ANNUAL CONFERENCE 2014 Society for the Study of Architecture in , May 28-31, 2014

CONGRÈS ANNUEL 2014 Société pour l’étude de l’architecture au Canada Fredericton, Nouveau-Brunswick 28 au 31 mai 2014

The SSAC would like to thank the La SÉAC tient à remercier les partners and sponsors of the partenaires et commanditaires 2014 conference: du congrès 2014 :

New Brunswick College of Craft and Design University of New Brunswick Province of New Brunswick - Department of Transportation and Infrastructure City of Fredericton - Heritage and Cultural Affairs Department Fredericton Transit Fredericton Tourism Fredericton Heritage Trust Christ Church Cathedral The Van Horne Estate on Ministers Island Inc.

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Past and Presence Passé et présence

Anniversaries are a time to look back, but also Les anniversaires sont une occasion de to look ahead; to reflect on where we have regarder en arrière, mais aussi vers l’avant; de been, where we are, and where we hope to go. jeter un regard sur le chemin parcouru et de faire un bilan, afin de mieux se situer dans le This year, the Society for the Study of présent et de tracer un itinéraire vers l’avenir. Architecture in Canada marks forty years of study, scholarship, writing, teaching, learning Cette année, la Société pour l’étude de and caring about the built environment in l’architecture au Canada célèbre quarante Canada. For four decades, we have engaged années d’étude, de recherche, de publication, the past and present in an energetic dialogue d’enseignement, d’apprentissage, ainsi que de spanning history, heritage, historiography, sensibilisation à l’environnement bâti au modernity, design and theory. As we celebrate Canada. Au cours de ces quatre décennies, a milestone along this extraordinary shared nous avons fait dialoguer le passé avec le journey, we invite colleagues from across présent sur les champs de l’histoire, du disciplines and across the country to join us in patrimoine, de l’historiographie, de la exploring the profound presence of our built modernité, du design et de la théorie. Tandis heritage – historic and contemporary – in our que nous soulignons un jalon de cette communities and in our lives. extraordinaire aventure collective, nous invitons nos collègues de toutes disciplines et de toutes provenances au pays à se joindre à The organizing committee: nous pour poursuivre l’exploration de cette John Leroux profonde présence qu’a notre patrimoine bâti Peter Coffman - autant historique que contemporain - dans Nicolas Miquelon nos communautés et dans nos vies.

Le comité organisateur : John Leroux Peter Coffman Nicolas Miquelon

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Welcome to Fredericton!

As proud host of the 2014 Conference of the century ago. Both of these will be among the Society for the Study of Architecture in organized outings planned for the conference, Canada, Fredericton is ready to welcome you as will be a walking tour of the University of with its rich culture, its architecture and New Brunswick on the hill overlooking natural beauty. downtown Fredericton.

The evolution of Fredericton’s built heritage Principal Venue: New Brunswick College of and its unique character developed hand in Craft and Design/Old Soldier’s Barracks. hand with the area’s designation and growth as the Capital of New Brunswick. The Set right in the centre of downtown, this landmark buildings in the city are a direct National Historic Site was recently result of this governmental and incorporated as part of the campus of the administrative status, as much as the pastoral adjacent New Brunswick College of Craft and and picturesque setting on the wonderful St. Design. A robust three-storey stone building John River, recently named a Canadian built between 1826 and 1828 to Heritage River. accommodate over 240 British soldiers, the Barracks’ ordered and symmetrical design is a From the early and simple Loyalist vernacular simple Georgian structure with stone walls dwellings to the most flamboyant Victorian and circulation via outside balconies. mansions, or from National Historic Sites like Christ Church Cathedral to little-known When the entire Military Compound was Modernist gems, the sweep of Fredericton’s declared a National Historic Site in 1964, the architecture is the most direct connection to barracks’ exterior was restored to its 1865 the social and economic conditions of the past, appearance, with one interior suite restored and how that past has fashioned this as a soldiers’ bunkroom. exceptional city. The Barracks is now a fully functional Fredericton is fortunate to possess a vibrant, academic building for the NBCCD, housing the safe and very walkable downtown that is College library, classrooms, computer labs and filled with historic and cultural treasures, like offices. The ground floor vaulted casemates the renowned , a house artisan shops during the summer. protected multi-block historic district, the New Brunswick College of Craft and Design, two university campuses, and one of the best farmers markets in Canada. As a diverse and bilingual city, it offers a strong sense of welcome to visitors.

Nearby is the storied seaside resort town of St. Andrews, which is a designated National Historic District, and the McAdam Train Station, one of the country’s most magnificent remnants of our railway glory years of a

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Bienvenue à Fredericton! Non loin se trouve la légendaire station Fière d’accueillir le congrès 2014 de la Société balnéaire de St. Andrews, un arrondissement pour l'étude de l'architecture au Canada, historique désigné au niveau fédéral, et la Fredericton s’apprête à vous dévoiler sa riche station de train McAdam, l’un des plus culture, son architecture et sa beauté magnifiques vestiges au pays qui témoigne naturelle. des années glorieuses du chemin de fer au siècle dernier. Ces deux destinations L’évolution du patrimoine bâti de Fredericton figureront parmi les visites accompagnant le et son caractère unique peuvent être congrès, ainsi qu’une visite à pied du campus rattachés à la désignation et à la croissance de de l’Université du Nouveau-Brunswick, logée la région comme capitale du Nouveau- tout en haut de la colline qui surplombe le Brunswick. Les bâtiments qui nous servent de centre-ville de Fredericton. points de repère dans la ville sont un résultat direct de ce statut à la fois gouvernemental et Emplacement du congrès : Collège administratif, autant que le cadre pastoral et d’artisanat et de design du Nouveau- pittoresque sur les berges de l’enchanteur Brunswick / Ancienne caserne des soldats. fleuve Saint-Jean, auquel on a récemment décerné le titre de rivière du patrimoine Situé au cœur du centre-ville, ce Lieu canadien. historique national a été récemment incorporé au campus du Collège d’artisanat et Des premières habitations vernaculaires de design du Nouveau-Brunswick, situé à toutes simples construites par les Loyalistes proximité. Un solide bâtiment de trois étages jusqu’aux manoirs victoriens flamboyants, des aux proportions symétriques et Lieux historiques nationaux telle la cathédrale ordonnancées, à la structure géorgienne faite Christ Church en passant par des joyaux de murs de pierre et dont l’accès se fait via des modernes moins connus, la gamme balcons externes, cette caserne érigée de 1826 d’architecture que contient Fredericton est à 1828 avait été conçue pour loger plus de une manifestation directe des conditions 240 soldats britanniques. socioéconomiques du passé et témoigne de la façon dont ce passé a façonné cette ville Au moment où l’entièreté du complexe exceptionnelle. militaire a été déclaré Lieu historique national en 1964, les travaux de restauration ont Fredericton s’enorgueillit d’offrir un centre- redonné à l’enveloppe de la caserne son look ville dynamique, sécuritaire et très facile à de 1865, en plus d’y restaurer une section des parcourir à pied. Celui-ci est rempli de trésors dortoirs des militaires. historiques et culturels comme la réputée galerie d’art Beaverbrook, un arrondissement La caserne est désormais un édifice historique protégé qui s’étend sur plusieurs académique pleinement fonctionnel du rues, le Collège d’artisanat et de design du Collège d’artisanat et de design du Nouveau- Nouveau-Brunswick, deux campus Brunswick, et contient à la fois la universitaires, de même que l’un des plus bibliothèque, des salles de classe, des salles enviables marchés au Canada. En tant que d’ordinateurs et des bureaux. Quant aux ville diversifiée et bilingue, elle offre un casemates voûtées du rez-de-chaussée, elles accueil chaleureux aux visiteurs. abritent les ateliers des artisans pendant l’été.

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Programme

Wednesday, May 28th / Mercredi 28 mai

Conference Reception / Réception d’ouverture University of New Brunswick – Sir Howard Douglas Hall – 3 Bailey Drive

17:00-19:00 Conference Registration & Reception / Inscription au congrès et réception 18:00 Historic UNB walking tour / Visite patrimoniale du campus de l’UNB John Leroux will lead a short walking tour of the John Leroux dirigera une courte visite à pied des heritage buildings that line the lower campus of bâtiments patrimoniaux qui forment le campus UNB Fredericton. An architecturally significant inférieur de l’UNB à Fredericton. Situés dans un and attractive academic setting, we will explore a environnement particulièrement remarquable du number of National Historic structures such as the point de vue de l’architecture et du charme 1828 Sir Howard Douglas Hall (the oldest académique, nous explorerons un certain nombre continuously-used university building in Canada), de structures historiques nationales tel que le Sir the 1851 Brydone Jack Observatory and its Howard Douglas Hall (1828), le plus ancien incredible collection of original astrological bâtiment universitaire toujours en usage au instruments, the 1924 Memorial Hall with its Canada, l’Observatoire William Brydone Jack stunning stained glass windows, and the (1851) et son incroyable collection d’authentiques overlooked Modernist gem Student Centre of instruments astrologiques, le Memorial Hall 1955, among others. (1924) avec ses impressionnants vitraux, ainsi qu’un gemme Moderne parfois oubliée, le Centre

des étudiants (1955), et plus.

19:00 Welcoming Remarks & Presentation of Phyllis Lambert Prize / Mots d’ouverture et présentation du prix Phyllis-Lambert 19:30-20:15 Keynote Address by Thaddeus Holownia, RCA / Conférencier invité: Thaddeus Holownia, RCA Thaddeus Holownia describes himself as a Se décrivant lui-même comme un « enseignant, un “teacher, visual artist, letterpress printer and artiste visuel, un spécialiste de la typographie et publisher,” but he is also a professor and head of un éditeur », Thaddeus Holownia est également the Department of Fine Arts at Mount Allison enseignant et directeur du département des University, an avid admirer of architecture, and a beaux-arts de l’Université Mount Allison, un grand most inspiring and dedicated citizen of New admirateur d’architecture, ainsi qu’un citoyen du Brunswick. Nouveau-Brunswick parmi les plus dévoués et les plus inspirants. An internationally renowned photographer, his work has been the subject of significant solo and Un photographe de réputée mondiale, son œuvre a group exhibitions, both in Canada and fait l’objet d’importantes expositions de groupe ou internationally. Similarly, his photographs and individuelles, au Canada comme à l’étranger. De bookworks have been acquired by some of the même, ses photographies et ses livres d’art ont été finest museums in the world, including the acquis par d’importants musées à travers le National Gallery of Canada, the Houston Museum monde, y compris par le Musées des beaux-arts du of Fine Arts, the Canadian Centre of Architecture, Canada, le Centre canadien d’architecture et de

[6] as well as numerous corporate and private nombreuses collections personnelles ou collections. No small feat for a resident of the tiny d’entreprises; rien de moins pour un résident du settlement of Jolicure near the Tantramar Marshes tout petit établissement de Jolicure, près du in southeast New Brunswick. marais de Tantramar au sud-est du Nouveau- Brunswick. A member of the Royal Canadian Academy of Arts and a Fulbright Fellow, Holownia has consistently Un membre de l’Académie royale des arts du combined his studio work with a strong Canada et titulaire d’une bourse d’études dedication to teaching and encouraging young Fullbright, Holownia a toujours marié son travail students. As such, he twice received the Paul Paré de studio à son dévouement à l’enseignement et à Medal from Mount Allison University in l’encouragement des jeunes étudiants. Ainsi, on lui recognition of excellence in teaching, creative a décerné à deux reprises (1998 et 2006) la activity, research and community service (in 1998 médaille Paul-Paré de l’Université Mount Allison & 2006). Whether his lens has framed the sublime pour l’excellence de son enseignement, pour sa natural environment, our built structures and the créativité, ses recherches et ses services slow decay of time, or individuals captured in a communautaires. Que sa lentille ait saisi la moment of reflection, one cannot remain unmoved sublime beauté naturelle, nos constructions et by his images. Using large-format cameras and l’effet du temps sur celles-ci, ou encore des negatives, he has produced a constantly evolving individus perdus dans leurs réflexions, ses images body of work that is unique within the visual arts ne laissent personne indifférent. Utilisant des in Canada, revealing the magnificent and often appareils et des négatifs grand format, son Œuvre overlooked beauty of the world. a sans cesse évolué tout en demeurant unique à travers les arts visuels au Canada, révélant ainsi la beauté magnifique et souvent négligée du monde.

20:15-21:00 Reception continues / Poursuite et fin de la réception

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Thursday, May 29th / Jeudi 29 mai

08:00 Registration & Coffee / Inscription et café NBCCD Library (Barracks Building) / Bibliothèque CADNB (caserne) 457 Queen Street, 2nd floor / 457 rue Queen, 2e étage

Note: The exhibition “History, Craft and Shelter: Veuillez noter que l’exposition « History, Craft and images from the Provincial Archives of New Shelter : images from the Provincial Archives of Brunswick’s ‘Building New Brunswick’ architecture New Brunswick’s ‘Building New Brunswick’ collection” is open during the entire conference in architecture collection » est accessible pour toute la the NBCCD Gallery. durée du congrès dans la galerie du CADNB.

08:30 Session 1: Architecture of Faith ‘A’ / L’architecture de la Foi ‘A’ Co‐Chairs/coprésidents: Candace Iron and/et Jean‐Sébastien Sauvé Room 1, NBCCD / Salle 1, CADNB

The opening chapter of the 2012 book, The Le chapitre introductif de l’ouvrage de 2012 The Religions of Canadians, edited by Jamie S. Scott, Religions of Canadians, sous la direction de Jamie postulates that in today's Canada, churches and S. Scott, postule que dans le Canada d’aujourd’hui, chapels of all denominations dominate the les lieux de culte et les chapelles de toutes landscapes of the majority of communities – confessions dominent les paysages de la majorité urban, suburban, rural, and remote, from coast to des communautés — urbaines, suburbaines, coast. rurales et éloignées, d’un océan à l’autre.

The truth of this statement is easily proven La vérité de cette affirmation se prouve facilement through an examination of the numerous church grâce à un examen des nombreux édifices buildings that can be found in nearly every town religieux qui se trouvent dans presque toutes les and city in the country. petites et grandes villes du pays.

While these buildings were often historically the Alors qu’historiquement, ces édifices furent centre of their communities, with Canada's souvent le centre de leur communauté, étant increasingly multicultural identity, more often donné l’identité de plus en plus multiculturelle du than not, the socially-important role that these Canada, la plupart du temps, le rôle social buildings once played to their communities have important que jouèrent autrefois ces édifices dans become shadowed by rising populations, lowering leur communauté a été éclipsé par une church attendance rates, and increasing secularity. augmentation de la population, une diminution Being representative of Canadian identity and des taux de fréquentation des lieux de culte et une history, Canadian church buildings are important sécularisation croissante. Représentatifs de symbols of their former and actual use. As such, l’identité et de l’histoire canadiennes, les édifices this session seeks papers that examine church religieux canadiens sont d’importants symboles de architecture of all types and from all periods of leurs usages passés et présents. Par conséquent, Canadian architectural history. ce panel recherche des communications qui examinent l’architecture des lieux de culte de tous Particularly welcome are papers dealing with les types et de toutes les périodes de l’histoire church buildings from all denominations, their architecturale canadienne. reason for existence, their social function (historical and contemporary), their relevance

[8] within contemporary, multicultural Canada, and Sont particulièrement bienvenus les articles qui their theoretical underpinnings. traitent des lieux de culte de toutes confessions, la raison de leur existence, leur fonction sociale (historique et contemporaine), leur pertinence dans un Canada contemporain et multiculturel et leurs fondements théoriques.

 Dr. Jack C. Whytock, “Liturgics and Church Architecture: A Study of a Transplanted Scottish Kirk on Prince Edward Island” This paper will be interdisciplinary in nature in order to contextualize the distinct architectural style of a transplanted Scottish Church community in Prince Edward Island. Thus its basic liturgics will be seen as the impetus for the use of space establishing itself in this particular ecclesiastical architectural style. Often this style has been known by two distinctive features: the raised pulpit on the long wall and the unique floor plan to accommodate the long tables. It has not been appreciated in its post-reformation Scottish context. Parallels have often been made to the New England meeting house tradition, but here we will explore what the presenter maintains to be the proper roots of this architectural expression for the context of Prince Edward Island. The paper will also illustrate this with the last two examples to be found on Prince Edward Island and include architectural details. Brief reference will be made to usage of this architectural style globally. In conclusion, the purpose of this paper is to highlight the post-reformation Scottish liturgical perspective which created a distinctive Scottish Reformed ecclesiastical architectural style and was transposed into certain Canadian communities.

 Emily Turner, “Church Architecture for the James Bay Mission c.1850-1890” The expansion of Christian missionary activity throughout the globe in the second half of the nineteenth century led to a massive boom in church construction for non-British communities. The evangelical Anglican Church Missionary Society (CMS), which operated a vast network of missions throughout the British Empire, specifically condemned the customary Gothic Revival style as inappropriate for the missionary context because of its cultural baggage. Instead, the CMS promoted the use of vernacular forms for Christian architecture. Nevertheless, innumerable Gothic churches were erected across the global CMS mission field during this period, especially in North America. This paper will examine the churches built after 1850 in the James Bay region of Northeastern Ontario, with special focus on St. Thomas’ Church, Moose Factory, the seat of operations in the region during the principles years of the CMS mission in the region. In light of the global policy of the Society, it will examine the stylistic aspects of the James Bay churches within their cultural context and discuss their sources, their response to global traditions and their role as a mode of communication within the local settler, missionary and First Nations communities who shared them. While discussing the ramifications of style on the development of material identity within the indigenous church and the social function of architecture in mission, this paper will also shed light on faith-based architectural planning when cultures with incompatible ideas of architecture collided in a remote and difficult environment.

 Josée Laplace, « Églises, modes d’emploi: le “rituel” dans les paroisses catholiques du Québec: de Monseigneur de Saint-Vallier à Ignace Bourget » Entre le rigorisme des prescriptions du Rituel de Québec publié par l'ordre de Monseigneur de Saint- Vallier, évêque de Québec longtemps au coeur des pratiques paroissiales (1703-1840, Hubert, 2000)

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et le faste du cérémonial romain adopté dans la première moitié du XIXe siècle, les églises québécoises ont été investies sur des modes contrastés. Il n'y a vraisemblablement pas de rite sans la création d'ambiances précises «capable[s] d'attirer la vénération des plus grossiers» (Rituel de Québec, p. 7). Aussi, nous nous attarderons à retracer, à partir de ces deux documents qui ont fait autorité dans l'administration du rite au Québec, comment leurs chapelets de bénédictions, sacrements ou ordonnances, ont pu se traduire dans l'usage et la mise en forme des églises catholiques, via la création d'environnements sensibles spécifiques. À partir de là, pouvons nous établir des liens entre ces documents et la production architecturale de ces deux périodes ? Référence : Ollivier Hubert, 2000, Sur la terre comme au ciel. La gestion des rites par l’Église catholique du Québec (fin XVIIe – mi-XIXe siècle), PUL, Collection Religions, Cultures et Sociétés.

 Loryssa Quattrociocchi, “Three Churches By Gordon W. Lloyd (1832-1905): St. John’s Anglican Church, Strathroy, Trinity Anglican Church, St. Thomas, and New St. Paul’s Anglican Church, Woodstock, And The Ecclesiological Gothic Revival In South-Western Ontario” The proposed study will explore the influence of the nineteenth-century English Gothic Revival on the churches designed by the little-studied Canadian architect Gordon William Lloyd (1832-1905). I have chosen to examine three of Lloyd’s Anglican churches in the Gothic Revival style in the Huron diocese that have not yet been studied: St. John’s Anglican Church, Strathroy, ON (1875); Trinity Anglican Church, St. Thomas, ON (1876-1877); and New St. Paul’s Anglican Church (now the Church of the Epiphany), Woodstock, ON (1877-1879). This study will contribute to existing knowledge in three ways. First, in conducting a comparative analysis between Lloyd’s churches and those of his English architectural uncle Ewan Christian (1814-1895) who trained him, I will explore the ways in which Lloyd’s building style was shaped by the training he received from his uncle in England. Secondly, in using Lloyd’s Trinity Anglican Church, a “low” Anglican church, as one of my objects of analysis, I will investigate whether Lloyd used Christian’s low Anglican churches as models when designing Trinity Anglican. Finally, by examining the fabric of each church and comparing them to medieval and nineteenth-century Gothic models, my research will determine the extent of which Lloyd’s church building career in the Huron diocese was influenced by Pugin, the Cambridge Camden Society, and the nineteenth-century English Gothic architectural Revival.

08:30 Session 2: Teaching Architectural History in Canada / L’enseignement de l’histoire de l’architecture au Canada Chair/président: Michael Windover Room 2, NBCCD, Salle 2, CADNB

This workshop looks to continue the conversation Cet atelier souhaite continuer le dialogue débuté begun at the last SSAC conference about teaching au cours du dernier congrès de la SÉAC sur le sujet architecture or design history in Canada. It is de l’enseignement de l’histoire de l’architecture ou meant to act as a forum for educators, whether in du design au Canada. L’objectif est d’y tenir un an institutional setting or not, to share strategies forum pour les éducateurs de tout horizon, qu’ils and resources. Presentations could take many œuvrent dans un environnement institutionnel ou different forms, from teaching demonstrations to non, afin de mettre en commun les stratégies et papers on pedagogy, from reports on best ressources. Les présentations peuvent prendre

[10] practices to public outreach initiatives, from différentes formes, allant de simulations engagement with students in the class to on-site d’enseignement à des communications sur le sujet education. How are you helping to improve de la pédagogie, de rapports sur les meilleures understanding of or raising awareness of issues pratiques à des initiatives de diffusion publiques, affecting of the built environment? de l’interaction auprès des étudiants en classe à l’enseignement sur le terrain. De quelle manière contribuez‐vous à améliorer la compréhension ou la sensibilisation aux questions qui touchent l’environnement bâti?

 Dustin Valen, “How to be Modern: Teaching Architectural History at McGill, 1949-57” At a time when McGill’s School of Architecture was reinventing itself under the rubric of modern design and the auspices of a Bauhaus curriculum, architect and Montréal native Hazen Edward Sise’s outspoken views on the virtues of being modern and backwardness of Canadian architecture were eagerly accepted. For almost ten years, from 1949 to 1957, Sise taught Modern Architectural History at McGill. Having trained in the offices of Le Corbusier and volunteered overseas during the Spanish Civil War, Sise was a passionate apostle of modern architecture whose firsthand experience of the modern movement and strong political views profoundly affected his historical hindsight. Parroting a handful of leading, contemporary historians, through the tautological representation of history and its revitalization of 20th-C architecture Sise taught history as a form of practical instruction - his goal: to transform Canadian architecture through its future practitioners. Through discussing his lecture notes, final exams, and interviews with former students, this paper explores how Sise successfully influenced a generation of practitioners, and how new modes of ‘modern’ architectural education simply repurposed the didactic goals of historical thinking by substituting one set of models for another. Today, in an age “suspicious of synthetic historical analyses and unifying frameworks meant to illuminate the past,”(1) this paper argues how we might still learn from such a strong-minded, albeit myopic view of modern history. At a time when the history and theory of architecture is fast becoming an accessory to design education, revisiting this period of much maligned ‘modern history’ offers important insight into how different representations of the past can influence design in the present, and how historical thinking is central to our imagination. Reference: Sarah Williams Goldhagen, “Coda: Reconceptualizing the Modern,” in Sarah Williams Goldhagen and Réjean Legault, eds. Anxious Modernisms: Experimentation in Postwar architectural culture (Cambridge, MA: MIT Press, 2001): 301-324.

 Marie-Josée Therrien, “The challenges of teaching the history of architecture in a studio program” As a request from the Faculty of Design at the Ontario College of Art and Design University in 2012, I created an undergraduate course geared towards 3rd year environmental studies students: Architecture in Canada, Past and Present for which I wrote in collaboration with my architect colleagues the following summary that had to be approved by two committees : “Through a survey of architecture in Canada, this course will explore the relationship between historical developments and wider changes in socio-political, technological and aesthetic realms in architecture and the built environment. From post-contact hybrid Aboriginal architecture to the most recent manifestations of environmentally responsible design, this course will examine architecture as a cultural practice shaped by its own rules and contexts, including spatial forms, materials and discourse. The course

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will analyze the relationship between these complex contexts and contemporary architectural and associated design practices.” The rigorous exercise of assembling a syllabus and a course reader, makes us aware of the strength, limits and the gaps of our field. As an historian, the first challenge is to maintain the chronology but avoid the “Darwinian” narrative that introduces the First nations architecture in a linear progression, from nomadic to post contact European settlements. The second goal was to help students, who are eager problem solvers but who lacked the type of research skills germane to our discipline, to develop an historical understanding of the built environment. A third related goal was to bring students to understand the relationship between heritage, place and identity. I hope with this proposal to present the different strategies that I developed during the first version of the course. In the spirit of your proposed workshop, this would be the occasion to participate in the on-going conversation about the challenge of teaching the history of architecture in Canada for our diverse groups of students.

 Nancy Duff, “Resourcing the study of Canadian architectural history: preserving our analogue past and imagining our digital future” As our analogue teaching collections slowly morph into research archives, we have an opportunity, or one might argue a duty, to preserve this material while at the same time, offering unprecedented access to it through the use of digital technologies. This presentation will highlight some of the strategies used over the past few years to develop a critical mass of image resources for teaching, researching and studying architectural history in Canada in the digital age. Through the deliberate cultivation of relationships, careful planning of information infrastructure, and diligent guarding of legacy material, it is possible to develop a wealth of resources that can be explored and shared in ever expanding ways. Among the more intriguing possibilities is digital media’s potential for moving us beyond the use of 2 dimensional static images as the predominant means of describing works of architecture, both inside and outside of the classroom.

 Laurie Brady, “A Flair for the Dramatic” 2012 marked the 200th anniversary of the birth of Augustus Welby Northmore Pugin, an extraordinary architect whose name has appeared regularly in journal issues and conference papers of this very society, regarding his influence on nineteenth-century architecture, particularly ecclesiastic, in Canada. A professional theatre troupe based in Ramsgate, Kent (the site of Pugin’s final home The Grange) performed a play about the architect, Pugin: The Man in the Wide-Awake Hat (A Gothic Adventure) in September 2013. Playwright Clive Holland, company director, aims not only to entertain but to engage his Ramsgate audience with the compelling character of Pugin, a towering figure of British architectural history who remains underappreciated locally. My presentation will explain how the play serves as a public outreach initiative regarding the built environment, as well as how it came to be, its reception, and its creative and dramatic approach to architectural history appreciation.

10:30 Coffee / Pause-café NBCCD Library (Barracks Building) / Bibliothèque CADNB (caserne) 457 Queen Street, 2nd floor / 457 rue Queen, 2ième étage

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10:45 Session 3: Canada’s Architectural Centennial Projects / L’architecture dans le cadre du centenaire de la Confédération canadienne Chair/présidente: France Vanlaethem Room 1, NBCCD / Salle 1, CADNB

Montreal will celebrate in 2017 the 50th À Montréal, en 2017 seront célébrés les 50 ans anniversary of Expo 67, a memorable event with d'Expo 67, événement mémorable par son cadre its futuristic or exotic pavillons and his festive bâti à la fois futuriste et exotique et son ambiance. However Expo, the international effervescence festive. Cependant l'exposition exhibition settled on the St. Lawrence River internationale aménagée sur les îles au large du islands that welcomed visitors from around the fleuve Saint-Laurent pour accueillir les visiteurs world for a summer, wasn’t the only architectural du monde entier le temps d'une saison, ne fut pas event commemorating the Centennial of the la seule manifestation architecturale soulignant le Canadian Confederation: many permanent centenaire de la Confédération canadienne; de buildings, and several landscapings were carried très nombreux édifices et plusieurs out throughout Canada. In , approximately aménagements paysagers permanents furent à fifty cultural and leisure centers rose from signed cette occasion réalisés à l'échelle du Canada. Ainsi, agreements between the federal and provincial au Québec, une cinquantaine de centres culturels governments and municipalities or state agencies. et de loisirs furent construits dans toute la Docomomo Quebec, that begun an inventory of province dans le cadre d'ententes signées entre le this particular corpus, is seeking papers that can gouvernement fédéral, le gouvernement broaden the knowledge on these architectural provincial et des municipalités ou des organismes production that have largely fallen into oblivion. d'État. Docomomo Québec qui a amorcé un inventaire de ce corpus sollicite des Based on a heritage or historiographical approach, communications contribuant à élargir la proposals can: connaissance de cette production bâtie largement - address the architectural program of the tombée dans l'oubli. En privilégiant une approche Centennial Commission launched across the patrimoniale ou historiographique, les country as a whole; propositions peuvent traiter du programme - examine a particular aspect by focusing on such architectural de la Commission du centenaire projects in a province; lancé dans tout le Canada, dans son ensemble ou - present one case in particular. d'un de ses aspects en s'attardant par exemple aux projets réalisés dans une province ou encore à l'un d'entre eux en particulier.

 Elijah Karlo M. Sabadlan, “Building the New: The Role of Architecture during the Centenary of the Canadian Centennial in 1967” In 1951, the Report of the Royal Commission on the National Development of the Arts, Letters, and Sciences, commonly referred to as the Massey-Lévesque Report, defined the need to strengthen the quality of the Canadian mind and spirit — the foundations of national unity and identity. As part of this initiative, it articulated the need for new forms of architecture to challenge the “tendency toward imitative and derivative styles” (Massey 217) and to provide Canadian citizens with new cultural infrastructure across the country. Building on this ambition, the Centennial Commission, established in 1963, introduced the Centennial Grants Program and the Confederation Memorial Projects. Both of these initiatives provided matching funds to municipal and provincial projects of a lasting nature. In total, the Federal Government invested over $70,000,000 on numerous projects of architectural merit.

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This paper will focus on four projects, which includes: Raymond Moriyama’s preliminary sketches and vignettes for the design of the Centennial Centre for Science and Technology (Toronto, Ontario); Gerald Hamilton’s impressive preliminary proposals and built version of the Centennial Museum and Planetarium (Vancouver, British Columbia); Jack Long’s Centennial Planetarium (Calgary, Alberta); and Alex Mair’s UFO Landing Pad (St. Paul’s, Alberta). As expressions of the space age, these buildings reflect upon the role of architecture in shaping Canada’s identity as a forward-looking nation. Reference: 1. Massey, Vincent. Report: Royal Commission on National Development in the Arts, Letters and Sciences, 1949-1951. Ottawa: King's Printer, 1951. Print.

 James Tristan Crawford, “The Role of Policy Advocacy in the Development of the Centennial Buildings” The period of 1951-67, beginning with the publication of the Royal Commission on National Development in the Arts, Letters, and Sciences (the Massey Report) and culminating in the celebration of Canada’s centennial year, was one of considerable change in professional practice of architecture in Canada. Rapidly improving economic conditions and major expansion of the federal government dramatically increased the construction budget of the Department of Public Works, making the already powerful institution the most significant commissioner and designer of architecture in the country. Yet many private architectural professionals felt that the department represented a conservative force that restrained the progress of architecture in a nation struggling to define its modern identity. Empowered by the conclusions of the Massey Report architects argued that their greater involvement in major public works would improve the quality and focus the identity of Canadian architecture. This advocacy was counterpart to a general feeling that the profession needed to be redefined to attain a new relevance in the post-war era. Thus private architects were particularly attached to their advocacy positions as a means to assert their professional significance in the development of national culture. In particular architects advocated for the construction of major cultural institutions, that major public building commissions should be awarded through competition, and for the integration of monumental artworks into public buildings. This paper will examine the shifting relationship between private and public architectural practice, arguing that the role of the private architect was significant in defining the conditions in national architectural culture that are embodied in the Canadian centennial buildings.

 Soraya Bassil, « Quebec’s Centennial Projects / Projets québécois du centenaire de la Confédération » By May 31st 1967, 2425 projects throughout Canada benefited from two major programs: the federal- provincial Centennial Grants Program and the Confederation Memorial Grants Program. It comprised of 568 recreational centers, 538 parks, 312 playgrounds, 188 municipal buildings, 144 libraries, 81 museums and galleries and 35 historical building restorations. Being added to that number was each Province Confederation Memorial Project. For the province of Quebec the most important building erected during the 1967 celebrations was the Grand Theâtre de Québec by the architect Victor Prus winner of an architectural competition held in 1964. As many of the important buildings erected at the time, the theater would be finished long after the festivities at the end of 1970. Apart from the National Memorial Project, a few landscaping projects were carried out and more than fifty community centers rose throughout Quebec in 1967, about twenty more approved projects would be completed the following years. In comparison, more than 600 projects were erected in Ontario and close to 400 in Alberta. At first glance even though fewer projects were built in Quebec than in other provinces, it seems from the money invested by the Federal-Provincial Grants Programs that they were of greater importance. Docomomo Quebec, that begun an inventory of this

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particular corpus in collaboration with the Ministère de la Culture et des Communications, will be presenting their first findings and results.

10:45 Session 4: On First Nation Architecture and Planning / De l’architecture et de l’aménagement des Premières Nations Chair/président: Daniel Millette Room 2, NBCCD / Salle 2, CADNB

This session proposes to continue a dialogue Ce panel propose de continuer un dialogue initiated at the Society for the Study of Architecture instauré lors du congrès annuel de la Société pour in Canada’s Annual Conference in Yellowknife in l’étude de l’architecture au Canada tenu à 2008. Papers with an express focus on Yellowknife en 2008. Nous sollicitons des establishing clear links between traditional design communications qui visent expressément à établir tenets and contemporary design elements are des liens clairs entre des principes du design sought. What is First Nation architecture? Is there traditionnel et des éléments du design such a thing? The session aims at a dialogue that contemporain. Qu’est-ce que l’architecture des examines the ways present-day professionals or Premières nations? Est-ce qu’une telle chose First Nation community members consider existe? Le panel cherche à établir un dialogue qui building and planning traditions, translate their examine les manières par lesquelles les significance, and transform (or not) initial professionnels d’aujourd’hui ou les membres des meaning and intent within new buildings or communautés des Premières nations envisagent settlement plans. In particular, the session seeks les traditions de construction et d’aménagement, paper proposals that assess the successes of on- traduisent leur importance et transforment (ou reserve projects developed within the past ten non) les significations et intentions initiales au years. Papers should consider the uniqueness of sein de nouveaux édifices ou de plans the architecture or plan, whether designed by d’établissement. En particulier, ce panel sollicite professionals, or by community members. The des propositions de communications qui évaluent papers should be less descriptive and more les succès de projets développés dans les réserves analytical: How do these recent projects au cours des dix dernières années. Les incorporate tradition within their design? And communications devraient examiner le caractère how does the whole fit within current unique de l’architecture ou du plan, qu’il soit architectural and / or planning discourse? conçu par des professionnels ou par des membres de la communauté. Les articles devraient être moins descriptifs et plus analytiques : comment ces récents projets incorporent-ils la tradition à leur design? Et comment le tout cadre-t-il dans le discours actuel en architecture et en aménagement?

 Daniel Millette, “The Coast Salish and Stó:lō Longhouse: On Memory, Planning and Architectural Replication” The planning and architectural design outcomes that we see on First Nation lands are rarely representative of indigenous environmental design. The two activities were (and in some rare cases remain) contained within one set of actions whereby settlement planning and architectural design were considered within one process. What we see on many reserve lands today, therefore, is not the result of traditional design effort; it is the result of culturally benign design activity by outsiders with little knowledge of indigenous life. It can be readily argued that embedded within the indigenous

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collective memory remain long-standing design tenets connected to complex sets of environmental considerations in use prior to the European arrival. Until recently, these have been largely ignored by historians and the design professions. However, many First Nation communities are now taking on active roles in design initiatives, insisting that any outside professionals working within their lands take into account traditional design elements; some of tenets that were thought to have disappeared are in fact coming to light. This paper will briefly highlight one example of how traditional design was suppressed, altered by necessity, and then openly re-instigated within a revised memorial track.

 Rebecca Lemire, “Elucidating Culture: Recent Indigenous Architecture in Canada and Contemporary Media Constructions” In recent years, a number of First Nations and Inuit commissions have garnered international media attention for their elegant, distinct and progressive designs. Two of these projects, which can be placed within the Cultural Showcase research field as identified by Millette and Oliver, are the Torngâsok Cultural Centre by Todd Saunders Architecture and the Nk’Mip Desert Cultural Centre by HBBH Architects. In a 2012 interview concerning his commission for the Torngâsok Cultural Centre Todd Saunders stated that "The Inuit don't really have an architecture", yet his commission is based upon the traditional building forms of Inuit sod huts. This paper examines not only the inimitable architectural elements that make up the Torngâsok Cultural Centre and the Nk’Mip Desert Cultural Centre, but how the Labrador Inuit, and Osoyoos Indian Band respectively, have employed architecture to translate cultural principles, and how architects have ultimately represented these cultures in the media. Concurrent to this, I look at two examples of commissions which respond to on-reserve housing challenges, and which were considerably less publicized: The TRTL Sustainable Housing Pilot Project for the Treaty 7 First Nation and the Ross River Master Plan by Douglas Cardinal Architects Inc. These projects have not garnered the same recognition or media attention as Torngâsok or the Nk’Mip Desert Cultural Centre, perhaps because they are not as easily packaged for mainstream media consumption, and likely because the failures of First Nations housing projects are often highlighted, rather than the successes. However, these commissions represent leading-edge design work, and deserve further attention. In this paper I make a case for an increased recognition of such projects within the greater architectural community as well as the Canadian and International media landscape.

 Breena Langevin, “The Church of Immaculate Conception: A Space for Religious Inculturation?” For my Masters thesis I am exploring Christian missionary churches built or reconstructed in Canada in the 1960s and 1970s that express a fusion between Christianity and traditional Native spirituality. This fusion involves an appropriation of spiritual messages and a symbolic juxtaposition of religious imagery apparent in the architecture and visual furnishings of the church, as well as the liturgical practices of its congregation. The syncretic features of these churches can be seen as a move towards religious inculturation, which for Christianity means redefining their systems of representation and broadening their embrace. This paper will analyze the Church of Immaculate Conception in West Bay on Manitoulin Island, a Jesuit missionary church rebuilt in 1971 after a propane explosion, which displays a syncretism between Catholicism and the traditional Native spirituality of the Anishnaabeg societies that populate the region. By examining the church as a site of ongoing colonial struggle between two co- existing cultures, I will investigate what kind of message the church conveys to the community at large and what are the potential benefits and dangers inherent in that message. By exploring the convoluted iconographic language expressed through its teachings, I argue that rather than resolving the problematic nature of missionary histories, this church acts as a space in which to negotiate the

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irreconcilable past of colonial invasion. I demonstrate how changes and adaptations in missionary ideology correspond with the emergence of a new type of post-colonial attitude that embraces Aboriginal spirituality while touting it as nationalist symbol.

12:15 Barbeque Lunch (& NBCCD presentation) / Dîner barbecue (et courte présentation CADNB) Courtyard tent, NBCCD / Tente dans la cour extérieure, CADNB

13:30 Session 5: Architecture of Faith ‘B’ / L’architecture de la Foi ‘B’ Co‐Chairs/coprésidents: Candace Iron and/et Jean‐Sébastien Sauvé Room 1, NBCCD / Salle 1, CADNB

 Malcolm Thurlby, “Tradition vs Innovations in the Roman Catholic Churches of Joseph Connolly in Ontario” This paper investigates some of the Roman Catholic churches in Ontario designed by the Irish- trained architect, Joseph Connolly (1840-1904). His work is investigated in association with the wishes of the patron(s) with the view to understanding what constituted an appropriate, even ideal, image of the Irish Catholic presence in a community. The designs span a wide range, from ‘copies’ of the churches of his teacher, J.J. McCarthy, and examples of very specific references to AW. Pugin’s churches in Ireland, to innovative designs that adopt the principles of High Victorian grandeur and permanent polychrome. The churches of St Parick’s, Hamilton (1875); St Cornelius, Caledon (1885); St Carthagh’s, Tweed (1887); Our Lady of the Immaculate Conception at Guelph (1876-88), and St Peter’s Basilica, London (1880-85), will be examined. I shall conclude with brief reference to Connolly’s churches in the Roman Renaissance and Hiberno-Romanesque styles created for patrons for whom Gothic was neither sufficiently Irish nor distinctly Roman Catholic.

 Kristie J. Dubé, “Anglican Gothic Revival Church Construction in Saskatchewan (1854- 1917)” Anglican church building in late nineteenth-- and early twentieth-century Saskatchewan was the product of the perceived duty of the Anglicans as purveyors of British values. From the rough conditions of the early fur trade era onto the pioneer and later railway boom era, Anglican efforts to instill Protestant Christianity alongside British ways of life are apparent. Unfortunately, the scope and exact approach of the Anglicans on the prairies is still relatively unknown. In part, this has occurred because the vast majority of the Anglican churches built on the prairies reside in areas that have since become remote and have thus remained relatively obscure. These churches, however, are only part of the story. The Anglicans also built quite a few large urban churches during the period. In fact, the story of Anglican church building in Saskatchewan can be loosely divided along these lines, namely, urban and rural. In an analysis of over one hundred Saskatchewan churches, two main church types emerge. The first and most common is the small, simple wooden rural church that remains virtually unchanged in its basic design for four decades and is indicative of resources being stretched thin. In contrast to this is the large, relatively complex brick or stone urban structure that was designed to make a statement of superiority in a competitive environment. Both types show one main goal though, to ensure that the Anglican message of British values was reaching all facets of prairie society.

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 S. Holyck Hunchuck, “St. Onuphrius Ukrainian Catholic: A Study in Form and Meaning” St. Onuphrius is a small, wood-framed church built by Ukrainian Catholic settlers in Smoky Lake, Alberta in 1905-6, and then expanded under the direction of a Belgian Oblate priest, Fr Philip Ruh (ne Rioux) between 1915 and 1925. Constructed in a vernacular Byzantine style, the church’s design is based on tripartite plan featuring a domed roof over a narthex, nave, and sanctuary, and incorporates an ikonostas (ikon wall) that separates the clergy from the congregation. These and other aspects of its form, such as an absence of an organ, fixed pews, stained glass, or Stations of the Cross, reflect some of the key distinctions between the Eastern or Byzantine Rite of Ukrainian Catholicism from those of the Latin Rite of the Roman Catholicism, while others of its traditions (such as that of a married clergy or the spatial separation of the congregation by gender) become evident only during Church religious functions. St Onuphrius is noteworthy for several reasons which are explored in this paper. It was one of dozens (perhaps hundreds) of modest vernacular churches built by Ukrainians in the Prairies during the “Pioneer” era (1891-1939). It was also the first church built by Fr. Ruh, who went on to build some 30-40 Ukrainian Catholic churches in Canada (and whose architectural legacy has been compared by Harold Kalman to that of Dom Bellot in Quebec.) Additionally, while similar churches to St Onuphrius have since fallen into disuse, disrepair, and abandonment in situ, this church remains as an active church, albeit in extraordinary circumstances: In 1996, it was dismantled and reconstructed at the Canadian Museum of Civilization (now the Canadian Museum of History) at Gatineau, Quebec. The current functions of the Church, as both living religious artefact – albeit in a public, secular institution -- and as architectural shorthand for the entire ethno-religious history of Western Canada, pose additional lines of enquiry that will also be explored in this paper.

13:30 Session 6: Current Research ‘A’ / Recherches actuelles ‘A’ Co‐Chairs/coprésidents: John Leroux, Peter Coffman and/et Nicolas Miquelon Room 2, NBCCD / Salle 2, CADNB

 Danielle Doucet, « Désir de modernité des architectes et des artistes à Montréal, 1950- 1961 » À Montréal dans les années cinquante, et dans une moindre mesure ailleurs au Québec, des acteurs des mondes de l’architecture et de l’art ont collaboré afin de réaliser leur désir commun d’une ville plus colorée et humaine, en intégrant des murales aux couleurs vives à divers types d’édifices publics modernes. Notre étude doctorale révèle qu’à la faveur de l’effervescence du développement immobilier de cette période d’urbanisation, nombre d’architectes et d’artistes, soutenus par des critiques d’art et d’architecture, ont valorisé la production de murales adaptées à leur nouvel horizon d’attente social (Jauss) ou à des conventions en voie d’établissement (Becker). Parmi ces conventions partagées par l’architecte et l’artiste relevons l’esthétique moderne, aux formes géométriques de couleurs vives, et le renouvellement des matériaux ou des techniques en vue de satisfaire entre autres à l’exigence de durabilité des murales extérieures. C’est à cela que répond le travail novateur de la céramique de Claude Vermette, comme la mosaïque industrielle mise en œuvre par Joseph Iliu, ainsi que celui de Jean-Paul Mousseau avec le vitrail innovant en fibre de verre pour la luminosité accrue d’un bâtiment. Ces exemples témoignent d’une autre convention, procédurale cette fois, du fait que la commande de la murale est encore liée à la relation privilégiée architecte-artiste, qui est répétitive ou établie grâce à leurs réseaux, l’État n’intervenant dans ce processus qu’à partir de 1961.

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De sorte que la présence de ces murales modernes du passé, souvent méconnues, définit encore - pour celles qui restent - les parcours des montréalais.

 Sarah Eastman, “Progress in Better Living: Eaton’s and the Toronto Subway” On March 30th 1954 Canada’s first subway opened in Toronto after years of planning. The Eaton’s department stores on Queen Street and College Street commemorated the occasion with an extensive series of window and store displays, collectively titled “Progress in Better Living.” Marketed as “Fascinating! Educational! Hilarious! Nostalgic! Featuring an unusual collection of early Canadiana!” in newspapers, the window displays featured aerial architectural models of the Eaton’s stores with cutaways exposing the subway underneath. Other displays included subway scenes and “then and now” comparisons between old and new appliances, wallpaper, and more. This celebration of the subway opening fits into an Eaton’s tradition of commemorative window displays, with previous events including Armistice Day in 1918 and coronations in 1937 and 1953. Department store windows are sites of mediation between the interior and exterior and Eaton’s frequently used theirs to illustrate events of local and global significance and to promote a modern vision. While their window displays and paper advertisements projected enthusiasm for the modern convenience of the subway, adapting to it was not seamless. There was concern about the impact of underground travel. Above ground, window displays might draw in passersby. Below ground, there were fewer visual attractions and there was concern that the stores would lose walk-in customers. How did Eaton’s, a department store with a modern identity, negotiate the introduction of the subway? Using the “Progress in Better Living” window displays as a case study, this paper will explore the relationship between Eaton’s and the Toronto subway.

 Martin Drouin, « Le patrimoine et les associations de sauvegarde au Québec » En 2008, la Commission des biens culturels du Québec organisait une vaste consultation publique en vue de la révision de la Loi sur les biens culturels. Plus de deux cents mémoires et une centaine de commentaires en ligne avaient alors été recueillis. En 2011, la Commission de la culture et de l’éducation de l’Assemblée nationale du Québec tenait des consultations sur le projet de Loi sur le patrimoine culturel : plus d’une cinquantaine de mémoires furent reçus. Lors de ces deux exercices, des associations ont décidé de prendre la parole pour exprimer leurs visions, leurs doléances et leurs espoirs pour la sauvegarde du patrimoine au Québec. Il s’agit d’un corpus extrêmement riche pour le champ des études patrimoniales. La communication veut présenter un bilan de l’apport des associations de sauvegarde à ces deux consultations publiques et mettre en lumière quelques enjeux qui émanent du discours de ces associations.

15:15 Bus & site tours (2 options) / Autobus et visites (2 options)

 St. Anne’s Chapel of Ease NHSC & Government House NHSC / LHNC de la Chapelle-St. Anne of Ease et LHNC de l’Ancienne-Résidence-du-Gouverneur St. Anne’s, the Anglican Parish Church of St. Anne, l’église paroissiale anglicane de Fredericton, was built in an astonishing nine Fredericton, a été bâtie en un temps record de months between 1848 and 1849 to fulfill the need neuf mois entre 1848 et 1849 pour accommoder of a proper place of worship while the nearby les besoins d’un lieu de culte convenable pendant Christ Church Cathedral was being built. This que la cathédrale Christ Church, non loin, était en National Historic Site is considered to be the finest construction. Ce lieu historique national du and most significant Gothic Revival church of its Canada est considéré parmi les meilleurs et les size and kind in North America, and survives plus représentatifs exemples d’églises néo-

[19] virtually unchanged in the last 150 years. It was gothiques de sa catégorie en Amérique du Nord, designed by Frank Wills (1822-1857), the young en plus de n’avoir pratiquement pas été modifiée English architect of Christ Church Cathedral, and depuis les 150 dernières années. Donnant le was intended by Bishop Medley that it would mandat de la conception au jeune architecte become a model for all other parish churches in anglais Frank Wills (1822-1857) également New Brunswick. The sum result is a most graceful derrière la conception de la cathédrale Christ structure, acknowledging both its English Church, l’évêque Medley avait pour aspiration que medieval antecedents and its more contemporary St. Anne devienne un modèle pour toutes les 19th century function as a medium for églises paroissiales au Nouveau-Brunswick. Le expounding Medley’s architectural principles in résultat est une structure des plus gracieuses, qui North America. témoigne à la fois de ses antécédents médiévaux anglais et de sa fonction – plus contemporaine et The official residence of the Lieutenant-Governor ancrée dans l’esprit du XIXe siècle – soit celle of New Brunswick, Government House replaced d’implanter les principes architecturaux de its predecessor destroyed by fire in 1825. Its Medley en Amérique du Nord. grand Palladian design with Neoclassical- influenced elements expresses the influence of La résidence officielle du gouverneur de la colonie British architectural vogue and colonial politics in du Nouveau-Brunswick est venue remplacer sa early 19th century New Brunswick. The building prédécesseure, détruite par un incendie en 1825. was commissioned by Sir Howard Douglas, an Son architecture palladienne flamboyante aux inspired and popular Lieutenant-Governor, who éléments d’influence néoclassique exprime hired military officer James Woolford as architect. l’influence de l’architecture britannique en vogue Until the 1890’s, it played a central role in the et des politiques coloniales au Nouveau- social and political life of the province, hosting Brunswick au début du XIXe siècle. L’édifice est state dinners, balls and parties, as well as 14 une commande de Sir Howard Douglas, un Lieutenant-Governors. In 1890, the decision was gouverneur à la fois visionnaire et populaire, qui made to close Government House and the building embaucha l’officier militaire James Woolford would periodically stand vacant, host a Deaf and comme architecte. Jusqu’aux années 1890, l’édifice Dumb Institute, act as a military hospital for joue un rôle central dans la vie sociopolitique de la veterans, and accommodate the RCMP from 1932 province, accueillant des dîners mondains, des until 1990. All three levels of Government bals et autres événements, en plus de servir de supported a restoration of the structure in the late résidence à 14 gouverneurs. En 1890, la Résidence 1990’s, and since 1999 it has once again become du Gouverneur ferme ses portes et demeure the home of the Lieutenant-Governor. It is a vacante de façon périodique, accueillant tantôt un National Historic Site and the most visited Vice- institut pour les sourds-muets, servant tantôt Regal residence in Canada; by a wide margin. d’hôpital militaire pour les vétérans, et hébergeant la GRC de 1932 à 1990. Les trois paliers de gouvernement ont contribué à sa restauration à la fin des années 1990, de sorte que la Résidence du Gouverneur a repris ses lettres de noblesse en 1999. Un lieu historique national du Canada, il s’agit aussi de la résidence vice-royale de loin la plus fréquentée au pays.

 Historic Marysville NHSC (19th century mill town) / LHNC de l’Arrondissement-Historique-de-Marysville (ville industrielle du XIXe siècle) Located in the northeast end of Fredericton along Située dans le secteur nord-est de Fredericton aux the Nashwaak River, several miles from the center abords de la rivière Nashwaak, à plusieurs of the city, Marysville was named a National kilomètres du centre de la ville, Marysville a été

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Historic District in 1997 for being one of Canada's désignée lieu historique national du Canada en finest and most intact 19th-century mill towns. 1997 car il s’agit de l’un des plus complets et des meilleurs exemples de ville mono-industrielle du The huge brick cotton mill, brick tenements lining XIXe siècle associé à une filature de coton. the streets and elaborate mansions looking down from the hill above open a rare window into life in L’immense filature, les immeubles de brique qui a 19th-century industrial town. Marysville was longent les rues, ainsi que les grandes demeures carefully planned for a common purpose by cossues qui surplombent le secteur, nous offrent Alexander (Boss) Gibson, who named the town un rare aperçu de la vie dans une ville industrielle after his wife Mary. He arrived in 1862 and bought du XIXe siècle. Marysville a été soigneusement a lumber mill, and making his fortune in that planifiée dans un objectif singulier par Alexander endeavour, in the 1880s he built a massive red (Boss) Gibson, qui nomma la ville d’après sa brick cotton mill, 56 brick duplexes and single femme Mary. Fraîchement arrivé en 1862, il tenements built for his employees and their acquiert une scierie et fait fortune, avant de families within easy walking distance to the mill, construire une énorme filature de coton en brique and larger homes of managers and the Gibson rouge, 56 habitations simples ou jumelées pour family on the other side of the river, overlooking ses travailleurs et leurs familles, à distance the town. The brick tenements and the mill were raisonnable de la filature, de même que de plus designed by the American architectural firm of grandes demeures pour les cadres supérieurs et la Lockwood and Greene – a prominent Boston firm famille Gibson de l’autre côté de la rivière, sur une specializing in the designs and planning of colline au-dessus du niveau de la ville. Les industrial towns. logements de brique et la filature ont été conçus par la firme américaine Lockwood and Greene, Taken as a whole, the remaining collection of brick une importante firme de Boston spécialisée dans industrial architecture in Marysville is one of la conception et l’implantation de villes Canada’s most significant late-19th century industrielles. urban/industrial landscapes. While a number of Marysville’s “Gibson era” structures have either En perspective, ce qu’il subsiste de la collection been demolished or severely altered, the d’architecture industrielle de brique de Marysville remaining group and their siting layout still est l’un des plus importants paysages maintain a robust integrity that imparts a strong urbains/industriels de la fin du XIXe siècle. Tandis spatial sense of the former bustling cotton mill qu’un certain nombre de structures de Marysville town. de la « période Gibson » ont été démolies ou lourdement modifiées, la concentration de bâtiments restants et leur emplacement conservent une forte intégrité qui traduit bien l’esprit de cette ville de compagnie autrefois grouillante d’activité.

18:30 40th Anniversary Celebration event & dinner / Souper et célébration du 40e anniversaire de la SÉAC Centennial Building – 670 King Street /Édifice du Centenaire – 670 rue King

Opened on March 4, 1967 as New Brunswick's Inauguré le 4 mars 1967 en tant que projet du official Centennial project, the six-story office centenaire officiel du Nouveau-Brunswick, cet building was meant to contain the bulk of the édifice à bureaux de six étages devait servir à expanding provincial civil service. Constructed héberger la fonction publique provinciale en with a rich material palate of polished black expansion. Intégrant à sa construction une riche

[21] granite, stainless steel, travertine marble and palette de matériaux comme que le granit poli, Wallace Sandstone, as well as large murals by New l’acier inoxydable, le marbre travertin et le grès Brunswick's finest artists, the building catered to Wallace, de même que de larges murales conçues the cultural as well as the functional. It is par les meilleurs artistes du Nouveau-Brunswick, acknowledged as the finest International Style cet édifice était à la fois un véhicule pour la culture building in New Brunswick. et le fonctionnalisme. Il est reconnu comme le plus bel exemple d’édifice de style International au This special commemorative event will mark the Nouveau-Brunswick. 40th anniversary of the Society’s founding in 1974; honour its founder, Martin Eli Weil; and celebrate Cet événement commémoratif spécial soulignera the SSAC’s continuing contributions to Canadian le 40e anniversaire de la fondation de la Société en architecture and architectural history and 1974; honorera son fondateur Martin Eli Weil; et conservation over the 40 years since. Speakers célèbrera les nombreuses contributions de la will include Peter Coffman, Christopher Thomas, SÉAC à l’architecture canadienne, à l’histoire de Jesse Weil, Rhodri Windsor-Liscombe, Luc Noppen l’architecture et au domaine de la conservation and Steven Mannell. depuis les 40 dernières années. Peter Coffman, Christopher Thomas, Jesse Weil, Rhodri Windsor Liscombe, Luc Noppen et Steven Mannell seront parmi les intervenants.

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Friday, May 30th / Vendredi 30 mai

07:00 Old Board Meeting / Dernière rencontre du Bureau de direction Location to be determined / Emplacement à déterminer

08:00 Registration & Coffee / Inscription et café NBCCD Library (Barracks Building) / Bibliothèque CADNB (caserne) 457 Queen Street, 2nd floor / 457 rue Queen, 2e étage

08:30 Session 7: Architecture of Faith ‘C’ / L’architecture de la Foi ‘C’ Co‐Chairs/coprésidents: Candace Iron and/et Jean‐Sébastien Sauvé Room 1, NBCCD / Salle 1, CADNB

 Steven Mannell, “Architecture Shapes/ Shaped by Faith Practice: Three Canadian Religious Buildings of the Late Twentieth Century” This paper will consider the relationship between faith practices and built form in three religious buildings of the second half of the twentieth century, each designed in a moment of self-conscious reconsideration and adjustment of faith practices in the face of changing social conditions. The Beth- el Synagogue in St. John’s NL (Cummings & Campbell, 1956-59) is the first purpose-built place of worship for faith group whose emergent presence in Newfoundland society coincides with post-war emergence of modernity. The architecture of the synagogue embodies a free abstract improvisation on visual and organizational motifs drawn from Jewish tradition. Holy Redeemer Catholic Church in Charlottetown PE (Alfred J. Hennessey, 1962-64) also gave tangible architectural presence to a formerly marginal faith community. Its design phase coincided with the Second Vatican Council, and its form is a direct translation into architecture of the worship reforms promoted as a modernization of the faith. Both these mid-century buildings propose, to different degrees, architecture of social progress and the modernization of faith. By contrast, Our Lady of the Rosary Catholic Church in Scarborough ON (Kearns Mancini, 1987-90) is the product of the early efforts of John Paul II to reconnect the faith to pre-modern tradition and practice, through creation of strong links between the parish and an isolationist ethnic identity. The built forms are self-consciously archaic, giving expression to the notion of the church as a bulwark against social progress.

 Marie-Dina Salvione, « Heureuse histoire d'une sauvegarde réussie. L'église évangélique Hosanna feue la Christ Memorial Lutheran Church (Roger D'Astous, 1964- 1965) » L'objectif de cette communication est de présenter la Christ Memorial Lutheran Church qui fut construite par l'architecte Roger d'Astous entre 1964 et 1965 à Montréal. Cette église est une réalisation tardive et remarquable de l'architecte souvent reconnu comme un des «bâtisseurs d'églises» les plus prolifiques au Canada. À ce titre, il réalisa une dizaine de projets d'églises dont trois sont protestantes. Vacante depuis l'an 2000, la Christ Memorial fut sauvée de la démolition en 2004 grâce à la vigilance de Docomomo Québec, ainsi qu'à l'intervention du Conseil du patrimoine de Montréal qui déposa un mémoire arguant sa valeur architecturale. Durant cette période d'abandon, le bâtiment sérieusement dégradé vit souvent son intégrité physique menacée. Le miracle opéra en 2005 lorsque la

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communauté évangélique canado-coréenne Hosanna devint acquéreur de l'édifice et prit la décision de respecter et de réparer son enveloppe sculpturale. L'église Christ Memorial Lutheran fit l'objet d'une étude de cas dans le cadre de notre thèse de doctorat sur l'éclairage naturel dans l'architecture sacrée moderne. Il s'agit d'un édifice remarquable où le béton et la lumière règnent en maître et prêtent à l'intérieur son caractère expressif. Notre communication présentera le travail d'analyse que nous avons mené afin de décrire ses qualités architectoniques et lumineuses inédites. Étant donné la situation actuelle précaire du patrimoine religieux moderne au Québec nous croyons qu'il est impératif de diffuser cette connaissance et de rappeler enfin qu'il existe bel et bien des histoires de sauvegarde patrimoniale qui, comme celle-ci, eurent un dénouement heureux.

 Hagit Hadaya, “Synagogues in the Maritimes“ According Stuart Rosenberg, author or The Jewish Community in Canada, the “Jews of the Atlantic Provinces, like the Maritimers themselves, are “different.” Their numbers are small; their influence is not as apparent as it should be. Canadian Jewish history, as well as the history of Canada, began in the Maritimes, only to fall behind Quebec and Ontario in importance, wealth, and numbers. But no less than the provinces themselves, the Jews of Nova Scotia, Newfoundland and New Brunswick abide.” This paper will look at the range of synagogues that have been built in Atlantic Canada, the events that created them, and in some cases, led to their demise.

 Caitlin Charbonneau, “Threatened Religious Sites And the Preservation Of Heritage Values: Adaptive Reuse Of Ontario Churches” Adaptive reuse of religious places is a relatively new practice that is drawing the attention of the heritage conservation community, however, the spirit of reusing and recycling spaces has always been a part of our heritage. The best-case scenario is for a place of worship to remain as such, but when that cannot happen there are examples of effective adaptive reuse models. An exploration of the increasing challenges to sacred heritage is driven by the desire to explore and understand debates surrounding threats to and subsequent adaptations of churches, specifically in Ontario, Canada. This discussion will be enhanced by the exploration of two adaptive reuse projects in Ontario: Saint Brigid’s Centre for the Arts in Ottawa, a former English Catholic Church, and Victoria Lofts in Toronto, once the Victoria-Royce Presbyterian Church. Both examples are part of the evolving practices of religious heritage conservation and adaptive reuse.

08:30 Session 8: Power representations and self-representations in the colonies /Représentations de pouvoir et de soi dans les colonies Co‐Chairs/coprésidentes: Agueda Iturbe‐Kennedy and/et Rosalie Mercier-Méthé Room 2, NBCCD / Salle 2, CADNB

The recent celebrations of the origins of New Les célébrations récentes des origines de la France and of its institutions brought about a Nouvelle-France et de ses institutions ont amené renewed interest in the architecture of that un intérêt renouvelé pour l’architecture de cette period. Its form and stylistic influences are no période. La forme et les influences stylistiques de longer the main topic of study. Indeed, putting the celle-ci ne sont plus désormais les principaux architecture into context and analysing its role objets d’études. En effet, la mise en contexte de within an overseas society make a valuable l’architecture et l’analyse de son rôle au sein d’une contribution to the cultural and social history of société outre-mer permettent d’enrichir l’histoire

[24] the colonies. While the pre-eminence of certain culturelle et sociale des colonies. Tout en topics — buildings of power and religious constatant une prééminence de certains sujets – constructions — can be observed, as a result, les édifices de pouvoir et les constructions there is a recurring renewal in the approaches and religieuses –, il en découle un renouvellement conclusions reached. We propose to address the récurrent des approches et des conclusions tirées. current studies dedicated to colonial architecture Nous proposons d'aborder les recherches of the 17th and 18th centuries in Canada from the actuelles consacrées à l’architecture coloniale des perspective of representations. Domestic XVIIe et XVIIIe siècles au Canada sous la architecture, garden art, defensive architecture perspective des représentations. Architecture and urban scenery, whether lasting or short-lived, domestique, art des jardins, architecture défensive contribute to the ambition of individual et décor urbain pérenne ou éphémère participent representation of dignity and power, as that of the de cette ambition de représentation individuelle absent king, for whom local administrators act as de dignité et de puissance, comme de celle du roi- representatives. Furthermore, proposals can focus absent dont les administrateurs locaux se font les on collective representations, as well as on current représentants. Les propositions peuvent par representations and reinterpretations of past ailleurs porter sur les représentations collectives, architectures, both French and English. comme sur les représentations et réinterprétations actuelles des architectures du passé, tant françaises qu'anglaises.

 J.-R. Thuot, “Building Houses, Building Identities: Searching Elites by Reconstructing Landscapes in Rural St. Lawrence Valley, 1730-1930” These past few years, many studies on preindustrial Quebec rural communities have established the great variety of the social tissue, arguing the presence of an organized elite spread throughout different social groups. If socioeconomic and institutional patterns of reproduction of that elite have been sorted out, not much has been written on the diversity of material conditions, particularly on domestic architecture. Fewer will accuse a particular twist of the French Canadian historiography, based for a long time on the tradition paradigm which characterized the New France period as a sort of golden age; towards the material environment of the French speaking communities, this meant that most of the greater buildings had been constructed before 1800, torn down by the industrial revolution by 1930. Our demonstration wishes to propose another look at the evolution of landscapes in the rural St. Lawrence valley by two ways: on one hand, by showing the great variety of buildings – and the importance of the renewal of the structure park – and secondly, by trying to circle a domestic architecture of the distinguished men and families, sensible to all sorts of cultural influences that took place in Canada after the British conquest and the American revolution. The project, consisting on reconstructing parts of the landscapes from 1730 to 1930 in the countryside of the northeastern part of the Montreal region, was certainly ambitious but possible through the mobilization of numerous sources. On the first hand, the notarial records, the censuses and the material witnesses; and on the second hand, drawings, plans and pictures of the analysed region. Information about the people that live and give life to these structures is the necessary mirror to question the emerging landscapes. The gathering of this material gives an outlook of the evolution of the new forms of architecture for each historical period – Conquest (1760), Rebellions (1840) and the Crisis (1930), pointing out the social networks that much contribute to transform the built environment.

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 Rosalie Mercier-Méthé, « Divisions internes et divisions sociales dans les villes du Canada colonial » Lorsque Louis XIV a pris en main le développement de la Nouvelle-France en 1663, il a commencé à y nommer ses représentants, soit le gouverneur général et l’intendant. Autour de ces hommes provenant de l’aristocratie gravitait une société privilégiée composée de nobles, de bourgeois et de marchands. À partir de l’étude de la répartition des espaces intérieurs en milieu urbain (Québec, Montréal et Trois-Rivières), le but de cette présentation sera de comprendre comment les membres de l’élite utilisaient leur résidence pour manifester leur situation sociale ou celle souhaitée. En effet, pour répondre au mode vie aristocratique, il était primordial pour une résidence de posséder un aménagement intérieur spécifique. Les différentes pièces étaient organisées de façon à former un appartement. Celui-ci était constitué de pièces en enfilade structurant l’intimité de l’occupant et le parcours du visiteur. Un appartement de base comprenait une antichambre, une chambre, un cabinet et une garde-robe. L’aristocrate devait aussi se dissocier de l’activité marchande, ce qui n’était pas le cas du bourgeois. L’analyse exhaustive des inventaires après décès de l’élite urbaine donne un aperçu des divisions intérieures des résidences coloniales et de l’utilisation des pièces. Les demeures habitées par des nobles étaient souvent constituées d’un plus grand nombre de pièces destinées à l’occupant et à ses visiteurs, alors que dans la maison du bourgeois la moitié des pièces pouvaient servir de magasin et d’entrepôts de marchandises. L’emplacement des pièces de prestige était dans certains cas plus stratégique chez la noblesse. Ce sont donc quelques pistes de réflexion qui seront développées grâce à l’étude des inventaires après décès, source encore peu exploitée par les historiens de l’architecture.

 Agueda Iturbe-Kennedy, « Économie et ornement : un débat architectural aux portes de la Nouvelle-France » Cette communication vise à explorer la transposition de questions architecturales aux conditions coloniales d'Ancien Régime par l'étude des préoccupations liées à l'ornementation des portes de ville. En effet, la réalisation du Pré Carré français donne naissance à un débat architectural dans les années 1680. Vauban plaide alors en faveur de l'ornement des portes de ville à des fins de propagande du Roi-Soleil et de dissuasion de l'assaillant, tandis que le ministre de la Guerre, Louvois, l'incite à se concentrer sur la fonction défensive de ces espaces pour réaliser des économies au détriment de l'ornement. À l'aune du règne de Louis XV, ce même débat s'exprime en Nouvelle-France par les vue divergentes de deux ingénieurs militaires contemporains. Passés dans la colonie en 1616 et 1624, Gaspard- Joseph Chaussegros de Léry et Etienne Verrier réaliseront des portes de ville au caractère architectural et ornemental contrasté à Québec, Montréal et Louisbourg. Par l'étude de leurs écrits, de leurs correspondances avec le Ministre de la Marine et de leur réalisations architecturales, nous explorerons le dialogue établi entre économie et ornement dans cet espace névralgique d'accueil et de représentation de l'ancrage territorial français que sont les portes de ville de la Nouvelle-France. Cette étude permettra de s'étendre plus amplement sur la fonction dialectique du décor urbain.

10:30 Presentation of Martin Eli Weil Award / Présentation du prix Martin-Eli-Weil Room 1, NBCCD / Salle 1, CADNB

11:00 Coffee / Pause-café NBCCD Library (Barracks Building) / Bibliothèque CADNB (caserne) 457 Queen Street, 2nd floor / 457 rue Queen, 2ième étage

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11:15 Session 9: Current Research ‘B’ / Recherches actuelles ‘B’ Co‐Chairs/coprésidents: John Leroux, Peter Coffman and/et Nicolas Miquelon Room 1, NBCCD / Salle 1, CADNB

 Susan Ross, “Flotsam, Jetsam and Derelict: The Classifications of Architectural Waste” In maritime law, flotsam, jetsam and derelict, identify three categories of shipwreck waste, based on potential residual value.(1) Could such a system be a useful model for classifying architectural waste? What values would inform such a system? Material culture, heritage conservation and environmental design each contribute a distinct understanding of architectural waste.(2) But these parallel discourses suggest diverging value systems, where waste can be cultural artifact, building feature, and or re-cycled material. While salvaging can give value to materials reused on other sites as part of an environmental ethic, this is at cross-purposes with the principle of integrity associated with preserving materials in situ. Place and intention are thought to communicate historic or aesthetic value that only endures in a specific site. But dislodging an artifact from its original context can also shift meaning and create new value. This paper will explore the classification of architectural waste with reference to recent Canadian and international examples. This will include buildings used as ‘quarries’, salvaged materials reused in situ or in new contexts, and artist-curator practices that collect and re-interpret architectural waste. References: (1) Transportation Canada, “Receiver of Wreck,” www.tc.gc.ca/eng/marinesafety/oep-nwpp-wreck- 541.htm. (2) Gay Hawkins and Stephan Mueck, editors, Culture and Waste, The Creation and Destruction of Value, 2003; Parks Canada, Standards and Guidelines for the Conservation of Historic Places in Canada, 2nd edition, 2010; Bill Addis, Building with Reclaimed Components and Materials: A Design Handbook for Reuse and Recycling, 2006.

 Marie-Josée Therrien, « La conception d’écoles pour et en collaboration avec les communautés de l’Arctique : les réalisations de Clive Clark (Ferguson Simek Clark) » L’architecture non traditionnelle des régions de l’Arctique du XXe siècle a fait l’objet de nombreuses critiques. Il n’est pas étonnant que l’échec des utopies modernistes, combiné à l’idéologie militariste de la Guerre froide qui a mené à la création de villes mal adaptées aux paysages humains de cette région, alimente un scepticisme qui encore aujourd’hui empreint le discours des architectes et des usagers. Mais le désenchantement qui s’en suivi a aussi entrainé les architectes à reconsidérer leur rôle en tant que concepteurs d’espace. Des hameaux imposés dans un paysage hostile, accueillant une population déplacée souvent contre son gré et qui n’avait pas été consultée dans le processus, les architectes ont dû apprendre à collaborer avec les communautés de cet extrême nord qui, en partie sédentarisées, ont formé de nouveaux réseaux à l’intérieur d’environnement urbain en constante évolution. Cette communication analysera quelques-unes des écoles conçues par Clive Clark (Ferguson Simek Clark) qui, de 1978 à 2000, travailla dans les Territoires du Nord West et le Nunavut. Clark, un diplômé de l’université de Toronto ayant complété sa formation chez le Danois Arne Jacobsen et résidé à Iqualuit entre 1994 et 2000, fait partie de cette génération d’architectes qui a approché la conception bâtie depuis la base, dans un rapport dialogique plus respectueux des traditions Inuit, Dene et autres. Basée sur des entrevues avec l’architecte, des plans et des photographies, la communication élucidera les contextes de la production de ces espaces éducatifs et confrontera ces exemples aux plus récentes initiatives du même type afin de mettre en perspective les acquis et les

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leçons (parfois oubliés) qui profitent aujourd’hui aux intervenants engagés dans la planification et la construction du milieu bâti de cette région.

 Jenni Pace, “Mediating the Future through SITEʼs Highway ʼ86 Processional” Will humans ultimately apply our technologies to the evolution or degradation of urban experience? For Expo ʼ86 in Vancouver, the architectural collaborative SITE constructed an environmental “park” that rose out of False Creek and ascended skyward. Its asphalt surface was encrusted with hundreds of vehicles, from trucks and planes to boats, bicycles and even snowshoes. This interactive space offered freedom from long lines and enclosed pavilions and, although there are no physical traces of its existence, it persists in collective memory as an open question. In some ways it functions as a “counter-monument,” as Young characterized the new Holocaust memorials of the 1980s, prompting questions of collective ambivalence and personal accountability. I propose to situate Highway ʼ86 Processional as an emblem for investigating claims of public engagement in the ongoing redevelopment of the southern and eastern banks of False Creek. I will consider how the Expo themes of “transportation and communication” have been extended and rebranded in efforts to produce a high-density, globally oriented hub where creative innovation and natural resource extraction serve one another in harmony.

11:15 Session 10: Current Research ‘C’ / Recherches actuelles ‘C’ Co‐Chairs/coprésidents: John Leroux, Peter Coffman and/et Nicolas Miquelon Room 2, NBCCD / Salle 2, CADNB

 Jessica Mace, “Picturesque Gothic in Upper Canada: the fanciful houses of John G. Howard (1803–90)” Despite the fact that Gothic Revival houses had come into fashion beginning in the mid–eighteenth century in England, the only known examples of such houses in Upper Canada are few. Beyond this, they appear to have only existed in the context of the town of York, which was incorporated as the City of Toronto in 1834. The conservative nature of the province is exemplified by the ubiquity of classically planned and modestly embellished houses that dominated the built landscape. The first Gothic Revival house to break the stylistic standstill was Holland House in York which was only begun in 1831 or 1832. This house has been attributed, at least in part, to the English–trained architect John George Howard (1803–90). This paper will discuss Howard’s contribution to Holland House in relation to his British training and to his other works in the city. Through the examination of his experiences and influences in England, as well as his unexecuted Gothic designs in Upper Canada, this paper will also suggest that Howard was responsible for possibly the only other Gothic house built near Toronto; Castlefield of 1835. Overall, this paper will explore this understudied architect and will seek to shed new light on the development of the Gothic Revival in British North America.

 Patricia Glanville , “Landscape Intangibles – A Qualitative and Quantitative Study of Landscapes and Places” Perceptions within cultures express a common theme that landscapes and places convey “sense of place” or “genius loci”. This notion has been demonstrated in early cultures and described as a place between heaven and earth or the horizon that separates the two. The idea that places inherently possess characteristics that physically and emotionally move people can be interpreted through observation of their physical attributes, but also through their phenomenology. Measuring phenomenology by way of quantifying intangibles can be used as a tool for measuring the immaterial

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values people project onto places. The measurements can then be used to evaluate the assets within the cultural landscape or place, and as they change over time. There are landscapes all around us that are not valued for their intangibles and are threatened due to development. Measuring the intangibles lends credibility to the notion that places contain values that are not visible. Examining intangibles can be conducted by examining physical qualities that may elicit certain reactions. In landscapes this is different from buildings as landscapes can be more subtly described, often having less obvious or less intentional attributes. Buildings are generally designed to suit a purpose and often to elicit an intentional, intelligible message while landscapes, especially natural landscapes, which have existed for millennia, have characteristics that are subconsciously sensed. Here the landforms are simple, yet, the intangible feeling conjured can be described as palpable. Also within the natural landscape purpose-built landscapes can be found, witness the many solar constructs across northern Europe such as at Newgrange, County Meath, Ireland, while contrasted with, for example, the subtle appearance of the landforms at Tara, County Meath. In each case, the effect on people could be either positive or negative, and can affect quality of life and well-being. Of the more negative reactions a place may be described as unsettling while of positive reactions, a place may be described as comforting or even possessing a spiritual quality. The author has conducted a study to measure peoples’ reactions to both built spaces which often included landscape elements. An instrument (self-perception tool) was derived which helped measure reactions of groups of people, each to seven sites in western Canada. The spaces were familiar and for spiritual use, which made it more likely to elicit an emotional response. Peoples’ reactions were then cross-referenced within variables to statistically determine what features and elements positively and negatively impacted the groups as a general whole. Therefore this same methodology can be applied study natural landscapes. Measuring and quantifying what causes emotional reactions to phenomenological aspects of a place helps to indicate the value people as a group place on types of spaces, beyond the physical, qualitative, or economic characteristics. Additional examples to which this research could be applied will be given. The paper discusses the places examined and the observations found regarding the intangible characteristics that describe “sense of place” and affect well-being. The result of the research can be applied to help protect and conserve cultural places as valued, and as such, social and economic assets.

 Louis Martin , “Building Myths or How to Preserve the Social Content of Architecture” In order to address the issue of “past and presence” in Canadian architecture, I propose to compare two works by Melvin Charney (1935-2012): "Le trésor de Trois-Rivières (1975)" and "Les maisons de la rue Sherbrooke (1976)". Both works were conceived as critiques of the traditional conception of the architectural monument as a commemorating device in the form of a building. As monuments, Charney’s installations were meant to commemorate and preserve something he called “the social content of architecture”. My paper will examine what they commemorate and how they preserve. With these installations, Charney displaced the traditional idea that preservation in architecture is the conservation of existing buildings, and this at the time of the rise of historic preservation in the 1970s. Architecture, or more precisely the architectural figure, may 1) preserve the memory of a "heroic" yet anonymous construction and 2) reveal that the meaning of the city is not restricted to its existing traces (memory), but resides in the idea that the city is a collective project and the construction of collective space. Concerning the question of preservation, Charney shows the efficiency of the mythical speech in the creation of a meaningful architecture.

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12:45 Luncheon (hot lunch), AGM / Dîner (repas chaud), AGA Room 1, NBCCD / Salle 1, CADNB

14:30 Session 11: The Eclipse of Canadian Architecture? / L’éclipse de l’architecture canadienne ? Chair/président: Rhodri Windsor‐Liscombe Room 1, NBCCD / Salle 1, CADNB

Is the eclipse of Canadian architecture from L’éclipse de l’architecture canadienne dans les influential international surveys of twentieth- enquêtes internationales influentes sur century architecture and urbanism due to its l’architecture et l’urbanisme du vingtième siècle idiosyncratic qualities or to a lack of “promoters” est-elle due à ses caractéristiques particulières ou who have championed it? Has architectural au peu de « défenseurs » à en avoir fait la practice and history in Canada remained relatively promotion? La pratique et l’histoire ignored beyond and even within its borders architecturales au Canada sont-elles restées because of deep regional divisions that have relativement négligées au-delà et même au sein de weakened the strength of an overarching national ses frontières en raison de profondes divisions narrative? Is its “marginal” role to be found in its régionales qui auraient affaibli la force d’un early history based on French and British imperial narratif national global? Son rôle « marginal » ambition? Recognition of distinct idiom and doit-il être trouvé dans ses débuts basés sur process came haltingly in the aftermath of the l’ambition impériale française et britannique? La First World War as well as the emergence of reconnaissance d’un idiome et d’un procédé advanced construction method in Canada. Yet, distincts est apparue, de façon hésitante, au even the earliest international acknowledgement lendemain de la Première Guerre mondiale de of substantive Canadian design achievement même que de l’émergence de méthodes avancées focused on commissions which involved foreign de construction au Canada. Pourtant, même les architects or imported architectural ethos, notably toutes premières reconnaissances internationales the Toronto City Hall and Habitat/Expo'67. And de réussites canadiennes importantes en design se the celebration of Canadian links for such sont concentrées sur des commandes auxquelles celebrated internationally commissioned participaient des architectes étrangers ou un architects as Frank Gehry or Carlos Ott serves to éthos architectural venu de l’extérieur, underscore the complexity of the factors and notamment l’hôtel de ville de Toronto et issues attaching to the re-assessment of Canadian Habitat/Expo 67. Et la célébration des liens architectural reputation abroad. Papers that canadiens d’architectes mandatés aussi célébrés à answer some of these questions and raise others l’international que Frank Gehry ou Carlos Ott regarding different aspects of architecture and souligne la complexité des facteurs et des enjeux historiography in Canada are encouraged. se rattachant à la réévaluation de la réputation de l’architecture canadienne à l’étranger. Les communications qui répondent à certaines de ces questions et qui en soulèvent d’autres concernant différents aspects de l’architecture et de l’historiographie au Canada sont invitées.

 Rhodri Windsor‐Liscombe, “Colonizing Modernism” "Colonizing Modernism" endeavours to realize the deconstructive, critical potential of digital media in examining two supposedly diametrically opposed systems of thought and practice: late British imperial colonial policy and the Modern Movement in architecture, planning and design.

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The collaboration between Windsor-Liscombe and McDonald began through mutual association with the Centre for Digital Media. The objective was to present research on the media of modernization shared between the two regimes, centred on their shared if radically different interest in aircraft: as means to enhance communication or assert power, and as the air-view, a novel means to understand and correct problems in patterns of urban settlement. This trajectory enabled a comprehensive, global perspective on the appropriation for colonial purpose and legitimation of Modern design, and linked into the situating -- and thus closer analysis of interests and factors at work -- in the colonial uses of Modernist design. This analysis was placed in the virtual reconstruction of a vital nexus of both regimes, namely the Modern Architectural Research Group exhibition in London in 1938. The overlay of media materials, open sourced and open access strategy, illuminates the conscious and suppressed components at play in each worldview.

 Michael Windover, “From the inside out: Looking at Coverage of Canada in Surveys from Interior Design at Eaton’s” Beginning in the 1920s and 1930s the T. Eaton Company promoted the adoption of modern design in Canadian homes. To head up the modernizing initiative, the company hired a Parisian designer, René Cera. This episode, which saw the support of a French moderne mode in Canada and was aimed at a middle-class market, provides a crucial chapter in exploring the production and reception of interior design in Canada. The importation of expertise says perhaps less about the quality of design in Canada and rather more about a perceived superiority of European design, in terms of meeting and shaping popular taste from the perspective of Eaton’s management. Taking up interior design in department stores (an aspect of the built environment overlooked in international surveys of architectural history) adds to the conversation about the eclipse of Canadian design in surveys in important ways: First, it highlights the internationalism of design practice in Canada as well as the complicated relationship between taste-making and innovation. Second, it asks us to reconsider the agenda of international surveys – perhaps Canadian design has been left out because it doesn’t answer the limited questions asked by the survey. And third, it signals potential for rethinking the form of surveys. By focusing on the case of Eaton’s interior design, this paper endeavours to suggest not only reasons for the lack of attention paid to Canadian design but also ways that focussing on Canadian production might change the nature of surveys.

 Tanya Southcott, “The valuation or ’heritagisation’ of vernacular residential buildings in Canada” The identity of a place – be it a city, a region, a country – is often rooted in its built environment, in the structures that give form to the routines of the people who live there. Typically examples of vernacular domestic architecture, these buildings are rarely celebrated in international architectural surveys, let alone surveys of architecture in Canada. Increasingly, however, they are celebrated locally as heritage objects, unique to a particular place. This paper asks how the process of valuation or ‘heritagisation’ of vernacular residential buildings in Canada can inform broader discussions about a national architecture by looking at examples taken from Canada’s largest urban centres, typically the source of more celebrated architectural landmarks. The Toronto Bay and Gable House, the Montreal Triplex and the Vancouver Special are all the subject of studies and monographs that describe them as heritage rather than architecture. This paper asks under what circumstances these unique buildings have come to be recognized, promoted and valued in this way. In each case, what political and social forces did this process respond to, and can it be traced to a broader, national agenda? Finally, how has this discussion influenced the local discourse of heritage preservation around these houses, and thus shaped how the public views architecture in Canada?

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14:30 Session 12: Company Towns in Canada / Les « villes de compagnie » du Canada Chair/présidente: Lucie K. Morisset Room 2, NBCCD / Salle 2, CADNB

This session aims to document and analyze a key Cet atelier veut documenter et analyser un component of Canada’s built landscape and ingrédient déterminant du paysage construit et de identity: “company towns”, which are single- l’identité au Canada : les « company towns », c’est- enterprise planned communities, mostly located à-dire les ensembles mono-industriels planifiés où around a resource-based industry, where one une compagnie a fait réaliser un plan urbain et company commissioned an urban plan, built construire des habitations pour ses travailleurs, et housing for its workers, and set up recreational, mis en place des équipements récréatifs, commercial, institutional or community facilities. commerciaux, institutionnels ou communautaires. Fairly well explored from a social angle, at least Assez bien explorées sous un angle social, au since the seminal work of Rex Lucas (1971), moins depuis le travail fondateur de Rex Lucas company towns remain on the sidelines of the (1971), les villes de compagnie canadiennes sont history of architecture in Canada. The inventories restées en marge des corpus de l’histoire de compiled after the first de-industrialization, l’architecture au Canada. On trouve, en effet, peu including the “Single-Enterprise Communities in de suites aux inventaires nés de la première Canada: A Report to Central Mortgage and désindustrialisation, tel le « Single-Enterprise Housing Corporation,” which celebrated its 60th Communities in Canada. A Report to Central anniversary in 2013, seem to have been neglected. Mortgage and Housing Corporation » qui Yet, while a second wave of closings seems to be d'ailleurs, en 2013, célébrait son 60e anniversaire. finishing the rest of them off, the legacy of Pourtant, tandis qu'une nouvelle vague de company towns seems even more important with fermetures d'usines semble menacer les dernières large parts of Canada’s North becoming more and d'entre elles, l'héritage des villes de compagnie more dedicated to mining industrialization. Under paraît encore plus déterminant sur les pans this heritage theme, this session will examine the entiers du Nord canadien maintenant voué à planning and architecture of Canadian company l'industrialisation minière. Sous cet angle de towns considering the hypothesis that, in the l'héritage, cet atelier veut interroger l'urbanisme Canadian context specifically, the need for a stable et l'architecture des villes de compagnie workforce prompted companies to try to create a canadiennes en considérant l'hypothèse selon sense of belonging through the built landscape. laquelle, dans le contexte canadien plus From case studies picked from among some 250 spécifiquement, le besoin d’une main d’œuvre company towns built in Canada, papers in this stable aurait incité des entreprises à vouloir créer session will investigate urban planning and de l’appartenance au territoire par l’entremise du housing trying to understand their impact and paysage construit. À partir de cas d’espèce parmi legacy on the territory, within the community or les quelque 250 villes de compagnie construites in the Canadian built landscape, both in terms of au Canada, l’on voudrait ainsi investiguer circulation of models of social appropriation. particulièrement les projets urbains et l’habitat en tentant de comprendre leur impact et leur legs sur le territoire, au sein de la collectivité ou dans le paysage construit canadien, tant au plan de la circulation des modèles que de l’appropriation sociale.

 Lucie K. Morisset, “Identity on the Land. Company Towns in Canada” This paper is intended to present and launch a 5-year SSHRC-funded project on Canada’s numerous company towns and their heritage in the country’s landscape and territorial identity.

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The research focuses on single-enterprise planned communities, mostly around a resource-based industry, where one company commissioned an urban plan, built housing for its workers, and set up recreational, commercial, institutional or community facilities. Its aim is to study the urban planning, architecture and housing of these company towns in order to provide an overview of the pan-Canadian situation and to identify the particularities of these settlements, which have marked the territory and history of Canada, as well as the Canadian imagination over time. As a matter of fact, though recent literature regarding company towns points to a new infatuation with them, at a time when a second wave of closings seems to be finishing the rest of them off, with the exception of a few case studies, little is known about the urban and architectural fabric of Canadian company towns. The research aims to fill this knowledge gap, along with the gap in expertise when heritage issues supersede the plant activities that are the driving force behind company towns. In fact, given the major changes that are affecting the landscape of company towns (their disappearance and the new northern towns), the research also wishes to ensure a re-examination of scientific issues regarding the Canadian landscape, and with respect to the history of urbanism, to create a reference framework for establishing heritage policies and support for heritage development. The research, conducted by myself with Luc Noppen as co-researcher and Marc De Caraffe as collaborator, needs the participation of students and colleagues from around Canada. It is hoped that this presentation will interest some of them, for example to enrol in a PhD thesis either at UQAM or locally, under a co- supervision, or to plan a course, a conference, a seminar that would bring to Canada’s company towns the global and long-term research and mobilization effort that we wish to initiate. Cette communication vise à présenter et à officiellement inaugurer un projet de recherche, soutenu par le CHRS pour les cinq prochaines années, sur les multiples villes de compagnie du Canada afin de saisir leur héritage paysager et territorial. La recherche cible ainsi les ensembles mono-industriels planifiés, où une compagnie a fait réaliser un plan urbain et construire des habitations pour ses travailleurs, et mis en place des équipements récréatifs, commerciaux, institutionnels ou communautaires. Elle vise à étudier l'urbanisme, l'architecture et l'habitat de ces villes de compagnie afin de dresser un premier tableau d'ensemble pan-canadien et d'identifier quelles sont les particularités de ces établissements qui ont marqué la conquête du territoire, jalonné l'histoire et émaillé l'imaginaire canadien. En effet, bien que la littérature témoigne d'un nouvel engouement pour les «company towns», à l'heure où une seconde vague de fermetures semble avoir raison des dernières d'entre elles, celles du Canada restent, hormis quelques cas d'études, assez peu connues, surtout en ce qui a trait à leurs dimensions urbanistiques et architecturales. La recherche veut combler cette lacune des savoirs, qui en est aussi une de savoir-faire dès lors que les questions de patrimoine se substituent à l'activité des usines qui animaient les villes de compagnie. De fait, compte tenu des changements importants qui affectent le paysage des villes de compagnie (disparitions et nouvelles villes du nord), la recherche aspire aussi nourrir un redéploiement des problématiques scientifiques sur le paysage canadien et en histoire de l’urbanisme ainsi qu’alimenter la constitution d’un cadre de référence pour l’élaboration de politiques patrimoniales et un soutien à la mise en valeur. La recherche, menée sous ma direction, avec Luc Noppen au titre de cochercheur et Marc De Caraffe en tant que collaborateur, espère la participation d’étudiants et de collègues de partout au Canada. L’on souhaite que cette présentation intéresse, qui à entreprendre une recherche doctorale dans le contexte du projet, à l’UQAM ou sous une codirection locale, qui à imaginer un cours, à préparer une conférence ou à mettre en place un séminaire : il s’agit de constituer, autour des villes de compagnie du Canada, un effort de recherche et de mobilisation inscrit dans le temps long, à la hauteur de leur importance territoriale et identitaire.

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 Elijah Karlo M. Sabadlan, “Exploring the Physical and Intangible Cultural Resources of Port Union, Trinity Bay North, NL” Culture of Outports is livable communities. One of them is the Historic Port Union District in Trinity Bay North, Newfoundland—the commercial headquarters of the Fishermen’s Protective Union (FPU) and the Fishermen’s Union Trading Company (FUTC). An invaluable precedent for architecture and town planning, this paper will discuss the historic evolution of Port Union as a unique union-built town in Canada, and explore their physical and intangible cultural resources. Sir William H. Ford Coaker, the founder of the FPU, used the architectural language and planning principles of a typical autonomous company town. Port Union retains the legibility of Coaker’s original plan as he envisioned it—with separate commercial and residential zones, hierarchy in housing typologies, a railway infrastructure for importing supplies and shipment of saltfish to regional and international market, to name a few. The paper will also look at a series of case studies to discuss opportunities for adaptive re-use of heritage buildings—the FPU Hotel, the Union Electric Building, and the duplex residences—with minimal intervention to their existing conditions. Finally, it will also introduce the principles of the Culture of Outports program, and reflect on its role in facilitating community engagement activities, fostering community-driven initiatives, and establishing a framework for future expansion within these small communities.

 Dr. Brad Cross, “A Familiar Future? City Planning and Housing at Alcan’s Industrial Town of Kitimat, B.C. in the mid-20th Century” This study examines the expression of some mid-20th century ideas of progress, modernity and the frontier through city planning, community design, and architecture As a new industrial town on the Northern British Columbian frontier, Kitimat’s design and its housing concepts were crucial to the recruitment and retention of workers and management for Alcan’s megaproject of the 1950s and 1960s. On the one hand, Kitimat’s town plan by Clarence Stein suggested a modern approach to community design for the automobile age. On the other hand, Alcan wished to reproduce a familiar lifestyle of suburban comfort resituated to a remote location. The success of Kitimat would ultimately be measured in the town’s ability to support a new aluminum smelter and become a regional centre for economic development. Would innovative planning and familiar suburban housing stock work to make the future familiar?

 Marianne Charland, “’The Other Arvida’: Characterization of the residential built environment 1950-1975 - An update” (Présentation en anglais) La communication suggérée fera état de l'avancement de mon projet de maîtrise sur la caractérisation du cadre bâti résidentiel d'Arvida construit entre 1950 et 1975. Mon travail de recherche tente entre autres de mesurer l'influence de la ville de compagnie sur les nouveaux quartiers voyant le jour en ses marges à cette époque, l'expression du règlement d'urbanisme sur le territoire, et l'apport de concepteurs, de contracteurs et de promoteurs immobiliers dans la création de standards résidentiels réinventés pour cet « Autre Arvida ». La période étudiée commence lorsque la compagnie qui a donné naissance à la ville se retire des activités de planification et de construction de résidences pour ses employés, et se termine avec la fusion municipale qui a fait disparaître le nom « Arvida » de la carte. Dans ma communication, les notions d'identité architecturale locale, de manières d'habiter et de mémoire du territoire de cette célèbre ville planifiée seront confrontées par la présentation de quelques réalisations de l'époque visée. Il sera notamment question de l'étude particulière d'une maison construite en 1961, ainsi que de son dessinateur, Paul Deraps. Celui-ci est alors non

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seulement très impliqué dans la création de nouvelles formes architecturales au Saguenay-Lac-Saint- Jean, mais aussi investi dans la poursuite de la qualité architecturale résidentielle à Arvida. Cette communication sera l'occasion de présenter un premier état de la question sur ce sujet de recherche.

17:00 Exhibition closing reception / Exposition et réception de fin du congrès “History, Craft and Shelter: images from the Provincial Archives of New Brunswick’s ‘Building New Brunswick’ architecture collection” NBCCD Gallery /Gallerie du CADNB

19:30 Bishop Lecture / Exposé sur l’évêque John Medley Presented by Dr. Malcolm Thurlby of York University, and co-presented with Fredericton Heritage Trust / Présenté par le Dr. Malcolm Thurlby de l’Université York, en collaboration avec Fredericton Heritage Trust Christ Church Cathedral / Cathédrale Christ Church

Christ Church Cathedral and St Anne’s Chapel, La cathédrale Christ Church et la chapelle St. Anne Fredericton, rank amongst the top ten Gothic de Fredericton se classent parmi les dix édifices Revival buildings of the 1840s worldwide. The néogothiques les plus en vue des années 1840 et products of the patronage of Bishop John Medley ce, à travers le monde. Le fruit du patronage de and his architect, Frank Wills, both buildings have l’évêque John Medley et de son architecte, Frank been much discussed in the literature on Canadian Wills, ces deux bâtiments ont largement été architecture. That the design of the Cathedral is discutés dans la littérature sur l’architecture based on the 14th-century church of St Mary at canadienne. Nous savons, par exemple, que le Snettisham (Norfolk, UK) is well known. Yet other design de la cathédrale s’inspire de l’église du XIVe aspects of the English background of the buildings siècle St. Mary de Snettisham (Norfolk, R.-U.). created by Medley and Wills are little explored. Toutefois, d’autres aspects des antécédents This lecture investigates works by Medley and anglais de ces bâtiments créés par Medley et Wills Wills in Exeter and the county of Devon in the n’ont pas fait l’objet d’autant de recherches. Cet early 1840s as a ‘training ground’ for their work in exposé se penchera sur les travaux de Medley et Fredericton and elsewhere in New Brunswick. de Wills à Exeter et dans le comté du Devon au Particular attention will be paid to Medley’s début des années 1840, comme « terrain Chapel at Oldridge, St Andrew’s at Exwick - on d’entraînement » pour leurs oeuvres à Fredericton which Frank Wills worked with local architect, et ailleurs au Nouveau-Brunswick. Une attention John Hayward – and Medley’s additions to the particulière sera donnée à la chapelle de Medley à church of St Thomas, Exeter. The significance of Oldridge, St. Andrew’s à Exwick – des ‘correct’ Gothic design for the image of the constructions sur lesquelles Frank Wills a travaillé Anglican Church in Fredericton is explored, and avec l’architecte local John Hayward – ainsi que les includes reference to the churches at Newcastle additions de Medley à l’église de St. Thomas, and Maugerville, and others in New Brunswick. Exeter. Il sera également question de l’importance du style gothique « approprié » pour l’image de l’Église anglicane de Fredericton, de même que des références aux églises de Newcastle et Maugerville, et à d’autres églises du Nouveau- Brunswick.

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Saturday, May 31st / Samedi 31 mai

Bus trip to historic St. Andrews-by-the-Sea / Visite d’une journée en autobus à St. Andrews-by-the-Sea (Registration required / Inscription requise)

Taking in the scenic and historic sights of this very En empruntant les routes pittoresques et walkable National Historic District, we'll be historiques de cet arrondissement historique visiting Sir William Van Horne's summer estate, national, nous visiterons la résidence d’été de Sir Minister’s Island, with its Maxwell-designed William Van Horne, l’île Minister et sa collection collection of late 19th and early 20th century de bâtiments de la fin du XIXe siècle et du début buildings. We'll also explore Greenock du siècle suivant, conçus par les Maxwell. Nous Presbyterian Church (1824), the Edward & explorerons également l’église presbytérienne William Maxwell-designed 'Tillietudlem' (1910), Greenock (1824), ‘Tillietudlem’ (1910) conçu par the St. Andrews Blockhouse (1813), among other Edward et William Maxwell, le blockhaus de St. sites; or else or folks are free to wander on their Andrews (1813), et bien plus. Les participants own through the town at their leisure. To make pourront également visiter l’arrondissement à the visit more engaging, everyone will be provided leur guise, à pied. Pour rendre la visite encore plus a complimentary copy of "St. Andrews attrayante, tous obtiendront un exemplaire gratuit Architecture: 1604-1964" by Gaspereau Press de l’ouvrage St. Andrews Architecture: 1604-1964, with its maps and images of the town's built publié aux éditions Gaspereau, qui contient des heritage. By late afternoon, we'll depart for the cartes et des images du patrimoine bâti de nearby village of McAdam as we take a group tour l’arrondissement. En fin d’après-midi, nous nous of the stunning Chateaux-style McAdam Railway rendrons en autobus au village de McAdam, où Station NHSC (1900). Following this we'll all enjoy nous aurons droit à une visite de groupe de the closing Banquet at the Station's restored l’époustouflant lieu historique national du Canada dining hall. Following the good times, the bus will de la Gare-du-Canadien-Pacifique-à-McAdam return everyone safely to Fredericton. (1900). C’est à cet endroit, dans la salle à manger restaurée de la station, que nous tiendrons notre banquet de clôture du congrès 2014. Enfin, après les festivités, notre autobus ramènera tous et chacun à Fredericton.

08:00 Depart by bus for St. Andrews / Départ en autocar pour St. Andrews 10:15 Arrive in St. Andrews - Tour of Van Horne’s Minister’s Island / Arrivée à St. Andrews Visite de l’île Minister Van Horne 12:00 Lunch in Town (on your own) / Dîner en ville (non-inclus) 13:30 Tours of Maxwell Home “Tillietudlem”, Greenock Church & Blockhouse (or folks can wander on their own) / Visite de la demeure “Tillietudlem” des Maxwell, de l’église Greenock et du blockhaus (ou visite libre) 15:15 Free wander time / Temps libre 16:30 Bus to McAdam / Autocar vers McAdam 17:30 Arrive at McAdam – Group tour of McAdam Railway Station NHSC / Arrivée à McAdam - visite de groupe du LHNC de la Gare-du-Canadien-Pacifique-à-McAdam 18:00 Closing Banquet at Station / Banquet de clôture du congrès à la station 21:30 Depart by bus for Fredericton / Départ de l’autocar et retour vers Fredericton

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Schedule at a glance

Wednesday 28 Thursday 29 Friday 30 Saturday 31 Old Board Meeting 7:00 Registration & Coffee Registration & Coffee 8:00 8:30 Power and self Architecture of Teaching 9:00 Architecture of representations Faith 'A' (Rm Architectural Faith 'C' (Rm 1) in the colonies 9:30 1) History (Rm 2) (Rm 2) 10:00 10:30 Coffee Break Martin Eli Weil Prize 10:45 Canadian On First Nation Architectural 11:00 Architecture Coffee Break Centennial and Planning 11:15 Projects (Rm (Rm 2) Current Current 1) Research 'B' Research 'C' 12:00 (Rm 1) (Rm 2) 12:15 BBQ Lunch and NBCCD 12:45 presentation 13:00 Hot Lunch and AGM 13:30 Current Bus trip to historic 14:00 Architecture of Research 'A' St. Andrews-by- Faith 'B' (Rm 1) the-Sea 14:30 (Rm 2) The Eclipse of 15:00 Company Canadian Towns in 15:15 Architecture Canada (Rm 2) 16:00 (Rm 1) Bus & Site Tours (2 options) 16:30 17:00 Registration and reception Exhibition Closing Reception 17:30 Free time 18:00 UNB Walking Tour 18:30 Free time Welcome Remarks & Phyllis- 19:00 Lambert Prize 40th Anniversary Celebration 19:30 event and dinner Keynote: Thaddeus Holownia 20:00 Bishop John Medley Lecture 20:30 Reception continues

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Aperçu du congrès

Mercredi 28 Jeudi 29 Vendredi 30 Samedi 31 Rencontre du bureau de direction 7:00 Inscription et café Inscription et café 8:00 8:30 Représentations Enseignement Architecture Architecture de pouvoir et 9:00 de l'histoire de de la Foi 'A' de la Foi 'C' de soi dans les l'architecture 9:30 (salle 1) (salle 1) colonies (salle (salle 2) 2) 10:00 10:30 Pause-café Prix Martin-Eli-Weil De 10:45 Architecture l'architecture dans le cadre et de Pause-café 11:00 du centenaire l'aménagement de la 11:15 des Premières Confédération Recherches Recherches Nations (salle actuelles 'B' actuelles 'C' (salle 1) 12:00 2) (salle 1) (salle 2) 12:15 Dîner BBQ et courte présentation 12:45 CADNB 13:00 Hot Lunch and AGM Visite d'une 13:30 journée en Architecture Recherches autobus à St. 14:00 de la Foi 'B' actuelles 'A' Andrews-by-the- 14:30 (salle 1) (salle 2) Sea L'éclipse de 15:00 Les "villes de l'architecture compagnie" du 15:15 canadienne Canada (salle 2) 16:00 (salle 1) Autobus et visites (2 options) 16:30 17:00 Exposition et réception de fin du Inscription et réception 17:30 congrès Temps libre 18:00 UNB Walking Tour 18:30 Temps libre Mots d'ouverture et Prix Phyllis- 19:00 Lambert Souper et célébrations du 40e 19:30 Conférencier invité: Thaddeus anniversaire de la SÉAC 20:00 Holownia Exposé sur l'évêque John Medley 20:30 Fin de la réception

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