Robert Indiana

Total Page：16

File Type：pdf, Size：1020Kb

P A U L K A S M I N G A L L E R Y Miss Cole, January 9, 1979, photograph, 10 x 8 inches Liza Minnelli, Andy Warhol and Bianca Jagger, January 10, 1978, photograph, 8 x 10 inches Grace Jones, January 1, 1978, photograph, 10 x 8 inches RON GALELLA DISCO YEARS September 6-October 7, 2006 Private View Wednesday, September 6, 6-8 pm “Big ideas had only caused problems. Now the culture just wanted to go disco.” Anthony Haden-Guest Paul Kasmin Gallery is pleased to announce our upcoming photography exhibition, DISCO YEARS by RON GALELLA on view at 511 West 27th Street from September 6 through October 7, 2006. DISCO YEARS will consist of more than 100 black and white vintage prints taken throughout the Seventies. Widely acknowledged as the most controversial celebrity photographer in the United States, Galella has been lauded as “the godfather of American Extraordinare” by Newsweek. Featured on the cover of Life and famously sued for harassment by Jackie Onassis, Galella has been hosed down by friends of Brigitte Bardot and punched by Marlon Brando. DISCO YEARS brings us in touch with the New York Club scene and all it had to offer from the rockers and the fashonistas to the jet-setting socialites and freaky artists that helped define the decadent decade. Included within are snapshots of Andy Warhol, Elizabeth Taylor, Halston and Liza Minelli. This exhibition will coincide with the release of Galella’s new book DISCO YEARS, published by Powerhouse Books, with foreword by Anthony Haden-Guest and afterword by Michael Musto. Disco Years will be open for viewing at 511 West 27th Street, Tuesday – Saturday, 10am – 6pm. Mark Innerst: New Paintings will be open for viewing at 293 10th Avenue, from September 7 – October 7. For further information or images, please contact the gallery at 212.563.4474 Images available for viewing on our website www.paulkasmingallery.com 2 9 3 T E N T H A V E N U E, N E W Y O R K, NY 1 0 0 0 1 T E L 2 1 2 5 6 3 4 4 7 4 F A X 2 1 2 5 6 3 4 4 9 4 www.paulkasmingallery.com.

Copy Link

Recommended publications

Steve Rubell and Ian Schrager Opened Studio 54 40 Years Ago, and It Soon Became the Epicenter of New York City's Nightlife for Nearly Three Years
Steve Rubell and Ian Schrager opened Studio 54 40 years ago, and it soon became the epicenter of New York City's nightlife for nearly three years. While it lasted, many photographers flocked to the bacchanal to capture the celebrities and other lucky denizens as they danced and snorted and frolicked under that iconic Man in the Moon with the coke spoon sculpture. One of the men on the scene was Gene Spatz, a pioneering paparazzo and street photographer who most people have never heard about. Unlike Ron Galella's work – which has been exhibited and is collected as fine art – after Spatz died in 2003 the archive of images was inherited by his younger sister, Amy Lowen, and packed away in filing cabinets in her Kentucky home. She avoided the task of assessing what she had in her possession for nearly a decade until she began to unearth her brother's forgotten treasures. "While he was working in the late Seventies, I had gotten married, moved to Louisville, Kentucky, and wasn't a part of Gene's day-to-day life," Lowen tells Rolling Stone. "It wasn't until he was gone, and I had brought everything home and put it in storage, that I began to open up these envelopes and discover his work." The black-and-white photographs included scenes from iconic clubs like Studio 54 and Xenon; shots of Carrie Fisher, Jackie Kennedy Onassis, Mary Tyler Moore and Robert Redford; as well quirky New York City street life tableaus in the 1970s and Eighties. Lowen recognized some of the celebrities in the photos, but she wasn't sure what exactly her brother's archives contained – or its value to the world.
[Show full text]
Papa Paparazzo Laura Kipnis a Gilt-Edged Tribute to the Godfather of Celebrity Photography
LUXURY & DEGRADATION Papa Paparazzo Laura kipnis A GILT-EDGED TRIBUTE TO THE GODFATHER OF CELEBRITY PHOTOGRAPHY. world of overmanaged surfaces. His most famous shot, of a deafening. Watch Crumb being hurtled up from the low-rent windswept Jackie, glancing back at the camera with a half cultural precincts of underground comics into the lofty envi- smile, has an undeniable aura—it’s hard to take your eyes off rons of Art, with Zwigoff crosscutting between Robert’s her. Galella calls it his Mona Lisa, though admits Jackie only tragically crazy brothers and his cartoons, coasting on the smiled because he disguised his voice—she didn’t realize he familiar Romantic trope linking artistic inspiration to neu- was the one calling her name. rotic and psychosexual origins. Of course, this hasn’t exactly The term paparazzo derives from the name of one of the hurt Crumb’s ascent from Comic-Con to the museum walls. swarming photographers in Fellini’s La Dolce Vita; it’s also The revisionist process is also clanking away in the 2010 supposedly a play on the Italian word for the annoying buzz- documentary about Galella’s career, Smash His Camera, by ing of a mosquito. One thing you can say about Galella is Oscar-winning filmmaker Leon Gast (When We Were that he never feared being annoying, or shirked the hazards. Kings). The film premiered at MoMA—fittingly, given the Marlon Brando knocked out five of his teeth when Galella artistic burnish Gast confers on Galella, opening with him wouldn’t stop photographing him; Galella sued, settling for in the darkroom actually developing his own prints, then $40K, the amount it cost to reconstruct his jaw.
[Show full text]
Limits on Newsgathering
An Exploration of Limits on Newsgathering Names: Emma Creekbaum, Cari Zahn and Margaret Bukowski Advisor: Dr. Annette Taylor Freedom of Information Act and Privacy Rights The Constitutionality of Restrictive Orders Against The Constitutionality of California Anti-paparazzi Animal welfare records disappeared in February 2017 from the U.S. Department of Agriculture the Press Laws website. The information removed includes reports on inspections, research facilities, and enforcement. USDA said it removed the records to protect the privacy of animal owners. USDA said information Restrictive orders against the press are often deemed unconstitutional by higher courts On July 6th, 2010, freelance photographer Paul Raef was arrested after chasing Justin Bieber that doesn’t jeopardize individual privacy might be re released on the USDA’s Animal and Plant because the orders because the information they protect should be public knowledge, they are down a freeway in Los Angeles in order to obtain a photograph of the famous singer. Raef Health Inspection Service’s website. All other information will be available through approved FOIA found to not violate privacy issues, or do not interfere with the sixth amendment. Courts issue became the first person charged under the new California Anti-paparazzi law signed by former requests. If this issue goes to court, the court will ask if the information truly violates Exemption 6, restrictive orders that limit the discussion of facts in a criminal case in order to protect parties Gov. Arnold Schwarzenegger. The state’s 2010 Assembly Bill 2479 was designed to curtail which says information containing personnel files should be private and kept from the public.
[Show full text]
Studio 54: Night Magic, the First Exhibition to Explore the Trailblazing Aesthetics and Continuing Impact of New York City's L
Installation March Museum 13 ) –November 8 view, Studio , 2020. 54: Night Magic (Photo: Jonathan . Brooklyn Dorado Museum, , Brooklyn Studio 54: Night Magic, the First Exhibition to Explore the Trailblazing Aesthetics and Continuing Impact of New York City’s Legendary Nightclub, on View through November 8 Highlighting the revolutionary creativity, expressive freedom, and sexual liberation celebrated at the world-renowned nightclub, the exhibition will present over 650 objects ranging from fashion, photography, drawings, and film to stage sets and music Following the Vietnam War, and amid the nationwide Civil Rights Movement and fights for LGBTQ+ and women’s rights, a nearly bankrupted New York City hungered for social and creative transformation as well as a sense of joyous celebration after years of protest and upheaval. Low rents attracted a diverse group of artists, fashion designers, writers, and musicians to the city, fostering cultural change and the invention of new art forms, including musical genres such as punk, hip-hop, and disco. In a rare societal shift, people from different sexual, sociopolitical, and financial strata intermingled freely in the after-hours nightclubs of New York City. No place exemplified this more than Studio 54. Though it was open for only three years—from April 26, 1977, to February 2, 1980—Studio 54 was arguably the most iconic nightclub to emerge in the twentieth century. Set in a former opera house in Midtown Manhattan, with the stage innovatively re-envisioned as a dance floor, Studio 54 became a space of sexual, gender, and creative liberation, where every patron could feel like a star.
[Show full text]
Ron Galella E La Magia Dello Scatto “Rubato” Antonio Genovese
PERCORSI D’ARTE Ron Galella e la magia dello scatto “rubato” Antonio Genovese IL PAPARAZZO CHE FECE IMPAZZIRE JACKIE KENNEDY E MARLON BRANDO HA DEDICATO UNA MOSTRA ALLA TERRA DI SUO PADRE. ITALIAN ICONS, SETTANTA IMMAGINI IN BIANCO E NERO PER OMAGGIARE IL TRICOLORE ccanito, coraggioso, umano. Un brillante realista capace di rappresentare fedel- mente il mondo”. A questa efficace descrizione di Glenn O’Brien, direttore della “Arivista “Interview” di Andy Warhol, su Ron Galella, fotografo italoamericano di origini lucane, si potrebbero aggiungere altre qualità, ma una, in particolare, può diventare la cifra del suo modo di essere: l’intraprendenza. Un approccio creativo alla vita alimentato da un insegnamento della sua maestra: “per emergere bisogna diventare il numero uno”. Una lezione che lo ha guidato costantemente, permettendogli di raggiungere il suo sogno: diven- tare fotografo, trarre piacere dalla sua professione, realizzare immagini mai monocorde. Fotografie che hanno raccontato un’epoca, che hanno contribuito a rendere celebri i personaggi più in vista dello star system degli anni ’60 e ’70 da Marlon Brando a Jackie Ken- nedy, da Sofia Loren a Robert Redford, da Monica Vitti a Bernardo Bertolucci. Una vastissima produzione, frutto di cinquant’anni di lavoro, custodita come il bene più prezioso a Villa Palladio, la dimora neoclassica progettata da Ron e sua moglie Betty e immersa nelle campagne del New Jersey. Uno spettacolo per gli occhi con un’architet- tura che prende a braccetto la natura. L’arte dell’entroterra veneto, sinonimo
[Show full text]
DOT Winter 2013
Art Center College of Design WINTER 2013 • 01 ARTCENTER.EDU/DOT ART CENTER STUDENT FILMMAKERS ON SET. SEE STORY ON PAGE 23. Dot magazine is published by the Department of Marketing and Communications. Art Center College of Design 1700 Lida Street, Pasadena, CA 91103 artcenter.edu Editor: Teri Bond Writers: Teri Bond, Alex Carswell, Rebecca Epstein, Jered Gold, Nancy Greystone, Mike Padilla, Mike Winder Art Director : Winnie Li Designers : Andrea Carrillo, Eliana Dominguez, Winnie Li Production Designer: Audrey Krauss Web Designer: Eliana Dominguez Web Production: Chuck Spangler Board Chairman: Robert C. Davidson, Jr. President: Lorne M. Buchman Senior Vice President, Development and External Affairs : Arwen Duffy Associate Vice President, Advancement Services : Armik Allen Associate Vice President, Development : A Maya Chalich Fredrickson WINTER 2013 r Associate Vice President, Marketing and 02 23 Dot t Center Communications : Wendy Shattuck around the world Re-designing the Movies: Director, Communications: Teri Bond Innovative products, exhibitions, Creative Director: Scott Taylor How Art Center is Uniquely Director, Production: Ellie Eisner books and other ventures created by Educating the Next Generation Director, Promotion and Public Affairs: Art Center alumni and faculty. Jered Gold of Filmmakers Art Center’s graduate and under- Front Cover: A camel is transformed into a mobile health clinic aided by a lightweight solar-powered 08 graduate film programs recruit refrigerator system designed by a Designmatters features professionals working in the film biz team working in collaboration with the Princeton to teach students that movies aren’t Engineering Department. Photo ©Designmatters. A Decade That Matters: Leading the Way in Social Innovation just shot, they’re designed.
[Show full text]
Paparazzi! Photographers, Stars and Artists
THE CAMERA AS A CONSTANT COMPANION: THE SCHIRN KUNSTHALLE FRANKFURT PRESENTS THE MOST EXTENSIVE EXHIBITION IN GERMANY ON THE PHENOMENON AND THE AESTHETIC OF PAPARAZZI PHOTOGRAPHY PAPARAZZI! PHOTOGRAPHERS, STARS AND ARTISTS June 27–October 12, 2014 Press preview: Thursday, June 26, 2014, 11 a.m. With “Paparazzi! Photographers, Stars and Artists”, beginning on June 27, 2014, the Schirn Kunsthalle Frankfurt presents the most extensive exhibition in Germany on the global phenomenon and the aesthetic of paparazzi photography to date. Around 500 works and documents trace the unbroken fascination with star photography and at the same time reflect its influence on the visual arts and fashion photography. The presentation features “icons” of paparazzi photography that have been permanently etched on our visual memory, including Jackie Kennedy-Onassis during an seemingly casual walk through Manhattan, Lady Di fleeing from a frenzy of flashing cameras, or the younger “favorites” of paparazzi such as Paris Hilton or Britney Spears. Besides works by the most well-known representatives of paparazzi photography, such as Ron Galella, Pascal Rostain, Bruno Mouron, or Tazio Secchiaroli, the large-scale exhibition presents positions by artists such as Cindy Sherman, Gerhard Richter, Andy Warhol, Barbara Kruger, Paul McCarthy, and Richard Avedon, who have critically examined and sounded out the specific characteristics of the paparazzi aesthetic. Developed and organized by the Centre Pompidou-Metz, using photographs, videos, paintings, sculptures, work objects,
[Show full text]
Privates Für Die Massen R E
Szene KINO IN KÜRZE „Der gestiefelte Kater“ kommt schwer in Tritt. Der Animations - film über einen Kater, der mit flottem Mundwerk Herzen betört und mit blit - zender Klinge Feinde besiegt, ist eine Auskopplung aus der „Shrek“-Reihe, in der der Kater eine von vielen Hauptfigu - ren war. Auf sich allein gestellt, wirkt der triebgesteuerte Held plötzlich hand - zahm. Gelang es den „Shrek“-Filmen, auch die erwachsenen Zuschauer mit zweideutigen Scherzen gut zu unterhal - ten, begnügt sich Regisseur Chris Miller nun mit einem Kinderspaß. Riesengroße Katzen augen, flauschiges Fell, alles in 3-D, Kino wie im Streichelzoo. „Atmen“ ist das Regiedebüt des Österreichers Karl Markovics, 48, und erzählt die Geschichte eines jungen Strafgefangenen, der tagsüber aus dem Gefängnis darf, um in einer Wiener Be - stattungsfirma zu arbeiten. Der wort - karge Held (Thomas Schubert) stapft durch neonhelle Gefängnisflure, Lei - A chenhallen, Wohnungen fremder Toter L FOTOGRAFIE L E L und treibt sich auf rätselhaften Ab - A G N wegen herum. Streng, ohne jede Kü - O R , N chenpsychologie und mit Sinn für Span - I L Privates für die Massen R E nung erzählt Markovics die Geschichte B O / eines Rebellen, und sein Kameramann C Martin Gschlacht macht daraus ein Galella-Schnappschuss von Sean Penn mit Paparazzo in New York 1986 lakonisch-unterkühltes Passionsspiel. „Atmen“ wird als Anwärter für viele wich - ndy Warhol verehrte ihn, Jackie Onassis verklagte ihn, Marlon Brando tige Filmpreise gehandelt – zu Recht. Abrach ihm den Kiefer: Zu Ron Galella, 80, hatten viele Stars ihr ganz eigenes Verhältnis. Der Pionier der Paparazzo-Fotografie lauerte ihnen in jeder Lebens - lage auf, ganz gleich ob sie im Urlaub, beim Einkaufen, halbnackt oder bekleidet waren.
[Show full text]
Andy at a Sell out of a Closed Shoe Warehouse in the Late 1970S
AndyUaMt PI OFFICIAL EXHIBITION CATALOGUE Reed Fine Art Gallery University of Maine at Presque Isle September 5 – October 11, 2008 Generous sponsorship for this exhibition from the Presque Isle Savings Bank of Maine. A special thank you to our UMPI arts alumna, JANE CAULFIELD, owner of Morning Star Art & Framing of Presque Isle. The University of Maine at Presque Isle is grateful for their support. COVER IMAGE : “Shoe, (Women’s Single) 1980” Polaroid Unless otherwise noted, all images © Andy Warhol Foundation for the Visual Arts, Inc. Catalogue by Linda Zillman, M.A., History of Photography; Design & Layout: Dick Harrison The Warhol Photographs The Owl Undated 5” x 7” black and white print It is sheer luck that we received this photo, UMPI’s owl mascot, from the Warhol Foundation. We have made the pairing of The Owl and The Pussycat in honor of Edward Lear’s poem and with the thought that it is just the kind of association Warhol would have made. In 1978 Martha Graham created a dance entitled The Owl and the Pussycat using the words from Lear’s famous poem. Rudolph Nureyev danced and Liza Minnelli was the narrator. The Owl and the Pussycat played at Covent Garden and in New York City. ( Diaries, p. 229-230) Andy was present at the Covent Garden opening on July 23, 1979. ( Diaries, p. 230) Both The Owl and The Pussycat share the same white background as well as interesting shadows in the photographs. Not exactly dancing “by the light of the moon,” as Lear wrote, but use your imagination! The Warhol Photographs The Pussycat Undated 5” x 7” black and white print In 1976, Andy Warhol did an acrylic and silkscreen ink on canvas portrait of a cat.
[Show full text]
A Look at California's 2010 Amendment to the Anti-Paparazzi Act, and a Call
DO NOT DELETE 2/1/2011 11:27 PM TAMING THE PAPARAZZI IN THE ―WILD WEST‖: A LOOK AT CALIFORNIA‘S 2009 AMENDMENT TO THE ANTI-PAPARAZZI ACT AND A CALL FOR INCREASED PRIVACY PROTECTIONS FOR CELEBRITY CHILDREN LAUREN N. FOLLETT* ―They converge several times a week like flies on a dead carcass. Blocking the street, the sidewalk, hanging their cameras over the fence. Making boatloads of noise.‖1 ABSTRACT With our culture’s celebrity obsession intensifying each year, it is not surprising that recent media attention has concentrated on the children of these famous faces. Unfortunately, there are currently no adequate federal or state laws in place to protect these children from being hounded by paparazzi and exploited by entertainment magazines and Web sites worldwide. This Note examines the evolution of antipaparazzi legislation and analyzes the inadequacies of current and proposed legal protections. Further, it recommends strengthening existing safeguards by creating paparazzi-free buffer zones around family-oriented areas and following * Class of 2011, University of Southern California Gould School of Law; B.S. Business Administration / Entrepreneurship, B.A. Communication 2008, University of Southern California. I owe thanks to Professor Jonathan Stern for his guidance and insight throughout the development of this Note and to the editors and staff of the Southern California Law Review for their hard work and assistance. 1. Tammara, The Paparazzi Pursuit, L.A. METBLOGS (Aug. 11, 2009, 3:53 PM), http://la.metblogs.com/2009/08/11/the-paparazzi-pursuit/. 201 DO NOT DELETE 2/1/2011 11:27 PM 202 SOUTHERN CALIFORNIA LAW REVIEW [Vol.
[Show full text]
Trailblazers
Initiatives in Art and Culture TRAILBLAZERS 17TH ANNUAL NEW YORK FASHION CONFERENCE THURSDAY – SATURDAY, NOVEMBER 12 – 14, 2015 "Diamond in a Pearl" setting. "Diamond in a Pearl" and featuring the company's signature with turquoise Chi Huyhn, Sutol Ring, Gold Bustier as worn by Madonna. Gold Bustier 10mm Galatea Pearl nucleated Galatea Pearl 10mm Jean Paul Gaultier, Gaultier, Jean Paul Savic; make-up, Joanne Gair; and styling, Peter Hair, Mondino, 1990. Leiba. Photo: Jean Baptiste Freddie Rendering of Manufacture New York by Brooklyn-based Architecture Firm Ole Sondresen Architects. Image: courtesy, Manufacture New York. Photo: Andy Warhol Attends the Annual Andy Warhol Junya Watanabe, Dress, spring 2002. Collection of The Museum at FIT. Photo: William Palmer. Ron Galella, of America Awards Designers Council of Fashion of Art in New Museum Dinner at the Metropolitan NY. January 13, 1985: New York, City, York Ron Galella/Ron Galella, Ltd. THE GRADUATE CENTER, THE CITY UNIVERSITY OF NEW YORK TRAILBLAZERS 17TH ANNUAL NEW YORK FASHION CONFERENCE THURSDAY – SATURDAY, NOVEMBER 12 – 14, 2015 Trailblazers embark on a journey to astound when it seems that nothing dramatically new is possible. In the 2015 New York Fashion Conference, we focus on those who fearlessly set out to transform that which had been deemed immutable—be it a garment, material, jewel, or method of production— into the new, the truly innovative. With supreme confidence, trailblazers do not care if we follow on their creative journey, but follow we do, ultimately appreciating the promise of their vision. Quick to recognize beauty and potential where others had not, Guo Pei, Evening Gown, spring/summer 2007 haute they are agents of change, transcending real couture.
[Show full text]
Sweet Chic Alabama
A U.S. FIRST FOR CARTIER/22 COURTENEY COX’S BEAUTY PLAN/28 WWDWomen’s Wear Daily • The Retailers’MONDAY Daily Newspaper • September 12, 2005 • $2.00 Accessories/Innerwear/Legwear Sweet Chic Alabama NEW YORK — Natalie Chanin may hail from down South, but the Project Alabama collection she presented on Saturday is fit for girls-in-the-know everywhere — from Montgomery to Milan. A perfect concoction of country and city, the lineup included hand-quilted looks, as well as sleek, polished combinations, like this starry jacket, bustier and skirt. For more on the collections, see pages 6 to 13. Revamping Bergdorf’s: Store Steps Up Program To Build Sales to $500M By David Moin NEW YORK — It’s been an expensive, 10- year, stop-and-go process, but Bergdorf Goodman’s overhaul is picking up steam again. The goal of the project, at an estimated cost of $80 million to $85 million, is to modernize the luxury emporium, retain the classicism while injecting some hipness it’s never had before and grow revenues to at least $500 million a year. And, as Bergdorf’s parent, the Neiman Marcus Group, is close to being acquired by Texas Pacific Group and Warburg Pincus for $5.1 billion, such growth will See Redesigning, Page16 PHOTO BY GEORGE CHINSEE PHOTO BY Advertisement The Australian wool industry has a small problem. It just landed on her right shoulder. Australia, home of the world’s finest calling for an immediate end to mulesing has spent millions of dollars on animal Merino wool and the world’s largest and for people to stop buying Australian welfare research including the search for Merino sheep flock is also, unfortunately, Merino wool until this practice is ceased.
[Show full text]