Extrablatt No3

Total Page:16

File Type:pdf, Size:1020Kb

Extrablatt No3 N O 7 / THE EXHAUSTED LAND Online & Shops On The Streets 50 50 3, €/£/$ THE AMERICAS ISSUE 2, €/£/$ EXTRABLATT NO3 From the Every YEAR. 2047! BRIEF AUS DER FREIHEIT X (I): KASTE VS KLASSE? nadie me quita lo bailado von prometo mi ritmo hacia el sur FRED DEWEY sudo la grasa de la ciudad . o las esencias del campo JUNTO A LOS Billionaire CURADORES DE LA XI titubeando danzo BERLIN BIENNALE FOR reiniciando en el punto final COMTEMPORARY ART por con paso firme RENATA CERVETTO para asegurar la marcha de mi rumbo & LISETTE LAGNADO y sostener el contra-tiempo de la cadencia … . Dancing Southward SANTIAGO REYES is a FORMAL ECONOMY 09.10.2016 - Until he can no longer dance by LIV SCHULMAN. Also Inside! Poster by INDIGENOUS ANDREA JOYCE HEIMER TERRITORIES Images by Vicente Manssur / IN CYBERSPACE Andrea Joyce Heimer by MIKHEL. PROULX ART FAIRE IN 2047 by Policy FUTURE CLIMATES . GARTEN DER LÜSTE im ANDREA JOYCE HEIMER, Fight On Junior Prom Night Gropius Bau Berlin While Us Girls Played Spin The Bottle And Later Took LSD. Great Falls, Montana, 2019 40X30" acrylic on panel. Failure 3 INDEX EDITORIAL he Americas is the first region we chose Luke Savage hinterfragt gängige Param- to deliberately focus on, by reconside- eter von Kritik und Werkzeugen des Wider- ring its colonial stories and their marks stands, und finde die Hegemonie der Ausbeu- Cover T on its present global condition. For this, we look tung ist substantiell verankert. Die Beiträge ORANIENBURGER STRASSE 18 10178 BERLIN Poem by Santiago Reyes, Photograph by Vicente Manssur, Painting by Andrea Joyce Heimer at the exploitation of nature, historical racializa- von Pablo José Ramirez, Ana María Garzón tion and new nationalist populisms that accele- und Oscar Santillán suchen dafür meta-theore- L’editrices 3 Editorial rate via despotic policies, and call for a new de- tische Zugänge und Lösungen, die das körper- PETER FISCHLI DAVID WEISS velopment of language and interfaces of action. liche Subjekt aus der strukturellen Falle der HAUS Directory 6 Pick-Up Stations, White supremacists in every nation have be- Geschichte lösen. APRIL – JULY 2019 Shops, Events come richer and richer because of tax features Considering “the Americas” from the North Hallie Frost 8 Stage of Complaints and policies that favour wealth accumulation. with Elisabeth Otto evokes different questions What revolution requires is a quiet revision of on the territory, borders and languages. With REINHARD MUCHA Fred Dewey 10 Brief aus der Freiheit X: policy alliances, tools and preferences. It’s all its distinct colonial history and decolonial ef- MUCHA UNNÖTIG – DAS ENDE VOM LIED Kaste vs Klasse? (I) fairly simple: subdue die-hard segregationists, forts the Canadian Province of Quebec APRIL – JULY 2019 class struggle and racial divide with simple offers a productive alternative to discourses Romina Muñoz 12 América truths, whilst keeping utopian ideas complex developed in Europe or the U.S.A. The Québe- Tálata Rodriguez 14 Emperador and sincere. ‘Abolish the billionaire class’, cois author and filmmaker Joséphine Bacon ANDREA ROBBINS AND MAX BECHER wrote Luke Savage in Jacobin magazine, takes us to her homeland in the poem Un thé NATIVIST AMERICANS Filipe Lippe 16 Lanchonete<>Lanchonete which can be read here in a German transla- dans la toundra / Nipishapui nete mushuat. APRIL – JULY 2019 Gabriela Valarezo 18 Mamilas Gustativas tion, for our context in Berlin. Front and center, in a conversation with In this vain we comprised complaints, gath- three Latin American female artists and cura- Renata Cervetto & 20 Los curadores de la XI ered by the working class in the arts, in order to tors based in the French Canadian Province of HANNE DARBOVEN Lisette Lagnado Berlin Biennale for keep voices diverse and society heard. We fur- Québec, is a hemispheric perspective between SEPTEMBER – NOVEMBER 2019 Contemporary Art ther explored how politics have their say in the their homelands and Wahlheimat Canada that text New Vocabularies of Empowerment, along- favours a dialog between different “Americas.” Felipe Galuppo, 21 New Vocabularies side Felippe Galuppo’s topographical transgres- Mikhel Proulx’s essay tells us about decoloni- Alina Kolar, of Empowerment María Inés Plaza Lazo sions and later in this issue, flirt with Liv Schul- al artistic practices by Indigenous artists Jason man’s radar for capitalist hilarity. Eward Lewis and Skawennati who for twen- 7A GRAFTON STREET LONDON, W1S 4EJ Luke Savage 23 Schafft die Pero Liv no es la única aquí que domina esa ty years have been creating aboriginal territo- Milliardärsklasse ab sensibilidad trópica de infiltrar el desdoblamien- ries in Cyberspace. One of this issue’s Arbei- Andrea Joyce Heimer 26 Birth (Poster) to estético de los problemas más mundanos que terbriefe reaches us from the American Mexi- tiene el mundo entero; Fred Dewey escribe des- can borders, where Charles Norton works with NEW ORDER EXTRABLATT #3: de una libertad equis, y Romina Muñoz le cla- the Indigenous Hip-Hop community that found ANGUS FAIRHURST, RICHARD HAMILTON, DAMIEN HIRST, GARY HUME, KAREN KNORR, Turnton Gazette Inside! / Die Angewandte Vienna va a nuestro punto de partida un marco nupcial, their language of empowerment in Rap. SARAH LUCAS, OLIVIER RICHON, PETER SAVILLE, SAM TAYLOR-JOHNSON, GILLIAN WEARING para su enlace ambivalente con el continente y Intillay, killallay ama saqiwaychu, karu- Elisabeth Otto 28 Pensées JULY – SEPTEMBER 2019 hémisphériques el nombre tan raro, irreparablemente europeo. raqmi rinay tutayallaymanmi. The Ameri- Artistas como Tálata Rodriguez y Filipe Lippe cas are tired of its own colonial shadow, al- Santiago Reyes 32 Fútbol Story hacen uso de sus herramientas de práctica - el ways present, always darkening. Urqupi ischu KARA WALKER lenguaje crítico, académico y a su vez, colloqui- kañasqay, qasapi ischu kañasqay, iHinallara- OCTOBER – DECEMBER 2019 Hugo Hopping & 34 On Critical Diasporas and Bill Kelley Jr. Social Practice from Latin al - y esclarecen el cielo de las calles de Buenos qchus rupachkan, hinallaraqchus rawrachkan! América Aires y Sao Paulo para los ejemplos que dan mu- Hinalla rawrariptinqa, hinalla rupariptinqa. jeres en el espacio público, o asociaciones como iWarma wiqichaykiwan challaykuy! Charles Norton 36 Notes from the Field: Lanchonete < > Lanchonete respectivamente. Two visions of 2047 exist in the utopian brief Lisette Lagnado erwähnt sie, zufälligerwei- written by Future Climates, and the opposite 5900 WILSHIRE BOULEVARD LOS ANGELES, CA 90036 Ana María Garzón 38 First as Farce, Then as se, in ihrem Gespräch mit Renatta Cervetto. (if centrist politics are sustained and we con- Farce, Farce, Farce Es sind zwei der vier Kurator*innen der Ber- tinue on our current trajectory) imagined by Liv Schulman 40 Formal Economy lin Biennale für Zeitgenössische Kunst, die bei the Turnton Gazette, in our third Extrablatt for ERIC FISCHL uns im kommenden Jahr Fragen thematisier- beautiful, hopeful, one of a kind projects. He- COMPLICATIONS FROM AN ALREADY UNFULFILLED LIFE Josephine Bacon 43 Un thé dans la toundra en die in der Berliner Luft liegen, und dabei rewith we start our second year as a paper for the JUNE – AUGUST 2019 Nipishapui nete mushuat Neuigkeiten aus dem konzeptuellen Aufbau streets of the world. To a new age of discovery. der Ausstellung erzählen. Courage! - L'éditrices Mikhel Proulx 44 Twenty Years of Indigenous Territories STEPHEN SHORE in Cyberspace JUNE – AUGUST 2019 Imprint / Impressum Oscar Santillán 47 Reptiliana Pacífica Publishing Address / Verlagsadresse: Associated Editors of Issue 7: Elisabeth Otto, The Winter Office Arts of the Working Class Cover: Andrea Joyce Heimer, Vicente Manssur Camilo Andrés 49 Soluciones Urbanísticas Lynarstrasse 39, KAREN KILIMNIK Montoya Pardo para la Actual Cultura 13353 Berlin Contributors / Gesprächspartner*Innen: Antonia Alampi, Josephine Bacon, Adrián Balseca, Renata Cervetto, Fred Dewey, Hallie Frost, Andrea Joyce Hei- SEPTEMBER – OCTOBER 2019 Californiana Advertisement / Anzeigen: mer Hugo Hopping, Felippe Galuppo, Ana María Garzón, iLiana Fokianaki, Lisette [email protected] Lagnado, Filipe Lippe, Vicente Manssur, Romina Muñoz, Charles Norton, Camilo Andrés Montoya Pardo, Mikhel Proulx, Pablo José Ramirez, Santiago Reyes, Founders / Gründer: Talata Rodriguez, Oscar Santillán, Luke Savage, Liv Schulman, Gabriela Valarezo, Pablo José Ramirez 50 Devenir entre Santos y María Inés Plaza Lazo, Pauł Sochacki Deidades, Críticos de Arte Giorgia Volpe Publishers / Herausgeber: Poster: Andrea Joyce Heimer y Generales Alina Kolar [email protected] Layout/Graphic Design: Jowita Kepa María Inés Plaza Lazo Art Direction: Jowita Kepa, Hans Löffler WWW.SPRUETHMAGERS.COM Gropius Bau 52 New Visions of [email protected] Social Media: Thomas Spallek & Laura Catania a Vulnerable Eden Pauł Sochacki [email protected] Besonderer Dank an Martina Schoeggl Assisting Editor: Hallie Frost Druck: RHEINPFALZ Verlag und Druckerei GmbH & Co. KG ARTS OF THE WORKING CLASS Issue 7 • JULY 2019 ERHÄLTLICH / AVAILABLE EVENTS, SHOPS, ART SPACES This Magazine can be BERLIN MONTREAL DEUTSCHLAND WIELS, CENTRE D’ART CONTEMPORAIN sold by anyone on the 30-31.08 19.09 ASHLEY Av. Van Volxem 354 Oranienstraße 37 1190 Bruxelles Dırectory BERLIN ART PRIZE MONTREAL LAUNCH 10999 Berlin SS streets. The revenue Belgium The Berlin Art Prize e.V. has shown the work Under the title Archipelagos, the fall program remains with the seller. ERHÄLTLICH / AVAILABLE EVENTS, SHOPS, ART SPACES of its annual nominees
Recommended publications
  • Exploring Representations of Early Modern German Women Book Collectors (1650-1780)
    CURATING THE COLLECTOR: EXPLORING REPRESENTATIONS OF EARLY MODERN GERMAN WOMEN BOOK COLLECTORS (1650-1780) BY KATHLEEN MARIE SMITH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in German in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Mara R. Wade, Chair Associate Professor Laurie Johnson Associate Professor Stephanie Hilger Professor Carl Niekerk Professor Tom D. Kilton, Emeritus ABSTRACT This dissertation examines representations of book collecting by German women in the early modern period in order to explore the role of gender in this activity. Portrayals of book collectors in the modern and early modern eras offer examples of how this identity is constructed, particularly in the underlying assumptions and expectations that determine who is defined as a book collector and what criteria are used to shape that decision. In the case of four early modern women--Elisabeth Sophie Marie of Braunschweig-Lüneburg (1683-1767); Elisabeth Ernestine Antonie of Sachsen-Meiningen (1681-1766); Caroline of Ansbach (1683- 1737); and Wilhelmine of Bayreuth (1709-1758)--the act of collecting is depicted as essential to their social status and an integral part of their lives. Finally, in an in-depth case study of an early modern German woman who was a book collector, Sophie of Hanover (1630-1714), this study analyzes how she represented her collecting activities and textual interaction as well as how she is represented in other texts. The way in which these early modern German women were represented and represented themselves as collectors reveals a great deal about the position of women within wider networks concerning the exchange of texts and information.
    [Show full text]
  • Biblical Creatures: the Animal As an Object of Interpretation in Pre-Modern Christian and Jewish Hermeneutic Traditions – an Introduction 7–15
    vol 5 · 2018 Biblical Creatures The Animal as an Object of Interpretation in Pre-Modern Christian and Jewish Hermeneutic Traditions Karel Appel, Femmes, enfants, animaux, 1951: oil on jute, 170 x 280 cm © Cobra Museum voor Moderne Kunst Amstelveen – by SIAE 2018 Published by vol 5 · 2018 Università degli studi di Milano, Dipartimento di Studi letterari, filologici e linguistici: riviste.unimi.it/interfaces/ Edited by Paolo Borsa Christian Høgel Lars Boje Mortensen Elizabeth Tyler Initiated by Centre for Medieval Literature (SDU & York) with a grant from the The Danish National Research Foundation università degli studi di milano, dipartimento di studi letterari, filologici e linguistici centre for medieval literature Contents Astrid Lembke Biblical Creatures: The Animal as an Object of Interpretation in Pre-Modern Christian and Jewish Hermeneutic Traditions – an Introduction 7–15 Beatrice Trînca The Bride and the Wounds − “columba mea in foraminibus petrae” (Ct. 2.14) 16–30 Elke Koch A Staggering Vision: The Mediating Animal in the Textual Tradition of S. Eustachius 31–48 Julia Weitbrecht “Thou hast heard me from the horns of the unicorns:” The Biblical Unicorn in Late Medieval Religious Interpretation 49–64 David Rotman Textual Animals Turned into Narrative Fantasies: The Imaginative Middle Ages 65–77 Johannes Traulsen The Desert Fathers’ Beasts: Crocodiles in Medieval German Monastic Literature 78–89 Oren Roman A Man Fighting a Lion: A Christian ‘Theme’ in Yiddish Epics 90–110 Andreas Kraß The Hyena’s Cave:Jeremiah 12.9 in Premodern Bestiaries 111–128 Sara Offenberg Animal Attraction: Hidden Polemics in Biblical Animal Illuminations of the Michael Mahzor 129–153 Bernd Roling Zurück ins Paradies.
    [Show full text]
  • Re-Inventing German Collective Memory: the Debate Over the Memorial for the Murdered Jews of Europe
    Re-Inventing German Collective Memory: The Debate over the Memorial for the Murdered Jews of Europe Author: Karen C Kauffman Persistent link: http://hdl.handle.net/2345/557 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2008 Copyright is held by the author, with all rights reserved, unless otherwise noted. Re-Inventing German Collective Memory: The Debate over the Memorial for the Murdered Jews of Europe An Advanced Independent Research Project By Karen Kauffman Boston College History Department Class of 2008 Table of Contents Introduction . 1 Chapter 1 – Learning from the Holocaust: The Debate over Meaning and Responsibility . 21 Chapter 2 – Defining the Holocaust: The Debate to Determine its Victims . 54 Chapter 3 – Representing the Holocaust: The First Design Competition . 90 Chapter 4 – Representing the Holocaust: The Second Design Competition . 118 Conclusion . 146 Appendix A – Glossary of Key Terms . .. 161 Appendix B – Glossary of Key Names . 166 Appendix C – Chronology . 173 Appendix D – Publications and Political Parties . 183 Bibliography of Works Cited . 184 Acknowledgements Since I began work on what would become my thesis more than two years ago, studying German memory of the Holocaust has become much more than an academic pursuit. Engaging with this topic has developed into a personal passion, the apex of which is in the pages that follow. Whether this document is only an intermediate point in a longer career of historical study or the capstone achievement of my academic years, working on this project has been an incredibly meaningful experience for me academically and personally.
    [Show full text]
  • Si Va a … BERLINO
    Si va a … BERLINO INFORMAZIONI Classi coinvolte: 5H, 5M Accompagnatori: Daniele Corti, Catena Cichello, Silvia Volonteri Periodo: Domenica 24 Aprile – Mercoledì 27 Aprile 2016 (4 giorni – 3 notti) Partenza: DO 24 Aprile (alle ore 7.15 da Malpensa/Terminal 2 e arrivo alle 8.55 a Berlin Schoenefeld) Ritorno: ME 27 Aprile (alle ore 20.55 da Schoenefeld e arrivo alle 22.40 a Malpensa/Terminal 2) Costo: 345 € +24 € (Pass Musei) Durata Volo: 1h 40m; Distanza: 843 Km; Compagnia aerea: easyJet Bagaglio: 1 bagaglio a mano, per persona, da 56x45x25 cm (maniglie e ruote comprese); liquidi in contenitori da 100 ml al max e inseriti in buste di plastica trasparenti richiudibili di 20x20 cm al max, per un complessivo max di 1000 ml, da esporre ai controlli di sicurezza (http://www.easyjet.com/it/aiuto/prepararsi-al- volo/bagaglio) (http://www.easyjet.com/it/articoli-pericolosi) Documenti richiesti: carta d’identità valida per l’espatrio o passaporto in corso di validità Assistenza sanitaria: i cittadini della UE hanno diritto all’assistenza nelle strutture pubbliche; basta presentare la Tessera Europea di Assicurazione Malattia (TEAM) rilasciata dalla propria ASL (http://www.salute.gov.it/portale/temi/p2_6.jsp?lingua=italiano&id=624&area=Assistenza%20sanitaria&m enu=vuoto). Berlino: Capitale: Repubblica Federale Tedesca Superficie: 892 Kmq (la più grande città tedesca e fra le maggiori d’Europa) Abitanti: 3.4 milioni; Fiume: Sprea; 12 quartieri Hotel: Ruschestraße 45, 10367 Lichtenberg - Berlin, Germany Tel.: 49 (030) 555070 - Fax: 49 (030) 55507800 E-mail: [email protected] Pernottamento: 3 colazioni e 2 cene in albergo + 1 cena all’Hard Rock Caffè.
    [Show full text]
  • Water and Cultural Heritage / Eau Et Patrimoine Culturel
    Prepared and edited by Lucile Smirnov. Préparé et édité par Lucile Smirnov. © UNESCO-ICOMOS Documentation Centre, March 2011. ISBN: 978-2-918086-02-4 ICOMOS - International Council on Monuments and sites / Conseil International des Monuments et des Sites 49-51 rue de la Fédération 75015 Paris FRANCE http://www.international.icomos.org UNESCO-ICOMOS Documentation Centre / Centre de Documentation UNESCO-ICOMOS : http://www.international.icomos.org/centre_documentation/index.html Cover photographs: Photos de couverture : © UNESCO/Liegeois, B. ; UNESCO/Chicot, D. ; UNESCO/Bequette, France ; UNESCO/Carde Ecker ; UNESCO/Riffet, Daniel Water and Cultural heritage / Eau et patrimoine culturel A bibliography / Une bibliographie Water and civil ingeneering works p. 2 Eau et Ouvrages d’ingénierie civile Canals / Canaux p. 2 Locks / Ecluses p. 19 Bridges / Ponts p. 23 Aqueducts / Aqueducs p. 30 Water and Agriculture-Industry p. 42 Eau et Agriculture-Industrie Watermills / Moulins p. 42 Wells / Puits p. 48 Waterwheels / Roues à eau p. 52 Irrigation systems / Systèmes d’irrigation p. 54 Hydraulic systems / Système hydrauliques p. 56 Water and architectural aesthetics (gardens, parks, p. 64 palaces…) / Eau et esthétique architecturale Fountains and cascades / Fontaines et cascades p. 66 Ponds-ornamental lakes / Bassins-lacs ornementaux p. 84 Water and human environment p. 90 Eau et environnement humain Water and landscapes / Eau et paysages p. 90 Water and town / L’eau et la ville p. 91 Landscapes and rivers anthropology p. 93 Paysages et anthropologie des fleuves et rivières Water, aquatic leisures and hygiene p. 102 Eau, loisirs aquatiques et hygiène Water management / Gestion de l’eau p. 119 Water and civil ingeneering works Eau et Ouvrages d’ingénierie civile Canals / Canaux 000393 - Palatul Ghica tei, cercetare istorica si arheologica.
    [Show full text]
  • Representações Linguísticas E Semióticas Na Estatuária Urbana Europeia
    Universidade do Porto Faculdade de Letras Representações linguísticas e semióticas na estatuária urbana europeia Ana Paula Gil Soares Doutoramento em Linguística Tese Orientada pela Professora Doutora Olívia Maria Figueiredo 2009 Representações linguísticas e semióticas na estatuária urbana europeia Volume 2 – Componente informática CD Sistema informático para semiolinguística da escultura Requisitos de sistema: Windows XP ou mais recente. Microsoft Office 2003 ou posterior. Internet explorer 6.0 ou posterior. Instruções : Ao introduzir o disco no aparelho este abrirá automaticamente a interface passados alguns segundos. Caso não abra automaticamente (por o sistema não ter o autorun operacional) clicar no ficheiro Iniciar.htm , situado na raiz do CD. 2 :::::::::::: Representações linguísticas e semióticas na estatuária urbana europeia :::::::::::: Ao João Filipe Ao Alexandre, à Ana Carmo Universidade do Porto. Faculdade de Letras - Doutoramento em Linguística - Novembro de 2009 3 :::::::::::: Representações linguísticas e semióticas na estatuária urbana europeia :::::::::::: Agradecimentos Expresso os meus agradecimentos e reconhecimento à Professora Doutora Olívia Maria Figueiredo pela orientação desta tese e pelo gosto e incentivo ao prosseguimento desta investigação. Devo também um reconhecido agradecimento à Faculdade de Letras da Universidade do Porto pelo acolhimento desde a primeira hora a este trabalho de investigação. Manifesto um agradecimento muito especial ao João Filipe Vieira pelo trabalho de construção informática do volume 2 e pela colaboração de campo na recolha conjunta de corpora . Agradeço aos meus pais a constante ajuda ao longo de todo o trabalho. Manifesto ainda a minha gratidão ao Professor Doutor Mário Vilela pelo apoio e atenção demonstrados na fase inicial deste trabalho. À Malgorzata Sleziak e família agradeço a calorosa recepção em Źywiec e o acompanhamento através da cidade às esculturas bem como pelas interessantes conversas acerca da cultura local e da Polónia na vivência quotidiana.
    [Show full text]
  • Juan Garaizabal. Memorias Urbanas
    Juan Garaizabal. Memorias Urbanas Juan Garaizabal (born in 1971 in Madrid) is a conceptual artist specialized in the creation and transformation of interactive spaces as a means of artistic communication. He has experimented throughout his creative career with different areas. An inventor and a trained draughtsman with a degree in management, in the 1990’s he began to turn garages, warehouses, bunkers, and such into lofts, when no such concept existed in Spain. To furnish them, he enlarged the format of his drawings and installations. This process of gradual enlargement –still in progress– led him to unveil his first monumental public work in 2005 : he conceived as a curator a humanizing settlement of the landscapeby means of an outdoor installation, using grand format fixtures. This gave way to a conceptual installation which would intervene in important public spaces. In 2006 he finished his first solo conceptual art piece “Bosque de Flores”, a garden of giant flowers that was installed in the city of Valencia for the America’s Cup. The installation continues to illuminate the City of the Porcelain every night. In 2008 he was hired by the Municippyality of Bucharest to create the full ppjroject of their “White Night”/ “Noaptea Alba”. It was then when he developed the idea of Memoria Urbana (urban memory), the central theme of his present work. The Memoria Urbana projects focus on recovering and giving worth to architecture elements or historical buildings that have been lost in the course of time. Among these are an outline of the Old City of Bucharest, the Royal Palace of Valencia, the Bohemian Church of Bethlehem in Berlin, the Palais des Tuileries in Paris, Old London Bridge or Paço da Ribeira in Lisbon.
    [Show full text]
  • BERLINO All.Pdf
    VIAGGI Via Buozzi 5 57023 Cecina (LI) Tel. +39 0586 680599 Fax +39 0586 630689 http www.fibula.it [email protected] Facebook.com/FibulaViaggi @FibulaViaggi Youtube.com/FibulaViaggi Tel. +39 329 9453216 Tel. +39 0586 631423 INDICE BENVENUTI A BERLINO ....................................................................................................................3 BERLINO CAPITALE ..........................................................................................................................4 BREVE STORIA DELLA CITTÀ ...........................................................................................................5 INFORMAZIONI GENERALI .............................................................................................................6 NUMERI UTILI ..................................................................................................................................6 CLIMA .............................................................................................................................................6 COME MUOVERSI ............................................................................................................................7 AEROPORTI ........................................................................................................................................8 BERLINO TEGEL .............................................................................................................................8 BERLINO SCHÖNEFELD ...............................................................................................................9
    [Show full text]
  • Desmontando El Mito Del Muro De Berlín La Estructura Fronteriza Desaparecida
    Desmontando el mito del Muro de Berlín La estructura fronteriza desaparecida Inés Lamazares Fraile D : Estudiante Inés Lamazares Fraile Tutor Jose de Coca Leicher Departamento de Ideación Gráfi ca Arquitectónica Aula TFG 1 Mercedes González Redondo, coordinadora María del Mar Barbero Barrera, adjunto Escuela Técnica Superior de Arquitectura de Madrid Universidad Politécnica de Madrid Índice R 5 M 7 M 8 9 1. L 13 . 1.1 La división de Berlín y la aparición del muro 1.2 Primera fase: 13.Agosto 1961 15 1.3 Segunda fase: 15/16.Agosto 1961 17 1.4 Tercera fase: 20.Septiembre 1961 hasta mediados de 18 los 60 20 1.5 Cuarta fase: 1964/1966 hasta mediados de los 70 1.6 Qunita fase: 1974/1976 hasta mediados de 9.Noviem- 23 bre 1989 26 2. . , 31 2.1 Caso de estudio: Bernauer Strasse. La materialización del sistema fronterizo 33 2.2 Caso de estudio: Estación Friedrichstrasse. Paso fron- terizo deslocalizado de la línea de demarcación 42 2.3 Caso de estudio: Checkpoint Charlie. Imagen y turis- mo de la Guerra Fría 49 3. L 55 C 59 F Bibliografía Ilustraciones 63 66 4 D L 5 Resumen En 1961 la ciudad de Berlín se encontraba en una situación de crisis que de- sencadenó en la operación relámpago de construir un muro que materializó la guerra política entre los sectores del Este y Oeste de la ciudad. Durante 27 años se desarrolló esta frontera, pasando de un muro casi vir- tual, en sus comienzos formado por pintura, soldados y alambre, hasta con- vertirse en un sistema fronterizo inquebrantable.
    [Show full text]
  • Statusbericht
    Kunsthistorisches Institut in Florenz Max-Planck-Institut Forschungsbericht Herbst 2002 - Herbst 2004 Copyright © 2004 Kunsthistorisches Institut in Florenz Max-Planck-Institut Via Giuseppe Giusti 44 I-50121 Firenze Telefon +39 055 249 111 Telefax +39 055 249 1155 http://www.khi.fi.it Titelbild Lucantonio degli Uberti (zugeschrieben) nach einem verlorenen Kupferstich von Francesco Rosselli: Die große Ansicht von Florenz („Kettenplan“), um 1500/10. Holzschnitt, 57,8 x 131,6 cm. Berlin, SMPK, Kupferstichkabinett. INHALT DAS KUNSTHISTORISCHE INSTITUT IN FLORENZ: GESCHICHTE, STATUS, ZUKUNFTSPERSPEKTIVEN ........................................................... 9 ITALIENISCHE KUNSTGESCHICHTE IM EUROPÄISCHEN KONTEXT IN MITTELALTER UND FRÜHER NEUZEIT: MITTEL- UND OBERITALIEN ....... 11 Politische Ikonographie toskanischer Städte. Lucca .................................................... 13 Toskanische Kunst im Trecento ..................................................................................... 14 Die Achsenzeit der Mitte des 13. Jahrhunderts als Beginn einer in der Renaissance gipfelnden Kunstperiode ............................................................... 15 Edition der unveröffentlichten Schriften von Jacob Burckhardt über die Kunst der Renaissance...................................................................................... 15 Musik und bildende Kunst im 20. Jahrhundert: Luigi Dallapiccola......................... 15 Kunstkritik im 19. Jahrhundert: Vergleich Italien – Frankreich ................................
    [Show full text]
  • Representation and the Recurring Past in Post-Unification Berlin
    CONJURED SPACES: REPRESENTATION AND THE RECURRING PAST IN POST-UNIFICATION BERLIN by KIMBERLY JEAN PHILLIPS B.A. (Hons.), The University of Victoria, 1997 M. A., The University of British Columbia, 2000 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Fine Arts) THE UNIVERSITY OF BRITISH COLUMBIA September 2007 © Kimberly Jean Phillips, 2007 11 ABSTRACT Behind the mask of new architecture rapidly transforming Berlin's visage in the years following Germany's reunification in 1990 lie profound anxieties over the nature and implications of the city's reconstruction in the face of an irresolvable past and an unclear future. A disenchanted and destabilized eastern population, resurfacing questions over the definition of "Germanness" and the German nation, and the sudden collision of two very different official narratives of the National Socialist and communist pasts frustrate the city's desire to present a unified identity in the first years after the fall of the Berlin Wall. To access this difficult terrain, my dissertation departs markedly from the focus of much of the published literature on the post-unification city and looks not to Berlin's new building projects themselves but rather to the more unstable spaces between architecture: those more marginal or unresolved sites and surfaces which, in states of flux, paralysis, or neglect, are more vulnerable to (and revealing of) the possibilities of appropriation and disturbance. This study considers three temporary, site-specific installations that for brief moments haunted such sites in Berlin during the first volatile years after 1990: Shimon Attie's 1991-1992 photographic projections entitled The Writing on the Wall, the 1993 simulation in canvas of Berlin's demolished Stadtschloss, and Christo and Jeanne- Claude's famed wrapping of the Reichstag in 1995.
    [Show full text]
  • Urban Memory and Visual Culture in Berlin Framing the Asynchronous City, 1957-2012
    CITIES AND CULTURES CITIES AND CULTURES As places of turbulence and transformation, cities are sites of forgetting. Simon Ward And yet archiving and exhibiting the presence of the past remains a key cultural, political and economic activity in many urban environments, such as Berlin. This book examines the crucial role of visual culture (architecture, memorials, photography and film) in shaping Berlin’s urban memory culture in both East and West in response to the changing political, social and economic organization of the built environment over the past five decades. This memory culture continues to generate critical encounters in a global city whose spatial and temporal boundaries have disintegrated. Through these encounters, we, as denizens of a globalized world, might remember how place can be remembered. Simon Ward is a Senior Lecturer in the School of Modern Languages and Cultures at Durham University. Urban Memory and Visual Culture in Berlin Culture Visual Urban Memory and Simon Ward Urban Memory and Visual Culture in Berlin Framing the Asynchronous City, 1957-2012 ISBN: 978-90-8964-853-2 AUP.nl 9 789089 648532 Urban Memory and Visual Culture in Berlin Cities and Cultures is an interdisciplinary humanities book series address- ing the interrelations between contemporary cities and the cultures they produce. The series takes a special interest in the impact of globalization on urban space and cultural production, but remains concerned with all forms of cultural expression and transformation associated with contemporary cities. Series editor: Christoph Lindner, University of Amsterdam Advisory Board: Ackbar Abbas, University of California, Irvine Nezar AlSayyad, University of California, Berkeley Derek Gregory, University of British Colombia Stephanie Hemelryk Donald, University of New South Wales Shirley Jordan, Queen Mary, University of London Geoffrey Kantaris, University of Cambrigde Bill Marshall, University of London Ginette Verstraete, VU University Amsterdam Richard J.
    [Show full text]