JOJO MAYER& Latvian Radio Big Band
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
First Steps with the Drum Set a Play Along Approach to Learning the Drums
First Steps With The Drum Set a play along approach to learning the drums JOHN SAYRE www.JohnSayreMusic.com 1 CONTENTS Page 5: Part 1, FIRST STEPS Money Beat, Four on the Floor, Four Rudiments Page 13: Part 2, 8th NOTES WITH ACCENTS Page 18: Part 3, ROCK GROOVES 8th notes, Queen, R.E.M., Stevie Wonder, Nirvana, etc. Page 22: Part 4, 16th NOTES WITH ACCENTS Page 27: Part 5, 16th NOTES ON DRUM SET Page 34: Part 6, PLAYING IN BETWEEN THE HI-HAT David Bowie, Bob Marley, James Brown, Led Zeppelin etc. Page 40: Part 7, RUDIMENTS ON THE DRUM SET Page 46: Part 8, 16th NOTE GROOVES Michael Jackson, Erykah Badu, Imagine Dragons etc. Page 57: Part 9, TRIPLETS Rudiments, Accents Page 66: Part 10, TRIPLET-BASED GROOVES Journey, Taj Mahal, Toto etc. Page 72: Part 11, UNIQUE GROOVES Grateful Dead, Phish, The Beatles etc. Page 76: Part 12, DRUMMERS TO KNOW 2 INTRODUCTION This book focuses on helping you get started playing music that has a backbeat; rock, pop, country, soul, funk, etc. If you are new to the drums I recommend working with a teacher who has a healthy amount of real world professional experience. To get the most out of this book you will need: -Drumsticks -Access to the internet -Device to play music -Good set of headphones—I like the isolation headphones made by Vic Firth -Metronome you can plug headphones into -Music stand -Basic understanding of reading rhythms—quarter, eighth, triplets, and sixteenth notes -Drum set: bass drum, snare drum, hi-hat is a great start -Other musicians to play with Look up any names, bands, and words you do not know. -
The Pas Educators' Companion
THE PAS EDUCATORS’ COMPANION Volume I Spring 2015 A resource from the PERCUSSIVE ARTS SOCIETY EDUCATION COMMITTEE THE PAS EDUCATORS’ Volume I COMPANION Spring 2015 The PAS Educators’ Companion is a publication of the Percussive Arts Society focusing on providing percussion education resources to the music education community. THE COMPANION STAFF Paul Buyer James Corcoran Pete DeSalvo Jonathan Latta Brian Nozny Josh Torres Michael Sammons Ben Stiers GRAPHIC DESIGN Adrian Valderrama PAS EXECUTIVE COMMITTEE Julie Hill, President Brian Zator, President-elect George Barrett, First Vice President Paul Buyer, Second Vice President Chris Hanning, Secretary John R. Beck, Immediate Past President Jeff Hartsough, Executive Director CONTACT PAS 110 W. Washington Street, Suite A, Indianapolis, IN 46204 Telephone: (317) 974-4488 Fax: (317) 974-4499 E-mail: [email protected] Web: www.pas.org COPYRIGHT © 2015 by the Percussive Arts Society. Reproduction of any part of this publication without permission from PAS is prohibited by law. LET’S ACCESSORIZE! CHOOSING TRIANGLES AND TAMBOURINES FOR YOUR SCHOOL PROGRAM 5 THE PAS Ben Stiers DEVELOPING EAR CHOPS 12 EDUCATORS’ Paul Buyer PERCUSSION POTPOURRI: 10 TIPS FOR HELPING YOUR COMPANION PERCUSSION SECTION 18 Brian Nozny Volume I Spring 2015 ESTABLISHING CONSISTENCY WITHIN YOUR MARCHING PERCUSSION SECTION 22 Gordon Hicken IT’S NOT ABOUT THE DRUMMING: INCORPORATING DRUM CIRCLE ACTIVITIES WITH YOUR CAMPUS SPECIAL NEEDS DEPARTMENT 29 Ralph Hicks PERCUSSION REPAIR 101 36 Christopher Davis Music Educators, Greetings, and welcome to the inaugural volume of the PAS Educators’ Companion! We at the Percussive Arts Society realize that the field of percussion has an extremely wide spectrum of subjects, many of which music educators must deal with on a daily basis. -
Zen in the Art of Drumming: Jim Blackley and His Influence on the Jazz Drummers of Canada
ZEN IN THE ART OF DRUMMING: JIM BLACKLEY AND HIS INFLUENCE ON THE JAZZ DRUMMERS OF CANADA GIUSEPPE IANNUZZI A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO JANUARY 2019 © GIUSEPPE IANNUZZI, 2019 ii ABSTRACT The objective of this thesis is to examine how the pedagogy of Jim Blackley (1927- 2017)— the late Scottish-Canadian jazz drummer and educator— influenced several generations of Canadian jazz drummers. Blackley’s seminal publications such as Syncopated Rolls for the Modern Drummer Vol.1 (1961) and The Essence of Jazz Drumming (2001) disavow the traditional instruction of the snare drum rudiments in favour of playing and interpreting musical lines. Consequently, Blackley inculcated in his students the importance of the drummer’s ride cymbal acting as the primary means of stating time and providing the accents, punctuations, and phrases so vital to jazz rhythmic accompaniment. Through emphasizing the development of strong time keeping skills, an awareness of song form, the memorization and vocalization of rhythmic figures and phrases, and the significance of listening carefully to the bass line, chord changes and melody when improvising, Blackley instilled in his students the inviolable tenet of playing the drums musically. Using an ethnographic approach culling data from interviews with Blackley’s former students such as Terry Clarke, Barry Elmes, Duris Maxwell, and others, this thesis will also explore issues of identity construction and construal examining how Blackley’s pedagogy had led his students on an important journey of identity realization. -
October 2003
• CHARLIE BENANTE • TRAPT • PEARL FIRECRACKERS • JACKJACK DDEEJOHNETTEJOHNETTE CCHANGINGHANGING DDIRECTIONSIRECTIONS SSCOTTCOTT UUNDERWOODNDERWOOD TTRACKINGRACKING WWITHITH TTRAINRAIN TTOMMYOMMY SSICKLESICKLES OFF NOTHINGFACEOTHINGFACE WIN! O N Super Gear From Smith Drums, RROBOB BBOURDONOURDON Sabian Cymbals, LINKININKIN PARKARK CHARTHART Gibraltar Hardware, L P C and Evans Heads YYAMAHAAMAHA’’SS AABSOLUTEBSOLUTE NNOUVEAUOUVEAU KKITIT $4.99US $6.99CAN 10 MDMD F FESTEST 20032003 MMONSTERONSTER PPLAYERSLAYERS && MMASSIVEASSIVE KKITSITS!! 0 74808 01203 9 Contents ContentsVolume 27, Number 10 Jazz Legend Jack DeJohnette Jack DeJohnette has remained one of the world’s premier drummers by always looking forward, and never losing the passion. Oh, and by playing some of the most uniquely beautiful music on the drums ever. by Ken Micallef 38 Paul La Raia Train’s UPDATE 22 Scott Underwood 54 Charlie Benante While fans discuss Train’s “new direction,” followers of Scott of Anthrax Underwood know at least one thing is beyond debate: That’s one helluva player behind the kit. by David John Farinella Sam McCandless of Cold Paul La Raia Stix Hooper of The Crusaders Modern Drummer’s 66 Festival Weekend 2003 J.R. Conners The MD Fest turned Sweet Sixteen this year. How sweet? Check of Cave In the lineup: Steve Smith, Airto, Mike Portnoy, Shawn Pelton, Nick D’Virgilio, Antonio Sanchez, Matt Wilson, Nathaniel Townsley, The Drumbassadors, Hip Pickles, and the two hottest “undiscovered” Stan Frazier drummers around. Yeah, that’s sweet. of Sugar Ray by T. Bruce Wittet Alex Solca Playback 120 Tommy Sickles Aerosmith’s Of Nothingface 130 Joey Kramer Every now and then, a drum roadie seizes that once-in-a-lifetime Everything old is new again, at least on opportunity of replacing the drummer he schleps for. -
Of the Drummer's Journal
Hey! Listen! A bit like a trail of breadcrumbs, we’ve dispersed the TDJ logo throughout the magazine. If it all gets a bit much, you can click it at any point to return back to the contents page. You can also click the title of any article on the contents page to skip straight to it. Ads are interactive too, so if you see something you like, you can click it for more information. Contents Masthead 10 Dave Lombardo After Hours 19 Meg White Opinion, Entitlement and the Lack Thereof 25 Action Potential Jojo Mayer WIN! 39 Serenity Custom Drums On Grain, Groove and Industrial Accidents A Call To Arms Subscribe 53 Icing The Cake CONTENTS A Conversation with Bernard Purdie 62 A Memory For Muscles Issue Seven, Autumn 2014 Ben Martin 67 Justin Peroff Life After Broken Social Scene Shop Editor: Tom Hoare [email protected] Design: Luke Douglas [email protected] Technical: Anton Rodriguez, Andrew Jones Social: Dan Ainspan, Vicky Batrak Proof Reader: David Smith Contributors: Eric Everett, Julia Kaye, Daniel Korn, Ben Martin Photographers: Camilo Fuentealba, Ikue Yoshida, Christy Borgman, Tijana Martin, Asbjørg Homme Lindeland, Cristoffer Paulshus, Anthony Johnson, Darrell Jesonis, AP Johnson, Juha Luomala, Tessa Kerrs, Peter Orban, Stella Daniella, Brian Vetter, Yijuan Wu Illustrators: Kirsty Cassels, Ben Arthur, Katerina Friday, Austin Eustice, David Gonzalez Max Respect: Sam Gough, Renato Mueller, Paula, Luis Cardoso, David Tysowski, Celia, Kate Darracott, Elspeth Leadbetter, Beto Benitez, Flora Hodson, Elaine Smith, Greg, Norbert Saemann Cover Illustration: Tuomas Kärkkäinen MASTHEAD www Issue Seven, Autumn 2014 Copyright © The Drummer’s Journal 2014 The proprietors and contributors to The Drummer’s Journal have asserted their right under the Copyright Designs and Patents Act 1988 to be identified as the owners and authors of this work. -
Lebenslauf Philipp Gerschlauer
BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 THE NEW YORK CITY JAZZ RECORD BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 ALBUMS OF THE YEAR CONCERTS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR ANTHONY BRAXTON—Solo (Victoriaville) 2017 (Victo) BILL CHARLAP WITH CAROL SLOANE DARCY JAMES ARGUE’S SECRET SOCIETY PHILIPP GERSCHLAUER/DAVID FIUCZYNSKI— January 11th, Jazz Standard Dave Pietro, Rob Wilkerson, Chris Speed, John Ellis, UNEARTHED GEMS BOXED SETS TRIBUTES Mikrojazz: Neue Expressionistische Musik (RareNoise) Carl Maraghi, Seneca Black, Jonathan Powell, Matt Holman, ELLA FITZGERALD—Ella at Zardi’s (Verve) WILLEM BREUKER KOLLEKTIEF— TONY ALLEN—A Tribute to Art Blakey REGGIE NICHOLSON BRASS CONCEPT Nadje Noordhuis, Ingrid Jensen, Mike Fahie, Ryan Keberle, Out of the Box (BVHaast) and The Jazz Messengers (Blue Note) CHARLES LLOYD NEW QUARTET— Vincent Chancey, Nabate Isles, Jose Davila, Stafford Hunter Jacob Garchik, George Flynn, Sebastian Noelle, TUBBY HAYES QUINTET—Modes and Blues Passin’ Thru (Blue Note) February 4th, Sistas’ Place Carmen Staaf, Matt Clohesy, Jon Wikan (8th February 1964): Live at Ronnie Scott’s (Gearbox) ORNETTE COLEMAN—Celebrate Ornette (Song X) KIRK KNUFFKE—Cherryco (SteepleChase) THE NECKS—Unfold (Ideological Organ) January 6th, Winter Jazzfest, SubCulture STEVE LACY—Free For A Minute (Emanem) WILD BILL DAVISON— WADADA LEO SMITH— SAM NEWSOME/JEAN-MICHEL PILC— ED NEUMEISTER SOLO MIN XIAO-FEN/SATOSHI TAKEISHI THELONIOUS MONK— The Danish Sessions: -
Inaugural 2017 Bermuda Piano Festival May 15 - 17, 2017
Alex Tuchman, Artistic Director Charity # 483 INAUGURAL 2017 BERMUDA PIANO FESTIVAL MAY 15 - 17, 2017 1 CONTENTS MESSAGE FROM THE FOUNDER & ARTISTIC DIRECTOR 1 MESSAGE FROM BERMUDA SCHOOL OF MUSIC 2 EVENTS May 15, 2017 3 May 16, 2017 4 May 17, 2017 5 ARTIST BIOGRAPHIES Alex Tuchman 6 Eteri Andjaparidze 7 Joseph Hauer 8 Garret Ross 9 Giorgi Mikadze 10 Adrian Moring 11 Kenneth Salters 12 MESSAGE FROM THE FOUNDER & ARTISTIC DIRECTOR Dear Friends, It is very special for me to be able to bring to you our inaugural Bermuda Piano Festival in collaboration with the Bermuda School of Music. As many of you know, I have very strong ties to Bermuda, having lived here and visited this beautiful island over the past nine years while I was studying music in the U.S. Throughout this entire period, the Bermuda School of Music has been incredibly supportive, providing me with the use of a practice room when I was on Island and the opportunity to give recitals in its Allied World performance room for which I am deeply thankful. Our first concert features pianists Garret Ross, Joseph Hauer, Eteri Andjaparidze, and myself in a program celebrating the legacy of Scott Joplin, an African-American pianist and composer of ragtime music who is perhaps best known for his Maple Leaf Rag. On Wednesday night, May 17th, the Giorgi Mikadze Trio makes its Bermuda debut in an homage to American jazz legend Thelonious Monk. In addition to the performances, we are thrilled that we can bring to the students of the Bermuda School of Music a master class (open to the public) with Eteri Andjaparidze, a distinguished pianist who has performed around the globe. -
Mark Guiliana One Month Transcription
Mark Guiliana One Month Transcription Mendie is thru belittling after recognisable Wilek inweave his Colombo conjointly. Cody stews distinctively? Imperatorial Sven still convolute: evolutional and denumerable Jefferey coronate quite primarily but kids her fulls uncomplainingly. Transcribed music or purchase last Month Family attorney Mark Guiliana Jazz Quartet. Aaron is until of just most creative musicians in New York Check match what conduct has to. You call and cop these octave studies have an essential for a month! Listening at the Edges Aural Experience not Affect in new New. Useful is on intellect alone in easton, tadesse a month and guiliana on the harmonious expression patterns. A Note launch A Donny McCaslin Fan. Mark Guiliana One Month Transcription Translation Services. Even minimal cell differentiation in his new york you want to months ago, that i make people were up when i started approaching phrase and. We maybe be donating the six month window each vehicle vendor artist. Jeff ballard on one word of anthocyanin synthesis, those days of aplomb that and mark guiliana video is transcription. Want to months to prevent them together with the mark guiliana is. For on me, too distracted by this month would be chordal or cole! We ran like cole the pr mutation in the years i wanted to trump whips up of polish descent by: anyone else has. Louis Cole first gained notoriety as margin of their duo KNOWER and. SIGHTSOUNDRHYTHM MARK GUILIANA. Family First hear Music 2015 Drummer Mark Guiliana e x x x x x x x x x x x x x x x x 13 UIT wwwhutch-drumscom Transcriptions by Andrew Hutchings. -
Daniel Davison
WIN A PREMIER/SABIAN PACKAGE WORTH $6,450 THE WORLD’S #1 DRUM MAGAZINE APPS YOU NEED 9 TO KNOW TERENCE BLANCHARD’S OSCAR SEATON PORTRAIT OF A COMPLETE MUSICIAN ILAN RUBIN OF NIN/ANGELS & AIRWAVES/THE NEW REGIME OCTOBER 2015 BEN THATCHER: ROYAL BLOOD BLAKE RICHARDSON: BETWEEN THE BURIED AND ME JOE VITALE: JOE WALSH, CSN…MERYL STREEP? 12 Modern Drummer June 2014 June 2014 Modern Drummer 1 SHAPE Y O U R SOUND Bose® F1 Model 812 Flexible Array Loudspeaker 1 speaker. 4 coverage patterns. STRAIGHT J REVERSE J C Introducing the first portable loudspeaker that lets you easily control the vertical coverage – so wherever you play, more music reaches more people directly. The Bose F1 Model 812 Flexible Array Loudspeaker’s revolutionary flexible array lets you manually select from four coverage patterns, allowing you to adapt your PA to the room. Plus, the loudspeaker and subwoofer provide a combined 2,000 watts of power, giving you the output and impact for almost any application. Your audience won’t believe their ears. Bose.com/F1 ©2015 Bose Corporation. CC017045 2 Modern Drummer June 2014 BOS80570_ModernDrummer.indd 1 23/06/2015 12:48 PM PROUD PROUD DW Proud Ad - Josh F - FULL (MD).indd 1 7/16/15 11:30 AM SAYRE BERMAN PHOTOGRAPHY “From a young age I CONTENTS was taught to treat being a musician as a Volume 39 • Number 10 real skill. At twenty, 38 On the Cover when I joined Nine Inch Nails, I thought, ‘This is Ilan Rubin the kind of organization by Ken Micallef I want to be a part of.’” Trent Reznor isn’t the only rock star who’s seen the value of Ilan Rubin’s mature approach to art and commerce; the members of Paramore and Angels & Airwaves have tapped his considerable skills as well. -
Living the Dream Interview: Mover Photos: Mike Dwyer, Diana Van Campen
Ray LeVier Living The Dream Interview: Mover Photos: Mike Dwyer, Diana Van Campen It took me a few minutes to recall, and then it came back to me... “I remember Ray. I judged a drum-off competition that he was in quite a few years ago.” Then I recalled a bit more... that I had gotten into an argument with some of the other judges because I was the only one that voted Ray the winner. It wasn’t that the other judges didn’t necessarily feel otherwise, but they did feel that giving it to Ray, made it look like he was going to win out of sympathy. Well, that simply couldn’t have been farther from the truth; regardless, Ray got second place. What struck me next was, “Man, as if this kid doesn’t have enough to battle, he also has this kind of prejudice to deal with too!” And that was the last time I thought about it and Ray, for quite some time. Until walking through Greenwich Village one night and hearing, as usual, some amazing playing coming from The 55 Bar on Christopher Street. It could have been a number of great players–Keith Carlock, Dan Weiss, Tony Mason–so I popped my head in the door and saw Ray tearing it up. How pleased I was to see and hear him playing, which not only solidified the feelings I had back at the drum-off, but also solidified that Ray was able to rise above and beyond anything in his way; proving that no obstacle was going to come between him and living the dream! 014 drumheadmag.com drumheadmag.com 015 instant playback, as opposed to the replaced. -
Fima Ephron/Soul Machine/Tzadik Records R
BIOGRAFIA All'età di tre anni la sua famiglia si trasferisce a New York. Nonostante abbia vissuto principalmente nella costa orientale degli Stati Uniti, all'età di dieci anni si trasferisce per sette mesi in Tanzania e poi per due anni a Seattle, per ritornare infine a New York. I suoi genitori erano dei veri e propri hippies e quindi lo stimolarono sin da piccolo all'arte e alla cultura: all'età di tredici anni cominciò a frequentare la "Music and Art High School", che fu il punto di partenza per il suo sviluppo musicale. Prima dei Lost Tribe, i quali sono stati la prima formazione che gli ha permesso di essere conosciuto e apprezzato, ha militato in numerose situazioni differenti, con varie personalità, che vanno da Cissy Houston fino ad arrivare a Jacky Byard. Sin dai suoi esordi concentra la sua attenzione su progetti di stampo funckhock anche se numerose sono le partecipazioni in formazioni fusion, come i Current Events con i quali realizza un cd per la Verve, gruppi di musica latina sino a toccare la scena della free music. Importanti sono le partecipazioni con grandi artisti della costa orientale come Adam Rogers, bavid Binney e la bassista Me'Shell N'degeocello. Assolutamente da non dimenticare è la sua partecipazione al progetto innovativo e di fusione musicale dei Screaming Headless Torsos capeggiati dal chitarrista bavid "Fuze" Fiuczynski. Una parte importante del suo universo musicale la ricopre la musica etnica e la World music: a questo proposito vanno ricordate formazioni come "Hasidic New Wave" e "Yakar Rhythms". L'unione di questi due grandi componenti del suo universo musicale hanno dato origine, nel 2001, al suo primo album da solista intitolato "Soul Machine". -
New Releases
Hudson Music was founded in 1998 by co-owners Paul Siegel and Rob Wallis. In creating Hudson Music, Rob and Paul continued a tradition of providing superb quality video and audio products for music instruction and entertainment (which they had previously started in founding DCI Music Video in 1982). In the years since Hudson came into being, they have expanded their catalog to include DVDs, books and audio CDs, and are beginning to blend the use of each of these offerings into a “complete” multi-media approach to instruction. This system offers teachers and students an integrated system that combines educational DVDs with companion books and CDs with play-alongs, printable exercises and audio examples, online content, and more. Hal Leonard has been a proud distributor of Hudson Music products since 1999. In this brochure, you’ll find a wide selection of Hudson’s newest and best-selling DVDs, books, and CDs. New Releases Books Drum DVDs The Evolution Jason Bittner – The Best of the Modern of Blast Beats What Drives the Beat Drummer Festival™ – by Derek Roddy Jason Bittner’s hardcore 1997-2006 An in-depth look at drumming is featured in featuring highlights from today’s extreme metal this step-by-step method 1997, 1998, 2000, 2003, drumming styles, this for developing a metal 2005 and 2006 book covers extreme drumset vocabulary includ- Exceptional and inspirational styles such as speed ing grooves, fills, solos, performances by over 50 of metal, grindcore and and double bass technique. the world’s top drum artists. death metal. The CD Running time: 3 hours.