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Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner. -
Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation. -
ASPIRAR Professional Drumming Shoe
DRUMMER’S FEET DOES ANYONE EVER REALLY CARE ABOUT THE HEALTHY OF DRUMMER’S FEET DRUM SHOES DOES ANYONE EVER REALLY FIND WHAT KINDS OF FUNCTION OF THE SHOES MOST SUITABLE FOR PLAYING DRUM KIT MAESTRO-S FIT FOR SLIDING FOOT TECHNIQUE MAESTRO-R FIT FOR SIDE TO SIDE FOOT TECHNIQUE MAESTRO-X FIT FOR HEEL/TOE FOOT TECHNIQUE DREAM STAR FIT FOR HEEL DOWN/HEEL UP FOOT TECHNIQUE LEARNING ART IS A KIND OF ATTITUDE GOOD TOOLS ARE PREREQUISITE TO THE SUCCESSFUL EXECUTION OF A JOB LIKE DANCING, PLAYING DRUM KIT ALSO NEED PROFESSIONAL DRUMMING SHOES THIS CONCEPT IS GRADUALLY FORMED PRO DRUMMING SHOES WILL BECOME THE STANDARD OF LEARNING & PLAYING DRUM KIT BRAND INSTRUCTION FIRST PROFESSIONAL DRUMMING SHOES BRAND IN THE WORLD ASPIRAR brand was founded in 2014, formally established in 2015, and “AS” is for short. AS is the first brand in the world that providing professional drumming shoes for drummers to play the drum kit. AS pursuits innovation and dedicate to service drummers better as a lifelong career. ASPIRAR in Spanish represents the obsession with their aspiration. ‘Universal ‘love’&‘Faith' is the eternal spirit of ASPIRAR members. ASPIRAR is willing to accompany all the artists to shine your light! 全球使用AS品牌专业鼓鞋的艺术家们 THE WORLD FAMOUS ARTISTS WHO ARE USING ASPIRAR PROFESSIONAL DRUMMING SHOES 全球使用AS品牌专业鼓鞋的艺术家们 THE WORLD FAMOUS ARTISTS WHO ARE USING ASPIRAR PROFESSIONAL DRUMMING SHOES 全球使用AS品牌专业鼓鞋的艺术家们 THE WORLD FAMOUS ARTISTS WHO ARE USING ASPIRAR PROFESSIONAL DRUMMING SHOES 全球使用AS品牌专业鼓鞋的艺术家们 THE WORLD FAMOUS ARTISTS WHO ARE USING ASPIRAR PROFESSIONAL DRUMMING SHOES PRODUCT SERIES COLLECTOR SERIES SIGNATURE SERIES PRO SERIES COLLECTOR SERIES LIMITED EDITION SIGNATURE SERIES ARTISTS EXCLUSIVE EDITION PRO SERIES MULTI-FUNCTION CHOICE FOR PRO DRUMMER WHAT’S THE SPECIAL NEED OF PRO DRUMMING SHOES OUTSOLE PATTERN SHOULD MATCH WITH FOOT TECHNQUE DIFFERENT FOOT TECHNIQUE NEED DIFERENT TRACTION TO PLAY THE SHOES SHOULD BE LIGHTWEIGHT THE SHOES SHOULD BE BREATABLE THE SHOES SHOULD HAVE BETTER STABILITY SOLUTION Should keep the ankle area better flexible. -
First Steps with the Drum Set a Play Along Approach to Learning the Drums
First Steps With The Drum Set a play along approach to learning the drums JOHN SAYRE www.JohnSayreMusic.com 1 CONTENTS Page 5: Part 1, FIRST STEPS Money Beat, Four on the Floor, Four Rudiments Page 13: Part 2, 8th NOTES WITH ACCENTS Page 18: Part 3, ROCK GROOVES 8th notes, Queen, R.E.M., Stevie Wonder, Nirvana, etc. Page 22: Part 4, 16th NOTES WITH ACCENTS Page 27: Part 5, 16th NOTES ON DRUM SET Page 34: Part 6, PLAYING IN BETWEEN THE HI-HAT David Bowie, Bob Marley, James Brown, Led Zeppelin etc. Page 40: Part 7, RUDIMENTS ON THE DRUM SET Page 46: Part 8, 16th NOTE GROOVES Michael Jackson, Erykah Badu, Imagine Dragons etc. Page 57: Part 9, TRIPLETS Rudiments, Accents Page 66: Part 10, TRIPLET-BASED GROOVES Journey, Taj Mahal, Toto etc. Page 72: Part 11, UNIQUE GROOVES Grateful Dead, Phish, The Beatles etc. Page 76: Part 12, DRUMMERS TO KNOW 2 INTRODUCTION This book focuses on helping you get started playing music that has a backbeat; rock, pop, country, soul, funk, etc. If you are new to the drums I recommend working with a teacher who has a healthy amount of real world professional experience. To get the most out of this book you will need: -Drumsticks -Access to the internet -Device to play music -Good set of headphones—I like the isolation headphones made by Vic Firth -Metronome you can plug headphones into -Music stand -Basic understanding of reading rhythms—quarter, eighth, triplets, and sixteenth notes -Drum set: bass drum, snare drum, hi-hat is a great start -Other musicians to play with Look up any names, bands, and words you do not know. -
Allegories of Native America in the Fiction of James Purdy
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE MIXEDBLOOD METAPHORS: ALLEGORIES OF NATIVE AMERICA IN THE FICTION OF JAMES PURDY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By MICHAEL E. SNYDER Norman, Oklahoma 2009 MIXEDBLOOD METAPHORS: ALLEGORIES OF NATIVE AMERICA IN THE FICTION OF JAMES PURDY A DISSERTATION APPROVED FOR THE DEPARTMENT OF ENGLISH BY Dr. Timothy Murphy, Chair Dr. Ronald Schleifer Dr. Craig Womack Dr. Rita Keresztesi Dr. Julia Ehrhardt © Copyright by MICHAEL E. SNYDER 2009 All Rights Reserved. ACKNOWLEDGEMENTS I want to express my gratitude to the following people, without whom I could not have completed this project at all, or in the same way: Profound thanks go to my wife and family for support, inspiration, suggestions, and proofreading help: Lori Anderson Snyder, Mary Lou Anderson, Ivy K. Snyder, Marianna Brown Snyder, E. Eugene Snyder, Christine Hadley Snyder, Timothy D. Snyder, Marci Shore, Philip B. Snyder, and Mary Moore Snyder, in Ohio, Oklahoma, San Diego, and New Haven. Deep thanks for thoughtful conversation, improvisation, edification, guidance, and ideas go to my Chair and mentor, Timothy S. Murphy. A very special debt of gratitude goes to John Uecker of New York City. Special thanks to Dr. Jorma Sjoblom of Ashtabula, Ohio. Special thanks to Parker Sams, of Findlay, Ohio, and the Sams family; and Dorothy Purdy, David Purdy, and Christine Purdy, of Berea, Ohio. Many thanks for much inspiration and education go to Craig S. Womack, currently at Emory University. Special thanks for encouragement and support above and beyond the call of duty go to Julia Ehrhardt in the Honors College at the University of Oklahoma. -
Drummer Bracket Template
First Round Second Round Sweet 16 Elite 8 Final Four Championship Final Four Elite 8 Sweet 16 Second Round First Round Peter Criss-Kiss Robert Bourbon-Linkin Park Neal Sanderson-Three Days Grace Neal Sanderson-Three Days Grace Morgan Rose-Sevendust Morgan Rose-Sevendust Matt Sorem-GNR Paul Bostaph-Slayer Clown-Slipknot Charlie Benante-Anthrax Paul Bostaph-Slayer Paul Bostaph-Slayer Morgan Rose-Sevendust Clown-Slipknot Ray Luzier-KoRn Matt McDonough-Mudvayne Neal Peart-Rush Matt Cameron-Pearl Jam Ginger Fish-Manson Ray Luzier-KoRn Winner Matt Cameron-Pearl Jam Joey Kramer-Aerosmith Matt McDonough-Mudvayne Matt McDonough-Mudvayne Neal Peart-Rush Neal Peart-Rush Chad Gracey-Live Matt McDonough-Mudvayne Vinnie Paul-Pantera Neal Peart-Rush Sam Loeffler-Chevelle Lars Ulrich-Metallica Tommy Lee-Motley Crue Shannon Larkin-Godsmack Taylor Hawkins-Foo Roy Mayogra-Stone Sour Lars Ulrich-Metallica Taylor Hawkins-Foo Fighters Ben Anderson-Nothing More Jay Weinberg-Slipknot Jay Weinberg-Slipknot Ron Welty-Offspring Ron Welty-Offspring Alex Shelnett-ADTR Jay Weinberg-Slipknot Taylor Hawkins-Foo Fighters Butch Vig-Garbage Vinnie Paul-Pantera Tre Cool-Green Day Tommy Lee-Motley Crue Shannon Larkin-Godsmack Eric Carr-Kiss John Alfredsson-Avatar Tre Cool-Green Day Neal Peart-Rush Robb Rivera-Nonpoint Robb Rivera-Nonpoint Bill Ward-Black Sabbath Tommy Lee-Motley Crue Shannon Larkin-Godsmack Shannon Larkin-Godsmack Tommy Lee-Motley Crue Chris Adler-Lamb of God Tommy Lee-Motley Crue Neal Peart-Rush Vinnie Paul-Pantera Joey Jordison-Slipknot Sean Kinney-Alice -
Aquiles Priester – Those Who Appreciate My Work Expect Some Kind of Didactic Material to Be Released from Time to Time
1. In your busy life as a musician you've found time to realize methods and DVDs. What prompted you to dedicate time to their achievement? Aquiles Priester – Those who appreciate my work expect some kind of didactic material to be released from time to time. I’m in no hurry to do many things so as to have a vast catalogue. My greatest concern is to maintain a high level of quality in everything I do. Come to think of it, free time is something that doesn’t exist, but if you want to go ahead in your care er, you have to make time to realize the things that are important and at the right time. 2. Your last instructional DVD (The Infallible Reason Of My Freak Drumming), is very practical with regard to the division of chapters. Did you choose this subdivision by yourself? Aquiles – Yes, I produced the DVD myself and it was based on things that I always studied. Everything I learned with Kiko Freitas at the time when I studied with him is included in the DVD. This goes beyond the exercises themselves because I’m talking about the conception of the work. Many people comment that the way in which the DVD is presented is very good and that makes me very happy. This DVD was released worldwide by Mel Bay Publishing and in 2011 was considered 3rd best instructional DVD of the year according to readers of Modern Drummer magazine . 3. How long did it take to complete it? Aquiles – I did a long pre-production, almost 15 days recording and rehearsing the whole script during 8 hours daily alone on a farm. -
JULY 2016 F L U I D Machined Chain Drive
JULY 2016 F L U I D Machined Chain Drive Fluid Design = Fluid Motion. Responsive, accurate, powerful and decidedly DW. The all-new MCD pedal represents the convergence of engineering and art. mfg Coming to your favorite DW retailer soon. U.S.A. www.DWDRUMS.COM/hardware/dwmfg/ 12©2016Modern DRUM Drummer WORKSHOP, JuneINC. ALL 2014 RIGHTS RESERVED. MCD Chain Drive Pedal Ad- 2016 (MD)-fav.indd 1 4/20/16 11:20 AM Jason McGerr | DEATH CAB FOR CUTIE ©2016 Vic Firth Company ©2016 STAR POWER The Ultimate Drum Set? With several hundred years of combined experience, Tama’s master craftsmen set out to pursue their vision of the ultimate drum set. Their work centered on one essential goal: to inspire the artists that have inspired them. By now it’s fair to say, STAR drums have inspired some amazing drummers. Regardless of musical style, STAR drums and innovative STAR hardware continue to surprise, impress, and inspire even the most discriminating players. Armed with an array of smart mechanical inventions, luxurious looking finishes, and rich, soul-stirring sound—STAR drums unbeatable sound. offer drummers a musical medium that’s as singular as it is powerful. VicKick Beaters® from Vic The first time Jason McGerr of Death Cab for Cutie tried out his VicKick Beaters®, his sound engineer said, “Hey man, what did you do? Your kick drum sounds amazing!” That’s because the VicKick Beaters® were designed from the ground up with sound quality as our absolute #1 priority. Check them out for youself. From the first beat, you’ll hear a difference. -
Please Read Before Loading Card Into
Top 50 Drummers V.I Expansion Pack a sound enhancing expansion pack for the Roland TD-20 Drum Module Owner’s Manual i End User License Agreement (EULA) This is a legal agreement ("this Agreement") between you and V Expressions LTD., ("V Expressions LTD."). This Agreement pertains to your use of the V Expressions LTD. expansion programming, documentation and updates which are provided to you by V Expressions LTD (collectively, the "Product"). By purchasing a V Expressions LTD. Product, you are consenting to the terms of this Agreement. This Agreement grants you a personal, exclusive, non-transferable, non-sub licensable right to use one copy of the V Expressions LTD. Product for your own personal use on a single computer and/or compatible drum module. V Expressions LTD. reserves all rights in the Product not expressly granted herein, including ownership and proprietary rights. This software may not, in whole or in any part, be copied, reproduced, resold, transmitted, translated (into any language, natural or computer), reduced to any electronic medium or machine readable format, or by any other form or means without prior consent, in writing, from V Expressions LTD. License Restrictions: You may not reproduce or distribute the Product. You may not copy the Product to any media, server or location for reproduction or distribution. You may not reverse engineer, de-compile or disassemble the Product or otherwise attempt to derive the source code for the Product, or without limitation, redistribute, sublicense, or otherwise transfer rights in the Product. This Product may not be rented, lent or leased. The restrictions contained herein apply equally to any updates that may be provided to you by V Expressions LTD. -
By Mike Haid
by Mike Haid hen Drummers Collective proprietors Paul Siegel and Rob Wallis began Wvideotaping master classes with high- profile drummers at their New York City music school in 1982, they had no idea that this bold move into the modern age of VHS tape recording would spiral into an internationally successful multimedia business, establishing them as the pre- eminent drum-video gurus of the industry. One could argue that this dynamic duo of drumming education is just as responsible for the advance- ment of the art of drumming as many of the innov- ative players they’ve painstakingly archived over their nearly thirty-year partnership. In 2000, Modern Drummer magazine honored Siegel and Wallis with an Editors’ AchievementPaiste: Tradition, Innovation, And Family Values Award, “in recognition of outstanding contribu- tion to the drum/percussion community.” In 2001, the Percussive Arts Society presented them with the President’s Achievement Award. In 2009, they celebrated ten years at the helm of their most recent successful venture, the award-winning drum instructional multimedia company Hudson Music. AN IDEA TAKES SHAPE Siegel and Wallis were students at a small underground music school in Manhattan called Drummers Collective when they sat down for Hudson’s Rob Wallis and Paul Siegel have collaborated with many of the greatest drummers of our time. Clockwise lunch one day and discussed the possibilities of from top left: Steve Gadd, Neil Peart, Gregg Bissonette, buying the school, which was coming up for sale Jason Bittner. by founder Rick Kravitz. They had known each other maybe a total of three hours prior to the now-historic meeting. -
NEIL PEART Constante (R)Évolution…
Interview par Laurent Bendahan NEIL PEART Constante (r)évolution… OBTENIR UNE INTERVIEW DU BATTEUR DE RUSH EST LOIN D’ÊTRE UNE SINÉCURE , ET POUR CAUSE , IL N’EN ACCORDE PRATIQUEMENT PLUS ! L A RENCONTRE A EU LIEU À AMSTERDAM LE 3 JUIN DERNIER , QUELQUES HEURES AVANT LE SHOW DONNÉ AU ZIGGO DOME . A VANT DE POUVOIR PARLER AU MAESTRO , VOTRE SERVITEUR A DÛ PROUVER SES BONNES INTENTIONS (AUTREMENT DIT SA VOLONTÉ DE NE PAS FROISSER L’ARTISTE ) EN LIVRANT SES QUESTIONS À L’AVANCE . U NE FOIS LES THÈMES QUI FÂCHENT ÉLAGUÉS , L’ENTRETIEN PUT COMMENCER , TOUJOURS SOUS LA SURVEILLANCE RAPPROCHÉE D’UN STAFF PRÊT À INTERVENIR À LA MOINDRE CONTRARIÉTÉ . Pourtant notre homme n’a aucunement besoin de me mettre en pilote automatique, mais pour d’au - chansons en figeant chaque mouvement et transi - telles mesures. Il reste avant tout intègre, ne fait ja - tres, je dois faire très attention, devant faire face à tion. Ensuite je les réécoutais autant de fois qu’il le mais semblant, répondant volontiers comme un de nombreux changements. Le solo appartient à fallait afin d’être pleinement satisfait, portant mon moulin à paroles sur les sujets qui l’intéressent, et cette seconde catégorie. Bien entendu, il ne faut pas attention sur le respect d’une certaine symétrie. vous rabattant le caquet dans le cas contraire. Nul négliger l’aspect « préparation physique » car cette Mais j’ai réalisé qu’il n’était pas forcément néces - doute qu’il sait se défendre tout seul, comme en at - musique réclame énormément d’énergie ! J’en parle saire d’appliquer une telle méthode. -
AQUILES PRIESTER Considered Best Brazilian Heavy Metal Drummer For
AQUILES PRIESTER Considered best Brazilian heavy metal drummer for twelve years in a row by main specialized magazines and sites, in 2011 Aquiles Priester was the only Brazilian in the history of Brazilian drumming to rank 5th best Prog Metal drummer of the world according to American Modern Drummer magazine next to names such as Neil Peart, Mike Portnoy, Gavin Harrison and Marco Minnemann. Aquiles Priester has already done more than 350 drum clinics in various countries and took part of the biggest drum festivals around the world such as Modern Drummer Festival (United States), Montreal Drum Fest (Canada), Batuka! International Drum Fest (Brazil), La Rioja Festival (Spain), Laguna Drum Fest (Mexico), London Drum Show and Drummer Live (England), International Summer Drum Camp (France), Thomas Lang’s Big Drum Bonanza (United States), Frankfurt Musikmesse (Germany) and Namm Show (United States). Born in South Africa, he moved to Brazil while still a child, spending his childhood and part of his adolescence in Foz do Iguaçu, a city in the state of Paraná. In 1988 he moved to Porto Alegre and in 1997 he founded heavy metal band Hangar where he began developing the style that would make him known worldwide. With Hangar he released five studio albums, an acoustic CD and a live acoustic DVD. The first parallel project while still with the band Hangar were some gigs with Tritone in 1999, a kind of Brazilian G3 with Edu Ardanuy, Frank Solari and Serj Buss. Soon after Aquiles was invited to record and go on tour with Paul Di’Anno, former Iron Maiden singer.