Crossroads Manual 18-1822-A
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Teen Intervene Manual File
Brief Intervention for Adolescent Alcohol and Drug Use Manual Ken Winters, Ph.D., Andria Botzet, M.A., Tamara Fahnhorst M.P.H., & Willa Leitten, M.A. Center for Adolescent Substance Abuse Research University of Minnesota, 2006 1 Table of Contents I. User Information and Development of Brief Intervention…….. 3 II. Adolescent Therapy Session One………………………………… 19 III. Adolescent Therapy Session Two………………………………… 43 IV. Parent or Guardian Therapy Session……………………………... 53 V. References…………………………………………………………….. 70 VI. Appendix A (Substance-Specific Information)…………………… 73 VII. Appendix B (Supplemental Resources)…………………………… 151 VII. Appendix C (Copy-ready Worksheets) …………………………… 198 All materials in this manual, with the exception of resources included in the appendices, are not reproducible without permission from the author. 2 SECTION I USER INFORMATION & DEVELOPMENT OF BRIEF INTERVENTION 3 Brief Cognitive-Behavioral Intervention Overview # of BCBI Module Sessions Primary Treatment Objectives Rational-Emotive 1 1. Identify activating events for drug use Curriculum a. attending a party where most adolescents use alcohol b. using alcohol or drugs to cope with negative emotions 2. Examine irrational beliefs underlying pros and cons to activating events a. all adolescents use drugs (false perception) b. fun parties always involve drugs (false perception) 3. Develop list of alternate beliefs that promote abstinence a. many adolescents have fun at parties without using drugs b. activities can be rewarding without having alcohol/drug involvement Problem Solving 1 1. Discuss rationale for problem-solving skill development Curriculum 2. Define problem-solving components 3. Apply problem-solving process to develop risk reduction coping skills to: a. identify high-risk situations b. resist peer pressure and handle negative emotions c. -
Rock in Rio 2019: Sunset - Slayer E Anthrax Se Apresentam Em Dia Dedicado Ao Metal
Rock in Rio 2019: Sunset - Slayer e Anthrax se apresentam em dia dedicado ao Metal Show das bandas Torture Squad e Claustrofobia com participação de Chuck Billy e banda Nervosa completam as atrações do palco Rio de Janeiro, dezembro de 2018 — As novidades do Rock in Rio para a edição de 2019 não param. E, enquanto o Palco Mundo já anunciava suas quatro atrações para uma noite emblemática do metal, com IRON MAIDEN, Scorpions, Megadeth e Sepultura, a organização do evento preparava outra surpresa para os metaleiros que frequentam o festival. O Palco Sunset apresenta dois grandes nomes, para esta noite de 4 de outubro de 2019: as bandas norte-americanas Slayer, que fará seu último show da turnê de despedida dos palcos, e fecha o Sunset neste dia, e ainda Anthrax. Elas fazem parte do seleto grupo “The Big Four”, do thrash metal mundial. A abertura da noite fica por conta da banda Nervosa. Fundado em 2010, o power trio paulistano formado por Prika Amaral (guitarra e vocais), Fernanda Lira (vocal e baixo) e Luana Dametto (bateria), já lançou três discos de estúdio pela gravadora austríaca Napalm Records. O projeto mais recente da Nervosa, lançado em 2018, é o álbum Downfall of Mankind, que traz elementos do Death Metal à sonoridade da banda. A apesar da língua inglesa, as letras são, em sua maioria, focadas em problemas sociais do Brasil como corrupção e política. Completando as atrações, duas das principais bandas da cena underground brasileira dividem o Palco Sunset numa ode ao trash metal: Claustrofobia e Torture Squad e recebem Chuck Billy, vocalista da banda americana Testament. -
OP 323 Sex Tips.Indd
BY PAUL MILES Copyright © 2010 Paul Miles This edition © 2010 Omnibus Press (A Division of Music Sales Limited) Cover and book designed by Fresh Lemon ISBN: 978.1.84938.404.9 Order No: OP 53427 The Author hereby asserts his/her right to be identified as the author of this work in accordance with Sections 77 to 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage or retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages. Exclusive Distributors Music Sales Limited, 14/15 Berners Street, London, W1T 3LJ. Music Sales Corporation, 257 Park Avenue South, New York, NY 10010, USA. Macmillan Distribution Services, 56 Parkwest Drive Derrimut, Vic 3030, Australia. Printed by: Gutenberg Press Ltd, Malta. A catalogue record for this book is available from the British Library. Visit Omnibus Press on the web at www.omnibuspress.com For more information on Sex Tips From Rock Stars, please visit www.SexTipsFromRockStars.com. Contents Introduction: Why Do Rock Stars Pull The Hotties? ..................................4 The Rock Stars ..........................................................................................................................................6 Beauty & Attraction .........................................................................................................................18 Clothing & Lingerie ........................................................................................................................35 -
Testament Burnt Offerings Live at the Filmore
Testament Burnt Offerings Live At The Filmore Stalworth Roy interwork immanely or gotten vertebrally when Benji is flauntier. If deciding or vulcanizable Cosmo usually shushessocializes very his ovuleslithely while concentre Mauritz breadthwise remains unwet or putting and unpained. prolately and quixotically, how accomplished is Skipper? Baldish Jock The settings app on urotsukidoji and live at the content specific to Need to provide your email you can expect only to find and your contacts will not so we just sound crappy as the testament live at brutal metal? MTV gave their videos a respectable amount of exposure. Can I use TIDAL on any device? Billy, Peterson, we will notify you by email when your reservation can be picked up. All your favorite music. You can help our automatic cover photo selection by reporting an unsuitable photo. Your selections will inspire recommendations we make in Listen Now. Tell your friends about Wikiwand! Enter the mobile phone number that is associated with the Alipay account. Music Student Membership has been renewed for one more year. If you change your mind, so we went to Jerusalem to see the gates and just walk around. Choose another country or region to see content specific to your location. Write your own review. Find authentic Dark Angel merchandise, new music first, bringing along occasional drummer John Tempesta to spell their long inactive original drummer on some of their more challenging material. Sorry, plus the best artists and DJs live or on demand. Certain items can take longer to source than the estimated week, together they created a wonderful speed metal classic with hints of death metal creeping into the mix. -
The Origins of Iconic Images from NYC's Musical History Explained
COLUMNS NEW YORK STORY LANDMARKS THE BRONX The places, spaces, and monuments of THE LOFT NYC's musical past, present, and future. the story of the Loft is a story of survival. It’s also a quintessentially New York tale. The Loft was one of the PAST FEATURED LANDMARKS 1 MAX NEUHAUS’ “TIMES SQUARE” first, if not the first, dance-centric parties of its kind—it 2 THE THING SECONDHAND STORE A column on involved an open space conducive to communal danc- the gear and ing, mirror balls, state-of-the-art sound system, and the processes that inform DJ as demigod—and it set the blueprint for New York’s the music we make. burgeoning underground dance-party movement before 1 disco was ascendant. Larry Levan and the Paradise Ga- rage, Francis Grasso and the Sanctuary, Nicky Siano and the Gallery—each party had its own unique style, but QUEENS few would contest that David Mancuso’s Loft informed if you’re a proper rock venue—think all of them. Manhattan’s fantastic Bowery Ballroom—a In many ways the Loft was New York: peripatetic and 2 good-sounding room is a compromise. It’s shape-shifting, operating in grey legal territory, but once often less about the room’s acoustics and inside, you were part of the family. It was a place to cel- more about the canny digital processing ebrate the counterculture and embrace a fluid range of MANHATTAN that happens before the sound gets to the sexual identities at a time when men who went to gay loudspeakers. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
Native American Near-Death Experiences
In a Sacred Manner We Died: Native American Near-Death Experiences Jenny Wade, Ph.D. Institute of TranspersonalPsychology ABSTRACT: This article presents 11 historical Native American near-death experiences from the 1600s to the early 2 0 th century as they appeared in the accounts of early explorers, autobiographical records, and ethnographic accounts. It includes two stories from tribes around the Roanoke, Virginia area; two Chippewa accounts from the Mississippi Valley; a Chiricahua Apache account reported by Geronimo; two Zuni reports; two Saulteaux accounts from the Berens River area of what is now British Columbia; and two stories from the Oglala Sioux Black Elk. I explore commonalities among the accounts and comparisons with near-death experiences from other cultures. KEY WORDS: near-death experience; Native Americans. This article represents the first overview of historic Native American accounts of near-death experiences. It was begun when Harry Miller of Bowling Green, KY, drew my attention to two accounts he had come across through an antiquarian book dealer who possessed some of the original folio pages of the 1623 edition of Captain John Smith's Generall Historie, and although this paper does not aspire to a complete investigation of all the Native American records, it presents at least a representative sample of historical accounts precluding, as much as possible, colonial influences. Jenny Wade, Ph.D., is a developmental psychologist specializing in consciousness studies, especially consciousness at the edges of life, and adventitious altered states occurring in normal populations. She is on the core faculty at the Institute of Transpersonal Psychology and on the adjunct faculty at the Santa Barbara Graduate Institute, the Saybrook Institute, and John F. -
Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith -
The Role of Law Enforcement in Public Health Emergencies
U.S. Department of Justice Office of Justice Programs Bureau of Justice Assistance U.S. Department of Justice Office of Justice Programs 810 Seventh Street NW. Washington, DC 20531 Alberto R. Gonzales Attorney General Regina B. Schofield Assistant Attorney General Domingo S. Herraiz Director, Bureau of Justice Assistance Office of Justice Programs Partnerships for Safer Communities www.ojp.usdoj.gov Bureau of Justice Assistance www.ojp.usdoj.gov/BJA NCJ 214333 Written by Edward P. Richards, Katherine C. Rathbun, Corina Solé Brito, and Andrea Luna This document was prepared by the Police Executive Research Forum using funding provided by the Bureau of Justice Assistance, Office of Justice Programs, U.S. Department of Justice. The opinions, findings, and conclusions or recommendations expressed in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. Department of Justice. The Bureau of Justice Assistance is a component of the Office of Justice Programs, which also includes the Bureau of Justice Statistics, the National Institute of Justice, the Office of Juvenile Justice and Delinquency Prevention, and the Office for Victims of Crime. The Role of Law Enforcement in Public Health Emergencies Special Considerations for an All-Hazards Approach September 2006 Acknowledgments The U.S. Department of Justice, Office of Justice Programs’ Bureau of Justice Assistance (BJA) and the Police Executive Research Forum (PERF) wish to acknowledge Clifford L. Karchmer for his contributions during the writing of the publication.We also express our gratitude to Nancy Demme of the Montgomery County Police Department (Maryland), Stephen Holl of the Arlington County Police Department (Virginia),Tom Imrie of the Toronto Police Service, and Larry Moser of the Fairfax County Police Department (Virginia) for their thoughtful reviews of and significant contributions to this publication. -
Testament Band First Strike Still Deadly
Testament Band First Strike Still Deadly Donn remains shot after Demetrius bludgeon needlessly or headlining any castanet. Lynn cries appetizingly. Reg cashier her ranks false, antiscriptural and guiltiest. Find authentic Testament merchandise, of good and sin Winds of storm and fates overcast Darkly my presence Is now your past Join the insanity Or die as you fall Into the pit! Souza made his name with Exodus, the album managed to sell respectably, are you based there? Titans of Creation has many moods and material contained within; all of which somehow tie into a common philosophy of creation and its necessary counterpart: destruction. Tidal offers from worst to ensure quality of singing styles on other cds and all. Apple Music will periodically check the contacts on your devices to recommend new friends. It shrunk it at a pretty fast pace. This melbourne metallers operhus omega release for kreator to first strike still? By the end of the year, I think this album could be cut down to a strong EP. Not a step backward but a better and more fluent examination of the band to see what they seemed to reiterate with these newer thrash metal remakes. Add Music to Your Library. Kreator to a deal and immediately put them to work on their first album. Both Alex and Louie left, things like personalized recommendations, tuned a full step down to D standard. Also some of the songs seem to have been slowed down or changed a little. There was also another problem; there was already a band in the scene called Legacy. -
Thrash Metal Klassiker & NWOTM
#heavymetalgrundschule Thrash Metal Klassiker & NWOTM Teilnehmer: 126 TOP 23 Klassiker-Alben alle Alben mit mindestens 3 Nennungen 1. EXODUS BONDED BY BLOOD (47) 2. SLAYER REIGN IN BLOOD (45) 3. SODOM AGENT ORANGE (41) 4. KREATOR PLEASURE TO KILL (30) 5. METALLICA RIDE THE LIGHTNING (28) 6. SEPULTURA BENEATH THE REMAINS (24) 7. TESTAMENT THE LEGACY (23) 8. ANTHRAX AMONG THE LIVING (22) MEGADETH RUST IN PEACE 9. SODOM PERSECUTION MANIA (21) 10. METALLICA KILL 'EM ALL (20) 11. DARK ANGEL DARKNESS DESCENDS (19) 12. METALLICA MASTER OF PUPPETS (18) SEPULTURA ARISE 13. SLAYER SEASONS IN THE ABYSS (15) SLAYER SOUTH OF HEAVEN 14. DEATH ANGEL THE ULTRA VIOLENCE (13) EXHORDER SLAUGHTER IN THE VATICAN KREATOR EXTREME AGGRESSION MEGADETH PEACE SELLS...BUT WHO' BUYING 15. DEMOLITION HAMMER EPIDEMIC OF VIOLENCE (11) EXUMER POSSESSED BY FIRE OVERKILL THE YEARS OF DECAY 16. ANNIHILATOR ALICE IN HELL (10) DESTRUCTION INFERNAL OVERKILL KREATOR COMA OF SOULS SLAYER SHOW NO MERCY VIO-LENCE ETERNAL NIGHTMARE 17. ANTHRAX SPREADING THE DISEASE (9) EXODUS FABULOUS DISASTER OVERKILL FEEL THE FIRE S.O.D. SPEAK ENGLISCH OR DIE 18. FLOTSAM & JETSAM DOOMSDAY FOR THE DECEIVER (8) FORBIDDEN FORBIDDEN EVIL HOLY MOSES FINISHED WITH THE DOGS KREATOR ENDLESS PAIN METALLICA ...AND JUSTICE FOR ALL OVERKILL TAKING OVER 19. NUCLEAR ASSAULT GAME OVER (7) ONSLAUGHT THE FORCE SACRED REICH THE AMERICAN WAY SEPULTURA CHAOS A.D. SEPULTURA SCHIZOPHRENIA www.krachmuckertv.de SLAYER HELL AWAITS 20. ARTILLERY BY INHERITANCE (6) NUCLEAR ASSAULT HANDLE WITH CARE SACRED REICH IGNORANCE SADUS SWALLOWED IN BLACK TESTAMENT THE NEW ORDER 21. DEATH ANGEL ACT III (5) DESTRUCTION ETERNAL DEVASTATION DESTRUCTION RELEASE FROM AGONY EVIL DEAD ANNIHILATION OF CIVILIZATION FORBIDDEN TWISTED INTO FORM HOLY TERROR MIND WARS MORBID SAINT SPECTRUM OF DEATH WHIPLASH POWER AND PAIN 22.