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Metahorror #1992
MetaHorror #1992 MetaHorror #Dell, 1992 #9780440208990 #Dennis Etchison #377 pages #1992 Never-before-published, complete original works by 20 of today's unrivaled masters, including Peter Straub, David Morrell, Whitley Strieber, Ramsey Campbell, Thomas Tessier, Joyce Carol Oates, Chelsea Quinn Yarbro, and William F. Nolan. The Abyss line is . remarkable. I hope to be looking into the Abyss for a long time to come.-- Stephen King. DOWNLOAD i s. gd/l j l GhE www.bit.ly/2DXqbU6 Collects tales of madmen, monsters, and the macabre by authors including Peter Straub, Joyce Carol Oates, Robert Devereaux, Susan Fry, and Ramsey Campbell. #The Museum of Horrors #Apr 30, 2003 #Dennis Etchison ISBN:1892058030 #The death artist #Dennis Etchison #. #Aug 1, 2000 Santa Claus and his stepdaughter Wendy strive to remake the world in compassion and generosity, preventing one child's fated suicide by winning over his worst tormentors, then. #Aug 1, 2008 #Santa Claus Conquers the Homophobes #Robert Devereaux #ISBN:1601455380 STANFORD:36105015188431 #Dun & Bradstreet, Ltd. Directories and Advertising Division #1984 #. #Australasia and Far East #Who Owns Whom, https://ozynepowic.files.wordpress.com/2018/01/maba.pdf Juvenile Fiction #The Woman in Black #2002 #Susan Hill, John Lawrence #ISBN:1567921892 #A Ghost Story #1986 Set on the obligatory English moor, on an isolated cause-way, the story stars an up-and-coming young solicitor who sets out to settle the estate of Mrs. Drablow. Routine. #https://is.gd/lDsWvO #Javier A. Martinez See also: Bram Stoker Award;I Have No Mouth and I Must Scream;The Whim- per of Whipped Dogs; World Fantasy Award. -
Trumbull, Connecticut SHAKESPEARE Grade 12 English Department 2017
TRUMBULL PUBLIC SCHOOLS Trumbull, Connecticut SHAKESPEARE Grade 12 English Department 2017 (Last revision date: 2000) Curriculum Writing Team Jessica Spillane English Department Chairperson, Trumbull High School Matthew Bracksieck English Teacher, Trumbull High School Jonathan S. Budd, Ph.D., Assistant Superintendent of Curriculum, Instruction, & Assessments Shakespeare Property of Trumbull Public Schools Shakespeare Grade 12 Table of Contents Core Values & Beliefs ............................................................................................... 2 Introduction & Philosophy ......................................................................................... 2 Course Goals ............................................................................................................... 3 Course Enduring Understandings ............................................................................... 6 Course Essential Questions ......................................................................................... 7 Course Knowledge & Skills........................................................................................ 7 Course Syllabus ......................................................................................................... 8 Unit 1: Introduction to Shakespeare – The Person and the Plays .............................. 10 Unit 2: The History Plays .......................................................................................... 14 Unit 3: The Comedy Plays ........................................................................................ -
English 285 SPECIAL TOPICS in AMERICAN LITERATURE- GOTHIC, HORROR and WEIRD FICTION BULLETIN INFORMATION ENGL 285 – Special To
English 285 SPECIAL TOPICS IN AMERICAN LITERATURE- GOTHIC, HORROR AND WEIRD FICTION BULLETIN INFORMATION ENGL 285 – Special Topics in American Literature-Gothic, Horror and Weird Fiction (3 credit hours) Course Description: Special topics in American literature exemplifying persistent themes of American culture. SAMPLE COURSE OVERVIEW This DED version of ENGL 285 is designed for students in USC’s Palmetto College, the distributed-learning-based degree program for students on the regional campuses and throughout the state. All students in Palmetto College degree programs constitute a potential audience for ENGL 285, since sophomore-level English classes are traditionally a popular way to earn required AIU (Aesthetic and Interpretive Understanding) credit, and all Palmetto College degrees require at least three hours in AIU. Palmetto College has experienced 50% growth over the past five years (210 students in the core degrees in 2010; 310 students in 2015), and in the spring of 2016 alone 65 new students were admitted to the BLS/BOL programs. This number represents about 1/5 of the current total for both online and traditional (around 310), suggesting that Palmetto College is poised for more growth to its online student population. While it is true, historically, that some ENGL courses in Palmetto College have had low enrollments, as Palmetto College’s enrollments continue to grow, ENGL courses will likewise enjoy higher enrollments. The relatively high number of ENGL faculty teaching in Palmetto College means that ENGL would be the preferred AIU option for the foreseeable future. An online version of ENGL 285 would make the class available to students around the state who currently lack the ability to take USC classes due to finances, location, or family or work commitments. -
Shakespeare, Madness, and Music
45 09_294_01_Front.qxd 6/18/09 10:03 AM Page i Shakespeare, Madness, and Music Scoring Insanity in Cinematic Adaptations Kendra Preston Leonard THE SCARECROW PRESS, INC. Lanham • Toronto • Plymouth, UK 2009 46 09_294_01_Front.qxd 6/18/09 10:03 AM Page ii Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2009 by Kendra Preston Leonard All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Leonard, Kendra Preston. Shakespeare, madness, and music : scoring insanity in cinematic adaptations, 2009. p. cm. Includes bibliographical references and index. ISBN 978-0-8108-6946-2 (pbk. : alk. paper) — ISBN 978-0-8108-6958-5 (ebook) 1. Shakespeare, William, 1564–1616—Film and video adaptations. 2. Mental illness in motion pictures. 3. Mental illness in literature. I. Title. ML80.S5.L43 2009 781.5'42—dc22 2009014208 ™ ϱ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009
http://oac.cdlib.org/findaid/ark:/13030/c8c24wzf No online items Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009 Preliminary processing by Andrea Wang; fully processed by Mike D'Errico in 2012 in the Center for Primary Research and Training (CFPRT), with assistance from Jillian Cuellar; machine-readable finding aid created by Caroline Cubé. The processing of this collection was generously supported by Arcadia funds. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. Lewis Segal Collection of Dance 1890 1 and Theater Materials, 1902-2011; Bulk, 1970-2009 Descriptive Summary Title: Lewis Segal Collection of Dance and Theater Materials Date (inclusive): 1902-2011; Bulk, 1970-2009 Collection number: 1890 Collector: Segal, Lewis Extent: 24 record cartons (24 linear ft.) Abstract: Lewis Segal is a performing arts critic who has written on various topics related to the performing arts, from ballet to contemporary dance and musicals. He began working as a freelance writer in the 1960s for a number of publications, including the Los Angeles Times, Performing Arts magazine, the Los Angeles Free Press, Ballet News, and High Performance magazine. He joined the staff of the Los Angeles Times in 1976. From 1996 to 2008 he held the full-time position of chief dance critic, writing full features and reviews on dance companies and performing arts organizations from around the world. -
25-2-W2016.Pdf
The ESSE Messenger A Publication of ESSE (The European Society for the Study of English Vol. 25-2 Winter 2016 ISSN 2518-3567 All material published in the ESSE Messenger is © Copyright of ESSE and of individual contributors, unless otherwise stated. Requests for permissions to reproduce such material should be addressed to the Editor. Editor: Dr. Adrian Radu Babes-Bolyai University, Cluj-Napoca, Romania Faculty of Letters Department of English Str. Horea nr. 31 400202 Cluj-Napoca Romania Email address: [email protected] Cover illustration: Gower Memorial to Shakespeare, Stratford-upon-Avon This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license. Picture credit: Immanuel Giel Contents Shakespeare Lives 5 Europe, like Hamlet; or, Hamlet as a mousetrap J. Manuel Barbeito Varela 5 Star-crossed Lovers in Sarajevo in 2002 Ifeta Čirić-Fazlija 14 Shakespeare on Screen José Ramón Díaz Fernández 26 The Interaction of Fate and Free Will in Shakespeare’s Hamlet Özge Özkan Gürcü 57 The Relationship between Literature and Popular Fiction in Shakespeare’s Richard III Jelena Pataki 67 Re-thinking Hamlet in the 21st Century Ana Penjak 79 Reviews 91 Mark Sebba, Shahrzad Mahootian and Carla Jonsson (eds.), Language Mixing and Code-Switching in Writing: Approaches to Mixed-Language Written Discourse (New York & London: Routledge, 2014). 91 Bernard De Meyer and Neil Ten Kortenaar (eds.), The Changing Face of African Literature / Les nouveaux visages de la litterature africaine (Amsterdam and New York: Rodopi, 2009). 93 Derek Hand, A History of the Irish Novel (Cambridge: Cambridge University Press, 2011). 95 Hobby Elaine. -
King Lear, Shakespeare's Globe
King Lear, Shakespeare’s Globe (U.S. tour) This portable production brings all of the thunderous power, passion and theatrical glory to Shakespeare's lyrical tragedy. By William Shakespeare Directed by Bill Buckhurst Shakespeare’s Globe (http://www.shakespearesglobe.com/theatre/whats-on/globe-theatre-on- tour/king-lear-2014), U.S. Tour (September through Dec. 6, 2014) Stages around the world are observing Shakespeare’s upcoming 450th birthday, and what better way to join in than to be able to catch a sterling production of one of his masterpieces by Shakespeare’s Globe. At Philly’s Annenberg Center for the Performing Arts, the tour brought all of the thunderous power, passion and theatrical glory to its production of “King Lear.” (The East Coast leg of the tour kicks off the 2014-15 Annenberg Live series in Philadelphia.) King Lear is aging, weary and driven to erratic behavior. When Lear abdicates his throne and divides the kingdom among his three daughters, Goneril and Regan play to his vanity with false love. Once given power, they completely turn on him. His youngest, Cordelia, loves him unconditionally, but she does not deceive him with insincere affections, so he shuns her. He does not see the plots the older sisters are hatching, as he lavishes his affection on them and as they wage war on Cordelia. There is intrigue all around as loyalties divide and calamitous Shakespearean fates visit them all. The acts are condensed, and six of the eight actors take multiple roles. Voice coach Martin McKellen orchestrates an array of British Isle dialects, deftly appropriated by these actors. -
A Comparison Between Shakespeare's Original Plays and Modern Screen
1 Shall I compare thee to modern day feminism? A comparison between Shakespeare’s original plays and modern screen adaptations regarding feminist characteristics. Taming of the Shrew, Macbeth and King Lear By: Liz Jansen 3719529 BA Thesis English Language and Culture 2 2. Index 3. Preface 3 4. Introduction 4 4.1 Content, 4 4.2 Motivation, 4 4.3 Sub-questions, 5 4.4.1 Plays and Modern Adaptations, 6 4.4.2 Characteristics of Feminism, 8 4.4.3 Critics and Contribution 10 5. Research analyses 12 5.1 Taming of the Shrew, 12 5.2 Macbeth, 18 5.3 King Lear 24 6. Conclusion/Summary 30 7. Works Cited 33 3 3. Preface In high school I turned out to possess a natural talent for languages and therefore I decided to attend the University of Utrecht in 2010 to study the English language and culture. During my studies I quickly discovered I was mostly interested in English literature. Within a large-scale variety of literature that was offered at this university, William Shakespeare has been one of the greatest writers of all time. There has been much speculation about his identity and the authenticity of his works. It seems hard to believe that one single man could be the author of so many extraordinary plays and poems. During the course “Academic Reading” I fell in love with the rich and ornate use of language in Shakespeare’s work. In my second year, throughout the courses “Shakespeare’s World” and “Appropriating Shakespeare” I have discovered the immense range of his influence on the world. -
KING LEAR Discovery Guide for Teachers
KING LEAR Discovery Guide for Teachers Marin Shakespeare Teen Touring Company 2017 Marin Shakespeare Company, P.O. Box 4053, San Rafael, CA 94913 phone: (415) 499-4487 fax: (415) 499-1492 www.marinshakespeare.org About the Teen Touring Company Marin Shakespeare’s Teen Touring Company is open by audition to teenagers from all over the Bay Area. The Teen Company offers free performances to schools and senior centers in Marin County and beyond, performing a different Shakespearean play each year. This year we are presenting King Lear. This famed story of a father’s dwindling health and relationships with members of his family has been adapted many times and in many creative formats. Movie treatments of the story include a 1987 post-Chernobyl science fiction account, KING LEAR, starring Molly Ringwald as Cordelia, Peter Sellars as William Shakespeare Junior the Fifth, and Woody Allen as Mr. Allen; A THOUSAND ACRES, a 1997 retelling of the story from Goneril’s perspective, with Jessica Lange, Michelle Pfeiffer, Jason Robards, and Jennifer Jason Leigh; a 2002 western adaptation, KING OF TEXAS, starring Patrick Stewart; and the award-winning Japanese interpretation directed by Akira Kurosawa, RAN. The plot of King Lear is fairly easy to follow, however some of Shakespeare’s language may be challenging for students unfamiliar with Elizabethan English. This is where the art of acting comes in to effect. When actors perform plays on the stage the audience is able to grasp concepts easier than if they have only read the plays on the page. We hope your students, by watching the unfolding of Shakespeare’s tragic story in performance by their peers, will gain a greater appreciation for and enjoyment of King Lear. -
Adult Author's New Gig Adult Authors Writing Children/Young Adult
Adult Author's New Gig Adult Authors Writing Children/Young Adult PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 31 Jan 2011 16:39:03 UTC Contents Articles Alice Hoffman 1 Andre Norton 3 Andrea Seigel 7 Ann Brashares 8 Brandon Sanderson 10 Carl Hiaasen 13 Charles de Lint 16 Clive Barker 21 Cory Doctorow 29 Danielle Steel 35 Debbie Macomber 44 Francine Prose 53 Gabrielle Zevin 56 Gena Showalter 58 Heinlein juveniles 61 Isabel Allende 63 Jacquelyn Mitchard 70 James Frey 73 James Haskins 78 Jewell Parker Rhodes 80 John Grisham 82 Joyce Carol Oates 88 Julia Alvarez 97 Juliet Marillier 103 Kathy Reichs 106 Kim Harrison 110 Meg Cabot 114 Michael Chabon 122 Mike Lupica 132 Milton Meltzer 134 Nat Hentoff 136 Neil Gaiman 140 Neil Gaiman bibliography 153 Nick Hornby 159 Nina Kiriki Hoffman 164 Orson Scott Card 167 P. C. Cast 174 Paolo Bacigalupi 177 Peter Cameron (writer) 180 Rachel Vincent 182 Rebecca Moesta 185 Richelle Mead 187 Rick Riordan 191 Ridley Pearson 194 Roald Dahl 197 Robert A. Heinlein 210 Robert B. Parker 225 Sherman Alexie 232 Sherrilyn Kenyon 236 Stephen Hawking 243 Terry Pratchett 256 Tim Green 273 Timothy Zahn 275 References Article Sources and Contributors 280 Image Sources, Licenses and Contributors 288 Article Licenses License 290 Alice Hoffman 1 Alice Hoffman Alice Hoffman Born March 16, 1952New York City, New York, United States Occupation Novelist, young-adult writer, children's writer Nationality American Period 1977–present Genres Magic realism, fantasy, historical fiction [1] Alice Hoffman (born March 16, 1952) is an American novelist and young-adult and children's writer, best known for her 1996 novel Practical Magic, which was adapted for a 1998 film of the same name. -
The Gothic As a Practice, by TGS Jones
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington THE GOTHIC AS A PRACTICE: Gothic Studies, Genre and the Twentieth Century Gothic by Timothy Graham Stanford Jones A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in English Victoria University of Wellington 2010 ABSTRACT Gothic studies, the specialist academic field that explores the Gothic text, has developed substantially over the last twenty-five years. The field often frames the Gothic as a serious literature, involved in historic discourse, and having special psychological acuity; this thesis suggests that there are a number of problems with these argumentative strategies, and that the academy now makes claims for the Gothic that are discontinuous with how this popular genre is understood by most readers. While Gothic studies is the study of a genre, curiously, it has seldom engaged with theorisations of genre. Nevertheless, an understanding of what genre is, and how it alters reading practice, is crucial to understanding the Gothic text. This thesis attempts to reconcile and develop a number of disparate approaches to genre through Pierre Bourdieu’s notion of habitus. It argues that genre is not a set of textual conventions but a group of procedures that facilitate and modify both writing and reading practices. Consequently, genres like the Gothic should be seen as discrete historicised phenomena, which retain a cohesive practical sense of how they ought to be performed before they hold discursive properties. Rather than arguing for the literary value of the Gothic, this thesis understands the genre as a popular practice. -
Proquest Dissertations
Bordering On Fear: A Comparative Literary Study of Horror Fiction by Aalya Ahmad, B.A. (Hons), M.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Institute of Comparative Studies in Literature, Art and Culture: Cultural Mediations Carleton University Ottawa, Canada January, 2010 ©2010, Aalya Ahmad Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-63864-4 Our file Notre reference ISBN: 978-0-494-63864-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.