DOT Winter 2013

Total Page:16

File Type:pdf, Size:1020Kb

DOT Winter 2013 Art Center College of Design WINTER 2013 • 01 ARTCENTER.EDU/DOT ART CENTER STUDENT FILMMAKERS ON SET. SEE STORY ON PAGE 23. Dot magazine is published by the Department of Marketing and Communications. Art Center College of Design 1700 Lida Street, Pasadena, CA 91103 artcenter.edu Editor: Teri Bond Writers: Teri Bond, Alex Carswell, Rebecca Epstein, Jered Gold, Nancy Greystone, Mike Padilla, Mike Winder Art Director : Winnie Li Designers : Andrea Carrillo, Eliana Dominguez, Winnie Li Production Designer: Audrey Krauss Web Designer: Eliana Dominguez Web Production: Chuck Spangler Board Chairman: Robert C. Davidson, Jr. President: Lorne M. Buchman Senior Vice President, Development and External Affairs : Arwen Duffy Associate Vice President, Advancement Services : Armik Allen Associate Vice President, Development : A Maya Chalich Fredrickson WINTER 2013 r Associate Vice President, Marketing and 02 23 Dot t Center Communications : Wendy Shattuck around the world Re-designing the Movies: Director, Communications: Teri Bond Innovative products, exhibitions, Creative Director: Scott Taylor How Art Center is Uniquely Director, Production: Ellie Eisner books and other ventures created by Educating the Next Generation Director, Promotion and Public Affairs: Art Center alumni and faculty. Jered Gold of Filmmakers Art Center’s graduate and under- Front Cover: A camel is transformed into a mobile health clinic aided by a lightweight solar-powered 08 graduate film programs recruit refrigerator system designed by a Designmatters features professionals working in the film biz team working in collaboration with the Princeton to teach students that movies aren’t Engineering Department. Photo ©Designmatters. A Decade That Matters: Leading the Way in Social Innovation just shot, they’re designed. Back Cover: Es Tiempo logo designed by Mark Brinn. Safe Agua illustration by Ping Zhu. We Are Inspired by the Peace Corps, Art Youth buttons by Heather Grates and Andrew Chen. Center’s social impact design depart- 30 ment, Designmatters, celebrates 10 Photography: ©Art Center College of Design/ dot news Steven A. Heller; ©Designmatters; Alex Aristei; years of socially conscious design Campus news: TEDx homerun, Cathy Cheney; Tony Di Zinno; Ron Galella, Ltd.; and dozens of successes at home new trustees, Portland sportswear June Korea; Edmond O’Neill; Chuck Spangler; Jennie Warren; image from Mad Men by Frank and abroad. Plus, a timeline showing partnership, rethinking education, Ockenfels, AMC, courtesy of AMC (page 2); image the program’s smart solutions and packaging push, welcoming new Camel Healing from The Queen courtesy of Miramax and Pathé public awareness campaigns that are (page 26). leadership and the 40-year legacy making an impact on our society. of Laurence Dreiband. In 2005, Art Center’s social impact design department, Designmatters, part- © 2013 Art Center College of Design. nered with the Community Health Africa Trust / Mpala Community Trust on a All rights reserved. Dot, Art Center, and Art Center College of Design are trademarks of Art Center 17 35 project using camels as mobile health clinics to serve people living in remote College of Design. desert communities in northwestern Kenya. The team developed a lightweight, Think You Can’t Change the spotted Student works reproduced or referenced in this World With a Fine Art Degree? Were you there? Recent events both solar-powered refrigerator to transport life-saving medicines throughout the publication are for educational purposes only. Fine Art students and alumni find inhospitable terrain. “I’ll never forget the experience and the profound impact No part of this publication may be reproduced or on and off campus. creative ways — and places — to leave of how a well-designed product can so dramatically enhance people’s lives,” transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, their legacies. Find out how scholar- said Kenyan lead designer Patrick Kiruki PROD 05 (pictured above right). The or any information storage or retrieval system, ships can be powerful investments in prototypes have undergone several revisions and are being implemented in without written permission of the publisher. creating and building community. pilot testing, while additional funding is sought for further development that Printed on Topkote. FSC certified and Elemental would allow for scalability of the invention. A San Diego–based organization Chlorine Free (ECF). has approached Designmatters to replicate the innovative solution for Ethiopia and other regions. Kiruki continues his work empowering people in his home- land with an award-winning sanitation system. Read more about Designmatters on pages 8–15. VISIT US ON FACEBOOK & TWITTER FACEBOOK.COM /ARTCENTER.EDU designmattersatartcenter.org TWITTER.COM /ART_CENTER • 02 WINTER 2013 • 03 ARTCENTER.EDU/DOT Catch a Wave, Now around Len Stobar PROD 64 Let’s face it, sometimes surfing is a real bummer. After working your tail off all week, do you really want to spend the half your Saturday paddling to catch those gnarly waves? Relax, dude, and don’t blow out your squeaker—WaveJet is here to save the day! Designed by alumnus Len Stobar, WaveJet is an Edison Award–winning personal water world propulsion system designed to “change the way you interact with water.” Available for pre-order now, the quiet battery-powered miniature jet drive plugs into a variety of personal watercraft, is operated by a wireless controller you wear on your wrist, and promises to help you paddle out four times faster to your waves. Now if only they could do something about the traffic on Pacific Coast Highway. wavejet.com A Cabinet of Curiosities Mike Yamada PROD 03 Victoria Ying ILLU 07 The Lion, the Witch and the Wardrobe meets Alice in AROUND THE WORLD Wonderland meets A Series of Unfortunate Events in A r Curiosities, a fully illustrated 88-page hardcover storybook Dot t Center by husband and wife illustrating duo Mike Yamada and Victoria Ying. Curiosities tells the tale of a young brother and sister who inherit an eccentric old house with room upon room of accumulated wonders wherein they discover the stories and artifacts of their ancestors. Mike and Victoria, along with her brother, Jonathan, who wrote the more story, launched a Kickstarter page to fund their storytelling Bring Home the Gold! images efforts. With help from an enthusiastic group of friends, online family and supporters, their initial fundraising goal of $4,000 Illustrating British Culture was reached in less than 24 hours. They decided to stretch their campaign even further — ultimately raising just shy of Before the powerful images from the Olympic Games $50,000. Along with the original book, the funding allows fade from your memory, take advantage of the chance them to delve deeper into the story by publishing a prequel to purchase a London 2012 commemorative work of art Mad for the Challenge and creating additional items like posters, playing cards created by an Art Center student. For the past five years, Ellen Freund FILM 79 and more. If you’re interested in funding similar projects (or Illustration Department Chair Ann Field has invited a group creating your own), visit kickstarter.com/artcenter. of students to explore London Ancient / Modern, a field Ellen Freund is prop master on Mad Men, the hit AMC show eca-la.com trip and immersion in British culture that helps them that has garnered multiple honors for outstanding art understand how design, culture and history interconnect. direction. The steamy 1950s drama about life in the Madison As part of the trip, students and faculty operated Avenue advertising industry is also one of the most an open studio at the highly regarded Kemistry Gallery, watched shows on the tube. In a recent Huffington Post culminating in a series of prints that were part of the profile, Freund, whose credits also include Twilight, Night at gallery’s Gold, Silver & Bronze exhibition. The series is the Museum and Vanilla Sky, called Mad Men the biggest a playful take on the Olympics and London’s cultural challenge of her career. “It is my first time on a television heritage, featuring knitting marathons, sporting pub signs series, and the combination of a compressed time frame, and acrobatic diving into teacups, among many other limited budget and relentless schedules is very demanding,” whimsical interpretations of the Games. Upon returning said Freund. “Mad Men requires massive amounts of home, the posters were exhibited at the British Consulate research to attain the level of accuracy that creator Matthew in Los Angeles during an exclusive party for the Olympics’ Weiner seeks and the entire crew strives for every day. opening ceremonies. Limited-edition silkscreen prints of The period is fascinating and visually stimulating, making all the designs are available for purchase from Kemistry. it a real pleasure to work on.” Fans will be delighted to know kemistrygallery.co.uk that the show’s recently released Season 5 is available on PHOTO BY FRANK Blu-ray and DVD. OCKENFELS, AMC. COURTESY OF AMC amctv.com/madmen • 04 WINTER 2013 • 05 ARTCENTER.EDU/DOT Yes We Can Embrace Great Design 10 WORKS Spurs National Recognition OCTOBER 7, 1971: NEW YORK CITY Stephanie Sigg ENVL 98 Rebeca Méndez NEWM 97 — WINDBLOWN JACKIE — JACKIE ONASSIS ON Regardless of political persuasion, everybody from Blue Alumna Rebeca Méndez was recently honored as the recipi- MADISON AVENUE. PHOTO BY RON Dog Democrats to Log Cabin Republicans can agree that ent of the 2012 National Design Award in Communication GALELLA the logo Stephanie Sigg designed for the 2012 Democratic Design from the Smithsonian’s Cooper-Hewitt, National National Convention is a winner. Sigg—who’s worked Design Museum. Méndez was selected alongside winners with clients as varied as Doctors Without Borders, Nike, in 10 other categories based on the level of excellence, NOVEMBER 26, 1974: Mastercard, the United Nations and Late Show with David innovation and public impact of her body of work, which NEW YORK CITY — MARLON BRANDO Letterman—said she considered working on the national focuses on issues of organization, culture and identity.
Recommended publications
  • RUSH HOUR Missione Parigi
    presenta una produzione Arthur Sarkissian e Roger Birnbaum Jackie Chan Chris Tucker in RUSH HOUR Missione Parigi un film di Brett Ratner uscita 5 ottobre 2007 Ufficio Stampa KEY FILMS Georgette Ranucci (+39 335 5943393 [email protected]) Alessandra Tieri (+39 335 8480787 [email protected]) CAST ARTISTICO Carter Chris Tucker Lee Jackie Chan Reynard Max Von Sydow Kenji Hiroyuki Sanada George Yvan Attal Jasmine Youki Kudoh Geneviève Noemie Lenoir Soo Yung Zhang Jingchu Albasciatore Han Tzi Ma Sorella Agnes Dana Ivey Maestro Yu Henry O. Masha Mia Tyler Delegato cinese Michael Chow Delegato britannico David Niven, JR Me Oanh Nguyen Ragazzo del kung fu Andrei Quang Gigante cinese Sun Ming Ming Infermiera Lisa Thornhill Killer francese M. Kentaro Poiliziotti francesi Ludovic Paris Richard Dieux Olivier Schneider Croupier Daniel Yabut Barman Frank Bruynbroek Moglie di George Julie Depardieu Ispettore Revi Roman Polanski credits not contractual CAST TECNICO Diretto da Brett Ratner Scritto da Jeff Nathanson Ispirato ai personaggi creati da Ross LaManna Direttore della fotografia J. Michael Muro Effetti speciali John Bruno Musiche Lalo Schifrin Costumi Betsy Heimann Montaggio Don Zimmerman, A.C.E. Dean Zimmerman Mark Helfrich, A.C.E. Scenografie Edward Verreaux Casting Ronna Kress, C.S.A. Co-Produttori James M. Freitag Leon Dudevoir Produttore esecutivo Toby Emmerich Prodotto da Arthur Sarkissian Roger Birnbaum Prodotto da Jay Stern Jonathan Glickman Andrew Z. Davis RUSH HOUR - Missione Parigi Nel cuore di Parigi si nasconde un segreto mortale che l’Ambasciatore Han si accinge a svelare. L’ambasciatore infatti, è entrato in possesso di nuove ed esplosive prove relative all’organizzazione interna delle Triadi – la più potente e tristemente nota organizzazione criminale del mondo - e ha scoperto la vera identità di Shy Shen, il perno attorno al quale ruota l’intera organizzazione.
    [Show full text]
  • Steve Rubell and Ian Schrager Opened Studio 54 40 Years Ago, and It Soon Became the Epicenter of New York City's Nightlife for Nearly Three Years
    Steve Rubell and Ian Schrager opened Studio 54 40 years ago, and it soon became the epicenter of New York City's nightlife for nearly three years. While it lasted, many photographers flocked to the bacchanal to capture the celebrities and other lucky denizens as they danced and snorted and frolicked under that iconic Man in the Moon with the coke spoon sculpture. One of the men on the scene was Gene Spatz, a pioneering paparazzo and street photographer who most people have never heard about. Unlike Ron Galella's work – which has been exhibited and is collected as fine art – after Spatz died in 2003 the archive of images was inherited by his younger sister, Amy Lowen, and packed away in filing cabinets in her Kentucky home. She avoided the task of assessing what she had in her possession for nearly a decade until she began to unearth her brother's forgotten treasures. "While he was working in the late Seventies, I had gotten married, moved to Louisville, Kentucky, and wasn't a part of Gene's day-to-day life," Lowen tells Rolling Stone. "It wasn't until he was gone, and I had brought everything home and put it in storage, that I began to open up these envelopes and discover his work." The black-and-white photographs included scenes from iconic clubs like Studio 54 and Xenon; shots of Carrie Fisher, Jackie Kennedy Onassis, Mary Tyler Moore and Robert Redford; as well quirky New York City street life tableaus in the 1970s and Eighties. Lowen recognized some of the celebrities in the photos, but she wasn't sure what exactly her brother's archives contained – or its value to the world.
    [Show full text]
  • RUSH HOUR Original Screenplay by Ross Lamanna
    RUSH HOUR Original Screenplay by Ross LaManna FADE IN: EXT. LOS ANGELES - DAY The whole dysfunctional megalopolis, beige and blurry in the summer smog. If this is the American Dream, do me a favor and wake me up. EXT. LAX - DAY The traffic loop outside the terminals is gridlocked -- mostly with stretch limousines. INT. LAX - (INCLUDE NEWS REPORT MONTAGE) - DAY Inside, the airport is done up with festive posters, streamers and banners: Welcome - Pacific Partners Summit A planeload of cheerful CHINESE DELEGATES come into the crowded terminal. Some sport red T-shirts with a picture of Mao wearing Mickey Mouse ears. They get onto the people mover, passing by a TV REPORTER: REPORTER (to TV CAMERA) Eager to mend its tarnished image, Los Angeles has really put out the welcome mat for tomorrow's summit. The city promises quite a party as leaders from Japan, China, South Korea, Australia, the U.S. and others begin talks for the largest free-trade treaty in history. The SCENE changes to TAPE of DELEGATES from other countries arriving. Then, we see massive SECURITY PREPARATIONS all around the city. REPORTER (VO) (continuing) The one sour note is North Korea, the only Pacific Rim country not participating. There are rumors of secret meetings with North Korean representatives, but U.S. officials insist the North must first hold democratic elections, and halt its nuclear weapons program -- as they claimed to have done back in 1995. We CUT TO a heated debate in the UN SECURITY COUNCIL. Then ARTILLERY FIRE over the Korean DMZ. The SCENE returns to LAX.
    [Show full text]
  • Papa Paparazzo Laura Kipnis a Gilt-Edged Tribute to the Godfather of Celebrity Photography
    LUXURY & DEGRADATION Papa Paparazzo Laura kipnis A GILT-EDGED TRIBUTE TO THE GODFATHER OF CELEBRITY PHOTOGRAPHY. world of overmanaged surfaces. His most famous shot, of a deafening. Watch Crumb being hurtled up from the low-rent windswept Jackie, glancing back at the camera with a half cultural precincts of underground comics into the lofty envi- smile, has an undeniable aura—it’s hard to take your eyes off rons of Art, with Zwigoff crosscutting between Robert’s her. Galella calls it his Mona Lisa, though admits Jackie only tragically crazy brothers and his cartoons, coasting on the smiled because he disguised his voice—she didn’t realize he familiar Romantic trope linking artistic inspiration to neu- was the one calling her name. rotic and psychosexual origins. Of course, this hasn’t exactly The term paparazzo derives from the name of one of the hurt Crumb’s ascent from Comic-Con to the museum walls. swarming photographers in Fellini’s La Dolce Vita; it’s also The revisionist process is also clanking away in the 2010 supposedly a play on the Italian word for the annoying buzz- documentary about Galella’s career, Smash His Camera, by ing of a mosquito. One thing you can say about Galella is Oscar-winning filmmaker Leon Gast (When We Were that he never feared being annoying, or shirked the hazards. Kings). The film premiered at MoMA—fittingly, given the Marlon Brando knocked out five of his teeth when Galella artistic burnish Gast confers on Galella, opening with him wouldn’t stop photographing him; Galella sued, settling for in the darkroom actually developing his own prints, then $40K, the amount it cost to reconstruct his jaw.
    [Show full text]
  • Limits on Newsgathering
    An Exploration of Limits on Newsgathering Names: Emma Creekbaum, Cari Zahn and Margaret Bukowski Advisor: Dr. Annette Taylor Freedom of Information Act and Privacy Rights The Constitutionality of Restrictive Orders Against The Constitutionality of California Anti-paparazzi Animal welfare records disappeared in February 2017 from the U.S. Department of Agriculture the Press Laws website. The information removed includes reports on inspections, research facilities, and enforcement. USDA said it removed the records to protect the privacy of animal owners. USDA said information Restrictive orders against the press are often deemed unconstitutional by higher courts On July 6th, 2010, freelance photographer Paul Raef was arrested after chasing Justin Bieber that doesn’t jeopardize individual privacy might be re released on the USDA’s Animal and Plant because the orders because the information they protect should be public knowledge, they are down a freeway in Los Angeles in order to obtain a photograph of the famous singer. Raef Health Inspection Service’s website. All other information will be available through approved FOIA found to not violate privacy issues, or do not interfere with the sixth amendment. Courts issue became the first person charged under the new California Anti-paparazzi law signed by former requests. If this issue goes to court, the court will ask if the information truly violates Exemption 6, restrictive orders that limit the discussion of facts in a criminal case in order to protect parties Gov. Arnold Schwarzenegger. The state’s 2010 Assembly Bill 2479 was designed to curtail which says information containing personnel files should be private and kept from the public.
    [Show full text]
  • DVD Profiler
    101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV).
    [Show full text]
  • Va.Orgjackie's MOVIES
    Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs.
    [Show full text]
  • Robert Indiana
    P A U L K A S M I N G A L L E R Y Miss Cole, January 9, 1979, photograph, 10 x 8 inches Liza Minnelli, Andy Warhol and Bianca Jagger, January 10, 1978, photograph, 8 x 10 inches Grace Jones, January 1, 1978, photograph, 10 x 8 inches RON GALELLA DISCO YEARS September 6-October 7, 2006 Private View Wednesday, September 6, 6-8 pm “Big ideas had only caused problems. Now the culture just wanted to go disco.” Anthony Haden-Guest Paul Kasmin Gallery is pleased to announce our upcoming photography exhibition, DISCO YEARS by RON GALELLA on view at 511 West 27th Street from September 6 through October 7, 2006. DISCO YEARS will consist of more than 100 black and white vintage prints taken throughout the Seventies. Widely acknowledged as the most controversial celebrity photographer in the United States, Galella has been lauded as “the godfather of American Extraordinare” by Newsweek. Featured on the cover of Life and famously sued for harassment by Jackie Onassis, Galella has been hosed down by friends of Brigitte Bardot and punched by Marlon Brando. DISCO YEARS brings us in touch with the New York Club scene and all it had to offer from the rockers and the fashonistas to the jet-setting socialites and freaky artists that helped define the decadent decade. Included within are snapshots of Andy Warhol, Elizabeth Taylor, Halston and Liza Minelli. This exhibition will coincide with the release of Galella’s new book DISCO YEARS, published by Powerhouse Books, with foreword by Anthony Haden-Guest and afterword by Michael Musto.
    [Show full text]
  • Studio 54: Night Magic, the First Exhibition to Explore the Trailblazing Aesthetics and Continuing Impact of New York City's L
    Installation March Museum 13 ) –November 8 view, Studio , 2020. 54: Night Magic (Photo: Jonathan . Brooklyn Dorado Museum, , Brooklyn Studio 54: Night Magic, the First Exhibition to Explore the Trailblazing Aesthetics and Continuing Impact of New York City’s Legendary Nightclub, on View through November 8 Highlighting the revolutionary creativity, expressive freedom, and sexual liberation celebrated at the world-renowned nightclub, the exhibition will present over 650 objects ranging from fashion, photography, drawings, and film to stage sets and music Following the Vietnam War, and amid the nationwide Civil Rights Movement and fights for LGBTQ+ and women’s rights, a nearly bankrupted New York City hungered for social and creative transformation as well as a sense of joyous celebration after years of protest and upheaval. Low rents attracted a diverse group of artists, fashion designers, writers, and musicians to the city, fostering cultural change and the invention of new art forms, including musical genres such as punk, hip-hop, and disco. In a rare societal shift, people from different sexual, sociopolitical, and financial strata intermingled freely in the after-hours nightclubs of New York City. No place exemplified this more than Studio 54. Though it was open for only three years—from April 26, 1977, to February 2, 1980—Studio 54 was arguably the most iconic nightclub to emerge in the twentieth century. Set in a former opera house in Midtown Manhattan, with the stage innovatively re-envisioned as a dance floor, Studio 54 became a space of sexual, gender, and creative liberation, where every patron could feel like a star.
    [Show full text]
  • Ron Galella E La Magia Dello Scatto “Rubato” Antonio Genovese
    PERCORSI D’ARTE Ron Galella e la magia dello scatto “rubato” Antonio Genovese IL PAPARAZZO CHE FECE IMPAZZIRE JACKIE KENNEDY E MARLON BRANDO HA DEDICATO UNA MOSTRA ALLA TERRA DI SUO PADRE. ITALIAN ICONS, SETTANTA IMMAGINI IN BIANCO E NERO PER OMAGGIARE IL TRICOLORE ccanito, coraggioso, umano. Un brillante realista capace di rappresentare fedel- mente il mondo”. A questa efficace descrizione di Glenn O’Brien, direttore della “Arivista “Interview” di Andy Warhol, su Ron Galella, fotografo italoamericano di origini lucane, si potrebbero aggiungere altre qualità, ma una, in particolare, può diventare la cifra del suo modo di essere: l’intraprendenza. Un approccio creativo alla vita alimentato da un insegnamento della sua maestra: “per emergere bisogna diventare il numero uno”. Una lezione che lo ha guidato costantemente, permettendogli di raggiungere il suo sogno: diven- tare fotografo, trarre piacere dalla sua professione, realizzare immagini mai monocorde. Fotografie che hanno raccontato un’epoca, che hanno contribuito a rendere celebri i personaggi più in vista dello star system degli anni ’60 e ’70 da Marlon Brando a Jackie Ken- nedy, da Sofia Loren a Robert Redford, da Monica Vitti a Bernardo Bertolucci. Una vastissima produzione, frutto di cinquant’anni di lavoro, custodita come il bene più prezioso a Villa Palladio, la dimora neoclassica progettata da Ron e sua moglie Betty e immersa nelle campagne del New Jersey. Uno spettacolo per gli occhi con un’architet- tura che prende a braccetto la natura. L’arte dell’entroterra veneto, sinonimo
    [Show full text]
  • Paparazzi! Photographers, Stars and Artists
    THE CAMERA AS A CONSTANT COMPANION: THE SCHIRN KUNSTHALLE FRANKFURT PRESENTS THE MOST EXTENSIVE EXHIBITION IN GERMANY ON THE PHENOMENON AND THE AESTHETIC OF PAPARAZZI PHOTOGRAPHY PAPARAZZI! PHOTOGRAPHERS, STARS AND ARTISTS June 27–October 12, 2014 Press preview: Thursday, June 26, 2014, 11 a.m. With “Paparazzi! Photographers, Stars and Artists”, beginning on June 27, 2014, the Schirn Kunsthalle Frankfurt presents the most extensive exhibition in Germany on the global phenomenon and the aesthetic of paparazzi photography to date. Around 500 works and documents trace the unbroken fascination with star photography and at the same time reflect its influence on the visual arts and fashion photography. The presentation features “icons” of paparazzi photography that have been permanently etched on our visual memory, including Jackie Kennedy-Onassis during an seemingly casual walk through Manhattan, Lady Di fleeing from a frenzy of flashing cameras, or the younger “favorites” of paparazzi such as Paris Hilton or Britney Spears. Besides works by the most well-known representatives of paparazzi photography, such as Ron Galella, Pascal Rostain, Bruno Mouron, or Tazio Secchiaroli, the large-scale exhibition presents positions by artists such as Cindy Sherman, Gerhard Richter, Andy Warhol, Barbara Kruger, Paul McCarthy, and Richard Avedon, who have critically examined and sounded out the specific characteristics of the paparazzi aesthetic. Developed and organized by the Centre Pompidou-Metz, using photographs, videos, paintings, sculptures, work objects,
    [Show full text]
  • An Analysis of Slang Word in “Rush Hour” Movie : Sociolinguistics Approach
    AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH THESIS By: Tias Cecilika 161210083 DEPARTEMENT OF ENGLISH LITERATURE FACULTY OF SOCIAL SCIENCES AND HUMANITIES UNIVERSITY OF PUTERA BATAM 2021 AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra By: Tias Cecilika 161210083 DEPARTEMENT OF ENGLISH LITERAURE FACULTY OF SOCIAL SCIENCES AND HUMANITIES UNIVERSITY OF PUTERA BATAM 2021 iii SURAT PERNYATAAN ORISINALITAS Yang bertanda tangan di bawah ini saya: Nama : Tyas Cecilika NPM : 161210083 Fakultas : Ilmu Sosial dan Humaniora Program Studi: Sastra Inggris Menyatakan bahwa “Skripsi” yang saya buat dengan judul: AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH Adalah karya sendiri dan bukan duplikasi dari karya orang lain. Skripsi ini tidak terdapat karya ilmiah juga pendapat yang pernah ditulis atau di terbitkan oleh orang lain, selain yang dikutip didalam naskah ini dan disebutkan dalam sumber kutipan dan daftar pustaka. Jika ternyata di dalam skripsi ini dapat dibuktikan terdapat unsur-unsur plagiasi, saya bersedia naskah skripsi ini digugurkan dan skripsi dibatalkan, serta diproses sesuai dengan peraturan perundang- undang yang berlaku. Demikian pernyataan ini sayabuat dengan sebenarnya tanpa ada paksaan dari siapapun. Batam, 27 Januari 2021 Tyas Cecilika 161210083 iv DECLARATION OF THE THESIS ORIGINALITY I, Tyas Cecilika, NPM No. 161210083 Here with declare that the thesis entitled: AN ANALYSIS OF SLANG WORD IN “RUSH HOUR” MOVIE : SOCIOLINGUISTICS APPROACH Is the real work of myself and I realize that thesis has never been published in other media before, partially or entirely, in the name of mine or others.
    [Show full text]