December 2011
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Architektur Guide (PDF)
w Architektur Architecture/Architecture/L’architettura/ iennaNo Arquitectura/建築:ユーゲントシュティルから現代まで #V Vom Jugendstil o bis zur Gegenwart ienna.inf From Art Nouveau .v to the Present www Inhalt/Contents Architekturzentrum Wien – Die 1970er und 1980er Architekturführungen The 1970s and 1980s in und um Wien Architecture tours in and around Vienna Aktuelle Bauten seit 1990 Modern architecture since 1990 Klassiker Late 19th and early 20th century Neue Stadtviertel New Quarters Zwischenkriegszeit The interwar years Stadtpläne City Maps Wiederaufbau After World War II www.wienarchitektur.at Informationen für Gäste: wien.info Information for visitors: vienna.info Besuchen Sie uns auch auf: facebook.com/WienTourismus facebook.com/LGBTWien youtube.com/Vienna instagram.com/ViennaTouristBoard #ViennaNow Also visit us on: facebook.com/ViennaTouristBoard facebook.com/LGBTVienna youtube.com/Vienna instagram.com/ViennaTouristBoard #ViennaNow Impressum Herausgeber: WienTourismus, A-1030 Wien Redaktion: Anneke Essl (Az W) & Robert Seydel Design: seite zwei – branding & design Layout: WienTourismus, Christian Eckart Cover: Am Donaukanal ©WienTourismus/Christian Stemper Redaktionsschluss: Oktober 2019 Alle Angaben ohne Gewähr. Änderungen vorbehalten. Printed in Austria by Druckerei Odysseus, Stavros Vrachoritis Ges.m.b.H. Gedruckt nach der Richtlinie „Druckerzeugnisse“ des Österreichischen Umweltzeichens, Druckerei Odysseus Stavros Vrachoritis GmbH, UW-Nr. 830 Printed in accordiance to the Guideline „Low pollutant print products“ of the Austrian ecolabel, -
ANNUAL REVIEW Contents
MAK 2018 ANNUAL REVIEW Contents Preface of the Board of Directors ............................................................................................................................................................... 3 MAK Exhibitions 2018 .................................................................................................................................................................................................... 4 MAK Events 2018 ............................................................................................................................................................................................................... 14 MAK Collection / Purchases / Donations 2018 .................................................................................................................... 15 MAK Research Projects 2018 ........................................................................................................................................................................... 17 MAK Publicatios 2018 ................................................................................................................................................................................................. 18 MAK Library and Works on Paper Collection .............................................................................................................................. 18 EU Projects 2018 .............................................................................................................................................................................................................. -
Press Kit Secession
SECESSION The Vienna Secession is an exhibition space that occupies a unique position in the history of modern art, combining a contemporary, forward-looking program with a building whose architecture is an icon of the spirit of adventure around 1900. This architecture has aged well and as a result, its functionality and aesthetic elegance continue to offer excellent conditions for today’s artistic and exhibition practice. The Secession is designed to be used in many different ways, a challenge taken up by artists who engage with both the inside and the outside of the building, producing an ongoing series of specially developed artistic ideas and concepts. Artists have often engaged with both the façade and the dome composed of 3000 gold-plated iron laurel leaves. The magnificent Hauptraum (main gallery) with its glass roof, one of the very first “white cubes,” is particularly well suited for interventions on account of its flexibility. With the Grafisches Kabinett (print room) on the upper floor and the three- room gallery in the basement, this ensures a wide range of options for exhibitions. In keeping with the motto that adorns its facade—“For every time, its art. For art, its freedom.”—the Secession hosts an international program that explores current forms of artistic expression in solo and themed exhibitions. It is a sounding board for the aesthetic and critical discourses on art, culture, and society that define our era, and for the political significance accruing to them. The Secession is an important forum for young experimental art, but its concept also includes prominent, already established positions. -
NEWS Springer.Com
AB2009 PRSRT-STD ABCD springer.com ABCD U.S. POSTAGE PAID SPRINGER 233 Spring Street New York, NY 10013 Springer NEWS Apress AIP Press American Institute of Physics Birkhäuser New York 7 Copernicus Heidelberg Current Medicine Dordrecht Friends of ED London Want this by e-mail? Humana Press Tokyo Subscribe now to the monthly Lars Müller Library Books E-Newsletter: Boston Lavoisier-Intercept Basel springer.com/librarybooks Physica Verlag Get all the content of this catalog in PDF, Excel, and HTML. Berlin Springer-Praxis Hong Kong The Royal Society of Chemistry Milan JULY Springer Wien NewYork New Delhi Steinkopff Verlag 2009 Paris V2007 Vieweg Springer News 7/2009 General Information ABCD springer.com Returns: Discount Key Returns must be in resaleable condition. Please include a copy of the original invoice P = Professional or packing slip along with your shipment. For your protection, we recommend all MC = Medicine/Clinical returns be sent via a traceable method. Damaged books must be reported within two MR = Medicine/Reference months of billing date. Springer reserves the right to reject any return that does not T = Trade follow the procedures detailed above. C = Computer Trade L = Landolt-Bornstein Handbook Returns in the Americas (excluding Canada): S = Special Software Springer c/o Mercedes/ABC Distribution Center Notice of Brooklyn Navy Yard; Bldg. 3 Sales and Service Brooklyn, NY 11205 Returns in Canada: Bookstore and Library Sales: Springer Matt Conmy, Vice President, Trade Sales c/o Georgetown Terminal Warehouse Price Changes tel: 800-777-4643 ext. 578 34 Armstrong Avenue e-mail: [email protected] Georgetown, Ontario L7G 4R9 Trade Marketing Support: Prices: Casey Spear, Product Manager Please note that all prices are in US $, and are subject to change without notice. -
Art. Light. Freedom – Vienna Secession Is Brought to Life with Tunablewhite
Press information Art. Light. Freedom – Vienna Secession is brought to life with tunableWhite “To the age its art, to art its freedom” grandly adorns the main entrance. In striking capital letters. As it has done for more than one hundred years. And now the creative freedom associated with this place has become even greater. Throughout the building. Thanks to artificial light that replicates the quality of daylight. Or to be more precise, thanks to tunableWhite LED lighting solutions developed and realised by Zumtobel together with the architect Adolf Krischanitz. Dornbirn, 13. March 2019 – It stands resplendent on the Karlsplatz square. Flanked by traffic on all sides, it still somehow manages to radiate a feeling of incredible serenity. White walls, golden ornaments – perhaps brighter now than ever before. Then there are the pale green inner sides of the bay leaves that perfectly come together to form a sphere on the roof. The Latin words “Ver Sacrum” (holy spring), the name of the official journal of the Union of Austrian Artists (Die Vereinigung bildender Künstler Österreichs) in the early years of the Secession, can be seen to the left of the front steps. Designed by architect Joseph Maria Olbrich and opened in 1898 as a showroom for the Union of Austrian Artists, the Vienna Secession (or Wiener Secession) is more than just a building. It is an architectural manifesto for Art Nouveau – or, as they call it in the German-speaking world, for the Jugendstil. For a return to the origins. For getting back to nature. And now, after a year of general refurbishment under the direction of the renowned Viennese architect Adolf Krischanitz, the Wiener Secession is shining with fantastic new splendour. -
Fall 2015 International Edition
UN IVERSIT Y OF C HICAGO PRESS 1427 EAST 60TH STREET CHICAGO, ILLINOIS 60637 N IO IT ED L NA IO AT NTERN I 2015 BOOKS LL FA CHICAGO CHICAGO International Fall 2015 Fall Edition Recently Published Fall 2015 Contents General Interest 1 Special Interest 41 Paperbacks 108 Blood Runs Green Siena Distributed Books 134 The Murder That Transfixed Gilded City of Secrets Age Chicago Jane Tylus Gillian O’Brien ISBN-13: 978-0-226-20782-7 Author Index 208 ISBN-13: 978-0-226-24895-0 Cloth $26.00/£18.00 Cloth $25.00/£17.50 E-book ISBN-13: 978-0-226-20796-4 E-book ISBN-13: 978-0-226-24900-1 Title Index 210 Subject Index 212 Ordering Inside Information back cover Infested Elephant Don How the Bed Bug Infiltrated Our The Politics of a Pachyderm Posse Bedrooms and Took Over the World Caitlin O’Connell Brooke Borel ISBN-13: 978-0-226-10611-3 ISBN-13: 978-0-226-04193-3 Cloth $26.00/£18.00 Cloth $26.00/£18.00 E-book ISBN-13: 978-0-226-10625-0 E-book ISBN-13: 978-0-226-04209-1 Plankton Say No to the Devil Cover illustration by André-Marie-Constant Duméril and Gabriel Bibron; appears in the Erpétologie générale, published Wonders of the Drifting World The Life and Musical Genius of 1834–1854. Christian Sardet Rev. Gary Davis Cover design by Mary Shanahan ISBN-13: 978-0-226-18871-3 Ian Zack Cloth $45.00/£31.50 ISBN-13: 978-0-226-23410-6 Catalog design by Alice Reimann and Mary Shanahan E-book ISBN-13: 978-0-226-26534-6 Cloth $30.00/£21.00 E-book ISBN-13: 978-0-226-23424-3 JESSA CRISPIN The Dead Ladies Project Exiles, Expats, and Ex-Countries hen Jessa Crispin was thirty, she burned her settled Chica- go life to the ground and took off for Berlin with a pair of W suitcases and no plan beyond leaving. -
Dr. Christopher Long Office: Sutton Hall 4.104 Phone: 232.4084 E-Mail: [email protected] Office Hours: T TH 10-11; and by Appointment
Fall 2013 HISTORY OF CENTRAL EUROPEAN ARCHITECTURE, 1650-PRESENT ARC 368R/ARC 388R Instructor: Dr. Christopher Long Office: Sutton Hall 4.104 Phone: 232.4084 E-mail: [email protected] Office Hours: T TH 10-11; and by appointment Time and Place: T TH 12:30-2:00; BTL 101 Prerequisites: Architecture students must have previously taken surveys 1 and 2 unless they have permission from the instructor. Upper-division undergraduate and graduate students from other departments are welcome to enroll with the consent of the instructor. Description: This course will explore the history of architecture and design in the lands that made up the Habsburg Empire and its successor states (Austria, Czech Republic, Slovakia, southern Poland, Slovenia, Croatia, northern Romania, Bosnia-Herzegovina, northern Italy, and western Ukraine) from the time of the Baroque to the present, focusing on the rise of the modernism in the region. In addition to surveying the significant building and design trends, the lectures will examine the works and ideas of a number of important architects, including J. B. Fischer von Erlach, Otto Wagner, Adolf Loos, Josef Hoffmann, Jože Plečnik, Ödön Lechner, Jan Kotěra, Josef Frank, Hans Hollein, and Coop Himmelb(l)au. The course will also include a discussion of the development of the major cities of the region—Vienna, Prague, and Budapest— examining how industrialization, rapid urbanization, and war shaped the distinctive face of each metropolis. The course will be taught in a combined lecture and seminar format. Educational Objectives: The aim of this course is to familiarize students with the historical development of architecture in Central Europe; to introduce them to the basic trends and leading architects and designers; and to acquaint them with the way in which historical change has shaped the region's built environment. -
PDF Icamprint 03
09-12-21 icam03_cover eingerichtet:cover 21.12.2009 17:36 Uhr Seite 1 “We exist because we have a great icam disorder in organisation, [but] order in spirit.” Sigfried Giedion print 03 print 03 international confederation of architectural museums special issue an organisation of architectural museums, centres and collections history special issue interviews contents issues and debates history interviews issues and debates about about icam icam December 2009 isbn 3-9502083-2-1 09-12-17 icam03_kern p.1-112:kern 21.12.2009 16:40 Uhr Seite 1 contents 2 editorial 3 letter from the president history 4 juhani pallasmaa icam 30 years, the founding of a confederation 8 angela giral international confederation of architectural museums, a history 16 elisabeth seip, dietmar steiner icam conferences, a retrospective view 28 jöran lindvall 13 years with the icam board 32 icam from 1979 to 2010 interviews 34 gerald beasley interview with phyllis lambert 40 jolanta gromadzka interview with olgierd czerner 48 monika platzer interview with mariet willinge issues and debates 56 dietmar steiner icam, 30 years lecture: architecture museums today 64 jean-louis cohen exhibitionism and its limits 70 andreas tönnesmann, bruno maurer collecting architecture today and tomorrow 76 manuel blanco vanishing paper, vanishing records 80 claes caldenby, johan linton the presence of the past: tendencies in architectural history 88 ulrike jehle-schulte strathaus art and architecture, artist and architects about icam 98 michael snodin icam 30 years: helsinki revisited 102 jane thomas icam14 104 jane thomas secretary general’s report 106 corinne bélier icam15 für baukunst, haus der architektur, stadtmuseum graz, vai vorarlberger architektur institut, wagner:werk, museum postsparkasse | belgium | civa 09-12-17 icam03_kern p.1-112:kern 21.12.2009 16:40 Uhr Seite 2 editorial 2 Architecture museums have become a fixture in the museum landscape. -
Klimt Year in Vienna, Part Two
Jane Van Nimmen Klimt Year in Vienna, Part Two Nineteenth-Century Art Worldwide 12, no. 1 (Spring 2013) Citation: Jane Van Nimmen, “Klimt Year in Vienna, Part Two,” Nineteenth-Century Art Worldwide 12, no. 1 (Spring 2013), http://www.19thc-artworldwide.org/spring13/van- nimmen-klimt-year-in-vienna-part-two. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Nimmen: Klimt Year in Vienna, Part Two Nineteenth-Century Art Worldwide 12, no. 1 (Spring 2013) Klimt Year in Vienna: Part Two On Gustav Klimt’s actual 150th birthday—July 14, 2012—Googlers around the world launched their searches under a Doodle of The Kiss (1907–08; Belvedere, Vienna). Although the picture was stretched out of its square format to accommodate the logo letters in golden tesserae, the Austrian tourist board welcomed this gift. In Vienna, eight of the eleven Klimt exhibitions mounted in 2012 were still on view.[1] On the rainy eve of his sesquicentennial, a new Gustav Klimt Center opened in Kammer am Attersee, in the region where the artist vacationed each summer between 1900 and 1916 with his Lebensmensch, the fashion designer Emilie Flöge (fig. 1). The Leopold Museum returned Klimt’s On the Attersee (1900) for a week to the banks of the lake where it was painted. On the birthday in Vienna, the Wien Museum offered a colossal cake, as well as free entry to anyone named Gustav or Emilie. The Kunsthistorisches Museum scheduled free access to its temporary Klimt bridge, built to permit a breathtakingly close inspection of his stairwell paintings. -
The Belvedere at a Glance
THE BELVEDERE AT A GLANCE Upper Belvedere | Lower Belvedere | Orangery | Belvedere 21 Upper Belvedere © Belvedere, Vienna 1 THE BELVEDERE Built by the famous Baroque architect Johann Lucas von Hildebrandt in the early eighteenth century, the Belvedere was originally the summer residence of Prince Eugene of Savoy (1663- -- 1736). It comprises two palaces------the Upper and Lower Belvedere------and their auxiliary buildings like the Orangery, all set in an historical garden. One of Europe’s most stunning Baroque ensembles, it is listed as a UNESCO World Heritage Site. The construction of the Belvedere had been completed in 1723. Prince Eugene’s imposing summer residence before the gates of Vienna can be seen as a symbol of the general’s meteoric rise to power in the Habsburg Empire. After the prince died in 1736, his entire property passed to his niece Victoria who sold the Belvedere to the Habsburgs. Its history as a museum dates back to the days of Maria Theresa and Joseph II when, in 1781, the Upper Belvedere became a gallery for the imperial collections and one of the world’s first public museums. Today it houses the greatest collection of Austrian art dating from the Middle Ages to the present, complemented by the work of international artists. A selection of its masterpieces can be viewed in the permanent displays at the Upper Belvedere. Highlights include the world’s largest collection of paintings by Gustav Klimt with the famous golden Jugendstil icons The Kiss (Lovers) and Judith as well as key works by Egon Schiele and Oskar Kokoschka. Prominent examples of French Impressionism and the most important collection of Viennese Biedermeier art are further highlights of the permanent displays. -
Architektur Vom Jugendstil Bis Zur Gegenwart
Architektur Vom Jugendstil bis zur Gegenwart Architecture from Art Nouveau to the Present Architecture : de l’Art Nouveau à l’époque actuelle L’architettura dallo stile Liberty ad oggi Arquitectura, desde el Modernismo hasta la actualidad DC TOWER © WTV© MANFRED/ HORVATH Inhalt / Content 3 Architekturzentrum Wien / Architekturführungen in und um Wien Architekturzentrum Wien / Architecture tours in and around Vienna 6 Klassiker / Late 19th and early 20th century 7 Zwischenkriegszeit / The interwar years 8 Wiederaufbau / After World War II 9 Die 1970er und 1980er / The 1970s and 1980s 10 Aktuelle Bauten seit 1990 / Modern architecture since 1990 14 Neue Stadtviertel / New Quarters 16 Stadtpläne / City Maps 20 www.wienarchitektur.at Informationen für Gäste: www.wien.info Information for visitors: www.vienna.info Besuchen Sie uns auch auf: www.facebook.com/WienTourismus www.facebook.com/GayCityWien www.youtube.com/Vienna Also visit us on: www.facebook.com/ViennaTouristBoard www.facebook.com/GayfriendlyVienna www.youtube.com/Vienna Impressum Herausgeber: WienTourismus, A-1030 Wien Redaktion: Anneke Essl (Az W) & Robert Seydel Design: Jung von Matt Layout: kreativ · Mag. Evelyne Sacher-Toporek, 1140 Wien Cover: ©WienTourismus/Christian Stemper Redaktionsschluss: Oktober 2014 Printed in Austria by AV+Astoria (2546/11/50) Alle Angaben ohne Gewähr. Änderungen vorbehalten. 2 Architekturzentrum Wien Museumsplatz 1, im MQ 1070 Wien Tel. +43-1-522 31 15 Fax +43-1-522 31 17 [email protected] www.azw.at AzArchitekturzentrum W Wien Täglich 10–19 Uhr Daily 10 a.m.–7 p.m. Architekturzentrum Wien Architekturzentrum Wien Das Österreichische The Austrian Museum of Architekturmuseum Architecture Alles über Architektur All about Architecture Das Architekturzentrum Wien ist das Austria’s leading architecture muse- österreichische Architekturmuseum um, the Architekturzentrum Wien, is und versteht sich als Ausstellungs-, an exhibition, event and research Veranstaltungs- und Forschungs- center dedicated to architecture and zentrum zum Thema Architektur und the built environment. -
Discussion Hermann Czech
TRADIZIONE TRADUZIONE TRADIMENTO A NEW ROME – VILLA VERSUS SUPERBLOCK enonce_final.indd 1 09.04.18 15:36 Enoncé théorique Patrick Pregesbauer, January 2018 ENAC EPFL Prof. Roberto Gargiani Prof. Kersten Geers Fabrizio Ballabio enonce_final.indd 2 09.04.18 15:36 I want to thank: Prof. Roberto Gargiani, for his helpful guidance through the semester, Mag. Hermann Czech, who has always been a big source of inspiration, tit. ao. Univ. Prof. Richard Bösel, for his constant support and expanding my field of interest, and Marcelo Rovira Torres, for his friendship and critical opinion. My special thanks goes to my parents, Georg and Nadja Pregesbauer who made it possible for me to study, and who have always supported and respected my decisions. enonce_final.indd 3 09.04.18 15:36 enonce_final.indd 4 09.04.18 15:36 INTRO This research is to be understood as a typological research, not in the manner of style. It is rather trying to discuss the relation of different buildings of their same type and their relation to their context. The intention is to look at historic architecture, with a contemporary gaze, to extract the potential for a contem- porary project. In this way this analysis is following the Viennese tradition of the Strukturanalyse - interpretation beco- mes an act of production.1 The analysis of Austrian Classical Baroque, through the reading of buildings of the Italian Renaissance, is therefore an act of speculation. The chosen examples are not trying to delineate a stylistic genealogy of a linear historic process but aim at illustrating a general hypothesis.