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Heretics Proposal.Pdf
A New Feature Film Directed by Joan Braderman Produced by Crescent Diamond OVERVIEW ry in the first person because, in 1975, when we started meeting, I was one of 21 women who THE HERETICS is a feature-length experimental founded it. We did worldwide outreach through documentary film about the Women’s Art Move- the developing channels of the Women’s Move- ment of the 70’s in the USA, specifically, at the ment, commissioning new art and writing by center of the art world at that time, New York women from Chile to Australia. City. We began production in August of 2006 and expect to finish shooting by the end of June One of the three youngest women in the earliest 2007. The finish date is projected for June incarnation of the HERESIES collective, I remem- 2008. ber the tremendous admiration I had for these accomplished women who gathered every week The Women’s Movement is one of the largest in each others’ lofts and apartments. While the political movement in US history. Why then, founding collective oversaw the journal’s mis- are there still so few strong independent films sion and sustained it financially, a series of rela- about the many specific ways it worked? Why tively autonomous collectives of women created are there so few movies of what the world felt every aspect of each individual themed issue. As like to feminists when the Movement was going a result, hundreds of women were part of the strong? In order to represent both that history HERESIES project. We all learned how to do lay- and that charged emotional experience, we out, paste-ups and mechanicals, assembling the are making a film that will focus on one group magazines on the floors and walls of members’ in one segment of the larger living spaces. -
MAY STEVENS B. 1924 Boston, MA D. 2019 Santa Fe, NM
MAY STEVENS b. 1924 Boston, MA d. 2019 Santa Fe, NM Education 1988-89 Postdoctoral Fellow, Bunting Institute, Radcliffe College, Cambridge, MA 1960 MFA Equivalency, New York City Board of Education 1948 Art Students League, New York, NY 1948 Academie Julian, Paris, France 1946 BFA, Massachusetts College of Art, Boston, MA Solo Exhibitions 2019 Rosa Luxemburg, Paintings and Works on Paper, 1976-1981, RYAN LEE, New York, NY 2017 Alice in the Garden, RYAN LEE, New York, NY Big Daddy Paper Doll, RLWindow, RYAN LEE, New York, NY 2014 May Stevens: Fight the Power, RYAN LEE, New York, NY 2013 May Stevens: Political Pop at ADAA, Park Avenue Armory, New York, NY 2012 May Stevens: The Big Daddy Series, National Academy of Design, New York, NY 2011 One Plus or Minus One, Mary Ryan Gallery, New York, NY 2010 May Stevens: Crossing Time, I.D.E.A. Space at Colorado College, Colorado Springs, CO 2008 May Stevens: Paintings and Works on Paper, 1968-1975, Mary Ryan Gallery, NY 2007 ashes rock snow water: New Paintings and Works on Paper, Mary Ryan Gallery, New York, NY 2006 Women, Words, and Water: Works on Paper by May Stevens, Rutgers University 2005 The Water Remembers: Paintings and Works on Paper from 1990- 2004, Springfield Museum of Art, Springfield, MO; traveled to the Minneapolis Institute of the Arts, MN and the National Museum of Women in the Arts, Washington, DC 2005 New Works, Mary Ryan Gallery, New York, NY 2003 Deep River: New Paintings and Works on Paper, Mary Ryan Gallery, New York, NY 2001 Headlands Center for the Arts, Sausalito, CA 2000 -
Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected]
1 Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected] Education Feb. 1973 PhD., Institute of Fine Arts, New York University. Thesis: "The Genre Painting of Eastman Johnson: The Sources and Development of His Style and Themes," (Published by Garland, 1977). Adviser: Professor Robert Goldwater. Jan. 1968 M.A., Hunter College, City University of New York. Thesis: "The Portraits of Thomas Eakins: The Elements of Interpretation." Adviser: Professor Leo Steinberg. June 1957 B.A., Stanford University. Major: Modern European Literature Professional Positions 9/1978 – 7/2014 Department of History of Art & Architecture, Boston University: Acting Chair, Spring 2009; Spring 2012. Chair, 1995-97; Professor 1988-2014; Associate Professor, 1978-88 [retired 2014] Other assignments: Adviser to Graduate Students, Boston University Art Gallery, 2010-2011; Director of Graduate Studies, 1993-94; Director, BU Art Gallery, 1980-89; Director, Museum Studies Program, 1980-91 Affiliated Faculty Member: American and New England Studies Program; African American Studies Program April-July 2013 Terra Foundation Visiting Professor, J. F. Kennedy Institute for North American Studies, Freie Universität, Berlin 9/74 - 7/87 Adjunct Curator, 18th- & 19th-C Art, Whitney Museum of Am. Art, NY 6/81 C. V. Whitney Lectureship, Summer Institute of Western American Studies, Buffalo Bill Historical Center, Cody, Wyoming 9/74 - 8/78 Asso. Prof., Fine Arts/Performing Arts, York College, City University of New York, Queens, and PhD Program in Art History, Graduate Center. 1-6/75 Adjunct Asso. Prof. Grad. School of Arts & Science, Columbia Univ. 1/72-9/74 Asso. -
D-213 Contemporary Issues Collection
This document represents a preliminary list of the contents of the boxes of this collection. The preliminary list was created for the most part by listing the creators' folder headings. At this time researchers should be aware that we cannot verify exact contents of this collection, but provide this information to assist your research. UC Davis Special Collections D-213 Contemporary Issues Collection * denotes items that were not in folders BOX 1 Movement for Economic Justice US Servicemen’s Fund Leftward Anarchos Liberated Librarians’ Newsletter Social Revolutionary Anarchist Liberation (2 folders) The Catalyst (New Orleans) Liberation Support Movement Counter-Spy Maine Indian Newsletter Esperanto Many Smokes Free Student Union *Missouri Valley Socialists Youth Liberation *Southern Student Organizing Committee *Free Speech Movement National Conference for New Politics The Gate National Strike Information Center Ghetto Cobra The New Voice (Sacramento) New York Federation of Anarchists OCLAE (foldered and loose) Group Research Report Organización Contental Latino-America de Estudiantes Head & Hand Open City Press Funds for Human Rights, Inc. *The Partisan *Independent Socialist *PL Berkeley News *Indians of Alcatraz Predawn Leftist *“International Journal” (Davis) D-213 Copyright ©2014 Regents of the University of California 1 *Radicals in the Professions *The Hunger Project *Something Else! (Formerly “Radicals in *The Town Forum Community Report the Professions”) Topics The Public Eye Underground/Alternative Press The Red Mole Service/Syndicate Agitprop Zephyros Education Exchange Undercoast Oil & Wine Red Spark The Turning Point The Red Worker Tribal Messenger The Republic Twin Cities Northern Sun Alliance Resist Newsletter Time for Answers Revolution The Second Page *Revolutionary Anarchist Second City Revolutionary Marxist Caucus Newsletter Seattle Helix Rights N.E.C.L.C. -
The Artpolitics of May Stevens' Work: Disrupting the Distribution of The
The Artpolitics of May Stevens’ work: disrupting the distribution of the sensible Abstract: In this paper I look into the life and art of May Stevens, an American working class woman, feminist and committed political activist. I am particularly interested in how Steven’s artwork is inextricably interwoven with her politics, constituting, as I will argue an assemblage of artpolitics. The discussion draws on Jacques Rancière’s analyses of the politics of aesthetics and particularly his notion of ‘the distribution of the sensible’. What I argue is that although Rancière’s approach to the politics of aesthetics illuminates an understanding and appreciation of Stevens’ art, his idea about the redistribution of the sensible is problematic. It is here that the notion of artpolitics as an assemblage opens up possibilities for a critical project that goes beyond the limitations of Rancière’s proposition. Key words: aesthetics, artpolitics, distribution of the sensible, narratives, women artists There’s an expression that I’ve used a lot, a quotation from Butler Yeats, who said that you have to choose between ‘perfection of the life, or of the work.’ I refuse to do that. I will not choose. (Hills, 2005: 11) In a series of in-depth conversations with Patricia Hill (2005), American artist May Stevens (1924-) rejects Yates’ suggestion above about the incompatibility of life and art and insists on keeping them together. It is this agonistic project of fusing life into art and art into life that I will discuss in this paper, focusing on a working class artist, feminist and politically committed activist, who erupted as an event in my overall project of writing a genealogy of the female self in art. -
Summary Platform of the Peace and Freedom Party
SUMMARY PLATFORM OF THE PEACE AND FREEDOM PARTY The Peace and Freedom Party, born from the civil rights and anti-war movements of the 1960s, is committed to socialism, democracy, ecology, feminism, racial equality, and internationalism. We organize toward a world where cooperation replaces competition, a world where all people are well fed, clothed and housed; where all women and men have equal status; where all individuals may freely endeavor to fulfill their own talents and desires; a world of freedom and peace where every community retains its cultural integrity and lives with all others in harmony. Our goals cannot be achieved by electoral means alone. We support mass organization, direct action, a militant labor movement, and establishment of alternative institutions. We offer this summary of our immediate and long-range goals: • Double the minimum wage, and index it • Self-determination for all nations and • Full free high quality public education to the cost of living. peoples of the world, including Puerto Rico from pre-school through graduate • Guarantee the right of all workers to and all U. S. territories. school, with lifelong learning and retraining. Cancel existing student debt. organize and to strike; forbid striker • Defend and extend liberties guaranteed replacement. in the Bill of Rights. • Teach the history of workers' struggles and labor's creation of society's wealth and • Socially useful jobs for all at union pay • Repeal the Patriot Act. Dismantle the levels. Department of Homeland Security. progress. End high stakes testing. Abolish charter • Equal pay for equal work, and for work of • End Corporate Personhood: Corporations • comparable worth. -
Donald Kalish Papers LSC.0578
http://oac.cdlib.org/findaid/ark:/13030/c8x06bbs No online items Finding Aid for the Donald Kalish Papers LSC.0578 UCLA Library Special Collections staff, 2004-2006; machine-readable finding aid created by Caroline Cubé. Additions processed by Krystell Jimenez in the Center for Primary Research and Training (CFPRT) in 2018, under the supervision of Angel Diaz. UCLA Library Special Collections Online finding aid last updated 27 July 2018. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Donald Kalish LSC.0578 1 Papers LSC.0578 Language of Material: English Contributing Institution: UCLA Library Special Collections Title: Donald Kalish papers Creator: Kalish, Donald Identifier/Call Number: LSC.0578 Physical Description: 91.2 Linear Feet(228 boxes) Date (bulk): 1927-2000 Abstract: Donald Kalish, born December 4, 1919, was a logician, UCLA professor, and anti-war activist. His areas of expertise included logic and set theory. Kalish was known for his activism and opposition to the Vietnam War, as well as US military involvement in Central America and for hiring Angela Davis in 1969. This collection consists of materials related to Kalish's writings, teaching career, research, political activities, and personal life. The papers include course materials, lecture notes, correspondence, scrapbooks, political ephemera, newspaper clippings, photographs, and audio tapes. Language of Material: Materials are in English. Stored off-site at SRLF. All requests to access special collections material must be made in advance using the request button located on this page. -
Radicals in America: the U.S
Cambridge University Press 978-0-521-51560-3 - Radicals in America: The U.S. Left since the Second World War Howard Brick and Christopher Phelps Index More information Index Page numbers in italics refer to illustrations. Abalone Alliance, 205, 231 AIDS Coalition to Unleash Power (ACT Abbey, Edward, 247–48, 249 UP), 251–52, 254 Abernathy, Ralph, 78 Aid to Families with Dependent Children abolitionism, 8–10, 11, 317 (AFDC), 163, 271 abortion, 166, 208, 252, 265, 270 air traffic controllers’ strike (1981), 224 Abraham Lincoln Brigade, 22 Albert, Stew, 242 Abu-Jamal, Mumia, 303 Alcatraz occupation (1969–71), 162, 200 Abzug, Bella, 71, 209, 210, 210 Alexander, Michelle, 303 ACORN, 188, 189, 307 Algeria, 95, 106, 151, 160 Adams, Jane, 142 Ali, Muhammad, 138 Adbusters, 215 Ali, Tariq, 150 affinity groups, 205–6, 231, 285 Alinsky, Saul, 44, 104 Afghanistan, 299 All-African People’s Revolutionary Party, al Qaeda in, 293, 294 197 Soviet invasion of, 230, 238, 260, 294 Allen, Pamela Parker, 165 U.S. war in, 293, 294–95, 297, 299 Allende, Salvador, 192 AFL-CIO, 184, 225, 227, 279, 285 Alperovitz, Gar, 144, 215 and Democratic Party, 227, 256 al Qaeda, 293, 295, 300 formation of, 65 Alterman, Eric, 291 and U.S. foreign policy, 117, 236 American Agriculture Movement, 224 Africa, 77, 109, 195, 200–201, 272. See “American Century,” 27, 32 also specific nations American Committee for Cultural Freedom African Liberation Day (1972), 195 (ACCF), 62, 67 African National Congress, 33, 106, 234, American Committee for the Protection of 257, 282 the Foreign Born, 71 Afro-American Association, 108 American Enterprise Institute, 213 Afro-World Fellowship, 79 American Federation of Labor (AFL), 65. -
October 19, 1968
the associated press .Yfia s '™™ ^^ s Peace, Pueblo, Polls Discussed I News Roundup: From the State, K Bu The Associated Press event of that would not only help me but. it would help every living mortal in the world." Nation & World BOSTON — Republican Richard M. Nixon Humphrey also argued that if Nixon is chose an audience of political friends yesterday elected president that he would have to govern as the heckler-free forum for some campaign through a coalition. The World jabs at Hubert H. Humphrey — and a state- "He'd have to make it with the most con- Rumor of Vietnam Peace Persists ment that "we trust" the war in Vietnam can i servative elements of the Democratic party SAIGON — The ground war slackened off another day in be ended before Inauguration Day. and the Republican party," said the vice presi- South Vietnam yesterday but U.S. planes kept up their attacks A speech before some 1. 200 GOP campaign dent. on the North Vietnamese panhandle despite speculation' that a workers supplanted a public rally on the Nixon halt in the air strikes may be imminent. "Mr . Nixon will have to govern on the basis schedule, and Republican sources said the South Vietnamese President Nguyen Van Thieu was pre- of putting together the reactionary and con- paring to break his silence on a new package peace proposal threat of massive heckling had led to the shift. servative elements," he said. But, he added, f rom the United States to Hanoi. The rally was called off Monday, and Ron High government spokesmen said Thieu would discuss the "Hubert Humphrey will have to govern by put- Ziegler, a Nixon campaign spokesman, denied subject "if he is asked about it" during a morning visit today ting together what I call the moderate an<J pro- that heckling threats led to the action . -
Rosa Luxemburg, Paintings and Works on Paper, 1976 - 1991 October 17 - December 21, 2019 Opening Reception: Thursday, October 17, 6-8Pm
May Stevens Rosa Luxemburg, Paintings and Works on Paper, 1976 - 1991 October 17 - December 21, 2019 Opening Reception: Thursday, October 17, 6-8pm RYAN LEE is pleased to announce May Stevens: Rosa Luxemburg, Paintings and Works on Paper, 1976–1991, an exhibition that illuminates Stevens’ long engagement with the political activist Rosa Luxemburg (1871-1919). Over a period dating from the late seventies to the early nineties, Stevens (1924-2019), a celebrated artist, writer, teacher, feminist activist, and founding member of Heresies, produced over seventy works exploring the life and death of Luxemburg. The exhibition revisits a selection from this powerful body of work—presenting several works on paper for the first time—on the 100th anniversary of Luxemburg’s death. Luxemburg was a Polish-German Marxist philosopher, prolific writer, and activist whose legacy includes co-founding the German Communist Party. Stevens first became interested in Luxemburg in the late 1970s through her close friends Lucy Lippard and Alan Wallach, and she quickly grew fascinated by Luxemburg’s strength and intelligence. Over a period of nearly twenty years Stevens produced several series of works—some thirty collages, thirteen drawings, a handful of prints, and approximately fourteen paintings—that endeavor to untangle Luxemburg’s identity, accomplishments, and her murder at the hands of the German state. Stevens’ imagery draws on reproductions of Luxemburg taken from newspaper coverage of her assassination, and is often overlaid with quotations from Luxemburg’s own writing. Stevens’ first images of Luxemburg,Tribute to Rosa Luxemburg (1976) and Untitled (Original Rosa/Alice Collage) (1976) were produced for the inaugural issue of the pioneering feminist journal Heresies in 1977 and will be on view in this exhibition. -
Peace & Freedom News
17?; . ••."- ;CTON : D YEN'.Ct. CA I.*. 90291 (2!.- 3s9-7681 policy Statement of general principles. Peace rreedom Partv Founding Convention. Richmon. Jalifornia. March 18. 1968. The basis of human dignity is the ability of people to make the decisions that affect their lives—to order their own pri vate lives as they choose and to decide collectively with their PEACE & peers on matters of collective concern. Î PEACE AND The fundamental decisions which affect people's lives are SJREEDOMMj FREEDOM economic decisions. The people have power over their economy only when they can make it work to fulfill their needs. But to NEWS November, 1969 day in America the public insti tutions of government, by which the people might exercise such power, are the willina servants pfp nippons- - of an industrial state which, operating through millions of SAN FRANCISCO ANTI-WAR ACTION functionaries who are "only do On November 15 in the early liard of the Black Panthers, An ing their jobs," manages the e- morning the biggest anti-war de drew Pulley of the Fort Jackson conomy and thereby the lives of monstration in history will be 8, Rennie Davis, one of the Chi- the ordinary people in the inter ests of expanding profit and con gin in fan Francisco and Wash- caqo 8 on trial for conspiracy; tinued national and world-wide inaton, D.C. More than 200,000 and Corky Gonzales, founder of domination. people are expected to Dartici- the Crusade for Justice. pate in San Francisco. If the November anti-war ac Individual wage-earners are Activists in the San Francis tions do not persuade the Nixon defined as inferior to the em co Peace and Freedom Party are administration to end the war, ployers who manage them. -
Ballots for Equality: an Approach to the Radical Tradition in U.S. Electoral Politics
Class, Race and Corporate Power Volume 3 Issue 1 Article 2 2015 Ballots for Equality: An Approach to the Radical Tradition in U.S. Electoral Politics Daniel Skidmore-Hess Armstrong State University, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/classracecorporatepower Part of the Political Science Commons Recommended Citation Skidmore-Hess, Daniel (2015) "Ballots for Equality: An Approach to the Radical Tradition in U.S. Electoral Politics," Class, Race and Corporate Power: Vol. 3 : Iss. 1 , Article 2. DOI: 10.25148/CRCP.3.1.16092134 Available at: https://digitalcommons.fiu.edu/classracecorporatepower/vol3/iss1/2 This work is brought to you for free and open access by the College of Arts, Sciences & Education at FIU Digital Commons. It has been accepted for inclusion in Class, Race and Corporate Power by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. Ballots for Equality: An Approach to the Radical Tradition in U.S. Electoral Politics Abstract Posing radical challenges to structural inequality is the defining quality of the Left. What role electoral politics might play in such processes is a dilemma of radical politics, the contours of which vary by historical and national contexts. For the U.S. Left there is a distinctive aspect of the dilemma directly related to the failure of a "Left" party of even the most moderate social democratic type to take root, creating a seemingly never ending debate over the value if any of "third party" progressive organizing. This debate is current, as illustrated by three divergent approaches; independent left electoral politics (Socialist Alternative), organizing within the less conservative of the dominant parties (Progressive Democrats of America), and a social movement focus outside the electoral process (Occupy Movement).