagusinum (Franciscan monasteryClare) (FranciscanSt. of Tractatus in Iohannem Tractatusin Missale

,saec XII ex , Homilia 4 in Mattheum, (Mt 7:in 15 4 Homilia(Mt Mattheum, ,

HoraeBeataeoficiis Virginiaaliis Mariaecum Evangeliarium Homiliarum -

(Nat. B.V.M)(Zadar?) (Nat. 4 Baselof1530 edi

(Osor?)

(Zadar) (Dubrovnik) ,55.6

- tion) 7

21))

o, Homiliary (Haymo, o,

(Zadar)

244

CEU eTD Collection Nr.24 manuscriptsameTheasSplit,archive G HS F HS E HS. fols.sanctis,scraps51v,209v),4v/7r, in 176r (fol. 9 MS fragm.andand3 manuscriptsfromassame the inApparitioGargano,MichaelisB.H.L: Monte 5948) arch. D, HS. le scraps7 in91r, mss.77r,XIII, (fols. 209r 8 54r, repairare inscrapstheleaves Thevarioususedto Archive Trogir, Chapter, ofthe B HS. Pascham) A/1 HSS. Nr.5 Nr.4 Institutfür Universität, öste VIENNA aves formerlyinKarin,FranjevačkiII,missingInk. aves now samostan, ec, saec.2XI bifolia, . Evangeliarium (Trogir?)

,saec.XIII.lower part ofleaf, a sociorum),sanctorumVitae(Nicandri, fromMarcianiet the (collection of fragments)(collection(Trogir?)of issaec.XIII ,saec.XI, , saec XIV, 1saec folio, XIV, Antiphonarium, (Trogir?) saec.XI saec.XI/XII,2 strips ,

A/2,A/3 II, strip, II,

Vitaesanctorum the fragments and offsets infragmentsthe andS.N. Trogir,The Archive (Antiphonaleoffsets Chapter ofthe de

,and Antiphonale A/4

Vitaesanctorum are inare BariHomiliariumsaec.theofXII/XIII, type writing, in (Sermones rreichischeGeschischtsforschung Split, TheArchbishopric,fragm.thearchiveCollectio LovreKatić, of 2

(StephaniB.H.L.7857) protomartyris, diaconi

(Assumpt. B.V.M),membra (Assumpt. other manuscript disiecta sameof the

of the Archbishoofthe

, (Eustachii,uxoris filiorum , Theopistae 2761, et B.H.L. - v), 9v), (fol.25r

pric, Collectiopric,LovreKatić, Fragm. 4 - v), MS 15MSv), (fol. 19r)

- v)and(fols. 12 81r

and(fol.18 MS 46r)

Antiphonale - v,128v)and the two

, saec. ,

245

CEU eTD Collection Bibliography: 35r,fol.fol. 40v 37v, 13r,fol.15r,fol. fol. 14v, 18v Theyfoundon: are and green red, yellowwith filled is letter the of space empty and lines diagonal small and ornaments curved 2,5 comprise initials Smaller Smallerinitials 51r lines), mo bird (typical beak long a of remain a is there right the on lines), yellowish 8r 1v fol. Theyonceon: were po gold with treated were they (probably 5 fromcomprised initialsthat bigger were There Biggerinitials(cut) D SCRIPT: DATE: laterfor mutilationsExcept initials), manuscriptthe (cut iniscondition. good rather inmiddleblue part pen(every the upper offolio) the period later in done is folios the of marking The marginlower text the of dimensions 163x243, by folio: the marked of quaternions dimensions from composed is it there, and hereA,B, C,G,F,H, D, I letters: E, visible are pricking of signs side, hair with done lines), rulingwas lines long in(36 written ofparchment folios consists of77 It saec.XIVGothicscript rotunda Great‟s the Gregory with together bound is It cover: 167x255 the of dimensions century), (XXth clasps metal with leather white in bound is manuscript The CODICOLOGICALDESCRIPTION: C SHELFMARK: Zadar monasteryThe Maryin ofSt. Zadar 7.1. SCRIPTDISCUSSEDANDIN THETHESIS CATALOGUEWRITTEN7 OFMANUSCRIPTSFRAGMENTS AND INBENEVENTAN ESCRIPTIONOFTHEDECORATION ONTENT:

ssibleconclude to fromthey that composedBeneventanforms.werea repertoryof (5 lines), (5

(7 lines), (7

fol. 30r fol. (6 lines), (6 saec.XII

color Beneventan script, Bari Beneventanscript, type

fol. 9v fol.

- fol.67r Moralia in Job GregoriiJob papae in Moralia 45, upper margin upper 45,

), (7,5 lines), (7,5

fol 2r fol

fol.11v R

lines) (7 where -

(9 lines) (9

(6 lines), (6 -

(6,5 lines), (6,5

fol. 33r fol. -

lns f et hy ar they text of lines 3

16, the height5mm the ofline one16, text: of fol. 3r fol.

- lines), (8 there are remainsare there bird of 2x, fol. 24r, fol. 24v, fol.2x,fol. 25r, 24r,24v, fol. fol. 2 fol. 13r fol.

- (8 lines), (8 ef ad y h rmis f id ed a sm pae i is it places some at heads bird of remains the by and leaf)

fol. 36v fol.

(7 lines), lines), (7 Regula Pastoralis Regula

- with pencil in the right upper corner (every page) and and page) (every corner upper right the in pencil with 9 lines of text (ca 35 mm). They are unfortunately cut unfortunatelycut mm).are 35They (ca text linesof 9 fol. 5r fol.

(7 lines) (7 e drawn in black/blue ink, decorated with semi semi with decorated ink, black/blue in drawn e fol.16r

(5 lines), (5 - - 115x184, left margin left 115x184, head (blue ears, red eye browse, filled eyebrowse, (bluered headwith ears, fol. 40r fol.

(7 lines), lines), (7 , separately pagin separately , fol. 6r fol. tif),

(6 lines), (6 9r, fol. 31v, fol. 32v 9r,31v, fol.

fol. 19v fol. (9 lines), (9 fol. 24r ( 24r fol.

fol. 41v fol. (6,5 lines), (6,5 - 16, right margin 35, 35, margin right 16, fol. 7r fol.

5 lines), 5 ated and written in written and ated

hardpoint (5 lines), (5 (9 lines), (9 , fol. 27r fol. fol. 21r fol.

246 fol. fol. fol. fol.

on on (7 (7 (7

CEU eTD Collection itr oa. Smtig e fo Dlain Beneventana”. Dalmatian from new “Something Novak. Viktor [Col. 1077A] 1078C] [Col. 1070C] [Col. 1069C] Jerome,St. content: ofpreservation:state script dimensions: material date: interpreteturfrequenter inc. IV, fragment after immediately follows (textually it side side columnleftverso columnrespectively), (and lines of first 14 ofhas right ofrecto damaged the Fragment inc. ofside)verso 29 lines on text partlydamaged that 4 lines on one smaller columnholes, two has it side, outer the was this and folded) still are text Fragment inc. linesalsosmallerare holeson 20 almostcomple Fragment res porti small the for inc. withleftveryanda small of right column portion respectively Fragment inc. Fragment writteninarecolumns Fragments lines33 two of piecessmallplusone piece Cro in pencil a in addition recent Italian, in written is thing same the paper of piece a On CLXXVI,position1)” no. 39 Dalmazia, la per di «Scriptoriumbenedettina Praga dell'Abbazia Jerome; G. St. whichcontained paper/c description 182,p.1 shelf Misc. mark: ArchiveZadar State in Virg Loew. card. Collectanea in manuscripts” Beneventan of List New “A Loew. Avery Elias (PL vol.(PL 26) has decorated initialand hasdecorated initial“I” recto on “F” verso on (urrectionis est, nihilha) (urrectionisest, potest iniavols.Brown.2 Sussidi 34. Eruditi 33, sanguinem et aquam. Per per sanguinem,aquam. sanguinem et adposuitquem agonemloco in regeshosquattuor pugnans, malignaveruntconsilium, tuum Albareda a Biblioteca Apostolica edita, Apostolica Biblioteca a Albareda : Beneventanrecalls: script, type Bari saec.XI The Beneventan script. A History of the South Italian Minuscule Italian South the of History A script. Beneventan The ardboard on which it is written in blue pencil in Croatian: “Fragments of a parchment codex codex parchment a of “Fragments Croatian: in pencil blue in written is it which on ardboard of recto side (and respectively right column of verso side) and bigger one of triangular form form triangular of one bigger and side) verso of column right respectively (and side recto of - parchment V IV I II III - : five folios (including one bifolium) are preserved in an envelope with a piece of of piece a with envelope an in preserved are bifolium) one (including folios five : - - althoughisfragment hasthetext been the and intact recto cut, versoon preserved

Fragment V and Fragment I form bifolium. Fragment V has a hole of triangular shape that that shape triangular of hole a has V bifolium.form Fragment I Fragment and V Fragment -

- fragmentI maxmmx370 280

the left column of the recto and right column of the verso side are preserved intact along along intact preserved are side verso the column of right and recto the of columnleft the

the fragment is very damaged and it has purple moss stains, the text of the recto side is side recto the of text the stains, moss purple has it and damaged very is fragment the

the recto side has turned yellowish since the fragment served as a cover(first four lines of fouryellowish sidefragmentservedcover(first as a since has theturned recto the tely illegible, while the verso side lacks first seven lines of the right column of text, there linescolumnthere firstseven ofsideversolacks right oftext, theillegible, while the tely Breviarium in Psalmos Breviariumin n f ih clm o vro ie expl. side verso of column right of on -

40), removed from the cover of the notary Simon Venier, 4 pieces, Miscellanea Miscellanea pieces, 4 Venier, Simon notary the of cover the from removed 40), , Breviarium in Breviarium Psalmos

fragmentIII fragmentsmutilatedare and damaged

psalmus82

, fragmentV , one column of text: 290 xmm,290 98 text:column one mm of betweencolumns:space, 19 expl. , - 21, 24 21, ber - ,expl. psalmus83 expl. -

33 on the right column of recto side (and respectively left column column left respectively side (and recto of column right the on 33 [Col. 10 [Col. (e quod est) (e triste Erigat se qui vult sequi Erigat

- - fromfirst part of eleventh the (appendix century work theof of psalmi85,86 84, 26,32 Nabuchodonosorhab(ent)prin magis quam (hmagisquam Studi e Testi e Studi

Rome:Edizioni dieStoria Letteratura,1980: vol.2, 173 67C]1069A] [Col.

passionemChristi - [Col. 1073A] [Col. 1073D][Col. 1073A] [Col. 33columnline right oflefttheof theon 5 and column

220, Vatican City, 1962: 211 1962: City, Vatican 220, abi)tare in tabernaculisin peccatorumabi)tare

oe i va rsu suos gressus via in ponet

[Col. 1078C] [Col.

eivla t humanistica et Medievalia Resur

San Grisogono in Zara, Archivio storico storico Archivioin Zara, Grisogono San , expl. , ,

fragmentII . 2 nd edition prepared and enlarged by by enlarged and prepared edition nd 2 . rcins qiuqe ue fili) autem quicumque (rectionis;

ergo et nunc dicitur nuncergo et

Vaticana in honorem Anselmi M. M. Anselmi honorem in Vaticana

cipem [Col. 1080A] [Col. , fragmentIV - psalmi83 82, ,

- 244: 243. 243. 244: , expl. expl. ,

4 16) 76 (1962): 14 - psalmus84 -

atian says: 4 says: atian 6 of the left left the of 6 Chore quid quid Chore [Col. Elias Avery Elias

247 -

85. 85. us us

CEU eTD Collection notation script marginlower dimensions: material date: lines)(long with done is Ruling 4br. and poz. presentshelfthe corner, upper oldthe shelf right in pencil blue in written 1 number additions: century twentieth are there fragment this sideof recto On B de Niccolo especially543 pages notary by written material graduale, a of content: “fragment 1989: in Lonza Nela by made Croatian in notes are there fragment, this For fromcoversofthesome Zadar notary taken pieces, 4 line, red single one with and line without neums with gradual of text musical contains 4 p. 182, description 182,4,p.l.2 shelf Misc. mark: secolo”. XIII vol.2,1980: 174 byenlarged Virginia Loew. IlluminationinBook Journal of Zadar”. Stud Croatian edita, inmanuscripts”inhonoremVaticana CollectaneaAnselmi card. M. lafasc.68 per VIII, (1929): DalmaziaVol. 45 Lo“Scriptorium”Giuseppe Praga. benedettinaindell‟ abbazia diGrisogono ArchivioZara. San storico Bibliography: middlethe verticalthe of stem. same“bird”typeinside holdingheadbeakon threadof itsupper a the andsqa with letter.headslongwithbeaks bitingbarsthe the The letterof verticalwithis stemofthedecorated the withbirdheadsanimal,holdi probably initialThein“F”ink.Horizontalblackis letter barsfromenddrawn composed of laces arethe that verso sidefoliageendswithforms. stylized and verticalrectangular filledispart Thepart stem.rectangularwith initialTheininkblackisit andrepresents typical drawn recto V Fragment ofthe description decorati - - : Bari: type saec.XIex StudiTesti e initial “I”initial initial “F”initial The Beneventan script. A TheHistoryBeneventan Italianscript. South ofthe Minuscule Proprium de sanctis (S. Agnes), l.2, Agnes), (S. sanctis Propriumde :Beneventan neumsaperto‟ „incampo - parchment L 1 (L

: The fragment is kept in a yellow folder along with other fragments witfragments other with along folder yellow ina is kept fragment The :

- 280 x 180 mm, one column of the text: 113 x 201 mm, the height of one line: 20 mm, mm, 20 line: one of height the mm, 201 x 113 text: the of column one mm, 180 x 280 Segno e Segno testo 35 mm,margin35 right

- 7), . EmanuelaElba. (12 lines (12 text) of

of Beneventan script, writtenin ofscript, Beneventan smallscale

(7 lines of text andlinesline 1 (7 inof text marginal the space)

220, Vatican 220, 211 City,1962: n hc i i witn “rget o oe oe (acmn) XI (parchment) codex one of “Fragments written: is it which on

- Brown. 2 vols.2 Brown. Sussidi 34. Eruditi 33, hard point hard 555, recto XVII” reproduced plate555, on

4(2006): on: -

mark written in black inkininMisc.lowermarkp. black4,l.2written right corner: 182, -

mark on hair side, double vertical ruling, the fragment has 11 has fragment the ruling, vertical double side, hair on

“LadecorazionedeibeneventanaXI ein codici Dalmaziadellatra - 40 mm, leftmm,margin 40

107

1926 written in pencil in lower right marginallower spaceinright in pencilwritten ng a small thread inadornedsmalla withng Theybeaks.also thread theare bird - 147: 117 147: - 1936”

ndci (1432 enedictis e - nd of eleventh century, found in 1925 in the cover of the the of cover the in 1925 infound century, eleventh of nd 86. AveryElias Loew.

- 244:243.

- 118 ies9 -

23 mm,margin23 upper geometric -

MarijanGrgić.“The Eleventh Century Rome:Edizioni Letteratura, e di Storia 10 (1969): 41 (1969): 10

- 49 Lt Paa VII Praga Lit: 1469)

Beneventan initialBeneventanfrom composed AlbaredaBibliotecaaApostolica interlacing “AofBen List New . 2 nd2 edition . andprepared - 132: 51 132: - 29 mm 29

pattern andth pattern on - 60 EliasAvery uare ornament inornament uare - mark shelf h -

Miscell. CLXXVI CLXXVI Miscell. II 1929 VIII, - XII century, it it century, XII eventan

lines of text text of lines e lefte - Misc. Misc. 1930,

248

CEU eTD Collection congregationa belongedto ofMljet ofthe possessor note ofpreservationstate s 19cols.,recto: lines,lines2 17 verso: surviving line: one 8, (lower fragmentpart 2 folio)of height:the distance : 100, width: betweenheight 150, ofcolumns:17, 12cols.,recto: lines,lines2 13 verso: surviving height ofone (upperpart mm,fragmentmm,folio):of1 the148 height: between94 distancewidth: columns:17mm, dimensions material date regulisillustratis venustiAdditis sermonis operis finem ad CumCice.T. M.Epistole Atcensianis familiares introductiumculis: r - description: shelfA mark: 1 LibraryScientific Dubrovnik in 2.Dubrovnik 7. secolo”. XIII e XI tra Dalmazia (2006): della beneventana in codici dei decorazione “La 34. 33, Eruditi Sussidi vols. Minuscule Italian South the of History A edita, card. M. Anselmi honorem in Vaticana Collectanea in manuscripts” 102 (1929): 47 fasc. VIII, Vol. Dalmazia la per in “Scriptorium”ArchivioZara. storico benedettinaLo Grisogono Giuseppe abbaziaSan Praga. di dell‟ Bibliography: 277,K.394). Canon.Liturg. initiStylistically,the underneath,parchment the featureisfoundwhichin eleventh manuscripts latea century(MS. Zadar central formconnected to round Theletter. ofgreenthe andinprotuberance part made upper havepretzel thein middle,they lacesornament is ofwhich the letterSymmetricalend ofwiththe shoulders stylizedfoliagewith theydecorated areornament, small withform o decorated pearl ornament initialThefromminusculeis “m”laces. letterand composed has red Middle green of the round part side Recto d content: yellowish,sidelotsrecto withon of stains initial, the with ofpreservation:state 2 fragmentsfrom2 (cut folio) sameoncepastedthe down preservedin now book and printed the cript

escription of the ofescriptionthe decoration : saec.XIII : Studi e Testi e Studi Beneventanscr 107 : the massAgnesSt.for the parchment - initial -

line:mm 8 142 47: -

478

220, Vatican City, 1962: 211 1962: City, Vatican 220,

(2 lines) (2

: : - ipt, Bariipt, leaningwithtendency, lefttype lettersangular slight towards ofthe cut andcut damaged,five within holes is parchment verticalfragment,of the axes a cursive inscription bocursivebeginningathe printed at ofthe the fragmentis hasthe been the wellparchment haircut, preservedonside

Rome: Edizioni di Storia e Letteratura, 1980: vol.2, 174. Emanuela Elba. Elba. Emanuela 174. vol.2, 1980: Letteratura, e Storia di Edizioni Rome: :

nand stylizedthefoliage in top bottom. ornament the . 2 nd edition nd 2 .

- - initials is into K.als394. related found 114. Elias Avery Loew. Loew. Avery Elias 114. 244: 243. 243. 244: color

prepared and enlarged by Virginia Brown. 2 2 Brown. Virginia by enlarged and prepared

muchsideversoon whiter Elias Avery Loew. Loew. Avery Elias

of the initialofthehas faded away ruined and ecognitis et auctorisargumentis ecognitisetet Albareda a Biblioteca Apostolica Apostolica Biblioteca a Albareda “A New List of Benevent of List New “A ok indicates itok that The Beneventan script. script. Beneventan The

en e testo e Segno

249 an 4

CEU eTD Collection ofpreservationstate script line:columns ofcm,oneheight 9 20 2x19),+ 210 2x17),width:height:+(172 columns/width:(240 172,274 distanceheight: 110, between dimensions material date servedfragment, incunabulaofthecoveras a PhilosophiaelibriNaturalis XII Description 911 shelf 20. mark: 3 (V)”. 1980:VirginiaStoria vol.2, 38. Letteratura, e “A L Brown. NewSecond editionandvols.prepared byenlarged2 34.Sussidi Virginia Brown. 33, Eruditi 239 Virginia“A List NewSecond ofBrown.. Beneventan (I)”. Manuscripts Bibliography: 117) editionem(Juxta Godefrido1531,apud Eucharium,Coloniaedatamanno Hittorpio.) procurante JOANNISLIBRISEPTEM. content congregationa ofMljet ofthe possessor note state script margin:left margin:margin:right line:35, height 68, of 26, one 10 dimensions material date decem,libri Perionio, à nuperfilium quidem Ioachino fragmentservedcover a printedof thebook as descrip shelfCR mark: 2 (V)”. 1980:VirginiaStoria vol.2, 38. Letteratura, e “Aof Beneventan List Brown. New Second Manuscripts editionandprepared en 239 Virginia“A List NewSecond ofBrown.. Beneventan (I)”. Manuscripts Bibliography: atletters The beginning filledthe paragraphsofthe withare red ofthe description decoration: 0700C) content : height: 402,width:height: columns/width: 367,distance333, height: between 107, cm;columns25 upper

- - - 250.Elias290: Avery Loew. - 250.E 290: thirteenthcentury seac.XIII ofpreservation Mediaeval studiesMediaeval Mediaeval studiesMediaeval - BeneventanBari script, type BeneventanBari script, withtendencytype angular

tion HAYMONISEPISCOPIHALBERSTATENSISAPOCALYPSINEXPOSITIONIS IN - - parchment parchment Smaragdus,in Expositio regulamPrologusBenedicti, Sancti - -

fragment 1 (cut);fragment1 recto, number of columns:2, number

liasAvery Loew. - 20. 799 20.

CR of columns: 2, recto,verso, 24ofcolumns:2, lines - - a cursive inscriptionincunabulabelonged cursivebeginning athe ofat thebook the to that good, fromdotsgood, the visibleare pricking poor

largedvols.by2 34.Sussidi Virginia Brown. 33, Eruditi 70 (2008): 275 (2008): 70 275 (2008): 70

The BeneventanHistorytheThe of South script.A MinusculeItalian BeneventanHistorytheThe of South script.A MinusculeItalian - angular tendency angular

- - 355: 34 355: 355: 340 355: Aristotelis,sivemoribusNicomachumEthicorumde ad

1556

verso,lines37 oftext

and yellowand

(PL 102,(PL Mediaeval studiesMediaeval Mediaeval studiesMediaeval ist ofistBeneventan Manuscripts color

Col.0698D Rome:Edizioni di Rome:Edizioni di

40 (1978): 40 (1978): -

Col. B. B. (VOL . 2 . nd 2 . nd 250

CEU eTD Collection (V)”. 1980:VirginiaStoria vol.2, 38. Letteratura, e “Aof List Brown. NewSecond editionandvols.prepared byenlarged2 34.Sussidi Virginia Brown. 33, Eruditi 239 Virginia“A List NewSecond ofBrown.. Beneventan (I)”. Manuscripts Bibliography: decoration ofDescriptionthe VII VI,CAPUT V, sollicitudo. commendanturquedemissiomoderatpraesertimanimi et LIBERSECUNDUS. VIGESIMUS content congragationincunabula the to of Mljet inkinsomeiscursiveinscriptionbrownbeit might visible,that th ofthe possessor note from side,cut upper fromthe leftright andsidethe ofpreservationstate script line:lowermarginsof margin:one 10, 65, other 316,width:height: col 220 262,recto,columns verso, linestext: of dimensions material date Romasermones X, 1545. 1 folio Fragment, Description shelfA mark: 4 (V)”. 1980:VirginiaStoria vol.2, 38. Letteratura, e “Aof Beneventan List Brown. New Second Manuscripts edition 239 Virginia“A List NewSecond ofBrown.. Beneventan (I)”. Manuscripts Bibliography: EXPOSITI content below ofthe possessor note

- - 250.Elias290: Avery Loew. 290: 250.Elias290: A 12/13 Mediaeval studiesMediaeval Mediaeval studiesMediaeval

Baritypeangular of tendency Beneventan, isitwritten Ioannes 1720, written in Ivudcich, cursivescript

prepared andvols.prepared byenlarged2 34.Sussidi Virginia Brown. 33, Eruditi S. GREGORIIS. LIBRORUM CONTINUATIO. MORALIUM SANCTIGREGORII MAGNI MORALIUMROMANI PONTIFICIS SIVE LIBRI, parchment th O IN LIBRUMO JOB.IN B.

1006 - itserves incunabulaofthecoveras a TheoderetiCyriEpiscopiprovidentia de

very Loew. there is inscriptionanthe incunabula,at there beginning firstline ofthe is and crossed - conditionrather poor fleshfragment,a of the bottom of the page (opening page of the incunabula)bottomthe(openingpageisof partofthepage the upper cut, the of 70 (2008): 275 (2008): 70 275 (2008): 70

umns/width: 100, height:, 251distance (cut), height:, between100, heightumns/width: columns:20, no tracesof The BeneventanHistorytheThe of South script.A MinusculeItalian BeneventanHistorytheThe of South script.A MinusculeItalian (C,S) Quodsupereratcapitis - -

355: 340 355: 355: 340 355:

(PL 75) (PL color - cut

io, patientia, charitas, et ergasubditoscharitas,patientia,et io,

XXXI - side is sidealmost e inscriptionbelonging e wasabout of

libriexplicatur,Job

Mediaeval studiesMediaeval Mediaeval studiesMediaeval

Beneventan Manuscripts totally invisible, foliototallyinvisible,is Rome:Edizioni di Rome:Edizioni di

40 (1978): 40 (1978): . 2 . nd 2 . nd 251

CEU eTD Collection date: fragment Gothic inkunabulaexhibitedand fragments in(oneTwo writtenin Gothicnow fromother are the andseparated script) Beneventan the i content preserved.are parchment the D.isGrmek:M. “Untill oldest manuscript thenow, this scientificofthe inkunabulaInsideinscription:isInofprintedthea of inkunabula,fragments thisthere cover the two on rectangularornaments, formsframedcir ornamentsand with two Dimensions inkunabula ofDescriptionthe 1494) Incunabulum68 6 (V)”. 1980:VirginiaStoria vol.2, 38. Letteratura, e “Aof Beneventan List Brown. New Second Manuscripts editionandprepared byenlarged Virg 239 Virginia“A List NewSecond ofBrown.. Beneventan (I)”. Manuscripts Bibliography: decoration ofDescriptionthe content: ofthe possessor note yellowishparchementisthe manyitholeshas and ofpreservationstate script margin:lowerline: right7, margin: other margins11, 17, 308,width:height: columns/width: 209, 70 lineslines(letters lines2 plus secondofscale),smaller column: 22 ofsmaller (letters scale) first lines secondofscale),smaller column:(letters (letters 11 lines;ofscale)smaller plus23 verso fragment2 line:7, 309,width:height: columns/width:75209 lowerscale),ofline second lines column:45 ofscale), smaller1 (letters linescolumn: 16 ofsmaller (letters s fragment1 dimensions material date Cicero's in not Beneventanare forfragmentsBeneventan script, Description shelfCR mark: 5

290: 250.Elias290: Avery Loew. column:lines lineslines4 ofscale)smaller10 plus (letters plus5 ofsmaller 12 (letters plus scale) twelfthcentury studiesMediaeval thirteenth / fourteenththirteenth/ century

Baritypeangular tendency,ofscript, neums,Beneventanink with brown

left margin: 32, other marginsleftmargin: 32, other nYougoslavia.” Orationes

Breviarium parchment ; 2 columns of text: recto;columns2 oftext: recto;columns2 oftext:

: width :

2 folios written infolios2 arein Beneventanfasciclewritten kept script with a fragments whichtogether

- III

(

fragment bound withfragment Guilie - 132, spine 132, -

206 ( De AuctoritateDeDomenica T.P.; secundapaschaeoctavampost the parchment isdamagedparchment the rather i although - none 70 (2008): 275 (2008): 70

subvitro

- 60, length 60, redwithlettersfill yellow

The BeneventanHistorytheThe of South script.A MinusculeItalian

inLibrary Scientific the HistoricalCollection.

- - cale) plus 15 lines;plus verso15 cale) firstcolumn:lines 8 linesofsmaller (letters 2 scale)plus25 plus firstlinescolumn:lines lower33 scale), plus6 of (letters second - inia Brown. 2 vols.2 34.Sussidiinia Brown. 33, Eruditi cut - 355: 340 355: -

- 197, well preserved, bound in brown leatherinwellboundbrown floral 197, inlaid withpreserved, 90, height:300, distance height:300, between90, columns height of10, one - 90, height 90, lmus Paraldus lmus

:300, distance :300, betweencolumns height of10, one merlyincunabulaofservedcoveras a of - ing cut

- first column: 41 lineslinesfirstcolumn: 41 3 plus (letters Summa de virtutibus et vitiis virtutibusdeet Summa cles inside, restaurated, new inside,clasps restaurated, cles t underwent restauration,underwent the t

Mediaeval studiesMediaeval

Rome:Edizioni di

)

40 (1978): ,

Brescia, color . 2 . nd -

252 of

CEU eTD Collection (V)”. 1980:VirginiaStoria vol.2, 38. Letteratura, e “Aof Beneventan List Brown. New Second Manuscripts editionandvols.prepared byenlarged2 34.Sussidi Virginia Brown. 33, Eruditi 239 Virginia“A List NewSecond ofBrown.. Beneventan (I)”. Manuscripts Bibliography: protuberancesrightstressedandleft,the the on on with red) decoration ofDescriptionthe CAPUT V. CAPUTIV. LIBER DUODECIMUS. ETYMOLOGIARUMLIBRIXX Isidor ofSevilla. content libris inNota ink,cursive brownwritten script became later Library. Piarist the let ofthe possessor note itcanglued,andwewas ruling not therefore conclude notthat quite hardwithpoint, visibledone ofpreservationstate script width dimensions material date fragmentBeneventan content libris inNota ink,cursive brownwritten script became later Library. Piarist the are fromletters Library,inheritedlibraryRoyal the whichTeacher the Jesuitof the Monastery, that ofthe possessor: note ofpreservation:state script: width dimensions: material: ters are from ters Library,inheritedlibraryRoyal the whichTeacher the Jesuitof the Monastery, that -

290: 250.Elias290: Avery Loew. - - Mediaeval studiMediaeval lateearly / tenth eleventh

184, length 184, 181, length 181, roundBeneventan script

Gothic : Breviary: The fragmentThe discussionof the parchment parchment

De vermibusDe 1 column of text; recto, verso,linescolumn 18 1 recto, text; of De serpentibus.De

- -

or Missal or 140, two columns width140, two the of text, ofcolumn one 140 mm140

On the opening page of the inkunabulaopeningthe withOnofpage fewthe are signatures, those there big isgood,parchment yellow,oth

On the openingthe Oninkunabulaofpage fewthe are signatur there good 70 (2008): 275 (2008): 70 DEANIMALIBUS.

century

The BeneventanHistoryThe o script.A

(1,5 lines,(1,5 ink,indone brown ornamented

- of poisonous animals and their bite fromanimalsofbite poisonous “Etymologiae” theirand of 355: 340 355:

- - ResidentieSocieatisIesuRagusine ResidentieSocieatisIesuRagusine

erwise well preserved, the text iserwise the text wellvisible clearlypreserved,

- f the South MinusculeItalian f 67, the lengththe line 67, ofone Mediaeval studiesMediaeval withcircular Rome:Edizioni di

es, those withes, those big

40 (1978): - 9

. 2 . nd 253

CEU eTD Collection script leftmargin:margin:line: height 60, the 56, of one 10, bIImarkeda/ fol. II with pencilwidth: 203 / b fol. II lines,linesscale)plussecond column:25 27 a fol. II line:heightcolumns:the of onerightleftmargin: 23, 11, themargin: 53, the 53 fol(cut)width:a/fol.b height:/ I I 300, 209, width the column: onedistance 104, the betweenof linelinesplus (letter o 1 3 plus lineslinescolumn:lines4 pluslines 5 plusofscale) lowersmaller 9 (letters scale) plus6 of (letters lowerlines scale)ofplusline (letters (letters 2 lines;of smaller1 plus scale)5 plus second afol. I linesscale)plus 3 lineslowersecondlines linescolumn:scale)plusoflines 10 (letters lower 6 plus5 2 plusof (letters folb I dimensions: material date dimensions(width)150 x(height). 200 Fragment andservNote: 7 8 Ha 08.99 28. consecrationchurchofthe posvetecrkve obred folioXIIth / ofcentury,PontificalBeneventan, Script: (ordo) ritual of the pontifikala stoljece,List (obrednika)XII Pismo: beneventansko - LongobardicaCassinosec?)di sec Monte X (XI 8 Fragment Hana Breko VIII.1999 28. TollitANT. altarthe crkveObred / posveta posvete +Theoltara ritual consecrationconsecrationof+the church of the of beneventanskadijastematskaNotacija:Notation: / (relativno) (relatively)Beneventan diastemmatic minuskula)Pismo:beneventanaScript:B / (benev. l - Neumi “Fragm.Longobardica PontificaleCassino Scritt. di sec Monte X dsc. 7 Fragment fragmentsfragmentshimbroughtwithhiswere after theanddeath 1900.When around Kotor,hetransferred to to was fragments foundwereTwo Rode in Franciscan Franciscanbymonastery Benvenut of Dubrovnik Description 85310/210/7,shelf MS. mark: 1 Franciscanmonastery ist pontifikalnogist folioXIIstoljece/ obrednika (codex) (kodeksa) century of pontificalof XIIth ordo paper is inserted,ispaper on insertedispaper whi on

naBreko - saec.XII : 2 columns of text; secondcolumnstext; column2 re words: of only first cropped,

Baritype ” : 2: columns firstcolumn readable, words text, firstonly column:li last of cropped, 16 : 2: columns firstofcolumntext; cropped, : 2 columns2 second column: readable: text, wordslines only of last cropped, 27

- parchment

e portas principes portas e (notirana

isfascicle,in whichison textblue kept a written: this isfascicle,in whichison textblue kept a written: this

whic

ch it isfragmentfragmentit no.written:7 / br.7 ch isithfragment / written: 8 br.no.8 ed as the cover ofincunabulaancoverasprinted theed book or fsmaller scale)

/ with notes with/

204, height: 300,height: th 204, -

note mus. note only last words readable,lineswords only lowerlast 2 of (letters eneventan (Beneventan minuscule)eneventan(Beneventan ) Fr

anciscan monasteranciscan

Neume

e widthe rightcolumn:of the 104, ” back to Dubrovnik backto

“

Fragm. adable,firstcolumn:lines, 28 X

yClare ofhetheSt. took - not Pontificale Scritt. PontificaleScritt. emus cm.30x21 rubr.

ofapproximate

nes plus 3 plus nes

254

CEU eTD Collection dimensions: material date 16,XIIct. NO. Description linesandsurviving 195x66mm,7 oftext 5310/210/16 MS. mark: shelf 2 293 2008: Birthday 65th her of occasion the Brownon south 94 (1972): of neums Dubrovnik). in monastery Franciscan with script) fragment Beneventan samostana rukopisi in (TheBadurina.“Iluminirani written pontifikala” Pontifical beneventanskog Dubrovnik dubrovačkog fragment Neumatski Lett e Storia di Edizioni Rome: 34. 33, Eruditi Sussidi vols. Minuscule Italian South the chiesa”. of History A della consecrazione la per Ita rito vecchio un di gregoriana ritagli the “Due of Zaninović. fragments Antun (Two crkve” of posvećenje consecration the za for rite obreda ancient starinskog odlomka “Dva Zaninović. Antun Bibliography: left curvedon structure the inklacesand and D part majusculeupper formedthe is“d” laceofandbeak birdby heada ahooked with D bxfol. 2 II x5 a fol. II stemletterinnerbluefilledwithprotuberance,adorned of the space verticalyellow with stemadorned protuberance), 2 lines(majuscule letter, o endlines curvedwithforms,in stylizedthat foliage yellow executed blue,red, green),and interlacing is part endsand letter laceof upper the the with that the bird he D yellow)blueandand yellowsquareandwith red a crown protuberancesand bfol. I I decoration content ofthe possessor note ofpreservationstate

(2 lines, adorned(2 with protuberance,

(3 lines majuscule(3 ofis“d”text) with adorned lines is(3 letter the oftext) lines minuscule(5 lower part letterofthe istext, fromo D, line composed protuberancescurved with lian minuscule lian - r Iain iugcl eeois in Ceremonies” Liturgical Italian ern saec. XII / XIIIsaec.XII/ D - fragmentconsecrationpontificalof the (ordo), churchofconsecrationthe the o and -

(3 lines minuscule(3 form damagedof text, top, theD, at parc -

310:301,n.40 - pattern with a curved linewithcurved letter),pattern a ofthe - S S 1. ihr Facs yg “rm eeetn o ohc Cniut ad hne in Change and Continuity Gothic: to Beneventan “From Gyug. Francis Richard 115. fol. I afol. I 0 11) 387 (1911): 10

two fragmentsintwo keptfascicle insamealligaturesarethe the marked where paper asthe

, 3 x,

(1strengthenedyellowline blue,text, of red, and with green) hment

. Oxford: Clarendon Press, 1914: 63, 151. Elias Avery Loew. Loew. Avery Elias 151. 63, 1914: Press, Clarendon Oxford: . pearlfilling)fantastic heads ornament andof animalswith tongues andprotruding I colored , 1 x1 , T

yellow laces that formyellow lacesthat an (1 line (1 stem ofwithtext, and adorned protuberance, red of blue strokes - - good none L

, 1 x,1

fsmaller lettertext, emptyfilled and placeofscale, blue, the red withgreen, inyellow letterpart red, centerof is upper the blue, theand of the adorned

398. Elias Avery Lowe. Lowe. Avery Elias 398. colored O Liturg , 1 x,1 -

likeform), the church”. church”. the

D inyel green, colored Radovi instituta za povijest umjetnosti sveučilišta u Zagrebu u sveučilišta umjetnosti povijest za instituta Radovi ica, with neums. Saec. XII/XIII. 2 strips measuring 212 x 82mm 82mm x 212 measuringstrips 2 XII/XIII. Saec. neums. withica, (1 line (1 strengthened ofblue,text, yellow with red, green) and

. 2 nd edition prepared and enlarged by Virginia Brown. 2 Brown. Virginia by enlarged and prepared edition nd 2 . Male braće u Dubrovniku” (Illuminated manuscripts of the the of manuscripts (Illuminated Dubrovniku” u braće Male , eds. F. T. Coulson and A. A. Grotans, Turnhout: Brepols, Turnhout: Grotans, A. A. Coulsonand T. F.eds. , Classica et Beneventana: Essays presented to Virginia Virginia to presented Essays Beneventana: et Classica

inblue red, green)and interlacing D interlacing

A (3 lines of text, composed(3 lines fromoftext, vertical stem(green, low, blue and red, adornedlow, bluewith red, andprotuberances and it urvče biskupije Dubrovačke List M

(majuscule1,5letter,lines green ofverticaltext, (3 lines minuscule(3 fromofcomposedtext, M, The Beneventan script. A history of the south south the of history A script. Beneventan The a JZ 409 JAZU Rad

pattern andfoliage pattern withforms), end stylized

pattern on green,rightyellow(red, pattern the eratura, 1980: vol.2, 37. Miho Demović. Demović. Miho 37. vol.2, 1980: eratura, ad with longformswithbeakad andan ed fromlinesobliqueed with with yellow)with

18) 225 (1988):

(90: 62 (1910): X The Beneventan script. script. Beneventan The

- 5. AnĎelko 253. P faltarthe

- color 4 86 64, Rassegna Rassegna ), x3 ),

- 255 1 87. 87.

- 2

CEU eTD Collection 34. 33, Eruditi 1980:Storia vol.2, 37. Letteratura, Sussidi e vols. 2 Brown. Virginia by enlarged and prepared edition 239 Second “A Brown.. Virginia Bibliography: TRACTATUSTRACTATUSTRACTATUS CXXIV, TRACTATUS XIX, XX, XXI content ofthe possessor note ofpreservationstate script fragment Back=+fragmentFront 3 folio3 one fragment Back=+fragmentFront 2 folio2 one width: fragment3: columnstwoBack lines15 text: of of text fragment Front 3: tw fragment2: columnstwoBack lines15 text: of of text fragmentcolumns linesFront 15 2: two text oftext: of fragment1: columnlinesoneBack 15 oftext: of text fragment 14Front 1: column linesone text: oftext of dimensions: material date fragments,four6 There folioare formof themcomplete lines a 30 oftextapprox. of spine(dimensionsof 1545 100xcodex:(height), ofthe 155 Description 463 shelf MS. mark: 3 34. 33, Eruditi 1980:Storia vol.2, 37. Letteratura, e Sussidi vols. 2 Brown. Virginia by enlarged and prepared edition 239 (I)”. Manuscripts Beneventan of List New Second “A Brown.. Virginia Bibliography: content ofthe possessor note ofpreservationstate script fragment:linewidth:Bigger214,height: one25 58, of text: fragment:width:height: Smallerline 189,25 64, of text: one fragment:lines,9 Smaller recto: lines 7 verso: oftext 9fragment:recto, Biggerverso, lines text of

- - - 249.Elias 290: Avery Loew. 290: 249.Elias 290: Avery Loew. XIII century th

Beneventan,Ba Baritype 100, height:140, line height100, the ofone - -

- Antiphonary parchme S. AURELII AUGUSTINI HIPPONENSIS EPISCOPI IN JOANNIS EVANGELIUM EVANGELIUM JOANNIS IN EPISCOPI HIPPONENSIS AUGUSTINI AURELII S.

fragmentsinwritten

- angular tendency angular nt

o columns lines15 o text oftext: of

- -

- - ritype poor poor none none

angular tendency angular New List of Beneventan Manuscripts (I)”. (I)”. Manuscripts Beneventan of List New Beneventan script are stillandarefront script Beneventan back attachedto ofAntiphonary

The BeneventanHistorytheThe of South script.A MinusculeItalian Bene The

ventanHistorythe of South script.A MinusculeItalian

- 11

48)

Mediaeval studies Mediaeval Mediaeval studies Mediaeval

Rome: Edizioni di di Edizioni Rome: Ro

me: Edizioni di di Edizioni me:

40 (1978): 40 40 (1978): 40 . 2 . nd 2 . nd 256

CEU eTD Collection script left,height: width: right156, margin:117, 62/57 1/2a: limargin:height the of one 20, esse..) iunior cum illi (ait 1/1a: oftext dimensions materia date repair to used 1969)” incunabula: some /v from off 9 v/ 1969)” incunabulas….(Dubrov.9 Taken ct. inkunabule….(Dubrov. XII beneventana script krpali Beneventan kasnija late redovnici in Beneventanom su written sfragments Time perg. inkunabule: odreska neke “Dva is written: Izvadjena is it side other the On ano 1956 Reichart (SüddeutschesReisebüro) Georg fragments inthe with along card written visiting one is fragments There 1495) from incunabula (Two 1495?” iz inkunabula Description shelfAllig.mark: 5 1980:Storia vol.2, 37. Letteratura, e 2 Brown. Virginia by enlarged and prepared edition 239 (I)”. Manuscripts Beneventan of List New Second “A Brown.. Virginia Bibliogra arelettersAt 3beginningslightlythe lines ofbigger paragraphs, (2, and red strengthenedwith decoration ofDescriptionthe content ofthe poss note ofpreservationstate script leftmargin: 28, distance40, the between columns length:width: distance150, between17,width82, 211, margin: columns: upper text: ofcolumnone of fragmentBack marginsmargin: other lengththe line:28, cut, 13 of one length:distancewidth: 152, the width82,219, upper ofcolumn betweenonecolumns:17, text: of fragment Front 2 len cut, the length:distancewidth: 144, the width82,212, margins ofcolumn betweenonecolumns:17, text: of fragment Front 1 dimensions material date spine: 230, 40 folios3 of1541, ofDimensions description 189 shelf MS. mark: 4

- 290: 249.Elias 290: Avery Loew. : -

saec.XI thirteenthcentury -

Baritype Baritype l : - OldTestament, parchment phy: phy: parchment gth of one line:ofone gth 13 : - :

1/1a and 1/2a put together form the upper part of a folio: 2 columns: recto, verso: 18 lines 18 verso: recto, columns: folio:2 a of part upper theform together put 1/2a and 1/1a

Sermones hs s h tx o te oe: Da rget bnvnae I s (?) st XII beneventane fragmenta “Dva cover: the on text the is This

: two

essor angular tendency angular : 2 columns:2 lines22 : verso: recto, oftext columns:2 lines: 16 oftext 1

columns:linesoftext 14

- - good none

in Beneventan script are initialinare Beneventan finalflyleavesscript of and

Jeromesecundus,Prophetarium Ordo 6:16,

ne: 8 ne:

Martyrologium

The BeneventanHistorytheThe of South script.A MinusculeItalian width: 111, height: 155, the distance between columns: 19, upper upper 19, columns: between distance the 155, height: 111, width:

: the width of the cover: 156, cover:of the width the :

vols. Sussidi Eruditi 33, 34. 34. 33, Eruditi Sussidi vols. eeetn cit I c (?) ct XII script Beneventan

- incipit liberincipitJeremiae prophetae Mediaeval studies Mediaeval

MartyrologiumRomanum the lengththe cover:of the Rome: Edizioni di di Edizioni Rome: - - alligature of an an of alligature lgtr nekog aligatura

40 (1978): 40 color : XII v. v. XII : “Two “Two . 2 . nd 257 ) -

CEU eTD Collection ofthe possessor note ofpreservationstate script margin:leftmargin:columns:rightmargin: margin: lower20, upper 47, 20, 47, 24 2 column: one of height 311, height: 220, width: a/b2 fragment w line:columns:height rightmargin: of upper 20, onemargin: margin: 9, lower 260, margin 54, left25, 25, column: one of height 310, height: 224, width: dimensions1a/b fragment material th script Beneventan in written date other few a as monasterypossession wellof the She Brothers. inofdates Minorthem twelfthcentury). as folios these Belgrade studied of University Pecarski the of professor assistant the 9/5 (1960 Beograd Univer docent 9/5 v.”samostanih Ona XII Maleu Br. datira “1960 : Croatian in written Telebaković is it side other i the script On The 1490. Ven. inkunbula our Barnei, century of Michaelis covers the Nikolai coated were Chronicarum” exemplars “Supplementum two these with 1950 beaks…..Until their with raski “Supplementum parchm of folios Two inkunabule kljunovima nase pokusavaju korice ptice oblozene izjePismovijek XII su razne bila “U” eksemplara tomu 2 Chronicarum”Nikolai 1490 Barnei,Michaelis Ven. ova U s inicijal. 1950 folia “Dva je konop…Do monastery): Franciscan jednom the in monk Na a Badurina, pergamene. by made is text the that (possibly text vis A the Chronicarum Supplementum Description 5 shelf ALLIG. mark: 6 275 Virgini Bibliography: ArchivioFrammenti di50.11,12) Stato, di codici (Tract. 3 42.2 DominikanskDubrovnik, membra disiecta: inkinbrownlinefacestylizeda ink) and with red oval contour decoration ofDescriptionthe id, usquead XLVII. TRACTATUS TRACTATUS CXXIV. content ofthe possessor note ofpreservationstate

other at other endthe - - 355: 296 355: - 5,43.12 saec. XI ex saec.XI iting card by Branka by card iting - round a Brown. Brown. a - -

- foliumoneat endbeginning other thethewas the at andof “Sup.Chron”) parchment parchment . UEI AGSII HPOESS E HIPPONENSIS AUGUSTINI, AURELII S.

Numquidcaecorum daemoniumaperire? potest oculos easi prouč Pecarski two folios, until 1950 with these two fragments were fragments two these with 1950 until folios, two - Baritype - 16), Oslo16), 297

–

“Aof Beneventan List New Second (V)”. Manuscripts

2columns:verso,lines 32 recto, oftext Indiana Bloomington, University,19.8160Lilly (Tract. Library,Ricketts -

jedandrugia foliumjenanabiopocetku, kraju “Sup.Chron“.” knjige - ent. On one there is the initial “U”, in which different birds try to break the cord cord the break to try birds different which in “U”, initial the is there one On ent. - - -

good ofBeneventan script Ista est liber fratus cherubiniordinis estpredichatorumliberfratus Ista good none - Ab eo quod scriptum est, scriptum quod eo Ab

London, TheLondon,Schøyen (Tract.collection,62 MS

i samostan Sv. Dominika, fragments (Tract.ieDominika, 11.4 samostan Sv. Telebaković

l oe itv ko oo ao drugih malo ono i kao listove ove ila

2columns:verso, 32recto, lines oftext Ni -

kol t hereis ai Michaelis Barnei, Ven. 1490, with one folio one with 1490, Ven. Barnei, Michaelis ai - no decoration except for laterfordecoration marginalno except inadditions(quatrofoil Pecarski is hooked on the fragments. There is also a Croatian a also is There fragments. the on hooked is Pecarski

Ego sum pastor bonus, et cognosco oves meas, oves cognosco et bonus, pastor sum Ego 65, width of one column: 75, the distance between between distance the 75, column: one of width 65,

idth of one column 75, the distance between between distance the 75, column one of idth

PISCOPI, IN JOANNIS EVANGELIUM EVANGELIUM JOANNIS IN PISCOPI,

nwegbe rna Telebaković Branka knowledgable

Cap.

ima koje Beneventanom s pisanih coated the covers of incunabulum of covers the coated Mediaevalstudies

19.18 X, V X,

- (not in (not script)Beneventan 5) and fragment5)andf (Tract. \ - .14 20.2,21.3 -

at the beginning and and beginning the at 21.

veleučena Branka Branka veleučena

s from twelfth twelfth from s - 4), Parma,4), at are in the the in are at 70 (2008):70 / -

12); etc., etc., dati dati 258 - 57

CEU eTD Collection (V)”. 1980:VirginiaStoria vol.2, 37. Letteratura, e “A Brown. Se editionandvols.prepared byenlarged2 34.Sussidi Virginia Brown. 33, Eruditi 239 Virginia“A List NewSecond ofBrown.. Beneventan (I)”. Manuscripts are paragraphs theBibliography: of beginning the at Letters washes. yellow and strengthened bright with green blue, red, in executed from composed initial Beneventan Typical decoration U ofDescriptionthe content ofthe possessor note ofpreservatstate script the margin15, right (1b (cut): 25, columns: between distance the 100, column: one of width the 204, width: the 154, height: the 1a/b dimensions material date Description shelfAllig.mark: 7 34. 33, Eruditi 1980:Storia vol.2, 37. Letteratura, Sussidi e vols. 2 Brown. Virginia by enlarged and prepared edition 239 (I)”. Manuscripts Beneventan of List New Second “A Brown.. Virginia Bibliography: the biting beaks hooked and long vertical with letter, stemthe of birds of heads from composed and ink brown in made initial decoration the of Description SECUNDUM EVANGELII LIBERSECUNDUS EXPOSITIO EPISCOPI COLUCAMLIBRISX MEDIOLANENSIS AMBROSII SANCTI 2b/ (PATROLOGIA2a LATINA 15) XII CAPUTXI, IN SERMONEM DE ADMONITIO SYMBOLO PAGANOSCONTRA ARIANOS.JUDAEOS, ET OCTAVIAUGUSTINI S.OPERUMTOMI APPENDIX content

- - - 249.Elias 290: Avery Loew. 2 : 2 columns: 15 linescolumns:2 : 15 oftext twelfthcentury Mediaeval studiesMediaeval 249.Elias90: Avery Loew. - BariBeneventantype of - 224:Rg 14 1a1b / (PATROL - parchment parchment

ion ion 11, 1/a 11, -

23 18,19,20 (17, - - good none MPREHENSA. 70 (2008): 275 (2008): 70 color

letterand eyebrowsbirdsof thestrengthened inare red OGIA LATINAOGIA 42) leftmargin:upper line: 10), margin: one 9 15,

initial V (os inquam convenio), 8 lines of text, typical Beneventan Beneventan typical text, of lines 8 convenio), inquam (os V initial

The BeneventanHistorytheThe of South script.A MinusculeItalian lines(4,5 biof text) david adabisac dicitur BeneventanHistorytheThe of South script.A Italian

- - missing 355: 296 355: (C,S) interlacing

)

and bird head with hooked beak biting beak hooked with head bird and

cond New List ofBeneventan List New cond Manuscripts Mediaeval studiesMediaeval

Mediaeval studies Mediaeval

Rome:Edizioni di

Rome: Edizioni di di Edizioni Rome:

Minuscule

40 (1978):

40 (1978): 40 the letter letter the . 2 . nd 2 . nd 259

CEU eTD Collection 34. 33, Eruditi 1980:Storia vol.2, 37 Letteratura, Sussidi e vols. 2 Brown. Virginia by enlarged and prepared edition 23 (I)”. Manuscripts Beneventan of List New Second “A Brown. Virginia Literature: decoration ofDescriptionthe content ofthe possessor note ofpreservationstate script 260,width:height: 150 dimensions material date Duranti, description shelfmark from(fragmentsincunabulumdetached information lost, the now are Summer2005) gathered 9 vol.2, 1980: 38. 2 Brown. Virginia by enlargedand Loew. Avery (I)”. Manuscripts Beneventan of (1967): List New X Second knj. instituta Vizantološkog radova Zbornik Recognitiones). Recognitiones". Klementovih Pertusi Agostino Bibliography: decoration ofDescriptionthe content ofthe possessor note ofpreservationstate script 250,width:detaiHeight: (more 160 dimensions material date incunabulum:Aquinas,Thomas Description shelfIncunabulummark: 104 from(fragmentsincunabulumdetached information lost, the now are Summer2005) gathered 8

9 - : 290: 250.Elias 290: Avery Loew. late eleventh: century twelfthcentury

roundBeneventa roundBeneventan script Rationaledivinorumofficiorum : : parchment parchment : Commentariusin regulamBenedicti s. Clemens Ps. Recognitiones parchment : Incunabulum: 98 :

: 2 folios2 and: frontthe pasted b to

2linesverso: columns: recto, 31 oftext : front andfront : flyback recto, verso: 2linesverso: columns: recto, 31 oftext The Beneventan script. A History of the South Italian Minuscule Italian South the of History A script. Beneventan The

- Branka Telebaković Pecarski. "Dubrovački fragmenti jedne latinske verzije Pseudo verzije latinske jedne fragmenti "Dubrovački Pecarski. Telebaković Branka

good good none none

nscript

none none -

Dbonk rget o a ai vrin f Pseudo of version Latin a of fragments (Dubrovnik Summatheologica leaves 4 foli leaves4 The BeneventanHistorytheThe of South script.A MinusculeItalian

vols. Sussidi Eruditi 33, 34. Rome: Edizioni di Storia e Letteratura, Letteratura, e Storia di Edizioni Rome: 34. 33, EruditiSussidi vols. led measurementledlacks)

(Venice, 1485) (Venice, os (2 of which are pasted to of covers), which the the pasted (2 ofto theare text os ack covers, the text of the incunabulum: text the ofcovers, ackthe Guilelmus

II studies Mediaeval

- II

(Venice,1495)

40 (1978): 239 (1978): 40 Mediaeval studies Mediaeval

39 - 45. Virginia Brown. “A “A Brown. Virginia 45. . 2 nd edition prepared prepared edition nd 2 . Rome: Edizioni di di Edizioni Rome: - 290: 250. Elias 250. 290: -

Clementes' 40 (1978): 40

. 2 . nd 260 -

CEU eTD Collection margin:25 distanceline: betweenupper9, margin: lowercolumns: 22, the margin: right 0, margin: left 0, 30, 160,width:(recto),height: height 160 of260, the width column: 160, ofthe columns:2 linesfol.lines 2v/columns:2r/ 2 ofand text, 17 16 17 oftext di material date d shelf“a” fragmentmark: 3 584 Virgin Bibliography: right), decoration I ofDescriptionthe content ofthe possessor note ofpreservationstate script dimensions material date d shelfmark 2 275 studies(2008): 70 584 Virginia“AofMediaevalBeneventan List Brown. New Second (II)”. Manuscripts studies(1988): 50 Bibliography: Descriptiond ofthe membradisiecta EPISTOLAMCAPUTAD XII HEBRAEOS. content ofthe possessor note s script dimensions m d d shelfmark 1 monDominican tate ofpreservation tate

escription escription ate escription aterial mensions - - : 595. 625: Virginia “AofBeneventan List Brown. New Second Ma : 595 625:

twelfthcentury twelfthcentury lateeleventh early/ century twelfth : : ia Brown. Brown. ia H roundBeneventan scri roundBeneventan script : :

: HAYMOD. PAULI EPISCOPUS. HALBERSTATENSISIN EPISTOLAS EXPOSITIO.IN (two lines (two and letter) red greenof text, Antiphonary parchment parchment parchment parchment parchment

: s.n.: : o : :

: Littlebifolium damaged inbifoliatwo monasteryArchivekept the Dominicanof the folioinexhibited glasssacristy the under s. n. s. 2 columns: 43 linescolumns:seefragment2 of“k”text, 43 fragmentexhibited inglass sacristy theunder

ne column: 11 linesnecolumn: 11 oftext

astery of St. Dominic asteryofSt.

“A Second New List of Beneventan Manuscripts (II)”. (II)”. Manuscripts Beneventan of List New Second “A : Dominican monasteryfragmentb,fragmentk Dominican Dubrovnik: ecoration letterQ lines (1,5ecoration decoratedwith andoftext, lines)simple dots

: : : :

- good none good 294,338 355: none

a: 1 r /2lines columns:1v/columns:r 2 of1 text, lines16 a: 19 and of18 text,

(2linesdecorated red letter oftext, with protuberancegreenthe on

nuscripts (V)”. Mediaeval nuscripts(V)”.

Mediaeval studies Mediaeval

column: 96, height column: of96, one

50 (1988): (1988): 50 261

CEU eTD Collection content ofthe possessor note ofpreservationstate script margin:19 line: distance8, the betweencol 325,width:height: ofcolumn: oneheightwidth 225, the280, the ofcolumn: oneheight 85, the of one 2v:columns: 2 lineslinestext, of text 36 columns:2 lines 1r: and34 36 of dimensions material date description shelfb fragmentmark: 4 BeneventanM Rome:1980:37.Virginia vol.2, Edizionidi Letteratura, Storiae “A of List Brown. New Second Minuscule 64,65,151.1914: Press, EliasAvery Loew. AveryElias Lowe. Bibliography: bifoliumBig yellow,1v,2r/v letters ornament, at beginning the strenghthenedfilledofparagraphs withandare blue red with and lacesblue th Littlebifolium decoration ofDescriptionthe Origene.(Ex 2r/v:HOMILIADOMINICA94), (PL IN IIILIV. EPIPHANIAM POST JOANN.II. INEPIPHANIAM.DOMINICA HOMILIA XIII. SECUNDA POST bifolium:Big1r/v: Israel. somnisAegyptoJosephin apparuitdice in 2 r/v:102)), HOMILIAIN ILLUD MATTHAEI: VI. Littlebifolium content: ofthe possessor note ofpreservationstate script margin:22 distanceline: betweenupper9, margin: lowercolumns: 22, the margin: right 0, margin: left 0, 43, 290,width:(recheight: 147 264, bifoliumBiga

secondhalf eleventhcentury of

roundBeneventan script Bari type ofscript Beneventan

HAYMOEPISCOPUS. HALBERSTATENSIS

parchment . 2 nd2 edition . andVirginiavols.prepared byenlarged2 34.Sussidi Brown. 33, Eruditi

: bifolium: inArchive monastery Dominicanthe kept the of Ininillosunterattemporemater Jesuetnuptiae ibi, factae Galilaeae, Cana at end headsbeak),withemptybeak at bird inkhooked (long andfilled space pearlwith and

: letters strengthenedletters at beginningsparagraphs: red the with of PAULI WINFRIDIPAULI DIACONI) : 1r/v: 2 columns: 31 linescolumns:2r/v:1r/v:2 : 31 lines ofcolumns:text, 2 text 31 of anuscripts (V)”. (V)”. anuscripts 1r/ : EPISTOLAE r/v:LECTIO 1 PAULICAP.BEATI : II. ADAPOSTOLI,(PL TITUM,

- letters atletters beginningthe ofparagraphs strengthe - The Beneventan script.Beneventanhistory The southA the of Italianminuscule BEDAE OPERA PARAENETICA.OPERA BEDAE letter letter linesT (5,5 ofinitialtext); typical yellowBeneventan ofred, composed and

cut andcut damag relativelycondition, cutgood none none

Mediaeval studiesMediaeval

umns: 14, uppermargin:0, margin: 14, margin:lowerleft rightumns: 42, 19, to), heightto), ofthe width column: 290, height column:of theof 85, one

text, 1v:columns:2r: 2 2text, lines columns:37 and of36 text. 36 and 34 ed

ns: Surge et accipe puerum et matrem ejus, etaccipematrempuerumSurgeejus,et ns: in vade terram

e BeneventanHistorythee of South script.A Italian 70 (2008): 275 (2008): 70

DefunctoHerode,ecceautemangelus Domini IN EPISTOLAMAD IN CORINTII nedred with - 355:338

. Oxford: ClarendonOxford: .

etc. HIOS

262

CEU eTD Collection verso:columns:/ 2 linesrecto oftext32 dimensions material date Beneventana…(p.36) fromoriginates HvarStarigradon Andjeogivenhimaccording book Viktorby Novakto Novak, inScripturabook to hisabbot d shelfd fragmentmark: 6 Beneventan (V)”. Manuscripts Rome:1980:37.Virginia vol.2, Edizionidi Letteratura, Storiae “A of List Brown. New Second Minuscule 64,65,151.1914: Press, EliasAvery Loew. Av Elias Bibliography: withgiveadornedlines slim that them Gothic striking appearance yellowfillewwithwashes, somesuch ofD(2r),asM(2v)thembigger A(1v),lines are and (1,5 text) of decoration ofDescriptionthe Samuel1 12: content ofthe possessor note places ofpreservationstate script leftmargin: 9, 25 ofline:Heightone upperdistance margin:margin: betweenlower columns:13, 10, right 0, margin: 70, 180 Height: fol.linescolumns:fol.1r/v:2 linesandcolumns: of 222r/v:2 text, and23 of 23 text24 dimensions material date found yeanotes, few description shelfc fragmentmark: 5 Beneventan (V)”. Manuscripts Rome:1980:3 vol.2, Edizionidi Letteratura, Storiae Minuscule 64,65,151.1914: Press, EliasAvery Loew. AveryElias Lowe. Bibliography: decoration ofDescriptionthe membra disiecta: 2vCAPUT CAPUT VIII, 2r 1r/v IX,CAPUT VI

escription

twelfththirteenthcentury / eleventhtwelfth/ century

roundBeneventan script

ery Lowe. eryLowe. folSamuel1r/v2 10 1: parchment parchment . 2 nd2 edition . andVirginiavols.prepared byenlarged2 34.Sussidi Brown. 33, Eruditi . 2 nd2 edition . andVirginiaprepared byenlarged Brown. - : folio kept infolio : kept t bifolium: inArchive Dominicanthe kept the of

260,Width: TheHeight 200, - 3)

Dominican monastery: fragment s.n., fragmentfragmentmonastery:Dominicans.n., k The Beneventan script.Beneventanhistory The southA the of Italianminuscule script.Beneventanhistory The southA the of Italianminuscule

rs before 1912 amongst the booksamongstbeforethe 1912 of provincialKnegors M.

bifoliumisdamaged, none

heArchive Dominicanofthe

Mediaeval studiesMediaeval Mediaeval studiesMediaeval

none letters atletters th -

27, 2 Samuel2 27, 1 2:

of one column of text: 195,ofcolumn one The widthtext: ofcolumn: of one 75, the e beginningsine executedparagraphsareof the red

cut inand sprinkledcut inkthesomeparts upper black at with The BeneventanHistorytheThe of South script.A Italian The BeneventanHistorytheThe of South script.A Italian

70 (2008): 275 (2008): 70 70 (2008): 275 (2008): 70 - 16, 2r/v 2 16, SamuelSamuel: 2 19, 10: 1 11: 7.Virginia “Aof List Brown. New Second

monastery, foundmonastery,A.Zaninovićby

monastery, according to A.monastery,Zaninovic‟s according to - - 355:338 355:338

2 vols.2 34.Sussidi 33, Eruditi

- 339

. Oxford: ClaOxford: . . Oxford: ClarendonOxford: .

in old an color

- 27, 2 27, rendon

and 263

CEU eTD Collection decoration ofDescriptionthe Parma, collection,62, FrammentiArchivioMS di Stato, di Bloomington,IndianaDubrovnik), 160; OsloUniversity, Library,Lilly Ricketts disiecta membra inDei. regnum in nominecrediderunt ejus; TRACTATUSXI. TRACTATUSCXXIV. content ofthe possessor note ofpreservationstate script 12 distance8, the betweenc Height312,Width: Height: 220, width ofcolumn: one 255, ofcolumn:ofline: oneoneheight 75, the dimensions material date de Tridianoaliasby Jo. T d shelfe fragmentmark: 7 Beneventan (V)”. Manuscripts Rome:1980:37.Virgi vol.2, Edizionidi Letteratura, Storiae Minuscule P AveryElias Lowe. Bibliography: ornament Beneventanfortypical ornamentation) red, withformsgreen,adorned circularleft, the on unskilfully drawn), yellow,greenverso: purple andwashes), recto decoration ofDescriptionthe HieronymiS. SUPER SECUNDAPSALMUM EXPOSITIO CXIX. - COMMENTARIIARNOBIIJUNIORISPSALMOS. IN recte,utnon vi Qui COMMENTARIISPSALMOS DE IN REV. LAURENTIIDAVIDIS ADMONITIO DE LA BARRE, content ofthe possessor note ofpreservationstate script margin:left0 line: onedistancemargin:margin: 9, the betweenlower upper right15, marcolumns:18, 40, 305,Width: Height: 205, Theheight ofcolumn: onewidth 250, the ofcolumn: oneheight 85, the of PSALMUS( CXVIII

escription 64,65,151.1914: ress, EliasAvery Loew.

yellowgreenand

:H eleventhcentury

roundBeneventan script roundBeneventan script (5lines damaged oftext, initial Beneventan adorned S. AURELIIS. AUGUSTINI,HIPPONENSIS JOANNIS IN EPISCOPI, EVANGELIUM Commentarypsalms;on parchment . 2 nd2 edition . andVirginiavols.prepared byenlarged2 34.Sussidi Brown. 33, Eruditi

: foliofound: incunabulacoversbetweenof the in Cornucopiebypublished Terroti Venice recto/verso: 2lines columns: recto/verso: 33 oftext

Cap. : fragment: monastery,f Allig.(Dominican (Franciscanmonastery, 1 Dubrovnik), Ab eoscriptum quod Ab est, detur, eosattribuitdetur, Arnobio Afro. The Beneventan script.Beneventanhistory The southA the of Italianminuscule

II, V II, vers. interlacing fainted sideversotext on good none none

olumns: 8, upper margin:lower upper margin: right18, margin:8, leftolumns: margin: 37, 39, reninum54.II)in mark (shelf 1508 \ .23

81 usque ad id, ad usque - - 176);

25, Mediaeval studiesMediaeval

none sand withfoliageadorned circular protuberancesstylizedand

et cap.et

Nisi quis renatus fueritNisiSpiritu,non renatusex potest introire et aqua quis V

III, V III, (2,5 lines(2,5 executedin of text, red

CumJerosolymismultiautem in festo, esset Pascha die The BeneventanHistorytheThe of South script.A Italian

\ .

15. 70 (2008): 275 (2008): 70

nia Brown. “Aniaof List Brown. New Second with stzliyed foliagewithformsfilledstzliyed with and - 355:339 A

(5linesletter composed text, of of

color - London, TheSchøyen

. Oxford: ClarendonOxford: . and filledand with gin: 20, gin:20, 264

CEU eTD Collection bifolium( 2 Theofline:margin:oneheightlower upper 15, margin: 9, left margin:margin: right 7, 13, 16 bifolium1 dimensions material date RupertusHolkbook description shelfg fragmentmark: 9 Beneventan (V)”. Manuscripts Rome:1980:3 vol.2, Edizionidi Letteratura, Storiae Minuscule 64,65,151.1914: Press, EliasAvery Loew. AveryElias Lowe. Bibliography: decoration ofDescriptionthe Parma, collection,62, FrammentiArchivioMS di Stato, di codici 3 Bloomington,IndianaDubrovnik), University,LibrLilly membradisiecta V Tulerunt TRACTATUSXLIII. TRACTATUSCXXIV. content: ofthe possessor note : st script dimensions material: date Archivethe monastery Dominicanofthe Hieronimi d shelfffragmentmark: Canada) Institute, Toronto, isitem(presently, missing,isdata accordingthethe provided photos provided to by thePontifical 8 Beneventan (V)”. Manuscripts Rome:1980:37.Virginia vol.2, Edizionidi Letteratura, Storiae “A of List Brown. New Second Minuscule 64,65,151.1914: Press, EliasAvery Loew. AveryElias Lowe. Bibliography: bifolium1

escription \ ofpreservation ate . 48 . : eleventh: century

twelfthcentury

- : roundBeneventan: script 59. ergo lapidesjacerent ergo inJudaei Jesusabsconditeexivitautemse,eum: ut templo. de parchment S. AURELIIS. AUGUSTINI,HIPPONENSIS JOANNIS EPISCOPI,IN EVANGELIUM

. 2 nd2 edition . andVirginiavols.prepared byenlarged2 34.Sussidi Brown. 33, Eruditi . 2 nd2 edition . andVirginiavols.prepared byenlarged2 34.Sussidi Brown. 33, Eruditi parchment published in Venice by Jo. and Gregor. de Gregoriis year 1497, separate folioand inGregoriis deseparate Gregor. yearby publishedin Jo. 1497, Venice was kept

Height: 222, Width: 222, Height:height 155, the ofcolumn: one 200, (1r quod iusto,quod2v donum1quod (1r aliquod column: linesho..): 25 oftext : consecutive folia,A.: Zaninovic‟s two accordingfound to notes covers betweenofthea accordingitA.Zaninovic‟s: notes was to gluedcoversofbook thea on 1r eorumfides column:1r iuvamine1 linessustentur 2v un..): oftext22 see

fragmente : fragment(Dominicane monastery, Dubrovnik),(Franciscanmonastery, 1 Allig. The Beneventan script.Beneventanhistory The southA the of Italianminuscule script.Beneventanhistory The southA the of Italianminuscule

ot, Superlibros sapientie.Impresumot, Hagenone1494.

Ab eo quodeoAbscriptum est, good :

none

Mediaeval studiesMediaeval studiesMediaeval none

The BeneventanHistorytheThe of South script.A Ital The BeneventanHistorytheThe of South script.A Italian

ResponderuntigiturJudaeidixerunt ei; et 70 (2008): 27 (2008): 70 70 (2008): 275 (2008): 70 7.Virginia “Aof List Brown. New Second ary, Ricketts 160; Oslo ary,Ricketts 5 - - 355:339 355:339

the widththe column:ofthe 125

- London, TheSchøyen

. Oxford: ClarendonOxford: . . Oxford: ClaOxford: .

Exposi usque ad id, ad usque tionesDivi Cap.

ian rendon

VIII, 265

CEU eTD Collection Minuscule 64,65,151.1914: Press, EliasAvery Loew. AveryElias Lowe. Bibliography: one lettersBeginninglines marked filled(2 ofwith psalmquotationsyellow red oftext) well with asas decoration ofDescriptionthe INTELLEC BRUNONIS PSALMOS content ofthe possessor note ofpreservationstate script 10 distance upper10, margin: betweenlowercolumns: 20, margin: right15, margin: left 29, 22, height313,Width: Height: 227, width ofcolumn: one 270, ofcolumn:ofline: oneoneheight 82, the dimensions material date Hieron.Strancinummaris per 1518 (?) found notes Petricoversbetweenbookof arcanistheDethe M. Galatini veritatis,O. Cortorie catholice description shelfh fragmentmark: 10 Beneventan (V)”. Manuscripts Rome:1980:37.Virginia vol.2, Edizionidi Letteratura, Storiae “A of List Brown. New Second Minuscule 64,65,151.1914: Press, EliasAvery Loew. AveryElias Lowe. Bibliography: strengthenedand withred adorned with black dots) 2rwithand withred adorned dots) black bifolium2 with red bifolium1 decoration ofDescriptionthe LIBERSECUNDUS SENTENTIARUMLIBRITRES. content ofthe possessor note ofpreservationstate script margin:lower upper margin:line: margin:9, left margin: right0, 20, 0, 15 211,Width:Height: 138 ininkv blackstrenghened2 with red)

- lineletters that sentencesopen

eleventhcentury

roundBeneventan scrip Baritype ofscriptBeneventan color EXPOSITIOIN PSALMOS. (somePSALMUS LXXVII. coincide withparts EX SANCTIISIDORIHISPALENSIS EPISCOPI parchment . 2 nd2 edition . andVirginiavols.prepared byenlarged2 Sussidi Brown. Eruditi . 2 nd2 edition . andVirginiavols.prepared byenlarged2 34.Sussidi Brown. 33, Eruditi : 1v : 1v : TUS ASAPH TUS recto: 2 columns: recto: : infolioone Archivekept the Dom of the

- - andblack dots) Q

(2,5 lines, letterin(2,5 ink black (2 linesletter (2 strenthened text, of The BeneventaThe The Beneventan script.Beneventanhistory The s A the of

good non none good, -

166,Height ofcolumone ) e

ASTENSISABBATISCASINIET SIGNIENSIUM MONTIS EPISCOPI

althoughfragmenthasbeen thecut

24, 28 linescolumns:24, 2 verso:linesof text; 19 oftext15,

Mediaeval studiesMediaeval

n script.historyn southA the of Italianminuscule

(3 lines (3 letterblack of text, q

(2,5 lines(2,5 letter oftext, The BeneventanHistorytheThe of South script.A Italian BeneventanHistorytheThe of South script.A Italian strengthened 70 (2008): 275 (2008): 70 n: 173, Widthn: 173, Theof oneofcolumn:hieght one 130,

inican monastery, according to Zaninovic‟smonastery,inican according to

outhItalianminuscule

- 355:339

. Oxford: ClarendonOxford: . . Oxford: ClarendonOxford: .

33, 34. 33, S. IN S. margin: 266

CEU eTD Collection 275 Virginia“Aof Beneventan List Brown. New Second (V)”. Manuscripts Bibliography: decoration ofDescriptionthe JOAN.EVANG.S.SEC. LECTIO 1 XXI, Paschae. Habitainbasilpopulumad 1Kb] [e HOMILIAXXIV. QUADRAGINTAHOMILIAEEVANGELIA. IN 1075 content ofthe possessor note ofpreservationstate script margin:margin:RightUpper 30, 44……….flesh Theofline:oneheight Thecolumnof theheight 280,margin: Left 10, margin: ofLower text: 40, 49, 347,Width: Height: 238, Thewidth95, The column:distanceof the between columns: 21 dimensions material date found coverfrontnotes the onno. manuscript47, of description shelfj fragmentmark: 12 VirginiaBrown. Bibliography: decoration ofDescriptionthe content ofthe possessor note ofpreservationstate script line:uppermargin:margin: onelower 12, right20, margin: left margin: 40, 20, 35 240,Width: Height: 183, Theheight The ofcolumn:width oneThe 185, ofcolumn:heigh one 125, dimensions material date “Ordinariumfratrum predicatorum”,1318. description shelfi fragmentmark: 11 Beneventan (V)”. Manuscripts Rome:Edizionidi S

355: 294 355: eleventhcentury fifteenthcentury

ro lateBari ofscriptBeneventantype

undBeneventan script S. GREGORIIS. LIBRORUM CONTINUATIO. MORALIUM Missale( parchment parchment

folio,found : Zaninovic‟sone on notes, accordingback the of to cover : recto / verso:columns:/ 2 linesrecto : 30 : : folione

recto / verso: 1 column:/1 recto verso: linesoftext15 “ASecond New ofList Beneventan Manuscripts (II)”.

Missae in comm.. B. V.adcomm..B.et M.Missae in s poscenda suffragia

toria e Letteratura, 1980:37.Virginia vol.2, toriaLetteratura, e “Aof List Brown. New Second o kept in Archivekept theZaninovic‟s monastery, Dominicanof the according o to

cut,letters totallyillegiblesideone on good none none

ica beati Laurentii martyris,beatiica Urbis,foris[fLaurentiimuros 1Kb] Feria quarta

Mediaeval studiesMediaeval none redusedlettersfor rubricstitlesand

14.

of text of - side 70 (2008): 275 (2008): 70 AntoniiFiguraeRampigolesbiblicae de

Mediaevalstudies

- 355:340

anctorum Mediaevalstudies

50(1988): 584 )

manuscript35 no. - 625: 595

7 0 (2008):0

t of t 267

CEU eTD Collection decoration ofDescriptionthe abundantiushabeant. illelatro;ovileet ovium,sed ascendit est fur aliunde, TRACTATUSXLV. TRACTATUSCXXIV. content ofthe possessor note ofpreservationstate script line:height margin:LeftLowermargin:of one 9, 0, 139,Width: Height: 186, The(cut),width97 The column:of distance the between The columns:20, dimensions mate date Venicebyincunabula Johannem130 Gregorium and in no. Gregoriis1499., de foundZaninovic‟sin :notes bookof thecover the similitudinibusexemplisDe inet published rerum, description shelfl fragmentmark: 14 275 Virginia“Aof Beneventan List Brown. New Second (V)”. Manuscripts Literature: decoration ofDescriptionthe disiecta: membra EPISTOLAMCAPUTAD XI HEBRAEOS. content ofthe possessor note 2 ofpreservationstate script 30…………verso line:height margin:Leftmargin:Lowermargin:of oneUpper 8, 39, margin: Right18, 9, 337,Width:Height: 140 2k Fragment margin:margin:RightUpper ………verso 0, 20, rightmargin: 30 Theofline:oneheight The hei 8, 341,Width: Height: 240, Thewidth94, The column:distanceof the between columns: 15, 1 k Fragment dimensions material date 17 “Superno. manuscript primum fidelibriDamasceniortodoxa” Iohannis de description shelfk fragmentmark: 13 - extremellythirdmissingisonewrinkled, damaged,

- 355: 294 355:

: late: eleventh, early rial twelfthcentury

Baritype ofscriptBeneventan roundBeneventan scipt

: HAYMO HALBERSTATENSISHAYMO EPISCOPUS. parchment parchment S. AURELIIHIPPONENSISS. AUGUSTINI, JOANNIS EPISCOPI,IN EVANGELIUM

: halfonefolio, inkept of the 2: folios,foliosZaninovic's 3 foundwereaccording notesthere to coversbetweenof the recto: 2 columns: lines2recto: verso:lines columns: oftext, and15 15 17 oftext -

recto / verso: 2rectoverso: columns:/ lines oftext43 recto: 2recto: columns: columns:lines2 verso:lines oftext, 43 of text 42

fragments.n.

Ab Ab Cap. k1 good none none

- eoscriptumquod est, 213,Thewidth The column:distanceof the between 94,

recto twelfth century twelfth

X,V

- partsillegible, ofversotext letters atletters none \

. 1 exhibitedinissacristy,this the ght of the column:ofthe 310,margin:Left Lowermargin: ght 30, 31, - 10.

- angulartendency

the beginningthe withstressedofparagraphsare red

the Archivethe monastery,Dominicanof the according to

Amen,vobis;intratperamennon qui dico in ostium 0, Upper margin:Upper margin:Right0, 0, 0

usque ad id,usquead

IND.PAULI EPISTOLAS EXPOSITIO.

- text fainted,littletext halls parchment, k the on

probably the third folioprobablythirdthe

Ego veni etEgo vitam habeant, ut Mediaevalstudies

columns: 15, The columns:15,

70 (2008):70

IN IN 268

CEU eTD Collection content ofthe possessor note ofpreservationstate script margin:margin:Leftmargin:RightLower Upper margin: 36, 0, 64, 70, TheDistanceline:height Distancebetween columns:15, of betweenone 10, column 225,Height: Width: The338, height The ofcolumn:width one column:153, of the 110, dimensions material date in45.II.latino volgare”32 (Dimensionssignatura: incunabula: ofspine:the x 100 160, 54) description shelfn fragmentmark: 16 275 Virginia“Aof Beneventan List Brown. New Second (V)”. Manuscripts Bibliography: decoration ofDescriptionthe Dubrovnik) membradisiecta XVII,XVI, CAPUTscraps: three CAPUTXV, XXV XXX, LIBER VIGESIMUS. content ofthe possessor note ofpreservationstate script Width:46 linescolumns:Height: of50 text, 6 lines3 Height54,Width:linesscrap 1: : 5 Height 2: oftext, 45; scrap oftext, line:height margin:Leftmargin:Lowermargin:of oneUpper 10, 60, 77, 0 185,Width:Height: m2 Fragment margin:margin:Right 0, 55 Thedistanceline:height between columns:20, of one margin:Left Lowermargin: Upper 10, 60, 0, 195 Height: m1 Fragment dimensions material date Description shelfm fragmentmark: 15 275 Virginia“Aof Beneventan List Brown. New Second (V)”. Manuscripts Bibliography:

- - 294 355: 295 355: twelfththirteenthcentury / twelfththi /

maxime de haereticismaximede carnalibus etEcclesiam vexantibus. Baritype ofscriptBeneventan Baritypeangular tendencyofscript, Beneventan

fragment LIBRORUMMORALIUM parchment parchment - 63

recto /2lines verso: columns: recto 17 oftext : foliooneserved incunabula(incomplete) ofthecoveras the di “Paulo tradotto Orosio 200,Width: Thewidth The column:height270, of the 110, of t : two fragments : two and scraps servthree that

Recto: 2 columns:2 lines2 verso:Recto: lines columns: oftext, 11 11 and of10 text 2 columns:verso: columns: linesrecto: 2 21 lines oftext, of text 20

rteenth century rteenth :

m1mplus 2: fragmentn, (Dominicano monastery,Dubrovnik)A

272, 272, Thewidth107 column:of the the parchment isparchment the damagedwithit has gluebeen and cut the parchment isitparchment hasthe hallscut, stainsand none none Explicanturquinque fusius versus ultimi cap.

none

S. GREGORII LIBRORUM S. MORALIUMCONTINUATIO

- PARS SECUNDA.PARS angulartendency

III ed as the cover of an incunabulacover the of anas ed

- 111,Thedistance betweenThe columns:20, XXX

XXIX XXIX - 1006 (Scientificlibrary,1006

Mediaevalstudies Mediaevalstudies - lib. Job,lib.integrocap.cum hecolumn: The 195, cut, Right margin:Right cut, 60 : 46,Width: : scrap3: 2 53,

s: 16, 16, s:

70 (2008):70 70 (2008) 70

269 :

CEU eTD Collection ofthe possessor note ofpreservationstate script margin:Lowermargin:Upper (cut), 0 65 betweenTheThedistanceheight margin:Left columns:25, ofline: one 15, margin: Right 25, 55, 380,Height: Width: 305, dimensions material date Venetiis1536. description shelfm 18 275 Virginia“Aof Beneventan List Brown. New Second (V)”. Manuscripts Bibliography: decoration ofDescriptionthe fromSciethe membra disiecta: X,IX,XI CAPUT VIII, liberoarbitriocumconciliatur. et praedestinatio gratuita, priorumduodecim non TERTIUS.LIBERTRIGESIMUS content ofthe possessor note ofpreservationstate script margin: margin:Lower 0, 0 betweenTheThedistanceheight margin:Left columns:16, ofline: one 10, margin: Right Upper 12, 0, 346,Height: Width: The233, height ofcoone dimensions material date LibrisexconsiderationedeParisiisdialectica. 1542. description shelfo fragmentmark: 17 275 Virginia“Aof Beneventan List Brown. New Second (V)”. Manuscripts Bibliography: decoration ofDescriptionthe Library,Dubrovnik disiecta membra XIII,XV XX,XII, XI, CAPUT XIX, CAPUT LIBERNONUMNONUS. CUM EXPLANAT.DECIMO TOTO

- - 295 355: 295 355: twelfththirteenthcentury / eleventhcentury

roundBeneventan script Baritypeangular with tendency ark: fragment p fragment ark: :

S. GREGORIIS. LIBRORUM CONTINUATIO. MORALIUM parchment parchment : : : one folio,: itonefoldedserved stillas asthe c : damagedfolio,oneincunabula served of“Latini thecover asthe sermonis observationis” recto /2 verso: columns: recto lines28 oftext 2verso: columns:/ linesrecto oftext35 ntific libraryntificinDubrovnik

fragmentm,Dominicanfragment“o”, monastery, A Dubrovnik, fragmentsm, fromnmonasteryDominicanfragmenttheA Dubrovnikand

the parch the

cut a cut none none

cap.

Theheight The ofcolumn:width one 325, ofcolumn: one 98, ndwith halls

XLI

ment has been cut, hasbeenmentit fromhasdamageshallsandcut, glueside one on letters atletters the atletters the

exhibet,ubi variaedaemonis artes doceturque deteguntur, Expositionem versus decimi quinti et reliquorumet capitis versus Expositionemquinti decimi

b beginningsof eginningsof lumn346,Thewidth oftext: 110, ofcolumn one oftext:

over of a book Fr Francisciofbook a over M. TitelmanniD.

paragraphs are stressed withstressedparagraphsare red paragraphs are stressed withstressedparagraphsare red

Mediaevalstudies Mediaevalstudies

- 1006, Scientific 1006,

70 (2008):70 70 (2008):70 XL, - 1006 nec

270

CEU eTD Collection dimensions material date Description 72 shelfMS mark: 21 275 Virginia“Aof Beneventan List Brown. New Second (V)”. Manuscripts Bibliography: apparentlyAntiphonarium linestempore, fragment35 et werecommune de one on there Zaninović‟s Description:fragments to notes,according two beglued shelfsfragmentmark: 20 275 Virginia“Aof Beneventan List Brown. New Second (V)”. Manuscripts Bibliography: D XVIII,XIX,XXVIIIXVII, CAPUT XVI, 599 moraliterexplanat. LIBERIII. content ofthe possessor note partlyillegibleporti ofpreservationstate script margin:15 columns:Theh 25, 339,HeightHeight: Width: 260, Width ofcolumn: one 290, Distance ofcolumn: onebetween 95, 2linesrecto: columns:22 andfirst verso:7 6 ofcolumntext, lines illegible, 7 oftext dime material date Description shelfr fragmentmark: 19 275 Virginia“Aof Beneventan List Brown. New Second (V)”. Manuscripts Bibliography: decoration ofDescriptionthe andSmaragdus) membra disiecta: content escription of the decoration ofescriptionthe

- - - : 296 355: 296 355: 296 355: nsions saec.XI eleventhtwelfthcentury /

Baritype ofscriptBeneventan : GREGORIUS MAGNUS.GREGORIUS LIBRORUM MORALIUMPARS PRIMA Vitasancti Januarii? parchment parchment

--- : :

1 recto / verso:columns:/ 2 linesrecto 1 oftext32

: palimpsest,Beneventanunder: Gothic, appearstext from Beneventan ftext 344r

Totum caput secundumTotum caput libri librorum,modumad superiorumJob, allegorice historice, ac bifolium

Zadar: eight of one line: margin:Leftmargin:Rightof one eight 10, margin: 25, LowerUpper 30, 30,

onsoftext

extremelywithworms‟ damagedbiteswith andcut, hallsglue, greasystains, and none

Franciscan monastery,FranciscanfragmentofPassionaleCyriac, Sts. (lives of Largo

none atletters beginningsthe ofparagraphs

tween the lost folioslost tweenthe of stressed with red lineswithstressed red Mediaevalstudies Mediaevalstudies Mediaevalstudies

70 (2008):70 70 (2008):70 (2008):70

- 362v

271

CEU eTD Collection 26). in identifications” some with handlist A script: Beneventan Edizioni Rome: Minuscule 239 (1978): 40 91 1965: Kaeppeli Th. Bibliography: d content Cross,however,still ofSt. exists. possessionBenedictinesofCross.theThe founded Dominican hospicetheywherethe of St. monastery isarchiveThereno for statement wasconfirmationthe ofactually Gruţ historian Jelčić that the ofthe possessor note ofpreservationstate script 355 (5) 356 (4) blank folio(3) 357 (2) - 358v (1) 344v 344r (6)344 345r 353r (5)345 346r (4)346 351r 347 (3) 350r betweencolumns: 13 v 348 (2)348 manuscriptthe (1)blankpaper linesinThenumberof lowercolumnsandBeneventan thescript dime Height: Width: codex:133, The93, width spine:offolios:the column one 60, 85x120, text; ofthe leftmargin escription of the ofescriptionthe decoration ------Ed. GeorgesDeclercq.Ed. Brepols, 99 Turnhout: 2007: - nsions of the text: 65x100nsionstext: ofthe 12 lines,12 354v lines,9 leftmargin lines,8 345v lines,8 352v lines,11 351v lines8 no ruling ofsystem text, - 12 lines,345r 12

9 linesithereis 9 of text obvio - - - - roundBeneventan script - - - - 354 353 352 350 362,355v 361,356r lines,blankfolio,distance12 the between lines 11mm 351 - - De ssDe 359r 92. Virginia Brown.. “A Second New List of List NewVirginia“A 92. SecondBrown.. . 2 nd edition prepared and enlarged by Virginia Brown. 2 vols. Sussidi Eruditi 33, 34. 34. 33, Eruditi Sussidi vols. 2 Brown. Virginia by enlarged and prepared edition nd 2 .

12mm - - H.V. Shooner. Shooner. H.V. - - . Duodecim martyribus. fratribusin BeneventiItalia reposito

12lines;lastline fromspace the until 35 parchment:of endthe the 360r 349

290: 249. Elias Avery Loew. Loew. Avery Elias 249. 290: i tra Lteaua 18: o., 7 Vrii Bon “aipetd et in texts “Palimpsested Brown. Virginia 37. vol.2, 1980: Letteratura, e Storia di - - - - 9lines, 361v 8 lines,8 362r 9 lines, right marginlines,right 9 23mm lines,352r 8

- - - - - doesn‟t have Beneventan lowerhavedoesn‟tscript, inBeneventan thinasparchmentearlier the portions of 12 lines,344v 12 completely almost fainted 12lines, distance between 8 lines8 - 15mm ex good - - 25 mm,25 353v libris “iste liber…”librisisand“istefor fol.standsgravosioon 369r

e mnsrt mdéax e Saint de médiévaux manuscrits Les

none - - - 8 lines8 (origi 8 lines,8 362v 8 lines,8 346v

- 354r us that text incolumns:the wasusthat actually two written distance the

- 9 lines9 - shows that the text had two columnsshows hadthat text thetwo nal leaf had at least lines)leafnal17 at had - -

linesalmostcompletely fainted 8 lines,8

columns15 h Bnvna srp. Hsoy f h Suh Italian South the of History A script. Beneventan The

rightmargin

Beneventan Manuscripts (I)”. (I)”. Manuscripts Beneventan - 144:116 - 20mm Early medieval Early

- 17mm - Dominique de Dubrovnik. Dubrovnik. de Dominique

palimpsests

Gruţ. Mediaeval studiesMediaeval

( Bibliologia Bibliologia Rome, Rome, 272

CEU eTD Collection fol.on 139v,nineteenth centurytwentiethfols.and additions 140r on Gothicand Beneventan fols. 138r 139r, on Differenthands wrote on achievescribe not linetheimaginary follow upper does to thecompletely SCRIPT shell. sea a of shape a instylisticit isAccording featuresto date seventeent into thispossible to cartouche are Clasps below. (?) forms architectural stylized with and clouds the on same depic central thefor except the elements contains cover the of side back The side. each on faces grotesque two and Christ of figure abovethe cherubincludes a ofdepictionform. the The cartouche in ovalsmaller a inmiddle, Christ the cr withof depictionand missing) theis in cartouche a (leftonecorners thesilver ornament in bound is manuscript The lineslinesinlong (23 of margin Dimensions flyingleafand (paper) bifolium A ternions. two and quaternions seventeen from composed is It quires. for signs no 1 from markedpencil with is it and parchment of leaves 142 consistsmanuscriptof The CODICOLOGICALDESCRIPTION DATE:1259 to points Sanctoral Its SplitTrogir century. feastor origin AnastasiustranslationofSt.the (the of fol. on 123r) nineteenth of decades first eighteenth/ of decades last the in Trogir internalevi Thecenturies. for inLawrence Trogir St. ofcathedral PROVENANCE: SHELFMARK: Evangelistary ofMuseumSacredThe Art Tro7.3. - 29, left margin left 29, gir : Beneventan script of Bari type with thirteenth century angularity, visible tendency to the left, the visibleto angularity,tendency centurywith typeof Barithirteenth script Beneventan :

f h flo r 17 22 m lwr agn 3, pe margin upper 32, margin: (lower cm 252 157x are folio the of as itappearsfroas

is endthe at codex. ofthe /

According to oral tradition, the manuscript has been preserved in the Treasury of the in ofhasmanuscriptthe oralbeenpreserved theTreasury the According tradition, to - 20). The ruling is done with hard with done is ruling The 20).

text). Theyellowishisparchment very text). not welland preserved. leather brown cover (160 x 264 cm). On the front there are semicircular semicircular are there front the On cm). 264 x (160 cover brown leather (owner:Trogir Archive) Chapter mfol.137r tion in oval form: here, there is the depiction of Virgin with child child with Virgin of depiction isthe there here, form: oval in tion :

point on flesh side side. The codex is written written is codex The side. side flesh on point

dence (fol. 140r) proves that it was in wasit proves that 140r) (fol. dence

fol. 138v, Gothic cursive additions fol.additions 138v,Gothic cursive - v,141r

- v,142r

- 10, probably cut, right right cut, probably 10, hcentury.

- 142. There are are There 142.

ucified Jesus Jesus ucified 273

CEU eTD Collection fol.28v fol.27v fol.27r fol.26v fol.25v fol.24v fol.23v fol.22v fol.22r fol.21v folio21r fol.20v fol.20r fol.19r fol.18v fol.17v fol.17r fol.16r fol.15v fol.15r fol.14v fol.14r fol.13v f fol.12r fol.11r fol.10v fol.10r fol.9v fol.9r fol.8v fol.8r fol.7v fol.7r fol.6v fol.6r fol.6r fol.5v fol.4v fol.4v fol.4r fol.3v fol.3r fol.2v fol.2r fol.1v Temporal: LITURGICALSTRUCTURE: ol. 13r ol. ------v v v v octavadomini v v v ------10r 9r 8r 7r 6r misa5vpullorumcantatur in vigiliaDOMINICA4, nativitatis domini 4r 3r inrogationibus ------v v v 20r v 17r v v v 13r 12r v 29r 28v 27r 26v 25v 24v 23v 22r 21r 19r 18v 16r 15r 14r 11r - dominica3 dominicaoctavapost epiphanie 1 epiphan dominicapost 1 vigiliaepiphanie sabbato ADVENTU DE DOMINICA3 feriav ------v sabbato sabbato dominicaquinquagesima dominica5 epiphanie octava feriavi feriaiiiiday)(Ember feriatercia feriaquarta feriatercia feriaquinta dominica2 IN EPIPHANIA indie - -

- - - - dominica4 feriasecunda ------feriasexta feriasecunda dominicasexagesima dominicaseptuagesima feriaquinta feriasecunda feriatercia DOMINICAQUADRAGESIME2 feriaquinta QUADRAGESIMEDOMINICA CAPITIS feriasexta capiteieuniiferia quarta dominica6 DOMINICA 3 QUADRAGESIMEDOMINICA3 sabb feriasexta feriaquinta feriaqu feriaquarta

ato

arta

274

CEU eTD Collection fol. fol.90r fol.89r fol.88v fol.87v fol.87v fol.87r fol.86v fol.86r fol.86r fol.85v fol.85r fol.84v fol.83v fol.83r fol.82v fol.82r fol.81v fol.80v fol.80r fol.80r fol.79r fol.78v fol.77v fol.76v fol.76r fol.75v fol.69v fol.69r fol.62r fol.54v fol.54r fol.45r fol.44v fol.44 fol.43r fol.42r fol.41r fol.40v fol.40r fol.39r fol.36v fol.36v fol.34r fol. fol.32v fol.31v fol.31r fol.29r

33r 90v r ------v ------45r v 90r v v PENTECOST v v v feriasexta 80r SANCTIDIEPASCE IN v 69r v 54r v 44r v 42r v v 36v 34r v 31r 91r 89r 88v 87r ascensionem dominicaprimapost domin 85r 84v 83r 82r 81v 79r 78v 77 sabbato 75v 62r 41r 39r 33r 32v feriaquinta feriaquinta ------sabbati dominica 1 post dominicaoctavapost Pentecostes 1 DOMINIASCENSIONISDIE IN post dominicaoctavapascequarta dominicaoctavapost pa secunda PASSIONE DOMINICADE sabbato sabbato feriaquarta feriasecunda feriaquinta feriasecunda feriasexta feriaquarta v ------sabbato ------feriatercia feriasexta DOMINICAOCTAVEPENTECOSTES feriaquinta feriaquarta DOMINICARAMISPALMARUM feriaquinta feriatercia feriasecunda feriasexta feriaquarta feriasecunda dominica2 sabbato feriatercia VIGILIADOMINIASCENSIONIS dominia octavapost pascetercia dominica octavapasce primapost feriaquarta feriatercia DOMINICA 4 QUADRAGESIMEDOMINICA4 DOMINICA OCTAVE PASCEDOMINICA OCTAVE feriasexta inferialetaniesecunda feriatercia feriasecunda feriasexta

sce

275

CEU eTD Collection fol.114r fol.113v fol.113v fol.113r fol.113r fol.113r fol.112v fol.112r fol.111v fol.111r fol.110r fol.110r fol.109 fol.109r fol.109r fol.108v fol.108v fol.107v Sanctoral fol.107r fol.106v fol.106r fol.105r fol.104r fol.103v fol.103r fol.102v fol. fol.101v fol.101r fol.100v fol.99v fol.99v fol.98v fol.98r fol.97v fol.97r fol.96v fol.96r fol.95v fol.95r fol.94v fol.93v fol.93v fol.92v fol.92v fol.92r fol.91r

102r ------v - - - v v v v v 92r ------100v 99v 98r 97r 96r 95r 94v dominica7 93v dominica5 feriasexta v 105r v ------In S. Laurenti. Inin(requireS. VI laurentii) sancti InAgnetisSancte v v v InsanctiThome apostoli v v 106r v v In sancte Agate(requireInsancte Lucie) sancte v indie 113r 112r 110r 109r AmbrosiiIninsancti (requireGregorii Sancti pape) 108v 107r 104r 103r 102r 101r 114r conversiosanctipauli - - dominica16 dominica14 dominica12 dominica10 dominica4

------In sanctiprisce In 22 dominica InsanctiVincentii FelicesInsancti Innocentum InsanctiStephani protomartyris dominica20 dominica18 - in indedicationeecclesiae ------dominica3 dominica13 dominica11 dominica9 dominica15 dominica 8 dominica 6 dominica feria quarta quatuorferia temporum quarta - - reconciliationealtaris - dominica24 sabbato ------dominica25

PurificatioMariesancte sanctorumSebastianiFabiani et Insancti Marcelli Insancti primomaneevangelisteIohannis InLucieSce virginis indedicationisanniversarioecclesiae dominica23 dominica21 dominica19 dominica17 In sancti NicolayIn sancti

virginisinpriscae)(require S

276

CEU eTD Collection fol.128r fol. fol.127r fol.126v fol.126r fol.126r fol.125v fol.124v fol.124r fol.124r fol.124r fol.123v fol.123v fol.123r fol.123r fol.123r fol.123r fol.122v fol.122v fol.122r fol.122r fol.121v fol.121r fol.120v fol.120r fol.119v fol.119r fol.118r fol.118r fol.117v fol.117v fol.117v fol.117v fol.117v fol.117v fol.117r fol.117r fol.117r fol.116r fol.115v vir...?)octavadepentecostem preter 115v fol. fol.115r fol.115r fol.115r fol.114v fol.114v fol.114v fol.114r 127v ------v Incrucisexaltatione sancte v nativitaseiusdem vigiliaMariein fermen.Sancte (requireassumptionis VI X) v StephaniIn S in nicolay)papae(require sancti Translatiosanctidomnii in sanctiMarci)(require AnastasiiTranslatio S in Vincentii)(require sancti v felicitatisIn S v v v 119r Sanctorumprotasiigervasii in sanctiet sebastiani)(require v Insanctidomniimarci in evangelista)sancti(require Inventiocrucisinsancte (require octavapentecostem) 117r v Inannunciatione sancte Insanctibenedicti v In Sancti ieronimiInSancti in (requirepresbiteri sanctigregorii) v 126r 125v 124r laurentiivigiliainsanctivalentini) (require sancti 123r apolenarisIn S (req 122r 121r 120r crescentia vitimodestiet felicianisanctorumprimi et (requir marcellisanctorumpetri inmartirum) (requireet plurimorum IninsanctiUrbani papaeVicentii)(require S InsanctiinBonifacii (requirevalentini) s. Sanctorumnerei et 116r 115r mathieInsanctiin vigilia apostoli)unius(require CathedrasanctiPetriin (require nativitatis sancti petri) 128r 127r In sancti Vitalis (require in nativitas apostolorum et lagatur de omnibus sanctis usque ad ad usque sanctis omnibus de lagatur et apostolorum nativitas in (require Vitalis sancti In ------Nativitas Sanctorum martyrum Cosme et Damiani martyrumNativitaset SanctorumCosme matheyivigiliasancti bartholomeiInsancti apostol Tran iihelieferiaIn S (require ebdomadatercia quadragesimae) nativitaseorundem Sanctor manePrimo ephimachi Sanctorumgordianiet InsanctiMarci InsanctiValentini ------vigiliaiohanissanctibaptistae Sanctorumiacobiphilippi et Indedicatione sanctiMichaelis nativitaseiusdem NativitasMarie Sancte nativitaseiusdem IacobiIn S apostoli pauliIn S vigiliapauli petriapostolorumet Missamaiore aliude Insancti gregorii pape In decolationem Sancti iohanisIndecolationemSancti sfiguratio domini sfiguratio umpauliiohanis et vangelium

achileipancratii atque uire inuiremarci) sancti

marieinferiaquarta domini)(requiretercia adventu ebdomadade

e invigiliaapostoli)uniuse

277

CEU eTD Collection John2 16: fol.138r (probablybysame scribe)written the fol.137v ADDI A.d.m.cc.Lviiii verbum Inprincipioerat in nativitatis(requiredomini) ininFuit diebus(requireherodis vigiliaiohannis) Sancti iohannesin Fuitfr.nativitatis(requireanteV deserto domini) Liber primis 137r fol. fol.136v fol.136v fol.136v fol.136r fol.135v fol.135v fol.135r fol.135r f fol.134v fol.134v fol.134r fol.134r fol.134r fol.133v fol.133v fol.133v fol.133v fol.133r fol.132v fol.132r fol.132r fol.131v fol.130r fol.130r fol.130r fol.129v fol.129r fol.129r fol.128v fol.128r fol.128r ol. 134v ol.

generationisinmarie)nativitatis(requiresancte TIONS

------v ------v v Insynodum v Adpostulandam sancti spiritus gratia karitate De v v matyrisunius v InSanctiin Nicolayi)Clementis (require S. InCecilieSancteinlucie) (require sancte v vigliasancto omnium Luce in(requireIn S. marci) sancti different handdifferent writing Beneventan, n abt plau hc ut ii vnei qe ee lg qato criu d atrs in altaris de cornibus quattuor legi debet que evangelia iiii sunt hec palmarum sabbato In 137r scrutinioDefrancissci inetiamlegatur S Incommemorationein omniumdefunctorum secunda (require 136r Invii.tertiumXl vel Xxx. 135r pluvia inpro maiore)letanie(require sancteInhonore Marie 134r Angelorum Inhonore nativitasvirginisuniusin priscesancte (require nativitasunius confesoris 133r Nativi 130r 129r inepephniapasce(?)annuntiatio ------viglia Simonis et Iude viglia Simonis et 4, John 4, 14:15 Inanniversarium sanctehonore crucis In martyrumpontifices de et vigiliamartyrum plurimorum Crisogoni InSancti nativitaseorundem indepositionedefuncti

------

Nativitaseorundem Aliudinmissascrutinioevangeliumde secunda episcopodefuncto pro serenitate pro sanctaDe Sapientia nativitasmartyrumplurimorum Insancti Martini tas eiusdem tas

- 21

rumin(requiresancti sebastiani)

)

feria caput quadragesime) feriacaput

278

CEU eTD Collection initials,inmarginalalways the space. placed ( forms of repertory intwo beinitialsdivided can Thedecorated DESCRIPTIONOFTHEDECORATION mentiontheinserted Francisruleoftheof II hasnameAnthony of cancelledportionmentionJohntext of the erased Pinellion the of Venice and mentionandinstead ofVIII, instead ruleoftheof Venice of Franci 142r Fol. di(?)Vescovo don Trau ScrinarioN.N...... 141 Fol. bishopric becamearchbishopricexist bishopricceaseda as Trogir bishopric andto becamepart andaof Split Thementioninsteadchangeand Split the of Trogirof bishophappened inbecause Splitthe 1828 insteadover ofPio thempopeVIII e.g. t are Somecancelledmorenames recenttext of the andnames half (first ofcentury) twentiethwritten ClementMiossich (1830 fol.141r (1923 fol.140v fol.140r fol.140r fol.139v illiviavit….(?) qua iustitie tinensillam est apraehenditob et facietquiQuideum bona timet et con Beneventan: inplus scriptsentenceswords andandBeneventan Gothic fol.139r fol.138v - 1954) v ------

ni v c Latin text handdifferent writing 6: John:Beneventan - twentiethdaysaddition,40 indulgencescentury bishopClement Quirin byof Split Bonifačić andinvarious sentenceswords script Gothic John Gothic23 script, 14: same text assame withfol.on text 141r episcopus Don Antonio PanpalugoAntonio Don? - neteenthcentury addition Croatian translationCroatian precedingofthe text

oncerning indulgenciesoncerningbybishopJohnAnthony Trogir Pinelli(1794. interlacing - Anto(n?)1906 1837)

, pearl ornament, heads of fantastic animals) and simple red Gothic Gothic red simple and animals) fantastic of heads ornament, pearl , -

31 - Latin text concerning indulgenciesLatinbytext bishopof Split Paul

henameIX and ofBenedict LeonXIII pope

categories:bright

Traguriensis

- 59

colored

insteadof s I, laterhand inserted the sI, which

initials composed of Beneventan Beneventan initialsof composed Spalatensis

, pope Pius pope VI , - 1821) 1821)

279

CEU eTD Collection Althoughinitialinitial.lowerthedamaged,recognize part yetcan of one theis rather of heada pointedtonguelong anda beak is lacered, blueleft hooked) slightly attachedto theside of on the Headfantasticpearl ornament. of a animal (fil inmiddleisandfilledissquare emptyinatheink thespacebetween of structure with this black and the of marginalisthe clearlynot madeisandvisible.space Plait outblue of laces red, withapplication thick initialThefromItisis plaitdamagedi ornament. composed rather 45v fol. inkfillledblackpearl andwith ornament. Inornament). blue, initialred, greenarefilled yellow, andinkempty(laces spacesare black pearl andwith initialinterlacingisbyblue composed and stem forming red an intial.ithalfseemslowerthe mar Therefore, of the that iswayinitialThisinterestingit becauseangoes into marginal downthe is andita justspace seemingly 11r fol. i filledwith black inmiddle letterornament, the isof thethere square a inemptyendingyellowfoliage betweenornament, laceswashfilled spacesink black and with are pearl 6v fol. green,(lacesyellow pattern red, are ink blue) filledandwithand blackpearl and ornament lacesfromcoming stem The middlepartite ornament. letteris floralwithoftheadorned biggerwhich isto ornament attached initialThediagonal is bylinesblue,whichand bothtwo composed on /red sides end floral with tre 1v fol. leftsideandin(fromlower right part itasas well isleft theside very elab the upper the from letter the adorns ornament foliage stylized green, and red yellow, are laces ornament, p from composed is initial The 1v fol. inleftfloral madeinornament the drawing 1r fol. Bright color

letter is letter an - - - - A C A I - colored - s. Thereiss. thirda I I (10lines

(4 lines), the initiallines), (4 verytheis blueandlinesdiagonal red visible damaged,still are asasthe well (5 lines), (5 initialtheis byline foliacomposed with red ending green lines)(5,5 (5 lines (5 (11lineslinesin marginal2 + the space) the middleisletterthe lacesofthethere circle a encloses theitswhich isand empty space interlacing

initialscomposed fromBeneventan - - nkpearland ornaments 2 lines of text andlineslines 3 intext 2 marginal of space) 9+1 lineinmarginal9+1 the space)

s of the letter.partTheletter upper the is made ofsof the circleod a out

color pattern inshape(lacespattern theyellow ofheart anda blue, red areThere washes).

whichfellwith partlayerTheof upper along thinof parchment. the of lait structure where empty spaces are filled with brown ink and pearl pearl and ink brown with filled are spaces empty where structure lait

led with yellowwithpointed,eyebrowseearsledare wash, red,

interlacing repertoryofforms ginal space was approx. 2,5cmginal wasThelonger.approx. space

interlacing

pattern (laces pattern andgreen, red areblue) n the lowerpart,n endthetherefore the in

pattern at theof the top pattern ge ornament andornamentline geblue orated)

interlacing

a -

280

CEU eTD Collection bitingletter.washes)stemofthethe have not does bu round middlewashes).Inisthehave stem ofofjaws thehead not an but beak there does animalit anda (it atpatterns lacesbottom(pretzel the andsimple, top the at greenyellowshape, andareblue and red and fillediseyebrowseityellowandwith stemletter On right washes. ofthe thet letter.resembleItstemdoes not the beak;birdof inspite itstylizedhooked ofhas red the ears, round filledisspaceinkblackwith an has letter oppositewavestwo initialThefromis composed 7 fol. layerof inkwithAfterblack pearl and thischangesornament). shaftthe theornament isthere an ears,eyebrowse,mane red (pointed beak).middlehookedInneck the on and the verticalof the shaft withpearl largeornament) fantastic headrather a bitingit, of animalto aletterof shaft the the attached meetsformreactangularverticalisthe lace there shaft blue filleda (emptyinkblack spaces with and filledyellowEmptyinkAt wherewashes). spaces are black spot pearl andwith the ornament. the interlacing haslower part partemptyan the form square andrectangular of thefilled is type different with of ink(laceswith yellowblackandpearl and green, red ornament Themiddle blue, smallest arewashes). with complicated withsmallest the lineframinglowerbluewithand onefilledline.isframing red green and part Upper isin lowerinendIt part. parts: thedivided three verticalRectangulara shaft. hasshaftandincurved part slantingendsline upper with the semicircular isThiso r 70 fol. andbottom)linesis the top at visible.the now at belongedcategorythe to ofbright initialisThisextremely which textdamagedas asOnetheit.wellaccompanies 54v fol. beak). hooked alacefantastic red sideinitial fromattached to animalright eyebrowse, theof the red washes, (yellow 5v - - - color V largestneinitialofisthe It incodex. the of a I I (4,5 lines(4,5 linesinmarginal+2 the space)

(23 lines 2,5lines(23 in+marginal text of the space) interlacing (3 lines) (3 ornament (circlesornament leafandforms s

butlightyellow initialfiveblueThe washes. star, ends pointed with red. and

interlacing

pattern (wave form(wave pattern t pointedeyebrowse ears, marked not t inisare ityellow andfilled red with

pattern (interlacing hearts set filled (interlacinghearts opposite pattern eachempty other) at interlacing interlacing d pearl ornament). On the top is pearlthere Ond ornament). top thebiting ofheadanimal ana the - colored

pattern and two fantastic and pattern motifs.two leftstemanimalsThe of the - pattern (laces are red, blue(laces yellow pattern red, are andempty the washesand one

initials,basically but stemletter only(curved red the of the et lacesoppositegreeneachet andblue,red, areother;

opposite each opposite other

upper line,withframingmiddleoneis red which one

geometric

Beneventanformrectangulartype:on - bluegreen and here are two color

mightitpresume that - empty spaces filledempty spaces : no: more thick interlacing

spaces spaces 281

CEU eTD Collection followedis ornament the at bytop oval two formsandan isThisbrighta beencut) 85r fol. withanimalsininitials) headslayerstreated (animalthicknever the are of layersapplicationofofthick doesnot necessarilyIt lion.it hand:ismean is work inbigtheofthat another there a difference mightbeit andsaid that iseyebrowse.Thedrawing visibleclearly noskilfull layers betraysaareandhand, thick there of necklighthisgreenison andwash extremitiesandapplied. The animal earsand has round red andhislineoftailandwith of (stressedred someblue with(stressed greenlinesdifferent andofis red two colur)and movementhisthere parallel a ofwings isin outer leftone drawing hisoppositeto body.hasdouble Heainnerfilled is halo;oneblue with lioninisThe depicted withprofile in Evagelistaryextremitiesfronthis andhead his with turned yellowgreenfilledEmptyandink washes). withspaces are black inform oppositeheartswrapped two eye red jaws, animalThe upper hashead very beak longhooked eyebrowselowerears, animalred and and has the inkfilledwith blackwithpearlfantastic and heads ornament) of bitingstemletter. the animalsof the itismiddlethere of an bottomformrectangularofthe initial). the letterThe isverticalof ofinshafttheSomewhere red. the lineframingand isyellowinscription:washes;there an filledare Middleinkblackhas andwith part line.pearlframing bluefilled inside isornament. The with pattern lacesleafblue,ofcircle forms; red, andgreen are yellow and whichpart hasUpper one, isframing issmallest. curvedtheline. filled endsred and It with i Theformrectangular lion,verticalwithshaftzoomorphic a Evangelist symbolthe the at Mark of top. largestisThisinitialofisonethe It incodex. the of ininitialthe largerwas the even 76r fol. - - I I

(23 lineslinemarginal 1 in(23 oftext, linesin upper lower the marginal space 3 the and space; (10 lines +3 lineslinesmarginal (10 +3 space,bright of browse and it is filledisityellowbrowseandwithinitial Redstem ofwashes. the with rectangular ends interlacing colored line filledlineyellowformingwithslantingline washes(this the in one curve a with the s divided inlower,whichandsdivided upper parts;same three the middleare and size interlacing

initial ornament. composedinstemTheandof stemis red part upper curved the

there isinitialthere betweenbigthe a differencedepiction the andunderneath of the pattern with yellowandpattern blue,green washeslaces. Two oppositewaves . The lionlayingisThelegs initial the. on hasHethree and visible. are wings color

upper part, butpart, upper has parchment the been cut)

pattern (two oppositewavepattern

andevmightwashes; notice we that interlacing Z.Cthus - structure Emptyornaments. structure spacesare

and inlineand another

pattern (laces pattern without now are geometric colored color ). Furis). in

sshape

initiallongerhas but parchmentwas the Beneventanformrectangular a type; on

and pearl and ornament. Pasca

- washes, whileemptywashes, the spaces blue and red laces,blue red and empty spaces dicated in dicated drawinghisthe on enpartialthe of depictions color . The lower part haslower part The green . color

andframedin and red the color .

filledinkblack with ,probably itwas

interlacing color 282

CEU eTD Collection itwaveshasmiddle opposite two verticallinewhich part stem, initialof continuesupper theof curvedthe in Somewhereis red. the blue yellow)green,red, and andsp empty the initialisRectangularlines) part of theinterlacing out of composed (12 (laces curved structures are sha saidthat overall the shaperesembles isThisbrighta hasbeenparchment cut) 124r fol. Thewithiswhole laces stemdecorated foliage(yellow,green,blue) forms. carrying stylized beginningtheblue, at (red, horizontal letterLower (whichis stemisoftheand red blue) with adorned circular formsstylizedyellow).foliageends (green It and with leaf greenform. lacesforms;yellowandblue,green, arered and Upper horizontalpattern. letteris stemoftheadorned with This initialtheleastpart, 2,5cm waslonger)at ifbeenaccordingsymmetrypresumethat lowercut; to part initialofwe thematch shouldthe upper the fol. andbluefilled red andemptyinkblack withspacesare pearland ornament). verticalisa stem,yellowwhich hassimple andone followhorizontalendsblue (laces are inkfilledwithInterlacing blackpearlcircles and forms ornament. rhomboidand with circlesat formsregular(oval wave and followsinitial. typethisisletterof theAt oftop largethe the there a Thisand initialshaft. haveframedthe not form, does rectangular thein form but overall general initialformoftheresembles isThisbrighta hasbeenparchment cut 107v fol. pearls. at lettter the places.Emptythree arespacesstembetweenthe ornment filled the andinkblack with and Green,blue and yellowpearllaces ornament. foliageentangleandwith stylized ornament stem ofthe ftwithletter,ofthe isdifferencethere frametheforthat no rectangularpart theinitial.of upper the 118r

isbrighta

- - - I F I

(17 lines of the text andlineslines 3 (17 intext oflowerthe marginal initial the the space; (12lin (6 lines of text + 3+lines linesin marginal (6 initialoftext longer thehas but space,parchmentthe the was - - colored colored color es of text and 2,5linesinlowerof text marginalinitial es the the space), thebigger but was ed initialed out ofcomposed stemand

initial, but the initialout ofcomposed dense

green laces)andwithgreen heart ends geometric - likegreen,red,Lacesblue yellowshapes). are andspacesare empty and interlacing geometric , red and yellow).Describedand red initial , part of leaningupper theis on color

B eneventan type of the initialseneventanofformtypethe consisting of rectangular

hasfainted.Itisfrom stemand composed red

pattern (laces are blue, red, greenyellow andblue,(lacesred, are pattern ace is filledisinkace Theblackpearl andwith ornament.

Beneventan initialsBeneventanandwith part vertical rectangular emptyfilledspacesare and pearl with ornament) interlacing interlacing interlacing interlacing - like (yellowstructure washes green). and

pattern (pretzellike, lacesyellow,pattern are

pattern andmight pattern bevertical It stem.

pattern. Itis pattern. interestingthe that interlacing

pattern (wave like(wave pattern circular and

patter

was longer but was the interlacing nwith interlacing - interlacing rather rather

pattern pattern 283

CEU eTD Collection anddots ornament: inwavyand anddotslinesletter ofatcornersthe the wavy the vertical top lines and 62r fol. letter part drawn isofa thethereornament also motifanimalfirsttime,stylizedtheforbird head laceonin with a ornament, semicircular upper the lineemptyinsurfaceismiddle red drawntheletter, finishi the ornament the of of 34r fol. infiligran wrapped work is letter withadorned elegantdrawn dotsit ornament: re and lines, wavy 15v fol. yellowwashes) orn with adorned initials Gothic Red 3r fol. simple Other initialsinGothic red executed 135r fol. fol. fol.129v,fol.128v, 132r, fol. 130v, fol. fol.132v,fol. 134r, 133v, fol. 134v 119r,fol. fol. 109r,fol.108v, fol. fol.fol. 110r, 109v, fol.fol. 112v, fol. 111v, 115v,110v, fol. 113v, 97v, fol. 88r,fol.fol. 92r, fol.89r,90v, fol. fol. 93r,93v 92v, fol. r,fol.fol.54 78v,fol. 68v, 31r,fol.fol. fol.33r, fol.31v, fol. 41r, 39r,40v, fol. 36v, fol. 4 15r,fol.fol. fol.22v, fol.17r,19r,20v, 26r, fol. 24v, fol. 27r,28v, fol. 2r fol. stem,sometimes withornaments, adorned4 drawn I rectangular Simple Gothic initials Red bottomsomeshapethe at is (whichusualpractice) a presumewe the that da maged)filledspaceinklowerblack empty andpartwith Theornament). is pearl stemblue.ofIfthe - , F, - - fol.2v - I I I , f fol.99v,fol. 101r

fol.4r (4,5 lines),with letter (4,5 red empty space inmarginallines+1,5most (3 beautifulof theonelettersthe space), wavycurvedofthe type, fol.120r (6lines)letter with red inleftmiddlespaceyellowfilledempty with side the wash, ofthe ol. 135v, fol. 136v ol.135v, , fol.3v

- A, fol.r 75 A, , fol. 121r, fol. 122r, folio 123r, fol. 121r,122r, fol.folio123v, , 123r,

interlacing - , 4v, , letters executed in red, mostly decorated with empty line in the middle of the the of middle the in line empty with decorated mostly red, in executed letters -

likeornament , fol. 101v, fol.fol. 102r,103r, 101v, fol. , 105r,106v, fol. fol.5v, fol. 80v, - P

pattern on the stemis themiddle theon initialat pattern the that hadand probably fol.6r fol.fol.81v,fol. 84r, fol.82v, fol. 86r, 85v, fol. 87r, mn ossigo osadwv lines wavy and dots of consisting ament

- 2x

, fol. 7r,8r , fol. - dots andlines curveddots lines and in the middle,with in decorated the filigran nice - 5 lines5 oftext then it was longer for at least 2 cm.longerleastit2 atfor thenwas , fol. 9r, fol. 10r, fol. 12r, fol. 13v, fol.fol. 14r, 9r, 10r,12r,13v, fol. , fol.124v,f fol.95v,fol. 96r,fol. 97r,

2r,43r,44v, fol. semblesinitialsGothic ol.126v

- (sometimes filled with with filled (sometimes ng the leteris the ng an 2x, , fol. 127v,,

- like

284

CEU eTD Collection inleftspacemiddle, the 4 I andyellowfilled withwavy dot lineinwashes,left letterornament corner of theupper the fol 119v fol. anddot linewavyinornament letterof the corner the 117r fol. bottom 82r fol. 40r fol. inleftornament theside 37r fol. zig letter, inismiddleornamentzag letter iswhich the part of theoffilled the red with 4v fol. ornament reddecoratedInitials in and withzigexecuted with adorned is initial the left the on line, andconsisting lineswavyofdots ornaments slanting is letter the of line upper 137v fol. isletter thethere stru a is letter withadorned elegantornamentsconsisting and wavy ofanddot linethe of on ornaments top rightlettersidethewithis thedecorated lineregular parallelintervals. left at wavy On theside the lowerpartdepictedandletter slanting lineisempty as(the ofhorizontal thenot 125v fol. wavy madeofdots, out left upper letter,the a lettercorner on oflinestarts thintheen horizontal a elegant drawn of ornament with letter curvedlineemptyininmiddle,floralornament in bottomdot+wavythe and the ornament 94v fol. likefiligranornament with decorated inmiddlesemicircular stemof the by ornament the line) (surrounded elegant wavyand 69r fol. - letters inofsometimescurved withshape red, t executed . 129r . -

C - - - - - I I I I I - - - - -

I I (3 lines), (3 red I F L (4 lines), red letterlines),with red (4 verticalinemptymiddle,lineleft lettertheside on the the (4 lines), red curvedwithlines), red letter line(4 ininsidezigfloral emptyzagtiny and the ornament lineslines+0.5 (4 inwithmarginal curvedletter space), red line thezig inmiddle zag the lines),curvedwith letter (4,5 red, lineletter zig inand zag surfaceofathe red thetiny (6lines,lines initial4 ofsense linesin narow the and of elega2

(4,5 lines),letter curvedziginside, (4,5 red linefoliage zag elaborated at ornamentbottom the curvedwithlines), red letter line(5 floral inside,emptyat zag botttom zig the ornament and (5curvedlines), red letter with floralinside linezagat zigbottom andthe ornament (4 lines), red letter with empty line vertically, empty line horizontally and slanting line (the (the line slanting horizontallyand line vertically,empty line with empty letter red lines), (4 (5linesletter andlines of2 the letter upper ofwith red linetheornament), verticallyempty - dots anddotsand vertical lines,wavy dots two lines ctureresembling ofcandlea shape the (curvedlines)wavy and color lines andshape thethe ofcandleslightlyat a top resembling - resembling a stylizaresembling - 5 lines5 oftext , two semicircular forms, two each inopposite other put empty the space

ed birdwith long,curved edbeak

- zag line, sometimesline,zagdrawn with adorned

inyinexecutedornament drawing empty and

nt upper upper ornament), nt red

but slantingline). but On

elegant ornament ornament elegant color

ofthe

285

CEU eTD Collection continu 1r scribes Three fols. line. ruled copied top the below begins text the leaf, every On ternion). one and quaternions a begins verso last and recto first the of text The mm. fly three and leaves 110 of consists manusript The CODICOLOGICALDESCRIPTION: late DATE from Evangelistary Trogir complements liturgically it that thirteenthcentury pr fact the and saints of Proper the PROVENANCE SHELF Epistolary ofMuseumSacred (owner:Chapt Art (Hagiology Cults in context)./ Dalmatian manuscriptswritten inBeneventan script 137. Elba.“La decorazione codicidei inbeneventana dellaDalmazia tra eXIXIII secolo”. illumination related toBenedictine tradition). benediktinske tradicije”(The illumination of EvangelistaryTrogir 2001:172.Rozana Vojvoda. “Iluminacija TrogirskogEvanĎelistara dellaTesori Croazia (Illuminatedmanuscripts inCroatia). Zagreb: Kršćanska exhibitionthe heldMuseum in for Arts and Crafts1987: cat.no. 54. .AnĎelkoBadurina. Belgrade,1965: 138 (Beventanscriptoria and paintingthe inDalmatia from eleventh untilthirteenth c.). 1962:211 CollectaneaVaticana in honoremAnselmi M.card. Ben osobitims obzirom na dalmatinsketip beneventane Folnesics.Hans Bibliography: fol. 136r,fol.135v, fol. fol. 135r, 136v, fol. 134r folio fol.121v, 122v,fol.fol. 126r, 124v, fol.fol. 128r,127r, fol.fol. 131v, fol.130r,133v, fol. 133r, 108r,fol. 11 90r,fol.fol. fol.95v, fol.91r,93v, fol. 97v, fol.fol. 96v, fol. 100v, fol. 98v, 104r, 102v, fol. 107r, fol. 79r,77v, fol. fol. fol.80r,fol. fol. 83v, fol.84v, 80v, 87v, fol. 86v, 88v, fol. 22r,fol.21v, fol. fol.fol. 26v, fol.23v, 29r, 27v, 32v fol. fol. fol.9v,fol.8v, 13r, fol.fol. 10v, fol. 16v 14v, eventanscript). Zagreb: JAZU, 1920:34,37. Elias Avery Lowe.“A New ofList Beneventan manuscripts” in

RozanaVojvoda. “ : thirteenth / fourteenththirteenthcentury / : es, without interruption, in Gothic script to the final epistle on fol. 107r. As in the case of the the of case the in As 107r. fol. on epistle final the to script Gothic in interruption, without es, - - MARK: / MARK: 244:236. Branka Te

Die illuminiertenHandschriften inDalmatien - 78v in Beneventan; on fol. 79r (toward the end of the tenth quaternion) the text text the quaternion) tenth the of end the (toward 79r fol. on Beneventan; in 78v 0r, fol. 111r, fol. 112r, fol. 113r, fol. 113v, fol. 115r,0r,111r,112r,113v, fol. fol. 116r, fol.113r, fol. 120v, 117v, - . Catalogue . of exhibitionthe inheldVenice 2001,9 : preserved inArchiveitscenturies,forby preserved Trogir Chapter : origin indicated isof Trogir 145.Igor Fisković.

Sanktoralibeneventanskih rukopisa dalmatinskeprovenijencije oved to belocalto oveda product Trogir Zagreb:Leykam international, 2008.: 89 lebakovićPecarski. Romaničkoslikarstvo u

In Raukarovzbornik erArchive)

Beneventanskiskriptoriji islikarstvo u Dalmaciji od 11 (Beneventanscript with aspecial regardtothe typeof Dalmatian - AlbaredaaBiblioteca Apostolica edita, textand image relationship).in sadašnjost, Institutza povijest umjetnosti, 1998:p. cat.94 163.no

, fol. 17v, fol. 18v, fol.fol. fol.20r, 18v, fol. 17v, r, 21 - , Leipzig, , 1917: 87 leaves (ii+110+i), the height is 250 and width 178 178 width and 250 is height the (ii+110+i), leaves

Hrvatskoj. nd ends on the flesh side of every quire (thirteen (thirteen quire every of side flesh the on ends nd - . Zagreb: . FF Press, luxury and conservative luxuryand tradition of Dalmatian -

raskošikonzervativnost dalmatinskog sitnoslikarstva - th 105: 100.

, fol. 44r,, fol. 45r,76v, fol. June

(Romanesquepainting inCroatia) Catalogue of - 4 th -

91.

November.Venice: Edizioni Multigraf, Ph.D.diss, University of Philosophy in Hagiologija / Kultoviu kontekstu

ViktorNovak. 2005: 187 Segno e testo - vezateksta is Iluminiranirukopisi u Hrvatskoj StudiTesti e - 208:191

4(2006): 107 Scripturabeneventana like”(Sanctorals of

220,Vatican City,

- 192. -

13 - tog veka Emanuela - 147:135

286

CEU eTD Collection dedicationofchurch a 89r Fols. Commonsaintsofthe MatthewAlland Saints Protomartyr, Stephen of Invention (?), Assumption Elias Lawrence, Jesus, prophetof Transfiguration the (?), Andrew and Peter Lawrence, and Paul, Peter Baptist, the John Archangel, the Michael of Invention (ut.vid), Doimus James, and Philip 71r Fols. Sanctoral Mass 4v (fols. neumes with lection troped 1r Fols. Temporal (AnnunciationofMary). Twenty the through (Epiphany sc Beneventanfourth A year. liturgical entire the over rangingepistles 166 containsand complete be to appearsvolume This LITURGICALSTRUCTURE: andlettersconnect ensurethe alsoto uniform a height. do he since script attractive and angular least most the the perhaps has C Scribe upright. more and rounder, smaller, somewhat but calligraphic, also is B scribe of hand The scale. larger consistently a on and later writing is who tradition same the someone trai least very the at similaritiessuggest many paleographical Evangelistary,the theand calligraphicmost ScribeA Hismasteryof thewrites Beneventan. principal skilltherecalls scribethe of 1r fols. wrote scriberesponsare AscribeCandB scribe Epistolary, the on worked who copysts Beneventan three the Of SCRIPT: side.frontthe ro inthree apostles of unusualdepiction the and sideback the on iconography Byzantine in Pentecost of depiction the with covers silver in bound is manusript The lastfolioversointhe ofthequire. the text scribes the all Evangelistary, - line. Like the Gothic scribe, the Beneventan scri Beneventan the scribe, Gothic the line.Like

- 0: is Sna o Avn through Advent of Sunday First 70v: - -

7, nldn te psls a martyr a apostles, the including 97r, Annunci Mary, of Purification Paul, of Conversion Andrew, including 89r, Beneventan (fols. 1 Beneventan (fols.

ribe, who was less skilled than Scribes A, B and C added rubrics on fols. 14v fols. on rubrics added C and B A, Scribes than skilledless was who ribe,

- - eeetn s el s Gothic as well as Beneventan 78v)and(fols. Gothic79r script - Fourth Sunday after Pentecost), 74v (Purification of Mary) and 75v 75v and Mary) of (Purification 74v Pentecost), after Sunday Fourth

iblefols.for65v -

8r) for the first lection before the Epistle in the first Christmas Christmas first the in Epistle the before lection first the for 8r)

es not achieve the imaginary headline that serves to to serves that headline imaginary the achieve not es - h Twenty the ihp mrys a confessor a martyrs, bishop, - of Mary, Nativity of Mary, Exaltation of the Cross, Cross, the of Exaltation Mary, of Nativity Mary, of 68v69r and bes also use catchwords centered at the bottom of of bottom the at centered catchwords use also bes

- Fifth Sunday after Pentecost, including a a including Pentecost, after Sunday Fifth - ws with Holy Spirit on their shoulders on on shoulderstheir on withSpirit Holyws place the script slightly above the ruled ruled the above slightly script the place - - 78v,respectively. 107r)

- bishop, virgins and the the and virgins bishop,

ation, George, George, ation, - 65r, while while 65r, ned in ned - 287 70r 70r

CEU eTD Collection partTheit. upper on is bodyofthe depicted youthfullinisthe looksdepictedhefigure andwith profile, up hat awears stripes a rim wide two and l fol.on barefooted 28vprobably (althoughandalso and is parchmentonly thebeginning cut of the the «F» Humanletter in withfigureornament. dressedadorned plant same the character the tunic short as F 52v fol. motificonographicalin scene the ofpresent in Entry Jerusalem. Palmfor the istext there possibility afigure Sunday, boy the a that represents climbingtree, the face Theyouthfullletter. figureis fallsofhisthe hair theto andne up down positionbendsbodyhishesimplyandornament strugglesor aswith structurethe climbsthe of the handl isheright pullingthe andfigurefightinghumanaHisit.leftis hand with already entangledandbyhisornament thewith ornament,ofanthe identical isovalstructure shaped structure the initial on to dragon the fol. 16r) on remarkablyitparts:consistsof twoplantexecuted; a( inwell ornament part upper the I 28v fol. befinger.smallest the directionin finger iswrong biggesta line the a so that again toe pointing« to figure the mistakeEsaiah.inmadeasIlluminatorprophet left adepictionlegs:foot is the ofthedrawn figureHumanbeardwearingwith aa I 2v fol. depictionshumanInitials with ( heads), forms of repertory Beneventan typical a from conceived initials types: severalin divided be caninitials Other manuscripts. Beneventan in found initials of i are figures animal and human with Initials illuminator. skilful of hand a show and ink brown in executed are initials the All DESCRIPTIONOFTHEDECORATION numberoccasionsof other 97r Fols. massesVotive eft leg'siscompletelyvisible)isheel eft set inisletter.he marginal and spaceclimbing The head the of ( is (theletter oftheheight6,5 lines), Prophet Esiah approx. (5 lines and(5 linestextof marginalthe6 of space),

the lenghthletterislinesthe ofthe 9,5

geometric

- 0r includ 107r,

initials and initialsinitialswithand leaves.decorated foliagevolumionius stylized

ing Trinity Sunday, the Holy Cross, various commemorations of Mary and a a and Mary of commemorations various Cross, Holy the Sunday, Trinity ing nspired by Romanesque repertory of forms and don't have distinct appearance distinct have don't and forms of repertory Romanesque by nspired

ongest sprout ornament.inThe plantof figurelooksup ongest the quarter

- tunic points to the text. The tunicrelationship to text. points identifiesthe text the with 6 lines of text and 3,5 linesandlinesmarginal is3,5 ofletter text the6 space), of

inthree

- the letter is letter the from drawncomposed ofthe structure quarter position quarter righthand , grabs stemofthethe

interlaci ck. Since itSinceaccompanies ck. et dicens», itwhileshouldet ng , pearl ornament, bird bird ornament, pearl , note the that top

interlacing - profile 288 d

CEU eTD Collection andshorter beak)endswith head bitinganimal anand leaf. (hooked pointedother a the legs, expect are tail there two lower part Theanimalof theis body very depiction).(similarlegsfrontto dragon the stretched Two and in middleparallelbody.are the the of moone, onlybitearsare long thinbendedpenon theheadits thestrokes neck, other body,left ownbites headresembles the the itheads,has «I»,leftis two bandedone with downdog open I 32v fol. initial). dragon initialnaturalisticallyplant which contains ornament depicted entanglesanimal the (similarity the with lower formpart Theletter.of depictionthe the her has somewhat F r 20 fol. isent letter«f» itspart ofbody.thebitingAnimal ownand motifs with whichconnected ornament are plant a lowerpart Inthe isbody, ofdragon'sthere adepiction forming a lower ofanimal an dog resemblingthe Thecoveredbody withdragon, ofthe scalesandends winged, F 16r fol. letter.ofthe endssides letter both on trefoil with plant I 12r fol. fullInitials figureswith fantasticanimals of finalfigurewas that and figure'smeanswhichhand drawingfrom the grew that the to bottom theandtop depictionthe the of depictionthe rightofhandthe letter grabbing stemletter,ofislinethe the thevisible the of plantIn findthewe ornament withinterestingagain shapedovalstructure li wavy frontally. leftand letter the one and tailornamentlower plant of part the body of the thealmostis depicted

(9 lines most (9 isofthistext), the lines The(11 initialof text) snake aformed represents by (10,5 lines letteris(10,5 oftheformedby text), legsinitsbodyanimal the tail,while and profile stretched lines (10 bodyisofthe text), skilfullydragon the create letter. of to shapedrawn distorted the of the angleddragonthe backsideneck theanimal.around of around other and

re pointed.The re body animalofthewing oneslightlyis visibleis curved, the drawingformeantthe waspossibly - like structures; one is longerisonein marginallike isstructures; and the spacegoes one and unusual

unusual ornament, headbeakornament, the lacewithbiteshooked slightly the beast inbeastmanuscript,whole the bea the

, it isface,itdrawn th en, on interlacing - color jaws,longishhairandrepresentedby ears with a plant ornament withwithornament plant ait. ring on a aldic character. sidealdic Theright character. the of ing)

pattern with the pattern pearl ornament,

e placese wouldwewhere

st representsinitial st ne inmiddle.Inne the

below

the 289

CEU eTD Collection «K» «H» Ornamentalreducedstylizedformsinitialsadorned and foliage with pearlornament of structure a actually is part rectangular upper geometric 49r fols. 34r,36v, represent Initialsmixture that the of fromandcomposed part vertical upper stem rectangular 45v fol. Geometric “R” “Q” initials “K” 41r,44r,fols. 37r,50v 40v, 30r,31v,32r,52r, 40v,41r,54r, 29v, 42r,54v, 55v, 56r,50v, 57r, 57v,58r, 59r, 60r, 61r, 62r, 62v initials “F” dynamisminmainlyThese«F» initials. appearance. are fantasticheadsofanimals. never but themselvesausterelackTheyrepeat andthey rather are the initialsThisformedfromistype Beneventanforms,of repertory of Initialsfromcomposed inkwithwith blackdecorated and pearl ornament snakeentangledbysymmetricalvegetabil a with emptyornament sprouts, I r 63 fol. I 47v fol. Geometric inkpearland ornament. bydepictionsprouts; ornamentofsnake aplantempty andthe inthe between filledisbrownspace with I 34v fol. “L”

(2 lines and(2 linesintextofmarginal the5 elegant initial the space), bydepiction thecomposed ofa lines),lettera is (8 subs andlinesline 5 (4 of text - - - - - fol.4v initials: fols.initials: 39r,9r,39v 10r, 38v, fols.initials:48vfol. 9r, 10r,62v,fol. fol.,4r,14v, fol. 8v, 62v 49v, fol.13r fol.5v

- I, typical «I»,

and and

initial -

fols. 1r fols.

interlacing

later variant later ofthe - 2x, 4v, 10v, 14r, 15v, 17r, 17v, 18r, 18v, 19r, 22r, 23v, 24v, 25v 24v, 23v, 22r, 19r, 18v, 18r, 17v, 17r, 15v, 14r, 10v, 4v, 2x, geometric

interlacing tituted by snakedepictionatituted the of entangled ornamentbyplant the s inmarginalletteris s created thethecomposed space), by plait the ornament initials of initials characteristic for manuscripts written in Beneventan scrit, scrit, Beneventan in written manuscripts for characteristic initials of initials

ini tial characteristic for manuscripts written in Beneventan script, script, Beneventan in written manuscripts for characteristic tial

pattern and ofheadsfantasticanimalspatternand adorned with geometric geometric

interlacing

ectangular type of the initials,typeitectangularpresents mixtureof aof the and and interlacing

pattern where empty spaces ar spaces empty where pattern type ofinitials type interlacing interlacing

spaces infilledbetweenare spaces

pattern, p pattern,

pattern , 26r, 27r, 28r, 28r, 27r, 26r, , earl ornament, e filled with with filled e

290

CEU eTD Collection preservedinRabLibrarycathedral the xcentury,of 255 Graduale550 no.10, 387mm,15th tempore de repairusedto were in (Gradualecodices3,10 Gradualsnos. no.3,writing, Gothic tempore de fragments18 that oncebelongedsamethe Evangelistary presently to are kept ParishRab office Rab 7.4. codicidei inbeneventana 214della Dalmazia XItra eXIII secolo”. 2006), dvori, Klovićevi Epistolary).Evangelistary and (Trogir‟sEvanĎelistar” Galerija (Zagreb: Plančić Rauter Biserka in also 175, Croazia povi za Institut sadašnjost, Kršćanska Zagreb: cat.no147, 76, 73, 72, 1987: u slikarstvo 122 1965: Belgrade, in Philosophy of University diss, D. Ph. c.). thirteenth until eleventh Beneventanskiskriptori April Crafts, and Arts ofMuseum in held 236. 244: card. M. Anselmi honorem in Vaticana A Elias 37. 34, 1920: JAZU, Zagreb: script). Beneventan beneventane dalmatinske tip na obzirom osobitim s Folnesics.Hans Bibliography: 104r “f”, 99v “a”, 95r “g”, 89r 84r fol. 83v, fol. 83r, 79v fol. 79r, fol. 78v, fol. madeSometimesindicate scribeto initialthewhich smallletter a executed. shouldbe EmptyspaceGothicleftforpart of initials thein manuscript 76r,77r,fol. 77v fol. 66r,13v, fol. fol.70r, 67r,70v,71r, 69r,fol. r,69v, fol.fol72 fol. 75r, fol.74v, fol. 73v, 75v, EmptyspacepartBeneventanleftfor initials manuscriptin of the “P” “L” “I” “F” - - - - - “f”, 89v “f”, fol. 42v fol. 3v initials: fols.3r,33r, 47r fol. 5v fol. . Catalogue of the exhibition held in Venice 2001, 9 2001, Venice in held exhibition the of Catalogue . Branka Telebaković Pecarski in in TelebakovićBrankaPecarski - - - “f”, fol. 95v fol. “f”, “i”,100r

“f”, 104v, 105r 104v, “f”, Hrvatskoj. ri pt tlea hrvatske stoljeća pet Prvih

“i”, 90r “i”, DieH illuminierten , 53r ,

“i”, twice, 100v twice, “i”, ji i slikarstvo u Dalmaciji11 uslikarstvood i ji (Romanesq

- -

- “i”, “b”, 90v “b”, “i”, 85r fol. “s”, “b”, “d”, 96r “d”, “b”, 55. - “f”, 105v “f”, -

“m” is indicated, fol. 80v, fol. 81r fol. 80v, fol. indicated, is “m” AnĎelkoBadurina. ue painting in Croatia) Catalogue of the exhibition held in Museum for Arts and Crafts and Arts for Museum in held exhibition the of CatalogueCroatia) in painting ue andschriften in Dalmatienandschriftenin Albareda a Biblioteca Apostolicaedita, a Albareda - mens (is fiv (First umjetnost - “f”, “b”, fol. 86r fol. “b”, “f”, June 1964 in Zagreb: p. 284 (cat. no. 8), plate 14. Branka TelebakovićBranka Pecarski. 14. plate 8), (cat.no. 284 p. Zagreb: in 1964 June - Minijatura u JugoslavijiuMinijatura - - “i”,101v “i” - “i”, 91r “i”, “f”, jest umjetnosti, 1998: p. 94 (cat. no. no. (cat. 94 p. 1998: umjetnosti, jest

“i”, 96v “i”, Iluminirani rukopisi u Hrvatskoj u Iluminiranirukopisi

- (Beneventan script with a special regard to the type of Dalmatian Dalmatian of type the to regard special a with script (Beneventan Bašćinski glasi Bašćinski -

- “b”, “i”, 91v “i”, “b”, “i”, “k”, 102r “k”,“i”, 13 - tog vekatog ey oe “ Nw eeetn aucit” n Collectanea in manuscripts” Beneventan New “A Lowe. very - th e centuries of Croatian art). Catalogue of the exhibition, ed. ed. exhibition, the of Catalogue art). Croatian of centuries e “f”, 97r “f”, , Leipzig,1917:87 ,

Segno etesto June - “i”, fol. 87r fol. “i”,

(Miniature in Yougoslavia) Catalogue of the exhibition the Yougoslavia)ofCatalogue (Miniature in 4 Dalmatiapaintingfrom(Beventanscriptoria thein and th

3 (1994 3

- November. Venice: Edizioni Multigraf, 2001: 172 2001: Multigraf, Edizioni Venice:November. - “i”, 98v “i”, - “i”,92r “i”, 102v “i”, - 1. rgn iioi. Toisi psoa i Epistolar “Trogirski Filipović. Dragan 217.

- 4 (2006):4 107

“f”, f 81v f “f”, ): 135 ): - “i”, fol.88r “i”, Studi e Testi e Studi - 91. - -

two places left for initials, 99r initials, for left places two “v”, 92v “v”, - 173. - 164).

Viktor Novak.Viktor (Illuminated manuscripts in Croatia).(Illuminatedmanuscripts in r,103v 103 “i”,“k”, - - Emanuela Elba. “La decorazione“La Elba.Emanuela

“f”, fol. 82r, fol. 82v, fol 82v, fol. 82r, fol. “f”, 147:135 - Virginia Brown in in Brown Virginia 130. Igor Fisković. Igor 130.

infolder. a 220, Vatican City, 1962: 211 City, 1962: Vatican 220, - -

“e”, 93r “e”, “b”, “f”, fol. 88v fol. “f”, “b”, - 137. Scripturabeneventana

- Formerlythey “f”, 93v, 94r 93v, “f”, eoi della Tesori - Romaničko “h”, “i”,“h”, - “k”, “k”, 291 - - - - .

CEU eTD Collection rectangularpart.the upper filling initials.pearlofandeleventh initialsornament century in lowergeometricThe is part of cut the havelaces,foliagewhichforms lacesstylized from differand geometric acc inlowerwithandpartprotruding letter.upper is the tongues Theof filledrectangularthe part with fromcomposed rectangula C. Itletter isbegins with thirteenthvariant acentury ofinitial. istraditional Beneventan geometric It I description 4 Matthewverso:2, with recto, 1 initial: geometric2, Matthew content including linesixthinitial ofpart text theof decorated ofpreservationstate script margin dimensions material description withingeometricFragment middlecut is the which ( initial 2 14 Matthewverso:1: 11 Matthew1: recto: co ofpreservationstate script mm16 dimensions material date description withGenealogyFragment(read by onMatthew Christmas) 1 withshelf disiecta Membra a listed, BenedictineJohnfoundednunnery in was ofcentury,St. eleventh inbecamewhichFranciscan friary. 1287 there usually Evangelist the isthe John JohnSt. Baptist of church the the Johnto St. Next Evangelist). St. the of Johnwhere St. inserted place church has scribethe the on saints to of list belonged the has (in Rab manuscript in Evangelist the that concluded has Badurina AnĎelko to According inSciencesin Zagreb 1966. byrestoredHršakin wereing.Vera restorationforLaboratory books ofAcademyCroatian of o Franciscanorigin belongedprobablyfriaryandto in inwhichRab, was 1783. abolished mm,xin195 Archive preserved The -

initial,addedrelatedink,with only color not isinnowhich to executed text the pericope, of the ntent: : saec.XIII : Beneventan: withscript thirteenth century tendency angular Beneventan: withscript thirteenth century tendency angular - 54 mm 54 :

: : - parchment parchm mark4106). R : 110 (at maximum)mm, (at 110 xmargin: 250 upper : 120 x 250 mm,marginxleft120 250 : : fragmentwrittenand: lines,in longneumslines text seven preserved of of the ofthe decoration

fragmentwrittenlinein long

Confiteor

of this codex are preserved in preserved are codex this of ent - 9 -

- : 14with 1:neums(Genealogyfrom 1 Matthew, :

16with neums the vertically,fragmentisthe is but cut text the well readable

n Gothic in

r upper part and part vertical upper withstem r decorated andfantastic heads ofanimals marginso

f the fragmentfarethe of Rab chapter, 15th century). ofTheseRabchapter, ofGradualsFransicanare script, preserved amongst the fragments of the Evangelistary, Evangelistary, the of fragments the amongst preserved script, - 8 mm,margin right 8 s, 13 lines of text preservedlines oftext 13 s, - 4( Matthew1 2,

National Scientific Library in Zagreb (two fragments (two Zagreb in Library Scientific National

cut - 26 mm, lower marginlowermm, 26

aswell majorfifth thepart of theas the and - 12, - 22 mm,margin22 upper

in epiphaniadomini in in epiphaniain domini

16,read Christmas) on ompanied with blackwith ompanied - 52 mm,margin right 52

- 25 mm, lowermm, 25 )

)

The fragmentsThe

f 292 the the -

CEU eTD Collection verso: recto: content part right ofrecto ofpreservationstate writein ofscribemoreaprobably angular to of(most accustomedscript type Gothic) script dimensions: m date d withLuke,GenealogyFragmentpart by of bifolium 3) the (readEpiphany) on (seeno. 5 9 Lukeverso:19: Luke19:5 recto: content ofpreservationstate marginalloweristherelines, space thirteenth/fourteenth(?)century addition,4 Gothic cursivescript script dimensions: material date infwrittenpencil57/58 and it5 preserved verso, rectois on on recto on in writtenVII Ro d cutisfrom which Fragment fragment ( discussed previously 4 letterofthe framerectangularandthe part endheadfantasticof aear, bitingframe with ofwith animal pointed the survived, it cut, onlyisrectangular part hallow lacesthe andfoliage with forms stylized entanglethe initialprobablyandfrom geometricvertical rectabgularthe part composed I ofthe description decoration: 1 Luke19: withinitial:1 verso, (Matthew2, Matthewgeometric 2:12 9 Matthew2: recto: content ofpreservationstate script dimensions: material date innerbifolium d ded withgeometricFragment partcut,is which initial of bifolium ( 3 -

escription escription escription initial,added,ink,withonly beginnscolor inno executed phrase I( the aterial icationis ecclesiaeicationis : : :

saec.XIII saec.XIII saec.XIII : different handdifferent : mainhandthe than of the scribeofby Evangelistarium,hand Beneventan script a Beneventan: withscript thirteenth century tendency, sideversoangularfrag theon of Ben: Luke 3: 22 Luke3: Luke 3:24, 29 Luke3:24,

: :

: : :

parchment parchment parchment - eventan script withscript thirteenth centuryeventan tendency angular

3 ( : : fragmentisinpreserved,lines: long writtenlines,offirst fragmentparttext 6 is the the of

the fragment isfragment the ofit previouslyfragment,is part lines,in discussed long8 written 160 xleftmm,margin71 153 xleftmm,margin177 89 fragmentisin longlines,andlines 4 written neums of text preserved are

Luke 19: 1 Luke19:

- - 7 (Luke 19: 1 7 (Luke19:

- xleftmm,margin95 24 10 -

11 -

30 (Luke30 : : : )

the fragmentisthe cut fragmentisthe cut fragmentis cut,

- 10, communededicationis ecclesiae - 3:21 10,

communededicationiseccle - 4:1,read on theEpiphany) - - - the text is the text yellow readablebut are therestains, especially the on 13 mm 13 mm,margin lower 16 mm,margin45 right , but the istext well readable , but the istext well readable

- 12, - 30 mm 30 - ) 58 mm 58 in epiphaniain domini

siae commune dedicationis commune ecclesiae

mannumeralsitis andversothe on

in epiphaniadomini in )

n illotemporen stem. Since the fragmentsSinceisstem. the )

), it),was

commune inment )

293

CEU eTD Collection inmiddlefoldareaisfainted thetext andbit a that at ofpreservationstate script dimensions: material date in pencil, d withRomanrectoFragmentnumeral on ( Iwritten 8 rubric: Luke2: 27 Verso: recto content ofpreservationstate script dimensions: material date inlineslongwrittenlines, 13 oftext d and5cpencil with5b writtenFragmentonin verso (02.02, 7 evangelistam.Bea... et michaelema.. beatum verboopereexemploet cogitationedeilege in etdeo omnibuss... Confiteor ---- episcopaliparamento... Inprimisde additions: later Lukeverso:4: recto: content ofpreservationstate Beneventanfragment wrote this on 11 linesrecto, 5 linescursiveofGothic possibly ofscript, Gothic byscript same scribewho done the probably(most linescript 1 versoon writtenofscriptbyBeneventan Gothic), scrib same the scrip dimensions: material date andlines 17 lineversoit is of inneums,text verso one onof f pencil written 53v d withGenealogyFragment ofpartLukeConfiteor,of 5 fragment / 6

escription escription escr

: : : t: : Luke 2: 23 Luke2: : iption saec.XIII saec.XIII saecXIII : Beneventan: withscript thirteen Beneventan: withscript thirteenth century tendency angular Luke 3: 32 Luke3: dominica caput quadragesimaecaput dominica on recto on : :

: : : approximately two folioapproximatelythirdsmissing,two ofare the parchment parchment parchment : : : 57 x 257 mm, lower marginxlowermm,57 257 fragmentisthe lines,inlines long13 written of text, x 102 m xmm,70 146 upper fragmentisin longlines written a fragmentais vertical from composed two 1

Beneventanby ofscribescript handwriteaa in accustomed more angularto of type - - 36 - 27 (Luke2:22 32 254 mm, leftmm,margin254

: : :

the the fragmentisthe fragmentis cut

fragment is cut vertically,fragmentis missing,yellowiscut are there thirdone stains

- 32,

argin

in purificationein beate

th centurytendency th angular

cut vertically,which ismiddlecut part and itandhasyellow stains (written in red ink)in red (written - 36 mm,36 - - 25 mm,margin right 25 69 mm,margin upper 69 , on recto there are 6recto are andlineson there neums, of text on preserved, lower margin lower , itinlowerhas part , hole thea dominicaIinquadragesima)

parts marked itside,versoisparts on 5cwithand 5b

mariaevirginis middle

- - inpurific 65 mm 65 17 mm,betweenlinesdistance 17 - 21 mm21

on rectoon Ro

part is part preserved

atione beate atione virginis mariae preservedhasa )

manis numeral written I

e as on as e - 20 mm 20

294 )

CEU eTD Collection script; unski lateradditions: state script: height the figuralofthe depiction lineofone of text marginmm, upper width dimensions: material date inlineslongwrittenlines,preserved 13 oftext description withthe Fragmentofdepiction St. MaryMagdalen 11 verso recto content ofpreservationstate script dimensions: material date itis verso, D and10/b writtenwith10/a/2 onFragment verso ( 10 verso inkinwritten red 8 Matthew4: recto: content: ofpreservationstate script dimensions: material date and red d domini) cena offset initialversowiththe Fragment ofon Gothic ( 9 4 Matthew4: verso, Matthew4:1 recto: content:

escription escription

: : : saec.XIII :

- - - llful hand, on the lastlinethellfulhand, another on same?)(or of(ma) recto scribewrote ofpreservation: - John13:4 saec.XIII saec.XIII : Beneventan: withscript thirteenth century tendency angular Beneventan: withscript thirteenth century angula John13:9 John1 13: 165 mm,height165 twentieth centurytwentieth addition Beneventanwith script thirteenthangular century tendency : yellowisversovisibleon

: : : parchment, damaged, yellowishparchment, : stainedand parchment parchment written in long lines,inlines long13 written of te : damagedfolio: fromvert reunited three : :

107x 249 mm,margin107xlower249 mm,margin59xlower256 fragmentisin longlines,lines 13 written of text,

fragmentis -

- 9 - 11 (read (read on 11 on lineon

3 (John3 1 13:

- - 13 mm,13 - 17 mm, lower marginlowermm, 17 - 4 (Matthew4:1 - 11(Matthew 4:1 8

: :

- 255 mm,255 (one column),the dimensions the text width of one thirdfragmentofoneisthe itmissing,has stainsb dark and fragmentis missingmutilated, twofolio thirdsofare the poor

9 of verso ofverso 9 composed fromverticalcomposed marked two stripes

, the text fainted , the sidetext especially recto on feria quinta indomini cenaquinta feria - 15, 15, s - - inlowerrightside the 125mm on there are insertedare there words f - eriainquinta domini cena 1 - 1,

11, recto sideinloweritrecto the isright corner in written f Apencil 12, dominicaquadragesimaIin - - 68 mm, upper margin mm,upper 68 dominica I indominica quadragesimaI 65 mm, leftmm,margin 65 -

64 mm, left marginleftmm, 64 xt xt

icalinwithfragmentsleft some between, space feria quintaindominiferiacena

dominica Iinquadragesima dominica

( r tendency r )

feria quintaindominiferiacena

de celode - 48 mm, right marginmm, right 48 -

offset of Gothic initiofGothic offset 55 mm 55 ) -

20 mm,margin20 right

writteninby Gothic script )

10 ), feria...evangeli(um),rubric:),

/a/2 andin/a/2 10/b on pencil theum -

104 mm,height104 )

lue stain on verso lueverso stainon al executed in blue, executed al 15 mm,height the 15 in poor

/ -

/sanctosabbato 17 mm 17 feria quintaferia in Gothic

- 168 295

)

CEU eTD Collection mantleTheisindevildepicted. feethisare bellow and greyin depicted color outlined shades. white shadeswithdone darker very skillfully.nuancesfoldswith Shading darker is how thealso ofthe lines.longwavyHiseyeswidenose are open, and insomered its but withposition, legs,barefoot makes blessinghehandspread ofsign damaged,thehis with (rather right blueleaf,framed isred, hastriangularwith endsit cross and framed in inis He frontal also red). figuralTheidentified Christ, insc represents depictionwith the ofthe description decoration: resurrectionis Depictionconqueringverso: ofChrist devil,accompanied the by2 Marc16: 4 Matthew28: recto: content: labeledconsistsareand 4ain 4b pencil lateradditions: yellowishdamaged,stainedand isofChrist mantle fell bluedamagedofespeciallyarea thewhere the at some color ofpreservation:state sc figuralheight ofthe depiction width dimensions: material date preserved incompleteandverso on 4 text recto on description resurrectionis) withthe Fragmentofdepiction Christ the devil conquering / 12 Saturday. small carrying is s shethe at that present fact ointment, box, the and text the with relationship in identified be can Magdalen Mary St. byart. influenced Byzantine highly fineartist ofa iswork the visible. Thedepiction are lips and red and filledremainsiswithlongerface no visible:silverish color areof features Facial the framedinleaf and red. wo written the words to finger her with pointing is she remarkable; is arms crossed her of position The elegant. extremely and elongated is figure whole The leaf. gold with filled cu stylized and shades the and pink is tunic The body. and head her covers drapery, offolds the suggesting air. red darker the in still is leg left three her inwhile leg, fragment right her a with forward of side verso on depicted is Magdalen Mary St. ofthe description decoration: (withverso depictionSt.MaryMagdalen):1 the Matthew of 28: recto: content: verticalstripe, verso, 21, on ript:

: saec.XIII : -

John12 13: 92 mm,height92 eems as Latin benediction gesture) and eemslongholdsasLatinbenediction gesture) a patriarchalin left hishand (executed cross M Beneventanwith script thirteenthangular century tendency

: parchment parchment : aria

- : badlyfolio: mutilatedfromverti composedtwo orange color). Hiscolor). orange hairlongisitbrown,andfalls is leftithisandshoulder on stylized with

inlowermarginal isthe itmiddle spaceon lastG writtenthe vertical6 on and stripethe II Magdalena. Magdalena. )

rved folds which suggest the walking position are made with white color. Shoes are are Shoes color. white with made are position walking the suggest which folds rved twentiethcentury additions:

- 15 (John13:1 - -

7 ison sidewherethe no there 253mm, left253mm,margin fragmentisalmost mutilated, two missing,thirdsfoliofigureoftheoriginal are In her left hand she holds a little golden box. She has a halo filled with gold gold with filled halo a has She box. golden little a holds she hand left her In - 123mm cene of three Marys at the tomb that accompanies reading for the Holy Holy the for reading accompanies that tomb the at Marys three of cene

- 15, 15, feria quintain feria

- 47 mm,marginlower47

on the verso two verticalverso the on two stripesfragmentofthewhich

he is bearded.isisfoldsheHisand bright red tunic are cena domini cena depiction1 (Matthew28: cal stripes, written in long lines,inlines long13 written stripes,cal of ribed cross of the haloofthe cross (filled gold ribed with -

- ) 4 1 (Matthew28: Long red mantle with parallel lines in lines parallel with mantle red Long Anastasis( 67 mm67

- rds of the text, precisely at the the at precisely text, the of rds quarter position making a step step a making position quarter

sabbato sancto/ dominicasancto/sabbato - 4 (Marc 16: 1 4 16: (Marc - 7, s - abbato 7, off, parchment isparchment off, SabbatoSancto red eyebrowse eyebrowse red s - ancto 7 dominica )

296 )

CEU eTD Collection done not inare figureMarythe but as with white ofMagdalene, St. isitandfromfallshipshishis itaround inwhere wrapped allform.to diagonalway aFoldstheankles shadewithdone darker of fingersstretchednormally).are In lefthishe hand in holdsis roll.foldsbrownadressed atunic;He are isinhandraisedasbenediction(thumbGreek the put and gesture fingerareand together other third brownhaswhichhair,filled nuances. leafhashaloHeaframed red with gold and seemsifinfaceeyebrowsasdetailsexecuted ofcolor: thewere lips. red andThe hasperson long, itseemsposition); pe asthe male Elongated frontally.figureis veryisis depicted Faceinheaddamaged (possiblythe three ofthe description decoration: 60 Lukeverso:1: Baptistae recto content stained numbertheof at especially offigure,isoffaceplaces, parchmentthe the the yellowish around and ofpreservationstate script initialheight the decorated ofthe margin mm,170 heigh the dimensions material date writteninlines lowerlongpart, lines, 13 oftext description withthe JohnFragmentofthedepiction St. (24.06)Baptist ( 14 preservedbeginningreadingofthe UniversityfragmeLibrary,(smallerR4106/2 originalInimmediatelyitthe followed codex after the Johnverso:28 14, John recto: 24 14: content ofpreservationstate script dimensions: material date andinpencil part Romannumber upper VII the d Fragment 13 depictingresurrectionthe of Christ. depictionconquering ofisChrist devilversion reducedthe the of Harrowing ofofway Hell, Byzantine Hi escription s arms are crossed asvisiblewhilewellcrossed not isheadarehis issarmsThisfeet, hisparchment the cut. as since

: saec.XIII : : :side the onfigural with depiction saec.XIII : Beneventan: withscript thirteenth century tendency angular Beneventan: withscript thirteenth century tendency angular -

52 mm, left marginleftmm, 52 : :

: parchment : :

)

parchment

with f 142 v writtenonv rectowith fVIII142 verso and on ( : : damagedfolio: ofcomposedthree out ve : width 74x119 mm, leftmm,margin74x119 smalllinesfragmentpreserved,withtextincomplete 7 of

- - - 65 t of one line ofone t of text 27 (John23 14: - 30 160 mm,height 160

: the text is: text the well :

the fragmentistheapproximately cut, f quarters three of

brownlines.withandis thinHismantleviolet it dark covers lefthis shoulder - rson was depicted with beard,was but rsondepictedwith cannot one ittellalsocertainty; with 12 mm 12 initial - 125 mm 125 - -

31 -

John14:24 254 mm,254 column:textof mm,the dimensions 100 height:width: -

- - readable butilluminatedinitialreadable the veryisdamaged I mm,margin 21 upper dominica pentecostesdominica 13 mm,margin13 upper : Luke 1: 57 Luke1: : ( n illo tempore illo n

nt with nt initialwith feast openedthe that of Pentecost ) Iwrittenisin verso, on pencil

- 60 rtical parts marked inrtical1b,1cwith penciltheparts 1a, membrumdisiectum )

(Luke1: ) - - 21 mm 21 18 mm,marginlower18

dominica pentecostes) dominica innativitateIoannis S. Baptistae) 57

withshade darker a sameofthe - 6 8, fisinv recto142 written on inS. nativitate Ioannis

fromScientificZagreb, and olio are missingare olio int hepart upper with red. Hiswith red. right - 68 mm, right 68

- the color fell color the

- quarter quarter

297

CEU eTD Collection forprobablyreading Assumptionfeastofthe thethe opens whichmissing of Virgin, is thetext on parts Thedepiction ofhaVirgin with Mary ofthe description decoration (withverso 19,Indepictiona(….),Virgin16: writtentheMary): ink in of Matthew red 17Matthew16: recto: content: Virginis Mary ofpreservationstate s dimensions: material date linespreservedtext andversoon incompletere 6 on oftext andversoon d withVirginFragment Mary(15.08.)( 16 which color silverishtime. Foldsmantleturned the with on thedepicted with are brown color. seemswideyellowish feet It wa spread. that color leftcoversfigure, diagonallythehand goes andrightfigure.anklewith theis to of thebarefoot, Hehis t ininofblessing andholdsgesture left hishefilledthe handisleaf. roll, aingold dressedblue with He haslongHePeter.St. lips,bigthin eyes noserather and His handthe towards text. turned isright raised His red. hairandbeardshort arestylized inwhich and locks, W are figureisinMale three represented ofthe description decoration PetriapostoliPauliet MatthewPeter,side:verso 13 ofdepictionSt. 16: sanctorumnativitate Pauliink)apostolorum in Petriet red (written side:recto 65 Luke1: c faintedrecto on ofpreservationstate s Thedecoratedinitial:oftheheight 119mm materialre duringthe added margin dimensions: material date inlong3b,3c,writtenlines,preselines 13 of text d apostoli)Pauli et Petri with Fragment 15 he accompaniestext that rollheasthewellJohn be holdshe as recognized canSt. Baptist. as the mantle color oftheelegantHisfeet folds).wide (thin, in are dressed spreadandby Judging sandals. the unic,infoldswithmantle stylized from white. executed Orange left descendsshoulder ofthe the cript cript ontent: escr escription

: : iption saec.XIII saec.XIII : Beneventan: withscript thirteenth century tendency angular Beneventan: withscript thirteenth century tendency angular - 50 mm,margin right 50

: : parchment parchment : : 90x 89 mm90x89 (max.) mm,167xcolumntext254 of the dimensions fragmentcomposedfrom marked verticalinversothree on stripes in pencil badlycomposed fromdamagedsmallfragment two f 148v +f 51 inffrom+f148v 51pencillines recto, 4 numbers(folioon no.3) Gradualincomplete of

cut and preservedpart incut upper only the

St. PeterSt. Apostle( the (29.06)

- : : ) 68 (Luke1:68 57

the parchment isparchment the verticalthree instained, middle,havefolds text stripesthe the mutilatedlessfragment, foliothanis quarter oneof preserved, depiction the of storation - 8 mm,marginlower8 : initial: :

initial( I - quarter position.hasHe quarter filledhaloaframed in withleaf goldand - -

nds raised inndsisraised prayerShepreservedpart. in upper theonly 68, I 29x254 mm29x254

( Sancti in illo tempore illo in n illotemporen Innativitate S.Ioannis Baptistae

Petri et Pauli apostoli /PetriapostoliPauli et inIoannisBaptistae/S. nativitate rved - - susedfeetfor andoutlines filledofthethen with skin

17 (Matthew16:13 17 63 mm,margin63 upper

)

- cto 100x 168 mm, line168 text 100x one of

parts markedparts inwith7band 7a pencil

estern features depictionofesternthe of - 19, …AssumptionofMary? - 20 mm, part theof the 20 Sancti ) 06),) (24. rubric:In

Sancti

lowe

- 14mm, left

part .

.. )

29 3a, 8

CEU eTD Collection s 110mm dimensions: materia date andlines 8 preserved recto incompleteon on oftext verso ( number XI d Andrew(AndraeewithSt. Fragment (29.11) festo omniumin apostoli sanctorum)/ 18 inChristfrom Majesty thirteenthcenturySacramentary covers ofsilver( Split are alsovisibledots left the on sleeve. (formingdotsoutline red andin rhomboid andform)theparts upper white his the onRed dots knee. indonemantleleft white)bluefallsand which his hasfromandshoulder body. coversIt the white isHe in shoulder. violet hishandtunicon lefthisdressed legvisibleonlyright (styli and eyebrowselips, red andiswell beardwhite longrather preserved.is falls Hishair andleft his on filledleaf,hashaloframedain with gold re with(rhomboid inred middle,ornament inHeornamentspine thethe and on angles book). ofred the redfeetinhisa pillow.withon In leftpink, hisfilled hand book holdsa he with leaf adorned gold and isfrontallyChrist handdepicted raisedright ingesture of blessing,with theseated aexecut on throne Assumptionthe of(15.08.) Mary itclearaccompany not feastdoes which sinceTransfiguration(06.08.)precedesfeast the of Lord the of initialThe whichletter but textI,initial probably them is substituting was theaccompanies ofthe description decoration 27 Lukeverso:11, Assumpt 40 Luke10: recto: content: ofonis Christ throne wellsmallwith rightpreserved, missingonlythe onthe portion ofpreservationstate s dimensions: material date depiction throneofon Christ incompletepreservedare linesoftext and recto incomplete4 on is oftextwhere verso on there d withChriFragment 17 277 Canon.in MS. Liturg. Thereiselongated. similarity great a betweendepictionthisdepiction the and Virginof the on filledwithleafframed goldin and re filledleafhaloaframed withOn mantle gold andwith red. with branchesher she threecross has a infolds executed visibleHer blue,isiswhichsmall tunicthe nextwhite. her Sheon wrists.to has part folio).oftheVirgin has Mary cript cript escription escription

: : saec.XIII saec.XIII : Beneventan: withscript thirteenth century tendency angular Beneventan: withscript thirteenth century tendency angular

ionisin usedalso TrogircontemporaryEvangelistary), richly27 decorated Luke11, : : parchment parchment : : recto

170 x(max.),left170 165 margin xleftmm,margin75 253 fragmentisfrom vertical composed two stripes compose

)

- - andsma 42(Luke10: 38 28(Assumption ofMary)

st seated on thethrone on seated (Assumption ofstMary/...... ?..) : d from two parts, bigger,from parts, with d istwo Andrewdepictionthe marked of withSt. Roman fragmentis - ller markedwithller Romannumber( X eleventhZadarmanuscript.century

maphório :

mutilated - 42)(Assumption for thisfeastoftheMary, 15.08., reading of the d. Her eyes are largelipseyesHer and and red open, neckd. wideareare rather The figureTheofresembles figuresubstantiallythe Christ of to - 50 mm,margin lower 50 , which is dark violet dark (withiswhich shades)somegraywit - 55, lowermargin 55, d, with inscribedd, Hisfacegreen withcheeks, cross. red red , less , than

one quarter of foliois depictionquarter the oneof preserved,

- (verso marked inlines13 (verso b), with pencil - 52, the heightthe decoratedinitialof the 52, 64 mm64

verso

), 7 linesincomplete ), oftext

MS 624 D) 624 MS

zed foldsare zed . hstylized

issing. It is It issing.

fol.r 58

a - 299 ed

CEU eTD Collection 2r height linemm ofone of(cut), text horizontally),distance betweencolumns 1r dimensions: material date rulingservedcover a ofbook, with doneaas hard point d shelfmark: HrvatskiCroatiannacionalniarhivNationalArchive/ Zagreb7.5. Dalmazia zbornik Evangelistary EvanĎelistara Društvo / Croatian Musicological Society, 351998 : Zagreb, in Croatia,on September 28 odrţanogskupa u Zagrebu, Hrvatska, 28.09. Landsaas Bridgebetween Central 1994, “Innovation,Adaptation andPreserva Gyug. F. p. 142.Virgin Zagreb:Muzej umjetnostza iobrt, 1987: 24, plate representingthe initial with St.Mary Magdalen on page 25, cat. no.39, (R endtheof centuryeleventh Rab). in “Fragmentiiluminiranog evanĎelistara iz kraja 11.stoljeća u Rabu”fragments(The of illuminatedthe Evangelistary from Folnesics.Hans Bibliography: Evangelistary. figurehandssomewhatofare smallerthis ofthanother those fellveryis andfolds some damaged color Theon shades.off. tunicwithand done Feet aredarker magreen withlines.whiteisHiseyesbig,noselips inand are He thin.tunic by dressed red largeand covered a filledwithleaflongframed goldinhair,has He beard and pointed and red. moustache stylizedthin figureAndrew Theinisofposit St. depicted quarter three ofthe description decoration Matthewverso:5:7 (withrecto depicthe content: visible,facial(mantle)and not are features fragment fromhasthe littlemold stains anddots itAndrewcut,depictionis but not is ofverySt. areas whereare there the damaged, ofpreservationstate escription omanesquepainting inCroatia). Catalogueofexhibition the inheldMuseum for Arts andCrafts 30.06. - - originalpreservedwidth width : saec.XIII: Zagrebihrvatske zemlje kaomost izmeĎu srednjoeuropskih imediteranskih glazbenih kultura . Zagreb: . FFPress, 2005: 187 MissaleRagusinum - traeXIXIII secolo”.

: ntlepartwhich coversofgreat body.hisInholds leftleaf hishe hand goldmantle a The roll. 214 mm,height 214 parchment - - ia Brown.ia “A second New ofList Beneventan Manuscripts”(II) in :

luxury and conservative luxuryand tradition of Dalmatian illumination torelatedBenedictine tradition).

raskoškonzervativnost i dalmatinskog sitnoslikarstva benediktinske tradicije”(The illuminatio

MSC 57/9 MSC

b Die illuminiertenHandschriften inDalmatien ifoliuminincolumnslines Beneventan31 written forme ofscript text, two preserved,

- 11 (Matthew11 5:1 tion of St. Andrew): Matthew 4: 18 (MatthewAndrew):18 18 4: 4: of St. Matthew tion

: fragmentismore mutilated, thirdofoneor than

. . Toronto:Pontifical Institute of Mediaeval studies, 1990: 55, Richardn.167. F.Gyug. - 313 mm,313 ofcolumnonewidth text of Segno e testo - 246 mm,marginal246 right 28 space - European andMedit - Peristil : - October1, 1994, uredioStanislav/ed. tion:The Genealogies of ChristinLiturgy the of Medieval Dalmatia” in 208:197 initial - 9 mm9

- - 8 1.10.1994. /Proceedings of Internationalthe Musicological symposium held 12, - 4(2006): 107 I 9 (1965/66):5 -

198. ( - in illo tempore illo in 20 mm,margina left 20 in festo omniumin sanctorumfesto

- EmanuelaElba.“La decorazione dei codici inbeneventana della 55:45, 47,50.Rozana Vojvoda. “Iluminacija Trogirskog erraneanMusical Cultures - 147:135 - 12.Igor Fisković , Leipzig, , 1917: 159, 74, no. 74a. )

ionforward.has Hemaking step ahalo a 137.

- lspace figuresinofRabfragments

30 mm30

- Tuksar,Zagreb: Hrvatsko Muzikološko 81 mm,81 height Romaničkoslikarstvo Mediaevalstudies - )

30 mm, upper marginalmm, upper 30 space

,Radovi meĎunarodnogs muzikološkog iginalfoliomissing,isthe - 22, A ndraeeapostoli - 278 mm 278 (cut AnĎelkoBadurina.

50(1988): 611. Richard

color /

uHrvatskoj Zagreband Croatian –

felloff In 15.10. 1987. n ofn Trogir

Zagreb1094 Raukarov )

- 28 300 rly -

CEU eTD Collection ofthe description decoration: 14 16: (withversoinitial: Mark) 14 zoomorphic 16: the Mark:symbol St. of M extratempuspaschale 28 Matthew10: recto: content: sideversoison well preserved ofpreservation:state script therepresent heightoriginalthelayout), lineof1 margindistanceand textbetweenupper thethe mm,190 height:mm, 118 distanceandthewidth: between folio text endthethe ofthe dimensions: material: date incomplete withrightMarccorner,16 the depictedin lowerarrow corner, right arelines there thirteenof description shelf thedepictionofLarger lion with fragment 1 infragmentsOffice. RabParish Thesefragmentsfoliosconsecutiveare and how informationfragmentsthe camethere. inbehindŠišićcabinetoldthe the building of National Universityand L Novakby Asreported in hisViktor kodeksa (twopergamenskog 2fragments komofcodex), a pieces) (2 28 10, fragments preservedinareTwo whichispaper, on in a it written 4106, Rpencil: sveučilišnaNacionalnai NationalandUniversity knjižnica/ Library Bibliography: inkstrenghthenedformingtriangularparts) with 1v innerblankinkhaspart) inkstrenghthenedformingmiddleletter„E“triangular lineparts, with the strenthenof 1r insimpleGothic decoration content ofthe possessor note missingare portionsit hasin ofloweryellowparchment part, holes theand stains small ofpreservationstate script

arcum - - E C : saec.XIII : -

(the height of the initiallinesheight it (the of theisin text, are isink2,5 of brownexecuted parts curved and (the height of the initial(theheight lines inofittheis executedis inkof text, 3 brownare curved and parts mark : Beneventan: withscript thirteenth century tendency angular : “angular”thirteenthvariant century of Beneventan script - - 33;Marc16,14 20) :

Apparitio s.archangeliMichaelis inApparitio Chonis parchment

: : text preservedand recto versoon text fragmentofthe :

R4106/1 VirginiaBrown. "A second newoflist Beneventan ma recto i on fragment,of the

itials executed in itialsinkcomprisingbrownexecuted two

: : - ), on lines13 ison there inkin12, ), rubrica red 32 (Matthew 26 10: - the parchment has been cut, it ishasparchment itthe yellowish beencut, depictiothe stained, and bifoliumisdamaged, none 16,12.stoljeće Beneventanacentury), (12th scr(Beneventan

Scripturabeneventana n pencil it isninitpencil10,written28 left4106/1 RMatth, corner,

membra disiecta membra -

32, cut at form cut edgeslargertheto book, ofthecover the - zoomorphic - 20mm(probab

procommuneuniusmartyre pontifice, Martyrisnon - 13mm

nuscripts(II).

symbol of St. symbolMarkofSt. (1920.) found(1920.) theyhimFerdowereby and

ofthe three linesthree oftext: lyasnotwellnumber thedoes and cut

In ascensio...evangelium secundumascensio...evangelium In

Evangelistarium

- 16( MedievalStudies ibrary in Zagreb. There isibraryinTherenoZagreb.

inascensione

Evangeliarium , preservedin , ipt) Dva fragmenta fragmenta ipt)Dva (1988):584 ed with brownwithed - 50mm, the50mm,

domini n of the lionthe n of

- , Mark , 626:621. ,Matt. - 33 in 301

CEU eTD Collection Isusovaca fragmentsNow, bookthekept with (formerlyareprinted together the inpreserved with 1495) seal fragmentsintheBibliothecae I.S. which Res.onceservedRag. the as pastedowns. shelf2027 mark: 1 ZnanstvenalibraryknjižnicaJurajScientificHabdelić Juraj/ Habdelić de exhibition inheldVenice 2001,9 BeneventanManuscripts” (II). regard totypethe of Dalmatian Beneventan script). Zagreb: JAZU, 1920:37, 71.Virginia Brown. ViktorNovak. Bibliography: (MS.CanBeneventan script resemblingmatonella“„ainitialseleventhincentury foundin Zadareleventhcentury codicedwritten betweenletterwithis ingreen.part Theof upper thesimpleinterlace rhomboidpattern shape leftsomefoliagekindlines ofstylized theside), filled on are with meetmiddlelines,inwithatlower which part the and thebase rightends side the (simple on curve and I ofthe description decoration: Johnverso:28 14, fwith(fragmentvand 142 rectowritten VIIIon Johnon recto: 24 verso; 14: origInthe withinitial: verso, ornamental recto: content: preserved ofpreservation:state script marginandtextbetweenlower thethe height dimensions: mat date linesincompletein5 preservedare andtextthere recto fragment of verso pencil, on theof description shelf4106/2 R mark: or Smaller with the fragment 2 filledwithinfacial yellowishwhite executedfeatures and colour andvisiblewingoneraised (feathersand stylized with are parallel white stylizedconcentricwhitewith in red) filledextremities,fronthishas he gold with halo ain fur outlinedmaneandhis and are red and depicte I - -

initial initiallines zoomorphicofthe text), (9 MarkEvangelist of symbolthe corazione codicidei inbeneventana dellaDalmazia tra XI esecolo”.XIII erial: : saec.XIII :

: Beneventan: withscript thirteenth century tendency angular - Mark 16:Mark 19 135mm,width d ind three (6 linesoftext), (6

inal codex after this text followed immediatelythisinal codexafter text parchment / TheLibr/ : Scripturabeneventana s osobitim obzirom na dalmatinsketip beneventane

fragment inhasversotheleft beenon cornercut, shelf theupper

- quarter position quarter (framedbook filled holdinginGospel a in green,outlined gold, with , itrefers , - - 30) 20 ary of the Jesuit Society inJesuitofthe Societyary Dubrovnik)

85mm, the distance between the text andmargin distance the85mm,text between thethe

(Mark 16:(Mark 14 th

itis in outlinedstemlettertheformed colour, is parallel red ofthe by two e parchment has been cut, it ishasparchment ite yellowish beencut, initialornamental stained,and is well Mediaevalstudies to a printeda book to th on. Liturg.277,K. 394) on.

June -

John 14:24 (John 14: 23 John (John14:24 14: grayish lines on red linesongrayish namentalinitial

- 4 th -

November.Venice: EdizioniMultigraf, 2001: 170. 20, - 63mm inascensione

50 (1988):50 611.Virginia Brown. Opuscula divi BernOpusculadivi

background,his islegsbackhistail around wrapped

domini - 31, membrumdisiectum

dominica pentecostesdominica )

Segno e testo ardi abbatis Clarevallensisabbatisardi

gold leafemptyinthe gold andspace

Tesoridella Croazia - - a winged elongated lionwingeda is elongated grayish lines), his face islines),grayishfacehis -

4(2006): 107 (Beneventanscript with special 45mm, the distancethe45mm,

- 27 -

kept in kept RabParish office mark R4106/2 ismarkwrittenR4106/2

Emanuela Elba.“La

)

“Asecond New ofList BibliotekaDruţbe . . Catalogueof the - 147:135

(Venice, - 137.

302

CEU eTD Collection VirginiaBrown. "Asecond newoflist Beneventan ma Bibliography: decoration: content: fragmentwrittenatthein front, the cursivescript) ofthe possessor: note ofpreservation:state script space lineheight ofone width backthefragment at lineheight ofone width frontthe fragment at dimensions: material date flyandfront back description informerly preserved shelf6054 mark: 2 decoration: content: ofthe possessor: note ofpreservation:state script marginalleft space width fragment2 marginalspace width fragment1 neumsthelinesfor width inscrapwith Beneventanoffset script dimensions: material date inscrapwith(actually Beneventanoffset / fragment 2 verso),script part a of hardpoint writtenin linestext columns, two writtencontainsof inneums text andscale, smallerruling with done description:

: saec.XIII: saec.XIII: ------: Beneventan: withscript thirteenth century angularity Beneventan: withscript thirteenth century angularity 58 mm 58 57 mm,height57 274 mm,height274 mm,height268 mm,height207 mm,height207 : parchment : : parchment : Fer.4 Longini

on hairon side

(inc.,… : fragments: foliosoftwo written intextcolumns with boundtwo sidewaysand (inc.,…

none none

infragmentstwo forming Beneventan infolio script (horizontally one half) with 25 cut - -

25 mm,marginal upper 25 space 5 Post45 dominicam Quadragesime , B.H.L.4965; , - -

- , itrefers , 10 mm, leftmm,marginal 10 space leftmm,marginal 10 space leaves inbook,rulingleaves printed awithsigns done hard visible point, of pricking - - meosbenedictusdominus 33 mm, lowermm,marginal 33 space 19 mm 19 rau(erunt)(frag)ment(a)

- (17 lines of text preserved)lines (17 oftext (19 lines (19 preserved): oftext 123 mm,123 lengthtext the columnof regular the with Biblioteka Druţbe IsusovacaBiblioteka - - - -

198 mm,198 widththe ofcolumn one mm,204 widththe of one mm,150 columnofthe width mm,150 columnofthe width good Ad Vincentii Nicolai us VincentiiNicolai Ad good none

to a to

printedJurajbook Dragišić, Beatae Virginis Beatae Mariae

, expl. expl. ,

- nuscripts(II). - - , expl. , 13 mm, the height of one linemm,of13 oneheight theof text 22 mm, upper marginalmm, spaceupper 22 marginalmm, right 24 space um ValeM.D.LXXI. amicorumqueDomini eiusanno

- column

45 mm,45

Exsurged(omine))

/ TheinLibrary Jesuitofthe Society Dubrovnik Voca sunami… Voca - - 77 mm,77 betweencolumnsdistance mm,77 betweencolumnsdistance , B.H.L.5335 , - - MedievalStudies 85 mm,betweenco distance 85 mm,betweencolumnsdistance 82

the height of one lineheight the ofone of text

De natura angelicanaturaDe )

(1988): 584 - 1 0 mm,0 between distance red - 55 mm 55 - 20 mm,marginal right 20

, (Florence,/ , 1499) - 626:594,621 -

9mm lumns - 9 mm9 - - 12 mm, right 18

usedas - 18 mm, 18 - - 18 mm, 18 mm, 18

(on

303

CEU eTD Collection SCRIPT 1v,48v is leaf The Codex. the later endthe Gospels,at Osorof the liturgicalcontaining of someDalmatian specialities. a be rest the to from appears Supplementum, 1114, differs musical the of fragment surviving a possibly slightly about script datable Beneventan Laudes, their the because with addition, leaf the Grgić, Marijan to According 196 09. and 278 4o lat Theol Ms pen mm 160 x 215 paper, wood, century, nineteenth binding: someeach page, pagesveryare - margin=45 mm,margin=20 right mm,leftline85 height the mm of one of text=10 x 130 text: of column one of dimensions the - Stephen,Priorby the Vitača,ofand DogeZadar, the Faletro, byof Venice Ordelaffo r documents these 1117, - gath Laudes),9 25 in arranged are which double), is 2 folio 191, (actually DESCRIPTION CODICOLOGICAL mando («Haec pericope DATE a Such (Chrisogonus). Krševan w St. of feast the gratis» vobis……..habuerunt for pericope special a Marijandecisive the Grgić Accordingto inBerlinStaatsbibliothek manuscripts of departmet the in preservedis it now Berlinand to returned wasit 1963 in but Marburg, Staat Berlin the itto sold who Florentine dealer, aOlschi, ofLeo posessionthe into Codexcame the 1893 and 1887 Between Zadar. in being still as it mentions Bianchi F. 1875.C. October 27th on himself for book the the Šokota, Grisogono Canon that us tells note Another binding. Ferrari There dealer. Zadar a ( Simeon St. of church the to belonged once eccle Codex the that us informs binding present the of frontpaper the F(errari)C(upilli)o G(iovanni)writtenby note A its transfer. circumstancesof the PROVENANCE 278 Lat.Qu.SHELFMs. MARK: Evangelistarium Staatsbibliothek BERLIN Manuscripts7.6. foreignorigin ofin Dalmatian preserved collections dimensions:col.,lines1 x14 206 150x, oftext folio191r on in a several places in the manuscript the parchment is sewed, there are signs of pricking at the end of of end the at pricking of signs are there sewed, is parchment the manuscript the in places several a in hile in Zadar itininwasmassreadhile Krševan, Saintprincipal Zadar the theof St. city ofpatron the sie sancti Symeonis sancti sie : saec. XI ex saec.XI : - 3 50v

: Beneventan, Bari Beneventan, type :

- 15 (IV 15 - bbite. uig ol Wr I te aucit a fr esn o sft bogt to brought safety of reasons for was manuscript the II, War World During sbibliothek. neumsBeneventan of type - v three «Iuramenta» are added inCaroline transitional added «Iuramenta»are three v

: The manuscript left Zadar by the 1890's the by Zadar left manuscript The :

- 1

- one leaf184 one missingisand betweenfolio8 9), ), then came into the possession of the Fanfogna family, after which it went to to went it which after family, Fanfogna the of possession the into camethen ), cr te rais ind y ldn te a o Cota n eaf f King of behalf on Croatia of ban the Cledin, by signed treaties the ecord

- below John, 15, 17 15, John, - Cupilli bought it on 18th September 1841, and commisioned a new new a commisioned and 1841, September 18th on it bought Cupilli damaged with humidity11v)damagedwith (fol. stains

in German ile Initiale auf Bl. 2 in fruherer Jert ausgeschnitten! 30. 30. ausgeschnitten! Jert fruherer in 2 Bl. auf Initiale ile German in

: The Zadar Gospels consists of 192 leaves of parchment parchment of leaves 192 of consists Gospels Zadar The : proof that the codex was produced in Zadar is the existence of of existence isthe in Zadar produced codexwas the that proof - 25) is not known either in the Roman or any other liturgy, other any or Roman the in either known not is 25)

mm, lower margin=55 mm, upper margin=20 mm, mm, margin=20 upper mm, margin=55 lower mm, - at the inner side of the cover it is written in a a in is written it cover the of side inner the at

and it was J. R. Hesbert who first disclosed first who Hesbert R. J. wasit and which could have been similar to the one one the to similarbeen have could which

erings 1 erings parish priest of the Cathedral, bought bought Cathedral, the of priest parish - 191(III2 + - Gothic script and dated 30th June June 30th dated and script Gothic

- 8 (IV+1 8

- 186,189)

- single leaf with the the with leaf single

- Liber Liber page page 304

CEU eTD Collection fol.84r fol.83r fol. fol.79v fol.78v feria fol.in 69r, VI parasceven fol.67v fol.51v fol51v fol.50v fol.48v fol.44r fol.40v fol.39r fol.34v fol.32v fol.31v fol.30r fol.29r fol fol.26r fol.24r mariaeInannuntiatione sancte fol.22v fol.21v fol.r 21 20r Fol. 18v Fol. fol.18r InsanctiSebastiani martyris Fol17r 16 Fol. domenica 15r Fol. tercia postepiphania13v Fol. domenicaII 13r Fol. 11v Fol. 10r Fol. 9v Fol. 9r Fol. 7v Fol. 7r Fol. 6r Fol. 4v Fol. 3v Fol. 2r Fol. 1v Fol. LITURGICALSTRUCTUREOFTHEMANUSCRIPT: . 27v . 80v ------v ------Dominicainfraoctavamnativitatis Innataleiohannis sancti evangeliste Innatali sanctistephani protomartyris missamad primogallorumcantu ------Invigilia epiphaniedomini innocentiuInnatalesanctorum natInvigilia Item ad missamItemad - - - itemmissammanead primo - InsanctiFelicis, InnataleSancti martyris Marcellietpape feria IIII feria III feria VI dominica IIII IIIIor sabbato temporum indominica sexagesima indominica septuagesima Agnetis,Innatale In coversione sancte Pauli sancti - - - Indomininativitate Indiempasche sanctam palmassuper domenicain p dominicaIII vacatdominica indominica quinquagesima Innatalesanctibenedicti abbatis Innatalesanctigregorii pape feriain II albis inferiaV cenadomini itemmissam,ihesunostriad dominichristipassio feria III feria VI I In octavaepiphanie Inepiphania domini Innatale sanctiMathie apostoli In purificatione sancte marieInpurificationesancte post epiphaniamDomenicaquarta domini epiphaniam Dominicapost domini Sabbato vigiliaSabbato pasche domenicain quadragesima ncathedra sanctipetri

ivitatisdomini

assione

305

CEU eTD Collection fol.127r fol.126v Intransfiguratione domini inventioneIn InsanctiStephani fol.125v fol.124v fol.123r fol.122v fol.120v fol.120r fol.119v Inoctava fol.118v fol.118r fol.117r fol.116r fol.115r fol.113v fol.112r fol.111v fol.111r fol.109v fol.108r fol.107v fol.106v fol.105v fol.105r fol.r 104 fol.103v fol.102v fol.101v fol.101r fol.100v fol.99v fol.98v fol.97v fol.96r fol.94v marciInnatale sancti fol.94r fol.93r fol.92v fol.91v fol.90v fol.89v fol.88r fol.87r fol.86r ------In inventioneInfestivitatecrucis, sancte Insancti michahelis InsanctiVitalismartyris In dominicaoctavapasche feriasabato VI, feriaV ------Inascensionis domini Invigilia letanieDiebus InIacobinatalesanctorumPhilippi et dominicaIIII dominicaIII dominica II octavamdominicapost I ------

- InsanctiIacobi festivitateInsancti Helie festivitateInsancti Petri Invigilia sanctiPetri PauliInsanctorum et Iohannis Insanctinativitate BaptistaeIohannis InMarcellianisanctorum Marciet Innatale Feliciani sanctorumPrimi et In octavapentecostes feria IIII Inoctava InsanctiCiriaci InvinculaPetri sancti CelsoetIn sanctis Nazario ApollinarisInsancti marieInnatalesancte magdalene Innataleseptem InsanctiPauli apostoli Invigilia sanctiI InsanctiBarnabe octavamDominicapost IIIIor sabbato temporum Invigilia pentecostes dominica Inlaurentiivigiliamartyris sancti feriaV feriaV feria II inpentecostes die feria III natalemartyrissanctiGeorgii sanctiprotomartyrisStephani

ascensionisdomini

ohannisBaptiste

fratrum

306

CEU eTD Collection fol.176r fol.175r Sabbato fol.173v fol.172r fol.170v fol.170r fol.168r fol.167v fo fol.166r fol.164v fol.163v fol.162v fol.161v fol.160v fol.159v fol.158r fol.157r Dominicaprima fol.155v fol.154r fol.153r fol.152r fol.150r fol.142v fol.140v fol.140r fol.138v Inna fol.137r fol.136r fol.134v festivitateIneorundem fol.134r fol.133v InIude vigilia sanctorumSimonis et Innatale san fol.133r festivitateInsancti Michahelis fol.131v Indie fol.131r fol.130v marieInsanctenativitate fol.130r fol.128r 39 In vigiliaMarie sancte I, (Luc. InsanctorumYpolitisociorum et l.167r tale sancti Chrisogoni sancti tale

------

------feria IIII quatuorferia temporum IIII Dominica XIV Dominica XIII DominicaXI DominicaX dominicaIII dominica II aliud alliud Indedicationebasilicae virginede Insanctiandree InsanctiClementis CecilieInsancte virginis Invigilia omniumsanctorum Insociorumnatale sanctiet Dionisii eius Invigilia sanctiMathei In marieInassumptione sancte Dominica XVII Dominica XVI DominicaXV Dominica XII DominicaVIII DominicaVIII Dominica VII Dominica VI dominicaquinta dominicaIIII Annunt martyribuspluribusde Toma sancto De InAndreevigilia sancti InnatalesanctiMartini episcopi Indie Damiane Insanctiset Cosma crucisInsancte feriaVI

natalefratrum XII cti Lucecti evangeliste

iatioIIIIor temporum

47)

307

CEU eTD Collection r 16 Fol. - 10r Fol. insom nobis ostendit word the above cross of sign a is There 4r Fol. additions:Later and corrections byhand oforiginal the scribe yellowandininandmarginalyellow andsign a repeated red the space word the and arescentibusmaris etpre confusione fluctuum fol.184v in yellowandstroke and isred word repeated Between speluncamVosetlatronumfecistis autem fol.182r yellow originalscrib and red in stroke a then and surget eius inprobitatem fol.98r originalCorrections by scribe: CORRECTIONSADDITIONSINTHEANDTEXT «iuramenta»fol. 191r fol.190v fol.190r fol.189v inininbenedictione diaconi,presbiteri, sponsali fol.189r IIIIor sabbatho temporum fol.187r fol.186r fol.185v fol.184v fol.182r fol.181r fol.180r fol.179r fol.178v fol.177r added red lettersin red addedyellow,highlighted script?

e later(Gothic)script e

------

fecistis aliud feriaferia IIII, DominicaIII DominicanataleanteV domini Dominica XXII Dominica XXI DominicaXX Dominica XVIII inordinatione episcopi, pro devoto pro infirmantibus,defunctis pro pro Dominica II dominiadventuDominicade I DominicaXVIIII e

(Matth. 2: 15) and in the marginal space there is a sign of cross and insertion of the text text the of insertion and cross of sign a is there space marginal the in and 15) 2: (Matth.

and

speluncam

(Luke 11: 8) between “tem” and “tem” between 8) 11: (Luke

quod factum quod

there isyellow andthere of stroke red a

color

quod est (John13) 21:

n h mria sae and space marginal the in , (Luke 21: 25 (Luke21: , illam

in the sentence the in

is written

eius - 26),after byhandoforiginal the

there is a stroke in red and yellow and in red stroke a is there et videamus hoc verbum quod dominus dominus quod verbum hoc videamus et color confusione

and inmarginaland the space a below

it is written written is it

there isinthere signa red

scribe sonitus

inserted tamen color 308

CEU eTD Collection glorificabantdedit qui deumEt videntesturbemirabanturautem fol.177r itinis small script written Gothic f inmarginalin smallisa itscript theGothicwritten space fol.172r supereffluentem marginalisinsertionthere in a note, text ofBeneventanthe script….. fol.156r and written is it text main the in space: marginal the in correction a is there fol.143r vivo ego fol.102r incorrectionstwo t fol.98r correction istext, for space marginal the in correction a is there fol. 84r ( devorabamosindiemscariothet ignem moab ut est castrummittam moab nostrum marginalframeda notein in written greenscript Caroline(?) fol.53r 21:5) (Matth. super sedens fol51v braseritexterioresfletus ibi tene regnieicienturautemin Filii before goesThelikenotetext this this: illlaestoraSanatuspuerin tibisicutcredidistiVaddeE et fiat stridorEtdixit dentium IhesusEt centurioni ismarginalTherewritteninknotein in browna script. Gothic ol. 176r ol. et mittam mittam et audieritis

(John 14: 19) writtenin (John19) margins14: in script Beneventan

ignem

pullum filium pullum

in script Gothic

(Luke 6: 38) (Luke6:

in symon he marginalhe space:

Moab

etdevorabitaedes Carioth

and in the marginal space there is an insertion in Gothic script …. script inGothic insertion isan there marginalspace in the and …..

andthennext the 16vFol.onpage et

, is, there correctiona above (Matth. 8: 12 (Matth.8: , there isthere correction a , above

Mattheum t

quicquid

- 13) simul, petrus et thomas et petrus simul, changed to

, Amos 2), 2: marci glorificabant quidquid

mirabantur

(abbrev.)

stridordentium

et cogitatamet abovehandin later a

qui

- –

glorificaverunt videritis

timererunt

(John 21: 2) of the original original the of 2) 21: (John

/ et sc Beneventan in (Matth. 8: 12) (Matth. it edesscarioth it

asinam et asinamet

309 ript ript

CEU eTD Collection 164v 132r, 140r,134v,136r,122v, 124v,127r, 87v,90v, 50v,84r, Red (whitedowntriangularin middle) parts andthein middle.rhomboid withthree dots structures the insteadisbackground, of otherwiseIt rectangular and of triangularup background. composed parts Exceptionallyi the 189v 184v,186r, 133v,138v, 83r, 90r, 86r, 44r, Red SIMPLE typi because manuscripts Zadar century initialsoffeaturesZadar birdheads, such as eleventh other to features stylistic and inmodest quite correspond general, indoesn‟t is, manuscript the of illumination The yellow. in highlighted and red in and someinitialsfell cut the Throughout are off. Thedepictions.marginal skilful some rather are there manuscript featur ornamental additionalsome have theyOccasionally saints.. offeasts certain and yearliturgical through Gold background). the 3 comprising those are initialsluxurious More frominsteadcomposed moreformusualtriangular letter.parts of two rectangular ofI sometimes are they and middle the in circle have initials simple these Occasionally green. and blue in backgroundon lettersdi yellow letters inbackgroundandonblue andvertically green red divided of alternation with achieved is simple ofmainly consists decoration The DESCRIPTIONOFTHEDECORATION inparallelmarginalAftertwo is thecorrection spacestrokes a there eos fecit feminam masculum initio ab fecit qui quia legistis non eis ait respondens Qui fol.189r isinmarginalitspace thewritten fol.182r math. fol.180r matth. fol.179r 9: 8 (Matth. , “I “I es such as trefoils, dots, semicircular ornaments, lines, geometric patterns. On some folios of the the of folios some On patterns. geometriclines, ornaments, semicircular dots, trefoils, as such es 167r, 170r 167r, writteninmarginal right space writteninleftmarginal space - - initi initials”

“I ) als” - 141r, 142 v,145r 141r,

INITIALS”

, on green on background(57): bluebackground on (51) .

172r, 175r, 177r,175r, 172r,181r, 179r, 190r 185v, 189r, 92v Et dixitpropter Et hoc nitial on fol.142vpluribusnitial (de on 93r , , 94r - 94v ef s obnd ih e, re ad le Te acmay igr feasts bigger accompany They blue. and green red, with combined is leaf

(111) , , 96r 97v , 147r,157r 154r, ,

color 99v , 100v,101v,103v, 105v, 107v,109v,r,, 116r,119v,120r, 118r, 104 math , 101r, 106v,117r,105r,, 125v,118v,131r,120v,123r, 111v, 112r,

s: red letter on blue background blue on letter red s: …(Matth. 19: 4 …(Matth. .

141v “I : fols. 2r, 6r,fols. : 7v,9v,20r,13v,16v, 18r,2r, 34v, 21v, 27v,30r, - interlacing initial :

fols.

- , , 6 lines of linesof 6 144r 160v,168r 163v,166r, manuscriptssmallareline) there initials executed (one martyribus) ismartyribus)I red

s” 7r, 9v,13r,21 17r,26r, 15r,r,40v, 7r, 31v, 33r, 39r

, that comprise2 that - 146r 5)

pattern and pearl ornament are absent.areand pattern pearl ornament

text, executed in gold in executed text, , 14 7v, 151r, 153r, 156r, 159v,161v,7v,162v,151r,156r, 153r,

color hominem - -

3 lines of text and the main effect maineffect the and text linesof 3 , initial blueset on oval (there are two parall two are (there ,

red letter on green background, background, green on letter red is applied in thick layers. Some Some layers. inthick is applied 170v, 173v 176r , 178v,170v,180v,173v 176r ,

inBeneventan script - leaf (the initial itself or or itself initial (the leaf

el strokes) strokes) el

vided vided

310 cal cal et

CEU eTD Collection fol.(feria80v fol.( 79v in(feriafol. parasceven)69r VI infol.(feria67v V cenadomini) fol.( 51v ( fol. 49r ( fol. 29r fol.24r 4vFol.domini) nativitate(In “I lowerthein one blue fol.1 (fol.vigilia113v InIohannis sancti Baptiste) yellowletter), «A»inletterand empty part in lowertheof blue upper the empty letter space the ofthe (slant left 187v fol. feriaferiasabbatho(fol. IIIIor 187r IIII, VI, temporum) t as OTHERASINITIALS MANNER SIMPLETREATED INTHE SAME dot red a with middle the in quatrefoilornament of kind a has letter the exceptionally background, from protrude parts lower and upper the in form semicircular background, (right) green and (left) blue Ch natalesancti In Clementis, sancti (In 137r fol. crucis)fol.sancte (In130v natale(Infol.fratrum, 130r marie)XII Insancte nativitate Yellow fol.182 afterPentecost fol. (dominica167v XII) after(dominicafol.Pentecost 158r III) ( fol. 143r fol.91v fol.87r fol.22v Red - INITIALS” “I 14r -

r (dominicanatale r domini)ante V “I (dominicainseptua sabato)/(feria before VI, octaveoftheEaster initials” (dominica III) / (dominicathird III) octaveSundaythe after ofEaster natale(Inbenedicti masanctiInabbatis,annuntiatione sancte - domenicain passione) domenicain quadragesima) - Indiem sanctampasche) itemmissam,ad ihesu dominichristi)passionostri

“F”, ing line is the border and it actually brings together the top and the bottom extensions of the the of extensions bottom the and top the together brings actually it and border the is line ing

de pluribusde martyribus) - “A”, initials”

the letter is executed in red, the upper part of the space of the letter is filled in green, and and green, isinfilled letter the of space ofthe part inupper the red, is executed letter the II in II albis)

EXECUTEDINGOLD the letter is executed in red and set on a background of different different of background a on set and red in executed is letter the

set on background on setgreenin verticallyblue and (7): divided

set on background vertically divided inbackgroundverticallyblue andon setgreendivided (3):

gesima)

LEAF OR WITHGOLDOR LEAF

risogoni): yellow I yellow risogoni):

- - initial is outlined in red and set on on set and in red outlined isinitial riae) LEAF(18) BACKGROUND

“I -

INITIALS”

color s: green on the the on green s:

(2)

311

CEU eTD Collection wasinitial“nillobecauseanfollowsin majusculeI, tempore” in written highlighted and green Traces manuscript. the in initials largest the of one was it had that meansit which cutting the of traces the from estalished be can it as far As cut. been has initial The 1v Fol. INITIALSCUT (1) filledwithof areablue a color red by set limits the respect properly couldn't illuminator the if as applied is leaf (gold leaf gold with curved parallel with filled is letter the of part curved the red, in executed is letter the fol.88v dominica(fol. 88r pasche) octava letteriswhichspace oftheblue with withadorned andgreen and dots white red heart with ends letter the of line horizontalof andwhite down, th leaf, gold with filled 79r Fol. (fol.78v be nicelyseemsdone to ends, triangular the at and execu green, inframed background leaf gold a on set 10r Fol. (3) GOLD WITH OR LEAF GOLD IN EXECUTED INITIALS OTHER ( fol. 152r virgine) (de fol. 150r fo assumptione(Infol.marie) 128r sancte fol.( 126v nativitate(Infol. 115r sanctiIohannis Baptistae) (Infol.pentecostes) 108r octava fol.( 102v ascensionis(Infol. 100r domini) l.vigilia(In 134r omniumsanctorum)

), the letter is decorated with areas of red up, down and in the middle, the space of the letter is letter the of space the middle, the in and down up, red of areas with decorated is letter the ), - - “I”vigilia(Innativitatis domini) - - - “C” “V” “C”epiphania(In domini)

Sabbato vigilia Sabbato pasche) I Inlaurentiivigilia martyris) sancti indie pentecostes) ndedicatione basilicae)

e vertical right stem of the letter is green decorated with red areas of of areas red with decorated green is letter the of stem right vertical e

ndgreen color - shaped ornament and stylized foliage f foliage stylized and ornament shaped

is not applied profesionally, especially visible in the frame, gold leaf leaf gold frame, the in visible especially profesionally, applied not is

color

is in the middle inisthe

ted in red with areas of darker darker of areas with in red ted - attempt of shading with white, curved left line left curved white, shadingwith ofattempt rom the other side filling the empty empty the filling side other the rom - LEAF BACKGROUND BACKGROUND LEAF of gold leaf are visible. It It visible. are leaf gold of

color

lines, decorated decorated lines,

in the middle middle inthe

7,5 color

lines, 312

up up

CEU eTD Collection NachträgenMit zu 1;Bd. Teil 2. Abbildungen. nordeuropäischerProvenien Roma Norma Ragusinum collegamento il degli studi medievalieumanistici nell‟UniversitadiPerugia”, 3),409 ClaudioLeonardi ed EnricoMenesto, Spoleto, Centro italiano studisull‟alto di medioevo, 1990 (Biblioteca “Centrdel (2Perugia ThirteenthCenturies.” (Wiesbaden,1975), no.21.Richard Francis Gyug. “Tropes Prosulas and Dalmatian in Sources ofTwelfth the and Mittelaltersaus denSammlungen derStiftung Preussicher Kulturbesitz Berlin. IlluminationinZadar”. R Hesbert.J. “Evangeliaire deZara”. Bibliogra well. 184r fols. On withgreen the in chalice a of sketch a is there spacemarginal the in 169v fol. lines,withfilledthin white brownish with isthere 169r fol. regardingpreviousthe mirrored, depiction,possibilitythey are ofpattern? a green eye, and beak red space, marginal in eagle an of depiction 149v fol. color skilful, very is it and ink brown in made is drawing (approx. space marginal in eagle an of depiction 149r fol. DEPICTIONSMARGINAL (4) traces ofgreen 18v Fol. Greenof traces 4r Fol. (Fol.3v INITIALS DAMAGED (2)

- s: yellows: Bari,Laterza, 1990,445 nniagli Angioini”. In -

“I” - a marginal depiction of fivemarginalofdepiction a - phy: - item ad missammane)itemad primo

“I”marie)purificatione(In sancte 5settembre 1987) organizzati dal .Toronto: Pontifical Institute of Medieval Studies, 1990. Francesco Magistrale. “Scritture, libri ebiblioteche dai

color

v the marginal space is cut. There is a possibility that marginal depiction was there as as there was depiction marginal that possibility a is There cut. is space marginal the v washesanddetails neck, red feathers) (beak, color color

and white dots, withandyellow white dots, a inmiddle circle withstressed the red In Journal ofCroatian

arevisible Latradizione dei tropi liturgici are stillare visible.f Nillowhich tempore z derz Staatsbibliothek zu Berlin Preussischer Kulturbesitz: 4. Storiadi Bari - 510.Andreas Fingernagel.

Scriptorium

. Dalla . conquista normanna ducatoal sforzesco. dicuraA Francesco Tatteo. -

pointed starr executed in red in the right upper corner, it is adorned itis corner, adorned upper executedininright starr the red pointed Studies CorpusTroporum

Wiesbaden:Harrassowitz, 1999:47

8(1954): 177 color

9 - 10(1969): 41 . Atti . dei convegni sui tropi liturgiciParigi (1

withyellowa inmiddle circle the Dieilluminierten lateinischen Handschriften süd

sottol‟egidadell‟ - 204.Marijan Grgić. “The Eleventh Century Book - 132.

left upper corner, it is executed in red, filled red, in executed isit corner, upper left

ollows is not highlighted.not isollows Zimelien AustellungDezember 1975 color EuropeanScience .Abendländische Handschriften des - 48,86 - 438:414. R.F. Gyug,.

for the body with white lines, lines, white with body the for - - two(79r,plates 137v)

12.Jahrhundert; Teil 1.Text.

Foundation

5 - 19ottobre 1985) - Februar1976 - ,west Missale ,acura di

und oper 313 -

CEU eTD Collection fol.15r fol.14r fol11r fol.10r fol.9r fol8r DOMINICAII fol fol.6r fols.6r 5r fols.4r, fols.1 LITURGICALSTRUCTUREOFTHEMANUSCRIPT: SCRIPT manuscriptTheshows traces of extensive mmcovers: (5), x316 209 dimenisonscoverof the binding new is13vnumberandthere VIIIfol.roman a on 14vnumber XVII roman 6v pagination older an is There inPaginationuntillcorner goes in number pencil right 169. the col.linesof1 30 dimensions ofxline=approx.text, 220 130mm, column:of the8mm 1 marginleftsideside, verso on margin lower mm, 300x195 folio: Dimensions: missing,isfol.quaternion after leavesmissing three 163 are 170+ (composedmostly I fromafterleaf quaternions), missing,isfol. double after 13 2 page the CODICOLOGICALDESCRIPTION DATE Desa (4r)4r), (3v, 2v), Bratislava(1v,2r, (1v), Dobre PivoslavaGrube (1v), (2r), (2r),DragaRadostaDome(2r), (2v), Slavicin namesRadepresent Desislava (1r,obituary: Binoslava 4r)the 1v, 2r, (1r,2v), Stane (1r), familyandprominent family(fol.2Perast from(Zmajevići), Dragonis Kotor ThisDalmatian isadditionsof later Kotor. town inmentionconfirmedby (obituary) Calendar that the depictionofSt. Februaryon insteadin more Kotor usualofas(traditionaldate feast ofwellhis 03 10) November the as feastAccordingTryphon,the to saintofSt. patron included ofKotor in manuscriptofthe Calendar the PROVENANCE SHELF Missale Staatsbibliothek BERLIN - roman number I, itwasquaternion beforehasmanuscriptadonelostnumber the fol. I, fol.roman because after 13 on 7r - - - - - DOMINICAIII - : FERIAIIII MISSAAD PRIMA DOMINICAADUENTUM IN DOMINI - 4r - - - SABBATO

169v - SANCTIIOHANNISEVANGELISTE SANCTISTEPHANI FERIAVI saec. XII 1 saec.XII

MARK: M MARK: - - Beneventan scBeneventan Calendarium

- computus , probably twentieth century, bordo leather with horizontal protuberances (5) on spine, spine, on (5) protuberances horizontal with leather bordo century, twentieth probably , - Missale:from tillAdventProprium tempore: de weekPentecost of the

Tryphonfol.manucript,on 5vwas manuscriptwritten the inof forthe usethe

s. Lat.fol.s. 920

( +XIV) saec.obituary,( XIII, ript, Bari type ript,

done in roman numbers on verso side of the mansuscript starting on fol. fol. on starting mansuscript the of side verso on numbers roman in done

- 55 mm 55

use , first folio is cut irregularlyfirstfoliois cut part. in upper , the

- 65 mm, uppe mm, 65

r margin r

- 36 mm, right margin on recto recto on margin right mm, 36 v,3v)manyaswithwell as

314

CEU eTD Collection fol.52r fol.51r fol.49v fol.48v fol.47v 47r Fol. fol.46r fol.45v fol.44r fol.42r fol.40v fol.40r fol.39r ABBATIBENEDICTI VIGILIA SANCTI fol.38v SANCTEMATHIEAPOSTOLI fol.37v fol.37r SANCTIVALENTINI fol.36v fol.36r fol.34v fol.34r fol.33r fol.32v fol.32r fol.31v fol. fol.30v fol.30r SANCTIMAURI ABBATIIN fol.29v fol.29r fol.28r fol.27v fol.26v fol.25r fol.24v EVANGELIUMINTRAOCTAVAM fol.24r fol.23r fol.21v fol.20r fol.19v fol.19r fol.18r fol.17v fol.16v fol.15v 31r ------FERIAIII FERIAII MISSA ITEM DOMINICAQUINQAGESIMA IN DOMINICASEXAGESIMA IN SANCTEANNUNTIATIOMARIE ABSANCTIBENEDICTI IOVITTEET SANCTORUM FAUSTINI VIRORUM SANCTEAGAT IN PURIFICATIOCEREORUM BENEDICTIO IN SANCTEMARIE(!) CONVERSIONE SANCTIIN PAULI 3 SANCTISEBASTIANIMARTYRIS ATQUEFABIANI SANCTIMARCELLIPAPE DOMINICAV(I) DOMINICAV OCTAVAMPOSTDOMINIA II EPYPHANIE SANCTISEVERINI DOMINICAEPYPHANIAPOST I VIGILIAEPYPHANIE SANCTIPAPESILUESTRI NATALE DOMINICAPOST DOMINII DOMIN SABBATO FERIAVI CAPUT IEIUNII FERIAIIII DOMINICASEPTUAGESIMA GREGORII PAPESANCTI CATHEDRAPETRI SANCTI SCOLASTICE VIRGINIS SANCTE DIE MISSA IN VINCENTII SANCTI AGNESVIRGINIS SANCTE VIRGINIS PRISCE FELICIS SANCTI DOMINICAIIII DOMINICAIII OCTAVAEPYPHANIE EPYPHANIA IN OCTAVADOMINI SANCTEHONOREMISSA IN NATALE INNOCENTORUMIN (?) MISSAMAIORE FERIAV

ICA CAPUT QUADRAGESIMACAPUT ICA

HE VIRGINIS HE

BATI

MARIEINFRA OCTAVAM

315

CEU eTD Collection fol.142v TRINITATE DE SANCTECRUCIS IN IN fol.142r DOMINICASANCTUM PREPHATIOPASCHA QUADRAGESIMA IN PREPHATION fol.141v 141 Fol. fol.139r fol.123r f117r fol.113v FERIACENA IN DOMINIV f112r f107r fol.105v fol.104v fol.99v 97v fol.96v fol.95v fol.94v fol.93r fol.91v fol.90v fol.89v fol.88v fol.86v fol.85r fol.83r fol.79r fol.76v fol.74v fol.73v fol.71v folio70r fol.68v fol.66v fol.65r fol.63v fol.62v fol.61v 60v fol.59v fol.57r fol.55v fol.54v fol.53r

PENTECOSTES - - FERIAII DOMINICA IN RAMISPALMARUM DOMINICA IN - - - ADHORAOFICIUMNONA FERIAV FERIAIIII ------FERIAIIII FERIAV FERIAIIII DOMINICAIIII FERIAVI SABBATO FERIAIIII - - - - DOMINICA(MISSA) PALMA SABBATOIN FERIAVI FERIAV F FERIAII DOMINICAV SABBATO FERIAVI SABBATO FERIAVI FERIAV FERIAIII DOMINICAIII SABBATO FERIAV FERIAIIII FERIAIII DOMINICAII FERIAVI FERIAV ------IN NATALE IN DOMINI IN ASCENSA IN ORDOAD INCIPIT CELEBRANDUMMISSA SABBATOSANCTO FERIAII PREPHATIO IN IN PREPHATIOEPYPHANIA FERIA FERIAIII FERIAII PREPHATIO IN SANCTEMARIE IN PREPHATIO ERIA III ERIA

VI IN IN PARASCEVE VI

316

CEU eTD Collection initialmissinis Iv Fol. “Romanesque”. entirely impressioninitialswholethe not “Beneventan”it islabeledofmoreas canbe the generally and differen beaks, long headswith bird laces, forms:of Beneventan repertory to belong initials these in used elements the Although animals. fantastic and forms foliage with decorated both le ofthe frompart curved thenudes and and heads human sometimes and heads animal fantastic forms, foliage with decorated and between in space lacesemptyfrom with stemcomposed vertical formedfrom the big, isinitials inKKL letter The a on put always are KL initials The fols.+ Calendar:I 1r Calendarinitials ofKL Thethe DESCRIPTIONOFTHEDECORATION fol.169v fol.169r fol.168 fol.167r fol.165r fol.164r fol.163r fol.162r fol.161v fol.160v fol.159v fol.158v fol.157v fol.157r fol.156r fol.154v fol.154r fol.152v fol.151v fol.150r 148v 147r fol.143v ALIADEFUNCTIS PRO fol.143r DEDICATIO IN PREPHATIOECCLESIE OMNIUM SANCTORUMIN PREPHATIO APOSTOLORUM IN PREPHATIO - - DOMINICASANCTUMPASCHA FERIA II IN ALBIS IN FERIAII - v KL ------FERIAV DOMINICASANCTUMPENTECOSTES SABBATOVIGILIA PENTECOSTESIN ASCENSA DOMINICAPOST DOMINI I ASCENSADOMINI VIGILIAASCENSA DOMINI DOMINICAII DOMINICAPASCHEOCTAVA FERIAVI FERIAIII DEFUNCTISPROPREPHATIO FERIAIII ASCENSAANTE FERIAII DOMINI D DOMINICAIIII DOMINICAIII SABBATO FERIAV FERIAIIII (PRAEFATIOCOMMUNIS) FERIAVI (FERIAFERIA III,FERIA II, IIII) OMINICAV

(18 lines although it was bigger because the parchment has been cut, upper part of the the of part upper cut, been has parchment the because bigger was it although lines (18 g)

colored

tter. Inside the curved part of “K” is little structure of letter “L” letter of little“K”isstructure of curvedtheInside part tter.

background, which adjusts itself to the form o form the to itself adjusts which background, :

t fantastic animals, fantasticanimals, t f the letters. letters. the f 317

CEU eTD Collection red of strokes the for and ears round the of line the and eyebrowse the for details, red with (pink lett the stemof the of part lower the mane).In moustache, the of line the eyebrowse, red; in details with pink in (executed face en depicted lion) a probably (most head with silver part inupper the backgrounddecorated blue unframed a on isfoliage)put with (decorated stylized letter the of stemvertical The 1v). folio(fol. previous thefrom initial the of variation ais initial thisform its By fol2 letteris part ofthefilled blue.with curved the of inside the and letter the of stem The depicted). not are necks their and letter the of part m have they and letter the of inside are heads animal (two letter the of laces and the bitefoliage which heads stylizedanimal of motifs from made also is “K” letter the of part Curved letter. the of stem the fantasti the of head the initial the of part lower the In maneeyebrowse, itsanimal,onof unusalthe belly). things curved the letter, the of crown palmette a of sort letter, anim theof paralellthe marginal stemthe two andwith the space in stretching two legs, four has it dragon, a of sort a is (it represented is animal the of body whole the form foliage stylized with decorated is letter the of stem vertical The (unframed). background yellowish a on set is is initial The 1v fol. letter(pink bitingtheeyebrowsefor accents red “mane”).with and e structure shaped heart a is “K” letter Beneventan of part curved The strokes). red of out made “mane” of kind some eyebrowse, red (pink, letter the of stem the biting mane of kind some is It profile. in are extremities front itsfrontally and is set part upper inthe lion a resembling headanimal motifs.The foliagestylized betw in space empty with laces double motifs, animal from composed is It initialThebluewith a set isonbackground decorated (unframed) silver dots. 1r fol. pink, red, blue and golden. (roun animalfantastic of head a with decorated and forms foliage inbetweenentangled in space empty with laces doublefrom itself composed is letter The letter. the of shape the follows which blue), in (framed background golden a on set is initial The ane made out of red strokes, other two heads madestrokes, of red other atout situated ane oppositetwo endsareeach other the curved ofthe r - - - KL KL KL KL (19 lines) (19

(21lines) (19lines) color

treated with red and blue). In the lower part of the letter there is a bird a is there letter the of part lower the In blue). and red with treated

s trokes. In the upper part of the stem of the letter there is a depiction of an animal animal an of depictiona is letter there the stemofthe part upper Inthe trokes. s and ends on both sides with motifs of fantastic animals. On the upper end end upper the On animals. fantastic of motifs with sides both on ends and s

colored

in pink and details on face are red (eyebrowse, lips, nose and and nose lips, (eyebrowse, red are face on details and pink in color d ears and hooked beak) at the bottom. the at beak) hooked and ears d

f h bd i pn wt dtis eitd n red in depicted details with pink is body the of c animal is swallowing somewhat pointed end of of end pointed somewhat swallowing is animal c er there are two fantastic animal heads heads fantasticanimal two are there er

nding at each side with bird with side each at nding al is swallowing the decoration swallowingisthe al

een (filled with red) and and red) with (filled een

Color - head motif motif head s used are are used s - heads heads color 318 - -

CEU eTD Collection color (the initials KL previous in present figure The foliage. stylized with end and letter the decorate that laces the interwovenwith letter, the ofsexual stem vertical insidethe ofset is distinction, mark any without perspective bird‟s from seen if as depicted face and profile in legs part, three in depicted figure human naked The (unframed). background blue a ison set letter ofthe part curved whilebackground the yellowish a on is put letter ofthe Verticalpart 3r fol. hasand red inis beak end It filledletter. with bitingother profile,“L”ofhooked thethe depicted with pinkish bird fantastic a of the depiction a is did there letter the who of part person curved the and of middle the drawings In persons. different the did who person the that suggest may which with heads human the of verticalof th part bigger headsthe on than the somewhat are They face. en represented and ends the at other each opposite placed are They heads: human of motifs contains also letter the of part curved The letter. the of body the bites which same with (filled head animal fantastic isdepiction letter aletter filledverticalthere of theare also stemAt ofthe with the part red. of vertical The other. each to opposite placed are whichhair, shorter with and smaller only heads, such more two contains letter the of stem Vertical chin. the at spot orange tiny a has Head moustache). andlips nose, of end details(eyebrowse, for used thehair, long orange, has head Human face. en represented down, upside turned head human a with ends letter the of part lower The mane. the of treatment the in represented is animal wit The pink is it letter. visible, leg “L” one only smallwith profile, the of end the bites which creature dragon a of sort initial the the of side left the On decoration. foliage in dense more and richer is it “L”), letter small “K, letter ofbetween,the lacesformedfrompart inwithcurved spaceinitialsprevious stemempty (vertical Althoug background. unframed blue a on set is initial The 2v fol. allat background.Theynot are “L” smaller and “K” letter the wi of decorated part curved The letter. the biting animals) of manes form which re is a foliage ornament with little circles in the curved parts. At the upper part the initial ends with with initial ends the part upper the At parts. curved the in circleslittle with ornament foliage a is re

of the hair is orange, lips are red, only thing that is missing is red spot on the on spot red is missing is that thing only red, are lips orange, is hair the of - - KL KL KL KL (19lines) (22lines) color th stylized foliage ornament on laces and with palmettes on ends are set on a yellowish a on set are ends on palmettes with and laces on ornament foliage stylized th

for eyebrthe

color owse and treatment of mane. andof owse treatment

, as if he wasn't sure whether these are necks or part of the decoration decoration the of part or necks are these whether sure wasn't he if as , color colored color

as the human head and with red used for eyebro for used red with and head human the as e letter. It is puzzling why the illuminator didn' t filled the necks necks filleddidn'the illuminator t is the whyIt puzzling letter. e , which , initial the suggests that wasunfinished.

of the skin is pinkish, eyes are very big with red eyebrowse, eyebrowse, red with big very are eyes pinkish, is skin the of looks up, it has the same characteristics as the human heads heads human the as characteristics same the has it up, looks stem of the letter as well as the inner space of the curved curved the of space inner the as well as letter the of stem h red details red h

color - h it is formed from the same elements as as elements same the from formed is it h eyebrowse, pink, red and blue are used in used are blue and red pink, eyebrowse,

used for the face is pinkish and red and pinkishisface thefor used - quarter position in the uppe the in position quarter chin although it is it although chin

wse and mane) mane) and wse color i ng were were ng color 319

is r

CEU eTD Collection and scales with covered bodies huge their of because dragons to resembling mostly hybrids, of kind human the biting are they and other each opposite set are which animals fantastic two by formed is letter the of part vertical The background. yellowish a on set is letter The 4r fol. wit sides both jawsheadswith open(sametreatment). on is end letter parts curved the and of ornament part foliage curved stylized The with other. decorated each to parallel set heads animal similar are there structure letter “L” the of end upper the fantasticanimal with part in upper the “K”ends blue hair and eyebrowse) and lips for details, for used is (red fill are necks and faces Their other. each to attached were thew if as almost other, each on leaning are perspective bird‟s from seen if as represented heads Human letter. K the of line curved a They other. each to opposite letter, f green and red Two of ears). also but horns strokes with adorned represent are necks their and legs of part can upper body, (pink dogs to similar rather whichcreatures head, his on structures volute and nose pink with filled is It fantasticcreature. some of ve The initial. the of part curved the for filling bluefilling isofslightly“L”a there different backgro part). (curved background Blue blue a on and part) (vertical background yellowish a on set is initial The 3v fol. fantasticheadsanimal(pink red and laces on ornament foliage stylized with the with initial in mannerKL headsinhumanassamethe the previous fantastic headsas the ofanimalstreated theand is same thesize about head.humanIt endsmotif a of witha letter with big). endLThe other of andtoo ch a resembling profile in head human a of depiction a is there initial L of top the At red. fillediswith which letter, the stemof vertical of the top the at situated isheadanimal of leg the biting are heads letter. the of part curved holding is figure the if as looks It hands. the especially big outstretchedunproportionallyandfigure are the of arms The drawing). inmarkedthe color - - KL KL KL KL und is decorated with silver dots. Between the vertical stem of the letter “K” and the smaller smaller the and “K” letter the of stem vertical the Between dots. silver with decorated is und

(22lines) (22lines) s lo sd s flig ewe syie flae n te etcl ato te etr Blue letter. the of part vertical the and foliage stylized between filling a as used also is

only difference that the that difference only color

as if they have fur, they also have paws) are placed on the vertical part of the the of part vertical the on placed are paws) have also they fur, have they if as a human figure (usual type of long beak pink head animals). A fantastic fantastic A animals). head pink beak long of type (usual figure human a color there is a fantastic animal head biting it and at the lower end of the “L” “L” the of end lower the at and it biting head animal fantastic a is there , red eyebrowse)l ,red bitingthe re biting the necks of two human heads set in the middle of the the of middle the in set heads human two of necks the biting re

color

color of the hair is brown. Curved part of the letter K is filled filled is K letter the of part Curved brown. is hair the of rtical part of the letter ends in its lower part with a head head a with part lower its inends letter the of part rtical - color heaad which is pink and bites the stem of the letter. At At letter. the stemof bitesthe and pink is heaadwhich color

(greyish).This grayish

and red is used for details (eyebrowse, the end of of end the (eyebrowse, details for used is red and . Curved parts end on both sides with motifs of of motifs with sides both on end parts Curved . ace of the ornament. aceornament. ofthe - grayish. The vertical stem of the letter the of stem vertical The grayish. Unusual aricature (the nose is pointed pointed is nose (the aricature - head in the middle. Animals, middle. the in head blue

thing is that two animal two that is thing color

h fantastic animal animal fantastic h

is also used as the isusedasthe also ed with pink pink with ed antastic antastic 320

CEU eTD Collection brownhairoutlined has curly yellowish.is lips.He Hisneck eyebrowsefor and detailsfor suchas used pink with filled is it Calendar; the of initials the in heads human resembles face His iconography. depictions for characteristic appearance youthful its by supported is which and left the an in floating is it if as surrounding.seemsundefined it that so figure human the of dimensions for large too is frame The always each turned other.opposite to are Motifs (3). animals fantastic of heads with (4) mouth open and nose pointed eyebrowse, re hair, brown short with profile in depicted heads human grotesque interplayof an is there side right animals fantastic 9 are there left orname foliage stylized with decorated arches the under frame, spacious a in set is saint a figureof The manuscript. inthe miniature free only theis This 5v fol. Freeminiature itthatresembles pea a fromthe sides both from right; the linesat curved left10 and the lineson curved feathers:8 peacock resembling line. blue curved and yellow curved a is there arches the to Parallel yellowblueframefillediswithand he to something it, is what (check letters with filled and squares in divided form rectangle a of top the are They yellow. and blue in done palmette resembles which foliage in red stylized executed with decorated arches round two are There Descriptiontables:ofdecorationofthe the fol.4v manuscript). the in elsewhere asmanner same the in (treated laces the biting heads animal with and foliage stylized lacesfilledand are letter with ofthe brownish.isparts Curved hair andlips and eyebrowse for with red in treated is perspective bird‟s from seen if as represented letter, the of part vertical the of middle the in head Human manuscript. the in elsewhere heads animal fantastic t and inprofile depicted are They background. blue greyish thin a on set are feathers yellow and blue pink, stylized with wings

- St. TryphonSt. below

rpo glorioso Tryphon There are six animal heads, three (upper, middlesixThereare in heads, animal lower)(upper, and three each curved part.

there are additional 4 lines, each forming a sort of a small arch (also decorated in a way in decorated way a (also ofsmallarch a formingsort aeach lines, additional are 4 there

color

and the and cock feather cock

wo of their legs are visible. Their heads are treated in the usual manner as with with asmanner usual inthe treated are Theirheads visible. legsare theirof wo The inscription in Gothic letters placed below the arches ( arches the below placed letters Gothic in inscription The color

below the right) informs us that this is the depiction of St. Tryphon, Tryphon, St. of depiction the is this that us informs right) the below - - ed te aetetda lehr i h mnsrp)ado the on and manuscript) the in elsewhere as treated are (they heads

dot of red dot lp you find the feasts or?, is it connected with Easter tables?), the the tables?), Easter with connected it is or?, feasts the find you lp of the parchment is left from the inside, while the empty spaces are are spaces empty the while inside, thefrom leftis parchment the of color

withemptyleft betweensquarealways one areas theof color color sblue yellowishused:red, and nt, fantastic animal heads and human heads. On the the On heads. human and heads animal fantastic nt, andfromandline red blue above). a usual manner, the face is pink pink is face the manner, usual a Below of this saint in Byzantine Byzantine in saint this of

them

Santo Martyr Santo there is a structure structure a is there

color s; they are are they s;

and red is red and

below below color 321 d .

CEU eTD Collection going is lace blue beak bird's the From making letter through the part of an manuscript. the in elsewhere as treated head) (bird motif is letter ex ofthe hexagonalThepart base.the curved of side animal headseach on two stemalso vertical lowerare therepart of Inthe the sidepattern. ofthe upper the In fromlacesinandisfoliage. composed double wrapped stylized partly and ink brownin executed is initial The 143v fol. is letter withadorned asymmetricalfoliage stylizedt and The letter. the biting animal fantastic the of head additional with part lower the in ends line two by formed is part right The profile. in depicted animal fantastic of head large a with ends and higher for “V” initial The f123v is letter the of space empty the and letter the adorns foliage Stylized codex. the in elsewhereas treated bottom) the at one and end the at (one animals fantastic of heads with ends blue) with filled part upper vertically, bo curved The side. other the on letter the of lace the biting animals fantastic of heads and head his on “crown” of kind some with lion) (possibly animal an of depiction rectangular t l, x,u in red: executed are ofExultet (letters Exultet ofthe letter Theopening f123r applied)lacesandarranged are washes yellow pale which (on foliage stylized with filled and ink brown in executed is letter The f121v Calendarmadeilluminatorinitials KLofthe who folia with decorated Initials ofsomethem,which sandals. veryrepresent kind couldlight of red in strokes three are there and pink in executed are Feet red. in outlined foldings with bluewith mantledecorated red a wearingis He viewer). the towards hand the of (palm blessing is he other the with and cross a holds hehand right In inred -

et n n, , t e, ink, in left parallel lines, which intersect at the top and end with heads of fantastic animals biting them. Left Left them. biting animals fantastic of heads with end and top the at intersect which lines, parallel . As is the case with the naked figures in the initials of the calendars, his hands are a bit too large. bittoo a handshisare calendars, initialsthe of inthe figuresnaked the with case Astheis . - - - E V O - (8 lines) (8 (9 lines) (9 P (5lines)

, yellowish background. Horizontal part of the letter on one side contains a stylized stylized a contains side one on letter the of part Horizontal background. yellowish , filledbluewith (

part the vertical stem ends with ends stemvertical the part 25lines)

Vere dignum Vere - ild ih le n ylo) is yellow) and blue with filled

color symmetrically. ge ornaments and fantastic animal heads done by the same same the by done heads animal fantastic and ornaments ge

. is set on a yellowish rectangular background. Left part of the letter is letter the of part Left background. rectangular yellowish a on set is

interlacing

pattern mixedfoliage forms.stylizedpattern with colored dots and with folds strengthened in blue and blue tunic tunic blue and blue in strengthenedfolds withand dots he emptyheletter filledis blue.ofthespace with

ecuted in red and contains a large fantastic animal fantasticlargeanimal ina contains and red ecuted colored . The vertical stem of the letter ( letter the of stem verticalThe .

pattern and two fantastic animal heads on each each on heads fantasticanimal two and pattern

although not completely. It is set on a a on set is It completely. not although

dy of the letter (divided in two two in (divided letter the of dy - filled with blue and yellow, yellow, blueand filledwith colored

color

in blue) blue) in on both both on 322

CEU eTD Collection mantle, identified with curved lines on his shoulders. His right hand is raised as in the gesture of of gesture the in as raised is hand right His shoulders. his on lines curved with identified mantle, and lines vertical with decorated tunic a in dressed is evangelist The strokes). (curved hair and beard the big probably rather is head it The Luke Evangelist. St. the Luke by St. Gospel of of depiction text the accompanies initial the Since letter. the of shaft initia The f108v initials other inMissal. the and Calendar the in initials KL did who one to inferior illuminator the by hand, uncertain by executed poss animal An small. “Beneventan typical from extent some to differs bust the supports that initial, the of base The hand. left his in Gospel and ho to supposed was Christ that informus book Gospel the of outline the and cross little the of presence the garment, of sleeve the However, depicted. not are hands and outlined, the and halo a in inscribed cross a text the with with relationship (identified Christ of bust the represents It part. lower the in fainted considerably has it and ink brownin executed is unfinished, obviosly was whichinitial, The f100v Geometric The manuscript. the in letterverticalends stemofbirdbitingthehead it. elsewherewith as treated letter the of body the biting head animal fantastic with ends part rectangular the side upper left the At structure. its through swirl leaves foliage stylized and with filled not is ornament pearl and pattern “traditional the towards difference main The foliage. stylized and motifs animal with decorated and shaft vertical init The f125r Calendar Geometric letteris ofthe foliagelaces.withadorned stylized and ste vertical The letter. the of part curved the from left part, upper the in is head animal largest The letter. the of laces the biting motifs no with ink brown in executed isinitial The 145v fol. - - - I I I ial is executed in brown ink and no and ink brown in executed is ial (13 lines) (13 (21 lines) (21 ( - 20 l is executed in brown ink and no and ink brown in executed is l P

“Beneventan” initials bustswith “Beneventan” human lessdrawn by capable illuminators ( geometric

Beneventan initial done by the same illuminator who made the KL initials of the the of initials KL the made who illuminator same the by done initial Beneventan lines) 12lines)

- - JesusChrist St. Luke St.

geometric

ibly a dog is situated at the end of the vertical stem of the base. The initial was was initial The base. the of stem vertical the of end the at situated is dog a ibly Beneventan initial” is the fact that that fact the is initial” Beneventan - pa

ssio domini nostri ihesu christi ihesu nostri ssiodomini

initials” m of the letter ends with floral, crown floral, with ends letter the m of - its rectangular part supported by vertical stem is extremely extremely is stem vertical by supported part rectangular its color color interlacing color

is applied. It is formed by human bust set on vertical on set bust human byformed is It applied. is

applied. It is formed by laces and four animal heads heads animalfour and laces byformed is It applied. is applied. It is formed by rectangular form set on on set form rectangular by formed is It applied. is

pattern and pattern ) on an elongated base. The bust of Christ is is ofChrist bust base.The elongated an on ) the rectangular part crowned by crowned part rectangular the

with large eyes, thin nose and stylized stylized and nose thin eyes, large with color - like ornament. The curved part part curved The ornament. like

from the inside; it is hallow hallow is it inside; the from ld a cross in his right hand hand right his in cross lda

interlacing 323

CEU eTD Collection Gyug,. F. R. (Biblioteca per “Centro del Foundation o Centuries.» Thirteenth and Twelfth Berlin”. Godsienstwetenschappen in Beneventanum “Missale Rehle. Sieghild 24. vol.2, 1980: Letteratura, e Storia MinusculeItalian Testi e Studi card. M. Anselmi honorem in Vaticana Collectanea in manuscripts” Beneventan 1975 Dezember Austellung Zimelien Bibliography: all manuscriptscattered are the through 2,5 is height theirblue, andyellow filledwith and in red executed are initialsThese Smallerinitials decorated itlessandmanuscriptwas probably byilluminator. handa capableof done a treatmentsimilaritygreat to no shows It heraldic connotations. strong hasinitial the of appearance general The circles). four and cross Andrew's (St. ornament same the with belt the pro but scales resemble mostly extremities back down; head extremities (front its profile in depicted to also is head next the than direction structure different stylized little the of because fire spitting is animal the though as seems it eyes, big and ears pointed small hasit profile, in depicted is animal the of head the with connection in although no and ink brown in executed is initial The f113v symbolEvangelistthe“I” initial substituting Thisis smallbydots. depiction probably done th with adorned motif foliage stylized is there stem the of base the in and ring ais there letter the of stem out the repeating form smaller is there form rectangular the of part inner the side In motif. left foliage stylized isthe there on part, upper the In Christ. of bust the with initial discussed previously the than type” a by more formed resembles it is and letter stem, vertical the a on of set form shaft rectangular vertical The claw. to more resembling drawn, unskillfully very blessinga tbe 1985) ttobre - er forms and it is filled with a net of lines adorned with dots. In the upper part of the vertical the of part upper the In dots. with adorned lines of net a with filled is it and forms er . Abendländische . Handschriften des Mittelalters Sammlungenaus Stiftung den der Preussicher Kulturbesitz Berlin. I (10, 5 lines)5 (10, , a cura di Claudio Leonardi ed Enrico Menesto, Spoleto, Centro italiano di studi sull‟alto medioevo, 1990 1990 medioevo, sull‟alto studi di italiano Centro Spoleto, Menesto, Enrico ed Leonardi Claudio di cura a , nd in his left hand he holds an open book with a cross, probably the Gospel. His right hand is is hand Hisright Gospel. probablythe cross, a with book openholds an hehand left his in nd

2, aia Ct, 92 211 1962: City, Vatican 220, -

eui (2 Perugia isl Ragusinum Missale . 2 nd edition prepared and enlarged by Virginia Brown. 2 vols. Sussidi Eruditi 33, 34. 33, Eruditi vols.Sussidi Brown.2 enlarged by Virginia editionprepared and 2nd .

- 469 (1985): 28 5 settembre 1987) organizzati dal dal organizzati 1987) settembre 5 il collegamentoil medievali studi degliPerugia”, nell‟Universitaeumanistici di 3),409 - - era 17 (isae, 95, 2 1975), (Wiesbaden, 1976 Februar same position). The whole body is covered with small curved strokes which which strokes curved small with covered is body whole The position). same

without figural ornamentalwithout and motifs Trno Pniia Isiue f eivl tde, 90 Toa Fret Kelly. Forrest Thomas 1990. Studies, Medieval of Institute Pontifical Toronto: . In bably indicate fur of the animal. The animal has a sort of neckless and and neckless of sort a has animal The animal. the of fur indicate bably

La tradizione dei tropi liturgici tropi dei tradizione La text it may well be the the lion the the be well may it text - 510. Richard Francis Gyug. «Tropes and Prosulas in Dalmatian Sources of the the of Sources Dalmatian in Prosulas and «Tropes Gyug. Francis Richard 510. - 4: 216. 244:

color la Aey Loew. Avery Elias

e same master who didmasterwho samedepictionthe ofeJesus.

is applied, it is the depiction of the fantastic animal, animal, fantastic the of depiction the is it applied, is ops Troporum Corpus 0 - o. 3, o 2. la Aey Loew. Avery Elias 22. no. 53r, fol. . Atti dei convegni sui tropi liturgici Parigi (15 Parigi liturgici tropi sui convegni dei Atti . h Bnvna s Beneventan The otaiinl “Beneventan traditional to - symbol of evangelist St. Mark. The The Mark. St. evangelist of symbol

laea Bbitc Aotlc edita, Apostolica Biblioteca a Albareda ot leia dell‟ l‟egida sotto

Sacris Erudiri Sacris - right one raised, left one one left raised, one right rp.A itr f h South the of History A cript.

of other animals in the inthe animals other of Te oy und in turned body The .

or 3 lines and they they linesand 3 or uoen Science European Rome: Edizionidi “A New List of of List New “A : Jaarboek voor Jaarboek : geometric -

438:417. 324 - 19 19

CEU eTD Collection DATE possessionmonasteryinMaryBenedictineof the of St. Zadar. a evidence in hagiographic was manuscript the the that prove singular Zadar, feminine in are in prayers the of Marymany that fact St. the especially of monastery the to related certainly was that manuscript Oxford to affiliation close the that concluded has He mentioned. is Sema) (or Sena sister 16v f on addition marginal later a that 29 on Zadar medieval in celebrated 28 on fallsmartyrdom Anastasia whose Anastasia St. not St. and December of feast the definitely is it that concluded has madescet ( hymns Christmas two after follows hymn the As v. Anastasia St. of honor the in inAnastasiaprayerthe honor theof ( St. of type and script of beginningmentionedZoiloisfol.v 23 the on confessor andfol.namethe St. the Suffragia 23r, of on of type content, format, manuscrip Budapest of origin inZadar of proofs hagiographic detected also has other He illumination. each resemble codices Two attested. been preserved manuscript a 277, Liturg. Canon. MS. with comparison the offered to according has manuscript Grgić the of Marijan provenance Zadar obtained. for proofs it was where from information no are There 1861. as early as PROVENANCE: SHELF Horarium MagyarTudományos HungarianAcadémiaAcademy / ofSciences BUDAPEST Edizionedistoria eletteratura, 2005: 103, 279n, 287,401n 6 51, 50, 49, 1999: 4. Kulturbesitz: süd Handschriften lateinischen UniversityOxford 1996:Press,8, 72,78,92, 101,104, 106 Library Isham 249 4), Papers, Boone,Graeme M. Cambridge (Mass.) Ornament in Chant: caseThe of Beneventan Exultet.”In Stato dello Zecca e Poligrafico Istituto in melodia”e liturgica “Cerimonia : saec. XI ex saec.XI : - MARK: K. 394 K. MARK: ) and the song about the life of St. John the Evangelist celebrated on 27 on celebrated Evangelist Johnthe St. lifeof the about song the and )

12. Jahrhundert; 12. - fol. The manuscript is found in the old catalogue ofoldt catalogue isin the foundmanuscript The

5v, 89 5v, - 277:251,265,266.ThomasForrest Kelly. (formerlyCod.lat.oct.5) - fol. 4r, 90 4r, fol. - west ,

(Vers in Oxford Bodleian library for which the Zadar provenance has already already has provenance Zadar the which for library Bodleian Oxford in Teil 1. Text. Mit Nachträgen zu Bd. 1; Teil 2. Abbildungen. Wiesbaden: Harrassowitz,Wiesbaden:Abbildungen. 2. Teil 1; Bd. Nachträgenzu Mit Text. 1. Teil Exultet. Rot Exultet. - - London,HarvardUniversity University (Harvard 1995 Press, ofDepartment Music. -

irra el Sao 19, 19 1994, Stato, dello Libreria n nrerpice Poein dr tasilohk z Staatsbibliothek der Provenienz nordeuropäischer und i de sancta Anastasia) sancta de i - fol. 2r, fol. 123v, 91 123v, fol. 2r, fol. oli liturgici del medioevo meridionalemedioevo del liturgici oli VenisponsaXpisti and 17r is actually a sentence in Croatian in which a certain certain a which in Croatian in sentence a actually is 17r and Essay

109,112,155, 174,255. Andreas Fingernagel. s on Medievalon s Honor Musicin ofDavidG. Hughes - Rex agyos hodie agyos Rex fol. 143v. fol. , which begins at f 103 r and finishes at f 106 106 f at finishesand r 103 f at beginswhich , ). -

8 2, 37. 24, 38: On fols.On103r The Exulte The

th Virginia Brown. Terra Sancti Benedi Sancti Terra Brown. Virginia

of October. Grgić has also pointed out out pointed also hasGrgić October. of he Hungarian Academy of Sciences AcademySciences he of Hungarian

t in Southern in Italyt and and Thomas Forrest Kelly. “Structure and and “Structure Kelly. Forrest Thomas , a cura di Guglielmo Cavallo, Roma,Guglielmo Cavallo, di cura a , - 106v there is a unique hymn 106vishymn there unique a Iudicii signum tellus sudore sudore tellus signum Iudicii th

of of Bri Preussischer Berlin u . December, Grgić Grgić December, Oxford, New York: Dieilluminierten cti. , a cura , a di t: In the the In t:

Roma: 325 nd nd th

CEU eTD Collection markinginperiod.that thewas done that possible is it Rozsondai, Marianne to according century, sixteenth the of beginning the in rebounded T method. printing modern in as quire the firstof pagefound be isthe on mentions to insignfew theLowe aonly cases, last page. that foot of the the at usually was sign The letters. with rarely more and catchwords with other numerals, quire by Some signed manuscripts. Beneventan in quires of marking the about rule strict no was There “ letter 38r, actually were letters The space. “ marginal (letter quires loweroriginal the marking the in ink brown in made far, so mentioned been hasn‟t marking,whichsystem of third theis interesting more Much codex. the of markquiressupposed attempt recent some represent they and manuscript the of folios certain on visible are pencil red in made numbers However, 209r. f until 2r ffrom goes and pencil in made is pagination The manuscript. 19 and 18 8, numbers present manuscript, the in quires original three are There lost. is text original the of majority the and mixed is folios the of order ha consistsmanuscript present, inofAt twenty thehavebeenboundZadar. could manuscript the that and Italy in purchased be could material the that possibility the leaves also Renaissance has binding the t with connected that be canit preciselythat more features, thinks Rozsondai Marianne However, Budapest. to came first it nineteenthis bindingGrgićthea that thinks m 102 x 152 are cover the of of measurements The visible. are out clasps metal lost of composed traces The pattern. motifs rhomboid central three the encloses compartments square into down Allthe Dayhavesurvived.Saints‟ Office belo they Grgić, Marijan to According two. in number markedandscriptwith Gothic written roman codexare back foliosthethe visible. at of Four are cutting vertical of signs the and places some at damaged badly is parchment The etc.). 21v 7v, 6r, thirteen of consisting column each mm, 64 x 105 of size approximate of columns in arranged is text the 109 parc leaves of 110 of consists codex The CODICOLOGICALDESCRIPTION: ving four bifolios (eight folios, a quire), some of them less and some of them only one bifolio. The The bifolio. one only them of some and less them of some quire), a folios, (eight bifolios four ving h bnig s ae f w woe pnl cvrd y rw lahr n dcrtd ih paste with decorated and leather brown by covered panels wooden two of made is binding The color lines. The lineation done by hard by done lineation The lines. less ornament. On the front side, the ornament ornament the side, front the On ornament. less n ” on f 43r, letter “ letter f43r, on ” o ” on f49, letter “ letter f49, on ” a ” is on f 2r, let 2r, f on is ” hment of approximately 145 x 91 mm. From folio 2 until folio folio untilfolio2 mm. From 91 x approximately145 of hment

point on hair side is sometimes clearly visible (e.g. (e.g. visible clearly sometimes is side hair on point - herefore, especially if we accept that the manuscript was was manuscript the that accept we if especially herefore, ng to a thirteenth century Breviary of which only parts of of parts only which of Breviary century thirteenth a to ng century work and that the manuscript andwasreboundedthe that when work century s . Three different kinds of marking system exist in the the in exist system marking of kinds different Three . ” on f78r, letter “ letter f78r, on ” ter “ ter he area of Padova and Venice around 1500. She She 1500. around Venice and Padova of areahe f ”on f 65r, letter “ letter 65r, f ”on made out of irregular shapes and composed composed and shapes irregular of out made x ” on f 98r and letter “ letter and f98r on ” - three gatherings, three of them gatherings,ofthem three three l ” on f 30r, letter “ letter 30r, f on ” y ” on f 105r). f105r). on ” interlacing m on s were were s ” on f on ”

folio folio 326 m. m. to -

CEU eTD Collection hoursThedead ofthe Anastasia “ song a with songs Four crossAdorationThe ofthe (“ Sancti (“ 81 80, 79, Christ, of honour the in prayer the with 78 lost, is leaf “ prayer a with 75 confession the for devotions The penitentialNine psalms “ lost,70 leaves are Commendation leaf46, leaf49,50,47,45, 48,one lost, 51,52 leafoneone lost, islost, Angels the of Hours beginningpart ahymntheof the “…..without “ with 39 38, 37, 36, Mary Virgin Blessed the of honor the in songs Four lost lostleaf,15, ten 18, one 17, 16, 14, leaf lost one 68, 67, leaf, lost one 64, 63, leaf, lost one 66, 65, leaves, lost three leaveslost,leaves57,58,56,four lost, 59,60 two MaryBlessedVirgin of HoursThethe leaveswhichandon 3 4 Trinity Holy the of Hours LITURGICALSTRUCTUREOFTHEMANUSCRIPT endfoliosfourthe at codexmarkedofGothicnumbertheXIII) (saec.withII, Roman script fol.105r SCRIPT Trina oratio Trina Confessio puraConfessio

Esidori - : 106r

”, 104,105,106 ”, fol.2r …96 wit …96 ” - e aci Iohanni sancti De Beneventan,Bari(second hand)type ) 8, 5 (“ 85 84, ”), (enteringleaves2 71, church),lost the es - ”) , 91 with91 prayer, a“ ”) fol.109v

Domine Ihesu Domine (psalm 118 and collects), one leaf lost, 53, 54, one leaf lost, 69, 13, 12, 11, 10, three 10,three 11, 12, 13, 69, lost, leaf one 54, 53, lost, leaf one collects), and (psalm118

leaves,25,lost26,27,28,29, leaf24, one 31. 30, and h a song “ song a h Alma dei mater dei Alma (with a psalm collects from the series “ series the from collects psalm a (with …105, 106,107,108,109 …105, Sabbato ad Vesperumad Sabbato …72

- Beneventan, Bari Beneventan, type (princi ….twenty leaves lost, 2, 6, 7, two lo two 7, 6, 2, lost, leaves ….twenty ...2 leaves94,95 lost, ...2 Letania

De Natali Domini Natali De ”, two leaves lost, 76 with a prayer in the honor of Saint Peter, 77, one one 77, Peter, Saint of honor inthe prayer a with leaves76 lost, two ”, , 9 10 11 oe ef s ot 12 13 ih sn “ song a with 103 102, lost, is leaf one 101, 100, 99, ”, , 73, two leaves are lost, are leaves two 73, , ) 8, 7 8 (“ 88 87, 86, ”), ”, 40, 41 with “ with 41 40, ”, Deus qui creastiqui omnia Deus ……a) daily service: twelve leaves lost, 23, six leaves lost, 55, 55, six lost, 23, leaves lost, leaves daily ……a) service:twelve cuncti eue debitieue cuncti

b) weekly service: 60, 61, 62, four last leaves, 20, 21, 21, 20, leaves, last four 62, 61, 60, service: weekly b) beginns

”, 97, 19 with “ with 19 97, ”,

Imperatrix reginarum Imperatrix

omnai animae Commendatio …. pal scribe)pal

32, 33 with “ with 33 32,

74 with a prayer “ prayer a with 74 ”, 92, 93 with92,93 ”, prayera“ Effice ”

st leaves, 8, 9, 5, three lost leaves and and leaves lost three 5, 9, 8, leaves, st uii signum Iudicii

” and one unknown series), 43, 44, 44, 43, series), unknown one and ” Oratio sancta Oratio

Salue regina Salue

”, 42, one lost leaf, 22 with with 22 leaf, lost one 42, ”, ) 8 (“ 89 ”), Domine non sum digna sum non Domine ”, one leaf is lost, 98 98 lost, is leaf one ”, ”), 82, 83 (“ 83 82, ”),

omnium Domine IhesuDomine Confessio

De sancta sancta De ”, 34, 35, 35, 34, ”, Oratio Oratio ”), 90 90 ”), 327 ”

”, ”,

CEU eTD Collection part upper the ofis“d”uncialonlyink ininexecuted browndrawingline wavy ends (a t with that part letterofThe formedtheis“d”round byhalo ainclinedbust human of theright slightlyandthe to 94v fol. raisedleftahand offramemedallion.whicha out extends of the has figure The locks. regular in stylizedhair and nose thinface, elongated an with type facial same the substantia doesn‟t quality its in which underneath, drawing of application the initial c The inlinecurvedleftthe part medallion.upper drawing theexecuted on of the by formed is“D” initial The medallion. ina enclosedis right towards inclinedslightly bust humanThe f Mary‟ssoul. frontalwouldbust be depictionJesusanda in head of the symbolicrepresentationof a profileVirgin is Virgin,that iconographycompositionmaybeversion reducedByzantine a the of of underhalo.oneThe possibility relationship texta mentions the that to pointswith souls the that inhead pro human a Two bustsset on arerectangular initial.Beneventan isfrontallyOnehas oneplacedand a Koimesis 41v fol. isside.front It isThebustmonkashumana scapularrepresented andblue yellow withgreenwith the onrobe a cross 23r fol. treatment haofthe maleinThemedallionfigurebetrays enclosed ayoung characteristics the ofina especiallyperson the 4r fol. medallions“O”lettersby form and(ff the “D”(fthe 4r) 69v, 94v motifsThebusts. eitherdecoratedforma are placedon letter base “I”e andf (f or the 23r, 41v) partfiguresHumanaremanuscript in initials Budapest the decorated ofas the they anddepicted are depictionshumanInitials with DESCRI ol. 69 v 69 ol. omparison with the depiction on fol. 4r of the same manuscript is illustrative because in this this in because illustrative is manuscript same the of 4r fol. on depiction the with omparison , initial , ( O , initial ( , I , initial , ( I , initial , “D”( ,initial D ? PTION OFTHEPTIONDECORATION

fileinbody three and

Koimesis

set on the decorated rectangular set on decorated the base. lux beata trinitas beata lux ntercessionosquasumus mperatrixreginarum

(a ir, stylizedinir,The inlocks.figureholdslaw lefthis hand.tablets of the

domine ihesudomine nobis quesumusnobis perfectam domine

(Jesus is representssoulholdingthe baby(Jesus a Virgin). of thethat In this the way color

(which goes beyond the contours of drawing) has almost destroyed the the destroyed almost has drawing) of contours the beyond goes (which -

quarter position. quarter Theybustsform unusual ancompositionof two

), Jesus), Christ christe vexillum sanctechristecrucis vexillum tue

et salvatrixet ), St. BenedictSt. ),

animarum

), Jesus Christ),

lly differ from the depiction on fol. 4r. It is It 4r. fol. on depiction the from differ lly ), headstwo same), thehalo, under

). ).

) , Jesus , Christ

death anddeath ascensionthe ofthe

nclosed wo 328

CEU eTD Collection withbustsinhumanenclosedmedallions. inbodyhalf JohnisThe evangelist hisrepresented by zoomorphicheadinits symbol represented with andprofile f98v letterand ofp the other the f75r letterand part oneof parttheformed is other the letterbyvertical stemofthe the f66r ineagle profilebright depicted with adorned f27v elaborationbirds‟imofmay tail isbodyinbirdofcompletely thedesired the create letter,distorted order to shaperich the ofthe letterandis of part the formed other the byvertical the f6r unusualbirdinin manuscript. depictions other the increatecompletely desiredthe distorted order to shape of t f3r partformedis other by the implymaypeacock representationofthepeacock, increatecompletely desiredthe letter, distorted order to rich shape theof the ofelaborationbirds‟ tail f2r seven from linesto two oftext. initialsZoomorphicpeacock with initialsZoomorhicmotifand peacock eaglewith animal initialanthesubstitutes whereon and those of body the where those on divided be can manuscripts Budapest in initials Zoomorphic Zoomorphicinitials depiction underbrownwashes of color face floralTheislipswith ornaments). flatelongated nose, strengthenedthinbyofare red stroke the f26v - - - initial “H”, accompanies a lectioninitialaccompanies“H”, ina Holy ofHoursthe theforms Trinity, eaglepart depictionone initial«G», accompaniesHolyinof theantiphon an Hours isbody theTrinity, the birdof the in - -

- - and strokes of red - initial «D», accompanies a prayer ininitialconfession,«D»,accompanies related prayers formsprayer eaglea to part depictionone initialinlection«U»,accompaniesBlessedof Hoursthe thea initialin“O”,Johnprayeraaccompanies honour of the St. Evangelistthe initial“I”,accompanies inhonour ofhymnVirginVirginaofinMary Hours the the Mary, the itiallectionaccompanies«S», ina Holyof Hoursthe body the birdofisthe Trinity,the initialhymnMaryaccompanies«S», in honor ofinSt. a Virgin of the Hours Mary,the the the resembles - figure set figureset

those on ffon 69vandthose of 4r

frontallyraisedwings.“O”initialwith This initials to corresponds typologically color color art is art formedletterbyvertical the stemof the interlacing .Theholdperson sare on smallcheekthewell.is into Thehair asstylized visible curls

ply the representationofthepeacock ply - eaglemotifform“S”,“H”,initials“G”, “I”,“O” “U”and comprising

pattern the complete body complete the animalofinitial.ofthe the makes part one

color

s a thin cross, executedink.in thin brownsacross, The whole

s eagled

stem of the letter stemofthe epiction forms one part formsletteroftheand part epiction one the he letter, itletter,hehas aggressive contour red

Virgin Mary, eagle depiction formsVirginMary,eagledepiction

329

CEU eTD Collection bodyits of part thinnest the around enclosed belt a of kind a has animal the letter, the of shape the creates ring, 90r fol. legformandis “D”line oneletter extended to the of the letter the ofspace empty the in isanimal the of headtheletter, the ofform shapethe to inorder curved 74v fol. withlaceis with decorated composed and and palmette beak bird headwith hooked 70r fol. 57v fol. pawsfronthisand highalmost backverticaltheare abovein paws position. 51r fol. formspartinitialthat right theof the“A” 47v fol. d increateis initialcompletelyorder to shape thehasof distorted the“S”,dog withthe belt a decorated 32r fol. formedbylacesand 30r fol. tail. letter“b”. part is Heof the letter, bitingvertical the isstemwhich ofthe its prolongation theactuallyof r 17 fol. ringanditswhereofbelt,marks whichasome kind point body the becomes thinner 9r fol. displayandmovement dynamism. depictions Theindog usuallydesiredhighlycreateaare order to letterform anddistorted of the m initialsZoomorhicd with initialsZoomorhicd with ots and forma ots from triangular mouthits protrudes anuscript. There are elevenThereare fouranuscript. fromseven oflinesto them comprise they and of text.

, initial“S”,curved the , bod , initialb “D”, dog , the - - - - - inisitsa profile withdepicted backhumplong oninitialneck dog athe, the and “D”, - , initial with, dog isthe“B”, longcreateextremelyneck in curvedcompletely to th order

initialdoconventional“L”,the ofdepictiona initialelaborateddepictionmostthe “S”, inof manuscript, bodywhole dog thethe adog of the

initialwithdog the “O”, veryainitial itsbody biting tailelongated the“O” substitutes initialisindog “A”, representedfrom profile anmouthhis andprotrudes initial “S”, the distorted body of the dog depicted in profile, with profile, in depicted dog the of body distorted the “S”, initial initialbites its“D”,formsround dog apart the letter oftail the “d” andis part and upper the the birdthe og motifcategory numerousmost isog thein initialsof zoomorphic the motif og - heads with long and hooked beaks headslonghooked withand itingits“D”round part thetail letter of therepresents part and upper the ycreates “S”,it letter longhas dog theof the bya enclosedneck red a

g ing movement:standsacrobatican dog on the

a long neck enclosed by a a by enclosed neck long a interlacing

pattern pattern nd totally ndtotally

e rounde 330

CEU eTD Collection They foundmanuscriptthe on: throughout are initialsOncefishitthewherethe substitutes motif contains 55v, th (ff fromtwo Thevertic (ff44v,54v) 10r, changethe of pearl centralornament, the node, “forked”andthe ornament semithe interplayandsuchas the birds longbirds fillinhooked with beaks,with of the formsextensiverepertoryinnumerousmanuscript Apartare fromof ( Budapest featurestypical the Initialsfromcomposed longbeaks motiveshookedand of bird with heads Initialsmadefrom manuscript. the one with manuscript naturalist certain a animal the the to in birds of examples gives it and longer even is previous wing the that suggests and in curls wing the offeather biggest The as difference. way same the in treated is green) different of feathers withwing elaborated richly and blueis bird the of body the without left neck, the of end the at ring the and neck long neck, the of beginning pawsbird ofandbirdtheis the that d the see we that manuscript the in time first the is It space. marginal the across strolling depicted is It manuscript. the of date early an such for outstanding realism, extreme an has bird the of depiction The peacock stylized common from differs and naturalistic quite is bird the of depiction The flower. lily stylized and volutes from composed ornament filledwith is created thus shape “triangular” en round is letter the of part ornamental The bothon components. part is“d”uncialofbythe substituted initialThe visual birddepiction. the theheavily quality of relies part leofThe theround r 71 fol. zoomorphic Unique ornamental / in manuscript Budapestinitial - initial“D”, - partitestylizedbyvolutes or ornamenttriangular form.attachedon two al stem of the initials in Budapest manuscriptinitialsinisstemofalBudapestthe itat formed straightisbase,either theeither color

,initialsmanuscript theseinoccasionallyBudapest inheadhuman acontain profile interlacing

tter “d” is“d”withluxurious a represented andtter ornamentalthe upper structure the inter lacing , decorated with pearldecorateddark on with the, backgroundornament and ic tone which differs from purely stylized wings of birds elsewhere in elsewhere birds of wings stylized purely from differs which tone ic

pattern executedin pattern bright epicted in movement. Ithasin yellow movement. head,epicted ringbeak,blue red the at

circled by a wavy line and divided in four parts. Each Each parts. four in divided and line wavy a by circled

color s and decorated withsand decorated in birdanheads

- e middle initialofthee part “E”) mark protuberancesthat curved g of empty spacesofwithempty g color

s ( blue, yellow, red, yellow,red, blue, ( s color - eagle mo eagle . The whole whole The . tifs. tifs. 331

CEU eTD Collection 54r blueandfffoundwashesand on Theseinitialsinoutlinedwithare and floral red decorated stylizedTheyfilledforms. withare orange Smallinitiaornamental 74v 51v “S”,and 23v fol. 2v, fol. lackandTheycontour.foundmanuscriptof red the on: throughout arethe smallinitialsinkin executed fromfoliageThe forms. composed differencered stylizedinis size the interlacing initialsOrnamentalfrom composed initialsOrnamentalfrom composed Ornamentalinitials “A”, “P”, “A”, 55v 50r 47r “C”, “B”, “O”, doubled, 4r fol. , - - - - - initial“B”, initialinitial“B”,“E”, initial“C”, initial“C”, initial“E”, 55r 68r fol. fol.43v fol.27v fol. 24r fol. fol. 73 r 73 fol. 62r fol. -

initial “B”, , initial , “S”, initial“S”, , fol.44v fol. 12r fol. 59r

initialscontainlack birdheadsofthat the - - - - - , initial“U”, - initial“N”, initial“S”, initial“B”, initial“P”, initial“D”, 61r fol.56v fol. fol. 93r fol. 52r fol. , initial“S”, , - initial“D”, ,

fol. fol.5v 65r 51v fol.24r

, 7r ls outlined in red inkinls outlined red - - - - 66r initial“D”, initial“A”, initial“A”, initial“U”, fol. 68v fol. 28v fol. 25r fol. fol.44v , initial“D”, , - fol.91r fol.63v initial“N”, fol.48r , , initial“Q”, , 67r fol.49r fol. 12v fol. - , - - 2r - initial“Q”, - initial“G”, initial“C”, - 68v initial“B”, initial“D”, initial“P”, - , initial“A”, interlacing interlacing fol. 96v fol. 59v fol. 58r fol. 52r fol. 3r , initial“B”, , - , initial“I”, fol. 10v fol. fol. 7v fol. 69v , 4v fol. 28r fol. , - 2x, - - 74r , initial , “R” -

initial“C”, initial“D”, - initial“C”, fol. 30v fol. 25v fol. fol.69r fol.45v initial “S”, fol. , initial , “F”, fol.94r

and stylizedfoliageand formsvery either similar are to stylizedfoliageand forms 6r , fol. 48v fol. , initial“E”, , fol. 13v fol. 103v

, fol. 50v fol. 64v 6v - - - which iswhichofonly differencethe point eitherthe to - , - - initial“D”, , initial“T”, initial“M”, initialinitial“B”,“D”, initial“H”, initial“X”, 8r 106v -

initial“D”, fol. 58v fol. fol. 54r fol. fol. 61v fol. - , fol.8v initial - 9r initials“B”“C”,and fol.11r, , , fol. 39r fol. 107v 11v

“D”, - - - , initial , “M”, initial“L”, initial“D”, initial“B”, fol.31r fol. 70v fol. , fol.26r fol. 65v fol. , fol. 95v fol. 12r 108r fol.49r initial“D”, , initial“A”, , fol. 14r fol. , 16r , - -

- 108v initial“I”, - initial“D”,

- initial“I”, initial“T”, initial“ , - fol. 60r fol. initial “B”, initialinitial“B”,“B”, 16v fol.54v fol. - fol. 46r fol. initial“G”, fol.63r , fol.51r 109v 21v fol.

, 10r 18v fol. 43r fol. D” - - - fol. 31v fol. initial “I”, initialinitial“I”,

- fol. 26v fol. initial“P” , initial“I”, , initial“Q”, ,

fol. 71v fol. initial“B”, fol.67v 20r - , initial , “O”, initial“L”, fol. 15r fol. , initials“B” , , 23r - - initial - initial - initial initial , 53r - fol. fol. fol. initial fol. fol. , 332

CEU eTD Collection v f19 Thedominant with decorated also is it one: upper the to similarly decorated is part lowest The blank. left is it and smallest the is part middle The pearl andyellow) andgreen red, isThebiggestand aninupper divided one consists of compartments. the three form rectangular upper the and head bird of motif the with decorated base the from consists letter The f5 verticalstemrectangulardividedand upper inpart thefilled and compartments with Geometric Geometric insertingandthe o use appearance veryearliestinitialsisthe close to facttype, innovativethisthe that isof unusualtheand lacebeak withbitingformparthooked theinitial upper the of the“D”. Inspiteo letteris ofthefilled with letter“D”. part centerInof thethe o informThesquarerhomboid which three with 72r fol. isblack Thenot background fillingforgolden but as withusual pearl ornament isfrom It formsidesfour rhomboidcomposed byfilled the laces entangledon withand pearl or 30r fol. suchinitials: Thereare two isfilledwithin pearl ornament matonella”.Italian“a to referred initials scholarship as intersectedLuxurious initialstypeof offormedout squares,concentric circlesand initialsLuxuriousintersected squareandwith mattonella”) “a circles(initials Geometric r

- of this type of initial for letter“d”ofinitialtype thisfor (thisof initialtype initials is of“O”) forotherwise used exclusively initial“I” - initial“I” , initial“D” , initial“O” ,

“I initials initials - initials”

color

f the motiffbirdthe head. of

s are red, bluesare red, yellow.and

typical for manuscriptscomposedinare for typicalwritten from script Beneventan the interlacing

interlacing decoration. It is outlined in brownin outlinedis It decoration.

fsquarethe is there smallyellowaThe inner square.whole space pattern. Twolines, with onepattern. floral motifbirdhead withoneand

pattern and pearl decoration and fil and decoration pearl and pattern

- petaliseachloweraon ornamentcreates insertedend color . The background is “golden”. “golden”. isbackground The .

led with “golden” with led interlacing - brown. fits inte interlacing geometric rlacing

pattern (blue, (blue, pattern

pattern, pattern,

nament. nament. pattern. color 333 .

CEU eTD Collection beneventana diBudapest e miniaturala pugliese 89 de 2008.: international, Leykam Zagreb: context). script Beneventan in written “ b codicidei in initials.”decorated on stress special 193 2001): Pannonhalma, of Archabbey 16 1985): ed. Académia, Csaba, Tudományos Csapodi, 1968. Zadru, Zadar,” in GrgaZadar),ed.Mary Novak in & Vjekoslav Maštrović, 123 conventthe of Mary). Saint In Bibliography the supposedlyprocess greenof face)the thebrownthat andcontoured hair. to due (probably face silver neck, its around foliage green has it profile, in depicted is It placed. is head human of motif a initial the of part lowest the In yellow. is stem the of end The red). an is there stem vertical the of middle the small a meeting their of left. stylized the bird a form, of motif a rectangular and blue) (brownish, of right the on top are forms foliage the On ornaments. pearl and blue) and (orange lines crossed pink by outlined (the decoration pearl and There r f44 brown.and contains one upper the and red in outlined and empty loweriscompartment compartmentsThe in lowercurved in andrectangularpart. shape the divided two the placed is which of middle the interlacing in red) (pinkish stem the of consists letter the of part lower The be created. ornament to ofthe the highlyisdamaged, letter This Sanktorali beneventanskih rukopisa dalmatinske provenijencijedalmatinske rukopisabeneventanskih Sanktorali The lower part of the rectangular form is curved and it is supported by a vertical stem. At the place place the At stem.by vertical supported is a it andis form curved rectangularof lowerthe part The - interlacing ctangular form is divided into three parts. The largest one is decorated with isan decorated Theonelargest into parts. threeis formdivided ctangular initial“I” Journal of Croatian Studies

: Marijan Grgić. "Dva nepoznata svetomarijska rukopisa u Budimpesti" (The two unknown manuscripts frommanuscriptsBudimpesti" two(Theunknown svetomarijska "Dvau nepoznata Grgić. Marijanrukopisa : atr. The pattern. eneventanadellaDalmazia esecolo”. XIXIII tra

color ornament, only dots around“golden” which ornament, only dots

and filled with “golden” with filled and

- interlacing color text and image relationship). in in relationship). image and text Kulturnabaština samostana color ae ik bu ad re. h upr at f h letter the of part upper The green. and blue pink, are s - Annual of Mediaeval studies at CEU at studies Mediaeval of Annual 19. is it narrowest, the is part middle The green). and yellow red, are s aaou cletoi cdcm aiou e Graecorum. et Latinorum codicum collectionis Catalogus 9 - - color 10(1969): 41 194. Rozana Vojvoda. “Većenega‟s :”Book of Hours”: A manuscript study with with study manuscript A Hours”: of :”Book“Većenega‟s Vojvoda. Rozana 194. aaiu plantavit Paradisum

pattern is created (orange and blue laces and pearl ornaments). In In ornaments). pearl and laces blue and (orange created is pattern

is faint and there‟s no “golden” background in the empty space space empty inthe background “golden” no there‟s and faintis ll‟XIsecolo”. interl - 105. - 132. Zadar: Inst color acing Emanuela Elba. “Lungo le rotte adriatiche: il Libro d‟Ore in in d‟Ore Libro il adriatiche: rotte le “Lungo Elba. Emanuela

sveteMarije u - 227. Marijan Grgić.227. “The Eleventh century bookIllumination Ctlge f h ehbto (Pannonhalma: exhibition the of Catalogue , Segno e testo Segno e . ailgj / utv u kontekstu u Kultovi / Hagiologija -

Rivistadi Storiadella Miniatura interlacing veza teksta i slike” (Sanctorals of Dalmatian manuscripts Dalmatian of (Sanctorals slike” i teksta veza The lowest part consists of red borderlines, two two borderlines, red of consists part lowest The pattern as well (the laces are yellow, green and and green yellow, are laces (the well as pattern itutJugoslavenske akademije umjetnostiznanosti i u

color Zadru 8 (2002): 9 (2002): 8

4 (2006):107

pattern with laces made in green, red red green, in made laces with pattern s should be put in order forin pearl the sshouldbe order put (The cultural(The heritage - head with hooked beak is on the the on is beak hooked with head -

37. Emanuela Elba. “La decorazione“La Elba.Emanuela - 147: 147: 135

12(2008): 45

- (Hagiology / Cults in in Cults / (Hagiology 137. interlacing

ofconvent of the St. Bdps: Magyar (Budapest: RozanaVojvoda.

consists of a a of consists

Bene 55 chemical chemical

pattern pattern dictine 334

CEU eTD Collection inaddition fol.183v fol.140r fol.123v fol.115v.123v fol.21v fol.4 LITURGICALSTRUCTURE: fol.1r SCRIPT: quaternions. are 194 written text foliosofparchments codexareof the ismanuscriptinTheboundcoverscoated wooden in blueskin CODICOLOGICALDESCRIPTION: DATE: monasteryprovenanceMary proofto relationshipis andthe of Zadaranother of origin.St. andscript ornamentation to Mary,iscongregation say of St. that house a to bishop,prior emperor,pope, city,offorthe abbessthe U. manuscriptsisZadarprovenancevisiblefromthe o of data PROVENANCE: SHELF Evangelistary LibraryBodleian OXFORD

r - - 21v fol.v, fol.3v,fol. 2r, 106v - - saec. XI ex saec.XI - 115r MARK: MS. MARK: - - 183v 195v fol.140r Bariofscri Beneventantype - Gothic script: Gothic

pericopesofChristmas period The ruling isThewithrulingdone - pericopesofLent - -

- pericopes of Pentecost periodand pericopesSanctoral ofPentecost Exultet with neumsExultet Common of the saintsofCommonthe 285/6x 190 -

pericopesperiod ofEaster - 197x 95

(folios are marked(foliosare 1 Canon. fol.1r

MS.Canon. Liturg.

- mm, 100 mm100

Bibl. Lat.61 Bibl. - v, fol. 2r, fol.v, fol.fol. 2r, 106v 3v,

108v, 196r 108v, itislinesin longwritten (19

hardpoint

. pt The manuscript The

196, 114 andcounted196, The 174 dimensions twice). ofthe

- on hairside. of nuns dedicated to St. Mary.ofSt.nuns to Theindedicated resemblance Gothicscript 277,whi isfromcompleteand apparently composed 25 ch also hasinternal also chof Zadar evidence

(that isVekenega) (that Vekaor nfol. 122v,

108v,196r

with goldenwith orname lines of text) andlines itconsists of text) of where - v

prayers are offeredf are prayers nt

. . Thedimensions andthe

199 or the or 335

CEU eTD Collection fullJohn62v,asfigure represented 136v,and138r)64v,55v,66r,59r, (51v, oncein casethe thewhen evangelistsaswellindepictedas busts are zoomorphiccase thesymbols as ofexcept t anthropomorphiczoomorphic or representationevangelists.ofthe The anthropomorphic thesymbols of 67v,136v,138r, 191v 62v,64v,66r, initialThismanuscripttypefoundbefourteen intimesof a can on “I 187v,189r, 192v,194v 192r, 183v, 186r, 153r,162r, 156r,154v, 155r,164v,167v, 173v,164r,174ar,151r, 183r,175r, 170v,174br, 171v,173r, 58v,82v,84v, 42v,53r, 8r,7r, 16r,5r,14v, 15r,8v,ff12r, 17v, 19r, 17r, 25v,4r, 28r,21v,24r, 30v, 31r,29r, 37r,34v, 35r, Theyfoundbe can on: at interlacing initialrectangularspace.The upper part into of twothe is compartmentsfilled or three divided with oftencomprisecolumnof theheight whole the oft Geometric “IGeometric 189v,190v,193v 188r, 165v,168v,169r, 169v,160v,172v,177r,162v,175v,165r, 179r,177v,178r, 176r, 184v, 181v,184r, 127r, 141v,127v,142r,135v,137r, 125r, 146r,144v,145r,156r, 150r, 149r,158r, 157r, 158v,159r, 9v,10v,11v,7r,12v, ff3v,2220r,4v,13v, 6r, 18r, yellow.Theyfound be can on: longwithbeaksbeaksdecoratedhookedand representations insometimesof anddogs, blue, red, “I “I “I DESCRIPTIONOFTHEDECORATION “I - - - - the top, andthe iswhichverticallace top, stembymotives to a bird usually andentangledattached. are dog initials” initials”fromwithcomposed interlacingvertical stemtopped pattern initials” - initials” without the symbols the initials”without evangelists ofthe initials” with the symbols initials”withthe o

“I pattern and Thepattern pearlrectangularis flankedornament. floralpart sometimes with ornament withzoomorphicanthropomorphic andsymbols evangelists the base placedonof made frommade vert a - - initials” initials”fromvertical rectangularpart composed and upper stem

typical for Apulianfortypical Dalmatianandin large evangelistariesare size;verythey

94r,123v,131r,124v,103v,109r,135r, 134r, 133r,140v,147r, 140r,129r, icalwith stemtopped

f the evangelists fthe

and represents a synthesisanda represents of already discussed

interlacing he text andmarginal hesometimes into text extendthe v, 24v, 26r, 27r, 54r,32v, 70v,39r,71v,v, 83r,24v,26r, 63r,

pattern are adornedmotivesare with pattern birds of ff45v,51v,55v,44r,59r, 38r, 36r,

“I he symbol ofSt. - initials”

and theand 336

CEU eTD Collection John):and St. Misplacedevangeliststhe placed Matthewsymbols (animaldog of readings the to byresembling St. temporum 17 Marc6: fol. 166r, Mark: Thezoomorphic symbolsof St. 26 186v,Luke14: secundumbyhand),fol.mattheum later 1 159v,Luke16: pentecostemprimapost inIII quadragesimadominicampost 11 Lukefol.15: 40v, Luke:Thezoomorphic symbolSt. of Laurentii ecclesieunitate 44 6: 20:1 passionis I dominicam fol.65r fol.10r John:Thezoomorphic symbolSt. of John,appearszoomorphic eleven symbol St. that of times Theyfifteenlinesfivefrom most writtenofcomprisetheto The frequent representationis text. the 153v, 47v,50v,65r 40v,44v,47r, Thereare twenty Antropomorphiczoomorphicand sy letteraby profilelaceto attached ( a interlacing casesthree symbolthewhen ispl symbola Lukeox, (191v).is They usuallyareSt. depicted of on placed - - 9, 9, 52, 159v,161v,163v - - sabbatoalbisin John1 7: John1 1:

feria

(after pentecost), fol.(after 47 20v,Marc6: pattern (fol.67v,Sometimes pattern 136v,191v).initials motifthese heads humanthecontainin of

quarta quatuorquarta temporumpentecostes , fol. 161v , - - - seven initialsseveninandmanuscripttypefoundthis be they of the canon 13, 13, 14, - 33 - - 29 feria terciadominicampost Iferia passionis 32, innativitate domini promartyre pontifice , fol. , 69r , fol. 57 153v,Luke, 1: , , fol. , 139v decollatioiohannibaptistae 166r, 186v 166r, - sabbato postsabbato indominicam quadragesima II Ma , 68v, 69r, 129v 68v,69r, tth. tth. - John10 12: aced on I on aced 12:46 - John 15: 26 John15: . mbols of the evangelists that substituteinitial mbols that theevangelists“I”of the

, fol. , 44r, 45v,51v).44r,

- 50, ,fol. 33r 132r, Luke 5 132r, 11: - initialfromverticalwith composed stem topped and -

, septem fratrum 36, 36, 130r,138v,139v,142v,143v,144r 132r, - - 68 27, 16: sabbatoIpas dominicampost - 56, In nativitate santibaptistaeIn nativitate iohani - feria VI quatuorVI temporquadragesimaeferia

, fol.29 Matthew148r,20: , sabbato post cinerespostsabbato , fol. 144r , - 4, -

dominica postdominica ascensionem 9, - , fol. 163r , 13,fol. 36 148v,Luke6: dominicapentecostempostoctava fol. 68v , - Johnand17:1 11 - , fol.38 Luke47r,4: , John24 12: - John 11: 47 John11: geometric

sionis - 34, - - 23, 23,

26, - initials except ininitials except 54, 54, , fol. 130r , - sabbatoIIIIor

42, (mistake missavotivepro , fol. 142v , ,148r Insancti feria sextapost feria ff10r dominica

44, ,

, 148v, - - 20v,33r, written written john feria feria V , fol. , - John

337

CEU eTD Collection backgroundfromdifferssubstantiallyentire the orn initials.Beneventandecoratedwithbodythe largeletter leaves However, of dark the acanthus on initialthe its headdecorativeasbeardasthebasewell pointed at with repertory the resembleto of fol.188r snakeheadseachsidestem ofon the placedTheexisting there. I lines itbecausepossibilityhas later been that arrangementadded with the textof theleft by space empty first fol.146r Unique representingfol.Supper. Last 106r the bodywasilluminatoralso responsible revealsame the forthe free miniaturethat onlycodexof the on curlsin round drawinghairhisexecuted a as on well shapehand. Square head,his betweenbigof distancerightwithside, the pupil eyes theset to small fo similaritygreat bustandwith depictions fols.ofthe36r 45vof onevangelists sameof themanuscript lefthison ishemantlein shoulder, dressedgreen red and lips,cheeks eyes,red is halohis framedred andin golden and red makinghand,gesture of ablessinghis iswithfacehisin other outlinedhas he green, almond fol.50v andunconvincing are flowbody postures of drapery framedinrelatesleafwhat and this red, to depictiondepictionfol.Matthew the on evangelist of44v the scrolllefhis(golden)and eyesalmondare fol.47v inblueholdsandtunic red his istext, faceinbeardedoutlinedishelong withbrown green, in hair outlined ishe hair, red dressed fol.44v Theanthropomorphicsymbols th of crucis 16 Matthewfol.28: 129v, l.138v below

- - - “I - - Joh St. John St. Matthew St. - executedlater.onlycrossed andin Two drawing certainly heads animaladded top the o at thisI St. Mark St. -

initials” In illo tempore illo In - initialfitdoesn‟t that n - - - shaped, his forehead elongated andforeheadshaped,hisin he elongated cheeks, has red hishand holdsheright a the evangelist isin frontal evangelist thedepicted in holdingpositionscrolllefthis a hand and ismantle,is inevangelist facehisbluetheindressed and outlined tunic his red green, - depictedfrontallymantle inrobeblue holdingand in red leftdressed hisGospel a

- the evangelist is depicted inisevangelistthe three depicted t hand is raised inishand israisedblessing,gesture ofhis theEastern t filled halo gold with -

20, - mantleinhandshis suggests that asuggests that initialverticalisin bystemlacedensely composed entangled two with feria VI octavaminfraferia paschae e evangelists:e

to categoryto of

geometric

“I amentalcodex. repertoryofthe

s the nicelysthe anatomicaldone of the disposition initialrectangularwith par - initials” - quarter position, fromwithquarter headhis turned the - blue tunic, the bluefigureof thetreatment tunic, reveals , fol. 143v,John, 44 12:

throughout manuscript.the Thereis throughout a , hair long and stylized inhairfallslocks,long stylized, and t should t havebeen

- 50, 50, insanctae - shaped f 338 -

CEU eTD Collection H,fol. P, 121r fol.118v (fol. strokes 116r “105r sometimesbitinglacesbirdheads 7v the (fol. fifteenandlinestext they fromof either are composed ismonogram smallVD, quite expectascanbe initials,Thenumberisofthat other other than I Otherinitials Christ laces.middlebirdheadsis bitingInthethe structure the there circlerepresentof aa with monogramisThecreatedbyquatrefoila structure dense fol.117r lowerand part upper of t bird movement, heads and semiintersect formedby instructures middlethat motifscurved two in thecontain and of dogs fol.115v ofExultetforDecorated“E” beginning and monogramthe forVD Vere dignum inofarmsJesus. the l armscovered and hands both theistake givenApostle objectto byon very Peter Jesus.the situated tableof the withright isinwhomiddle situated apostles isamongst theother tableof the leaning bodywho hisand withand withkind itofspoon) pieceandof thebread is he the on across reaching table suppedaneumwithandrollin thehishand lefthis(some hand. holds In heright elongated object an (andhalo) no iscross seate aroundapostles set sigmaare identifiedthefishes. plates tablewiththree shaped Jesus with with the Johnon contours face apostlesthe ofChrist, two The them).andiconographynear isByzantine,the linesitandcomprisesisin 9 ink executed of withtext no InVekenega‟sfol.free isminiatureEvangelistary 106r withthereSupper. depiction ona the It of Last FreerepresentingLastminiatureSupper - - A the lamb.inthe lambithalo.isTheholdsno profile,and depicted cross hasa ”, fol. ”, 114bv - - - a monogramwordsfora VD H, N, O, O, O N,O,O, H, initialfor “E”beginningcomprisingthe full leofthe Exultet -

A, 5 x F, O, fol.x A,5 O, F, 121v - E, G, L, fol.G,L, E, 116v egs placed on suppedaneumplacedon left thesideegs on isand resting apostlerepresented John

- “P”) , f heletter ol.119r or they are simple initials decorated withinitials or theysimpleandarestylized floral decorated pen ornament d at the leftat d theside intableofthe three interlacing

- O, H,H O, - Q, U, P, fol.P, U, Q, 117r - Veredignum S, O, N,O,fol. O, 122r S,

pattern as well as the motifaswellin pattern headsashumanthe the set profileonof , fol.119v

- “A”, ed ined Theyevangelistary.an from to two comprise - initials .

fol.15r - M, I, S, Q S, I, M, - D,G,S,D,fol. 117v interlacing “I - interlacing color initials” - I, F,I, fol.P,I, 122v - “C”, fol.“C”,152r

- added (excadded , f quarter position legshisquarter with on

ol.120r , decorated E forand decorated E Exultet , pattern in pattern bright

pattern andmotifspattern withofenriched ngth of the page. The letter isThength letter page. ofthe - - A, A, C, V,A,H A, C, ept the ept traces ofgreen “F”,fol. 103r - T, Q,H T, -

M, R, f R, M, to pass itJudas,pass to to over

color ,f ol. 123r ol. ol. 118r ol.

sand ,fol. 120v - ationof “E”,fol. - - N, P)E, H,H, H, - D, D, 339

CEU eTD Collection DATE: alsomanuscriptconclusionthismonastery that belongedinMary the to ofSt. Zadar. manuscriptBibl.61,aCanon. relatedLat. to Benedictine the monasteryinMary enablesof St. a Zadar theseinsaintsStrikingespecially are venerated Zadar. resemblanc position prominent AnastasiaisSt. givenDalmatianthe 72v), into (fol. is town questionZadarsince Chrysogonus( hagiographicAccordingthewhom firstto martyrto theis evidence: prayerisa addressed St. inversesneumedadded 12 cent BenedictSt. to fols.72r on PROVENANCE: SHELF Off LibraryBodleian OXFORD secolo”.dell‟XI 107 Elba. Emanuela Zagreb Čika). abbess the of Hours of Book Ages). Middle the in Dalmatia and Italy southern ofilluminations the about (Notesveku" srednjem u Dalmacije i Italije juţneiluminacijama Zadar”. in Illumination Book Century Eleventh “The Grgić. Marijan 1968. Zadru, u umjetnosti i znanosti JugoslavenskeakademijeInstitut Zadar: 227. In Mary). Saint of conventu Marije the from manuscripts unknown two (The Budimpešti" u svetomarijska"2Grgić.Marijannepoznatarukopisa 1965. Belgrade, University Philosophydiss, ofD.in Ph. c.). thirteenth 11 od Dalmaciji slikarstvou i skriptoriji notes). Zadar oldest 49 (1962): 51 JAZU Starine illuminatoriae. artis 5 Notae Evangeliary). (1962): 51 JAZU Starine c.). paleographicae. twelfth the until eighth 39 (1957): the 3 from Zadru sourcesu JAZU historicalRadovi Dalmatian of category (Unused stoljeća” dvanaestog do osmog 1929. Press, Clarendon Beneventana of type the to regard special a with 1914): so the 43 of (1909): history 11 Studies Theological of Journal Exultet”. of Itala Vetus LXXII 1913: c, & Lond London: Oxford. library, Westwood. Bodleian Obadiah the in MSS musical Latin oldest the of some Clarendon1914.Press, Oxford: Madan. Falconer Bibliography: - iciae et preces et iciae 4. mnea la “ug l rte ditce i Lbo ‟r i bnvnaa i uaet l mnaua pugliese miniatura la e Budapest di beneventana in d‟Ore Libro il adriatiche: rotte le “Lungo Elba. Emanuela 147. re situated in situated re ismentionwhich Dalmatia, visiblebyagain fol. ofinonDalmatia 150v the the 151. Viktor Novak. Scriptura beneventana s osobitim obzirom na tip dalmatinske beneventane (Beneventan script (Beneventan beneventane dalmatinske tip na obzirom osobitim s beneventana Scriptura Novak. Viktor 151.

Zadru - saec. XI ex saec.XI MARK: MS. Canon. Liturg.Canon. MS. 277 MARK: .

asmls f ot Iain n Dalmatian and Italian South of Facsimiles

(The Rivista diStoriadella Miniatura “La decorazione dei codici in beneventana della Dalmazia tra XI tra Dalmazia della beneventana in codici dei decorazione “La t Iain minuscule. Italian uth fol.69 Summmary catalogue of western manuscripts in the Bodleian LibraryBodleian western manuscriptsthe Summmary in catalogue of Prilozi povijesti umjetnosti u DalmacijipovijestiPriloziumjetnostiu Radovi Instituta JAZU u Zadru u JAZU Instituta Radovi aegaha ar pictoria sacra Paleographia cultural heritage cultural

The manuscriptintendedThewas

: - o. , XI. itr oa. “Nei Novak. Viktor LXXIV. 2, Vol. 69v), St. ZoilusSt.69v), list and the (fDoctors of completes Confessors 71v)the and - th Edward WilliamsByronEdward ora o Journal 72v.Thenames found inSlavica calendarofclearlyobits the the suggest

century Beneventan hand.Beneventancentury Dalmatian Beneventan script). Zagreb: JAZU, 192 JAZU,Zagreb: script). Beneventan Dalmatian - 94: 52 94:

of the convent of St. Mary in Zadar), ed. Grga Novak & Vjekoslav Maštrović, 123 Maštrović,Vjekoslav &Novak Grga ed. Zadar), in Mary St. of convent the of

- xod Caedn rs, 1999 press, Clarendon Oxford: 13 Cota Studies Croatian f - - - tog veka (Beventan scriptoria and the painting in Dalmatia from eleventh untileleventh fromDalmatia in painting the scriptoria and (Beventan veka tog 55. Viktor Novak. "Većenegin evandjeli "Većenegin Novak. Viktor 55. Zadar: Hrvatski drţavni arhiv, Kršćanska sadašnjost, Matica Hrvatska, 2002. Hrvatska, Matica sadašnjost,Kršćanska arhiv, drţavni Hrvatski Zadar: - 9 Bak Tlbkvć easi "eeei eadeitr(eeea s evandjelistar"(Većenega' "Većenegin Pecarski. Telebaković Branka 49.

12(2008): 45 Lno: . mt, 1843 Smith, W. London: .

12 - 13 (1965): 269 (1965): 13 Nicholson.

for useofthe Benedictine nunsasin visibleprayer the

21 ( 21 aucit fo te it t te orenh century fourteenth the to sixth the from manuscripts

- 1980): 172 1980): kršaaa aeoia amtnkh itrjkh zoa od izvora historijskih dalmatinskih kategorija skorištavana 55. 9 -

0 16) 41 (1969): 10

Early Bodleian Early - 60. Marijan Grgić. “Najstarije zadars “Najstarije Grgić. Marijan 60. - -

353. Branka Telebaković Pecarski. Beneventanski Pecarski. TelebakovićBranka 353. 54. (first published in Oxford at Clarendon Press in in Press Clarendon at Oxford in published (first - 196. Marijan,Grgić.196. la Aey Loew Avery Elias - e of MS. Canon. Liturg. 277 Liturg. MS. Canon. of to eMS. 5 n. 9 Hny aro Bnitr “The Bannister. Marriot Henry 29. no. 45: - 132. e XIII secolo”. XIII e

Music star"(Većenega' s Evangeliary). Note Note Evangeliary). s star"(Većenega'

0: 37 0: oak Mkioi. Blše o "Beleške Maksimović. Jovanka at Oxford at utra atn smsaa svete samostana baština Kulturna , III, Introduction to the study of studyIntroduction the III,to , . Elias Avery Lowe. AveryElias . . Časoslov opaticeČikeČasoslov

The Beneventan script. A A script. Beneventan The

vol. 4, nos 16670 4,nosvol. Segno e testo e Segno

ke note” (The note” ke - L X. John XXV.

4 (2006): (2006): 4 Oxford: . Scriptura - 24330,

(The 340 -

CEU eTD Collection fol.154r carum.domina Tibi inclinamusnostrumAnimarum capud Imperatrixmonachorumsaluatrix et Sempersplendidecandet Quas……..abb HuniversusDalmatie populus “ fol.150v fol.147v fol.147r fol. Additions communionem 121v, fol.106r fol.58r fol.26r fol.20r (fol. LITURGICALSTRUCTURE: /saec.XIII XIV,fol. Gothic script 154r XIV),(saec. fol.Gothic 2r script fol.Ordinary minusculeXII/XIII), 147v (saec. Beneventanscript BarioftypeBeneventan script BarioftypeBeneventan script 142r SCRIPT: between153 between57 manuscriptcompleteThe parchments.is and not xmm,is135 100 inarelines itlongitandlinesconsists of text) written folios (13 of 154 of ismanuscriptinTheboundcoverscoated wooden in blueThe dimensions skin. greenish codex of the CODICOLOGICALD Laetabunda ac iocunda fatie iocunda ac Laetabunda 2r

1r - Commendationes fol.3v - - - - v,fol. 19r fol.105v fol.57v fol.25v - - - - - hymn inhonor theof Virgin Mary 146v antiphon“Salueregina” song mentioningsong andDalmatia abbess the 153v

BariofB type - 58, 87 58, - - 154) and 154) Theternion.withoneruling is done song in the honor inhonor ofVirginsongMary the - , 131v , - Different pr Different atissa ad honorematissaad Vision of the blessed PaulVisionblessedofthe Apostle - - The OfficeHolyof theThe Trinity for adorationthe cross ofPrayers the - - The Office of the Blessed Virgin MaryOfficeBlessed of Virgin theThe ( - v), fol.v), 4r - fourth 88, two leaves88, two between90 Amen. “ Amen. - 134v,

121v ESCRIPTION: eneventan script eneventan

hand (saec. XII), fol. 147r, fol. fol.hand 147r, XII), (saec. 150v ayerslessonsMarijanto Grgić(according and Oratio sancti Hildephonsi ad Beatam Virginem Beatam Mariam,sanctiOratioHildephonsiad - fol.18v,Calendar

128r, 128r, - - third hand (saec. XI ex),fol. XI 142v (saec.thirdhand secondhandex),fol. XI 104r (saec. -

3v,fol. 153v plusneums

Oratio anteOratio communionem

- v -

principal scribeex),fol.principal XI 1r (saec.

- - 91 and91 105

153v, 154v, lowermargin154v, fol. 153v, 105v of

itfrom ismissingleaves composed quaternions(with

Suffragia Suffragia 106, one leaf 106, one between146 hardpoint

, 128r , - 146v - 105v 65v - 131v,

on hairon side.

74v) Officium angelicum Officium Orationespost

- v,19r

- - 134v

147, leaves147, two v,4r - - 146v) 104r, 106r 104r,

106r

- 341 -

CEU eTD Collection 127v fol. depictionthefol. goldon only128v,the is medallion background the where not andmanuscriptin hashalohea depicted gold ornamentscover.ofbeardsHisthe facebrown,depictions hairare short and other to insimilar the lefthishehandcodexdepict holdsa redfourformed dots).makesHeof out signofhand ablessing withofright in hugea proportionsand isinThesaintblueandwith stylizedrobe fourhasdressed pinkdecorated pallium crosses(each 71v fol. anotherconsiderablyin depictionmanuscript,figure a fto Oxford the(see description 55r on above). initThe 57v fol. withinbrownoutlinedandwashesand andwithstressed are cheek neck red stainthe blue of bylocksisline,instressedofthe hair stylizedgreen aresame the way inheadmedallionthe fol.inenclosed profilea on in57v: contour theprofileof i the brownexecuted initialleg.inheadThea Theaidenticalis depictionattached profileto represents headof the to almost 55r fol. makescoverscodexandofthe signablessing withof handvery a big ofproportions. decoratedwithholdingbook aprobably stylizedthat dots form three represent richlythe of decorated in frontalTheofbust Christ isin positionmed set a 40v fol. layerbecausemanuscript the of initialmantle.Theblue initialslesvisualdisplays than quality humanin other with depictions the is“d” letter formedbyflorallineisHeends in wavy thewith that dressedornament. g in frontalTheofbust Christ filledisin positionmedallion set with a gold 20r fol. initialOne humanth with substitutes depiction in set “D”areletters formmedallions (fol.127v,128v,130v)and20r, and “O”(fol. 40v, 57v,71v). figuresHumanpartininitialsaremanuscript decorated ofthe the depictedasTheybusts.are they and depictionhumanInitials with DESCRIPTIONOFTHEDECORATION fol.154v - - - , initial , “O”,(previously“confessor” identifi - ialinhead inmedallionenclosed profile, filledrepresents a gold with ini initialJesusChrist“D”, initialinhead“O”, profile initialJesus“O”, Christ - - “Sortilegium” initialJesus“D”, Christ tial “I”, head in profile attached to a leginheada “I”, attached profileto tial

color

ed ined gold

isdamaged.

- - leaf. Themedallionbackground is leaf. ofthe red e letter “I” letter (fol.e 55r) leafwithand dotsfour decorated representthat the

allion filledallionwith gold ed as St. Zoilus) asSt. ed

- fivefilledcurved shapesround - - leafframe.doubleiswith He leafpart upper the andof the - leaf.headTheresembles - leaf).

reenand robe (alongwith color .

342 nk

CEU eTD Collection createletter to shapethe ofthe 22r fol. humandepictions., is“eyes”.inconsistencytail‟sThereno in ofapplication the peacock‟s elaborated intail bright executed details; attentionto depictionsdistinguished ofthearefeathers withpeacocks heads tinyon and blu green,red, nine linesThe(four birds to oftext). beaks hooked withwhosewith tails wingsand decorated are categorynumerous initialsof manuscript. zoomorphic Theyin initialsformOxford “I” “D”,“U” and initialsZoomorphicmotifand peacock eaglewith that and Peacock eaglemotif where completethethose body makes part animalofoneinitial.ofthe the initialsZoomorphicwhere bethose on initial bodydividedan thecan animalof the substitutes on and Zoomorphicinitials inwings gold depicted partformedbybymedallion upper the and depictionthe thein brightofbirdexecuted a makessignablessinghi withof in frontalinsideBust ofChrist medallionis positionfilled leaf,set frame.the withwithHe gold double 130v fol. Anastasia identificationSt. fol. (on 72v)the has to be withtaken reserve. supporteditSince isZadar.e.g. by not intext initialthetheaccompany honor theo doesn‟t prayer a iconographicalfoundAnastasiabasedmedievalon featureson Anastasia in other of St. depictions depictionblessingforms handof anthat p upper medallionblessing.Theforms part letterof the“d”round a is partin leftand upper there the the embroidery.holdsinhandSheher smallleft aright her cross withand handmakes gesture of a she (alsowithgarment iswithdots golden representbluered that edge) decorated richnessandthe indepicted gold Thehalf 128v fol. hand right makesformpart(diagonal upper ofthe letter).“d” cross uncialof the longwithbrown bustinA is frontalinsideof Christ filled positionmedallion set withisleaf.of the gold depicted He - - initialbodyinthe blue,birdof“D”, the red, leafexecuted green goldisand distorted - , initial , “D”,JesusChrist figure of the femalefigureisinsiofthe saintset initialAnastasia?St. “D”, e, gold e, -

leaf and outlined inhairleafisHer withcoveredoutlined red. veiland a her andedgegolden with hair, greenhair,and mantle robe blue covering leftholdshisin andshoulder his cross a

leaf different and - leaf holding a wavy red line inleaflineitsholdingwavybeak.a red

s right handletterThe proportions.is“d”roundof sright part big of the

geometric color de of the medallion filledmedallionofdethe with green art of “d”. The figure“d”.as St.art The of was commonly to referred s blue,green)(red, wit

ornaments are executedskillornamentswithare great aand

substitute belongsubstitute lettersthe mostthe to color

asitincan becasethe ofspotted hstylizedrepresentation ofthe

color . She has. halo a color swith in order ofthe 343 f

CEU eTD Collection 103r fol. juxtaposeddogsare Two inand theirmeet middletails the 92r fol. backgroundgoldenandoppositeof the turned t letter“G”isThe filledornamental withand gold 80v fol. thatismanuscript tailinthe animalthe of Čika‟s raised. “Vekenega‟s61)Canon. evangelistary” fol.Bibl. (MS. onLat. 129v. The convincinglymostThisstiffness. initialzoomorphic becan in to symbol compared of evangelist andturned is inThedog pawsitsencircled depicted standing longin profile, back with on a tail gold depicted 41v fol. andinterwovenlacesinitial.theytwiceincreatean areto with order initialsThedog with motif Dog createletter to shapethe ofbodythethe in createbird ofis the letterdistorted order to shape theof the 126v fol. gold and red alternategreen triangularspaceornament, the betwinfilled raisedistailheadthethe and with fol inholdsprofileitscircularabeak ornament 100r fol. letter“I”substitutes the 96r fol. likehead, spacethe raisedbetween thefilled is tailheadleaf the palmette and with gold itsblue,and withisgreen body red, itand decorated dots has red three a 82v fol. filledwith gold inthree 78r fol. in green,executed blue red, leaf goldand 52v fol. . 102v . - leaf ------quarter position quarter and initial “S”, initial rep “I”, the initialbirdprobablymostthe (feath“V”, peacock a initial“G” initial“I” initialbirdisinthe margi“V”, therepresented towards turned profile initialwith is“I”representationinthesubstituted in its ofeagleflower an with profilebeak, - -

- - initial withbird“I”, distinguishedthe peacock asa smallfeathers intail‟sstandsand eyes initial“L” initial “D”, initialinitial“D”,“D”, initialbirdisinthe “V”, represented it withprofileis raisedelaborate tail,decorated

towards the text with thetowards initialtext Theraised whole of thepaws. treatment possessescertain - leaf

- motivesthree comprise

resentationininofeaglean green, blueexecuted profile yellow andred, colored the body of the bird executedyellowbodyin the blue,isbird ofthe in red, distorted order

inandblue, itsgreenspace thered, betweenraised ishead tail and

- six linessixoftex ext. It has ext.It raised red pawsprotrudingandtongue. - leaf.Thehalf

ers on head, on elaborated tail)is ers represented t. Twice the dog motifTwice initialant. dog the substitutes - figure of the dog isfigure dog ofthethe placedon

- partite floral partite the on ornament

animal is identicalisanimal except nal space, itisspace, nal

colored

- leaf 344

CEU eTD Collection 68r 64r 49r fol. 42v fol. 34r fol. smallinitialsinkin executed that They withlackcontour.red difference they thered the found are on interlacing initialsOrnamentalfrom composed initialsOrnamentalfrom composed Ornamentalinitials 101r fol. letter“E”), part ofthe “R”), letter 25r fol. withandfilledwith decorated pearl birdornament headsfound are on: Initialsfromcomposed longbirdandheadshooked with beaks frommadeInitials 61) fol.Lat. on 148r without also wingshalo,foundthetheis in without andCanon. evangelistary Bibl. Vekenega‟s(MS. ifextremitiesfromheadasthe and depicted seen ab onin animal.neckthethe body isof animalTheof profile, the depicted belted,front with raised recognize to lionI tendit hasmotif animalathisbecause stylized aas 91r fol. dog depictionmuchfol. to manuscript41v sameofon the isextremitiesfrontit beltedraised Thewith features and head animal‟sveryofwings. the resemble accompaniesgospelbya St. zoomorphica Luke Thesubstitutes ox, initial symbolSt. andof linesthe “I” (seven of text) 90r fol. Zoomorphicsymbols(lionevangelistsofand the ox) levelabovebackthe the pawsof withand raisedtail substituting letterThe“L”dog is the conventional a with representationdogof the raisedpawsslig , initial“S”, , - initial“S”, - - - - - – initial“O”, initial“D”, initial“I” initial “S”, initial“C”, - initial“I” initial“A”,

initialscontainlack birdheadsofiswhichthat the ofonly eitherdifference, the point to the fol.52r fol. 65r fol. fol. 75r fol.

interlacing - fol.49v fol. 43v fol. fol.36v initial“S”, fol.

fol fol.84r - , initial“R”, , interlacing 31r initial“D”, . 121v - - - - in initial“I”, initial“T”, initial“O”, Luke.isTheheadanimal, byinishalo whose depictedencircled profile, a , decoratedwithdark on backgrou, pearl ornament - itial“N”, initial“S”, - fol. 56r fol. initial“D”,

pattern executedin pattern bright fol. 83r fol. interlacing interlacing fol. 80r fol.

- fol. 36r fol. initial“Q”, fol. 50v fol. fol. 44r fol. fol.37v fol. 88r fol. -

, initial , “D”, initial“O”,

- and stylizedand stylizedfoliageand forms - , initial , “D” initiallegfishis“R” (the motif substitutingthe of the - initial“T”, initial“S”, - ini fol.79r ove. The animal, almost identicalThea animal, ove. almost detail, tiniest to

tial “Q”, tial

fol. 85v fol.

fol.82r

foliageformsvery either similarare to fol. 45v fol. initial fish“E”middle the(the substitutes fol. 53r fol. fol. 39v fol. color fol.95r - , initial“F”, , initial“O”, swithin betweenspacesempty - - - initial“N”, initial“C”, initial“G”, -

mane initial“S”,

fol. 67r fol. executed in andblueexecuted red fol.85r ndmotivesand ofthe fol. 47v fol. fol. 58r fol. fol. 42r fol. fol. 99r fol. , initial“B”, , , initial“A”, , - - - initial“F”, initial“H”,

initial“C”, - initial “D”, fol. fol. htly 345 fol. :

CEU eTD Collection sides.fourentanglesrhomboid formthe on 72v fol. 62r fol. sides.fourentanglesrhomboid formthe on 61v fol. 60v fol. 59v fol. e 35v fol. asinitialsto referred matonella”) “afoundare on: executedin filledwith pearl bright ornament, intersectedLuxurious initialstypeof offormedout squares,concentric circlesand initialsLuxuriousintersected squareandwith mattonella”) “a circles(initials Geometricinitials 123v 3x 106r 96v 2x 66r 65r,65v, 46r,46v,47r, 48r,53v 44v, 48v,50r, 51r, 51v, 27r Theyfoundon are bright the or three two initialsink,decoratedwithin outlinedflo red stylized numerousmost Theinitials,everyfound manuscript on folioin simple are almost Oxford ornamental Smallinitialsinkinornamental outlined red “D”, 113r fol. 89v ntangles the rhomboid form on four sides.fourntanglesrhomboid formthe on , 114r , 84r,84v , - - initial , “S”, 2x 2x - - fol. 132r fol. 2x 2x color , 27v, 28r,28v,29v, 30r, 30v, 31v,27v, 32r, 33r, 37r , 35v, , 97r , ------, 106v , , 124r , initial ofcomposeddense“O”,out circular - initialcomposedform“O”,out ofrhomboid dense with initialcomposed“O”, initialfromcomposed“O”, dense initialcomposedform“O”,out ofrhomboid dense with , initial“D”, , initial“O”,fromcomposeddense 3x sand gold. , 114v , - - 2x 3x - , initial“D”. , 2x - - , 97v , 2x 3x , 85r , - fol. 92v fol. petal structure petalresemblesthat structure in filledribbon letter)andvertical the stem of the with , 6 , 124v , , 107r,107v , - ff 2x,

8v, 69v,70v,71r, 74v 8v, - -

4x 4r, 5r, 6v, 7v, 12v,14r,6v, 9r,15r, 4r, 10r,16v, 1 5r, 11v, 2x fol.

115r,115v , 98r , , 86v, 87r 86v, , - , initial , “S”, 2x

122r

, 125r , - 2x - , initial“D”, , 2x out rhomboidwithformof dense , 98v, 99v,100r,100v, 101v 98v, , - , 108r , - - 2x, 125 2x, 2x 3x fol. 100v fol. , 89r , , 116r , - 2x - v, 126r v, - 2x 2x , 109r , interlacing

- interlacing fol.129v 3x

, 75v, , 76r , 90r, 92v,93r 90r, , , initial , “C”, color , 116v , - 2x - - 2x 2x

s and filledsand goldwith , 54r, 54v, 55r,56v 54r, 54v, , interlacing , 109v , , 126v, 127v,131r,131v, 133r, 133v 126v, , , initial , “D”, -

ral formsinsertingisralspecific(particularlythe of 3x

pattern and framedandin pattern square regular - pattern and framedandin pattern square regular 2x , 117r , , 77v, 79r,79v 77v, , fol. 106r fol. - 2x - - 2x - 4x , 110r , 2x -

3x , 93v, 94r,94v 93v, , pattern , 102r , , 37v, 38r 37v, , interlacing interlacing interlacing , 118v, 122r,122v 118v, , fol.130r , initial“B”, , - 2x -

7v,20r,23r, 24r, 26r 6x - , 111v, 111r, 111v, 113r,113v 111r, 111v, 111v, , 2x - - , 10 , leafscholarship(in Italian 2x , 57r,57v,58r, 59r, , 64v, - , initial , 2x

pattern inside pattern that inside pattern that , 81r,81v,82r, 83r, , 83v pattern inside that pattern 104r 2v,103r,103v, , 38v, 39v,42v,43r, 43v, 38v, , - 3x fol.111r , 95r,95v , “D”, interlacing - 2x fol.131v , 123r , , initial“E”, , -

- 2x -

2x, 26v, 2x,

- pattern 2x , 96r, , , initial , , - 2x 346 - , , -

CEU eTD Collection is Date paschthe providedto according DATE forNicholaswas Benedictinewritten inthe monasteryof Osor. St. isforandthere prayerabbot the Nicholas,congregationmanuscript the meansofwhichSt. the that andOsor'sbishopMichael ofOsor II On manuscript. laterfol. addition,59v the PROVENANCE SHELF Evangelistary ApostolicaBiblioteca Vaticana VATICANCITY secolo”.dell‟XI 89 2008.: in relationship). image provenijencijedalmatinske initials.” decorated secolo”. on stress XIII special e with study manuscript A Mediaeval Hours”: of :”Book “Većenega‟s Vojvoda. Zagreb Čika). abbess the ofHours of Zadar”.Illuminationin BookCentury Eleventh “The Grgić. Marijan1968. Zadru, umjetnostiu Jugoslavenskei Institutakademije znanosti Zadar: u 1965. Belgrade, in Philosophy Mary).In of conventSaint from themanuscripts two(Theunknown Budimpešti" of University diss, D. Ph. c.). 11 od Dalmaciji u slikarstvo century Lowe. Beneventan oftypescript).Dalmatian Zagreb:specialJAZU,to regard the with script (Beneventan a 192 Press Clarendon minuscule Italian south the of history Exultet”. A script. Beneventan of Itala Vetus “The Bannister. LXXII Introductiontostudythe of some of oldestLatinthe musical inBodleiantheMSS library 16670 Bibliography: rhomboidformthe sides.fouron fol.98r sides.fourentanglesrhomboid formthe on 91v fol. 77v fol. sides.fourentanglesrhomboid formthe on 73v fol.

Zadru - - 43, xod Caedn rs, 94 372. 1914, Press, Clarendon Oxford: 24330, citr Beneventana Scriptura Ofr: lrno Pes 1929. Press, Clarendon Oxford: . LXXV. John ObadiahWestwood. John LXXV. : 1070 : - (The cultural heritage cultural (The - - - - - initialform“O”, ofcomposedrhomboidout dense with 105. initialcomposed“O”,out rhomboidwithform of dense initialfromcomposed“O”, dense initialcomposedform“O”,out ofrhomboid dense with

MARK studiesCEU at

EmanuelaElba.“Lungo rottele ad FalconerMadan. -

Rivista diStoriadella Miniatura 1071 or 1081 1071 or in 1914): in

en e testo e Segno : : The manusThe: MS. Borg. Lat.339 Borg. MS.

Journal of CroatianStudiesof Journal ailgj / utv u kontekstu u Kultovi / Hagiologija

- 8 (2002):9 8 151. Viktor Novak. Viktor 151. veza tek veza - 13 .

f h cnet f t Mr i Zdr, d Gg Nvk & Novak Grga ed. Zadar), in Mary St. of convent the of Fac -

- Summmarycatalogue western of manuscripts inBodleianthe Library Oxford at 4,nos vol. tog veka (Beventan scriptoria and the painting in Dalmatia from eleventh until thirteenth until eleventh from Dalmatia in painting the and scriptoria (Beventan veka tog 1082 (06: 107 (2006): 4 cript came evidencefromwhichthefor cript Osor, isin provided the sta i slike” (Sanctorals of Dalmatian manuscripts written in Beneventan scriptBeneventan in written manuscripts Dalmatian of(Sanctorals slike” i sta Dalmatian and Italian South of similes - - Zadar: Hrvatski drţavni arhiv, Kršćanska sadašnjost, Matica Hrvatska, 2002. Rozana2002. Hrvatska, sadašnjost,Kršćanska Matica arhiv, drţavni Hrvatski Zadar: 37. 37.

Paleographia sacraPaleographiapictoria EmanuelaElba.“La decorazionebeneventana codicidei dellain Dalmazia tra XI : ora o Telgcl Studies Theological of Journal

Vol. 2, LXXIV. Branka Telebaković Pecarski. Beneventanski skriptoriji i i skriptoriji Beneventanski Pecarski. Telebaković Branka LXXIV. 2, Vol. comes

al announcement on fol.on 59r announcement al Scriptura beneventana s osobitim obzirom na tip dalmatinske beneventanedalmatinske tip na obzirom osobitim s beneventana Scriptura

- 12(2008): 45 riatiche:il Libroinbeneventana d‟Ore diBudapest ela miniaturapugliese 4: 135 147: Laudes interlacing

9 - Saracen of Brindisi. In the text theofSaracen ofBrindisi. Exultet o In 10 (1969):41 10 dad ilas Byron Williams Edward

- Hgooy Cls n otx) Zge: ekm international, Leykam Zagreb: context). in Cults / (Hagiology written inmentionwritten(14thcentury)script Gothic the 137. 137. .

Oxford: Clarendon press, 1999 press, Clarendon Oxford: -

55 p attern and framedandin attern square regular oaa ovd. “ Vojvoda. Rozana

aia Ggć " npzaa vtmrjk rkps u rukopisa svetomarijska nepoznata "2 Grgić. Marijan - 132. . London: W. Smith, 1843Smith,London:W. .

Marijan,Grgić.

interlacing

interlacing aucit fo te it t te fourteenth the to sixth the from manuscripts interlacing 1 10) 43 (1909): 11

Kulturna baština samostana svete MarijesamostanasveteKulturnabaština Nicholson. Sanktorali beneventanskih rukopisa rukopisa beneventanskih Sanktorali , Oxford.London: , Lond& c, 1913:

Časoslovopatice patter

pattern inside pattern that pattern inside that pattern jksa Mšrvć 123 Maštrović, Vjekoslav -

54. (first published in Oxford at at Oxford in published (first al Bdea Music Bodleian Early - n insidenentangles that 45: no. 29. Henry29. 45:no. la Aey Loew Avery Elias n58v fol. 58r, 0: 37 0: Čike

. Elias AveryElias .

(The Book (The Annual of of Annual - text and text Marriot Marriot . - III, , 347 227. The

CEU eTD Collection ecclesie) Nativitas 45r Fol. martyrum,plurimorum46vFol. In nativitas confesorum, 50r Fol.In dedicatione CommonSaints ofthe apostoli) mattheisancti41vFol. commemoratioapostoli, Fol.omniumsanctorum,nativitas 42v sanctiandree 39vFol.marie,Decapitatio In assumptionis 40r Fol. sancte sancti iohanisFol.baptistae,Nativitatis 41r domini NativitatisOctavaapostolorumapostoli,sancti pauli38r Fol.evangelium, 38v Fol. In transfiguratio Nativitatis 36r Fol.iohanis pauli,36vsanctorumFol. Nativitatis et sancti37v Fol.petri apostoli, Sanctoral dominica 34r Fol.pentecostem) primapost domenica nostri,32r Fol. Fol.sanctam inventio pentecostem, octavasancte pentecostem crucis, 33r et Fol.feria quinta, 29r sex ihesuFerianostriFol. Christi, feriaFol.25r, secunda, 26vFol.Fol. feria tercia, 27v feria quarta, 28v benedicti,4vFol.quadragesima,dominica dominica 5r inFol.passiocaput domini6r Fol. palmis, fol.epifania2vIpopantidomini, octavaepifanie,mariam, 3r Fol. sanctam ad Fol in (Fol. 1r domininativitatisnativitatis secundum lucam,primainfol.domini,dominicapost 2r andBenedict fol.on invention 4r the fol.cross theon 33r of Temporal Evangelistaryliturgicalcontainspericopes throughout theyear LITURGICALSTRUCTUREOFTHEMANUSCRIPT SCRIPT Theinpaginationbymodern period wasdone folionumbers printingthe hairheresideandvisible.there and signs the ofpricking are isin Thetext linescolumn one Thewritten ruling of text. 19 hardcomprising was withpoint done on text margin mm,Dimensions:275 height: 190 width dimensions writtenofthespace:x 190 110mm (upper wherestainsmanuscriptarethe there moss ofpurple 29r). (28v, foliosTheis59 manuscript stateparchment. good in of certainof preservationat rather except pl ismanuscriptinTheboundmodernItis cover. fragmentarily paper/cartoon ofand consists preserved CODICOLOGICALDESCRIPTION: - 10mm) - , Fol. 39r nativitatislaurentii, 39r Fol.sancti , 25 mm, lower marginlowermm, 25

: Beneventan script, Bari script, Beneventan : type : fols.34v : : fol. 1r (Christmas)fol. 1r :

- 42v (Fol.42v 34v : fols.: 43r ta, Fol.Fol. 29v 30r octavasabbato, pasce,31v Fol.ta, In ascensionis domini - 60 mm, innermm,margin 60 - fol. 34r (first Sunday(firstfol. 34r Pentecost)withincluded after the - 50rNativitatis(Fol. 43r apostolorum, In martiris,unius XII 44r Fol. misa mane prima in sancti iohanismisamanein primabaptista, sancti

- 30 mm,margin l mm, 30 ofouter oneheight 50

in the right lower margins.inlower right the

. 4r nativitatis 4r . sancti

fest offestSt. ineof aces inaces

348

CEU eTD Collection vitavita honoret victoriacunctis7 incliti saracenodomino written(crossedword6 absarensecomite …pdisioabove) and to et renseperpetua5 tociusinsulesalusvita et honor victoriacunctisinclitiuna vitaet michaeli 4 domino (sa)episcopo ab Cunctis incliti 3 etpontifice universaliSumo salus 2 pappaehonor perpet (ua)vita et Christe christeExaudi exaudigregorio christe1 exaudipapa domine linesofsomewhat same text(theink, same hand, closerother)each to Amen vobis 10 vicesimogratianobis9 secundosit aprilisintrante ut sacratisimum8 pascaanunciamus vobisdie vobis7 sanctam et charisimifratres annunciamusvobisdiem vii (?)propterdie marciointrante qua 6 astamtibi 5 vero septuagesimeinitium 4 xiannunciamusvobisdum resurecctionemet 3 gaudi sali eiusannunciamusvobis unius ergodominisicutgavisiestis 2 nativitate nostri de ihesuChristi ita deserviensplebssanctadeo 1 vedereaudirevelocupit desideras black Cursivegothic script, circascripta1370 sequentia Anno fuere brownink: Cursivescript, fol.Fourteenthcentury59v additions: seculaseculorum In amen 59v Fol. cedat etperveniregaudio suagratiacumnobis tatem con deprecemurdomini tiam nosomneskarissimifrtareset communiterclemen vicesimodie essecimo venturum rum sesecundovice die sacratissimusmagnuset sanctampascha karitatemvostrekaritatiannuntiamus A AnnunciationEaster ofthe Exultet GenealogybyLuke

exeunte februario initiumexeunteverofebruario quadragesima nnuntiamus karitatemnnuntiamusannuntiamus S eptuagessimammense duode vero P

restante (withfols.neums): 53r -

Tate perfectaet vivitomnipotens regnat unusetTate deus sua misericordia qui marinisuamisericordiaqui vitalodovicodomino regis ungariesalus honor simo quarto esse ventuessesimoquarto

(with neums): fols.neums):(with51r U

t ad eandem ad t festivi (with neums): fol.(withneums):fol.59r, lines two on 59v ink -

58v U nde

eum

- en 53r

cum omnibus cum

ciusinsulesalus 349

CEU eTD Collection lines 9,5 text of 29r fol. blue,in lacesorange, empty thebetween thex space an with verticalstemtopped lines10 oftext 28v fol. color with verticalstemtopped lines9 o 26v fol. color stem with verticalstemtopped lines10 oftext 25r fol. stemlongbirdwithbitingbaseheadbeakemdswith st of the the with verticalstemtopped lines9 oftext 5r fol. color byis verticalstemtopped symmetricallyformsand foliage atarranged the botoom at thetop lines6 oftext 2v fol. ve lines 5,5 text of 1r fol. color formsstylizedfoliage is verticalstemtopped lines8 oftext 1r fol. “I “I green Thebeginning markedofisletter eachGospelsof sentencewiththe capital DESCRIPTIONOFTHEDECORATION isBelowerased thisinscription there almost text an iudicib cumuna suis (??) (us) - - rtical stem is topped withis stemtopped rtical initials” initials”

s: green,s:blue,red, orange blue,red,s:yellow, orange, green blue,red,s:yellow, green yellowblue,s:green, filled empty inkwashes, blackspaces with pearl and ornament

- - - - domenica inmattheumdomenicasecundum palmis nativitatis dominicaprimadomini post innativitatislucam,dominisecundum octavaepifanieiohanem secundum - - - - ftext feriasecundalucam secundum feriasecundum sexta, mattheum feriasecundum quinta, iohannem feriatercialucam secundum

composed fromwithcomposed vertical stemtopped

without the representation the ofwithoutthe evangelists

with interlacing interlacing interlacing interlacing interlacing interlacing

pattern and bird headand pattern bird heads,and pattern longbird birdbitesbeak basewith the and atbird heads,stylizedpattern, abse the vertcial dog of the crossed and pattern two birdbeaks,headshooked withvertical

pattern and stylizedfoliageand forms, pattern floralisbase structure stylizedfoliageand madeforms,is pattern basefromthe

interlacing - sign ininkblacksign

with longlacesyellow,withbeak,green, are

pattern em

filledyellow red, with and

350

CEU eTD Collection - color formsstem,foliagebase.stylized ink pattern, (oneand compartment) entangledpearlwith lace ornament bytopped abirdbiting the Geometric lines12 oftext 29v fol. color foliageheadforms,stylizedand ve filledwith Geometric 1 4v fol. Geometric x An andstructure longbirdwithbitingbeak stem the withis verticaltopped stme lines 9,5 text of 49r fol. longwithbitingbeak stem the withis verticalstemtopped lines8 oftext 45r fol. endsshapedthat structure birdheads with withis Verticalstemtopped 39v fol. birdheads,and baseisthevertical of the stemanchor withis verticalstemtopped lines12 oftext 38r fol. color basethevertical the five isof stem with verticalstemtopped lines9 oftext 34v fol. color with verticalfoliageformsstembirdtopped stylized long withand beak againx 4 lines4 oftext - s: red, blue,red,s:yellow, orange, green yellow,pink, s:blue,red, green yellow,s: s: sign islacessigninbetween spaceplacedempty the the - domenicaquadragesima mattheum caput secundum green,blue,red, orange ------nativitas octavaapostolorummattheum secundum sabbatosecundumiohannem inmariesancte assumtionislucam secundum iniohanisbaptistaesecundumsanctilucam sign in the space between the vertical stem and the lacesigninverticalbetweenthespace the stem and the

interlacing initialfrom rectangularpartcomposed verticalfilled upper stem and with initialfrom upper compartmentscomposed verticalrectangulardivided instempart and two “I -

initials”

red, blue,red,green

plurimorum martyrumplurimorummattheum secundum

pattern, black inkupperblackrectangular flanked ornament, pattern, pearl and part with bird

interlacing interlac interlacing interlacing interlacing

- rtical sten entangled byrticallace,longstenentangledbirdwithbitesbeak a base the petal floralstructure petal ing

pattern, stylizedfoliage formsbirdheadspattern, and

pattern and birdheads,and pattern basefloralisthevertical ofthe stem birdheads,and pattern basebirdisheadverticalof the stem likeshaped pattern (laces star yellow) andgreen,blue, arered pattern and birdheads,and pattern baseisthevertical ofthe stemanchor

shapedstruct

uremade formsfoliageofstylized

interlacin g

351

CEU eTD Collection longbitingverticalbeakthe stem rectangular upper stylizedthelower formspart rectangularpart, offoliage the the at bird stem, with filledcompartment with The color isheadfrontally represented Theevangelistsymbolthe Luke of lines14 oftext 3r fol. youthfulraisedin bright appearance, wingsexecuted angel bitinglowerisbeak part verticalof the the stem beaksflank birdslonghooked with andupper the part of the filledcompartments, with Geometric Angel:infaceredframed dotsof cheeks,the green,big two on eyes isink,Theindrawing brownexecuted washes are lines14 oftext 2r fol. “I color Thebasevertical ofthe ste form ink pattern, (oneand compartment) flankedandpearl ornament birdheads withfoliageand stylized Geometric fo fol.50r color Thebaseisbeakvertical of thelong stembird withbitingstem headthe form ink pattern, a Geometric lines 9,5 text of 47r fol. ( color stem,base ink pattern, (oneand compartment) entangledpearlwith lace ornament bytopped abirdbiting the Geometric lines9 oftext 44r fol. fol.46r l.50v - initials” geometric

s: orange,s:blue,yellow,red, pink blue,red,s:yellow, orange, green blue,red,s:yellow, orange, green blue,red,s:yellow, orange, green - symbol of evangelist Matthew isMatthewofassymbol evangelist bust, depicted - - ipopantimariam,lucam sanctamad secundum inmattheum dominiepifaniasecundum - - - - - indedicationeecclesie lucam secundum secundum lucam secundum inu

innativitasconfessorum) 9lines oftext -

initialisfrom partcomposed filledvertical upper rectangularstem and with initialisfrom composed vertical initialrectangularof thethestem andpart in isdivided two initialisfrom partcomposed filledvertical upper rectangularstem and with initialisfrom partcomposed filledvertical upper rectangularstem and with birdbitingstem the

with therepresentation evangelists with ofthe nius martirisniusmattheum secundum nd pearl ornament (onend compartment)flankedandpearl ornament birdfoliagehead with stylizedand

initial composed frominitialvertical composed andwhich rectangular part stem has upper one

interlacing

interlacing misbeak long birdwithbitingstem headthe

an ox is depicted inisandepicted holdingox profile Gospelai pattern (blue, blackgreen,red), pattern

pattern (green, red, blue,(green,yellow) red, pattern

applied except for red red forapplied except color

holdshairshortGospel, ina locks, stylized s

geometric

inkbirds pearlandflank ornament,

initiallongbirdthe and with

color

whichinlayeris thick n its front extremities,front its n interlacing interlacing interlacing

352

CEU eTD Collection lines17 oftext 33r fol. green,red,blueare baseverticalofpink.Thetheand is it longbirdwithbitingbeakstema inheadsdividedand compartme three The book inextremities,frontofits Gospel Theevangelistsymbolthe Luke of lines 14,5 text of 31v fol. with lacebirdheads topped pearl foliageandcompartmentforms blue,(one stylizedfilledwith laces,inkred, green and andorange, The itsexecut claws Theevangelistsymbolthe John of lines 12,5 text of 30r fol. longbirdwithbitesbeak base thevertical of the stem black yellow,blue,ink red, andflank rectangular pearlpart ornament), Geometric direction,raisedin holditsgreen,Gospelwings, a claws orange) (red, Theinevangelistsymbolthe John, its isinof anprofile head eagledepicted with turned lines 11,5 text of 27v fol. bitingstem the u compartments, The initsGospel claws (bright Thee symbolthe of lines19 oftext 15v fol. isleftoneempty flankedRectangular part birdheadsstylizedwith andfoliagemiddle forms, compartments, three the blackmarks put hasinkheto whereand pearl ornament smallThethescribeputs x (orangestylizedwashes) dog Geometric The lines,hairyouthfulbrownstylizedwithred browndotswashes, cheeks ontwo apperance, hands holdstwo Gospelawith T lines22 oftext 6r fol. hematthewsymbolevangelist of geometric geometric geometric geometric ornament), base ornament), isverticalofthelong stembird bitingwithbeak stem stem, the entangled by a - passio domini nostri ihesumattheumnostripassio dominichristi secundum - - - - - octava pentecostem et inventio octavacrucispentecostem et secundum iohannem iohannemoctavapasce,secundum inmarcum ascensiodomini secundum secundumferia iohannemquarta evangeliumiohannem secundum

initialfrom part verticalcomposed andrectangular ends stem withofthat depiction the initialfrom rectangular(onecomposed vertical compartment part stem filledand laceswith

initialisfrom composed flankedvertical rectangularpart stemand bird upper with initialisfrom composed rectangularflankedvertical upper part stemand bird headwith initialisfrom composed dividedvertical rectangularinpart stemand upper three frominitial composed ed ined bright pper partflanked pper birdheads,with base foliagevertical of theforms, stem stylized dog

vangelistJohn - color

sign betweenlacesentanglemystemsignand the it,the that explana color

s - s (red, green,yellow,s(red, blue) green, blue, red, green,blue,yellow)red, - - - - an eagle is depicted inis eagledepicted an profile raisedwingsholdingGospelwith ain inis eagledepicted an profile raisedofwingsholdingbook with a an angel is depicted as a bustasaan inisangelfrontal depicted with position raisedwings, an ox is depicted inisandepicted ox profile with

verticaland rectangularstem part nts fillednts with color

sare yellow,red, blue,green pinkand

interlacing

pattern, ink pattern, pearland ornament.

head infrontalheadholding positiona

ed with birdheadswithed

opposite opposite

tion - he Color 353 s -

CEU eTD Collection color beak hooked verticalthe shapedcomposedis from formsstemanchor structure foliage birdheadandstylized with but verticalon in is firstIt in manuscriptsymboltime thetheis that placed evengelist thenot on of frontally,hasinheextremitiesfrontits Gospelholdsaraisedwingsand Theevangelistsymbolthe Luke of lines 9,5 text of 38v fol. interlacing Rectang green,yellow),in(red,middle stylized thedog vertical the longstembird withisbeakof it biting Geometric hashairHe filled brownstylizedshort wa with in brightexecuted Thesymbolofbust theMatthew evangelist the of lines22 oftext 36v fol. baseisverticalofthelong stembird headwithbeakbiting stem the ithas heads,filledcompartment one with The accompanies. inbeardwithout same theis LukeI depictionthinkwhosethe codex. initialthisGospel of St. the Badurina Accordingto th ismantle part visibleandGospelof thebook show to greyinthe Thehair. cross saint holdsa hand righthishand, hishidden is behindother the lines)wh beard and ishasTheHesaint frontally bust. as astrokes stylizedstress hairdepicted hair(red the represented 35v fol. Thebaseisbeakvertical of thelong stembird withbitingstem headthe yellow)while the headsinfilleddivided compartmentswith three The washesorange color Theevangelistsymbolthe Luke of lines18 oftext 34r fol. Thebaseisvertical ofthe stemanchor green, yellow),red, middleblue whileandleft is the compartment empty headand The ininextremitiesfrontitsholding Gospela profile Thesymbo geometric geometric geometric s: red, yellow,red,s: andblue green yellow,s(red, holdingbluein green)extremitiesfrontandits Gospel a - - - - ular part flanked part birdular headsstylizedwith compartments andfoliage forms, filledtwo with dominica prima post pentecostem dominicasecundumprimapost lucam intransfigurationesecundum domini,marcum nativitatisapostolisancti petri sec secundumlucam

stylized foliageforms,stylizedinfilleddivided compartments with three

levangelistthe John of initialfrom part verticalcomposed andrectangular ends stem withofthat depiction the pattern (laecs pattern andblue, red aregreen)

initialisfrom composed rec vertical upper stemand initialisfrom composed rectangularflankedvertical upper part stemand bird with initialsfromisverticalflankedrectangular stempart composed and bird upper with

itial topped with itial topped middleis leftblankcompartment color ere no brown washes are applied. Thereis brown nowashes erewanted illuminatorapplied. the possibilityare a that s (red, yellow,s(red, holdingblue), hands Gospelawith two is isisChristdepictiona However, ofwithis Christ. long depicted hair and interlacing -

- - an eagle executed in bright eagleexecuted an an ox i anox inisandepicted ox profile in raised brightwingswith executed - shapedfrommadestructurefor foliage stylized interlacing s depicted as a bust insdepictedbustasa headwithprofile represented undum mattheum undum

pattern,birdfoliagehead form basestylizedand of (the shes and red dots cheeks,andon dots shesforehead red chin and interlacing

- an angel is depicted frontallyanisangel raised with depicted wings

pattern (laecs are red, green,(laecsblue pattern yellow),red, are the and

pattern (laces are red, blue,(laces pattern red, greenare and

color tangular part flanked part tangular birdwith

s (red, yellow,s(red, is green)represented

interlacing . Its body filledisIts with .

geometric pattern ( pattern ms

color

initial,

s: 354

CEU eTD Collection rectangularflanked upper birdforms.headslowerstylizedandwithpart foliageUpper and The frontally,hasinheextremitiesfrontits Gospelholdsaraisedwingsand Theevangelistsymbolthe Luke of lines 19,5 text of 46r fol. nativitas(fol. 45r p Onefilledrectangularisofthecompartment part with with topped birdheads verticalandisstembaselong bird withbeakbitingstem)(the is the lace The stementangled by a Geometric hashairHe filled brownstylized cheeks,short washeswithand on dots forehead red chin and in bri executed Thesymbolofbust theMatthew evangelist the of lines14 oftext 43r fol. Onerectangularofthecompartment verticalandisstembaselong bird withbeakbitingstem)(the the Geometric hashairHe filled brow stylizedshort with in brightexecuted Thesymbolofbust theMatthew evangelist the of lines11 oftext 41r fol. andpearl ornament filledrectangularisofthe part with paws)and upper The frontally,hasinheextremitiesfrontits Gospelholdsaraisedwingsand Theevangelistsymbolthe of lines11 oftext 40r fol. verticalthe isbywithbeaklace bird stementangled hooked topped a with pearlornament is filledrectangularpart with rectangularflanked upper birdforms.Oneheadsstylizedwithpart foliage compartment and of the Geometric color indirection,heits Gospelholdsa clawshas heraised and wings Theevangelistsymbolthe John of lines 16,5 text of 39v fol. 39r fol. geometric geometric s: red, blue,red,s:yello ------nativitas sancti matheinativitassancti apostoli sanctiiohanis secundumdecapitatio marcum baptistae nativitat secundum lucam secundum apostolorum nativitasXII mattheum secundum secundumiohannem

initialisfrom composed verticalbeakhooked (base bird withstemfloralforms) and and initialisflankedfrom composed rectangularbird foliage head withpart fo stylized and initialisflankedfrom composed rectangularbird foliage head withpart forms stylized and

ght ght

initiali initialisfrom composed isvertical stema (base

islaurentiisancti

rectangularflankedfoliagehead part forms. stylized bird and with One compartment color color lurimorummartyrum)

s composed from scomposed isvertical long birdstembitingbeaka andwith stem)(base the w, green w,

s (red, yellow,s(red, holdingblue), hands Gospelawith two yellow,s(red, holdingblue), hands Gospelawith two

Luke interlacing

- - - an eagle isinin eaglerepresented headan with profile opposite turned an ox isanindepictedbustasa ox head withprofile represented isanindepictedbustasa ox head withprofile represented interlacing part is filledis part with

secundum mattheum secundum

patter

n cheeks,washesandon dots forehead red chin and

nyellow,(laces red, greenare blue) inkadnblackand pattern (laces are blue, red, green yellow),blue,(lacesred, are ink pattern black and - - an angel is depicted frontallyanisangel raised with depicted wings frontallyanisangel raised with depicted wings interlacing interlacing

unusual

pattern (laces are blue, red andblue,(laces red green)pattern are andblue,(laces red green)pattern are

structure resembling structure animal

rms 355

CEU eTD Collection blessinghishandhandwith holdsinand right his Gospel a other fallssainthasfilledthelong hairbrown hiswashesshoulder,withmakes he right that on the frontally Theofbust saintdepicted lines 11,5 text of fol. initial filledwith with lacebitesbirdhead verticaltopped therectangular hasthat stem, upper thecompartments two part The longisfallshairbrown, and hisshoulder right on hishand,holdsmantleinrigh yellowdressedGospel,and a red tunic bustidentifiedthe ofChrist with cr the lines20 oftext 4r fol. Beneventan Theiswithverticallace headsstementangledby topped abird andpearl ornament are filledrectangular part with rectangularflanked upper compartmentsbirdfoliagehead withpart forms. stylized and Two of the The frontally,hasinheextremitiesfrontits Gospelholdsaraisedwingsand Theevangelistsymbolthe Luke of lines21 oftext 51 fol. longbitingstem beakthe flankfoliageandrectangularforms upper stylizedthe base theverticalpart, birdisofthe stem with filledcompartment with The color isheadfrontally represented Thesymb lines11 oftext 49v fol. filledis part with verticalandisstembaselong bird withbeakbitingstem)(the the compartment One rectangular of the Geometric hashairHe filled brownstylizedshort washes.with in brightexecuted Thesymbolofbust theMatth evangelist the of 48v fol. Theiswithverticallace headsstementangledby topped abird inkyellow),and whileblackframedispearlmiddlein and ornament, left andblank the part red arecompartment filledrectangularof the part with 32r geometric geometric geometric s: orange,s:blue,yellow,red, pink, orange

- r nativitatis sanctinativitatisbenedicti lucam secundum - - - secundumlucam dominicapentecostemiohannemsanctam secundum secundumlucam secundummattheum ol of the evangelistthe Luke of ol

interlacing initialisflankedfrom composed rectangularbird he withpart geometric

initial composed frominitialverticalends composed withstem, stylize initialisfrom composed vertical stem initialisfrom composed vertical rectangularpart stemand upper

interlacing color

pattern (red, green,blue,(red,yellow),bird heads pattern flankrectangularthe part of the

initialdepictionChristthe with of s (red, yellow,s(red, holdingblue), hands Gospelawith two interlacing

pattern (laces are blue, redyellow) andblue, (laces are pattern

interlacing - -

an ox isanindepictedbustasa ox head withprofile represented inisandepictedextremities,front holdingox profile Gospelain its resembles pattern (blue, inkbirdblackgreen, red), pattern headpearl and ornament, oss (and nofrontaloss makeshalo) signablessing position, with of

pattern (laces are blue, red, green yellow),blue,(lacesred, i are pattern and and black

depiction of Christ earlierin ofdepictionChrist codex, the ew

- an angel is depicted frontallyanisangel raised with depicted wings

interlacing

(base islongbirdbitingbeaka andwith stem)(base the

pattern (laces are pattern

d foliageforms,entangledbyd a

ad and stylized foliageformsstylizedand ad

blue, red, green blue,red, and whichhasone

signof

356 nk

CEU eTD Collection ishemantleindressed and tunic makesfallswithbrownwasheswhichhe shoulders,his on signof blesthe frontally Theofbust saintdepicted fol. (fol.44r is filledrectangularpart with flanked rectangularpart birdupper foliageheadwith forms stylizedand of thecompartment One The ishemantle,inisdressed Gospel visibleandthe tunic lefthiddenhisis andhand makesfallswithbrownwasheswhichhe shoulders,hishand on signof blessingthehis with and right frontally Theofbust saintdepicted lines 12,5 text of 43r fol. is leftmiddleblankpart framedandin yellow red and filledrectangularareof the part wit flanked rectangularpart birdupper foliageheadlowerwith formscompartment stylizedand and Upper The makessignablessinghishand with holdsofand right Gospel awith iswho Thefirmlyofbust Christ identified withhaloinscribed afrontallytheis with cross depicted He lines17 oftext 42v fol. yello iscompartment filledrectangularofthe part with andflanked structure) rectangularpart upper birdfoliageheadwith forms stylizedand One The ishemantle,inanddressedGospel andvisibleisthe tunic lefthisis handand hidden fallswithshoulder,brown hewasheswhich his makes on right signof blessingthehishand with right frontally Theofbust saintdepicted lines 12,5 text of 37v fol. yellow) compartment recta ofthe flankedpawsofanimal) withanpart and birdfoliageupper headrectangular forms One stylizedand The ishemantle,inanddressedGospel andvisibleisthe tunic fallswithshoulder,brown hewasheswhich his makes on right signof blessingthehishand with right Theofbust sa lines11 oftext 36r fol. Thebaseisvertical of(filledthe ofdogstemstylized depictiona washes) orange with inkpearland ornament isheadscompartment One filledrectangular ofthe part wi The color

44v geometric geometric geometric geometric geometric w) s: red, blue,red,s:yellow - -

- - - - nativitatis sanctorum iohanis et paulisanctorumiohanisnativitatis lucam et secundum commemoratio mattheumomniumsanctorumsecundum secundummattheum nativitassanctiandree mattheum apostolisecundum nativitatisapostolisecundumsanctipaulimattheum inmartiris)unius int depicted frontallyintdepicted

in initialisfrom verticalcomposed basethe is stemand (the ofdog) stylizeddepictiona initialisfrom vecomposed the initialisfrom verticalcomposed basetheresembling is stem (the unusualstructure the initialisfrom composed flankedvertical rectangularpart stemand bird upper with

itial isfromitial verticalcomposed basethe is stemand (the ofdog) stylizeddepcitiona

ngular part isngular filledpart with

interlacing

h resembles resembles resembles resembles interlacing

pattern (laecs are red, green(laecs pattern red, are

rtical stem (the baselongfloralbirdis stem(the rtical with andbeak depictions of Christ inmanuscript,heChrist depictionshaof inmanuscript,helongChrist depictionshasof filled hair depictions of Christ inmanuscript,helongChrist depictionshasof filled hair depicti

pattern (laecs are red, green,(laecs red, blueare pattern yellow) and and the interlacing interlacing ons of Christ inmanuscript,helongChrist hasonsof filled hair

th th

and his lefthisishandand hidden

interlacing pattern (laecs are red, green,(laecsblue pattern red, are and pattern (laecs are red, green,(laecsblue pattern red, are and

, blueyellow) and, his lefthishand

pattern (red, green,(red, blackblue), pattern sing with his right hand his with singand right

s longfilleds hair 357

CEU eTD Collection yellowinstylizedfeathers blue.letterpaintedTheand red, leftis part of theformed from curved color face.noseinlowerand part isstylizedof theHair the short, filled lines brownbrownwithwith and depictiondotsforeheadhas andHe ofcheeks,red chinJesus. on lines framing green hisand around inandpainted differenttunic holdsinandendstickwith aHis tripartite left hisvisible. hand. is hand hasnot Heright red a inkwithpearl and ornam green,stylizedfoliageyellow,(red, ornament form thatblue), an depictedincross,a blue.Theandright sideformedred letter, the byof curvedstem ends a with red filledlinesbluebrownwithand part long,framedisoffacehisline.hairgreen fallingiswith stylized shoulders, His the on with short triangularornament rightcoverssidethe his fromofbody,coming opposite shoulder. is theyellow Histunic blue with inandGospelablue with spine) left(white, his handmantle. is mantlewithcovered aThe and red basebustthethefor frontally, isHe of Christ. depictedhand inhiswith right ges the formsandbluefoliage withend (yellow,red, stylizedform), green, andresembles form whichanchor letterinbeakslower bitingpar the the flankedpearl andinornament, birdbeakspart headshookedbirdwith withupper the headslong with and consistselaborated of hasis letter formsblueitincurved yellow, is red, middleand painted green. andThe part t with decorated flankedornamentsand ofheadsbustJesusanimala and busts of with archangels.The marginalm spaceByzantineresembles marginalisrightInthe theredeacon depictionblessingaspace the position of Its candle. inthe the mm)mm,35 height:of depictioncandle, illustDimensionsofthe Fol.53r interlacing flanked part upper foliageformscompartmentstylized with rectangularisof the One part filled with The indressedmantleandholdshand tunic andaismantle) Gospel a(with behind hidden thethat withbrow frontally Theofbust saintdepicted lines10 oftext 48r fol. heads shapanchor isplaced Thenot bust on ishemantleindressed and tunic makesfallswithbrownwasheswhichhe shoulders,hishand on signof blessingthehis with and right frontally Theofbust saintdepicted lines 7,5 text of 46v fol. filledwith flanked part upper formsbirdfoliageandheadwith Onestylized recta of thecompartment The geometric geometric . His . wings

- - - secundum lucam secundum innativitasmattheum confesorum, secundum Free miniature in the Exultet the Free in miniature n washes which falls on his shoulders, he makesfallsnwasheswhichheshoulders,hishand, on signof blessingthehis is he with right

interlacing pattern (laecs are red, green(laecs pattern andred, areblue) ed structure made fromfoliagewithstructure forms)edstylized topped and

initialisfrom verticalcomposed basethe stem (the initialisfrom verticalcomposed basethe floral is stem (the and structure) rectangular

are raised and turned towards raisedright.towards are Theyturned andfrom composed platare below

pattern (laecs are red, green,(laecsblue pattern yellow)andred, are ration ent. isThisforent. rightofbasebustarchangel.thethe frontally is depictedHe

geometric

interlacing his neck.hisThe color : approx. width approx. : color

s resembles resembles - initialfromon initial but thevertical stemcomposed is (base green, yellowgreen, blue.Hisand

. He doesn‟.Hehe halo, havebut has vertical a pattern (laces are yellow,(lacesbluered,are pattern inkfilled green) and with and t. Above thet. arginal psalters. Theminiature consists “V” arginal letter ofpsalters. double

re are red dots hisred onare dots forehead lower cheeks,re chin andthe and

70 depictions of Christ inmanuscript,helongChrist depictionshasof filled hair inmanuscript,helongChrist depictionshasof hai

mm interlacing , height ,

- 80

pattern, curved bluelacemeetpattern, and green

mm52 ofheight: deacon, (depiction face isface interlacing

is floralisand structure) rectangular

slightly turned towards slightlythetowards turned interlacing

pattern inmiddle filled pattern the

an - likeand structure d horizontalofbars d ture ofblessing ture

pattern and pattern bird ngularis part he mosthe

palium r filled r 358

CEU eTD Collection Branka TelebakovićPecarski.Beneventanski skriptoriji islikarstvo Dalmacijiu od 11 “NajstarijeGrgić. zadarsk Dalmatian historicalsources fromthe eighth until twelfththe c.). Novak.Nei Kantorowicz, EpihanyOsorday andSplit). in Uskrsadan na Bogojavljenja, Osoru na iu Splitu” (Two Beneventan contributions tothe paschal ann Novak.“Exultet osorskog evanĎelistara” (The Exultetof evangelistary).Osor‟s Dva beneventanska prilogaobjavljivanju 152.F.Ehrle AveryElias Loew. bibliothèque Romanumim Mittelalter Bibliography: andgreen 59r fol. fol 53r fol. initial,bodyblueofthe washes 30v fol. initialbodyofthe 19v fol. protuberancehorizontalthe inkbar,yellowinon brown andexecuted washes, green fol. inkinwashes, brownexecuted 14v fol. Otherinitials isredflame lines.stylizedwith short littledepicted leftfurther thei to ininaslowerwelldots part has Hecheeksred nose. his onforehead.green The theand candle as itfilledholdingalthoughis something, is empty. HairisFacewith brown,short, withtonsure. framed gesture ofbigblessingintoo (depicted to body) handtheand respect inishis right yellowvertical withHisborders. has handHestripesblue and shoes. isred right red isbodyhisandin three inmarginalThe deacondepicted is the space represented angle ofright thatwings as(exceptleft).asthe well they turned aretowards a tripartiteendmantle inandlefthehishand globewearsaHe holdsainscribed with covered with cross. frontally,although s attached greenears), bluea yellowonlace isround leftbitingtheThe stem. archangel is depicted filled pattern Ainkbeaknecklace, withand bird headeyebrows, (red pearl hooked red with ornament. yellowgreen,ye foliageendsstemandwithforms blue, (red, stylized palium . 54r . 16v ------A, A, V, E, T, E, A, A,

filledyellowwith isHisandtunic washes. red blue.Hea skorištavanakategorija dalmatinskih historijskihizvora od osmog do dvanaestog stoljeća” (Unused category of

vol.12 (1902): 41 2 linesyelloe,2 executedin of text, blue green red, and 3 lines3 adornedtext with of ribbon lineblue1 letter,inmiddleof executedcross oftext, yellowin the the and green P.Liebaert, 2 2 2 lines2 adorned with oftext, ribbon lines3 adorned with oftext, ribbon Laudesregiae. study A inLiturgical Acclamations and Mediaeval Ruler Worship.

A. Ebner. linesadorned withtext, green of ribbon linesadorned withtext, ribbon of

The Beneventanscript. Ahistory ofthe south Italian minuscule

lightly inclined Inofbust hisJesus.handthetowards holds heright stick witha ) Freiburg) i.B.1896, 153,308, P.Cagin. Iter italicum e note”(The oldest Zadar notes). Specimina codicum latinorumvaticanorum, - quarter quarter - 73,F.M. Bannister. VjesnikHrvatskog arheološkog društva

positionleft.isHistowardslong, sleeves, turned robe broad with

( s composed fromyellowscomposedlines,withwavy red triangular base and Quelle

nund Forschungen zurGeschichte und MonumentiVaticani - - - - like yellowon rightornamentside,in the executed red, like ornament,filledlike bluwith like ornament on the right sideornament like on right the semicircularand side,ornament like on right yellowthe andblue RadoviInstituta JAZU u Zadru - likeinmiddleyellowornament the stem,of the RadoviJAZU u Zadru “Lemanuscript latinM VII,2de Musée Borgia.” as

nd N.S.15 (1928): 191 fullfrontallyHisisheadfigure. depicted dipaleografia musicale latina.

edition(Berli

d is depicted identicallyis depictedheadthe d to . Oxford: . Clarendon Press, 1914: 65,74, llow), that formthat llow), an

- Kunstgeschichtedes Missale 13 n

3 (1957):3 39 - - Leipzig),1927, p.xviii, 16. no. V. togveka (Beventan scriptoria and

e and yellowand red e washes, - 201,205 - 13(1965): 269

Berkeley,1946:151 the position ofpositionthe - ouncementon the

94:45 raised - 210.H.E.

Lipsiae, 1913., interlacing - 55.Marijan - inthe 353:335

Revue de - 153.V. -

350. 359

CEU eTD Collection kontekstu (Sanctoralsof Dalmatian manuscriptswritten inBeneventan script 107 Emanuela Elba. Hoursof abbessthe Zagreb Čika). Montecassino,Universit Cassinesidel secolo XI d Museumfor Arts andCrafts 30. FiskovićIgor Cioffari,Giuseppe DiBenedetto etBari: al. EdizioneLevante, Archivio diS. Nicola, Archivio diStato, 19 205,Giulia Orofino. “Gli Evangeliariinbeneventana diBisceglie eBitonto” in AnĎelkoBadurina. “Osorski evandjelistar” (Osor Evangelistary). southernItaly Dalmatia and inthe Middle Ages). Maksimović."Beleške o iluminacijama juţne Italije Dalmacije i s u byBrown.Virginia vols.2 Sussidi Eruditi33, 34.Rome: Edizioni diStoria eLetteratura, 1980., vol.2,163, Jovanka 82,Elias Avery Loew. MarijanGrgić. “The EleventhCentury Book Illumination in Zadar”. paintingthe inDalmatia fromelevent ell‟abateDesiderio. codiciI cassinesi 191,339, 453, 99,571, 108,144, 520”. - 147:129

(HagiologyCultsin context)./ - 132,Rozana Vojvoda. Romaničkoslikarstvo “Ladecorazione codicidei inbeneventana dellaDalmazia XItra e The BeneventanThe script. His A .Catalogue ofexhibition. the Eds.S. Adacher.Giulia Orofino. Montecassino: Abbazia di adegli studi diCassino, 1989: 19 06. - Zadar: Hrvatski Zadar: drţavni arhiv,Kršćanska sadašnjost, Matica Hrvatska, 2002: 311,

– u Hrvatskoju “ h untilh thirteenthc.).Ph. D. diss, University of PhilosophyBelgrade, in 1965: 70 15.10.1987. Zagreb: Muzejumjetnostza iobrt, 1987: 24,Giulia Orofino. “L‟eta‟ Sanktoralibeneventanskih rukopisadalmatinske provenijencije Zagreb:Leykam international, 2008.: 89

(Romanesquepainting in Croatia). Prilozipovijesti umjetnosti Dalmacijiu toryof Souththe Italian Minuscule - 102:22, Marijan, Grgić. IzdanjaHrvatskog arheolo - textand image relationship).in rednjemveku" (Notes about illuminationsthe of JournalofCroatian

L’eta’dell’abate Desiderio. Manoscritti Icodici liturgicidiPuglia - 105:96 XIIIsecolo”. Časoslovopatice Čike Catalogueofexhibition the inheld . 2 . editionnd prepared andenlarged

Studies 21(1980): 190 - 97 škog društva

Segnoetesto 9 - H 10 (1969):10 41 agiologija/Kultovi u - veza tekstaveza islike” -

199: 194 . . Eds.Gerardo

86:199 7(1982): 201 (TheBook of

4 (2006): - - 132:78 232:213, - 197, - 77, - 360 -

CEU eTD Collection 42 fig. 41 fig. 40 fig. 39 fig. fig 37 fig. 36 fig. 35 fig. 34 fig. 33 fig. 32 fig. 31 fig. 30 fig. fig.29 28 fig. 27 fig. 26 fig. 25 fig. 24 fig. 23 fig. 22 fig. 21 fig. 20 fig. 19 fig. 18 fig. 17 fig. 16 fig. 15 fig. 14 fig. 13 fig. 12 fig. 11 fig. f fig.9 8 fig. 7. fig. 6 fig. 5 fig. 4 fig. 3. fig. fig. 1 fig. 8.1. LIST8 OFILLUSTRATIONS ig.10 . 38 . 2 ZADARFRAGMENTSWRITTENAND MANUSCRIPTS INSCRIPTBENEVENTAN ------Cod. Cass. Cod. 552,p.28 - - - - Vat.lat.10673,fol. 5v MS.277,Canon.fol. Liturg. 72r K.394,fol. 23r Cass. Cod. 175,p.408,411,493, 506 MS.Canon.Liturg.277, fol. 57v ------K.394, fol.K.394, Cod.Cass. 175,p.2 K.394,fol. 10r MS.Canon.Liturg.277, fol. 55r Cod. Cass. Cod. 109,p.311 Cass. Cod. 106,p.175 MS.277,Canon.fol. Liturg. 92r Cassinese Cod. p.458 97, 61,MS.fol.Bibl.Lat. 129v MS.277,Canon.fol. Liturg. 41v K.394,fol. 6r Cass. Cod. 109,p.144 Cass. Cod. 317,p.152 Cass. Cod. 218,p.11 Cass. Cod. 218,p.27 MS.Bibl.61,fol. 68v Lat. K.394,fol. 66r K.394,fol. 27v K.394,fol. 26v MS.Canon.Liturg.277, fol. 100r BariletterE( II, Exultet BariMaurus Benedictiondepictionroll, ofSt. BaridepictionI, Exultet ofSt.Nicholas 10673,Vat.lat.fol. 22r MS.Canon.Liturg.277, fol. 130v MS.Canon.Liturg.277,fol. 127v K.394,fol.94v MS.Canon. fol.58rLiturg.277, K.394,fols. 41v,42r Naples, MS.Canon.Liturg.277, fol. 96r MS.Canon.Liturg.277, fol. 78r MS.Canon.Liturg.277, fol. 22r Cod.Cass. 317 MS.Canon.Liturg.277, fol. 128v MS.Canon.Liturg.277, fol. 71v Neap. VIII B 6 BVIII Neap.

98v

,p.244

, fol. , 203v

x ultet

)wi

th medallionsofsaints th

361

CEU eTD Collection 91 fig. 90 fig. 89 fig. 88 fig. 87 fig. 86 fig. 85 fig. 84 fig. 83 fig. 82 fig. 81 fig. 80 fig. 79 fig. 78 fig. 77 fig. 76 fig. 75 fig. 74 fig. 73 fig. 72 fig. 71 fig. 70 fig. 69 fig. 68 fig. 67 fig. 66 fig. 65 fig. 64 fig. 63 fig. 62 fig. 61 fig. 60 fig. 59 fig. 58 fig. 57 fig. 56 fig. 55 fig. 54 fig. 53 fig. 52 fig. 51 fig. 50 fig. 49 fig. fig.48 47 fig. fig. 45 fig. fig.44 fig.43

46 ------Cod. Cass.90,p. Cod. 95 fol.K.394, 17r Cass. Cod. 73,p.73 CapuanO ( Exultet, CapuanO( Exultet, MS.277,Canon.fol. Liturg. 59v Bari2 Exultet MS.277,Canon.fol. Liturg. 20r K.394,fol. 21v Cass. Cod. 759,p.491 Cass.402, Cod. p.50 MS.Canon. BariinitialBenedictionroll, H( MS.277,Canon.fol. Liturg. 53r K.394,fol. 55v MS.Canon.Liturg.277, fol. 79r Cass. Cod. 339,p.146 Cass. Cod. 402,p.181 BariA ( 2, Exultet K.394,fol. 39r K.394,fol. 25v K.394,fol. 7v BariS( I, Exultet BariBenedictionD( roll, K.394,fol. 48v MS.Canon.Liturg.277, fol. 99r Dubrovnik,monastery,Dominican Moraliainfol. 106r Job, K.394,fol. 71r Biscegliefol.Evangelistary,35r MS.fol.Bibl. Lat.61, 148r MS.277,Canon.fol. Liturg. 91r MS.Bibl.61,fol. 132r Lat. MS.Canon.Liturg.277, Cass. Cod. 103,p.127 Cas. Cod. 77,p.109 K.394,fol. 57v 7810,Vat.lat.fol. 92v K.394,fol. 47v K.394,fol. 32r Bariinitial 2, „Q“ Exultet 4222,Vat.lat.fol. 5v K.394,fol.72r K.394,fol. 30r MS.Canon. Liturg.277,fol. 35v MS.Canon. Liturg.277,fol. 61v Cod.C Cod.Cas.175 MS.Canon. Liturg.277,fol. 36v MS.Canon. Liturg.277,fol. 44r ass.552

Liturg. 277,fol. Liturg. 39v

p.95 ,

,p.219

aluum

seculisegreg beatanox

ramu

)

fol.90r escendat ste

) )

aec nobis aec atos

)

praecepit …)

362

CEU eTD Collection 140 fig. 139 fig. 138 fig. 137 fig. 136 fig. 135 fig. 134 fig. 133 fig. 132 fig. fig. 130 fig. 129 fig. 128 fig. 127 fig. 126 fig. 125 fig. 124 fig. 123 fig. 122 fig. 121 fig. 120 fig. 119 fig. 118 fig. 117 fig. 116 fig. 115 fig. 114 fig. 113 fig. 112 fig. 111 fig. 110 fig. fig.109 108 fig. 107 fig. 106 fig. 105 fig. 104 fig. 103 fig. 102 fig. 101 fig. 100 fig. 99 fig. 98 fig. 97 fig. 96 fig. 95 fig. 94 fig. 93 fig. fig.92 131 ------

- K.394,fol. 46r MS.Bibl.61,fol. Lat. 15r K.394,fol.44r K.394,fol.19v K.394,fol.5r ------MS.Vat.Ottob.Lat. 296,fol.MS.Vat.Ottob.Lat. 39v MS.Bibl.61 Lat. MS.Bibl.61,fol. Lat. 144v MS.Bibl.61,131r Lat. MS. MS.Bibl.61,fol. 7v Lat. SaninAngeloformis, Supper Last Ottob.MS. Vat. 2 Lat. 61,MS.Bibl.fol. Lat. 124v BarimonogramBenedictionroll, Bari( BenedictionD roll, MS.Bibl.61,fol. 123v Lat. K.394,fol. 43r MS.Bibl.Lat.61,fol. 29r MS.Bibl.Lat.61,fol. 181v Salerno Exultet roll Pisa2,E( Exultet PisaRoll Exultet 2 909,fol.Pal.lat. 2r Misc.p.1,fragment verso182, V, Cod. K.394 MirabellaEclano Cas.72413),3 (B I Vat.lat.9820 MirabellaEclano MS.Bibl.61,fol. Lat. 117r MS.Bibl.61,fol. Lat. 115v MS2,B VI fol. 313v Vat.gr.1554 MS.Bi MS.Bibl.61,fol. Lat. 188r MS.Bibl.61,fol. Lat. 146r MS.Bibl.61,fol. Lat. 138v MS.Bibl.61,fol. Lat. 47v MS.Bibl.61,fol. Lat. 44v MS.Bibl.61,fol. Lat. MS.Bibl.61, Lat. Naples,LibraryNational MS.Bibl.61,fol. Lat. MS.Bibl.61,fol. Lat. 36r MS.Canon. Liturg.277 MS.Bibl.61,fol. Lat. MS.Bibl.61,fol. Lat. 7r Canon. Liturg. 277,Canon.fol. Liturg. 85r I, letterI,“A” , fol. , 56 bl. Lat. 61,fol. bl.Lat. 106r

, fol. , 178v

,fol.175v Exultet1 , Exultet2 , xultet

, “Last supper”“Last , fol.10r

40v 45v 59r

)

,fol. 78r

,fol. 124v

omine Deusominepater omnipotens VI B 2. B VI

,fol. Veredignum

137r 137r

..)

363

CEU eTD Collection 181 fig. 180 fig. 179 fig. 178 fig. 177 fig. fig.176 175 fig. 174 fig. 173 fig. 172 fig. 171 fig. 170 fig. 169 fig. 168 fig. 167 fig. SCRIPT 8.2. 166 fig. 165 fig. 164 fig. 163 fig. 162 fig. 161 fig. 160 fig. 159 fig. 158 fig. 157 fig. 156 fig. 155 fig. 154 fig. 153 fig. 152 fig. 151 fig. 150 fig. 149 fig. 148 fig. 147 fig. f 145 fig. 144 fig. 143 fig. 142 fig. 141 fig. ig.146 DUBROVNIK MANUSCRIPTS AND FRAGMENTS WRITTENDUBROVNIK MANUSCRIPTSFRAGMENTS AND INBENEVENTAN ------

NationallibraryUniversityand 4107 R Zagreb, FranciscanmonasteryFrancis, St. Zadar, of Scientificlibraryf Dubrovnik, Dominicanfragmentmonasteryj Dubrovnik, Dominicanfragmentmonasteryh Dubrovnik, Franciscanm Domincanfragmentmonasteryk Dubrovnik, Dominicanfragmentmoansterys.n. Dubrovnik, Dominicanfragmentmonasteryb Dubrovnik, Dominicanfragmentmonasteryf Dubrovnik, Dominicanmon FranciscanmonasteryAllig. 1 Dubrovnik, Scientificlibraryfragmentfrom Dubrovnik, charter,donation ofkingCroatian Zvonimir Archeologicalmuseum,fragmentSplit, ninthfragmentscentury(in psalmorumLiber Epistola S.adPauli PhilippensesEpistola S.adPauli PhilippensesEpistola Pal.lat.909 psalmorumLiber Theol. Troia3 Exultet Troia Vat.lat.10673,fol. 35v MirabellaExultetI Eclano, Add.30337 Barb.Lat.592 Vat.lat.3784 BariI Exultet London,British 30337 library, add. MS.339Borg.Lat. Ms.Lat. Fol. 920, DominicanmonasteryfragmentDubrovnik,r DominicanmonasteryfragmentDubrovnik,p Cod.Cass. 3 ninthcent Cod.Cas.402 Cod.Casin.p.258 269, MSC 625 Vat.lat.10673,fol. 11r

, Exultet Exultet roll I Lat. Quart. 278 Quart. Lat. ury fragments(inury , ,p.228 fol.54r

,p.190 onastery Dubrovnik, fragmentnow Ink.98, lostonasteryattachedDubrovnik, oneto

, p.194 ,

astery Dubrovnik, fragmente asteryDubrovnik, , fol. 259r , , fol. 258r ,

fol.108v

,fol. 53r

79r

MS 624 D 624 MS

ragment attachedto ragment

, fol. 217r), , fol. , 220r)

Passionale Incunabulum 68 Incunabulum monasteryBenedictin to the of SplitSt.

A - 1349

364

CEU eTD Collection 226 fig. 225 fig. 224 fig. 223 fig. fig.222 fig.22 220 fig. 219 fig. 218 fig. 217 fig. 216 fig. 8.3. 215 fig. 214 fig. 213 fig. 212 fig. 211 fig. 210 fig. 209 fig. 208 fig. 207 fig. 206 fig. 205 fig. 204 fig. 203 fig. 202 fig. 201 fig. 200 fig. 199 fig. 198 fig. 197 fig. 196 fig. 195 fig. 194 fig. 193 fig. 192 fig. 191 fig. 190 fig. 189 fig. 188 fig. 187 fig. 186 fig. 185 fig. 184 fig. 18 fig. 182 fig. TROGIRMANUSCRIPTSWRITTEN INBENEVENTAN SCRIPT 1 3 ------

BodleianOxford, library,fol. 42r MS.Canon.Liturg.277, TrogirEvangelistaryArt, Museumfol. ofSacred of118r 1259, TrogirEvangelistaryArt, Museumfol. ofSacred of124r 1259, TrogirEvangelistaryArt, Museumfol. ofSacred of76r 1259, Dubrovnik,26cIIArchive, State XII, Dubrovnik,26c Archive, State XII, Zagreb,Croatian Archive,National Zagreb,Scientificlibrary Juraj Habdelić, Dubrovnik,Fra Dubrovnik,Scientificlibrary, A Dubrovnik,Scientificlibrary, Dubrovnik,monastery,Dominican fragment o Dubrovnik,monastery,Dominican fragmentn Dubrovnik,Scientificlibrary, Dubrovnik,Archive,State foundationLokrum char Split,TheArchivefragment 8 Archbishopric,of the Split,TheArchivefragment 7 Archbishopric,of the Split,Archeological museum, Dominicanfragmentmonasterya Dubrovnik, Franciscanmonastery Dubrovnik, FranciscanmonasteryAllig. 5 Dubrovnik, Trogir MuseumEvangelistary fol.107vArt, Sacred of 1259, of Trogir MuseumEvangelistary fol.Art, Sacred of85r 1259, of Trogir MuseumEvangelistary fol.Art, Sacred of45v 1259, of TrogirMuseum Sacred of Split,TheArchbishopric,Archivefragment 9 of the Trogir MuseumEvangelistary fol.Art, Sacred of1v 1259, of Trogir MuseumEvang Art, Sacred of TrogirMuseum Art, Sacred of Dubrovnik,Archive, foundationLokrumState charter, transcript Franciscanmonastery11 Allig.Dubrovnik, FranciscanmonasteryDubrovnik, Dubrovnik,Archive, State Dubrovnik,Archive, State Dubrovnik,Archive, State Dubrovnik,Archive, 26e XII, State Dubrovnik,Archive, 26d XII, State Dubrovnik,Archive, 26f XII, State Dubrovnik, Zagreb,Scientificlibrary Habdelić,Juraj BancroftLibrary, Ber Dubrovnik,monastery,189 FranciscanMS. Dubrovnik, Dubrovnik,library,Scientific Dubrovnik,library,Scientific

State Archive, 26c,versoXII, State fragmentm monastery,Dominican nciscan monastery, MS. 463monastery,nciscan MS. keley, University of California, University keley, of Art, Evangelistaryfol.Art, of70r 1259, XII, 26g verso26g XII, 26g XII, 34 XII, CR CR 50 c 2/2, c 50 CR A

Evangelistary of 1259 , fols.Evangelistary , of4v,5r 1259 - - 478 1006 - - - 20. 799 20. III MS. 5310/210/7 MS. a 20. 911 20. MS. 5310/210/8 MS.

MSC57/9

206 elistary of 1259, fol. of6v elistary1259,

Passionarium

2027

fragmentsof

ter, 1023 ter,

130:f1200:17 VitaeSanctorum

365

CEU eTD Collection 264 fig. 263 fig. andGabriel 262 fig. 261 fig. 260 fig. 259 fig. 258 fig. 257 fig. 256 fig. 255 fig. 254 fig. 253 fig. 252 fig. 251 fig. 250 fig. 249 fig. 248 fig. 247 fig. 246 fig. 245 fig. 244 fig. 243 fig. 242 fig. Mark 241 fig. 240 fig. 239 fig. 238 fig. 237 fig. 236 fig. 235 fig. 234 fig. 233 fig. 232 fig. 231 fig. 230 fig. 229 fig. 228 fig. 227 fig.

------TrogirEpistolary,Art, Museumcover,frontPentecost of Sacred TrogirEpistolary,Art, Museumfol. of Sacred2v fol.Cava, 19, MS 94v Zagreb,National Universityfragmentand Library,4106, R with zoomorphic symbolSt. of Rab,Parishinitial fragmentOffice,with “I” Rab,Parishinitial fragmentOffice,with “I” Split,C,TheArchive,Chapterfol.625 MS 62v Split,D,Thefol.Archive,Chapter624 MS 4r Trogir,Archive, Thefol.Chapter Trogir Evangelistary,83r Trogir,Archive, Thefol.Chapter Trogir Evangelistary,82r Trogir,TheChapter Budapest,Hungarian Academyfol. K.394, of Sciences, 52r Split,Archive, D,ThebackCrucifixionChapter 624 MS cover, Split,Archive, D,TheChapter 624 MS Split,Archive, TheChapter Split,Archive, TheChapter Trogir MuseumbackEpistolary, Art, Sacred of Split,Archive, TheChapter Split,Archive, TheChapter Trogir MuseumEpist Art, Sacred of Trogir Museumfol.Epistolary, Art, Sacred34r of Trogir Museumfol.Epistolary, Art, Sacred45v of Trogir Museumfols.Epistolary, Art, Sacred 8v,9r of TrogirMuseum ArSacred of Trogir Museumfol.Epistolary, Art, Sacred47v of Trogir Museumfol.Epistolary, Art, Sacred16r of Trogir Museumfol.Epistolary, Art, Sacred52v of TrogirMus Trogir,TheArchive,Chapter Evangelistary,fol. Trogir 42v Trogir,TheArchive,Chapter Evangelistary,fol. Trogir 103 Trogir,TheArchive,Chapter Evangelistary,fol. Trogir 98v Trogir,TheArchive,Chapter Evangelistary,fol. Trogir 86v Trogir,TheArchive,Chapter Evangelistary,fol. Trogir 30v Rab,Parish fragmentwithAndrew Office, St. Rab,Parish fragmentwith Office, ofMother God Rab,Parish Offi Zagreb,National fragment Library,4106, UniversityRandwith I Rab,Par

ishfragmentwithMary Office, Magdalen St. eum of Sacred Art, fol.Epistolary,Art, Sacred28v eum of ce, fragmentwith ce,

Archive,fol.Trogir Evangelistary,9r

MS 625 C 625 MS C 625 MS C 625 MS MS 625 C 625 MS t, fols.Epistolary, 4v,t, 5r Anastasis olary, fol. 36v olary, , backVirgin , cover, childarchangelswith and Michael front cover,, fol. , 7r fol. , 6v front cover,front

cover, Pentecost cover,

orans

Maiestasdomini Maiestasdomini

- initial

366

CEU eTD Collection 1128) Bookhands ____. 563 (1972): 19 Spoleto. medioevo, sull’alto studi di italiano Centro del studio di settimane medioevo, dell’alto latino ____. OaksPapers Herbert. Bloch, dei scritturamanoscrittiBibliografia in beneven 333 (2004):fasc.XLV, anno I Firenze.”. a beneventana scrittura di testimonianze“Nuove Sandro. Bertelli, 1 (1974): vol.28 La andamong Greeks Art “ByzantineHans. Belting, povijestza Institut sadašnjost, umjetnosti, 1998. ____. 201 ____. 94 (1972): Dubrovnik). in monastery Franciscan ____ (The Rab). in Rabu” century eleventh 5 (1965/66): u of end stoljeća the from 11. Evangelistary illuminated kraja the of iz fragments evanĎelistara iluminiranog “Fragmenti AnĎelko. Badurina, Babudri,“L‟ExultetFrancisco. indi XI”Bari del. sec. 1939. Cambridge (Mass.), ____. Avery, Myrtilla. 325. Montecassino”. di dell‟archivio liturgici codici “I Faustino. Avagliano, 9. BIBLIOGRAPHY -

205 .

MonteCassinothe in Middle Ages. “Osorski evanĎelistar” (Osor‟ s Evangelists (Osor‟ “OsorskievanĎelistar” A MS from Troia, Naples, VI Naples, Troia, from MS A Mne asn‟ Tahr ad irr i te ih ide Ages” Middle High the in Library and Teachers Cassino‟s “Monte Iluminirani rukopisi samostana Male braće u Dubrovniku” (Illuminated manuscripts of the the of manuscripts (Illuminated Dubrovniku” u braće Male samostana rukopisi Iluminirani lmnrn rkps u Hrvatskoj u rukopisi Iluminirani

- 115. of the Middle Ages Middle the of -

12. 3 (1946): 64 (1946): 3 -

613. MneCsio yatu n h Ws i h ale Mdl Ages”. Middle Earlier the in West the and Byzantium Cassino, “Monte - The ExultetR The

- 224,217

- olls ofolls SouthItaly 359 . IV. .

- 258. - Beneventan Script Beneventan B Radovi instituta za povijest umjetnosti sveučilišta u Zagrebu u sveučilišta umjetnosti povijest za instituta Radovi - 2 in 2

3 vols.3 Roma: letteratura,1986.Edizione di e storia (Illuminated manuscripts in Croatia). Zagreb: Krsćanska Krsćanska Zagreb: Croatia). in manuscripts (Illuminated Medieval Studies in Memory of A. Kingsley A. of Memory in Studies Medieval

. Vol. II Princeton: . Vol.II Princeton University 1936 Press, tana ary)

tins in Southern Italy”. in Southern tins 1 Izdanja Hrvatskog Arheoloskog društva ArheoloskogHrvatskog Izdanja Archivio storicoArchivio Pugliese - , London, Bernard Quaritch, 1990 (Catalogues, (Catalogues, 1990 Quaritch, Bernard London, , 16. Roma:libreriaViella editrice, Benedictina . Dumbartoan Oaks Dumbartoan Studi medievali Studi a coa nell’occidente scuola La

10 (1957): 8 (1957): 10 7 17) 300 (1970): 17 -

1993 Porter Peristil Dumbarton Dumbarton -

169. 3a serie 3a 7 (1982): (1982): 7 -

2008 Papers

vol. 1. 1. vol.

367 1 8

- -

– 2 9 - ,

CEU eTD Collection Biskupski Dubrovnik: zagrebačke, crkve Prvostolne Kor 1998. ordinarijat, Zagreb: c.). eleventh from Nicholas stoljeća ____. Dubrovnikcathedral). ____. c.). eleventh from Nicholas St. of feast the of Obituary Liturgical Dubrovnic the of chants (The stoljeća” ____. Demović,Miho. Stor. Italia Font. S di benedettino monastero del diplomatico Codice Slavoniae et Šamsalović.1967. Zagreb:JAZU, Dalmatiae Croatiae, regni diplomaticus Codex 1, dell’Bari,Exultet capicattedraleArchivio2,3 di ____. medievali Studi articolazioned e “Struttura Guglielmo. Cavallo, Chartularemonasterii MarieSanctaeJadertinum medieval ____. ____. inninth ____. 271”. ____. ____. ____. ____. ____. 239 (I)”. Manuscripts Beneventan of List New Second “A Virginia. Brown, - Baš 290 Medieval StudiesMedieval TerraSancti Benedicti. o monasteries thefor Rieti at “New documents “AofBe List New Second “AofBeneventan (IV)”.List New Second Manuscript “AofBeneventan List New Second (III)”.Manuscripts “AofBeneventan List New Second (II)”.Manuscripts “Napjevi dubrovačkog beneventanskog liturgijskog priručnika blagdana svetog Nikole iz XI. XI. iz Nikole svetog blagdana priručnika liturgijskog beneventanskog dubrovačkog “Napjevi MonteCassino in X/XI) (saec. Texts Palimpsest Missal: Beneventan the for evidence “Early urvči eeetnk ltrisi rrči lgne ord badn sv. blagdana obreda i legende priručnik liturgijski beneventanski Dubrovački “Dragocjeni muzički kodeks iz dubrovačke katedrale” (The valuable musical codex from from codex musical valuable (The katedrale” dubrovačke iz kodeks muzički “Dragocjeni so with handlist A script: Beneventan in texts “Palimpsested Rotoli di Exultet dell’ Italia meridionale: Exultet 1,2, Benedizionale dell’ archivio della della archivio dell’ Benedizionale 1,2, Exultet meridionale: Italia dell’ Exultet di Rotoli ćinskiglasi -

century Benevento”. Benevento”. century (Dubrovnik Beneventan Liturgical Obituary of the Legend and Ritual for the feast of St. St. of feast the for Ritual and Legend the of Obituary Liturgical Beneventan (Dubrovnik

palimpsests , serie (1970),, 11 343 3, ,XCViii/1 TrogirskiEvandjelistar

6 93 (1997):

( Dubrovnik1/2 Bibliologia 26). Bibliologia

60 (1998): 239 (1998): 60 - 3. Rome, 1960. 3.

Mediaeval StudiesMediaeval Roma:letteratura,2005.Edizione di e storia - 147. neventan(V)”.Manuscripts

(1981): 53 (1981): - Ed. GeorgesEd. Brepols,Turnhout: Declercq. 99 2007: - 307. 368.

(Trogi

r‟s Evangelistary).Split: r‟s 1997. Knjiţevni krug, ella minuscola beneventana libraria tra i secoli X isecoli librariatra beneventana minuscola ella - 63 (2001): 337 (2001): 63 60. . Ed. ViktorNovak. Zagreb: . Ed. JAZU,1959. tolare di Troia tolaredi

. f San Benedetto ad Xenodochium and Santa Sofia Sofia Santa Xenodochiumandad Benedetto fSan ai d Tremiti di Maria Mediaeval studiesMediaeval studiesMediaeval Mediaevalstudies Mediaeval studiesMediaeval - 351 vl . d. oi Stipišić Josip Eds. 1. vol . .Bari: Adriaticaeditrice,1973.

(1005 e dniiain” in identifications” me Mediaeval studies Mediaeval

- 1237). 1237). 61(1999):325 50584 (1988): 70 (2008): 275 (2008): 70 56 (1994): 299 (1994): 56 Ed. A. Petrucci, Petrucci, A. Ed.

Nikole iz XI. XI. iz Nikole -

144

40 (1978): 40 - - - 392

- 625 355 - 350 Miljen Miljen - Early XII,” XII,”

368

CEU eTD Collection Hierseman,1917 Hans. Folnesics, 323 (1974): Apulia). and Dalmatia and Dubrovnik between relations of study the ____. Mogućnosti ____. Medio nel Dalmazia la e Pugliese Puglia la tra artistici “Contatti Cvito. Fisković, Epistolary). and Evangelistary (Trogir‟s Bašćinski Evandjelistar” glasi i Epistolar “Trogirski Dragan. Filipović, Parma”. di Stato di archiviopaleogr Archvio nell‟ beneventana in codici di “Frammenti Ettore. Falconi, Libreriazeccapoligraficoe dello 1994 stato, dello stato, litur Rotoli Exultet. dell‟XIsecolo”. ____. 2007:Milano,settembre 362 2006), in ____. 2007:169 Preistoria sulla Convegn 27o ____. testoe Segno Emanu Elba, Zagreb:JAZU,1877. septimus volumen illustrantia antiquam periodum Chroaticae Historiae Documenta 55 Zadar:Muzičkiinformativni centar: Croat in culture ____. inDubrovnikPontifical Beneventanwritten script) ____. Medioevo: l’Europa delle cattedrali delle l’Europa Medioevo: “Spomenici glazbene kulture u Hrvatskoj od 10. do 12. stoljeća” (The monuments of the musical musical the monumentsof stoljeća” (The 12. do 10. od Hrvatskoj u “Spomenici kulture glazbene „Dalla Puglia alla Dalmazia: note sul Martirologio di S. Maria di Pulsano (XII secolo)”. Atti del Attidel secolo)”. (XII Pulsano di Maria S. di Martirologio sul note Dalmazia: alla Puglia „Dalla “Prilog proučavanju dubrovačko proučavanju“Prilog secolo” XIII del adriatica artistica cultura la e Trogir di cattedraledella miniato “L‟Evangeliario “Lungo le rotte adriatiche: il Libro d‟Ore in beneventana di Budapest e la miniatura pugliese pugliese miniatura la e Budapest di beneventana in d‟Ore Libro il adriatiche: rotte le “Lungo dubrovačk fragment “Neumatski “Naše umjetničke veze s juţnom Italijom” (Our artistic relations with Southern Italy). Italy). Southern with relations artistic (Our Italijom” juţnom s veze umjetničke “Naše 14 (1961): 72 (1961): 14 - 181 -

12 (1961): 1222 (1961): 12 331.

l. L dcrzoe e cdc i bnvnaa el Dlai ta I XI secolo”. XIII e XI tra Dalmazia della beneventana in codici dei decorazione “La ela. 4 107 (2006):

3 (1994): 135 (1994): 3 a rmtnhutltefhc) in c.) twelfth until tenth from ia Rivista didella StoriaRivista Miniatura afico italiano afico

i Ilmnetn adcrfe i Dalmatien im Handschriften Illuminierten Die gici del medioevo meridionale medioevo del gici

- 81.

- 147. - - 1239. -

173. 3 Prot rd

ser (2 ser

Severo, San Gravina. Armando Ed. Daunia. della Storia e ostoria - 369 - - - . Atti del IX Convegno Internazion Convegno IX del Atti . og beneventanskog pontifikala” (The fragment with neums of of neums with fragment (The pontifikala” beneventanskog og 91. dalmatinskim i apuljskim likovnim vezama” ( vezama” likovnim apuljskim i dalmatinskim 3) 3) (1963

64):73 1245 (2008): . Eds. Giulia Orofino, Oronzo Pecere. Roma: Istituto Istituto Roma: Pecere. Oronzo Orofino, Giulia Eds. . Muzičke večeri u Donatu, Zbornik radova. Zbornik Donatu, u večeri Muzičke Rad JAZU409 Rad

- 110

- 55.

(1988): 225 (1988):

. Leipzig: Verlag von Karl W. W. Karl von Verlag Leipzig: . Zbornik za likovne umjetnosti likovne za Zbornik ale di Studi (Parma, 19 (Parma, Studi di ale - 253. Evo”. Evo”.

. Ed. Franjo Rački Rački Franjo Ed. . A contribution to contribution A Archivio storico storico Archivio Bullettino Bullettino

Zagreb, Zagreb, 369 -

10 10 23

CEU eTD Collection Muzikološko/ Društvo CroatianHrvatsko :1998 35 Society, Musicological 28 September on Croatia, Zagreb, in held 28.09. Hrvatska, Zagrebu, Cultures Musical Mediterranean and kultura glazbenih mediteranskih in Dalmatia” ____. Perugia”,nell’Universita di ( 1990 medioevo, Foundation (2 liturgici tropi dei tradizione ____. ____. Kotor. Francis. Gyug,Richard MaticaKršćanskaarhiv, sadašnjost, 2002. Hrvatska, ____. of Univesity diss, D Ph. Budapest), from inPhilosophy1976. Zagreb, 5 Latini Cod. Ms. and Oxford from 277 Liturg. Canon. (Ms. manuscripts illuminated two of creation the of time the and origin the function, the Čika; abbess Canon. ____. 269 (1965): ____. “The ____. IlluminationinBook Eleventh C. Zadar”. Jugoslavenske Institut i akademije1968. znanosti Zadru, u umjetnosti heritage In Mary). Saint of convent the from manuscripts unknown two (The Budimpesti" u rukopisa svetomarijska nepoznata "2 Marijan. Grgić, Klincksieck,1972 André Grabar, - stebe 97 ognzai dal organizzati 1987) settembre 5 MissaleRagusinum “Innovation, Adaptation and Preservation: The Genealogies of Christ in the Liturgy of Medieval Medieval of Liturgy inthe Christ of Genealogies The Preservation: andAdaptation “Innovation, Časoslov opatic Časoslov (Ms. rukopisa iluminiranih dvaju nastanka vrijeme i porijeklo namjena, Čike; opatice “Časoslov Toe ad rsls n amta Sucs f h Tefh n Titet Centuries”. Thirteenth and Twelfth the of Sources Dalmatian in Prosulas and “Tropes “Najstarije zadarske note” (The oldest oldest (The note” zadarske “Najstarije Diss. Toronto, Diss.Toronto, Liturg. 277 iz Oxforda i Ms. Cod. Latini octavo 5 iz Budimpešte” iz 5 octavo Latini Cod. Ms. i Oxforda iz 277 Liturg.

of the convent of St. Mary in Zadar), ed. Grga Novak & Novaked. Mary Grga inZadar), ofSt. convent the of , a cura di Claudio Leonardi ed Enrico Menesto, Spoleto, Centro italiano di studi sull‟alto sull‟alto studi di italiano Centro Spoleto, Menesto, Enrico ed Leonardi Claudio di cura a , - 353. arb 1094 Zagreb .

e mnsrt ges nuié e rvnnc iaine IX italienne provenanace de enluminé grecs manuscrits Les

iloea de Biblioteca 1983. e Čike e An Edition of Leningrad, B. A. N., F. no. 200: The Lectionary and Pontifical of of Pontifical and Lectionary The 200: no. F.N., A. B. Leningrad, of Edition An . Pontifical. Toronto: of1990. MediaevalInstitute studies, -

- . Atti dei convegni sui tropi liturgici P liturgici tropi sui convegni dei Atti .

3), 409 3), 1994, 1994, (The Book of Hours of the abbess Čika). Zagreb Čika). abbess the of Hours of Book (The 10.

“eto e i cleaet dgi td mdeai umanistici e medievali studi degli collegamento il per “Centro l / 1994. / Proceedings of the International Musicological symposium symposium Musicological International the of Proceedings / 1994. Zagreb and Croatian Lands as a Bridge between Central between Bridge a as Lands Croatian and Zagreb - arb hrvatske i Zagreb 438. Kulturna bastina samostana svete Marije u Marije svete samostana bastina Kulturna , Radovi s meĎunarodnog muzikološkog skupa odrţanog u u odrţanog skupa muzikološkog meĎunarodnog s Radovi ,

ops Troporum Corpus - October 1, 1994, uredio / ed. Stanislav Tuksar, Zagreb: Zagreb: Tuksar, Stanislav ed. / uredio 1994, 1, October Zadar notes). notes). Zadar

JournalofCroatian

zemlje kao most izmeĎu srednjoeuropskih i i srednjoeuropskih izmeĎu most kao zemlje

sotto l‟egida dell‟ dell‟ l‟egida sotto aoi nttt JZ u Zadru u JAZU Instituta Radovi

Vjekoslav Maštrović,123 Vjekoslav arigi (15 arigi

Studies

- (The Book of Hou of Book (The 55. - 19 ottobre 1985) ottobre 19 - Zadar: Hrvatski drţavni drţavni Hrvatski Zadar:

Zadru - European Science Science European 1041 (1969): - I siècle XI (The cultural cultural (The - 227. Zadar: Zadar: 227. - European European rs of the the of rs - . Perugia

In 12 Paris: Paris: - 132. 370 - La La 13 13

CEU eTD Collection 1914 Press, Avery.Elias Lowe, umjetnosti1968 Zadru, u Zad u KulturnasamostanaMarijebaština svete from thirteenthcentury). dubrovačk jednog “Fragment Milko. Kos, liturgicalfromZagreb: Zagreb). codices1944 HAZU, ____. fromcodices Zagreb). ____. fromfifteentheleventhuntil c.). the XI kodeksi liturgijski “Zagrebački Dragutin. Kniewald, Society arts: visual the and reform Gregorian “The ____. Kelly,Thomas Forrest. 125 (1957): Dusko. Kečkemet, storicosommaire, Instituto Rome:domenicanoSanta Sabina,1965. Kaeppeli,Th. 1941 Mauro. Inguanez, 1769. sacrum Illyricum Nicola,Archivio1986 Archiviodi S. di Stato, Puglia di liturgici codici I M. “ListeHuglo, manuscritscomplémentaire debénéventains”. R.“EvangeliaireJ. Hesbert, Zara”.de CoulsonT.F. eds.Brepols, Turnhout:A.A. and Grotans, 293 2008: in ____. Classica et Beneventana: Essays presented to Virginia Brown on the occasion of her 65th Birthday 65th her of occasion the on Brown Virginia to presented Essays Beneventana: et Classica r,e.Gg oa jksa atoi.Zdr nttt uolvnk kdmj nnsi i znanosti akademije Jugoslavenske Institut Zadar: Maštrović. Vjekoslav & Novak Grga ed. ar),

“From B “From The Exultet in Southern Italy Southern in Exultet The Ujtik viens zgeakh iugjkh oes” Te ritc au o the of value artistic (The kodeksa” liturgijskih zagrebačkih vrijednost “Umjetnička lmncj i oaia arbči ltrisi kodeksa liturgijskih zagrebačkih notacija i Iluminacija

22 (1972): 87 (1972): 22

- 141 -

Shooner, H. V. V. H. Shooner, eneventan to Gothic: Continuity and Change in southern Italian Liturgical Ceremonies” Ceremonies” Liturgical Italian southern in Change and Continuity Gothic: to eneventan

os IV vols. oiu Csnnim aucitrm catalogus, manuscriptorum Casinensium Codicum The Beneventan script. A history of the south Italian minuscule Italian souththe of history script.A BeneventanThe Peri Split). in miniatures (Romanesque Splitu” u minijature “Romaničke - 102. CroatiaSacra The ChantBeneventan

Prilozizaknjiževnost,istroriju i folklor . Eds. Gerardo Cioffari, Giuseppe DiBenedetto et al. Bari: Ediz al.Bari:et DiBenedetto GiuseppeCioffari, Gerardo Eds. . - VI. Eds. Danielle Farlatti and Jacopo Coleti. Venice: Sebastiano Coleti, Coleti, Sebastiano Venice: Coleti. Jacopo and Farlatti Danielle Eds. VI. Lesmanuscrits médiévaux . New York, Oxford: Oxford University press, 1996 Kitzinger, E. E. Kitzinger, 1996 press, University Oxford Oxford: York, New . CroatiaSacra

20 Scriptorium - 21 173 (1943): og obituarija XIII. veka” (Fragment of a Dubrovnik obituary obituary Dubrovnik a of (Fragment veka” XIII. obituarija og

Zadru a Problem of Method”. Method”. of Problem a

Cambridge:Cambridge1989. University Press,

(Thecultural heritage 8 (1954): 177 (1954): 8 (1940): 1 (1940):

- - 185 XV stoljeca” (Liturgical codices from Zagreb Zagreb from codices (Liturgical stoljeca” XV

de Saint de

- 126 Scriptorium -

IV IV 193 (1924): 204. -

Dominique

(Illumination and notation of the the of notation and (Illumination - 31

Transactions of Royal Historical Historical Royal of Transactions

vols. 3 of the convent of St. Mary in Mary conventof St. theof

18 (1964): 89 (1964): 18

de Dubrovnikde - ot Csio 1915 Cassino, Monte 209 . Oxford: Clarendon Clarendon Oxford: .

ione Levante, Levante, ione - 91. . Catalogue Catalogue

liturgical liturgical

tl 8 stil 371 - 9 - ,

CEU eTD Collection 205 Epiphany): the of day the on Easter the of Beneventanc (Two Splitu iu Osoru na Bogojavljenja, dan na Uskrsa 202 Homiliary): a of Fragment (The homilijarija 188 159 sacramentary): Split oldest the društva ____. withscriptspecial a Zagreb:to type the regard ofJAZU,DalmatianBeneventan 1920 script). Viktor. Novak, 1999 Press, ____. inmanuscipts” surviving some and Chronicle The Cassino: Monte at scriptorium Desiderian “The Francis. Newton, 1954 miniatura della nazionale storica Mostra KitzingerSeventyhis on Benedictional”. ____. 31 MiscellaneaMontecassino,Cassinese1984: 44, o program Desiderius” decorative The Bari: in “Borders C. Penelope Mayo, Archdeaconhis work. and the (Thomas hrvatskepovijesti. djelo.doba njegovo Rano iArhiĎakon Toma Mirjana. MatijevićSokol, Dalmaciji u (Notes Ages). veku" Middle inthe Dalmatia and Italy southernilluminations ofthe srednjem about u Dalmacije i Italije juţne iluminacijama o "Beleške Jovanka. Maksimović Sto 1980. di Edizioni Rome: 34. 33, Eruditi Sussidi vols. 2 Brown. Virginia by enlarged ____. Albareda ____. Fourteenththe Century ____. - 1

90. Exsultet Osorskog evandjelistara (The Exultet of Osor evangelistary): 191 evangelistary): Osor of Exultet (The evandjelistara Osorskog Exsultet 90.

ScripturaBeneve “A New List of Beneventan manuscripts” in Collectanea Vaticana in honorem Anselmi M. card. card. M. Anselmi honorem in Vaticana Collectanea in manuscripts” Beneventan of List New “A The scriptorium and Library at Monte Cassino, 1058 Cassino, Monte at Library and scriptorium The h Bnvna srp. Hsoy f h Suh tla Minuscule Italian South the of History A script. Beneventan The Nte aaorpiae hoooia et chronologicae palaeographicase “Notae Vs Sca Aotlc uhrt ad psoa Petg i te Elev the in Prestige Episcopal and Authority Apostolic Sacra: “Vasa

n.s., 15 (1928): 159 (1928): 15 n.s., a BibliotecaaApostolica edita,

21172 (1980): cit rcot i mmra e X cneai dla act d S Bendetto(480 S. di nascita della centenario XV del memoria in raccolti Scritti DumbartonOaksPapers Scriptura beneventana s osobitim obzirom na tip dalmatinske beneventane dalmatinske obziromtip na Scriptura beneventanasosobitim ubro Ok aes o.4,Suiso r adAcelg n oo f Ernst of Honor in Archeology and Art on Studies 41, vol. Papers, Oaks Dumbarton . ntana. Facsimiles of South Italian and Dalmatian Manuscripts from the Sixth to Sixth the Manuscripts Dalmatian from and Italian South Facsimilesof ntana.

- 2 vols.2 OxfordOxford:University 1929 Press, Fifth Birthday Fifth Theearly NakladaJastrebarsko:history).Croatian daysof 2002 Slap, - 196 - 222, “I Fragment najstarijeg splitskog sakramentara” (I The fragment of of fragment The (I sakramentara” splitskog najstarijeg Fragment “I 222,

- 187. II Fragment homilijarija (II The fragment of a Homiliary): Homiliary): a of fragment The (II homilijarija Fragment II 187.

(1987): 375(1987): Studi e Studi Testi

30 (1976): 35 (1976): 30 Ctlg. aaz d Venenezia di Palazzo Catalogo. . - 210. 210. -

- 67 -

389 itrce I historicae 205. V Dva beneventanska priloga objavljivanju objavljivanju priloga beneventanska Dva V 205. 220,Vatican 211 City,1962: VI Fragment dalmatinskog pasijonala s pasijama pasijama s pasijonala dalmatinskog Fragment VI -

54.

- 1105. - VII

”. Cambridge: Cambridge Unive Cambridge Cambridge: f Bari I and Montecassino under under Montecassino and I Bari f ontributions to the announcement announcement the to ontributions Vjesnik Hrvatskog Arheološkog Arheološkog Hrvatskog Vjesnik

. 2 nd edition prepared and and prepared edition nd 2 . Prilozi povijesti umjetnosti umjetnosti povijestiPrilozi - Roma. - 244 enth - 202. IV Fragment Fragment IV 202. Firenza

ria e Letteratura, Letteratura, e ria - Century Bari Bari Century

(Beneventan (Beneventan

: Sansoni, Sansoni, :

- 1980), rsity rsity 372

CEU eTD Collection G.Vitolostudi. andEds. 457 Mottola.F. 1991: Cava, longobardoMezzogiorno Scritturanelproduzione e documentaria ____. liturgia ____. Napoli. ____. 19 1989: Universita Montecassino, di Abbazia Montecassino: XI Orofino. Giulia Adacher. secolo del Cassinesi Manoscritti Desiderio. dell’abate ____. manoscritticonservatinell‟Archivio della Badia.” ____. Roma,2000. ____. Roma, 1996. ____. Giulia.Orofino, paleography,generalchronology, the diplomatics, dictionary the of abbreviations). kratica. rječnik kronologija, J. Stipišić, 149 (1970): 11 ____. ____. ____. Zadru c.). twelfth the until eighth the from sources historical Dalmatian of category (Unused ____. 222. historicalical a for evidence (New beneventana 210 Blaise): St. and Tryphon Sv. i Trifuna Sv.

“La decorazione dei manoscritti pugliesi in beneventana della Biblioteca Nazionale di Napoli” in Napoli” di Nazionale Biblioteca beneventanadella in pugliesimanoscritti dei “La decorazione “Considerazioniminiaturisticasullaproduzionealcuni altomediaevaleattraverso MonteCassino a “Somethingnew "Većeneginevandjelistar"(Većenega' sEvangeliary).5 (1962): Starine 51 JAZU “Necrologium Ragusinum (A. D. M. CC. M. D. (A. Ragusinum “Necrologium “Miniatura in Puglia agli inizi dell‟XI secolo: l‟Omiliario VI B 2 della Biblioteca Nazionale di di Nazionale Biblioteca della 2 B VI l‟Omiliario secolo: dell‟XI inizi agli Puglia in “Miniatura “Neiskorištavana kategorija dalmatinskih historijskih izvora od osmog do osmog od izvora historijskih dalmatinskih kategorija “Neiskorištavana “L‟eta‟ de “L‟eta‟ “L‟Evangeliario Vat. Ottob. lat. 296 della barese abbazia di Elia”. Elia”. di abbazia barese della 296 lat. Ottob. Vat. “L‟Evangeliario 39 (1957): 3 cdc dcrt dl’rhvo i Montecassino di dell’Archivio decorati codici I Montecassino di dell’Archivio decorati codici I . Ed. NicolaEd. . Bari:23 Bux. Edi1991: Puglia, Miniatura Miniatura - 102 oon pvjse nnsi toii pas: Latinska praksi: i teoriji u znanosti povijesne Pomoćne

- 173. I codici I ll‟abate Desiderio. I codici cassinesi 191, 339, 453, 99, 571, 108, 144, 520”. 144, 108, 571, 99, 453, 339, 191, cassinesi codici I Desiderio. ll‟abate 3 - Blaţa” (The fragment of a passionale of Dalmatian origin with passions of St. St. of passions with origin Dalmatian of passionale a of fragment (The Blaţa” 94.

- 421 (1991):

fromDalmatianBeneventana”. decoratidell’Archivio di Montecassino - (The Auxiliary historical disciplines in theory and practice: Latin Latin practice: and theory in disciplines historical Auxiliary (The 219. VII Nov dokaz za istorisku upotrebu naziva scriptura ili littera littera ili scriptura naziva upotrebu istorisku za dokaz Nov VII 219. - 32

use XXV)”. XXV)”. MiscellaneaCassinese

- of the name the of 39 - 488.

Medievalia et humanisticaet Medievalia I, . codic I 2. II, . teobaldiani, e preteobaldiani codici I 1. II, . Zbornik Filozofskog univerziteta u Beogradu u univerziteta Filozofskog Zbornik

Ctlge f h ehbto. d. S. Eds. exhibition. the of Catalogue . . I. IsecoliI. . VIII scriptura . Atti del. Con

aegaia oć diplomatika, opća paleografija, i preteobaldiani e teobaldiani, teobaldiani, e preteobaldiani i

47(1983): 131 47(1983): or or littera beneventana littera Fonti -

vegno internazionale di vegno X,Roma, 1994. degli studi di Cassino, Cassino, di studi degli

14 76 (1962): dvanaestog stoljeća” dvanaestog

Zagreb, 1985. per la storia della della storia la per - 49. Radovi JAZU u u JAZU Radovi - 185.

85. 219 ): L’eta’

373

CEU eTD Collection Belgrade, 1965. until eleventh from Dalmatia in painting ____. ____. Humanistica ____. Dubrovnikuu JAZU MR missal the of illumination Berlin”. in Telebaković Beneventanum “Missale Godsienstwetenschappen Sieghild. Rehle, 144 61 45; fasc. 60; Dalmazia perla Zara”. in Grisogono San di Benedettina Abbazia dell‟ “Scriptorium‟ Giuseppe. Praga, Montecassino,1876 Oderisio Dom Taeggi, Piscicelli Recognitiones). Recognitiones". Klementovih verzijePseudo latinskejedne fragmenti "DubrovačkiBranka. TelebakovićAgostino, Pecarski, Pertusi, 1963. Tkon,priorijat Ostojić, Ivan. 404 3 Cava, di (Badia studio di internazionale Convegno del Atti Longobardo. mezzogiorno nel documentaria produzione ____. dicura cassinoaCavallo, (Miscellanea 1987) Montecassino,65 G. 1989 cassinese,60): In secolo”. cass non codici I e desideriana eta di cassinesi codici I Vaticana: Apostolica Biblioteca della fondi I beneventana. grafica area in libraria decorazione sulla “Studi Valentino. Pace, Naples,Convegni, 51 4. Miscellanee,1994: Studi degli dell‟Università Pubblizacioni Pecere. O. Ed. culturale. un‟eredita ____. - - 457. 149 Beneventanski skriptoriji i slikarstvo u Dalmaciji od 11 od Dalmaciji u slikarstvo iBeneventanski skriptoriji “Notaeartis illuminatoriae”. adcrzoedi manoscri dei decorazione La A ouet f amta mnaue anig rm h titet century”. thirteenth the from painting miniature Dalmatian of Monument “A Liaie e Mdov Csiee l mnaue in miniature” le Cassinese: Medioevo del “L‟imagine

L’età dell’ abate Desiderio. II. La decorazione libraria, libraria, decorazione La II. Desiderio. abate dell’ L’età -

14 (1962): 69 (1962): 14 Pecarski, Branka. “Iluminacija misala MR misala “Iluminacija Branka. Pecarski, Benediktinci u Hrvatskoj u Benediktinci -

Zbornik radova Vizantološkog institutaZbornik Vizantološkog radovaknj. 39 (1967): X

vol. VII, fasc. 39 (1929): 1 fasc.(1929): 39 vol.VII, 86; fasc. 46 (1930): 87 (1930): 46 fasc. 86; - 5 ottobre 1990, a cura di Giovanni Vitolo, Francesco Mottola) Badia di Cav di Badia Mottola) Francesco Vitolo, Giovannidi cura a 1990, ottobre 5 -

(1957 1881.

28 (1985): 469 (1985): 28 - -

59):149 75.

- 166 from the National Library in Zagreb). Zagreb). in Library National the from 166 Dbonk rget o a ai vrin f Pseudo of version Latin a of fragments (Dubrovnik . aegai atsiad Montecassino di artistica Paleografia StarineJAZU - tti pre tti 160.

(The Benedictine Order in Croatia). 3 vols. Split: Benediktinski Benediktinski vols. Split: 3 in Croatia). Order Benedictine (The - -

510 100; fasc. 47: 101 47: fasc. 100; - desideriani nei fondi della Biblioteca Vaticana. Biblioteca della fondi nei desideriani

- - 66 hrenh .. h D ds, nvriy f hlspy in Philosophy of University diss, D. Ph. c.). thirteenth 25 40: fasc. 24;

5149 (1962): - 166 iz 166 - - 33; fasc. 42: 34 42: fasc. 33; 122; fasc. 48: 123 48: fasc. 122; - 13 - 60. zagrebačke sveučilišne knjiţnice”(The knjiţnice”(The sveučilišne zagrebačke - oahsm benedittino Monachesimo tog veka (Beventan scriptoria and the the and vekascriptoria (Beventan tog Sacris Erudiri: Jaarboek voor voor Jaarboek Erudiri: Sacris

Atti della tavola rotonda (Monte (Monte rotonda tavola della Atti - . Litografia di Montecassino, Montecassino, di Litografia . 45. Anali Historijskog instituta instituta Historijskog Anali - inesi della II metà dell‟ XI XI dell‟metà II inesidella 48; vol. VIII, fasc. 43, 49 fasc. 43, vol.VIII, 48;

di Cassino, sezioni Atti, Atti, sezioni Cassino, di - 143; vol. IX, fasc. IX, vol. 143; Archivio storico storico Archivio -

93. Medievalia et et Medievalia

- . Profili di di Profili . Scrittura e e Scrittura Clementes' a, 1991: a, 374 49, 49, - -

CEU eTD Collection old neums). ____. Trogir the when time (The EvanĎelistar“ trogirski Evangelistary waswritten). napisan je kojem u “Doba Antun. Zaninović, kontekstuu Kultovi of ____. 187 In Benedictinetradition). to related illumination Dalmatian Evangelistary Trogir of illumination (The tradicije” benediktinske ____. initials.” decor on stress special with studymanuscript A Hours”: of “Većenega‟s:”Book Rozana. Vojvoda, Scritturacivilta e meridionale”. dell‟Italia manoscritti in carolina scrittura e beneventana “Scrittura Caterina. Tristano, Radoslav Eds Split). and Salona of Katičić,KnjiMirjanaMatijević : OlgaSokol, priests Split Perić. first the of history a Salonitana: Historia Archdeacon. prosvećenika. splitskih i salonitanskih povijest : Salonitana Historia ArhiĎakon. Toma Edizioni166 2001: Multigraf, Croazia. della Tesori

Dalmatian manuscripts wr manuscripts Dalmatian - 208. 208. “Jedan dvolist beneventane sa starim neumama”(One bifolium writte bifolium neumama”(One starim sa beneventane dvolist “Jedan “ Iuiaia rgrkg EvanĎelistara Trogirskog “Iluminacija Sanktorali beneventanskih rukopisa dalmatinske provenijencije dalmatinske rukopisa beneventanskih Sanktorali Annual of of CEU studiesMediaeval at Annual

Starohrvatskaprosvjeta

3 (1979): 89 (1979): 3

(HagiologyinCults / context). Zagreb:Leykam international, 89 2008.: Catalogue of the exhibition held in Venice 2001, 9 2001, Venice in held exhibition the of Catalogue Vjesnikzaarheologiju historiju dalmatinsku i itten in Beneventan script Beneventan in itten - - 175 150.

ser. III,vol. ser. 231 (1960): 7

- 8 9 (2002):

raskoš i konzervativnost dalmatinskog sitnoslikarstva sitnoslikarstva dalmatinskog konzervativnost i raskoš - text and image relationship). in relationship). image and text ţevni krug, 2003. krug, ţevni - 37. Raukarov zbornik Raukarov

- 242 - luxury and conservative and luxury

- veza teksta i slike” (Sanctorals (Sanctorals slike” i teksta veza th

45 21 (1922):

June n in Beneventan script with with script Beneventan in n . Zagreb: FF Press, 2005: 2005: Press, FF Zagreb: . - 4 th

November. November. - 24 Hagiologija / / Hagiologija (Thomas the the (Thomas

tradition of of tradition 105 Venice: Venice:

ated ated 375

CEU eTD Collection

376

CEU eTD Collection

377

CEU eTD Collection

378

CEU eTD Collection

379

CEU eTD Collection

380

CEU eTD Collection

381

CEU eTD Collection

382

CEU eTD Collection

383

CEU eTD Collection

384

CEU eTD Collection

385

CEU eTD Collection

386

CEU eTD Collection

387

CEU eTD Collection

388

CEU eTD Collection

389

CEU eTD Collection

390

CEU eTD Collection

391

CEU eTD Collection

392

CEU eTD Collection

393

CEU eTD Collection

394

CEU eTD Collection

395

CEU eTD Collection

396

CEU eTD Collection

397

CEU eTD Collection

398

CEU eTD Collection

399

CEU eTD Collection

400

CEU eTD Collection

401

CEU eTD Collection

402

CEU eTD Collection

403

CEU eTD Collection

404

CEU eTD Collection

405

CEU eTD Collection

406

CEU eTD Collection

407

CEU eTD Collection

408

CEU eTD Collection

409

CEU eTD Collection

410

CEU eTD Collection

411

CEU eTD Collection

412

CEU eTD Collection

413

CEU eTD Collection

414

CEU eTD Collection

415

CEU eTD Collection

416

CEU eTD Collection

417

CEU eTD Collection

418

CEU eTD Collection

419

CEU eTD Collection

420

CEU eTD Collection

421

CEU eTD Collection

422

CEU eTD Collection

423

CEU eTD Collection

424

CEU eTD Collection

425

CEU eTD Collection

42 6

CEU eTD Collection

427

CEU eTD Collection

428

CEU eTD Collection

429

CEU eTD Collection

430

CEU eTD Collection

431

CEU eTD Collection

432

CEU eTD Collection

433

CEU eTD Collection

434

CEU eTD Collection

435

CEU eTD Collection

436

CEU eTD Collection

437

CEU eTD Collection

438

CEU eTD Collection

439

CEU eTD Collection

440

CEU eTD Collection

441

CEU eTD Collection

442

CEU eTD Collection

443

CEU eTD Collection

444

CEU eTD Collection

445

CEU eTD Collection

446

CEU eTD Collection

447

CEU eTD Collection

448

CEU eTD Collection

449

CEU eTD Collection

450

CEU eTD Collection

451

CEU eTD Collection

452

CEU eTD Collection

453

CEU eTD Collection

454

CEU eTD Collection

455

CEU eTD Collection

456

CEU eTD Collection

457

CEU eTD Collection

458

CEU eTD Collection

459

CEU eTD Collection

460

CEU eTD Collection

461

CEU eTD Collection

462

CEU eTD Collection

463

CEU eTD Collection

464

CEU eTD Collection

465

CEU eTD Collection

466

CEU eTD Collection

467

CEU eTD Collection

468

CEU eTD Collection

469

CEU eTD Collection

470

CEU eTD Collection

471

CEU eTD Collection

472

CEU eTD Collection

473

CEU eTD Collection

474

CEU eTD Collection

475

CEU eTD Collection

476

CEU eTD Collection

477

CEU eTD Collection

478

CEU eTD Collection

479

CEU eTD Collection

480

CEU eTD Collection

481

CEU eTD Collection

482

CEU eTD Collection

483

CEU eTD Collection

484

CEU eTD Collection

485

CEU eTD Collection

486

CEU eTD Collection

487

CEU eTD Collection

488

CEU eTD Collection

489

CEU eTD Collection

490

CEU eTD Collection

491

CEU eTD Collection

492

CEU eTD Collection

493

CEU eTD Collection

494

CEU eTD Collection

495

CEU eTD Collection

496

CEU eTD Collection

497

CEU eTD Collection

498

CEU eTD Collection

499

CEU eTD Collection

500

CEU eTD Collection

501

CEU eTD Collection

502

CEU eTD Collection

503

CEU eTD Collection

504

CEU eTD Collection

505

CEU eTD Collection

506

CEU eTD Collection

507

CEU eTD Collection

508

CEU eTD Collection

509

CEU eTD Collection

510

CEU eTD Collection

511

CEU eTD Collection

512

CEU eTD Collection

513

CEU eTD Collection

514

CEU eTD Collection

515

CEU eTD Collection

516

CEU eTD Collection

517

CEU eTD Collection

518

CEU eTD Collection

519

CEU eTD Collection

520

CEU eTD Collection

521

CEU eTD Collection

522

CEU eTD Collection

523

CEU eTD Collection

524

CEU eTD Collection

525

CEU eTD Collection

526

CEU eTD Collection

527

CEU eTD Collection

528

CEU eTD Collection

529

CEU eTD Collection

530

CEU eTD Collection

531

CEU eTD Collection

532

CEU eTD Collection

533

CEU eTD Collection

534

CEU eTD Collection

535

CEU eTD Collection

536

CEU eTD Collection

537

CEU eTD Collection

538

CEU eTD Collection

539

CEU eTD Collection

540

CEU eTD Collection

541

CEU eTD Collection

542

CEU eTD Collection

543

CEU eTD Collection

544

CEU eTD Collection

545

CEU eTD Collection

546

CEU eTD Collection

547

CEU eTD Collection

548

CEU eTD Collection

549

CEU eTD Collection

550

CEU eTD Collection

551

CEU eTD Collection

552

CEU eTD Collection

553

CEU eTD Collection

55 4

CEU eTD Collection

555

CEU eTD Collection

556

CEU eTD Collection

557

CEU eTD Collection

558

CEU eTD Collection

559

CEU eTD Collection

560

CEU eTD Collection

561

CEU eTD Collection

562

CEU eTD Collection

563

CEU eTD Collection

564