Truth and Travesties in the Telling and Retelling of Dada (Hi)Stories
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Staging the Scientist: the Representation of Science and Its Processes in American and British Drama
Staging the Scientist: The Representation of Science and its Processes in American and British Drama Aneta Marta Malinowska Dissertação de Mestrado em Estudos Ingleses e Norte Americanos Abril de 2014 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Estudos Ingleses e Norte Americanos, realizada sob a orientação científica de Professora Teresa Botelho “Putting on a play is a sort of a scientific experiment. You go into a rehearsal room which is sort of an atom and a lot of these rather busy particles, the actors, do their work and circle around the nucleus of a good text. And then, when you think you’re ready to be seen you sell tickets to a lot of photons, that is an audience, who will shine a light of their attention on what you’ve been up to.” Michael Blakemore, Director of Copenhagen ii ACKNOWLEDGMENTS For my endeavor, I am actually indebted to a number of people without whom this study would not have been possible. First of all, I would like to express my deepest gratitude to my parents for their love, support and understanding that they have demonstrated in the last two years. I dedicate this dissertation to them. I am also grateful to Professor Teresa Botelho for her guidance and supervision during the course as well as for providing me with the necessary information regarding the research project. My special thanks also goes to Marta Bajczuk and Valter Colaço who have willingly helped me out with their abilities and who have given me a lot of attention and time when it was most required. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
Home and Family
5 Home and Family UNCORRECTED PAGE PROOFS Copyright © 2017 (and distributed by) Bedford, Freeman & Worth High School Publishers. Strictly for use with its products. Not for redistribution 06_JAG_8251_ch05_148_307.indd 148 18/08/16 12:26 PM hat makes a house a W home? “Home” suggests sanctuary, loved ones, nourishment — a place where everybody knows your name. The term is woven deep into our language as well as our consciousness. Consider the connotations of homemade and homespun. Home can offer refuge from the hostile world, or it can be a prison. People living together inevitably — sometimes intentionally — rub one another the wrong way. This chafing provides writers with rich material for art. (Remember, without conflict there is no story.) Are these writers working through their own failed relationships with mothers, fathers, and siblings? Sometimes. Are they exploring their conflicted feelings toward a home they left behind? Maybe. Are they holding up a mirror that allows us to see our own homes and families in a new light? Most certainly. Though the trappings of Happy families are all alike; home and family differ across every unhappy family is unhappy cultures, human families have in its own way. much in common. Legend has it that a man from Czechoslovakia, — Leo Tolstoy, Anna Karenina after watching a production of August Wilson’s Fences (set in Pittsburgh in the 1950s), approached the playwright and asked him, “How did you know about my family?” Wilson may not have known that particular man’s family, but he knew about families and how the sins of the Getty Images / father play out in the lives of sons. -
Kennedy Center Education Department. Funding Also Play, the Booklet Presents a Description of the Prinipal Characters Mormons
DOCUMENT RESUME ED 381 835 CS 508 902 AUTHOR Carr, John C. TITLE "Angels in America Part 1: Millennium Approaches." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95) NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 903-906. PUB TYPE Guides General (050) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Acquired Immune Defi-:ency Syndrome; Acting; *Cultural Enrichment; *Drama; Higher Education; Homophobia; Homosexuality; Interviews; Playwriting; Popular Culture; Program Descriptions; Secondary Education; United States History IDENTIFIERS American Myths; *Angels in America ABSTRACT This booklet presents a variety of materials concerning the first part of Tony Kushner's play "Angels in America: A Gay Fantasia on National Themes." After a briefintroduction to the play, the booklet presents a description of the prinipal characters in the play, a profile of the playwright, information on funding of the play, an interview with the playwright, descriptions of some of the motifs in the play (including AIDS, Angels, Roy Cohn, and Mormons), a quiz about plays, biographical information on actors and designers, and a 10-item list of additional readings. (RS) Reproductions supplied by EDRS are the best that can be made from the original document. ****):***:%****************************************************)%*****)%* -
From Superiority to Equality?: Men's Voices in Wendy Wasserstein's Plays
Hacettepe University Graduate School of Social Sciences Department of American Culture and Literature FROM SUPERIORITY TO EQUALITY?: MEN’S VOICES IN WENDY WASSERSTEIN’S PLAYS Duygu Beste Başer Master’s Thesis Ankara, 2016 FROM SUPERIORITY TO EQUALITY?: MEN’S VOICES IN WENDY WASSERSTEIN’S PLAYS Duygu Beste Başer Hacettepe University Graduate School of Social Sciences Department of American Culture and Literature Master’s Thesis Ankara, 2016 iii To my parents... iv ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my thesis supervisor Assoc. Prof. Dr. Tanfer Emin TUNÇ for her invaluable guidance throughout my thesis writing process. I am deeply grateful for her constructive feedback and inspirational suggestions. I would also like to express my respect to the members of the Department of American Culture and Literature. They all helped me broaden my horizons, see things from a different perspective, and taught me how to be a better person. Thank you Prof. Dr. Meldan TANRISAL, Prof. Dr. Ufuk ÖZDAĞ, Assoc. Prof. Dr. Bilge MUTLUAY ÇETİNTAŞ, Assist. Prof. Dr. Barış GÜMÜŞBAŞ, Assist. Prof. Dr. Ayça GERMEN, Assist. Prof. Dr. Cem KILIÇARSLAN, Assist. Prof. Dr. Özge ÖZBEK AKIMAN, Dr. Ceylan ÖZCAN, Dr. Gözde ERDOĞAN and Assoc. Prof. Dr. Nur GÖKALP AKKERMAN whose retirement saddened all her students. I want to thank my family for always being there. They were always supportive and encouraging with every decision I made in my life. I am grateful to them for always allowing me to experience life by myself. I sincerely thank my supportive best friend and lifelong companion, Batuhan Baybars ÖZCAN for his patience during this process. -
Representing the Crisis' in Masculinity: British and North American Male Playwrights, 1990-2005
Representing the Crisis' in Masculinity: British and North American Male Playwrights, 1990-2005 Kathryn Ann Whittaker, BA (Hons), MA This thesis is submitted for the degree of Doctor of Philosophy September 2009 ProQuest Number: 11003508 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003508 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Copyright © 2009 by Kathryn A. Whittaker All rights reserved Contents Abstract v Acknowledgements vii Introduction The 'crisis' in masculinity 1 Hegemonic masculinity 9 Theorising masculinities on stage 11 Constructions of the 'crisis' 17 The 'backlash' 26 Reflections on the discourse 30 Men and masculinities in cultural representation 33 Methodology 49 Overview of chapters 51 Chapter One Fighting for the Phallus: Straight White Masculinity and Fear of the Feminine in Patrick Marber's Closer and Neil LaBute's The Shape of Things Introduction to the plays and critical responses 60 British context and play writing tropes 68 US context and play writing tropes -
The Reconstruction of the American Identity in Post-9/11 Cinema
An Apocalypse of Change: The Reconstruction of the American Identity in Post-9/11 Cinema Author: Kellen E. O'Gara Persistent link: http://hdl.handle.net/2345/1189 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2010 Copyright is held by the author, with all rights reserved, unless otherwise noted. An Apocalypse of Change: The Reconstruction of the American Identity in Post-9/11 Cinema By Kellen O’Gara A Senior Honors Thesis Submitted to the Department of Communication Of Boston College May 2010 1 A man finds his identity by identifying. A man's identity is not best thought of as the way in which he is separated from his fellows, but the way in which he is united with them.” –Robert Terwilliger 2 TABLE OF CONTENTS ABSTRACT........................................................................................................................4 CHAPTER ONE- INTRODUCTION…………………………………………………..5 CHAPTER TWO-THE SPARK THAT LIT THE FIRE: THE CRASH THAT SET THE MODERN WORLD AFLAME ………………….....7 CHAPTER THREE-DIVIDED LINES: POST 9/11 RACISM AND INTOLERANCE…………….............................................9 CHAPTER FOUR- AMBIGUITY OF IDENTITY: PREVIOUS STUDIES OF INTOLERANCE, RACISM, AND THE AMERICAN RACIAL IDENTITY…………………………………………………………………...12 CHAPTER FIVE-A HISTORICAL APPROACH TO IDENTITY CONSTRUCTION……………………………………………………………………...22 Progress and Perimeters: Concepts of the Modern Era…………………...…23 Blissful Ambiguity: The Post-Modern Outlook……………………………....25 CHAPTER SIX- -
The Notion of Citizenship in Tony Kushner's Angels in America And
Abschlussarbeit zur Erlangung des Magister Artium im Fachbereich Neuere Philologien (FB 10) der Johann Wolfgang Goethe-Universität Frankfurt am Main Institut für England- und Amerikastudien Thema: „We will be citizens.“ The Notion of Citizenship in Tony Kushner’s Angels in America and Larry Kramer’s The Normal Heart 1. Gutachterin: Prof. Dr. Katja Sarkowsky 2. Gutachterin: Prof. Dr. Christa Buschendorf vorgelegt von: Manuel Dominic Stock aus: Frankfurt am Main Einreichungsdatum: 12. Oktober 2009 2 Table of Contents 1. Introduction ..........................................................................................................................4 2. The Notion of Sexual Citizenship......................................................................................11 2.1 Approaches to Sexual Citizenship..................................................................................14 2.2 AIDS Citizenship ...........................................................................................................18 2.3 AIDS in ‘America’.........................................................................................................23 2.4 Summary and Conclusion ..............................................................................................26 3. AIDS and the Reaganite United States of the 1980s .......................................................29 4. The Normal Heart: We Must Save Ourselves ..................................................................35 4.1 Identity: A culture that isn’t just sexual -
Master's Thesis Template
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE AN EXPLORATION OF DIRECTORIAL PRE-PRODUCTION PROCESS FOR TOM STOPPARD’S TRAVESTIES A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By JESSICA ALEXIS GRAY Norman, Oklahoma 2017 AN EXPLORATION OF DIRECTORIAL PRE-PRODUCTION PROCESS FOR TOM STOPPARD’S TRAVESTIES A THESIS APPROVED FOR THE PEGGY DOW HELMERICH SCHOOL OF DRAMA BY ______________________________ Dr. Judith Pender, Chair ______________________________ Dr. Kae Koger ______________________________ Dr. David Fennema © Copyright by JESSICA ALEXIS GRAY 2017 All Rights Reserved. For my husband and children. Without the chaos you bring to my life, I never could have hoped to make any sense of this play . Acknowledgements I would like to extend my heartfelt thanks to Dr. Kae Koger. She has been a bulwark for support and a bastion of sanity for me while here at OU and, especially, during the writing of this thesis. To Dr. Judith Pender, I would like to say thank you for a wealth of inspiration and knowledge that has forever changed my perspective on theatre and on life. Every time I feed my soul, I’ll think of her and smile. I would also like to thank Dr. David Fennema for his support in my teaching endeavors and his overwhelming kindness and sincerity. And to Professor Christopher Sadler I would say thank you for his example as a confident, practical, and worldly theatre professional. iv Table of Contents Acknowledgements ......................................................................................................... iv Chapter 1: Introduction ..................................................................................................... 1 Chapter 2: The Biographical and Philosophical Stances of Tom Stoppard .................... 6 Chapter 3: Review of the Literature .............................................................................. -
Madama Butterfly: the Mythology; Or How Imperialism and the Patriarchy Crushed Butterfly's Wings
University of Central Florida STARS HIM 1990-2015 2014 Madama Butterfly: The Mythology; or How Imperialism and the Patriarchy Crushed Butterfly's Wings Adriana Nieves University of Central Florida Part of the Music Performance Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Nieves, Adriana, "Madama Butterfly: The Mythology; or How Imperialism and the Patriarchy Crushed Butterfly's Wings" (2014). HIM 1990-2015. 1679. https://stars.library.ucf.edu/honorstheses1990-2015/1679 MADAMA BUTTERFLY: THE MYTHOLOGY or HOW IMPERIALISM AND THE PATRIARCHY CRUSHED BUTTERFLY’S WINGS by ADRIANA V. NIEVES A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Music Performance in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Fall Term 2014 Thesis Chair: Dr. Scott Warfield ABSTRACT As a popular historic work with constant and worldwide performances, the sexist and racist narratives disseminated by Giacomo Puccini’s opera Madama Butterfly causes harmful social and political ramifications. Many scholars point to this opera specifically when discussing the fetishization of Asian females, and mention the title character as the quintessential example of damaging stereotypes. Thus, I conduct a postcolonial and feminist reading of Madama Butterfly, through analysis of the opera’s libretto, the libretto sources, and the opera’s score. -
NEW CATALOGUE 08-09.Qxd 8/1/2008 2:50 PM Page 1
IInsidenside CCoverover SSpread.epspread.eps 77/9/2008/9/2008 33:02:31:02:31 PPMM C M Y CM MY CY CMY K NEW CATALOGUE 08-09.qxd 8/1/2008 2:50 PM Page 1 Catalogue of New Plays 2008–2009 © 2008 Dramatists Play Service, Inc. NEW CATALOGUE 08-09.qxd 8/1/2008 2:50 PM Page 2 Dramatists Play Service, Inc. A Letter from the President Fall 2008 Dear Subscriber, This year there is an important change in our annual printed catalogue. We have decided to discontinue including full descriptions of all the plays we represent, which now number over 3,300, and instead limit full descriptions to our new acquisitions. Our new catalogue format will still contain listings of all our titles and authors, but to view descriptions of all of our plays you only have to visit our website at www.dramatists.com. We decided to make this change because less than two percent of the thousands of applications we receive each year now arrive via mail or fax. We receive an overwhelming 98 percent of applications through the online forms found on our website. We are extremely pleased about this development, as we believe ours is the best website of its kind on the Internet, and it has long been our goal to make the application process as efficient and easy as possible for you. On the website the majority of applications are approved and licensed within minutes. This translates to an enormous savings of time and money for everyone, and it also saves on paper, helping us to reduce our environmental footprint. -
Ficha Catalográfica
Ti Ochôa A NON-BINARY READING OF ANGELS IN AMERICA Dissertação submetida ao Programa de Pós Graduação em Inglês da Universidade Federal de Santa Catarina para a obtenção do Grau de Mestre em Inglês. Orientadora: Prof. Dr. Eliana de Souza Ávila. Coorientadora: Prof. Dr. Claudia de Lima Costa. Florianópolis 2019 Ficha de identificação da obra elaborada pelo autor, através do Programa de Geração Automática da Biblioteca Universitária da UFSC. Ochôa, Ti A Non-Binary Reading of Angels in America / Ti Ochôa ; orientador, Eliana de Souza Ávila, coorientador, Claudia de Lima Costa, 2019. 70 p. Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2019. Inclui referências. 1. Inglês: Estudos Linguísticos e Literários. 2. genêro não-binário. 3. interseccionalidade. 4. teoria queer. 5. Angels in America. I. de Souza Ávila, Eliana . II. de Lima Costa, Claudia. III. Universidade Federal de Santa Catarina. Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários. IV. Título. a) 0 c6 = ã É- 2 N 0 E X Q ã 0 0 0 {= a) b3 0 C d 8 d E (0 ..a 0 Q) a" :8 0 Q g P >. b Ê a' ã Q b < 0 © '0 ã ã ã 0 0 '''a c.d ê g n J É 0 0 Z n. < CD LL D cu 0 0 S 'Ü 0 'Ü h 0m . Níün }q dE Q) H q' 3 H H U ã .g © 'a H m o H 0 m 0 0= U \(Ú .