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A LOOK BACK at WONDER WOMAN's FEMINIST (AND NOT-SO- FEMINIST) HISTORY Retour Sur L'histoire Féministe (Et Un Peu Moins Féministe) De Wonder Woman
Did you know? According to a recent media analysis, films with female stars earnt more at the box office between 2014 and 2017 than films with male heroes. THE INDEPENDENT MICHAEL CAVNA A LOOK BACK AT WONDER WOMAN'S FEMINIST (AND NOT-SO- FEMINIST) HISTORY Retour sur l'histoire féministe (et un peu moins féministe) de Wonder Woman uring World War II, as Superman Woman. Marston – whose scientific work their weakness. The obvious remedy is to and Batman arose as mainstream led to the development of the lie-detector test create a feminine character with all the Dpop symbols of strength and morality, the – also outfitted Wonder Woman with the strength of Superman plus all the allure of publisher that became DC Comics needed an empowering golden Lasso of a good and beautiful woman.” antidote to what a Harvard psychologist Truth, whose coils command Upon being hired as an edito- called superhero comic books’ worst crime: veracity from its captive. Ahead rial adviser at All-American/ “bloodcurdling masculinity.” Turns out that of the release of the new Won- Detective Comics, Marston sells psychologist, William Moulton Marston, had der Woman film here is a time- his Wonder Woman character a plan to combat such a crime – in the star- line of her feminist, and less- to the publisher with the agree- spangled form of a female warrior who could, than-feminist, history. ment that his tales will spot- time and again, escape the shackles of a man's light “the growth in the power world of inflated pride and prejudice. 1941: THE CREATION of women.” He teams with not 3. -
Alternatives to Acute Care
Alternatives to Acute Care July 1996 Manitoba Centre for Health Policy and Evaluation Department of Community Health Sciences Faculty of Medicine, University of Manitoba Carolyn DeCoster, RN, MBA Sandra Peterson, MSc Paul Kasian, MD ACKNOWLEDGEMENTS The authors would like to acknowledge the efforts and expertise t~at many individuals contributed in completing this project and producing this report. We thank the following, and apologize in advance for anybody that we might have overlooked: • the health records staff and management of the 26 hospitals who participated in the study, with special thanks to Health Sciences Centre and St. Boniface General Hospital for assisting with the training of our abstractors; • the Health Services Utilization and Research Commission of Saskatchewan, especially Stewart McMillan, Steven Lewis and Joanne Hader, who generously shared applications of the InterQual methodology which they had developed and provided hours of support during our fieldwork and data analysis; • Charles Burchill for programming support in selecting the sample; • Drs. Brian Postl, Bryan Kirk, Ahmed Abdoh and Milton Tenenbein who reviewed the InterQual criteria; • the data abstractors: Dawna Bieniarz, Lonni Cruickshank, Sandy Gessler, Fran Home, Kay Linquist, Diane Mee, Nan Ouimet and Trish Rawsthome; • Marlyn Gregoire for data entry; • Keumhee Chough Carriere and Robert B. Tate for their statistical advice; • individuals who provided feedback on an earlier draft of this report: Noralou Roos, Evelyn Shapiro, Marian Shanahan and Mami Brownell; • Carole Ouelette, Linda Henderson and Trish Franklin who provided secretarial and administrative support; • the study Working Group: • Marylin Allen, RN, Director of Resident Care, Fred Douglas Lodge (member since March 1995) • Ross Brown, MD, Vice-President Medicine, St. -
Medicalkaiserperm00smilrich.Pdf
Regional Oral History Office University of California The Bancroft Library Berkeley, California Kaiser Permanente Medical Care Program Oral History Project John G. Smillie, M.D. HISTORY OF THE KAISER PERMANENTE MEDICAL CARE PROGRAM An Interview Conducted by Ora Huth in 1985 Copyright (cj 1987 by The Regents of the University of California All uses of this manuscript are covered by a legal agreement between the University of California and John G. Smillie, M.D. dated March 28, 1985. The manuscript is thereby made available for research purposes . All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California at Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California at Berkeley. Requests for permission to quote for publication should be addressed to the Regional Oral History Office, 486 Library, and should include identification of the specific passages to be quoted, anticipated use of the passages, and identification of the user. The legal agreement with John G. Smillie, M.D. requires that he be notified of the request and allowed thirty days in which to respond. It is recommended that this oral history be cited as follows : John G. Smillie, M.D., "History of the Kaiser Permanente Medical Care Program," an oral history conducted in 1985 by Ora Huth, Regional Oral History Office, The Bancroft Library, University of California, Berkeley, 1987. Copy No. JOHN G. SMILLIE, M.D. TABLE OF CONTENTS John G. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Read Book Harley Quinn by Karl Kesel and Terry Dodson The
HARLEY QUINN BY KARL KESEL AND TERRY DODSON THE DELUXE EDITION BOOK ONE Author: Karl Kesel Number of Pages: 216 pages Published Date: 12 Sep 2017 Publisher: DC Comics Publication Country: United States Language: English ISBN: 9781401276423 DOWNLOAD: HARLEY QUINN BY KARL KESEL AND TERRY DODSON THE DELUXE EDITION BOOK ONE Harley Quinn By Karl Kesel And Terry Dodson The Deluxe Edition Book One PDF Book It considers the growth of the 'teaching industry' and addresses key issues including the return to an apprentice model, the growing importance of schools in ITE and the continuing decline in the role played by Higher Education. "This is one of several dozen books in Patrick Moore's "Practical Astronomy" series. He concludes that China is unlikely to instigate a confrontation with the US, and that whilst military conflict over the Taiwan Strait is possible, this is more likely to be due to China's inability to prevent US involvement than its willingness to provoke the US. She sensed that lodged within the colorful and beautiful rituals and ceremonies of the indigenous Maasai people were gems of wisdom that could be harvested and shared as antidotes for our increasingly complex, stressful, and often enigmatic modern lives. In the face of constant experience to the contrary, the idea that those who have spent long years in acquiring the knowledge of a particular calling will be most ready to welcome the announcement of new discoveries calculated to remove any errors which may exist in connexion with it, and which errors, of course, must have been always instilled into them as truths, is still generally entertained; and, consequently, the first cry against every alteration is, that those who have been educated in the system which it would subvert, are decidedly opposed to its introduction. -
X-Men: Age of Apocalypse Prelude Free
FREE X-MEN: AGE OF APOCALYPSE PRELUDE PDF Scott Lobdell,Jeph Loeb,Mark Waid | 264 pages | 01 Jun 2011 | Marvel Comics | 9780785155089 | English | New York, United States X-Men: Prelude to Age of Apocalypse by Scott Lobdell The lowest-priced brand-new, unused, unopened, undamaged item in its X-Men: Age of Apocalypse Prelude packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Skip to main content. About this product. New other. Make an offer:. Auction: New Other. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Buy It Now. Add X-Men: Age of Apocalypse Prelude cart. Make Offer. Condition is Brand New. See all 3 brand new listings. About this product Product Information Legion, the supremely powerful son of Charles Xavier, wants to change the world, and he's travelled back in time to kill Magneto to do it Can the X-Men stop him, or will the world as we know it cease to exist? Additional Product Features Dewey Edition. Show X-Men: Age of Apocalypse Prelude Show Less. Add to Cart. Any Condition Any Condition. See all 13 - All listings for this product. Ratings and Reviews Write a review. Most relevant reviews. Thanks Thanks Verified purchase: Yes. Suess Beginners Book Collection by Dr. SuessHardcover 4. -
Extending and Visualizing Authorship in Comics Studies
AN ABSTRACT OF THE THESIS OF Nicholas A. Brown for the degree of Master of Arts in English presented on April 30, 2015 Title: Extending and Visualizing Authorship in Comics Studies. Abstract approved: ________________________________________________________________________ Tim T. Jensen Ehren H. Pflugfelder This thesis complicates the traditional associations between authorship and alphabetic composition within the comics medium and examines how the contributions of line artists and writers differ and may alter an audience's perceptions of the medium. As a fundamentally multimodal and collaborative work, the popular superhero comic muddies authorial claims and requires further investigations should we desire to describe authorship more accurately and equitably. How might our recognition of the visual author alter our understandings of the author construct within, and beyond, comics? In this pursuit, I argue that the terminology available to us determines how deeply we may understand a topic and examine instances in which scholars have attempted to develop on a discipline's body of terminology by borrowing from another. Although helpful at first, these efforts produce limited success, and discipline-specific terms become more necessary. To this end, I present the visual/alphabetic author distinction to recognize the possibility of authorial intent through the visual mode. This split explicitly recognizes the possibility of multimodal and collaborative authorships and forces us to re-examine our beliefs about authorship more generally. Examining the editors' note, an instance of visual plagiarism, and the MLA citation for graphic narratives, I argue for recognition of alternative authorships in comics and forecast how our understandings may change based on the visual/alphabetic split. -
Free Catalog
Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come. -
RAF Wings Over Florida: Memories of World War II British Air Cadets
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-15-2000 RAF Wings Over Florida: Memories of World War II British Air Cadets Willard Largent Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the European History Commons, and the Military History Commons Recommended Citation Largent, Willard, "RAF Wings Over Florida: Memories of World War II British Air Cadets" (2000). Purdue University Press Books. 9. https://docs.lib.purdue.edu/purduepress_ebooks/9 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. RAF Wings over Florida RAF Wings over Florida Memories of World War II British Air Cadets DE Will Largent Edited by Tod Roberts Purdue University Press West Lafayette, Indiana Copyright q 2000 by Purdue University. First printing in paperback, 2020. All rights reserved. Printed in the United States of America Paperback ISBN: 978-1-55753-992-2 Epub ISBN: 978-1-55753-993-9 Epdf ISBN: 978-1-61249-138-7 The Library of Congress has cataloged the earlier hardcover edition as follows: Largent, Willard. RAF wings over Florida : memories of World War II British air cadets / Will Largent. p. cm. Includes bibliographical references and index. ISBN 1-55753-203-6 (cloth : alk. paper) 1. Largent, Willard. 2. World War, 1939±1945ÐAerial operations, British. 3. World War, 1939±1945ÐAerial operations, American. 4. Riddle Field (Fla.) 5. Carlstrom Field (Fla.) 6. World War, 1939±1945ÐPersonal narratives, British. 7. Great Britain. Royal Air ForceÐBiography. I. -
Mark Waid Artist: Mahmud Asrar Letterer
AND THERE CAME A DAY, A DAY UNLIKE ANY OTHER, WHEN EARTH’S MIGHTIEST HEROES (OR THE ONES THAT WERE AROUND THAT DAY, ANYWAY) FOUND THEMSELVES UNITED AGAINST A COMMON THREAT. ON THAT DAY, THE AVENGERS WERE BORN--TO FIGHT THE FOES NO SINGLE SUPER HERO COULD WITHSTAND! NOW CAPTAIN AMERICA, IRON MAN, THOR, VISION, SPIDER-MAN, MS. MARVEL AND NOVA ARE THE... AFTER A TRIUMPHANT VICTORY OVER THE VENGEFUL CHITAURI KNOWN AS WARBRINGER, IRON MAN INVITED HIS FELLOW HEROES TO FORM A NEW AVENGERS TEAM. THEY’VE GOT NO FUNDING, NO TOWER AND NO OFFICIAL RECOGNITION--BUT THAT’S NOT GOING TO STOP THEM FROM DOING WHAT THE AVENGERS DO BEST: SAVE THE WORLD, ONE DAY AT A TIME. WRITER: MARK WAID ARTIST: MAHMUD ASRAR COLOR ARTIST: DAVE McCAIG LETTERER: VC’S CORY PETIT COVER ARTlST: ALEX ROSS VARlANT COVER ARTlSTS: BOBBY RUBIO; MARK BROOKS RECAP PAGE ART BY: MAHMUD ASRAR & DAVE McCAIG ASSISTANT EDITOR: EDlTORS: EDlTOR lN CHlEF: ALANNA SMITH TOM BREVOORT AXEL ALONSO WITH WIL MOSS CHlEF CREATlVE OFFlCER: PUBLlSHER: EXEC. PRODUCER: JOE QUESADA DAN BUCKLEY ALAN FlNE THE AVENGERS CREATED BY STAN LEE and JACK KIRBY ALL-NEW, ALL-DIFFERENT AVENGERS No. 4, March 2016. Published Monthly except in January, February, and June by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2016 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. -
Why Wonder Woman Matters
Why Wonder Woman Matters When I was a kid, being a hero seemed like the easiest thing in the world to be- A Blue Beetle quote from the DC Comics publication The OMAC Project. Introduction The superhero is one of modern American culture’s most popular and pervasive myths. Though the primary medium, the comic book, is often derided as juvenile or material fit for illiterates the superhero narrative maintains a persistent presence in popular culture through films, television, posters and other mediums. There is a great power in the myth of the superhero. The question “Why does Wonder Woman matter?” could be answered simply. Wonder Woman matters because she is a member of this pantheon of modern American gods. Wonder Woman, along with her cohorts Batman and Superman represent societal ideals and provide colorful reminders of how powerful these ideals can be.1 This answer is compelling, but it ignores Wonder Woman’s often turbulent publication history. In contrast with titles starring Batman or Superman, Wonder Woman comic books have often sold poorly. Further, Wonder Woman does not have quite the presence that Batman and Superman both share in popular culture.2 Any other character under similar circumstances—poor sales, lack of direction and near constant revisions—would have been killed off or quietly faded into the background. Yet, Wonder Woman continues to persist as an important figure both within her comic universe and in our popular consciousness. “Why does Wonder Woman matter?” To answer this question an understanding of the superhero and their primary medium, the comic book, is required, Wonder Woman is a comic book character, and her existence in the popular consciousness largely depends on how she is presented within the conventions of the comic book superhero narrative. -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created.