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May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
First Steps with the Drum Set a Play Along Approach to Learning the Drums
First Steps With The Drum Set a play along approach to learning the drums JOHN SAYRE www.JohnSayreMusic.com 1 CONTENTS Page 5: Part 1, FIRST STEPS Money Beat, Four on the Floor, Four Rudiments Page 13: Part 2, 8th NOTES WITH ACCENTS Page 18: Part 3, ROCK GROOVES 8th notes, Queen, R.E.M., Stevie Wonder, Nirvana, etc. Page 22: Part 4, 16th NOTES WITH ACCENTS Page 27: Part 5, 16th NOTES ON DRUM SET Page 34: Part 6, PLAYING IN BETWEEN THE HI-HAT David Bowie, Bob Marley, James Brown, Led Zeppelin etc. Page 40: Part 7, RUDIMENTS ON THE DRUM SET Page 46: Part 8, 16th NOTE GROOVES Michael Jackson, Erykah Badu, Imagine Dragons etc. Page 57: Part 9, TRIPLETS Rudiments, Accents Page 66: Part 10, TRIPLET-BASED GROOVES Journey, Taj Mahal, Toto etc. Page 72: Part 11, UNIQUE GROOVES Grateful Dead, Phish, The Beatles etc. Page 76: Part 12, DRUMMERS TO KNOW 2 INTRODUCTION This book focuses on helping you get started playing music that has a backbeat; rock, pop, country, soul, funk, etc. If you are new to the drums I recommend working with a teacher who has a healthy amount of real world professional experience. To get the most out of this book you will need: -Drumsticks -Access to the internet -Device to play music -Good set of headphones—I like the isolation headphones made by Vic Firth -Metronome you can plug headphones into -Music stand -Basic understanding of reading rhythms—quarter, eighth, triplets, and sixteenth notes -Drum set: bass drum, snare drum, hi-hat is a great start -Other musicians to play with Look up any names, bands, and words you do not know. -
Justin Brown's NYEUSI
Justin Brown’s NYEUSI (USA) bio “There’s nothing about the way he plays that boxes him into any particular era or camp” - Modern Drummer “I cannot think of a more highly anticipated debut by an artist right now that is also a lynchpin in today’s creative music scene. I will be first to listen” - WBGO Born in Richmond, California (USA), drummer Justin Brown is one of the most versatile and sought after drummers of this generation. After years as an essential member of groups led by Ambrose Akinmusire, Thundercat, and Flying Lotus – he’s also been tapped to round out the sound for Esperanza Spalding, Avishai Cohen (trumpet), Terence Blanchard, Bilal, Vijay Iyer, and many others – Brown is finally ready to extend his reach beyond the drum set to lead his own band, NYEUSI. Justin started drumming at two years-old in church and began his formal jazz education at 10 with the Young Musician’s Program at UC Berkeley and later Berkeley High. Encouraged to attend Juilliard after being awarded a full scholarship, he moved to New York in 2004, but withdrew on the first day to pursue a life-changing career experience over education, playing on the road with Kenny Garrett and Josh Roseman. In June 2018 Justin released his first album as a leader ‘NYEUSI’ on Biophilia Records. Rounding out NYEUSI are Jason Lindner (Now vs Now, Donny McCaslin, David Bowie) and Fabian Almazan (Mark Guiliana Jazz Quartet, Terence Blanchard) on keys, Burniss Earl Travis (Robert Glasper) on bass, and Mark Shim (Mingus Big Band) on wind controller. -
ŞEHRİN CAZ HALİ 3-19 Kasım 2017
ŞEHRİN CAZ HALİ www.akbankcaz.com 3-19 Kasım 2017 ŞEHRIN CAZ HALI AKBANK JAZZ FESTIVAL AKBANK CAZ FESTIVALI ECHOING ACROSS TURKEY 27. KEZ ISTANBUL’DA FOR THE PAST 27 YEARS Şehirde özgürce dolaşmak gibidir caz: Jazz is like walking around the city freely: Önce bilmediğiniz bir sokakta kaybolur, At first you get lost in a street you don't know. sonra her gün ama her gün o sokağı arar Then you look for that street every single day. durursunuz. Fark etmeden sizi kendine çeker. It draws you in. 27. Akbank Caz Festivali başlıyor. 27. Akbank Jazz Festival is starting. Cazın çekimine kapılıp şehrin caz halini We hope that you get in the attraction of Jazz keşfetmeniz dileğiyle. and you discover the jazz version of the city. 3 FESTIVAL PROGRAMI FESTIVAL PROGRAM FESTIVAL PROGRAMI FESTIVAL PROGRAM THE SEED ZORLU PERFORMANS SANATLARI MERKEZI, DRAMA SAHNESI ZORLU PERFORMING ARTS CENTER, DRAMA STAGE 03 Kasım Cuma November 03 Friday 20:30 Vanessa Rubin & Trio 06 Kasım Pazartesi November 06 Monday 20:30 Wolfgang Muthspiel Trio 07 Kasım Salı November 07 Tuesday 20:30 Christian Scott VOLKSWAGEN ARENA 11 Kasım Cumartesi November 11 Saturday 21:00 Bonobo (Live) CEMAL REŞIT REY KONSER SALONU CEMAL REŞIT REY CONCERT HALL CADDEBOSTAN KÜLTÜR MERKEZI 12 Kasım Pazar November 12 Sunday 18:00 Amina Figarova Sextet CADDEBOSTAN CULTURE CENTER 12 Kasım Pazar November 12 Sunday 20:30 Chucho Valdés and Gonzalo Rubalcaba (100%) Trance (75%) 14 Kasım Salı November 14 Tuesday 20:30 TRT İstanbul Hafif Müzik ve Caz Orkestrası & Sibel Köse 15 Kasım Çarşamba November 15 Wednesday 20:30 Emir Ersoy Quartera feat. -
The Pas Educators' Companion
THE PAS EDUCATORS’ COMPANION Volume I Spring 2015 A resource from the PERCUSSIVE ARTS SOCIETY EDUCATION COMMITTEE THE PAS EDUCATORS’ Volume I COMPANION Spring 2015 The PAS Educators’ Companion is a publication of the Percussive Arts Society focusing on providing percussion education resources to the music education community. THE COMPANION STAFF Paul Buyer James Corcoran Pete DeSalvo Jonathan Latta Brian Nozny Josh Torres Michael Sammons Ben Stiers GRAPHIC DESIGN Adrian Valderrama PAS EXECUTIVE COMMITTEE Julie Hill, President Brian Zator, President-elect George Barrett, First Vice President Paul Buyer, Second Vice President Chris Hanning, Secretary John R. Beck, Immediate Past President Jeff Hartsough, Executive Director CONTACT PAS 110 W. Washington Street, Suite A, Indianapolis, IN 46204 Telephone: (317) 974-4488 Fax: (317) 974-4499 E-mail: [email protected] Web: www.pas.org COPYRIGHT © 2015 by the Percussive Arts Society. Reproduction of any part of this publication without permission from PAS is prohibited by law. LET’S ACCESSORIZE! CHOOSING TRIANGLES AND TAMBOURINES FOR YOUR SCHOOL PROGRAM 5 THE PAS Ben Stiers DEVELOPING EAR CHOPS 12 EDUCATORS’ Paul Buyer PERCUSSION POTPOURRI: 10 TIPS FOR HELPING YOUR COMPANION PERCUSSION SECTION 18 Brian Nozny Volume I Spring 2015 ESTABLISHING CONSISTENCY WITHIN YOUR MARCHING PERCUSSION SECTION 22 Gordon Hicken IT’S NOT ABOUT THE DRUMMING: INCORPORATING DRUM CIRCLE ACTIVITIES WITH YOUR CAMPUS SPECIAL NEEDS DEPARTMENT 29 Ralph Hicks PERCUSSION REPAIR 101 36 Christopher Davis Music Educators, Greetings, and welcome to the inaugural volume of the PAS Educators’ Companion! We at the Percussive Arts Society realize that the field of percussion has an extremely wide spectrum of subjects, many of which music educators must deal with on a daily basis. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
Before & After with Nasheet Waits
ACCOUNT Home > Features > Before & After with Nasheet Waits Before & After with Nasheet Waits On the virtues of his peers and the lessons of the masters UPDATED APRIL 25, 2019 – DAVID R. ADLER Billy Hart with the Cookers,Iridium, NYC 4-14 Harris Eisenstadt • • • • • asheet Waits, son of the incomparable drummer Freddie Waits, has found his greatest acclaim with pianist Jason Moran’s ceaselessly inventive trio the Bandwagon. But he’s also had a major N impact on the scene as a member of Tarbaby, Ralph Alessi’s Baida Quartet, Tony Malaby’s Tamarindo, David Murray’s InTnity Quartet, Dave Douglas’ Brass Ecstasy, Avishai Cohen’s Triveni, Amir ElSaffar’s Two Rivers Ensemble and many others. Stopping by for a listening session in late summer, Waits, 43, lent us his generous, wide-open ears and got to the heart of what he values as a drummer. 1. Jim Black AlasNoAxis “Tockle” (from Antiheroes, Winter & Winter). Black, drums; Chris Speed, tenor saxophone; Hilmar Jensson, guitar; Skúli Sverrisson, bass. Recorded in 2012. BEFORE: It’s reminding me of [Tony] Malaby a little bit. And something about the drums is reminding me of Tom [Rainey]. But I’m not sure who it is. AFTER: Oh, OK, Jim-that makes sense! I see Jim out there on the road a lot, and I’m a big fan of his playing, but I haven’t heard a lot of his recordings. I’ve seen him live quite often. Wow, that’s a great album cover. He’s one of those consummate musicians-I’ve seen him at the piano. -
Zen in the Art of Drumming: Jim Blackley and His Influence on the Jazz Drummers of Canada
ZEN IN THE ART OF DRUMMING: JIM BLACKLEY AND HIS INFLUENCE ON THE JAZZ DRUMMERS OF CANADA GIUSEPPE IANNUZZI A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO JANUARY 2019 © GIUSEPPE IANNUZZI, 2019 ii ABSTRACT The objective of this thesis is to examine how the pedagogy of Jim Blackley (1927- 2017)— the late Scottish-Canadian jazz drummer and educator— influenced several generations of Canadian jazz drummers. Blackley’s seminal publications such as Syncopated Rolls for the Modern Drummer Vol.1 (1961) and The Essence of Jazz Drumming (2001) disavow the traditional instruction of the snare drum rudiments in favour of playing and interpreting musical lines. Consequently, Blackley inculcated in his students the importance of the drummer’s ride cymbal acting as the primary means of stating time and providing the accents, punctuations, and phrases so vital to jazz rhythmic accompaniment. Through emphasizing the development of strong time keeping skills, an awareness of song form, the memorization and vocalization of rhythmic figures and phrases, and the significance of listening carefully to the bass line, chord changes and melody when improvising, Blackley instilled in his students the inviolable tenet of playing the drums musically. Using an ethnographic approach culling data from interviews with Blackley’s former students such as Terry Clarke, Barry Elmes, Duris Maxwell, and others, this thesis will also explore issues of identity construction and construal examining how Blackley’s pedagogy had led his students on an important journey of identity realization. -
JOJO MAYER& Latvian Radio Big Band
2013 Artist sheet JOJO MAYER& Latvian Radio Big Band Location: Switzerland/Latvia Genre: jazz, jungle, fusion Concert at April 26th, 2013 Riga’s Congress Center Latvian Radio Big Band Line up: Kārlis Vanags - conductor , Renārs Lācis – alto sax, Dāvis Jurka - alto sax, Gints Pabērzs – tenor sax, Māris Jēkabsons - tenor sax, Kristaps Lubovs – bariton sax; Lasse Lindgren, Oskars Ozoliņš, Jānis Šīmanis, Gints Stepanovs, Sandis Skeranskis – trumpets; Laura Rozenberga, Intars Busulis, Uldis Ziediņš, Artūrs Bērziņš – trombones; Ritvars Garoza – piano, keys, Mārcis Auziņš – guitar, Toms Poišs – bass, Artis Orubs - drums After the 16 years of a break, Latvian Radio Big Band is revived! And it is full of fresh ideas and forces. The collective will work on a project basis, involving the most talented Latvian musicians, and also the performers from other countries. Maris Briezkalns takes the management of the Big Band, the conductor and the tutor will be Karlis Vanags, while the patron of big band will be remarkable Latvian composer and pianist - Maestro Raimonds Pauls. The first time, the collective under a name of the Latvian radio has been created in 1966. At that time, the big-band was called «The Orchestra of Television and Radio of the Latvian SSR». Into 1992 it has been renamed and became «The Variety Orchestra of the Latvian Television and Radio», which people named - Radio Big Band. The first leader and the composer of the band was Ringolds Ore, but from 1968 till 1991 - violinist and arranger Alnis Zakis. The leaders of the Radio Big Band were also Raimonds Pauls and Gunars Rozenbergs. By the time Latvia has got independence, in 1996 a unique professional jazz orchestra of Latvia – Radio Big Band was liquidated. -
Comunicato Giotto Jazz Festival 2016 OK
COMUNICATO STAMPA GIOTTO JAZZ FESTIVAL XIX ed. Teatro Giotto, Vicchio (FI) dal 17 al 20 marzo 2016 Dopo la fortunata edizione dello scorso anno, il Giotto Jazz Festival, conferma la formula dei quattro giorni consecutivi: non più quindi “solo” una rassegna di concerti, ma una serie di iniziative che faranno di Vicchio per quattro giorni la capitale del jazz toscano. I concerti (e che concerti!!!) saranno il filo conduttore: ma tante anche le iniziative legate alla musica e alla enogastronomia perché si sa il Mugello è patria dei sapori buoni! Workshop, incontri, apertivi musicali, mostra fotografica, laboratori per bambini e, evento straordinario, un mercatino dal sapore vintage per l’intera giornata di domenica 20. La formazione del pubblico ed una attenzione particolare alla ospitalità caratterizzano il festival di questo piccolo comune fiorentino che si ispira ai maggiori jazz festival italiani. Conoscere le realtà locali attraverso la musica, individuare luoghi storici, scorci della campagna toscana: la musica ispira i viaggi e le conoscenze! Ed infatti quest’anno ci sarà la possibilità di visitare gratuitamente, per tutto il mese di marzo, i due musei del paese (Casa di Giotto e Museo Beato Angelico) mostrando il biglietto di ingresso ad uno dei concerti del festival! Ad inaugurare il festival saranno Petra Magoni e Ferruccio Spinetti (in collaborazione con FTS Musica): più di 1000 concerti, sei dischi in studio, due dischi live e un dvd. Questo il loro miglior biglietto da visita. James Taylor Quartet sarà il protagonista della seconda giornata del festival. Per un quarto di secolo il JTQ ha creato lo standard del suono funk acid jazz. -
Late Style, Disability, and the Temporality of Illness in Popular Music
UNIVERSITY OF CALIFORNIA Los Angeles Singing at Death’s Door: Late Style, Disability, and the Temporality of Illness in Popular Music A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Tiffany Naiman 2017 © Copyright by Tiffany Naiman 2017 ABSTRACT OF THE DISSERTATION Singing at Death’s Door: Late Style, Disability, and the Temporality of Illness in Popular Music by Tiffany Naiman Doctor of Philosophy in Musicology University of California, Los Angeles, 2017 Professor Robert W. Fink, Co-Chair Professor Raymond L. Knapp, Co-Chair This dissertation investigates musical expressions of temporal alterities in works created by popular music artists, identifying their aesthetic responses as their bodies become ill, disabled, and they become more aware of mortality. I propose a critical, hermeneutic, and theoretical method drawn from Edward Said’s appropriation of Adorno’s expression “late style” that I have designated ill style, a form of creativity within a temporality of illness. Late style is discernable in works produced, paradigmatically, at the end of one’s career in “old age,” but late style may also be understood as an influence on artistic output at any stage of life if the subject is experiencing untimeliness and a disruption in access to the communal understanding of futurity and time, a possible consequence of factors other than age. I contend that late style, accelerated by illness, disrupts Western cultural attempts at ignoring precarious and finite nature of existence; the resulting expressions of lateness ask audiences to do the same. I offer a way in which to think more critically about what scholars consider late style, how it functions in popular ii music studies and society, and how it intersects with the fields of disability, gender, queer, and critical race studies, and the social sciences. -
Percussive Arts Society International Convention
PASIC 2015 Percussive Arts Society International Convention 1 2 PAS President’s Welcome 6 Donations to the Logistics Incentives Program 7 Special Thanks 8 Area Map and Restaurant Guide 10 Convention Center Map 12 Exhibitors by Name 14 Exhibit Hall Map 15 Exhibitors by Category 16 Exhibitor Company Descriptions 20 Artist Sponsors 28 11.11.15 Schedule at a Glance 34 11.11.15 Schedule of Events 36 Focus Day Program Notes 37 11.12.15 Schedule at a Glance 40 11.12.15 Schedule of Events 42 11.13.15 Schedule at a Glance 48 11.13.15 Schedule of Events 50 11.14.15 Schedule at a Glance 56 11.14.15 Schedule of Events 58 TABLE OF CONTENTS About the Artists 60 PAS History 82 PAS Hall of Fame 84 PAS 2015 Awards 86 PASIC 2015 Advertisers 88 CSM9217 PASIC Program Spread 2015.qxp_Layout 1 10/26/15 12:35 PM Page 1 Live Custom with DTX electronics OnlyYamaha Yamaha Corporation is recognized around the world as the leader in musical instruments and sound reinforcement products. On the stage, in the studio and on the field, players choose Yamaha products to achieve peak performance. Yamaha brings an unparalleled ability to blend the best of the acoustic and digital worlds. In the arena of drums and percussion, we have combined handcrafted acoustic products and DTX electronic technology into hybrid Absolute Hybrid Maple drum sets that greatly expand the capabilities of the modern percussionist. In fact, Yamaha is the only music company with a history of both superb hand-craftsmanship and innovative digital technology.