The Beneventan Script : a History of the South Italian Minuscule
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Dubrovnik Manuscripts and Fragments Written In
Rozana Vojvoda DALMATIAN ILLUMINATED MANUSCRIPTS WRITTEN IN BENEVENTAN SCRIPT AND BENEDICTINE SCRIPTORIA IN ZADAR, DUBROVNIK AND TROGIR PhD Dissertation in Medieval Studies (Supervisor: Béla Zsolt Szakács) Department of Medieval Studies Central European University BUDAPEST April 2011 CEU eTD Collection TABLE OF CONTENTS 1. INTRODUCTION ........................................................................................................................... 7 1.1. Studies of Beneventan script and accompanying illuminations: examples from North America, Canada, Italy, former Yugoslavia and Croatia .................................................................................. 7 1.2. Basic information on the Beneventan script - duration and geographical boundaries of the usage of the script, the origin and the development of the script, the Monte Cassino and Bari type of Beneventan script, dating the Beneventan manuscripts ................................................................... 15 1.3. The Beneventan script in Dalmatia - questions regarding the way the script was transmitted from Italy to Dalmatia ............................................................................................................................ 21 1.4. Dalmatian Benedictine scriptoria and the illumination of Dalmatian manuscripts written in Beneventan script – a proposed methodology for new research into the subject .............................. 24 2. ZADAR MANUSCRIPTS AND FRAGMENTS WRITTEN IN BENEVENTAN SCRIPT ............ 28 2.1. Introduction -
The Book Art in Croatia Exhibition Catalogue
Book Art in Croatia BOOK ART IN CROATIA National and University Library in Zagreb, Zagreb, 2018 Contents Foreword / 4 Centuries of Book Art in Croatia / 5 Catalogue / 21 Foreword The National and University Library in Croatia, with the aim to present and promote the Croatian cultural heritage has prepared the exhibition Book Art in Croatia. The exhibition gives a historical view of book preparation and design in Croatia from the Middle Ages to the present day. It includes manuscript and printed books on different topics and themes, from mediaeval evangelistaries and missals to contemporary illustrated editions, print portfolios and artists’ books. Featured are the items that represent the best samples of artistic book design in Croatia with regard to their graphic design and harmonious relationship between the visual and graphic layout and content. The author of the exhibition is art historian Milan Pelc, who selected 60 items for presentation on panels. In addition to the introductory essay, the publication contains the catalogue of items with short descriptions. 4 Milan Pelc CENTURIES OF BOOK ART IN CROATIA Introduction Book art, a constituent part of written culture and Croatian cultural heritage as a whole, is ex- ceptionally rich and diverse. This essay does not pretend to describe it in its entirety. Its goal is to shed light on some (key) moments in its complex historical development and point to its most important specificities. The essay does not pertain to entire Croatian literary heritage, but only to the part created on the historical Croatian territory and created by the Croats. Namely, with regard to its origins, the Croatian literary heritage can be divided into three big groups. -
Arabic, Rilm" Coptic, Or Merely Greek Alphanumerical Notation? the Case Oc a Mozarabic Lo'h Century Andalusl Manuscript
Arabic, Rilm" Coptic, or merely Greek Alphanumerical Notation? The Case oC a Mozarabic lO'h Century Andalusl Manuscript Rosa Comes l. Introduction The aim of this paper is to analyse the natatian ibat appears alongside the Reman numerals in tbe Latin manuscript MDU·604 of the Capitular Libnuy in Urgell (Northem Catalonia. Spain)l, which was copied in 938. Unlil now, this notation (see Table II and Fig. 1) has beeo considered to be 1 tbe oldest testimony of Hindu·Arabic cipbers in the lbenan Peninsula . However, an examination of lhe entire manuscript, featuring al least two I The See afthe Diocese of Urgcll is allesled alleasl since the 6· e:entury. 2 Pujol i Tubau [1917: 12.14) scems not to recognize the somewhal dislorted Greek lettm in the rnanuscript as ciphers, judging by his tIanscription of folio 19v. Mund6 [1994: 140 & 1998: 514-515] inlerprets the Grcek alpbanumerical figures written nexllo the Roman numbers (see table II) as unrelatcd Arabic ciphers and, hence, considcrs them to be the oldest testimony of Hindu·Arabic figures in the lberian Peninsula. This opinion is sharcd, among othcrs, by Alturo i Perucho (2003: 124). Nevertheless, the Greek alphanumerical ciphers agree in al1 cases (except for 3 errors in a total ofmore than ISO correspondences) with Roman figures. Confusion between Hindu·Arabic and Greek (or romí) figures is not uncommon. JusI as a sample, Menendez Pidal [19S9: fig 3) did not recognize as Greek notation the ciphm in manuscript El Escorial R.lLl8. which are extremely similar to the ones in the Urgell manuscript. -
Numerical Notation: a Comparative History
This page intentionally left blank Numerical Notation Th is book is a cross-cultural reference volume of all attested numerical notation systems (graphic, nonphonetic systems for representing numbers), encompassing more than 100 such systems used over the past 5,500 years. Using a typology that defi es progressive, unilinear evolutionary models of change, Stephen Chrisomalis identifi es fi ve basic types of numerical notation systems, using a cultural phylo- genetic framework to show relationships between systems and to create a general theory of change in numerical systems. Numerical notation systems are prima- rily representational systems, not computational technologies. Cognitive factors that help explain how numerical systems change relate to general principles, such as conciseness and avoidance of ambiguity, which also apply to writing systems. Th e transformation and replacement of numerical notation systems relate to spe- cifi c social, economic, and technological changes, such as the development of the printing press and the expansion of the global world-system. Stephen Chrisomalis is an assistant professor of anthropology at Wayne State Uni- versity in Detroit, Michigan. He completed his Ph.D. at McGill University in Montreal, Quebec, where he studied under the late Bruce Trigger. Chrisomalis’s work has appeared in journals including Antiquity, Cambridge Archaeological Jour- nal, and Cross-Cultural Research. He is the editor of the Stop: Toutes Directions project and the author of the academic weblog Glossographia. Numerical Notation A Comparative History Stephen Chrisomalis Wayne State University CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Dubai, Tokyo Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521878180 © Stephen Chrisomalis 2010 This publication is in copyright. -
Kodikologie Und Paläographie Im Digitalen Zeitalter 4
Schriften des Instituts für Dokumentologie und Editorik — Band11 Kodikologie und Paläographie im digitalen Zeitalter 4 Codicology and Palaeography in the Digital Age 4 herausgegeben von | edited by Hannah Busch, Franz Fischer, Patrick Sahle unter Mitarbeit von | in collaboration with Bernhard Assmann, Philipp Hegel, Celia Krause 2017 BoD, Norderstedt Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de/ abrufbar. Digitale Parallelfassung der gedruckten Publikation zur Archivierung im Kölner Universitäts-Publikations-Server (KUPS). Stand 4. September 2017. Diese Publikation wurde im Rahmen des Projektes eCodicology (Förderkennzeichen 01UG1350A-C) mit Mitteln des Bundesministeriums für Bildung und Forschung (BMBF) gefördert. Publication realised within the project eCodicology (funding code 01UG1350A-C) with financial resources of the German Federal Ministry of Research and Education (BMBF). 2017 Herstellung und Verlag: Books on Demand GmbH, Norderstedt ISBN: 978-3-7448-3877-1 Einbandgestaltung: Julia Sorouri, basierend auf Vorarbeiten von Johanna Puhl und Katharina Weber; Coverbild nach einer Vorlage von Swati Chandna. Satz: LuaTEX und Bernhard Assmann Some Roads to Script Classification: Via Taxonomy and Other Ways Torsten Schaßan Abstract In codicology, the features of a script play an important role for dating and localising the manuscript. There are other questions that can be dealt with by examining these features, e.g. questions of intellectual history, influences of literary genres, or influences of organisational aspects of scriptoria on the shape of a script. But especially in the context of manuscript cataloguing the classification of script is of highest importance if other evidence such as a colophon or references like the naming of celebrations for local saints cannot be found. -
Encyclopedia of the History of Arabic Science. Volume 2, Mathematics
Encyclopedia of the History of Arabic Science Encyclopedia of the History of Arabic Science Volume 2 Edited by ROSHDI RASHED in collaboration with RÉGIS MORELON LONDON AND NEW YORK First published in 1996 by Routledge 11 New Fetter Lane, London EC4P 4EE 29 West 35th Street, New York, NY 10001 This edition published in the Taylor & Francis e-Library, 2009. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk. Structure and editorial matter © 1996 Routledge The chapters © 1996 Routledge All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. Library of Congress Cataloguing-in-Publication Data A catalogue record for this book is available on request. ISBN 0-203-40360-6 Master e-book ISBN ISBN 0-203-71184-X (Adobe ebook Reader Format) ISBN 0-415-12411-5 (Print Edition) 3 volume set ISBN 0-415-02063-8 Contents VOLUME 1 Contents v Preface ix 1 General survey of Arabic astronomy Régis Morelon 1 2 Eastern Arabic astronomy between the eighth and the eleventh centuries 20 Régis Morelon 3 Arabic planetary theories after the eleventh century AD 58 George Saliba 4 Astronomy and -
The Wanderings and Homes of Manuscripts the Wanderings and Homes of Manuscripts
M.R. JAMES, The Wanderings and Homes of Manuscripts, London (1919) HELPS FOR STUDENTS OF HISTORY. No. 17 EDITED BY C. JOHNSON, M.A., AND J.P. WHITNEY, D.D., D.C.L. THE WANDERINGS AND HOMES OF MANUSCRIPTS BY M. R. JAMES, LITT.D, F.B.A PROVOST OF ETON SOMETIME PROVOST OF KING'S COLLEGE, CAMBRIDGE LONDON SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE NEW YORK : THE MACMILLAN COMPANY 1919 |p3 THE WANDERINGS AND HOMES OF MANUSCRIPTS The Wanderings and Homes of Manuscripts is the title of this book. To have called it the survival and transmission of ancient literature would have been pretentious, but not wholly untruthful. Manuscripts, we all know, are the chief means by which the records and imaginings of twenty centuries have been preserved. It is my purpose to tell where manuscripts were made, and how and in what centres they have been collected, and, incidentally, to suggest some helps for tracing out their history. Naturally the few pages into which the story has to be packed will not give room for any one episode to be treated exhaustively. Enough if I succeed in rousing curiosity and setting some student to work in a field in which and immense amount still remains to be discovered. In treating of so large a subject as this----for it is a large one----it is not a bad plan to begin with the particular and get gradually to the general. SOME SPECIMEN PEDIGREES OF MSS. I take my stand before the moderate-sized bookcase which contains the collection of MSS |p4 belonging to the College of Eton, and with due care draw from the shelves a few of the books which have reposed there since the room was built in 1729. -
Fonts for Latin Paleography
FONTS FOR LATIN PALEOGRAPHY Capitalis elegans, capitalis rustica, uncialis, semiuncialis, antiqua cursiva romana, merovingia, insularis majuscula, insularis minuscula, visigothica, beneventana, carolina minuscula, gothica rotunda, gothica textura prescissa, gothica textura quadrata, gothica cursiva, gothica bastarda, humanistica. User's manual 5th edition 2 January 2017 Juan-José Marcos [email protected] Professor of Classics. Plasencia. (Cáceres). Spain. Designer of fonts for ancient scripts and linguistics ALPHABETUM Unicode font http://guindo.pntic.mec.es/jmag0042/alphabet.html PALEOGRAPHIC fonts http://guindo.pntic.mec.es/jmag0042/palefont.html TABLE OF CONTENTS CHAPTER Page Table of contents 2 Introduction 3 Epigraphy and Paleography 3 The Roman majuscule book-hand 4 Square Capitals ( capitalis elegans ) 5 Rustic Capitals ( capitalis rustica ) 8 Uncial script ( uncialis ) 10 Old Roman cursive ( antiqua cursiva romana ) 13 New Roman cursive ( nova cursiva romana ) 16 Half-uncial or Semi-uncial (semiuncialis ) 19 Post-Roman scripts or national hands 22 Germanic script ( scriptura germanica ) 23 Merovingian minuscule ( merovingia , luxoviensis minuscula ) 24 Visigothic minuscule ( visigothica ) 27 Lombardic and Beneventan scripts ( beneventana ) 30 Insular scripts 33 Insular Half-uncial or Insular majuscule ( insularis majuscula ) 33 Insular minuscule or pointed hand ( insularis minuscula ) 38 Caroline minuscule ( carolingia minuscula ) 45 Gothic script ( gothica prescissa , quadrata , rotunda , cursiva , bastarda ) 51 Humanist writing ( humanistica antiqua ) 77 Epilogue 80 Bibliography and resources in the internet 81 Price of the paleographic set of fonts 82 Paleographic fonts for Latin script 2 Juan-José Marcos: [email protected] INTRODUCTION The following pages will give you short descriptions and visual examples of Latin lettering which can be imitated through my package of "Paleographic fonts", closely based on historical models, and specifically designed to reproduce digitally the main Latin handwritings used from the 3 rd to the 15 th century. -
The Recently Discovered Beneventan Illustrated Beatus in Geneva in Its South Italian Context
Peregrinations: Journal of Medieval Art and Architecture Volume 3 Issue 4 2012 Apocalypses New: The Recently Discovered Beneventan Illustrated Beatus in Geneva in its South Italian Context Roger E. Reynolds Pontifical Institute of Mediaeval Studies Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Reynolds, Roger E.. "Apocalypses New: The Recently Discovered Beneventan Illustrated Beatus in Geneva in its South Italian Context." Peregrinations: Journal of Medieval Art and Architecture 3, 4 (2012). https://digital.kenyon.edu/perejournal/vol3/iss4/1 This Feature Article is brought to you for free and open access by Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Reynolds Apocalypses New: The Recently Discovered Beneventan Illustrated Beatus in Geneva in its South Italian Context1 By Roger E. Reynolds, Pontifical Institute of Mediaeval Studies During the past quarter century very few full or virtually full manuscripts written in the Beneventan script of southern Italy and Dalmatia have been discovered and reported. Most of the manuscripts reported since Lowe’s magisterial work2 on the script have been libelli, stray folios, fragments, and offsets.3 But two extraordinary full or virtually full manuscripts have recently come to light and have been reported. The first of these was put on auction a few years back by Sotheby’s in London.4 In their sale catalogue, the manuscript, described as coming from a private collection, was dated to the fifteenth century and the sale price was estimated at about GBP 4,000. -
The Coimbra See and Its Chancery in Medieval Times
The Coimbra See and its Chancery in Medieval Times Maria do Rosário Barbosa Morujão University of Coimbra [email protected] Abstract This article seeks to resume the main conclusions of the author’s Ph.D. thesis on the Coimbra See as an institution and a chancery from 1080 to 1318. The institutional approach, examining the evolution of the history of the diocese and its bishops, the organisation of the chapter and the government of the diocese, establishes a context for the study of the cathedral chancery, seeking to discover not only the charters produced at that writing office and their composition, writing and practices of validation, but also the human side of the scribes who worked there. Keywords Portugal, Medieval History, Diplomatic history, Palaeography, Sigillography, Cathedral, Bishop, Chapter, Chancery Resumo Este artigo resume as principais conclusões da tese de doutoramento da autora, na qual é analisada a Sé de Coimbra enquanto instituição e chancelaria, desde 1080 a 1318. A Sé é estudada do ponto de vista institucional, abordando-se a evolução da história da diocese e dos seus bispos, a organização do cabido e o governo da diocese. Esta análise contextualiza o estudo da chancelaria da catedral, que procura conhecer não apenas os actos escritos nela produzidos e as práticas de redacção, escrita e validação seguidas nesse centro de produção documental, mas também o quadro humano dos escribas que nele trabalhavam. Pala vras-chave Portugal; História Medieval; Diplomática; Paleografia; Sigilografia; Catedral; Bispo; Cabido; Chancelaria The purpose of this article is to present the main conclusions of my Ph.D. thesis entitled The Coimbra See: the institution and the chancery (1080-1318), which was defended at Coimbra University in July 2005. -
Journal of Medieval Art and Architecture
Peregrinations: Journal of Medieval Art and Architecture Volume 4 Issue 3 2014 Peregrinations: Journal of Medieval Art and Architecture (Volume 4, Issue 3) Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation . "Peregrinations: Journal of Medieval Art and Architecture (Volume 4, Issue 3)." Peregrinations: Journal of Medieval Art and Architecture 4, 3 (2014). https://digital.kenyon.edu/perejournal/vol4/iss3/15 This Full Issue is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. et al. Welcome Welcome to the Spring 2014 issue of Peregrinations: Journal of Medieval Art & Architecture. It is with great Current Issue pleasure that we present an issue that goes back to our Photobank roots with a focus on pilgrimage and pilgrimage art. Roger E. Reynolds presents “A Precious Ancient Submission Souvenir Given to the First Pilgrim to Santiago de Guidelines Compostela” which examines Bishop Godescalc’s visit and how it impacted the manuscripts at Albelda in a very Organizations personal way. John K. Moore, Jr. also brings new critical attention to the imposing sculpture of St. James as a Exhibitions pilgrim in “Santiago’s -
Iso/Iec Jtc1/Sc2/Wg2 N3027 L2/06-027
ISO/IEC JTC1/SC2/WG2 N3027 L2/06-027 2006-01-30 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation internationale de normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Proposal to add medievalist characters to the UCS Source: Michael Everson (editor), Peter Baker, António Emiliano, Florian Grammel, Odd Einar Haugen, Diana Luft, Susana Pedro, Gerd Schumacher, Andreas Stötzner Status: Expert Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Date: 2006-01-30 Introduction. A set of characters used by specialists in medieval European philology and linguistics is absent from the Universal Character Set. These characters differ in nature; some are original ligatures which acquired letter status due to their phonemic value; some are letterforms distinct from other letterforms innovated to distinguish sounds; some are combining diacritical letters used in abbreviations or suspensions of various kinds; and some are best described as “letters with syllabic content”. Theoretical preliminaries. Contemporary medievalist philologists and linguists want to be able to represent typographically (in printed format and on computer screens) the character sets which were in use for many centuries in several regions of medieval Europe. Those character sets derive from the common Latin script and contained many characters which simply disappeared with the development of contemporary printing conventions. Early printers made abundant use of “special” medieval characters, but eventually these fell out of use, with notable exceptions like $, ¶, &, Ç, ˜, @, and the ¯ used in Ireland. Contemporary philologists and linguists who want to study the graphemic conventions in use in medieval times—thereby drawing solid or grounded conclusions about the nature and structure of the language systems represented in writing—must rely on bona fide transcriptions of the texts.