DOCSLIB.ORG

Comunicato Giotto Jazz Festival 2016 OK

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Comunicato Giotto Jazz Festival 2016 OK COMUNICATO STAMPA GIOTTO JAZZ FESTIVAL XIX ed. Teatro Giotto, Vicchio (FI) dal 17 al 20 marzo 2016 Dopo la fortunata edizione dello scorso anno, il Giotto Jazz Festival, conferma la formula dei quattro giorni consecutivi: non più quindi “solo” una rassegna di concerti, ma una serie di iniziative che faranno di Vicchio per quattro giorni la capitale del jazz toscano. I concerti (e che concerti!!!) saranno il filo conduttore: ma tante anche le iniziative legate alla musica e alla enogastronomia perché si sa il Mugello è patria dei sapori buoni! Workshop, incontri, apertivi musicali, mostra fotografica, laboratori per bambini e, evento straordinario, un mercatino dal sapore vintage per l’intera giornata di domenica 20. La formazione del pubblico ed una attenzione particolare alla ospitalità caratterizzano il festival di questo piccolo comune fiorentino che si ispira ai maggiori jazz festival italiani. Conoscere le realtà locali attraverso la musica, individuare luoghi storici, scorci della campagna toscana: la musica ispira i viaggi e le conoscenze! Ed infatti quest’anno ci sarà la possibilità di visitare gratuitamente, per tutto il mese di marzo, i due musei del paese (Casa di Giotto e Museo Beato Angelico) mostrando il biglietto di ingresso ad uno dei concerti del festival! Ad inaugurare il festival saranno Petra Magoni e Ferruccio Spinetti (in collaborazione con FTS Musica): più di 1000 concerti, sei dischi in studio, due dischi live e un dvd. Questo il loro miglior biglietto da visita. James Taylor Quartet sarà il protagonista della seconda giornata del festival. Per un quarto di secolo il JTQ ha creato lo standard del suono funk acid jazz. Con la loro prolifica carriera dal vivo e con le decine di potenti album in studio sono divenuti tra i massimi esponenti della creatività britannica e tra le live band più note al mondo. Sabato sarà la volta di Mark Guiliana, descritto dal New York Times come “un batterista attorno al quale si è formato un vero e proprio culto di ammirazione”. Guiliana ha trascorso gli ultimi dieci anni in tour nei sei continenti ed ha avuto la fortuna di suonare nell’ultimo brano Lazarus del mito David Bowie L’ultimo giorno è affidato al Timo Lassy quartet, dal freddo del nord della Finlandia. La base del loro suono affonda le radici nell’hard bop degli anni cinquanta e sessanta, nel soul jazz e nella tradizione del latin jazz, ma la magistrale esecuzione e la progressiva visionarietà di tutti i musicisti trascina fermamente la musica nel ventunesimo secolo. PROGRAMMA DEL FESTIVAL: giovedì 17 marzo ore 19,00: Osteria O’ Per Bacco - Un aperitivo incontro con Petra e Ferruccio ore 21,30: Teatro Giotto – Concerto MAGONI - SPINETTI Musica Nuda venerdì 18 marzo ore 19,00: Enoteca L’amante di Dioniso - Un aperitivo incontro con James Taylor ore 21,30: Teatro Giotto – Concerto THE JAMES TAYLOR QUARTET sabato 19 marzo ore 10,00: Biblioteca Comunale – “Jazz the Children” Laboratorio musicale per bambini ore 17,00: Teatro Giotto – Mark Guiliana Workshop ore 19,00: La Bottega di Sghio – Aperitivo in jazz ore 21,30: Teatro Giotto – MARL GUILIANA JAZZ QUARTET domenica 20 marzo dalle ore 10,00: Centro Storico – Vintage Market: Bazar di Primavera ore 17,30: Teatro Giotto – TIMO LASSY QUARTET Per tutta la durata del festival e fino a domenica 17 aprile sarà allestita la mostra dal titolo “Musica per gli Occhi” presso la biblioteca comunale a cura del Photo Club Mugello Abbonamento al festival € 48,00 Informazioni 055 240397 – 055 8439269 – 055 844017 facebook: jazzclubofvicchio www.jazzclubofvicchio.it www.eventimusicpool.it ufficio stampa: Bruno Casini 055 240397 [email protected] workshop Mark Guiliana: Play drums&percussions 055/333608 [email protected] Prezzi Abbonamento al festival € 48 Petra Magoni – Ferruccio Spinetti intero 18 €, ridotto 16 € James Taylor Quartet 18 €, ridotto 16 € Mark Guiliana intero 18 €, ridotto 16 € / Solo Workshop € 13 / Workshop + concerto € 25 Timo Lassy intero 7 €, ridotto 5 € Promozione Speciale: con il biglietto di uno dei concerti sarà possibile visitare il Museo Beato Angelico e Casa di Giotto per tutto il mese di marzo Eventi gratuiti: Un aperitivo incontro con Petra e Ferruccio Un aperitivo incontro con James Taylor Laboratorio per bambini Ingresso Mostra Fotografica Musica per gli Occhi Riduzioni per soci Arci, abbonati stagione di Prosa Teatro Giotto, under 25 Prevendite on line www.eventimusicpool.it; www.ticketone.it Circuito Reg. Box Office tel. 055/210804 www.boxol.it Abbigliamento Rocci Vicchio 055 844017 Prenotazione per cene e aperitivi: Enoteca L’amante di Dioniso: 338/5021772 Osteria O’ per Bacco: 055/8448698 Pizzeria La bottega di Sghio: 055/8497006 Durante il Festival sarà possibile effettuare cene presso i ristoranti del centro usufruendo di uno sconto del 10% mostrando il biglietto del concerto Giovedì 17 marzo, ore 21.30 Teatro Giotto, Vicchio MAGONI - SPINETTI Petra Magoni – voce Ferruccio Spinetti – contrabbasso In collaborazione con FTS Musica Un incontro fortuito voluto dal destino quello tra Petra Magoni e Ferruccio Spinetti, duo che risponde al nome di Musica Nuda. Cantante solista con all’attivo già quattro album, nel gennaio 2003 Petra Magoni aveva in programma un mini-tour in alcuni piccoli club della “sua” Toscana con un amico chitarrista. Proprio il giorno del loro primo concerto, quest’ultimo si ammala. Petra, invece di annullare la data, chiede a Ferruccio, già contrabbassista degli Avion Travel, di sostituirlo all’ultimo minuto. Il concerto ottiene un tale successo che i due protagonisti di questo “Voice’n’bass” combo, nel giro di qualche settimana, mettono insieme un intero repertorio composto dalle canzoni che più amano e di slancio registrano in una sola giornata il loro primo album “Musica Nuda”, titolo che darà poi il nome anche al loro duo. In dodici anni di intensa attività concertistica in tutto il mondo, Musica Nuda ha collezionato riconoscimenti prestigiosi vantando nel proprio palmarès la “Targa Tenco 2006” nella categoria interpreti, il premio per “Miglior Tour” al Mei di Faenza 2006 e “Les quatre clés de Télérama” in Francia nel 2007. Nel corso degli anni, Ferruccio e Petra hanno portato il loro progetto in giro per il mondo, riuscendo a raggiungere anche spazi prestigiosi tra cui l’Olympia di Parigi, l’Hermitage di San Pietroburgo. Inoltre, sono stati ospiti del Tanz Wuppertal Festival di Pina Bausch e, sempre in Germania, hanno aperto i concerti di Al Jarreau. Nel marzo 2014 sono stati gli unici ospiti musicali della “Giornata Mondiale del Teatro” che si è celebrata all’interno del Senato della Repubblica, alla presenza del Presidente Pietro Grasso. In 12 anni Petra e Ferruccio hanno realizzato più di 1000 concerti, prodotto sei dischi in studio, due dischi live e un dvd. Il nuovo album “LITTLE WONDER” Petra Magoni e Ferruccio Spinetti pubblicano l’album “Little Wonder” uscito per la Warner il 31 marzo in Italia e il 20 aprile in Francia. A distanza di due anni dal precedente album, il duo Musica Nuda si presenta nuovamente sulla scena musicale internazionale con un nuovo progetto che pone un sigillo su una carriera lunga dodici anni e costellata di successi. Il titolo è la sintesi di Musica Nuda, ovvero, una piccola meraviglia. Non è la presunzione che ci ha fatto scegliere questo titolo - dichiarano Petra e Ferruccio - bensì la riscoperta della nostra unicità con lo stesso entusiasmo che oggi, come all’inizio del nostro percorso artistico, contraddistingue quello che facciamo. “Little Wonder” è anche e soprattutto un regalo che abbiamo fatto a noi stessi. “Little Wonder” nasce, infatti, come risposta naturale al desiderio di riappropriarsi di quella dimensione intima che è l’essenza del loro duo: Petra e Ferruccio, voce e contrabbasso. Registrato sul palco del teatro di San Casciano (SI) il disco celebra il loro inossidabile connubio artistico, confermando all’ascolto la freschezza di sempre. Ingresso € 18/16 Venerdì 18 marzo, ore 21.30 Teatro Giotto, Vicchio THE JAMES TAYLOR QUARTET James Taylor (organo Hammond), Andrew McKinney (basso), Patrick Illingworth (batteria), Mark Cox (chitarra) Per un quarto di secolo il James Taylor Quartet ha creato lo standard del suono funk acid jazz. Con la loro prolifica carriera dal vivo e con le decine di potenti album in studio sono divenuti tra i massimi esponenti della creatività britannica e tra le live band più note al mondo. Il gruppo si è formato sulle ceneri dei “Prisoners”, band dalle sonorità psichedeliche scioltasi nel 1986; assemblando un quartetto proveniente da Kent, in Inghilterra, che comprende il bassista Alan Crockford, ex- Prisoners, il batterista Simon Howard e il fratello di Taylor, David (chitarra), così la band registra una sessione della BBC per il disc jockey John Peel prima che Taylor si ritirasse in Svezia per una pausa. Tuttavia, la trasmissione ormai ha fatto una tale impressione che la band firma un contratto per la nuova etichetta "mod" Re-Elect The President Al tempo stesso cresce la reputazione delle performance live del gruppo, basate su sonorità funky con spazio per gli assoli e coinvolgimento del pubblico. Tra la fine degli anni ottanta e l'inizio degli anni novanta la reputazione del gruppo aumenta maggiormente grazie alla audace rivisitazione in chiave hammondistica di “The Theme from Starsky and Hutch” (la sigla dell'omonimo telefilm, originariamente composta da Lalo Schifrin e successivamente riarrangiata da Tom Scott), per la quale vengono reclutati nuovi musicisti jazz e gli ex-suonatori di fiati di James Brown, creando una nuova base londinese di riferimento per il fermento musicale dell’ acid jazz. Agli inizi degli anni novanta il gruppo cambia direzione, componendo qualche album soul con cantanti come Rose Windross dei Soul II Soul, Alison Limerick e Noel McKoy. Il singolo “Love The Life” haanche un discreto successo, ma il richiamo dell'acid jazz con le tipiche sonorità dell'organo Hammond fanno sfornare a James Taylor l'album “In The Hand Of The Inevitable”, uno dei più venduti e apprezzati del gruppo.
Load more

Recommended publications
  • May • June 2013 Jazz Issue 348
    may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher.
    [Show full text]
  • Justin Brown's NYEUSI
    Justin Brown’s NYEUSI (USA) bio “There’s nothing about the way he plays that boxes him into any particular era or camp” - Modern Drummer “I cannot think of a more highly anticipated debut by an artist right now that is also a lynchpin in today’s creative music scene. I will be first to listen” - WBGO ​ Born in Richmond, California (USA), drummer Justin Brown is one of the most versatile and sought after drummers of this generation. After years as an essential member of groups led by Ambrose Akinmusire, Thundercat, and Flying Lotus – he’s also been tapped to round out the sound for Esperanza Spalding, Avishai Cohen (trumpet), Terence Blanchard, Bilal, Vijay Iyer, and many others – Brown is finally ready to extend his reach beyond the drum set to lead his own band, NYEUSI. Justin started drumming at two years-old in church and began his formal jazz education at 10 with the Young Musician’s Program at UC Berkeley and later Berkeley High. Encouraged to attend Juilliard after being awarded a full scholarship, he moved to New York in 2004, but withdrew on the first day to pursue a life-changing career experience over education, playing on the road with Kenny Garrett and Josh Roseman. In June 2018 Justin released his first album as a leader ‘NYEUSI’ on Biophilia Records. Rounding out NYEUSI are Jason Lindner (Now vs Now, Donny McCaslin, David Bowie) and Fabian Almazan (Mark Guiliana Jazz Quartet, Terence Blanchard) on keys, Burniss Earl Travis (Robert Glasper) on bass, and Mark Shim (Mingus Big Band) on wind controller.
    [Show full text]
  • ŞEHRİN CAZ HALİ 3-19 Kasım 2017
    ŞEHRİN CAZ HALİ www.akbankcaz.com 3-19 Kasım 2017 ŞEHRIN CAZ HALI AKBANK JAZZ FESTIVAL AKBANK CAZ FESTIVALI ECHOING ACROSS TURKEY 27. KEZ ISTANBUL’DA FOR THE PAST 27 YEARS Şehirde özgürce dolaşmak gibidir caz: Jazz is like walking around the city freely: Önce bilmediğiniz bir sokakta kaybolur, At first you get lost in a street you don't know. sonra her gün ama her gün o sokağı arar Then you look for that street every single day. durursunuz. Fark etmeden sizi kendine çeker. It draws you in. 27. Akbank Caz Festivali başlıyor. 27. Akbank Jazz Festival is starting. Cazın çekimine kapılıp şehrin caz halini We hope that you get in the attraction of Jazz keşfetmeniz dileğiyle. and you discover the jazz version of the city. 3 FESTIVAL PROGRAMI FESTIVAL PROGRAM FESTIVAL PROGRAMI FESTIVAL PROGRAM THE SEED ZORLU PERFORMANS SANATLARI MERKEZI, DRAMA SAHNESI ZORLU PERFORMING ARTS CENTER, DRAMA STAGE 03 Kasım Cuma November 03 Friday 20:30 Vanessa Rubin & Trio 06 Kasım Pazartesi November 06 Monday 20:30 Wolfgang Muthspiel Trio 07 Kasım Salı November 07 Tuesday 20:30 Christian Scott VOLKSWAGEN ARENA 11 Kasım Cumartesi November 11 Saturday 21:00 Bonobo (Live) CEMAL REŞIT REY KONSER SALONU CEMAL REŞIT REY CONCERT HALL CADDEBOSTAN KÜLTÜR MERKEZI 12 Kasım Pazar November 12 Sunday 18:00 Amina Figarova Sextet CADDEBOSTAN CULTURE CENTER 12 Kasım Pazar November 12 Sunday 20:30 Chucho Valdés and Gonzalo Rubalcaba (100%) Trance (75%) 14 Kasım Salı November 14 Tuesday 20:30 TRT İstanbul Hafif Müzik ve Caz Orkestrası & Sibel Köse 15 Kasım Çarşamba November 15 Wednesday 20:30 Emir Ersoy Quartera feat.
    [Show full text]
  • JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
    JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.
    [Show full text]
  • Before & After with Nasheet Waits
    ACCOUNT Home > Features > Before & After with Nasheet Waits Before & After with Nasheet Waits On the virtues of his peers and the lessons of the masters UPDATED APRIL 25, 2019 – DAVID R. ADLER Billy Hart with the Cookers,Iridium, NYC 4-14 Harris Eisenstadt • • • • • asheet Waits, son of the incomparable drummer Freddie Waits, has found his greatest acclaim with pianist Jason Moran’s ceaselessly inventive trio the Bandwagon. But he’s also had a major N impact on the scene as a member of Tarbaby, Ralph Alessi’s Baida Quartet, Tony Malaby’s Tamarindo, David Murray’s InTnity Quartet, Dave Douglas’ Brass Ecstasy, Avishai Cohen’s Triveni, Amir ElSaffar’s Two Rivers Ensemble and many others. Stopping by for a listening session in late summer, Waits, 43, lent us his generous, wide-open ears and got to the heart of what he values as a drummer. 1. Jim Black AlasNoAxis “Tockle” (from Antiheroes, Winter & Winter). Black, drums; Chris Speed, tenor saxophone; Hilmar Jensson, guitar; Skúli Sverrisson, bass. Recorded in 2012. BEFORE: It’s reminding me of [Tony] Malaby a little bit. And something about the drums is reminding me of Tom [Rainey]. But I’m not sure who it is. AFTER: Oh, OK, Jim-that makes sense! I see Jim out there on the road a lot, and I’m a big fan of his playing, but I haven’t heard a lot of his recordings. I’ve seen him live quite often. Wow, that’s a great album cover. He’s one of those consummate musicians-I’ve seen him at the piano.
    [Show full text]
  • Late Style, Disability, and the Temporality of Illness in Popular Music
    UNIVERSITY OF CALIFORNIA Los Angeles Singing at Death’s Door: Late Style, Disability, and the Temporality of Illness in Popular Music A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Tiffany Naiman 2017 © Copyright by Tiffany Naiman 2017 ABSTRACT OF THE DISSERTATION Singing at Death’s Door: Late Style, Disability, and the Temporality of Illness in Popular Music by Tiffany Naiman Doctor of Philosophy in Musicology University of California, Los Angeles, 2017 Professor Robert W. Fink, Co-Chair Professor Raymond L. Knapp, Co-Chair This dissertation investigates musical expressions of temporal alterities in works created by popular music artists, identifying their aesthetic responses as their bodies become ill, disabled, and they become more aware of mortality. I propose a critical, hermeneutic, and theoretical method drawn from Edward Said’s appropriation of Adorno’s expression “late style” that I have designated ill style, a form of creativity within a temporality of illness. Late style is discernable in works produced, paradigmatically, at the end of one’s career in “old age,” but late style may also be understood as an influence on artistic output at any stage of life if the subject is experiencing untimeliness and a disruption in access to the communal understanding of futurity and time, a possible consequence of factors other than age. I contend that late style, accelerated by illness, disrupts Western cultural attempts at ignoring precarious and finite nature of existence; the resulting expressions of lateness ask audiences to do the same. I offer a way in which to think more critically about what scholars consider late style, how it functions in popular ii music studies and society, and how it intersects with the fields of disability, gender, queer, and critical race studies, and the social sciences.
    [Show full text]
  • Percussive Arts Society International Convention
    PASIC 2015 Percussive Arts Society International Convention 1 2 PAS President’s Welcome 6 Donations to the Logistics Incentives Program 7 Special Thanks 8 Area Map and Restaurant Guide 10 Convention Center Map 12 Exhibitors by Name 14 Exhibit Hall Map 15 Exhibitors by Category 16 Exhibitor Company Descriptions 20 Artist Sponsors 28 11.11.15 Schedule at a Glance 34 11.11.15 Schedule of Events 36 Focus Day Program Notes 37 11.12.15 Schedule at a Glance 40 11.12.15 Schedule of Events 42 11.13.15 Schedule at a Glance 48 11.13.15 Schedule of Events 50 11.14.15 Schedule at a Glance 56 11.14.15 Schedule of Events 58 TABLE OF CONTENTS About the Artists 60 PAS History 82 PAS Hall of Fame 84 PAS 2015 Awards 86 PASIC 2015 Advertisers 88 CSM9217 PASIC Program Spread 2015.qxp_Layout 1 10/26/15 12:35 PM Page 1 Live Custom with DTX electronics OnlyYamaha Yamaha Corporation is recognized around the world as the leader in musical instruments and sound reinforcement products. On the stage, in the studio and on the field, players choose Yamaha products to achieve peak performance. Yamaha brings an unparalleled ability to blend the best of the acoustic and digital worlds. In the arena of drums and percussion, we have combined handcrafted acoustic products and DTX electronic technology into hybrid Absolute Hybrid Maple drum sets that greatly expand the capabilities of the modern percussionist. In fact, Yamaha is the only music company with a history of both superb hand-craftsmanship and innovative digital technology.
    [Show full text]
  • Downloads, the Bandleader Composed the Entire Every Musician Was a Multimedia Artist,” He Said
    AUGUST 2019 VOLUME 86 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • 2015 STREET DATES OCTOBER 9 OCTOBER 16 Orders Due September 11 Orders Due September 18 10/6/15 AUDIO & VIDEO RECAP
    ISSUE 21 MUSIC • FILM • MERCH axis.wmg.com NEW RELEASE GUIDE 2015 STREET DATES OCTOBER 9 OCTOBER 16 Orders Due September 11 Orders Due September 18 10/6/15 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE The Don Rickles TV Specials: Volume 1 Rickles, Don TL DV 610583513592 31344-X $12.95 9/4/15 (DVD) Once More 'Round The Sun Mastodon (Explicit)(2LP Transparent Green/Solid REP A 093624929345 547830 27.98 9/4/15 White Colored Vinyl) Midnight Special, The The Midnight Special (11DVD) TL DV 610583498592 30902-X $99.95 9/4/15 The Wonder Years: Complete Series Wonder Years, The TL DV 610583485691 30721-X $249.95 9/4/15 (26DVD)(Locker) The Wonder Years: Complete Series Wonder Years, The TL DV 610583512793 31188-X $199.95 9/4/15 (26DVD)(Slipcase) Last Update: 08/16/15 For the latest up to date info on this release visit axis.wmg.com. ARTIST: Don Rickles TITLE: The Don Rickles TV Specials: Volume 1 (DVD) Label: TL/Time Life/WEA Config & Selection #: DV 31344 X Street Date: 10/06/15 Order Due Date: 09/04/15 UPC: 610583513592 Box Count: 30 Unit Per Set: 1 SRP: $12.95 Alphabetize Under: R ALBUM FACTS Genre: Television Packaging Specs: Single DVD; Running Time: 110 minutes Description: CLASSIC DON RICKLES TV SPECIALS, UNCUT! Don Rickles is one of comedy’s most famous funnymen. For over 55 years he has appeared in top showrooms and concert halls throughout the world. He is regarded among the world’s top entertainers.
    [Show full text]
  • Downbeat.Com March 2021 U.K. £6.99
    MARCH 2021 U.K. £6.99 DOWNBEAT.COM MARCH 2021 DOWNBEAT 1 March 2021 VOLUME 88 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Bio Jason Lindner
    BIO JASON LINDNER "Rhythm provides more than a heartbeat for Jason Lindner. It also seems to fuel his respiratory functions and digestive activity, and maybe his neurons. What matters to him is groove, however it comes." — The New York Times Brooklyn-native and winner of two Grammy Awards in 2017, Jason Lindner spent the late nights of his early teen years in jazz clubs, where he was taken-in by the old jazz masters in New York City: Frank Hewitt, Jimmy Lovelace, Gilly Goggins, “all the old cats you never heard of because of hard times and hard luck,” adds Jason. In his extensive career this young New York pioneer was musical director of Lauryn Hill and Meshel Ndegeocello. In addition to Now vs Now, Lindner leads the 11-piece art ensemble Breeding Ground and performs with Mark Guiliana’s Beat Music, Dafnis Prieto's Proverb Trio featuring Kokayi, Donny McCaslin's electric band and Anat Cohen's jazz quartet. In 2015 and 2016 Jason became a keyboardist and a pivotal music part of David Bowie's music in the album 'Blackstar', with which Lindner won two Grammy's in 2017. Jason began experimenting with electric live bands early this millennium with a desire to create a new sound. That's how Now vs Now was formed back in 2006 featuring Panagiotis Andreou on bass and Mark Guiliana on drums (Justin Tyson changed Mark Guiliana several years ago). If music is about ideas expressed via the right notes in the best possible configuration using the best sounds, this is what Now Vs Now delivers.
    [Show full text]
  • Donny Mccaslin August 2012 Acclaimed Saxophonist Donny
    Donny McCaslin August 2012 Acclaimed saxophonist Donny McCaslin takes a bold leap forward with his tenth album as a leader, Casting for Gravity. McCaslin's gargantuan tenor sound finds an ideal setting to rampage through in the ferocious grooves and electronic textures of keyboardist Jason Lindner, bassist Tim Lefebvre, and drummer Mark Guiliana. Couching his trademark gift for brawny melodies in lurching dub rhythms, swirling electronica inspired atmospheres, and arena-rock power, McCaslin has crafted a game-changer of an album, fusing a wealth of forward- looking influences into one wholly new modern jazz sound. Casting for Gravity follows on the heels of 2011's highly acclaimed Perpetual Motion, which found McCaslin experimenting for the first time with merging his hard-charging acoustic sound with more funk-inflected electrified elements. But where that album was a blistering electro-acoustic hybrid, Casting for Gravity soars past fusion into alchemy, forging a visionary voice from eclectic influences. "I wanted to make a bigger record with more sonic layers," McCaslin explains. "I wanted to go a lot deeper into the electronic realm and push myself harder." McCaslin's initial forays into plugged-in territory were a reflection of his upbringing in Santa Cruz, California, where he was weaned on the deep, deep grooves of Tower of Power and Headhunters bassist Paul Jackson. Those influences remain in the percolating rhythms of "Bend" or the enormous musculature of "Stadium Jazz," inevitable how deeply ingrained they are into McCaslin's approach. But he wasted little time casting back into the past for inspiration on this outing, looking instead to ground-breaking contemporary artists.
    [Show full text]