Win Free Pizza from the Beginning of the Awesome, Huge Powerful Stuff, and Sion to Mars
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
At 111 , Iiiii4i 11111JI
Premiere Signs Carson Daly To Radio Deal •Bay Area's KCNL Goes Modern •New Life For Strategic Media Research 4 t at 111 mu,• Photo*: 450598 Booking*: B0011077 Last: MEADE First: STEVEN Middle: Booked: 11 114 2000 DOB: 11 120 1968 Sex: MALE Race: WHITE Height: 602" Weight: 220 '11P1's 167111. Charge: CRIMINAL MISCHIEF VALUE $500> $15,000 , 4 111 r=or iiiee ii i 11 JI Satellite Radio Marketing Campaigns 2001 Forecast: Takes Center Stage At That Rely On Radio Revenues Consumer Electronics Show "Assigned" Listening Return To Earth ON OVER 90% OF THE PANEL IN THE FIRST WEEK WITH OVER 800 COMBINED SPINS! WZTA KISW KUPD KWIC KIOZ WMMR WOVE KBPI KUFO KISS WIYY WEBN WBZX WAZU WXRC KOIYIP WCCC WBBB WRAT WPYX KM() KRZR KICT KILO Kin 4iseand Many More! ALBUM IretTORES 2/1 3 TOÏIR &Ft Active Rock: 27* c(+445 R&R Rock: 35* 260x (+204. BDS Active Rock: 26* 441x ( BDS Album Rock: 341.537x ( From tie MAVLRICK cteetzut 02001 Mamie %cording Company. 4 by ye_ Management: Dan Colucci/Lucci Entertainment. :•AeDe,. allgialiteLite _le> 14 ei Publish r/Owner Kal Rdman Executi e VP/GM Fred Deane [email protected] VP/Executive Director www.fmqb.com ROCK Paul Heine Janua 12 2001 •Issue No. 1225 [email protected] Managinq Director/ Modern R ck Director Michael Parrish [email protected] upfront 2001 Forecast: Radio Revenues Return To Earth Administra ive Director 3 Radio's been riding a revenue gravy train since passage of the Telecom Act Judy Swank of '96. Double-digit growth has been the norm. -
Playnetwork Business Mixes
PlayNetwork Business Mixes 50s to Early 60s Marketing Strategy: Period themes, burgers and brews and pizza, bars, happy hour Era: Classic Compatible Music Styles: Fun-Time Oldies, Classic Description: All tempos and styles that had hits Rock, 70s Mix during the heyday of the 50s and into the early 60s, including some country as well Representative Artists: Elvis, Fats Domino, Steve 70s Mix Lawrence, Brenda Lee, Dinah Washington, Frankie Era: 70s Valli and the Four Seasons, Chubby Checker, The Impressions Description: An 8-track flashback of great music Appeal: People who can remember and appreciate from the 70s designed to inspire memories for the major musical moments from this era everyone. Featuring hits and historically significant album cuts from the “Far Out!,” Bob Newhart, Sanford Feel: All tempos and Son era Marketing Strategy: Hamburger/soda fountain– Representative Artists: The Eagles, Elton John, themed cafes, period-themed establishments, bars, Stevie Wonder, Jackson Brown, Gerry Rafferty, pizza establishments and clothing stores Chicago, Doobie Brothers, Brothers Johnson, Alan Parsons Project, Jim Croce, Joni Mitchell, Sugarloaf, Compatible Music Styles: Jukebox classics, Donut Steely Dan, Earth Wind & Fire, Paul Simon, Crosby, House Jukebox, Fun-Time Oldies, Innocent 40s, 50s, Stills, and Nash, Creedence Clearwater Revival, 60s Average White Band, Bachman-Turner Overdrive, Electric Light Orchestra, Fleetwood Mac, Guess Who, 60s to Early 70s Billy Joel, Jefferson Starship, Steve Miller Band, Carly Simon, KC & the Sunshine Band, Van Morrison Era: Classic Feel: A warm blanket of familiar music that helped Description: Good-time pop and rock legends from define the analog sound of the 70s—including the the mid-60s through the early-to-mid-70s that marked one-hit wonders and the best known singer- the end of an era. -
The Providence Phoenix | March 15, 2013 3
homegrown product March madnessthe 2013 wbru rock hunt _by chris conti | p 12 march 15–21, 2013 | rhode island’s largest weekly | Free t a dandy lIS p 6 Two shows highlight_by David the Scharfenberg RISD Museum’s | new direction thIS lovecraft month beer on broadway JUSt In A Q&A with the mastermind | p 5 !Taking Newport by storm | p 8 LUPOS.COM LUPOS • 79 WASHINGTON ST. • PROVIDENCE / THEMETRI.COM THE MET • 1005 MAIN ST. • PAWTUCKET JUST ADDED ~ FRIDAY, MAY 17 AT LUPO’S TONIGHT, THURSDAY, MARCH 14 AT KELLER WILLIAMS JUST ADDED ~ FRIDAY, MAY 10 AT THIS FRI. MARCH MARCH - THE MET 15 AT LUPO’S A$AP THIS SUN. 3/17, ST. PAT’S DAY• 4 PM FERG 8 PM LEGENDS JAM • FREE MIKE TANAKA & FRIENDS THIS FRIDAY, MARCH 15 AT THIS SATURDAY, THURSDAY, MARCH 21 AT TUES 3/19 DRUTHERS MARCH 16 3/20 THE COMPANY WE KEEP AT FRI 3/26 NEW PROVIDENCE BIG BAND FEAR NUTTIN BAND PACIFIC DUB WED 3/27 THE DIEPODS THE COSMIC FACTORY DORISDUKE THURS 3/28 A LOSS FOR WORDS ALAN DAY • PARIS • TROPHY WIVES Aztec Two-Step FRI 3/29 SARAH & THE TALL BOYS 42 years of Harmony TOWER & THE FOOL • SIX STAR GENERAL Max Creek John Fuzek SAT 3/30 THE SCHEMERS FRIDAY, MARCH 22 AT SATURDAY, MARCH 23 AT FRIDAY, MARCH 29 AT LUPO’S SARAH LUPO & HER BAND APRIL - THE MET FRI 4/5 BROWN BIRD LAST GOOD TOOTH SAT 4/13 CARRION JUELZ MINOR X • FURLONG • A TRUTH DIVIDES SANTANA SUN 4/14 RIZZZ WED 4/17 WHAT’S EATING GILBERT LITTLE GREEN CARS JOE FLETCHER & (CHAD FRON NEW FOUND GLORY) THE SILKS • MEAN CREEK THE WRONG REASONS DIAMOND YOUTH HERE AND NOW THURSDAY, APRIL 4 AT LUPO’S SUNDAY, APRIL 7 AT LUPO’S -
Cranberries, Chili Peppers, Melons and Jam
CRANBERRIES, CHILI PEPPERS, MELONS AND JAM SPATIAL ORIGINS OF ALTERNATIVE MUSIC ARTISTS, 1992-1997 By JACOB BESTERMAN Bachelor of Arts Valparaiso Uni versity Valparaiso, Indiana 1996 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE July, 1998 OKLAHOMA STATE UNIVERSITY CRANBERRIES, CHILI PEPPERS, MELONS AND JAM SPATIAL ORIGINS OF ALTERNATIVE MUSIC ARTISTS, 1992-1997 Thesis Approved: ;?h.F~r w. ~~-=--------~ __U)~·1BVJqJj"-1- _ Dean of the Graduate College 11 ACKNOWLEDGEMENTS I wish to express my sincere gratitude to my major advisor Dr. George O. Carney for his assistance and guidance. His ability to provide direction proved invaJuabl to th completion of this thesis. I would also like to thank my other committee member, Drs. Alyson Greiner and Stephen Tweedie, for their assistance and encouragement. In addition, I would like to thank Mike Larson for his cartographic expertise and aid in the production of the maps. In addition, I would like to give special thanks to the fans of alternative bands who responded to my e-mail inquiries. Without the information they provided the completion of this thesis would have been a much more arduous task. On a lighter note, I would like to acknowledge Dr. Jon Kilpinen for the brief' comment that served a the initial inspiration for undertaking this study. r would also like to thank all the friends and acquaintances who, upon hearing the subject matler of my the is, replied "That's cooooll" for the ego boost required to complete the project. -
Analyzing Genre in Post-Millennial Popular Music
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Analyzing Genre in Post-Millennial Popular Music Thomas Johnson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2884 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ANALYZING GENRE IN POST-MILLENNIAL POPULAR MUSIC by THOMAS JOHNSON A dissertation submitted to the Graduate Faculty in Music in partial Fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 THOMAS JOHNSON All rights reserved ii Analyzing Genre in Post-Millennial Popular Music by Thomas Johnson This manuscript has been read and accepted for the Graduate Faculty in music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ___________________ ____________________________________ Date Eliot Bates Chair of Examining Committee ___________________ ____________________________________ Date Norman Carey Executive Officer Supervisory Committee: Mark Spicer, advisor Chadwick Jenkins, first reader Eliot Bates Eric Drott THE CITY UNIVERSITY OF NEW YORK iii Abstract Analyzing Genre in Post-Millennial Popular Music by Thomas Johnson Advisor: Mark Spicer This dissertation approaches the broad concept of musical classification by asking a simple if ill-defined question: “what is genre in post-millennial popular music?” Alternatively covert or conspicuous, the issue of genre infects music, writings, and discussions of many stripes, and has become especially relevant with the rise of ubiquitous access to a huge range of musics since the fin du millénaire. -
August 5, 1966
Anti-Semitic Heckler Outshouted At Rally Carrying an anti-Semitic sign Freedom Fighters In U.S.A., Inc., reading "Communism Is Jewish Mr. Mlot-Mroz was finally escort (Zionist) From Start to Finish. ed from the parking I ot by two Smash Communism Everywhere," policemen, and drove away In a a picket at the meeting called by 1965 white Cadillac convertible. THE O NLY ENGLI SH-JE W ISH W EE KLY IN R. I. AND SOUTHEAST MASS. the Negro Leadership Conference Thirteen men, four women, a to protest de facto school segre 17-year-old girl, and a 17-year gation In South Providence on M"n old boy, all of them Negroes, were VOL. L, NO, 23 FRIDAY, AUGUST 5, 1966 !Sc Per Copy 12 Pages day night, was outshouted and sur arrested by police who moved In rounded by Negroes, who told him to disperse a chanting, rock to leave, as he attempted to heckle throwing mob who lingered In the the speakers. Willard Avenue Shopping Center Identifying himself as Jozef after the Freedom Rally. Israel's President Shazar Asks Mlot-Mroz ofSalem,Mass.,saytng The rally Itself was peaceful he was president of the Anti-Com and the crowd of approxlmotely munist Confederation of Polish 400 to 500 spectators appeared al most disinterested In the speakers. End To Organizational Rivalries Annual Jewish Service It was after the sound truck from which the rally had been staged NEW YO~K CITY -- President bavltcher movement, In the Crown started to leave the parking lot Zalmllll Shazar of Israel spoke out Heights section of Brooklyn. -
Faculty, Students Laud New Business Building at Dedicatien
ANIERICA'S FAVORITE FRY VANDALS THWART RAIDER INVASION I f 9 Arts8 Entertainment, Page 8 Sports, Page THE UNIVERSE I T Y OF IDAHO I, I » 'l - ON.THE NEB; - tN'tIIw,areottatit ttldeito,edtt IDAHO'.O'BEST COLLEGE NEWSPAPER I..COllT'AC.'f.;:.Ug: at NottaIIIttIdaho.edu Faculty, students laud new business building at dedicatien "No BY ANTHONY GEURGER building since the college was his speech, Michael got emotion- Kempthorne: AllOONAII'I STAFF created in al when referring to how the new 1925. I more cuts for higher CBE Dean Byron Dangerfield building served the vision of Joe he J. Richard Rock and his staff have worked tire- Albertson. "I almost feel like he education" Forecourt was packed with lessly on coordination and (Albertson) is here with us students, faculty and alum- fundraising for the building. today" Michael said. I.' (' T B Y A N T H 0 N Y G R I( ni for the A. Albertson J, Albertson "This is the culminating event of Noting the J. A. AS(I<)NAI!T Building dedication Friday a six-year project," Dangerfield Building is an early adapter of STAI'I'v. afternoon. Sunny weather, said, Early on in the project, for- new business and Internet tech- Dirk Kempthorne said speeches from state and UI lead- mer Albertson's CEO Gary nologies, Foundation Advisory re-elected, there will be ers as well as a if performance of Michael played a crucial role. Board member Brad Little no more cuts for higher the UI Jazz Choir set tone connection the After gifts from Michael and the referred to the to Joe education in the upcoming leg- for the celebration. -
The Quietus | Features | Quietus Charts | Quietus Albums of The
Quietus Albums Of The Year 2018, In Association With Norman Records Luke Turner , December 5th, 2018 15:19 ‘Best In Show!’ by Lisa Cradduck 2018, in case you missed the memo, marks a decade since The Quietus launched as a digital websheet. As ever, back in January, we probably thought 'what if this is the year that music goes crap?' Thankfully, against a wider climate that just gets ever bleaker, music has rewarded us with the best birthday present it could, for this year's top 100 albums of the year curiously feels like the 'most Quietus' we've ever done. What, exactly, this site is all about remains something of a mystery, even to us after a decade producing it, but that's sort of the point. We're not really fussed by hype and trends or a desperate desire to be focusing on the next hot thing - that sort of thinking is what has got the music media and industry alike into bother again and again. Instead, we focus on the marginal and ignored, the New Weird scenes of the world in a list compiled by the Quietus HQ crew Anna Wood, Christian Eede, Patrick Clarke, John Doran and myself, with help from our various genre columnists. Indeed, it's fair to say that this list is a counterblast to the algorithmic systems of music discovery that increasingly shape our culture, largely to negative effect. When we started The Quietus way back in 2008, that technology was in its infancy and the threat to the leftfield was arguably a conservative media landscape. -
Matthew Herbert
Listen while you work: negotiating power and meaning in post-concrete music. by Matthew Herbert Canterbury Christ Church University Thesis submitted for the Degree of Doctor of Philosophy 2019 Contents Index to Portfolio - P.4 Abstract - P.6 A shift in materials - P.7 Music, narrative and documentary - P.11 Remixing context - P.15 Ethics - P.19 Hearing each other - P.24 New ways of hearing - P.27 Reference list - P.36 2 With thanks to Matt Wright, Andy Birtwistle, Dan Pollard, John Wraight, Judith James, Neil Badmington, Clare Birchall, Hugh Jones, Karen Sutton, Mike Gillespie, Wendy Cunningham, Pete Stollery, Dominic Murcott, Sheila Wright, Simon Platz, Tony Ageh, Lenka Clayton and all those who have commissioned work, collaborated or played around with sound with me these last few years. 3 Index to portfolio 1. 20 Pianos (Herbert, M 2014) For historical piano samples and keyboard. For The piece uses 20 phrases as the basis for improvisation and a very basic score of those are included. Instructions for the original performer along with the audio extract played at the start of every performance and a recording of a version of the piece performed by Sam Beste are also included. 2. A Nude (Herbert, M 2016) For one or more naked bodies and fixed electronics. A copy of the album is included but this is a commercially available album. 3. A Week in the Life of a Tree (Herbert, M 2019) For Black Pine tree and forest. An extract is included as an audio file here but the full audio is available to stream on Apple music. -
Place and Punk: the Heritage Significance of Grunge in the Pacific North West
Place and Punk: The heritage significance of Grunge in the Pacific North West William Kenneth Smith MA By Research University of York Archaeology May 2017 Abstract Academic institutions and the heritage industry are now actively seeking to understand the wider social, cultural and economic processes which surround the production and consumption of popular music histories. Music is a local creation; it is created through a flux of internal and external influences, and is bound up in questions of economy, networks, art, identity and technology. In the early 1990s the Pacific North West of the United States of America gave birth to what became known as the musical genre of ‘grunge’. It developed into a distinctive genre, presenting a style and sound which propagated within the confines of a specific time and place. As construction sites continue to emerge throughout the Pacific North West, the impact of music still provides an essential contribution to the regions character and culture. Despite this, countercultural pasts are vulnerable; not only to the passage of time but also the processes of development, gentrification and marginalization. This research explores the heritage significance of the Pacific North West punk scene. It presents a historiography of punk and an appraisal of the scholarly discourse surrounding place. This study utilizes artifacts, sites and oral histories to explore countercultural material and memories as well as the form and function of punk. Themes such as geography and environment are enfranchised into the discussion as ethnography and multidisciplinary approaches are applied to make a unique contribution to what is an essential and timely discussion regarding people, culture, heritage and place. -
NEWMEDIA 882 6PR Has Announced Channel Nine Journalist Oliver Peterson As Host of the Drive Program, 3Pm- Postal Address: 6Pm Monday to Friday
Volume 29. No 3 Jocks’ Journal February 1-14,2017 “Australia’s longest running radio industry publication” Perth LIVE with Oliver Peterson NEWMEDIA 882 6PR has announced Channel Nine journalist Oliver Peterson as host of the Drive program, 3pm- Postal Address: 6pm Monday to Friday. Oliver takes over from Brisbane Adam Shand who was on for 2 years. He joins the PO Box 2363 regular lineup that includes Steve Mills and Basil Mansfield BC Qld 4122 Zempilas on Breakfast, Gareth Parker for Mornings, Web Address: Simon Beaumont for Afternoons, Sportsday withKarl www.newmedia.com.au Langdon and Paul Hasleby and Chris Ilsley’s Perth Email: Tonight program. [email protected] Phone Contacts: Radio News The Hit Network has Julian ‘Jules’ Schiller, Triple Office: (07) 3422 1374 announced new local weekend M announcer, has been Mobile: 0407 750 694 breakfast shows to each appointed as ABC Radio’s metro city, from 7 - 9am on new Drive presenter in Saturdays. Ryan Jon and Tanya Adelaide. Hennessy will host Sydney’s Saturday breakfast in addition to co-hosting their weekday Comedians Em Rusciano and breakfast show on Canberra’s Harley Breen are the new hit104.7. Will McMahon and team on the 2DAY FM Sydney Woody Whitelaw will cook Editor & Assistant to breakfast show in 2017. Rove up Saturday breakfast down Publisher Editor McManus and Sam Frost will south. They will continue with Greg Anne-Marie move into a new national their Perth based weekday Newman James evening show from January 30. breakfast show - Heidi, Will Dwayne Jeffries is the new Also Jase Allen has been & Woody.