After Revolution : Reading Rousseau in 1990S China
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The Case of Zhang Yiwu
ASIA 2016; 70(3): 921–941 Giorgio Strafella* Postmodernism as a Nationalist Conservatism? The Case of Zhang Yiwu DOI 10.1515/asia-2015-1014 Abstract: The adoption of postmodernist and postcolonial theories by China’s intellectuals dates back to the early 1990s and its history is intertwined with that of two contemporaneous trends in the intellectual sphere, i. e. the rise of con- servatism and an effort to re-define the function of the Humanities in the country. This article examines how these trends merge in the political stance of a key figure in that process, Peking University literary scholar Zhang Yiwu, through a critical discourse analysis of his writings from the early and mid- 1990s. Pointing at his strategic use of postmodernist discourse, it argues that Zhang Yiwu employed a legitimate critique of the concept of modernity and West-centrism to advocate a historical narrative and a definition of cultural criticism that combine Sino-centrism and depoliticisation. The article examines programmatic articles in which the scholar articulated a theory of the end of China’s “modernity”. It also takes into consideration other parallel interventions that shed light on Zhang Yiwu’s political stance towards modern China, globalisation and post-1992 economic reforms, including a discussion between Zhang Yiwu and some of his most prominent detractors. The article finally reflects on the implications of Zhang Yiwu’s writings for the field of Chinese Studies, in particular on the need to look critically and contextually at the adoption of “foreign” theoretical discourse for national political agendas. Keywords: China, intellectuals, postmodernism, Zhang Yiwu, conservatism, nationalism 1 Introduction This article looks at the early history and politics of the appropriation of post- modernist discourse in the Chinese intellectual sphere, thus addressing the plurality of postmodernity via the plurality of postmodernism. -
Issue 1 2013
ISSUE 1 · 2013 NPC《中国人大》对外版 CHAIRMAN ZHANG DEJIANG VOWS TO PROMOTE SOCIALIST DEMOCRACY, RULE OF LAW ISSUE 4 · 2012 1 Chairman of the NPC Standing Committee Zhang Dejiang (7th, L) has a group photo with vice-chairpersons Zhang Baowen, Arken Imirbaki, Zhang Ping, Shen Yueyue, Yan Junqi, Wang Shengjun, Li Jianguo, Chen Changzhi, Wang Chen, Ji Bingxuan, Qiangba Puncog, Wan Exiang, Chen Zhu (from left to right). Ma Zengke China’s new leadership takes 6 shape amid high expectations Contents Special Report Speech In–depth 6 18 24 China’s new leadership takes shape President Xi Jinping vows to bring China capable of sustaining economic amid high expectations benefits to people in realizing growth: Premier ‘Chinese dream’ 8 25 Chinese top legislature has younger 19 China rolls out plan to transform leaders Chairman Zhang Dejiang vows government functions to promote socialist democracy, 12 rule of law 27 China unveils new cabinet amid China’s anti-graft efforts to get function reform People institutional impetus 15 20 28 Report on the work of the Standing Chairman Zhang Dejiang: ‘Power China defense budget to grow 10.7 Committee of the National People’s should not be aloof from public percent in 2013 Congress (excerpt) supervision’ 20 Chairman Zhang Dejiang: ‘Power should not be aloof from public supervision’ Doubling income is easy, narrowing 30 regional gap is anything but 34 New age for China’s women deputies ISSUE 1 · 2013 29 37 Rural reform helps China ensure grain Style changes take center stage at security Beijing’s political season 30 Doubling -
China Perspectives, 55 | September - October 2004 the Debate Between Liberalism and Neo-Leftism at the Turn of the Century 2
China Perspectives 55 | september - october 2004 Varia The Debate Between Liberalism and Neo-Leftism at the Turn of the Century Chen Lichuan Electronic version URL: http://journals.openedition.org/chinaperspectives/417 DOI: 10.4000/chinaperspectives.417 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 October 2004 ISSN: 2070-3449 Electronic reference Chen Lichuan, « The Debate Between Liberalism and Neo-Leftism at the Turn of the Century », China Perspectives [Online], 55 | september - october 2004, Online since 29 December 2008, connection on 28 October 2019. URL : http://journals.openedition.org/chinaperspectives/417 ; DOI : 10.4000/ chinaperspectives.417 This text was automatically generated on 28 October 2019. © All rights reserved The Debate Between Liberalism and Neo-Leftism at the Turn of the Century 1 The Debate Between Liberalism and Neo-Leftism at the Turn of the Century Chen Lichuan EDITOR'S NOTE Translated from the French original by Nick Oates 1 From the beginning of the 1980s to the middle of the 1990s, three movements took centre stage on the Chinese intellectual scene: radicalism, conservatism and liberalism. This article sets out to retrace the debate between liberalism and neo-leftism by relying exclusively on the polemical texts of the Chinese writers1. How can we present an intellectual debate that is a process of questioning and clarification and that does not arrive at a consensual conclusion? How can we render intelligible the concepts debated in extracts from the original texts? How can we evaluate the impact that this debate has had on a society undergoing a profound transformation? These are just some of the difficulties with which we were confronted. -
Inter-Asia Cultural Studies the Politics
This article was downloaded by: [University of Chicago Library] On: 03 February 2014, At: 15:22 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Inter-Asia Cultural Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/riac20 The politics of imagining Asia: a genealogical analysis Wang Hui & Translated by Matthew A. Hale Published online: 01 Mar 2007. To cite this article: Wang Hui & Translated by Matthew A. Hale (2007) The politics of imagining Asia: a genealogical analysis, Inter-Asia Cultural Studies, 8:1, 1-33, DOI: 10.1080/14649370601118925 To link to this article: http://dx.doi.org/10.1080/14649370601118925 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Introduction: Put Politics in Command Christopher Connery
Introduction: Put Politics in Command Christopher Connery In a converted warehouse in the Putuo District of Shanghai, Liu Debao, former Red Guard and active in the “Sent Down Youth” alumni orga- nizations in Shanghai,1 maintains a warehouse of pre- 1978 memorabilia, mostly from the fifties and sixties, comprising everyday-life objects, com- plete issues of newspapers and unofficial publications, and, most impor- tantly, over three thousand reels of film, largely uncatalogued. A photog- rapher by profession and an insatiable collector by nature, he had noticed 1. This refers to movements that sent millions of young people who volunteered or were, more often, assigned by the authorities to terms in the countryside during the sixties and into the seventies, some to nearby communes and some to the edges of the country, in Xinjiang, Heilongjiang, and Yunnan. The groups coalesce around a variety of affective relationships to this time of their youth: some organize around social assistance to their former villages; some petition, protest, and pursue legal remedies for the services and benefits denied to them by the Shanghai municipal government; some gather in parks and other public places to talk, sing, and dance. For a history of the movement, see Bonnin 2013. A recent nine-hour documentary by Gao Zipeng and Wu Meng, Shanghai- ren (Shanghainese [2014]), documents the protest movement of Shanghainese returnees from Xinjiang over the course of the last few years. boundary 2 46:2 (2019) DOI 10.1215/01903659-7496960 © 2019 by Duke University Press Downloaded from http://read.dukeupress.edu/boundary-2/article-pdf/46/2/1/569078/0460001.pdf by guest on 03 October 2021 2 boundary 2 / May 2019 that as the economic reforms were gathering strength, the culture depart- ments of various municipalities and counties were throwing out archived film footage of documentaries, instructional films, feature films, and news- reels from the pre- 1976 era and began to collect them, traveling great dis- tances to buy reels of film, even when he did not know their contents. -
Living in an Intellectual Village
Arbeitsberichte 199 Hui Wang Living in an Intellectual Village Wang Hui, Research Fellow of the Chinese Academy of Social Sciences in Beijing, Editor in Chief of Dushu magazine (Readings), Guest Pro- fessor of Tsinghua University, was born in 1959 in the city of Yangzhou, where he graduated from the Teachers’ College before moving to the Chi- nese Academy of Social Sciences in Beijing in 1985. There, after completing his doctoral work, he became a research fellow in its Institute of Lit- erature. Since then, he has published numerous papers and books in the fields of Chinese intellec- tual history, modern Chinese literature and social theory. His main books are (in Chinese): Revolt- ing Against Despair: Lu Xun and His Literary World (1991); No Room for Hesitation: the May Fourth and its Echoes in Chinese History (1994); A Self-Selection by Wang Hui (1996); Warming up the Dead Fire (2000); The Rise of Modern Chi- nese Thought, vol. 1 and 2 (forthcoming 2002). Some of his papers and books have been trans- lated into English, Japanese, Korean, and French. − Address: 17-906 Xibahe Beili, Chaoyang Qu, Beijing, 100028, P. R. China. On the evening of my last day in Berlin, I went to the Wissenschafts- kolleg to check my mail. Everybody had gone. In the emptiness, it suddenly came to me that, before I came to Berlin, a former Fellow described to me the life at Wiko as living in an international intellec- tual village. After my one-year stay, I found that I like the image of Wiko as a village: lake, forest, villagers, kids, intimate relationships, the regular ritual practice (Colloquium on the morning of every Tuesday), cooking, singing, playing ping-pong, etc. -
The Chinese Liberal Camp in Post-June 4Th China
The Chinese Liberal Camp [/) OJ > been a transition to and consolidation of "power elite capital that economic development necessitated further reforms, the in Post-June 4th China ism" (quangui zibenzhuyr), in which the development of the provocative attacks on liberalism by the new left, awareness of cruellest version of capitalism is dominated by the the accelerating pace of globalisation, and the posture of Jiang ~ Communist bureaucracy, leading to phenomenal economic Zemin's leadership in respect to human rights and rule of law, OJ growth on the one hand and endemic corruption, striking as shown by the political report of the Fifteenth Party []_ social inequalities, ecological degeneration, and skilful politi Congress and the signing of the "International Covenant on D... cal oppression on the other. This unexpected outcome has Economic, Social and Cultural Rights" and the "International This paper is aa assessment of Chinese liberal intellectuals in the two decades following June 4th. It provides an disheartened many democracy supporters, who worry that Covenant on Civil and Political Rights."'"' analysis of the intellectual development of Chinese liberal intellectuals; their attitudes toward the party-state, China's transition is "trapped" in a "resilient authoritarian The core of the emerging liberal camp is a group of middle economic reform, and globalisation; their political endeavours; and their contributions to the project of ism" that can be maintained for the foreseeable future. (3) age scholars who can be largely identified as members of the constitutional democracy in China. However, because it has produced unmanageably acute "Cultural Revolution Generation," including Zhu Xueqin, social tensions and new social and political forces that chal Xu Youyu, Qin Hui, He Weifang, Liu junning, Zhang lenge the one-party dictatorship, Market-Leninism is not actu Boshu, Sun Liping, Zhou Qiren, Wang Dingding and iberals in contemporary China understand liberalism end to the healthy trend of politicalliberalisation inspired by ally that resilient. -
Copyright by Yue Ma 2004
Copyright by Yue Ma 2004 The Dissertation Committee for Yue Ma Certifies that this is the approved version of the following dissertation: The Catastrophe Remembered by the Non-Traumatic: Counternarratives on the Cultural Revolution in Chinese Literature of the 1990s Committee: Sung-sheng Yvonne Chang, Supervisor Margherita Zanasi Avron Boretz Qing Zhang Ban Wang The Catastrophe Remembered by the Non-Traumatic: Counternarratives on the Cultural Revolution in Chinese Literature of the 1990s by Yue Ma, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2004 Dedication To my personal savior, Jesus Christ, who touched my life and sent me the message that love never fails. To the memory of my father, who loved me and influenced my life tremendously. To my mother, who always believes in me, encourages me, supports me, and feels proud of me. To my husband, Chu-ong, whose optimistic attitude towards life affects people around him and brings hope and happiness to our family. To my precious son, Daniel (Dou Dou), whose heavenly smiles never fail to melt my heart. Special love to a special you. Acknowledgements I would like to offer a special thanks to Dr. Yvonne Sung-sheng Chang, my academic advisor, who has supervised my study during the past six years and helped me in numerous ways. My appreciation also goes to Dr. Margherita Zanasi and Dr. Avron Boretz. Taking your classes and having opportunities to discuss various questions with you have been inspiring and rewarding experiences for me. -
Depoliticization and the Chinese Intellectual Scene Alexander Day Wayne State University, [email protected]
Criticism Volume 53 | Issue 1 Article 8 2011 Depoliticization and the Chinese Intellectual Scene Alexander Day Wayne State University, [email protected] Follow this and additional works at: http://digitalcommons.wayne.edu/criticism Recommended Citation Day, Alexander (2011) "Depoliticization and the Chinese Intellectual Scene," Criticism: Vol. 53: Iss. 1, Article 8. Available at: http://digitalcommons.wayne.edu/criticism/vol53/iss1/8 depoLiticizatioN it is not easy to construct a Left critique in china today. one has ANd the chiNese to work hard both to differentiate iNteLLectuAL oneself from the socialist past— sceNe especially the contentious period Alexander day of the cultural revolution—and to critique the capitalist present. it is much easier to fall into a liberal the end of the revolution: china position of maintaining an opposi- and the Limits of modernity tion between the market and what by Wang hui. New york: Verso, is considered civil society, on one 2009. pp. xxxiii, 274. $26.95 cloth. side, and the socialist state, on the other. Wang hui, one of the stron- gest critics of contemporary in- equality and the marketization of society and politics in china, argues against the ideological separation of the market and the state that has undergirded much of chinese in- tellectual discourse since the 1980s. this argument is forcefully made in the end of the revolution, a new english-language collection of his essays published by Verso. the book is a difficult read because the thread linking its essays is not always clear; they cover a broad se- ries of topics and were written over more than a decade. -
MA Thesis Yu-Hsuan
The University of Chicago The New Left vs. Liberal Debate in China: How Ideology Shapes the Perception of Reality By Yu-Hsuan Sun July 2021 A paper submitted in partial fulfillment of the requirements for the Masters of Arts Degree in the Masters of Arts Program in the Social Sciences (MAPSS) Faculty Advisor: Marco Garrido Preceptor: Wen Xie Abstract: The tragic June 4th Crackdown on the Tiananmen Student Movement dealt a devastating blow to the hope of China’s democratization. In the 1980s, the majority of young Chinese students expressed overwhelming support for the democracy movement and the New Enlightenment thought trend which preceded the 1989 protests. The homogeneity of the 80s intellectual sphere, however, is a stark contrast to the intense debate between the “New Left” and “Liberal” camps in China which began in the late 1990s. My paper seeks to answer the question: “Why did China’s intellectual homogeneity dissolve so quickly in the 90s?” And more importantly, “What is at stake in those debates between intellectual camps?” To answer these questions, I argue that ideological differences among Chinese intellectuals fundamentally change their perception of China’s post-1989 reality. After the Tiananmen Movement, Deng Xiaoping intensified China’s economic reforms as an answer to both the internal and external crises to his political power after June 4th. While this new wave of reforms brought about unprecedented economic growth and commerce in China, it also created looming social problems such as inequality and corruption. However, these social issues generated polarizing responses from Chinese intellectuals who offered contradicting explanations to these social and economic issues. -
Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964
Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964 by Stephanie J. Webster-Cheng B.M., Lawrence University, 1996 M.A., University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Music Department in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH MUSIC DEPARTMENT This dissertation was presented by Stephanie Webster-Cheng It was defended on [author‟s name] October 31, 2008 and approved by Mark Bender, Associate Professor, East Asian Languages and Literature, Ohio State University Xinmin Liu, Assistant Professor, East Asian Languages and Literature Wenfang Tang, Associate Professor, Political Science Andrew Weintraub, Associate Professor, Music Akin Euba, Andrew W. Mellon Professor of Music, Music Dissertation Advisor: Bell Yung, Professor of Music, Music ii Copyright © by Stephanie J. Webster-Cheng 2008 iii Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964 Stephanie J. Webster-Cheng, PhD University of Pittsburgh, 2008 This dissertation explores the dynamics of political control of the arts and artistic freedom in the musical storytelling art of Suzhou tanci between 1949 and 1964, years marked by extensive revision of traditional performance repertoire, widespread creation of new, contemporary-themed stories, and composition of boldly innovative ballad music. I examine four stories and ballads either composed or revised during this time, looking broadly at the role of the State in the creative process. I consider the role of high-ranking officials whose personal comments to artists shaped their creative processes, and the role of societal political pressure placed on artists through political movements and shifting trends in the dramatic arts. -
Your Show's Been Cut: the Politics of Intellectual Publicity in China's
YOUR SHOW’S BEEN CUT: THE POLITICS OF INTELLECTUAL PUBLICITY IN CHINA’S BRAVE NEW MEDIA WORLD YUEZHI ZHAO Abstract 118 - This paper examines the increasingly important com- Yuezhi Zhao is Professor munication politics between the media and intellectual and Canada Research fi elds in China’s brave new media world. It starts by outlin- Chair in Political Economy ing key factors that have shaped the evolving post-1989 of Global Communication politics of intellectual publicity in China. It then describes at Simon Fraser University, a deep “liberal versus new left” division within the Chinese and Changjiang Scholar intellectual fi eld and the ascending power of theNanfang Chair Professor at Weekend and liberal intellectual alliance within China’s the Communication CCP-controlled media system. In a subsequent case study, University of China, Beijing; I analyse how the destructive logics of media sensational- e-mail: [email protected]. ism, academic corruption, ideological polarisation, and “lib- eral media instrumentalism” have intersected to spectacu- larise intellectual in-fi ghts and distract both the media and the academy from engaging the public around the urgent Vol.19 (2012), No. 2, pp. 101 2, pp. (2012), No. Vol.19 political economic and social issues of the day. 101 Introduction Chinese media and intellectuals have been extensively studied in their respec- tive relationships vis-à-vis the Chinese state, and more recently, in terms of how they each have been caught “between state and market” or “the party line and the bo om line” (Zhao 1998). There are also studies of prominent Chinese intellectuals working in the media during the Mao era, most notably Deng Tuo, who served as an editor-in-chief of the People’s Daily during the Mao era (Cheek 1997).