100 Piano Classics
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Closing Credits
CLOSING CREDITS The Tennessee Arts Academy gratefully acknowledges the generous support of the following individuals, businesses, and organizations whose contributions have helped make the 2011 Academy possible. MAJOR FUNDING SUPPORT ADVERTISERS Tennessee Department of Education Beacon Financial Group, LLC Tennessee Arts Commission Center of Excellence for the Creative Arts Tennessee Arts Academy Foundation at Austin Peay State University Belmont University Crystal Productions Earl Swensson Associates, Inc. MAJOR SPONSORSHIP SUPPORT Eldridge Plays & Musicals Delores Kinsolving Frist Center for the Visual Arts Milton T. Schaeffer Memphis College of Art Pat and Thane Smith Memphis Music Foundation Mid South Business Furniture, Inc. Nashville Symphony BREAK SPONSORS Scott Schrecker Photography Belmont University College of Visual and Performing Arts Steinway Piano Gallery of Nashville Cumberland University School of Music and Art Tennesseans For The Arts Macmillan/McGraw-Hill Tennessee Art Education Association Mayfield Dairy Farms Tennessee Arts Academy Foundation Tennessee Educational Theatre Association Tennessee Music Education Association Theatrical Rights Worldwide Tennessee Shakespeare Company Thomas Tours Vanderbilt University Blair School of Music QuaverMusic.com Watkins College of Art, Design & Film Yamaha Corporation of America GOODS AND SERVICES Alliance Music Publications TENNESSEE ARTS ACADEMY PROGRAM BOOK Barfield Elementary School (Rutherford County) Graphic Designer: Ron Watson Hinshaw Music Photographer: Michael Krouskop ImageQuest Proofreaders: Lori Anne Parker, Susan Ramsay MorningStar Music Publishers Printer: Douglas Printing, Inc. ORNL Federal Credit Union Production Coordinator: Frank Bluestein Jack Parnell Peripole Bergerault Pilot Oil SunTrust Bank Tennessee Art Education Association A Program of the Tennessee Department of Education Additional support for the Tennessee Arts Academy is provided by the Tennessee Arts Commission, the Tennessee Arts Academy Foundation, and Belmont University. -
Gonna Fly Now Theme from Rocky for Saxophone Quartet Sheet Music
Gonna Fly Now Theme From Rocky For Saxophone Quartet Sheet Music Download gonna fly now theme from rocky for saxophone quartet sheet music pdf now available in our library. We give you 1 pages partial preview of gonna fly now theme from rocky for saxophone quartet sheet music that you can try for free. This music notes has been read 3411 times and last read at 2021-09-25 02:51:20. In order to continue read the entire sheet music of gonna fly now theme from rocky for saxophone quartet you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano Solo Ensemble: Mixed Level: Early Intermediate [ READ SHEET MUSIC ] Other Sheet Music Gonna Fly Now Theme From Rocky Saxophone Quartet Gonna Fly Now Theme From Rocky Saxophone Quartet sheet music has been read 4302 times. Gonna fly now theme from rocky saxophone quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 11:17:12. [ Read More ] Gonna Fly Now Theme From Rocky For String Quartet Gonna Fly Now Theme From Rocky For String Quartet sheet music has been read 3807 times. Gonna fly now theme from rocky for string quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 16:26:01. [ Read More ] Gonna Fly Now Theme From Rocky String Quartet Gonna Fly Now Theme From Rocky String Quartet sheet music has been read 3565 times. Gonna fly now theme from rocky string quartet arrangement is for Intermediate level. -
Gregg Nestor, William Kanengiser
Gregg Nestor, Guitar William Kanengiser, Guitar Jessica Pierce, Flute Francisco Castillo, Oboe Kevan Torfeh, Cello David McKelvy, Harmonica Anna Bartos, Soprano Executive Album Producers for BSX Records: Ford A. Thaxton and Mark Banning Album Produced by Gregg Nestor Guitar Arrangements by Gregg Nestor Tracks 1-5 and 12-16 Recorded at Penguin Recording, Eagle Rock, CA Engineer: John Strother Tracks 6-11 Recorded at Villa di Fontani, Lake View Terrace, CA Engineers: Jonathan Marcus, Benjamin Maas Digitally Edited and Mastered by Jonathan Marcus, Orpharian Recordings Album Art Direction: Mark Banning Mr. Nestor’s Guitars by Martin Fleeson, 1981 José Ramirez, 1984 & Sérgio Abreu, 1993 Mr. Kanengiser’s Guitar by Miguel Rodriguez, 1977 Special Thanks to the composer’s estates for access to the original scores for this project. BSX Records wishes to thank Gregg Nestor, Jon Burlingame, Mike Joffe and Frank K. DeWald for his invaluable contribution and oversight to the accuracy of the CD booklet. For Ilaine Pollack well-tempered instrument - cannot be tuned for all keys assuredness of its melody foreshadow the seriousness simultaneously, each key change was recorded by the with which this “concert composer” would approach duo sectionally, then combined. Virtuosic glissando and film. pizzicato effects complement Gold's main theme, a jaunty, kaleidoscopic waltz whose suggestion of a Like Korngold, Miklós Rózsa found inspiration in later merry-go-round is purely intentional. years by uniting both sides of his “Double Life” – the title of his autobiography – in a concert work inspired by his The fanfare-like opening of Alfred Newman’s ALL film music. Just as Korngold had incorporated themes ABOUT EVE (1950), adapted from the main title, pulls us from Warner Bros. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
BBC Four Programme Information
SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras. -
Layout 1 Copy
STACK ROCK 2020 An illustrated guide to sea stack climbing in the UK & Ireland - Old Harry - - Old Man of Stoer - - Am Buachaille - - The Maiden - - The Old Man of Hoy - - over 200 more - Edition I - version 1 - 13th March 1994. Web Edition - version 1 - December 1996. Web Edition - version 2 - January 1998. Edition 2 - version 3 - January 2002. Edition 3 - version 1 - May 2019. Edition 4 - version 1 - January 2020. Compiler Chris Mellor, 4 Barnfield Avenue, Shirley, Croydon, Surrey, CR0 8SE. Tel: 0208 662 1176 – E-mail: [email protected]. Send in amendments, corrections and queries by e-mail. ISBN - 1-899098-05-4 Acknowledgements Denis Crampton for enduring several discussions in which the concept of this book was developed. Also Duncan Hornby for information on Dorset’s Old Harry stacks and Mick Fowler for much help with some of his southern and northern stack attacks. Mike Vetterlein contributed indirectly as have Rick Cummins of Rock Addiction, Rab Anderson and Bruce Kerr. Andy Long from Lerwick, Shetland. has contributed directly with a lot of the hard information about Shetland. Thanks are also due to Margaret of the Alpine Club library for assistance in looking up old journals. In late 1996 Ben Linton, Ed Lynch-Bell and Ian Brodrick undertook the mammoth scanning and OCR exercise needed to transfer the paper text back into computer form after the original electronic version was lost in a disk crash. This was done in order to create a world-wide web version of the guide. Mike Caine of the Manx Fell and Rock Club then helped with route information from his Manx climbing web site. -
Christopher Slaski Applied Music
Christopher Slaski Applied Music: The Challenge Of Composing For Films Gothenburg/Sweden, 10th April 2015 CHRISTOPHER SLASKI It’s a great pleasure to be here. I’ve been working in film and applied music for almost 20 years, having started early, when still at university. My beginnings in music was as a pianist and organist. From the age of five, I studied the piano and I began composing in my early teens. The life of a touring concert musician didn’t really appeal to me so I thought: How am I going to make my living out of music? I began to discover there was often very interesting music accompanying films, and I started listening to it with greater attention. I soon realised that this was what I want to do. But how to get into it ? I won’t dwell on that today. That’s for another lecture! Today we’re going to concentrate on the challenges that a film composer has to face, and the difference between composing absolute music and applied music. By ‘applied music’ I am referring to film music or music for advertising, television or theatre, that is to say, music that is written with the intention of applying it to something else. I’m going to try to cover a number of different areas that I believe are important, and give some illustrations using projects I’ve worked on. If anyone has any questions, we’ll leave them till the end when we we’ll have ten minutes or so to have a discussion. -
GARY KRAUSE Music Editor FILM CREDITS
GARY KRAUSE Music Editor Emmy Award winning Music Editor, Gary L. Krause has been an active member of the Motion Picture Editors Guild, Academy of Television Arts and Sciences, and Motion Picture Sound Editors for over 20 years. His career has allowed him to work at movie studios, scoring stages, and recording studios all over the globe including Walt Disney Studios, Warner Bros. Studios, Universal Pictures Studios, Paramount Pictures Studios, Sony Pictures Studios, Twentieth Century Fox Studios, Lucas Film/ Skywalker Ranch, Barbra Streisand Scoring Stage, Clint Eastwood Scoring Stage, Paramount Scoring Stage, Todd AO Scoring Stage, Capitol Records, The Village Studios, Conway Studios, Abbey Road, Studio City Sound, and Signet Sound. He has worked directly with many prominent film makers which include Justin Lin, James Wan, F. Gary Gray, Francis Lawrence, Sylvester Stallone, William Friedken, Richard Donner, Bill Paxton, Alex Kurtzman, Peter Lenkov, and Brian Tyler. Gary began his career as a musician working at the world famous West LA Music, ushering in the digital recording era. While there he worked with many prominent artists, producers and composers such as Hans Zimmer’s Remote Control (formerly known as Media Ventures), Columbia Pictures, David Foster, Brenda Russell, Christopher Cross, Greg Wells, Anthony Hopkins, Ronald and Nancy Reagan, Donny Osmond, Ringo Star, John Debney, Danny Elfman, William Ross and Charlie Fox. He left West LA Music to join Todd AO Sound in 1996, where he collaborated with many talented colleagues and honed his editorial and mixing skills working on many film and television projects. He segued from sound editorial to music editorial in the late 90’s - early 2000’s to assist A-List composer Brian Tyler with the launch of his then nascent career. -
We Have Liftoff! the Rocket City in Space SATURDAY, FEBRUARY 29, 2020 • 7:30 P.M
POPS FOUR We Have Liftoff! The Rocket City in Space SATURDAY, FEBRUARY 29, 2020 • 7:30 p.m. • MARK C. SMITH CONCERT HALL, VON BRAUN CENTER Huntsville Symphony Orchestra • C. DAVID RAGSDALE, Guest Conductor • GREGORY VAJDA, Music Director One of the nation’s major aerospace hubs, Huntsville—the “Rocket City”—has been heavily invested in the industry since Operation Paperclip brought more than 1,600 German scientists to the United States between 1945 and 1959. The Army Ballistic Missile Agency arrived at Redstone Arsenal in 1956, and Eisenhower opened NASA’s Marshall Space Flight Center in 1960 with Dr. Wernher von Braun as Director. The Redstone and Saturn rockets, the “Moon Buggy” (Lunar Roving Vehicle), Skylab, the Space Shuttle Program, and the Hubble Space Telescope are just a few of the many projects led or assisted by Huntsville. Tonight’s concert celebrates our community’s vital contributions to rocketry and space exploration, at the most opportune of celestial conjunctions: July 2019 marked the 50th anniversary of the Apollo 11 moon-landing mission, and 2020 brings the 50th anniversary of the U.S. Space and Rocket Center, America’s leading aerospace museum and Alabama’s largest tourist attraction. S3, Inc. Pops Series Concert Sponsors: HOMECHOICE WINDOWS AND DOORS REGIONS BANK Guest Conductor Sponsor: LORETTA SPENCER 56 • HSO SEASON 65 • SPRING musical selections from 2001: A Space Odyssey Richard Strauss Fanfare from Thus Spake Zarathustra, op. 30 Johann Strauss, Jr. On the Beautiful Blue Danube, op. 314 Gustav Holst from The Planets, op. 32 Mars, the Bringer of War Venus, the Bringer of Peace Mercury, the Winged Messenger Jupiter, the Bringer of Jollity INTERMISSION Mason Bates Mothership (2010, commissioned by the YouTube Symphony) John Williams Excerpts from Close Encounters of the Third Kind Alexander Courage Star Trek Through the Years Dennis McCarthy Jay Chattaway Jerry Goldsmith arr. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Film Theme Music Calendar for May 2020
ListeningMA CalendarY 2020 May 2020 SUN MON TUE WED THU FRI SAT A Gift of a Thistle Anakin's Theme 1 From Braveheart 2 from By John by James Horner Williams Elevator to the Interstellar Main Theme from Schindler's List The Heart Asks The Mask of Kiss the Girl 3 Gallows by Miles 4 Theme by Hans 5 James Bond by 6 by John Williams 7 Pleasure From 8 Zorro by James 9 from The Little Davis Zimmer David Arnold The Piano by Horner Mermaid by Michael Nyman Samuel Wright Hymn to the Fallen Married Life Apollo 13 by Gabriel's Oboe Thor: The Dark Friend Like Me Jake's First Flight From from Saving Private from Up by James Horner from The Mission World from from Aladdin by 10 Ryan by John 11 12 13 14 15 16 Avatar by Michael by Enrico Thor by Brian Alan Menken Williams James Horner Giacchino Morricone Tyler Theme from The Shallow from A Main Theme from Moon River from Axel Foley from Feather Theme Black Hills of Godfather by Star is Born by The Man From Breakfast at Beverly Hills Cop from Forrest Dakota from 17 18 19 20 Tiffany's by 21 by Harold 22 23 Nino Rota Lady Gaga Snowy River by Gump by Alan Calamity Jame by Henry Mancini Faltermeyer Bruce Rowland Silvestri from Sammy Fain Somewhere over Ben Hur by The Hanging Tree Welcome to The Exorcist Psycho by The Lonley the Rainbow from Miklos Rozsa from The Hunger Jurrasic Park by Theme by Mike Shepherd from Kill 24 25 26 27 The Wizard of Oz 28 29 Bernard 30 Games by James John Williams Bill by Gheorghe by Harold Arlen Oldfield Herrmann Newton Howard Zamfir End Theme from Dances with 31 Wolves by John Barry Holidays and Observances: 5: Cinco de Mayo, 10: Mother's Day, 25: Memorial Day www.wiki-calendar.com.