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Ph0t0graphs Cy Tw0mbly
CY TWOMBLY PHOTOGRAPHS 30 MARCH - 7 MAY 2018 The Sursock Museum is proud to present, for the first time in Lebanon, an exhibition of photographs by Cy Twombly. The exhibition comprises of thirty photographs of subjects including intimate spaces, landscapes, and natural subjects, taken between 1985 and 2008. From his days as a student at Black Mountain College during the early 1950s until his death in 2011 at the age of 83, Twombly captured his daily life in photographs. He recorded the verdant landscapes of Virginia and the coasts of Italy; close-up details of ancient buildings and sculptures; studio interiors; and still lifes of objects and flowers. Beginning in the early 1990s, Twombly used specialized copiers to enlarge his Polaroid images on matte paper, resulting in subtle distortions that approximate the timeless qualities of his paintings and sculptures with their historical and literary allusions. In association with Fondazione Nicola Del Roscio In partnership with The Ministry of Culture Lenders of artworks Fondazione Nicola Del Roscio and Gagosian Gallery Lighting Joe Nacouzi Booklet design Mind the gap Printing Byblos Printing Preferred wine partner Château Marsyas 2 AURA DI LIMONI (AURA OF LEMONS) Mary Jacobus Aura, n.: 1 A gentle breeze, a zephyr 2 A subtle emanation or exhalation from any substance, e.g., the aroma of blood, the odour of flowers, etc Also, a distinctive impres- sion of character or aspect 3 A supposed subtle emanation from and enveloping living persons and things, viewed by mystics as consisting of the essence of the individual … — Oxford English Dictionary Cy Twombly’s photographs are like ema- and “By the Ionian Sea” Sculpture, Bassano nations. -
Coexistence of Mythological and Historical Elements
COEXISTENCE OF MYTHOLOGICAL AND HISTORICAL ELEMENTS AND NARRATIVES: ART AT THE COURT OF THE MEDICI DUKES 1537-1609 Contents Introduction ........................................................................................................................................................ 3 Greek and Roman examples of coexisting themes ........................................................................ 6 1. Cosimo’s Triumphal Propaganda ..................................................................................................... 7 Franco’s Battle of Montemurlo and the Rape of Ganymede ........................................................ 8 Horatius Cocles Defending the Pons Subicius ................................................................................. 10 The Sacrificial Death of Marcus Curtius ........................................................................................... 13 2. Francesco’s parallel narratives in a personal space .............................................................. 16 The Studiolo ................................................................................................................................................ 16 Marsilli’s Race of Atalanta ..................................................................................................................... 18 Traballesi’s Danae .................................................................................................................................... 21 3. Ferdinando’s mythological dream ............................................................................................... -
A Reconsideration of Some Fourth-Century British Mosaics
Originalveroffentlichung in: Britannia 11, 1980, S. 289-301 A Reconsideration of some Fourth-Century British Mosaics By REINHARD STUPPERICH oman Britain in late antiquity is an area of special interest to the archaeologist, because life was flourishing peacefully there at a time when we hear about disorder and destruc R tion afflicting the nearby provinces on the continent. Nevertheless - and this perhaps increases the interest - we know very little about cultural life, about the state of education and knowledge in the British provinces at this time. The Channel, which protected Britain from the majority of the invaders, might seem to have had its effect also on the cultural influx from Gaul. The literary sources, which very seldom mention Britain after the Severi, provide scarcely any useful information. There is virtually no one prominent in literary or even political life known to have come from Britain. Nor do we know anything about the cultural effect of the court of the British usurpers or of the presence of Constantius Chlorus and his son Constantine.1 A. A. Barrett has recently considered this problem and has rehearsed all the quotations and reminiscences which give evidence of the influence of classical literature in Britain.2 This is very helpful, but is too restrictive for the general question of the degree of education to be found in fourth-century Britain. One has to look for more than purely literary reflections, for other traces indicating knowledge ultimately derived from traditional education or the reading of classical authors. A wider formulation of the question will necessarily lead to a less precise yet nonetheless interesting answer. -
Mapping an Arm's Length
MAPPING AN ARM’S LENGTH: Body, Space and the Performativity of Drawing Roohi Shafiq Ahmed A thesis in partial fulfilment of the requirements for the degree of Master of Fine Arts College of Fine Arts, University of New South Wales. 2013 ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed …………………………………………….............. 28th March 2013 Date ……………………………………………................. ! DECLARATIONS Copyright Statement I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. -
Recent Discoveries in the Forum, 1898-1904
Xil^A.: ORum 1898- 1:904 I^H^^Hyj|Oj|^yL|i|t I '^>^J:r_J~ rCimiR BADDELEY '•^V^^^' ^^^ i^. J^"A % LIBRARY RECENT DISCOVERIES IN THE FORUM Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/recentdiscoverieOObadd ^%p. ji^sa&i jI Demolishing the Houses Purchased by Mp. L. Piitlltps (1899) Frontispiece RECENT DISCOVERIES IN THE FORUM 1898-1904 BY AN EYE-WITNESS S:i^ CLAIR BADDELEY BEING A HANDBOOK FOR TRAVELLERS, WITH A MAP MADE FOR THIS WORK BY ORDER OF THE DIRECTOR OF THE EXCAVATIONS AND 45 ILLUSTRATIONS LONDON GEORGE ALLEN, 156, CHARING CROSS ROAD 1904 [All rights reserved] -. s* r \ i>< ^^ARY# r^ ¥ ^ y rci/O FEB 26 'X_> Printed by BALLANTYNK, HANSON <5r» Co. At the Ballantyne Press TO LIONEL PHILLIPS, Esq, IN MEMORY OF DAYS IN THE FORUM PREFATORY NOTE 1 HAVE heard life in the Forum likened unto ' La Citta Morte/ wherein the malign influences of ancient crimes rise up from the soil and evilly affect those who live upon the site. I have also heard it declared to be a place dangerous to physical health. It is with gratifi- cation, therefore, after living therein, both beneath it and above, as few can have done, for considerable portions of the last six years, that I can bring solid evidence to belie both accusations. They indeed would prove far more applicable if levelled at certain other august centres of Rome. For I find it necessary to return thanks here for valuable assistance given to me without hesitation and at all times, not only by my personal friend Comm. -
Precincts of Venus: Towards a Prehistory of Ovidian Genre Joseph Farrell University of Pennsylvania, [email protected]
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2005 Precincts of Venus: Towards a Prehistory of Ovidian Genre Joseph Farrell University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Farrell, J. (2005). Precincts of Venus: Towards a Prehistory of Ovidian Genre. Hermathena, 177/178 27-69. Retrieved from http://repository.upenn.edu/classics_papers/158 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/classics_papers/158 For more information, please contact [email protected]. Precincts of Venus: Towards a Prehistory of Ovidian Genre Disciplines Arts and Humanities | Classics This journal article is available at ScholarlyCommons: http://repository.upenn.edu/classics_papers/158 Precincts of Venus: towards a prehistory of Ovidian genre by Joseph Farrell 1. Introduction One of the characteristically Ovidian themes in contemporary Latin studies is the plasticity of genre and the inventiveness with which Roman poets address generic concerns. Coming to terms with this problem has greatly advanced recent work on Latin poetry. In particular, our heightened ability to appreciate the shimmering ambiguity of Ovidian genre has led to a much more productive model for practising the hermeneutics of indeterminacy than had been current in Latin studies. Another recent gain has been an increased understanding of Ovidian genre in its historical -
Greenfield, P. N. 2011. Virgin Territory
_____________________________________ VIRGIN TERRITORY THE VESTALS AND THE TRANSITION FROM REPUBLIC TO PRINCIPATE _____________________________________ PETA NICOLE GREENFIELD 2011 Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Classics and Ancient History The University of Sydney ABSTRACT _____________________________________ The cult of Vesta was vital to the city of Rome. The goddess was associated with the City’s very foundation, and Romans believed that the continuity of the state depended on the sexual and moral purity of her priestesses. In this dissertation, Virgin Territory: The Vestals and the Transition from Republic to Principate, I examine the Vestal cult between c. 150 BCE and 14 CE, that is, from the beginning of Roman domination in the Mediterranean to the establishment of authoritarian rule at Rome. Six aspects of the cult are discussed: the Vestals’ relationship with water in ritual and literature; a re-evaluation of Vestal incestum (unchastity) which seeks a nuanced approach to the evidence and examines the record of incestum cases; the Vestals’ extra-ritual activities; the Vestals’ role as custodians of politically sensitive documents; the Vestals’ legal standing relative to other Roman women, especially in the context of Augustus’ moral reform legislation; and the cult’s changing relationship with the topography of Rome in light of the construction of a new shrine to Vesta on the Palatine after Augustus became pontifex maximus in 12 BCE. It will be shown that the cult of Vesta did not survive the turmoil of the Late Republic unchanged, nor did it maintain its ancient prerogative in the face of Augustus’ ascendancy. -
Philedonius, 1657, Spinoza, Van Den Enden E I Classici Latini
eum > spinozana Spinozana Fonti e studi per la storia dello spinozismo Collana diretta da Filippo Mignini Omero Proietti Philedonius, 1657 Spinoza, Van den Enden e i classici latini eum isbn 978-88-6056-247-0 Prima edizione: ottobre 2010 © 2010 eum edizioni università di macerata Centro Direzionale, Via Carducci 63/a – 62100 Macerata [email protected] http://eum.unimc.it Redazione informatica: Carla Moreschini Stampa: Tipografia S. Giuseppe srl Via Vecchietti, 51 – 62010 Pollenza [email protected] Volume pubblicato con il contributo dell’Università degli Studi di Macerata e del Ministero dell’Istruzione, dell’Università e della Ricerca Indice 7 Sigle 9 Introduzione Parte prima Vita e opere di Franciscus van den Enden, 1602-1658 15 1. Anversa e la reconquista cattolica 23 2. Il curricolo gesuita 31 3. Gerarchia mariana 3.1. Tienen e il culto mariano 3.2. Elogio del tirannicidio 3.3. In viag- gio verso Amsterdam 59 4. La Galleria d’arte 71 5. La scuola di latino Parte seconda Le recite degli anni 1657-1658 81 1. Il maestro di latino 89 2. Testi antichi, recite moderne 97 3. Terenzio e la datazione del TIE 3.1. Recitare Terenzio 3.2. La parte del «servus» Parmeno 3.3. La parte del «senex» Simo 3.4. La datazione del TIE 111 4. Seneca tragico, Seneca morale 4.1. Recitare Seneca 4.2. «Astus callidi» 4.2.1. Le guerre regali 4.2.2. Le guerre aristocratiche 123 Appendice I. Le utilizzazioni di Andria e Eunuchus 135 Appendice II. Terenzio. Integrazione all’apparato di note in Spinoza, Oeuvres III, Tractatus theologico-politicus, Paris 1999, pp. -
ARTH 311 Urbanism and Architecture in the Roman Empire: Rome, Ostia and Pompeii
ARTH 311 Urbanism and Architecture in the Roman Empire: Rome, Ostia and Pompeii Professor Christopher Gregg Office: Robinson B 373 A Email: [email protected] Office Hour: Mondays 12:15-1:15 pm or by appointment. Description: Spanning the Mediterranean basin and extending into Europe and North Africa, the Roman Empire included a wide variety of urban spaces. In this course, we will examine three cities on the Italian peninsula—Rome, Ostia, and Pompeii—which offer examples of traditional architectural form and urban development. Rome, as capital of the empire, establishes prototypical monuments which are exported outward. Ostia, port city of Rome, reflects the developments in architecture and design in the capital but as a working-class city offers insight into different strata of Roman society. Finally, Pompeii reflects the wealth of an elite resort community embedded in a small-scale urban environment. By examining the individual architectural elements and organization of these three ancient cities, we will observe the standard forms of urban Romanitas (“Roman-ness”) and its significant variations. Please note that this course will focus on architecture and architectural decoration as well as concepts of urban planning and design. The course is not intended as a broad survey of Roman art. Also be aware that as a 300 level course, we will move at a fast pace and focus on precise, detailed readings of the material: exams will require a thorough understanding of specific information rather than “general” impressions. Objectives: Gain an understanding of the Roman concept of urban space Learn the major building types common to Roman cities Examine the physical components of Roman architecture and building design Integrate elements such as fresco painting and sculpture into the physical fabric of architecture and urban space Understand the importance of architecture and cityscapes as both a reflection and a formative influence on a society Texts and Resources: Amanda Claridge, Rome: An Oxford Archaeological Guide (Oxford Archaeological Guides). -
CLOACINA: GODDESS of the SEWERS
CLOACINA: GODDESS of the SEWERS By Jon C. Schladweiler, Historian, Arizona Water & Pollution Control Association Mankind has routinely sought, through the ages, strength and guidance from the spirit world. The Romans, during the course of their Empire (650 BCE – 400 AD), worshipped many deities … one of them being the Goddess Cloacina – in whom they placed their faith/trust for the wellbeing of Rome’s sewers (and workers); a facet of Rome’s public works infrastructure that was considered vital to their desired way of life - good health through sanitation. Cloacina was the patron goddess of the Cloaca Maxima (the main drain of the City) and the city’s overall sewer system. Over time, the Romans came to also think of her in a multitude of other ways including; as the goddess of purity, the goddess of filth and the protector of sexual intercourse in marriage. As such, over the ages, she came to be affiliated with Venus; and, gradually became known to many as the Venus Cloacina. The first “sewer” segments (as opposed to Rome’s initial surfaced and open topped drainage ditches) of the Cloaca Maxima were started in the late 500’s BCE; the craftsmen were Etruscan – Rome’s neighbors to the North. Soon thereafter, it is told that a statue of a woman was found in the sewer. She became known as the Goddess Cloacina; a deity that likely had its origin in the mythology of the Etruscans. Cloacina’s name is possibly derived from either the Latin verb “cloare or cluere” (to wash, to purify or to clean) or, from the Latin word cloaca, meaning “sewer”. -
I Xerox University Microfilms,Ann Arbor, Michigan 48106
I 76-3396 CARTER, Barbara Lynne, 1940- HORACE'S VENUS: SOME ASPECTS OF HER ROLE IN THE ODES. The Ohio State University, Ph.D., 1975 Literature, classical i Xerox University Microfilms,Ann Arbor, Michigan 48106 ® Copyright by Barbara Lynne Carter 1975 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED. HORACE*S VENUS: SOME ASPECTS OP HER ROLE IN THE ODES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Barbara Lynne Carter* B.A.* M.A. ***** The Ohio State University 1975 Reading Committee: Approved By Charles L. Babcock Carl C. Schlam Jane M. Snyder Adviser Department of Classics To Eunice Kraft who introduced me to Horace's poetry, whose enthusiasm and excellence as a teacher have been an inspiration through the years ii i I ACKNOWLEDGMENTS I wish to extend special thanks to my adviser, Professor Charles L. Babcock, for his patience and guidance during the course of this dissertation. I son deeply grateful for the many hours he gave to discussing Horace’s poetry with me and reading the manuscript in its various stages. His suggestions, criticisms, and editorial assistance have been most helpful in bringing this thesis to a successful conclusion. No less appreciated have been his kindness, consideration, and moral support over the years. I also wish to thank my readers, Professors Carl C. Schlam and Jane M. Snyder, for their constructive comments and the time they gave to reading the dissertation. My apprecia tion and thanks go equally to Professor Wolfgang Fleischhauer for kindly consenting to read the disserta tion and serving as the Graduate School Representative at the oral examination. -
Iconografia E Dinâmica De Movimento Em Imagens Romanas Que Figuram a Velificatio Jaqueline Souza Veloso1
Figura: Studies on the Classical Tradition Iconografia e dinâmica de movimento em imagens romanas que figuram a velificatio Jaqueline Souza Veloso1 Submetido em: 13/04/2021 Aceito em: 13/05/2021 Publicado em: 15/07/2021 Resumo O tema do presente artigo é o estudo da velificatio e suas aplicações durante fins do século I a.C. ao III d.C. O que se pretende realizar é uma análise da plasticidade da velificatio, levando em consideração a dimensão de movimento ou suspensão dele nas imagens representadas, seus usos, preâmbulos, conexões e as reificações aos quais esse símbolo esteve submetido. A delimitação temporal e a localização das imagens foram escolhidas de maneira a inserir a pesquisa no contexto de um sistema visual próprio da Roma imperial (ZANKER, 2010, p. 67). As imagens escolhidas procuram atender a suportes diferentes, são alegorias de divindades femininas e um retrato. Serão discutidas a imagem das velificantes do Ara Pacis, o afresco da Mênade de Casa de Naviglio, de Pompeia, um altar funerário com cena do Rapto de Proserpina e o Sarcófago com retrato de casal. Os dois principais questionamentos a serem discutidos são: Quais dispositivos pelos quais a velificatio poderia se servir para representar o movimento? E quais as diferenças e aproximações possíveis de significado que essa iconografia desenvolveu na dinâmica das imagens analisadas? Palavras-chave: Velificatio; Movimento; Roma. 1 Doutoranda do programa de História da UFMG ([email protected]), bolsista CAPES. Orientador: Rafael Scopacasa. Co-orientadora: Maria Berbara. Figura: Stud. Class. Tradit. Campinas, SP v. 9 n. 1 pp. 333-888 Jan.-Jun.