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40 JAHRE BAUHERRENPREIS Impressum
40 JAHRE BAUHERRENPREIS Impressum Herausgeber und für den Inhalt verantwortlich Zentralvereinigung der Architekten Österreichs, Salvatorgasse 10, 1010 Wien, www.zv-architekten.at Redaktion Maria Auböck, Felicitas Konecny, Martin Krammer, Maria Nievoll, Julia Tiefengraber Bucharchitektur und visuelle Gestaltung Fine Lin e_ graphic-design & typographie, wien Schriften Monitor und Quadraat von Fred Smeijers Druck Rema-Print_Festbroschüre gedruckt auf Claro Bulk von map-austria Fotos Erich Pedevilla – Günter Perl – Roland Gruber – Sina Baniahmad – P. Ruault Margherita Spiluttini – iHarald Schönfellinger – Rocca – Hertha Hurnaus – Gert Walden Autoren Christian Fillitz, Hans Hollein, Martin Krammer, Iris Meder, Julia Tiefengraber, Walter Zschokke Wien, November 2007 . 8 13 21 21>8 34 21>21 55 89 144 1 3 3 2 1 Inhalt 3 4 Hans Hollein Einführung 4 5 5 Claudia Schmied 9 Grußworte Bundesministerin für Unterricht, Kunst und Kultur Christian Kühn | Barbara Feller 10 Grußworte der Architekturstiftung Georg Pendl | Walter Stelzhammer 11 Grußworte der Bundeskammer der Architekten und Ingenieurkonsulenten 8 9 Iris Meder Ein Jahrhundert Baukultur 13 Julia Tiefengraber Die Landesorganisationen 18 1 4 4 Christian Fillitz Bauen à la carte: Jean Nouvel 22 Martin Krammer | Julia Tiefengraber 29 100 Fragen an den Raum Iris Meder 41 Ringstraße Revisited Walter Zschokke 43 Ein Baum aus Architektur 40 Jahre Bauherrenpreis 58 Bauherren und Architekten 196 7–2007 2 3 3 2 3 3 > 2 1 8 13 21 21>8 34 21>21 55 89 144 1 3 Einführung 2 1 Hans Hollein 3 4 5 5 Die Zentralvereinigung der Architekten ist 100 Jahre alt. Das ist ein Anlass zum Feiern, zu Aus- und Rückblicken, zum Nachdenken über Architektur. -
Notes of Michael J. Zeps, SJ
Marquette University e-Publications@Marquette History Faculty Research and Publications History Department 1-1-2011 Documents of Baudirektion Wien 1919-1941: Notes of Michael J. Zeps, S.J. Michael J. Zeps S.J. Marquette University, [email protected] Preface While doing research in Vienna for my dissertation on relations between Church and State in Austria between the wars I became intrigued by the outward appearance of the public housing projects put up by Red Vienna at the same time. They seemed to have a martial cast to them not at all restricted to the famous Karl-Marx-Hof so, against advice that I would find nothing, I decided to see what could be found in the archives of the Stadtbauamt to tie the architecture of the program to the civil war of 1934 when the structures became the principal focus of conflict. I found no direct tie anywhere in the documents but uncovered some circumstantial evidence that might be explored in the future. One reason for publishing these notes is to save researchers from the same dead end I ran into. This is not to say no evidence was ever present because there are many missing documents in the sequence which might turn up in the future—there is more than one complaint to be found about staff members taking documents and not returning them—and the socialists who controlled the records had an interest in denying any connection both before and after the civil war. Certain kinds of records are simply not there including assessments of personnel which are in the files of the Magistratsdirektion not accessible to the public and minutes of most meetings within the various Magistrats Abteilungen connected with the program. -
Architektur Guide (PDF)
w Architektur Architecture/Architecture/L’architettura/ iennaNo Arquitectura/建築:ユーゲントシュティルから現代まで #V Vom Jugendstil o bis zur Gegenwart ienna.inf From Art Nouveau .v to the Present www Inhalt/Contents Architekturzentrum Wien – Die 1970er und 1980er Architekturführungen The 1970s and 1980s in und um Wien Architecture tours in and around Vienna Aktuelle Bauten seit 1990 Modern architecture since 1990 Klassiker Late 19th and early 20th century Neue Stadtviertel New Quarters Zwischenkriegszeit The interwar years Stadtpläne City Maps Wiederaufbau After World War II www.wienarchitektur.at Informationen für Gäste: wien.info Information for visitors: vienna.info Besuchen Sie uns auch auf: facebook.com/WienTourismus facebook.com/LGBTWien youtube.com/Vienna instagram.com/ViennaTouristBoard #ViennaNow Also visit us on: facebook.com/ViennaTouristBoard facebook.com/LGBTVienna youtube.com/Vienna instagram.com/ViennaTouristBoard #ViennaNow Impressum Herausgeber: WienTourismus, A-1030 Wien Redaktion: Anneke Essl (Az W) & Robert Seydel Design: seite zwei – branding & design Layout: WienTourismus, Christian Eckart Cover: Am Donaukanal ©WienTourismus/Christian Stemper Redaktionsschluss: Oktober 2019 Alle Angaben ohne Gewähr. Änderungen vorbehalten. Printed in Austria by Druckerei Odysseus, Stavros Vrachoritis Ges.m.b.H. Gedruckt nach der Richtlinie „Druckerzeugnisse“ des Österreichischen Umweltzeichens, Druckerei Odysseus Stavros Vrachoritis GmbH, UW-Nr. 830 Printed in accordiance to the Guideline „Low pollutant print products“ of the Austrian ecolabel, -
ANNUAL REVIEW Contents
MAK 2018 ANNUAL REVIEW Contents Preface of the Board of Directors ............................................................................................................................................................... 3 MAK Exhibitions 2018 .................................................................................................................................................................................................... 4 MAK Events 2018 ............................................................................................................................................................................................................... 14 MAK Collection / Purchases / Donations 2018 .................................................................................................................... 15 MAK Research Projects 2018 ........................................................................................................................................................................... 17 MAK Publicatios 2018 ................................................................................................................................................................................................. 18 MAK Library and Works on Paper Collection .............................................................................................................................. 18 EU Projects 2018 .............................................................................................................................................................................................................. -
The Distinctiveness of Bohemian Baroque: a Study in the Architecture of Central Europe, C.1680-C.1720
artificialhorizon.org The distinctiveness of Bohemian baroque: a study in the architecture of Central Europe, c.1680-c.1720 RALPH HARRINGTON Between the late seventeenth century and the first years of the eighteenth the architecture of Bohemia underwent a marked transformation as the Italian influences that had been dominant until around 1690 gave way before Southern German and Austrian influences. In 1680 there were 28 architects of Italian origin working in Prague, compared with seven recorded as coming from northern Europe.1 The rapidity with which German influence displaced Italian can be gauged from the fact that by the later 1690s the proportions were reversed, largely as a result of the great immigration of architects, particularly from southern Germany, which took place from 1690 to 1700. This influx of talent ensured that, despite long-established Italian architectural dominance, the great flowering of the Austrian baroque which took place in the 1680s had rapid repercussions in Bohemia, where its influence interacted with local influences to produce a style of architecture altogether distinct from that prevalent in Austria itself. The first phase of the Austrian baroque had itself been dependent on Italian artists, and a large number of architects, sculptors and decorators originating in Italy made vital contributions to the development of the style known as ‘Imperial Baroque’. This Austrian imperial architectural style, dynamic in its manipulation of volumes and planes, grandiloquent in detail but massively authoritarian in overall character, had reached its fullest expression around 1700, finding its greatest exponents in two Italian-trained native architects, Johann Fischer von Erlach (1656- 1723) and Lucas von Hildebrandt (1688-1745). -
Hermann Czech : Werkverzeichnis, Verzeichnis Der Mitarbeiter, Schriftenverzeichnis
Hermann Czech : Werkverzeichnis, Verzeichnis der Mitarbeiter, Schriftenverzeichnis Autor(en): [s.n.] Objekttyp: Article Zeitschrift: Werk, Bauen + Wohnen Band (Jahr): 83 (1996) Heft 6: Hermann Czech : das architektonische Objekt = Hermann Czech : l'objet architectural = Hermann Czech : the architectonic object PDF erstellt am: 29.09.2021 Persistenter Link: http://doi.org/10.5169/seals-63040 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Werkverzeichnis (Auswahl) Mitarbeiterverzeichnis 1961-1962 Restaurant «Ballhaus», Wien 1986 Gutachten Casino Winkler, Salzburg, (mit Wolfgang Mistelbauer und Projekt Reinal Nohäl) 1986-1988 Ausstellung Wien 1938, Rathaus Wien 1965/71 Einfahrbare Überdachung des Grabens 1987 Ausstellung Hermann Czech. -
Visitor Attractions
Visitor Attractions As a former imperial city, Vienna has a vast cultural imperial apartments and over two dozen collections heritage spanning medieval times to the present day. – the legacy of the collecting passion of the Habsburg Top attractions include the Gothic St. Stephen’s Cathe- dynasty. Viennese art nouveau (Jugendstil) has also dral, baroque imperial palaces and mansions and brought forth unique places of interest such as the Se- the magnificent Ring Boulevard with the State Opera, cession with its gilded leaf cupola. Contemporary archi- Burgtheater (National Theater), Votive Church, City Hall, tecture is to be found in the shape of the Haas-Haus, Parliament and the Museums of Fine Arts and Natural whose glass front reflects St. Stephen’s Cathedral, and History. The former imperial residences Hofburg and the Gasometers, former gas storage facilities which Schönbrunn also offer the opportunity to follow in have been converted into a residential and commercial imperial footsteps. Schönbrunn zoo and park shine complex. This mix of old and new, tradition and moder- in baroque splendor, while Hofburg Palace boasts nity, is what gives Vienna its extra special flair. © WienTourismus/Karl Thomas Thomas WienTourismus/Karl © Osmark WienTourismus/Robert © Osmark WienTourismus/Robert © Anker Clock TIP This gilded masterpiece of art nouveau was created in 1911 by the Danube Tower painter and sculptor Franz von Matsch. Every day at noon, twelve An unforgettable panorama of Vienna’s Danube scenery, the old historical Viennese figures parade across the clock to musical ac- city and the Vienna Woods is afforded at 170m in the Danube Tow- companiment. Christmas carols can be heard at 17:00 and 18:00 er. -
Anglo-American Relations with Austria, 1945-1955 Margaret Denton University of Wollongong
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year A hideously complicated problem: Anglo-American relations with Austria, 1945-1955 Margaret Denton University of Wollongong This paper is posted at Research Online. http://ro.uow.edu.au/theses/1430 300 SoLurces arwi BUDliogx-aptry Unpublished Primary Sources Public Record Office, Kew FO 371 - Foreign Office General Correspondence (Political), 1942-1956 FO 800 - PrJ.ate Collections: Ministers and Officials: The Bevin Papers FO 945 - Records of the Control Office for Germany and Austria, 1945-1947 CAB 65 - Cabinet conclusions, 1939-1945 CAB 66 - Cabinet memoranda, 1939-1945 CAB 128 - Cabinet conclusions, 1945-1955 CAB 129 - Cabinet memoranda, 1945-1955 PREM 4 - Prime Minister's Private Office papers, 1941-1945 PREM 8 - Prime Minister's Private Office papers, 1945-1950 PREM 11 - Prime Minister's Private Office papers, 1951-1955 Oesterreichisches Staatsarchiv, Archiv der Republik, Vienna Papers of the Bundeskanzleramt (later Bundesministerium) fuer Auswaertige Anglegenheiten, Sektion II-Pol, 1945-1952; I have cited these papers as AdR, BMAA in the footnotes. Harry S. Truman Library, Independence Papers of Harry S. Truman, President's Secretary's File, Reports of the Central Intelligence Agency, 1948-1950 Published Primary Sources Foreign Relations of the United States 1934 Vol.11: Europe; Near East & Africa (Washington, 1951) Foreign Relations of the United States 1938 Vol.1: General (Washington, 1955) Foreign Relations of -
Hermann Czech : Das Architektonische Objekt = Hermann Czech : L'objet Architectural = Hermann Czech : the Architectonic Object
Hermann Czech : das architektonische Objekt = Hermann Czech : l'objet architectural = Hermann Czech : the architectonic object Autor(en): Hubeli, Ernst / Luchsinger, Christoph Objekttyp: Preface Zeitschrift: Werk, Bauen + Wohnen Band (Jahr): 83 (1996) Heft 6: Hermann Czech : das architektonische Objekt = Hermann Czech : l'objet architectural = Hermann Czech : the architectonic object PDF erstellt am: 07.10.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Hermann Czech - Das architektonische Objekt Der Titel der vorliegenden Werkmonografie über Hermann kenntnistheoretische Dimension, welche eine Kritik der Moderne Czech ist Programm und Provokation zugleich. In einer Zeit der miteinschliesst, erlangt hat). Im Spannungsfeld der Widersprüche ästhetischen Vergötterung und Kommerzialisierung des gibt es kaum Grenzen der Erkenntnisinteressen. -
The Challenge of the Asylum Mortuary in Central Europe, 18981908
Complexity and Coherence: The Challenge of the Asylum Mortuary in Central Europe, 1898–1908 Author(s): Leslie Topp Reviewed work(s): Source: Journal of the Society of Architectural Historians, Vol. 71, No. 1 (March 2012), pp. 8- 41 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/10.1525/jsah.2012.71.1.8 . Accessed: 12/03/2013 11:19 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and Society of Architectural Historians are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians. http://www.jstor.org This content downloaded on Tue, 12 Mar 2013 11:19:12 AM All use subject to JSTOR Terms and Conditions Figure 1 Carlo von Boog and Erich Gschöpf (?), Emperor Franz Josef Crown Land Asylum at Mauer-Öhling, Lower Austria, 1902, mortuary (Der Architekt 9 [1903], 39) Figure 2 Asylum at Mauer-Öhling, site plan, with mortuary at 20 (Die Kaiser Franz Joseph-Landes- Heil- und Pflege-Anstalt in Mauer-Öhling: Festschrift [Vienna: N.-Ö. Landesausschuss, 1902] Lower Austrian Provincial Library, St. -
Rococo Architecture: Austria and Germany from Vernon Hyde Minor: Baroque and Rococo
1 Rococo Architecture: Austria and Germany From Vernon Hyde Minor: Baroque and Rococo Austria and Germany Religious hatred had festered in Central Europe since the beginning of the Protestant Reformation. What ensued was the Thirty Years' War, a series of bloody and destructive conflicts among German princes and other European powers (such as Sweden and France) who wished to curb the powers of the Holy Roman Empire, which had been ruled for centuries by the Habsburg family. The consequences of these unsettled times for architecture were disastrous. Money went into the war, not into patronage. And at the war's end, even for the rulers of the larger territories such as Prussia and Austria, there were at first relatively few resources for the arts. By the eighteenth century, however, the Catholic parts of Central Europe (such as Bavaria), and much of Austria were ready to rebuild. The approach was cosmopolitan. There were German craft builders, whose experience was largely local, and German or Italian architects, who brought with them a direct knowledge of' the Roman Baroque. In addition, after the end of the War of Spanish Succession in 1714, and the arrival of a peace that had been so elusive for nearly a century, French ornamental designs, the rocaille came to replace some of the heavier embellishments of an earlier period. Imperial Style: The Karlskirche, Vienna Post-war ecclesiastical architecture in Central Europe found an early home in Vienna, seat of the Habsburgs and a city whose wealth and size rivaled that of Paris, Rome, and London. The first of the Austrian Baroque architects was Johann Fischer von Erlach (1656-1723), who began his career as a sculptor, studying in Rome in the circle of Gianlorenzo Bernini. -
Ellipse and Oval in Baroque Sacral Architecture in Slovakia
Vol. 13, Issue 1/2017, 30-41, DOI: 10.1515/cee-2017-0004 ELLIPSE AND OVAL IN BAROQUE SACRAL ARCHITECTURE IN SLOVAKIA Zuzana GRÚ ŇOVÁ 1* , Michaela HOLEŠOVÁ 2 1 Department of Building Engineering and Urban Planning, Faculty of Civil Engineering, University of Žilina, Univerzitná 8215/1, 010 26 Žilina, Slovakia. 2 Department of Structural Mechanics and Applied Mathematics, Faculty of Civil Engineering, University of Žilina, Univerzitná 8215/1, 010 26 Žilina, Slovakia. * corresponding author: [email protected]. Abstract Keywords: Oval, circular and elliptic forms appear in the architecture from the Elliptic and oval plans; very beginning. The basic problem of the geometric analysis of the Slovak baroque sacral spaces with an elliptic or oval ground plan is a great sensitivity of the architecture; outcome calculations to the plan's precision, mainly to distinguish Geometrical analysis of Serlio's between oval and ellipse. Sebastiano Serlio and Guarino Guarini and Guarini's ovals. belong to those architects, theoreticians, who analysed the potential of circular or oval forms and some of their ideas are analysed in the paper. Elliptical or oval plans were used also in Slovak baroque architecture or interior elements and the paper introduce some of the most known examples as a connection to the world architecture ideas. 1. Introduction Oval and elliptic forms belonged to architectural dictionary of forms from the very beginning. The basic shape, easy to construct was of course a circle. Circular or many forms of circular-like, not precisely shaped forms could be found at many Neolithic sites like Skara Brae (profane and supposed sacral spaces), temples of Malta and many others.