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RUSH HOUR Missione Parigi
presenta una produzione Arthur Sarkissian e Roger Birnbaum Jackie Chan Chris Tucker in RUSH HOUR Missione Parigi un film di Brett Ratner uscita 5 ottobre 2007 Ufficio Stampa KEY FILMS Georgette Ranucci (+39 335 5943393 [email protected]) Alessandra Tieri (+39 335 8480787 [email protected]) CAST ARTISTICO Carter Chris Tucker Lee Jackie Chan Reynard Max Von Sydow Kenji Hiroyuki Sanada George Yvan Attal Jasmine Youki Kudoh Geneviève Noemie Lenoir Soo Yung Zhang Jingchu Albasciatore Han Tzi Ma Sorella Agnes Dana Ivey Maestro Yu Henry O. Masha Mia Tyler Delegato cinese Michael Chow Delegato britannico David Niven, JR Me Oanh Nguyen Ragazzo del kung fu Andrei Quang Gigante cinese Sun Ming Ming Infermiera Lisa Thornhill Killer francese M. Kentaro Poiliziotti francesi Ludovic Paris Richard Dieux Olivier Schneider Croupier Daniel Yabut Barman Frank Bruynbroek Moglie di George Julie Depardieu Ispettore Revi Roman Polanski credits not contractual CAST TECNICO Diretto da Brett Ratner Scritto da Jeff Nathanson Ispirato ai personaggi creati da Ross LaManna Direttore della fotografia J. Michael Muro Effetti speciali John Bruno Musiche Lalo Schifrin Costumi Betsy Heimann Montaggio Don Zimmerman, A.C.E. Dean Zimmerman Mark Helfrich, A.C.E. Scenografie Edward Verreaux Casting Ronna Kress, C.S.A. Co-Produttori James M. Freitag Leon Dudevoir Produttore esecutivo Toby Emmerich Prodotto da Arthur Sarkissian Roger Birnbaum Prodotto da Jay Stern Jonathan Glickman Andrew Z. Davis RUSH HOUR - Missione Parigi Nel cuore di Parigi si nasconde un segreto mortale che l’Ambasciatore Han si accinge a svelare. L’ambasciatore infatti, è entrato in possesso di nuove ed esplosive prove relative all’organizzazione interna delle Triadi – la più potente e tristemente nota organizzazione criminale del mondo - e ha scoperto la vera identità di Shy Shen, il perno attorno al quale ruota l’intera organizzazione. -
Steve Rubell and Ian Schrager Opened Studio 54 40 Years Ago, and It Soon Became the Epicenter of New York City's Nightlife for Nearly Three Years
Steve Rubell and Ian Schrager opened Studio 54 40 years ago, and it soon became the epicenter of New York City's nightlife for nearly three years. While it lasted, many photographers flocked to the bacchanal to capture the celebrities and other lucky denizens as they danced and snorted and frolicked under that iconic Man in the Moon with the coke spoon sculpture. One of the men on the scene was Gene Spatz, a pioneering paparazzo and street photographer who most people have never heard about. Unlike Ron Galella's work – which has been exhibited and is collected as fine art – after Spatz died in 2003 the archive of images was inherited by his younger sister, Amy Lowen, and packed away in filing cabinets in her Kentucky home. She avoided the task of assessing what she had in her possession for nearly a decade until she began to unearth her brother's forgotten treasures. "While he was working in the late Seventies, I had gotten married, moved to Louisville, Kentucky, and wasn't a part of Gene's day-to-day life," Lowen tells Rolling Stone. "It wasn't until he was gone, and I had brought everything home and put it in storage, that I began to open up these envelopes and discover his work." The black-and-white photographs included scenes from iconic clubs like Studio 54 and Xenon; shots of Carrie Fisher, Jackie Kennedy Onassis, Mary Tyler Moore and Robert Redford; as well quirky New York City street life tableaus in the 1970s and Eighties. Lowen recognized some of the celebrities in the photos, but she wasn't sure what exactly her brother's archives contained – or its value to the world. -
RUSH HOUR Original Screenplay by Ross Lamanna
RUSH HOUR Original Screenplay by Ross LaManna FADE IN: EXT. LOS ANGELES - DAY The whole dysfunctional megalopolis, beige and blurry in the summer smog. If this is the American Dream, do me a favor and wake me up. EXT. LAX - DAY The traffic loop outside the terminals is gridlocked -- mostly with stretch limousines. INT. LAX - (INCLUDE NEWS REPORT MONTAGE) - DAY Inside, the airport is done up with festive posters, streamers and banners: Welcome - Pacific Partners Summit A planeload of cheerful CHINESE DELEGATES come into the crowded terminal. Some sport red T-shirts with a picture of Mao wearing Mickey Mouse ears. They get onto the people mover, passing by a TV REPORTER: REPORTER (to TV CAMERA) Eager to mend its tarnished image, Los Angeles has really put out the welcome mat for tomorrow's summit. The city promises quite a party as leaders from Japan, China, South Korea, Australia, the U.S. and others begin talks for the largest free-trade treaty in history. The SCENE changes to TAPE of DELEGATES from other countries arriving. Then, we see massive SECURITY PREPARATIONS all around the city. REPORTER (VO) (continuing) The one sour note is North Korea, the only Pacific Rim country not participating. There are rumors of secret meetings with North Korean representatives, but U.S. officials insist the North must first hold democratic elections, and halt its nuclear weapons program -- as they claimed to have done back in 1995. We CUT TO a heated debate in the UN SECURITY COUNCIL. Then ARTILLERY FIRE over the Korean DMZ. The SCENE returns to LAX. -
Papa Paparazzo Laura Kipnis a Gilt-Edged Tribute to the Godfather of Celebrity Photography
LUXURY & DEGRADATION Papa Paparazzo Laura kipnis A GILT-EDGED TRIBUTE TO THE GODFATHER OF CELEBRITY PHOTOGRAPHY. world of overmanaged surfaces. His most famous shot, of a deafening. Watch Crumb being hurtled up from the low-rent windswept Jackie, glancing back at the camera with a half cultural precincts of underground comics into the lofty envi- smile, has an undeniable aura—it’s hard to take your eyes off rons of Art, with Zwigoff crosscutting between Robert’s her. Galella calls it his Mona Lisa, though admits Jackie only tragically crazy brothers and his cartoons, coasting on the smiled because he disguised his voice—she didn’t realize he familiar Romantic trope linking artistic inspiration to neu- was the one calling her name. rotic and psychosexual origins. Of course, this hasn’t exactly The term paparazzo derives from the name of one of the hurt Crumb’s ascent from Comic-Con to the museum walls. swarming photographers in Fellini’s La Dolce Vita; it’s also The revisionist process is also clanking away in the 2010 supposedly a play on the Italian word for the annoying buzz- documentary about Galella’s career, Smash His Camera, by ing of a mosquito. One thing you can say about Galella is Oscar-winning filmmaker Leon Gast (When We Were that he never feared being annoying, or shirked the hazards. Kings). The film premiered at MoMA—fittingly, given the Marlon Brando knocked out five of his teeth when Galella artistic burnish Gast confers on Galella, opening with him wouldn’t stop photographing him; Galella sued, settling for in the darkroom actually developing his own prints, then $40K, the amount it cost to reconstruct his jaw. -
Limits on Newsgathering
An Exploration of Limits on Newsgathering Names: Emma Creekbaum, Cari Zahn and Margaret Bukowski Advisor: Dr. Annette Taylor Freedom of Information Act and Privacy Rights The Constitutionality of Restrictive Orders Against The Constitutionality of California Anti-paparazzi Animal welfare records disappeared in February 2017 from the U.S. Department of Agriculture the Press Laws website. The information removed includes reports on inspections, research facilities, and enforcement. USDA said it removed the records to protect the privacy of animal owners. USDA said information Restrictive orders against the press are often deemed unconstitutional by higher courts On July 6th, 2010, freelance photographer Paul Raef was arrested after chasing Justin Bieber that doesn’t jeopardize individual privacy might be re released on the USDA’s Animal and Plant because the orders because the information they protect should be public knowledge, they are down a freeway in Los Angeles in order to obtain a photograph of the famous singer. Raef Health Inspection Service’s website. All other information will be available through approved FOIA found to not violate privacy issues, or do not interfere with the sixth amendment. Courts issue became the first person charged under the new California Anti-paparazzi law signed by former requests. If this issue goes to court, the court will ask if the information truly violates Exemption 6, restrictive orders that limit the discussion of facts in a criminal case in order to protect parties Gov. Arnold Schwarzenegger. The state’s 2010 Assembly Bill 2479 was designed to curtail which says information containing personnel files should be private and kept from the public. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
Va.Orgjackie's MOVIES
Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs. -
Robert Indiana
P A U L K A S M I N G A L L E R Y Miss Cole, January 9, 1979, photograph, 10 x 8 inches Liza Minnelli, Andy Warhol and Bianca Jagger, January 10, 1978, photograph, 8 x 10 inches Grace Jones, January 1, 1978, photograph, 10 x 8 inches RON GALELLA DISCO YEARS September 6-October 7, 2006 Private View Wednesday, September 6, 6-8 pm “Big ideas had only caused problems. Now the culture just wanted to go disco.” Anthony Haden-Guest Paul Kasmin Gallery is pleased to announce our upcoming photography exhibition, DISCO YEARS by RON GALELLA on view at 511 West 27th Street from September 6 through October 7, 2006. DISCO YEARS will consist of more than 100 black and white vintage prints taken throughout the Seventies. Widely acknowledged as the most controversial celebrity photographer in the United States, Galella has been lauded as “the godfather of American Extraordinare” by Newsweek. Featured on the cover of Life and famously sued for harassment by Jackie Onassis, Galella has been hosed down by friends of Brigitte Bardot and punched by Marlon Brando. DISCO YEARS brings us in touch with the New York Club scene and all it had to offer from the rockers and the fashonistas to the jet-setting socialites and freaky artists that helped define the decadent decade. Included within are snapshots of Andy Warhol, Elizabeth Taylor, Halston and Liza Minelli. This exhibition will coincide with the release of Galella’s new book DISCO YEARS, published by Powerhouse Books, with foreword by Anthony Haden-Guest and afterword by Michael Musto. -
Studio 54: Night Magic, the First Exhibition to Explore the Trailblazing Aesthetics and Continuing Impact of New York City's L
Installation March Museum 13 ) –November 8 view, Studio , 2020. 54: Night Magic (Photo: Jonathan . Brooklyn Dorado Museum, , Brooklyn Studio 54: Night Magic, the First Exhibition to Explore the Trailblazing Aesthetics and Continuing Impact of New York City’s Legendary Nightclub, on View through November 8 Highlighting the revolutionary creativity, expressive freedom, and sexual liberation celebrated at the world-renowned nightclub, the exhibition will present over 650 objects ranging from fashion, photography, drawings, and film to stage sets and music Following the Vietnam War, and amid the nationwide Civil Rights Movement and fights for LGBTQ+ and women’s rights, a nearly bankrupted New York City hungered for social and creative transformation as well as a sense of joyous celebration after years of protest and upheaval. Low rents attracted a diverse group of artists, fashion designers, writers, and musicians to the city, fostering cultural change and the invention of new art forms, including musical genres such as punk, hip-hop, and disco. In a rare societal shift, people from different sexual, sociopolitical, and financial strata intermingled freely in the after-hours nightclubs of New York City. No place exemplified this more than Studio 54. Though it was open for only three years—from April 26, 1977, to February 2, 1980—Studio 54 was arguably the most iconic nightclub to emerge in the twentieth century. Set in a former opera house in Midtown Manhattan, with the stage innovatively re-envisioned as a dance floor, Studio 54 became a space of sexual, gender, and creative liberation, where every patron could feel like a star. -
Ron Galella E La Magia Dello Scatto “Rubato” Antonio Genovese
PERCORSI D’ARTE Ron Galella e la magia dello scatto “rubato” Antonio Genovese IL PAPARAZZO CHE FECE IMPAZZIRE JACKIE KENNEDY E MARLON BRANDO HA DEDICATO UNA MOSTRA ALLA TERRA DI SUO PADRE. ITALIAN ICONS, SETTANTA IMMAGINI IN BIANCO E NERO PER OMAGGIARE IL TRICOLORE ccanito, coraggioso, umano. Un brillante realista capace di rappresentare fedel- mente il mondo”. A questa efficace descrizione di Glenn O’Brien, direttore della “Arivista “Interview” di Andy Warhol, su Ron Galella, fotografo italoamericano di origini lucane, si potrebbero aggiungere altre qualità, ma una, in particolare, può diventare la cifra del suo modo di essere: l’intraprendenza. Un approccio creativo alla vita alimentato da un insegnamento della sua maestra: “per emergere bisogna diventare il numero uno”. Una lezione che lo ha guidato costantemente, permettendogli di raggiungere il suo sogno: diven- tare fotografo, trarre piacere dalla sua professione, realizzare immagini mai monocorde. Fotografie che hanno raccontato un’epoca, che hanno contribuito a rendere celebri i personaggi più in vista dello star system degli anni ’60 e ’70 da Marlon Brando a Jackie Ken- nedy, da Sofia Loren a Robert Redford, da Monica Vitti a Bernardo Bertolucci. Una vastissima produzione, frutto di cinquant’anni di lavoro, custodita come il bene più prezioso a Villa Palladio, la dimora neoclassica progettata da Ron e sua moglie Betty e immersa nelle campagne del New Jersey. Uno spettacolo per gli occhi con un’architet- tura che prende a braccetto la natura. L’arte dell’entroterra veneto, sinonimo -
Paparazzi! Photographers, Stars and Artists
THE CAMERA AS A CONSTANT COMPANION: THE SCHIRN KUNSTHALLE FRANKFURT PRESENTS THE MOST EXTENSIVE EXHIBITION IN GERMANY ON THE PHENOMENON AND THE AESTHETIC OF PAPARAZZI PHOTOGRAPHY PAPARAZZI! PHOTOGRAPHERS, STARS AND ARTISTS June 27–October 12, 2014 Press preview: Thursday, June 26, 2014, 11 a.m. With “Paparazzi! Photographers, Stars and Artists”, beginning on June 27, 2014, the Schirn Kunsthalle Frankfurt presents the most extensive exhibition in Germany on the global phenomenon and the aesthetic of paparazzi photography to date. Around 500 works and documents trace the unbroken fascination with star photography and at the same time reflect its influence on the visual arts and fashion photography. The presentation features “icons” of paparazzi photography that have been permanently etched on our visual memory, including Jackie Kennedy-Onassis during an seemingly casual walk through Manhattan, Lady Di fleeing from a frenzy of flashing cameras, or the younger “favorites” of paparazzi such as Paris Hilton or Britney Spears. Besides works by the most well-known representatives of paparazzi photography, such as Ron Galella, Pascal Rostain, Bruno Mouron, or Tazio Secchiaroli, the large-scale exhibition presents positions by artists such as Cindy Sherman, Gerhard Richter, Andy Warhol, Barbara Kruger, Paul McCarthy, and Richard Avedon, who have critically examined and sounded out the specific characteristics of the paparazzi aesthetic. Developed and organized by the Centre Pompidou-Metz, using photographs, videos, paintings, sculptures, work objects, -
An Analysis of Slang Word in “Rush Hour” Movie : Sociolinguistics Approach
AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH THESIS By: Tias Cecilika 161210083 DEPARTEMENT OF ENGLISH LITERATURE FACULTY OF SOCIAL SCIENCES AND HUMANITIES UNIVERSITY OF PUTERA BATAM 2021 AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra By: Tias Cecilika 161210083 DEPARTEMENT OF ENGLISH LITERAURE FACULTY OF SOCIAL SCIENCES AND HUMANITIES UNIVERSITY OF PUTERA BATAM 2021 iii SURAT PERNYATAAN ORISINALITAS Yang bertanda tangan di bawah ini saya: Nama : Tyas Cecilika NPM : 161210083 Fakultas : Ilmu Sosial dan Humaniora Program Studi: Sastra Inggris Menyatakan bahwa “Skripsi” yang saya buat dengan judul: AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH Adalah karya sendiri dan bukan duplikasi dari karya orang lain. Skripsi ini tidak terdapat karya ilmiah juga pendapat yang pernah ditulis atau di terbitkan oleh orang lain, selain yang dikutip didalam naskah ini dan disebutkan dalam sumber kutipan dan daftar pustaka. Jika ternyata di dalam skripsi ini dapat dibuktikan terdapat unsur-unsur plagiasi, saya bersedia naskah skripsi ini digugurkan dan skripsi dibatalkan, serta diproses sesuai dengan peraturan perundang- undang yang berlaku. Demikian pernyataan ini sayabuat dengan sebenarnya tanpa ada paksaan dari siapapun. Batam, 27 Januari 2021 Tyas Cecilika 161210083 iv DECLARATION OF THE THESIS ORIGINALITY I, Tyas Cecilika, NPM No. 161210083 Here with declare that the thesis entitled: AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH Is the real work of myself and I realize that thesis has never been published in other media before, partially or entirely, in the name of mine or others.