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RUSH HOUR Missione Parigi
presenta una produzione Arthur Sarkissian e Roger Birnbaum Jackie Chan Chris Tucker in RUSH HOUR Missione Parigi un film di Brett Ratner uscita 5 ottobre 2007 Ufficio Stampa KEY FILMS Georgette Ranucci (+39 335 5943393 [email protected]) Alessandra Tieri (+39 335 8480787 [email protected]) CAST ARTISTICO Carter Chris Tucker Lee Jackie Chan Reynard Max Von Sydow Kenji Hiroyuki Sanada George Yvan Attal Jasmine Youki Kudoh Geneviève Noemie Lenoir Soo Yung Zhang Jingchu Albasciatore Han Tzi Ma Sorella Agnes Dana Ivey Maestro Yu Henry O. Masha Mia Tyler Delegato cinese Michael Chow Delegato britannico David Niven, JR Me Oanh Nguyen Ragazzo del kung fu Andrei Quang Gigante cinese Sun Ming Ming Infermiera Lisa Thornhill Killer francese M. Kentaro Poiliziotti francesi Ludovic Paris Richard Dieux Olivier Schneider Croupier Daniel Yabut Barman Frank Bruynbroek Moglie di George Julie Depardieu Ispettore Revi Roman Polanski credits not contractual CAST TECNICO Diretto da Brett Ratner Scritto da Jeff Nathanson Ispirato ai personaggi creati da Ross LaManna Direttore della fotografia J. Michael Muro Effetti speciali John Bruno Musiche Lalo Schifrin Costumi Betsy Heimann Montaggio Don Zimmerman, A.C.E. Dean Zimmerman Mark Helfrich, A.C.E. Scenografie Edward Verreaux Casting Ronna Kress, C.S.A. Co-Produttori James M. Freitag Leon Dudevoir Produttore esecutivo Toby Emmerich Prodotto da Arthur Sarkissian Roger Birnbaum Prodotto da Jay Stern Jonathan Glickman Andrew Z. Davis RUSH HOUR - Missione Parigi Nel cuore di Parigi si nasconde un segreto mortale che l’Ambasciatore Han si accinge a svelare. L’ambasciatore infatti, è entrato in possesso di nuove ed esplosive prove relative all’organizzazione interna delle Triadi – la più potente e tristemente nota organizzazione criminale del mondo - e ha scoperto la vera identità di Shy Shen, il perno attorno al quale ruota l’intera organizzazione. -
RUSH HOUR Original Screenplay by Ross Lamanna
RUSH HOUR Original Screenplay by Ross LaManna FADE IN: EXT. LOS ANGELES - DAY The whole dysfunctional megalopolis, beige and blurry in the summer smog. If this is the American Dream, do me a favor and wake me up. EXT. LAX - DAY The traffic loop outside the terminals is gridlocked -- mostly with stretch limousines. INT. LAX - (INCLUDE NEWS REPORT MONTAGE) - DAY Inside, the airport is done up with festive posters, streamers and banners: Welcome - Pacific Partners Summit A planeload of cheerful CHINESE DELEGATES come into the crowded terminal. Some sport red T-shirts with a picture of Mao wearing Mickey Mouse ears. They get onto the people mover, passing by a TV REPORTER: REPORTER (to TV CAMERA) Eager to mend its tarnished image, Los Angeles has really put out the welcome mat for tomorrow's summit. The city promises quite a party as leaders from Japan, China, South Korea, Australia, the U.S. and others begin talks for the largest free-trade treaty in history. The SCENE changes to TAPE of DELEGATES from other countries arriving. Then, we see massive SECURITY PREPARATIONS all around the city. REPORTER (VO) (continuing) The one sour note is North Korea, the only Pacific Rim country not participating. There are rumors of secret meetings with North Korean representatives, but U.S. officials insist the North must first hold democratic elections, and halt its nuclear weapons program -- as they claimed to have done back in 1995. We CUT TO a heated debate in the UN SECURITY COUNCIL. Then ARTILLERY FIRE over the Korean DMZ. The SCENE returns to LAX. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
Va.Orgjackie's MOVIES
Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs. -
DOT Winter 2013
Art Center College of Design WINTER 2013 • 01 ARTCENTER.EDU/DOT ART CENTER STUDENT FILMMAKERS ON SET. SEE STORY ON PAGE 23. Dot magazine is published by the Department of Marketing and Communications. Art Center College of Design 1700 Lida Street, Pasadena, CA 91103 artcenter.edu Editor: Teri Bond Writers: Teri Bond, Alex Carswell, Rebecca Epstein, Jered Gold, Nancy Greystone, Mike Padilla, Mike Winder Art Director : Winnie Li Designers : Andrea Carrillo, Eliana Dominguez, Winnie Li Production Designer: Audrey Krauss Web Designer: Eliana Dominguez Web Production: Chuck Spangler Board Chairman: Robert C. Davidson, Jr. President: Lorne M. Buchman Senior Vice President, Development and External Affairs : Arwen Duffy Associate Vice President, Advancement Services : Armik Allen Associate Vice President, Development : A Maya Chalich Fredrickson WINTER 2013 r Associate Vice President, Marketing and 02 23 Dot t Center Communications : Wendy Shattuck around the world Re-designing the Movies: Director, Communications: Teri Bond Innovative products, exhibitions, Creative Director: Scott Taylor How Art Center is Uniquely Director, Production: Ellie Eisner books and other ventures created by Educating the Next Generation Director, Promotion and Public Affairs: Art Center alumni and faculty. Jered Gold of Filmmakers Art Center’s graduate and under- Front Cover: A camel is transformed into a mobile health clinic aided by a lightweight solar-powered 08 graduate film programs recruit refrigerator system designed by a Designmatters features professionals working in the film biz team working in collaboration with the Princeton to teach students that movies aren’t Engineering Department. Photo ©Designmatters. A Decade That Matters: Leading the Way in Social Innovation just shot, they’re designed. -
An Analysis of Slang Word in “Rush Hour” Movie : Sociolinguistics Approach
AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH THESIS By: Tias Cecilika 161210083 DEPARTEMENT OF ENGLISH LITERATURE FACULTY OF SOCIAL SCIENCES AND HUMANITIES UNIVERSITY OF PUTERA BATAM 2021 AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra By: Tias Cecilika 161210083 DEPARTEMENT OF ENGLISH LITERAURE FACULTY OF SOCIAL SCIENCES AND HUMANITIES UNIVERSITY OF PUTERA BATAM 2021 iii SURAT PERNYATAAN ORISINALITAS Yang bertanda tangan di bawah ini saya: Nama : Tyas Cecilika NPM : 161210083 Fakultas : Ilmu Sosial dan Humaniora Program Studi: Sastra Inggris Menyatakan bahwa “Skripsi” yang saya buat dengan judul: AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH Adalah karya sendiri dan bukan duplikasi dari karya orang lain. Skripsi ini tidak terdapat karya ilmiah juga pendapat yang pernah ditulis atau di terbitkan oleh orang lain, selain yang dikutip didalam naskah ini dan disebutkan dalam sumber kutipan dan daftar pustaka. Jika ternyata di dalam skripsi ini dapat dibuktikan terdapat unsur-unsur plagiasi, saya bersedia naskah skripsi ini digugurkan dan skripsi dibatalkan, serta diproses sesuai dengan peraturan perundang- undang yang berlaku. Demikian pernyataan ini sayabuat dengan sebenarnya tanpa ada paksaan dari siapapun. Batam, 27 Januari 2021 Tyas Cecilika 161210083 iv DECLARATION OF THE THESIS ORIGINALITY I, Tyas Cecilika, NPM No. 161210083 Here with declare that the thesis entitled: AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH Is the real work of myself and I realize that thesis has never been published in other media before, partially or entirely, in the name of mine or others. -
Screenwriter's Monthly
Screenwriter’s Monthly Vol. 02 No. 03 April 2003 Interviews 5 DAVID AYER GETS DARK After a successful script doctoring career, and after writing the script that 25 gave Denzel Washington his Oscar for Training Day, Ayer took on anoth- er sort of corrupt cop story, Dark Blue. Find out what he thinks about cor- rupt cops and about the system of breaking into Hollywood. 11 JOHN LOGAN’S WRITING TREK After writing hits like Any Given Sunday and Gladiator—for which he was nominated for an Oscar, and before going on to high profile projects about Abraham Lincoln, Howard Hughes, and a sequel to Gladiator— John Logan just wanted to write an episode of Star Trek. And with the 10th film in the series, he got his chance. 29 THE ROAD LESS TRAVELED After Rush Hour became a hit, Ross LaManna knew he could pretty much do anything he wanted. But instead of going for the money, he did what he always wanted to do—write a book. 5 Editorial - Analysis - Columns Staff/Contributors 4 Editor’s Note - Dark Blue Script Review Publisher/Editor Chris Wehner 14 A Screenwriting Life - John Logan ([email protected]) 16 The Mentor Figure in the Modern Cop Film Associate/Copy Editor 18 Craig Griffin Top 10 Cop Movies 21 Art Director The Last Word - Anger Management, Holes, Identity Chas Weygant 22 P.O.V. - Cops & Robbers Interviews 25 Fred Topel Origins of the Modern Police Drama Harry Caul 26 Kenna McHugh Gunslingers, Gangsters, Gumshoes, and G-Men Contributors 28 A Screenwriting Life - David Ayer Michael B. -
Identity in Persepolis and Rush Hour
The Kennesaw Journal of Undergraduate Research Volume 4 Issue 1 Article 1 September 2016 Differentiating the Transnational from the National in a Multicultural Setting: Identity in Persepolis and Rush Hour Laura A. Kasper Kennesaw State University, [email protected] Follow this and additional works at: https://digitalcommons.kennesaw.edu/kjur Part of the American Film Studies Commons, Other Film and Media Studies Commons, and the Sociology Commons Recommended Citation Kasper, Laura A. (2016) "Differentiating the Transnational from the National in a Multicultural Setting: Identity in Persepolis and Rush Hour," The Kennesaw Journal of Undergraduate Research: Vol. 4 : Iss. 1 , Article 1. DOI: 10.32727/25.2019.14 Available at: https://digitalcommons.kennesaw.edu/kjur/vol4/iss1/1 This Article is brought to you for free and open access by the Office of Undergraduate Research at DigitalCommons@Kennesaw State University. It has been accepted for inclusion in The Kennesaw Journal of Undergraduate Research by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Differentiating the Transnational from the National in a Multicultural Setting: Identity in Persepolis and Rush Hour Cover Page Footnote I want to thank Dr. Noah McLaughlin for his support and advice in the development and submission of this essay. This article is available in The Kennesaw Journal of Undergraduate Research: https://digitalcommons.kennesaw.edu/ kjur/vol4/iss1/1 Kasper: Identity in Persepolis and Rush Hour Differentiating the Transnational from the National in a Multicultural Setting: Identity in Persepolis and Rush Hour Laura A. Kasper Kennesaw State University ABSTRACT This essay explores the differences between transnational identities and national identities in a multicultural setting by juxtaposing the films Persepolis and Rush Hour. -
“Dawn of the Planet of the Apes,” and FX's
07.10.14 • BACKSTAGE.COM L.A. ACTING SCHOOLS & COACHES Classical training in the city of angels Dance Dance L.A. Revolution With a MEMOIR, “Dawn of the Planet of the Apes,” and FX’s “Married,” everyone’s best friend maymay justjust bebe QueenQueen ofof HollywoodHollywood 0710 COVER.indd 1 7/8/14 11:06 AM STELLAADLER.COM 212-689-0087 31 W 27TH ST, FL 3 NEW YORK, NY 10001 PROFESSIONAL CONSERVATORY Three Year Conservatory 2-Year Evening Conservatory FALL WORKSHOPS Part-time classes start in September! THE BEST CONSERVATORY TRAINING PROGRAMS IN THE NATION ARTOFACTINGSTUDIO.COM 323-601-5310 1017 N ORANGE DR LOS ANGELES, CA 90038 PROFESSIONAL CONSERVATORY Classes Begin September 2014 and January 2015 FALL WORKSHOPS Part-time classes start in September! zFP export.indd 1 7/3/14 9:13 AM CONTENTS VOL. 55, NO. 28 | 07.10.14 CENTER STAGE COVER STORY 16 The Secret’s Out Judy Greer—long the secret 14 weapon of film and TV— steps into the spotlight for UPSTAGE FX’s “Married” 20 More Than Ballet in L.A. NEWS Los Angeles has great 05 The 5 Point Plan opportunities to offer all Follow the advice to live your different types of dancers best life this week 21 Method to L.A.’s Madness 07 Top News Classical training can be the Explaining the LORT foundation for a great actor. contracts Here are some schools in the Los Angeles area that 08 Stage specialize in teaching the On the audition scene with classics. the NYC Dance Alliance 09 Screen Students get a shot at 16 DOWNSTAGE success with Tequila Avíon ACTOR 101 CASTING 11 Inside Job 23 New York Tristate Ondine Landa Abramson, Notices President–Executive Audition Highlights Producer at Stage17 30 California 12 The Working Actor Notices Don’t rush to fill a silence! Audition Highlights 13 Secret Agent Man 36 National/Regional Three questions to ask an Notices agent Audition Highlights 14 Now Streaming MEET THE MAKER “The Verge” 48 David Binder The Broadway producer on Cover: Judy Greer photographed at her his two currently running home May 21 by Stephanie Diani. -
Representations of Masculinity and the Influence of Bruce Lee in Film
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 12-2021 Representations of Masculinity and the Influence of Bruce Lee in Film Zhenxia Meng Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Recommended Citation Meng, Zhenxia, "Representations of Masculinity and the Influence of Bruce Lee in Film" (2021). All Graduate Plan B and other Reports. 1590. https://digitalcommons.usu.edu/gradreports/1590 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. REPRESENTATIONS OF MASCULINITY AND THE INFLUENCE OF BRUCE LEE IN FILM by Zhenxia Meng A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in American Studies Approved: ___________________________ ___________________________ Keri Holt, Ph.D. Christopher Gonzalez, Ph.D. Major Professor Committee Member ___________________________ David Wall, Ph.D. Committee Member UTAH STATE UNIVERSITY Logan, Utah 2021 ii Copyright © Zhenxia Meng 2021 All Rights Reserved iii ABSTRACT Representations of Masculinity and the Influence of Bruce Lee in Film by Zhenxia Meng, Master of Science Utah State University, 2021 Major Professor: Dr. Keri Holt Department: English This thesis is an annotated bibliography that lays a critical foundation for examining the performance of heroism, violence, male bonding, and masculinity in the movies of Enter the Dragon (1973) by Bruce Lee, Hard Boiled (1992) by John Woo, and Kill Bill, Vol. -
Episode V - the Empire Strikes Back
Orijinal İsim Shawshank Redemption, The Godfather, The Godfather: Part II, The Dark Knight, The Star Wars: Episode V - The Empire Strikes Back Star Wars Fight Club Lord of the Rings: The Return of the King, The Casablanca Zeitgeist: Addendum Le fabuleux destin d’Amèlie Poulain WALL-E Saving Private Ryan Up El laberinto del fauno Inglourious Basterds 2001: A Space Odyssey Avatar Metropolis Prestige, The Star Wars: Episode VI - Return of the Jedi No Country for Old Men Sin City Slumdog Millionaire District 9 V for Vendetta Big Lebowski, The Star Trek Nefes: Vatan sagolsun Papillon Iron Man Curious Case of Benjamin Button, The Persepolis Casino Royale Changeling (500) Days of Summer Rain Man Stoning of Soraya M., The Hurt Locker, The E.T.: The Extra-Terrestrial Up in the Air Star Wars: Episode III - Revenge of the Sith Kabadayi Felon Kite Runner, The Blind Side, The La faute à Fidel! Field of Dreams Assassination of Jesse James by the Coward Robert Ford, The Vavien Harry Potter and the Goblet of Fire Godfather: Part III, The Ocean’s Eleven Sherlock Holmes An Education Precious: Based on the Novel Push by Sapphire August Rush Mongol Cloverfield Harry Potter and the Order of the Phoenix Bolt Vicky Cristina Barcelona Harry Potter and the Half-Blood Prince A Serious Man Arlington Road Orphan Air I Breathe, The A.R.O.G Issız adam Ice Age: Dawn of the Dinosaurs Fracture Bobby Chronicles of Narnia: The Lion, the Witch and the Wardrobe, The Dondurmam gaymak Yes Man Street Kings Disturbia 1408 Brave One, The Crossing Over Ocean’s Thirteen Star Wars: Episode II - Attack of the Clones Alice in Wonderland Transsiberian Flawless Mustafa Lake House, The Angels & Demons Last House on the Left, The Vantage Point Ring of the Nibelungs Death Race Hitchhiker’s Guide to the Galaxy, The Interpreter, The Underworld: Rise of the Lycans 17 Again Awake Night at the Museum Star Wars: Episode I - The Phantom Menace Secret dèfense Knowing Outlander Sleuth Hush Polis Nine Transporter 2 One Way Night at the Museum: Battle of the Smithsonian Mr. -
Interview with Film Editor Cara Silverman the Sundance-Nominated
March 2009 www.StudentFilmmakers.com The #1 Educational Resource for Film and Video Makers US$5.95 Interview with Film Editor Cara Silverman The Sundance-Nominated FilmThe Greatest Avoid Fried Lighting Circuits On The Set Beetle Queen Conquers Tokyo Doc Defies Labels 17 Fast Tips for Creating Realistic Dialogue How to Be Your Own Art Director DIY-Style The New Medium in Capturing Sound 3D Prosthetic Bondo Transfers Publisher’s Desk These are tough economic times. However, Table of Contents March 2009 we are learning, we are growing, and what is The # 1 Educational Resource for Film and Video Makers important is that these challenging times Cinematography are going to sharpen us and make us better Publisher / Editor-in-Chief Kim Edward Welch Senior Editor Jody Michelle Solis 4 Fried Lighting Circuits On The Set professionals. We encourage you to use our When Your Genny Fails, and Blowing Granny’s Fuse Box is Not magazine and our website resources to this Staff Editors David Kaminski an Option... end. Carl Filoreto by Jack Anderson Fred Ginsburg C.A.S. Ph.D. MBKS It is truly amazing to see the new film and video makers Contributing Writers Documentary who are joining the filmmakers network online at networking. Thomas Ackerman, ASC, Jack Anderson, John Badham, Adam Biddle, 8 First-Time Director Jessica Oreck’s Debut Documentary studentfilmmakers.com each day. We want to encourage those of you Kevin Burke, Julia Camenisch, Steve Carlson, Chris Cavallari, “Beetle Queen Conquers Tokyo” Defies Labels who are participating in our online forums and online community. We Michael Corbett, Vanessa Daniels, Carsten Dau, Todd Debreceni, by David Kaminski Jeff Deel, Christina DeHaven, Dana Dorrity, Pamela Douglas, enjoy watching your films and videos, reading your posts, and enjoy David E.