Federal Communications Commission § 73.658
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ANGLAIS domsdkp.com HERE WITHOUT YOU 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN IN DA CLUB 50 CENT CANDY SHOP 50 CENT WHAT'S UP ? 4 NON BLONDES TAKE ON ME A-HA MEDLEY ABBA MONEY MONEY MONEY ABBA DANCING QUEEN ABBA FERNANDO ABBA THE WINNER TAKES IT ALL ABBA TAKE A CHANCE ON ME ABBA I HAVE A DREAM ABBA CHIQUITITA ABBA GIMME GIMME GIMME ABBA WATERLOO ABBA KNOWING ME KNOWING YOU ABBA TAKE A CHANCE ON ME ABBA THANK YOU FOR THE MUSIC ABBA SUPER TROUPER ABBA VOULEZ VOUS ABBA UNDER ATTACK ABBA ONE OF US ABBA HONEY HONEY ABBA HAPPY NEW YEAR ABBA HIGHWAY TO HELL AC DC HELLS BELLS AC DC BACK IN BLACK AC DC TNT AC DC TOUCH TOO MUCH AC DC THUNDERSTRUCK AC DC WHOLE LOTTA ROSIE AC DC LET THERE BE ROCK AC DC THE JACK AC DC YOU SHOOK ME ALL NIGHT LONG AC DC WAR MACHINE AC DC PLAY BALL AC DC ROCK OR DUST AC DC ALL THAT SHE WANTS ACE OF BASE MAD WORLD ADAM LAMBERT ROLLING IN THE DEEP ADELE SOMEONE LIKE YOU ADELE DON'T YOU REMEMBER ADELE RUMOUR HAS IT ADELE ONLY AND ONLY ADELE SET FIRE TO THE RAIN ADELE TURNING TABLES ADELE SKYFALL ADELE WALK THIS WAY AEROSMITH WALK THIS WAY AEROSMITH BECAUSE I GOT HIGH AFROMAN RELEASE ME AGNES LONELY AKON EYES IN THE SKY ALAN PARSON PROJECT THANK YOU ALANIS MORISSETTE YOU LEARN ALANIS MORISSETTE IRONIC ALANIS MORISSETTE THE BOY DOES NOTHING ALESHA DIXON NO ROOTS ALICE MERTON FALLIN' ALICIA KEYS NO ONE ALICIA KEYS Page 1 IF I AIN'T GOT YOU ALICIA KEYS DOESN'T MEAN ANYTHING ALICIA KEYS SMOOTH CRIMINAL ALIEN ANT FARM NEVER EVER ALL SAINTS SWEET FANTA DIALO ALPHA BLONDY A HORSE WITH NO NAME AMERICA KNOCK ON WOOD AMII STEWART THIS -
Federal Communications Commission FCC 15-99 Before the Federal
Federal Communications Commission FCC 15-99 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Amendment of Part 15 of the Commission’s Rules ) ET Docket No. 14-165 for Unlicensed Operations in the Television Bands, ) Repurposed 600 MHz Band, 600 MHz Guard ) Bands and Duplex Gap, and Channel 37, and ) ) Amendment of Part 74 of the Commission’s Rules ) for Low Power Auxiliary Stations in the ) Repurposed 600 MHz Band and 600 MHz Duplex ) Gap ) ) Expanding the Economic and Innovation ) GN Docket No. 12-268 Opportunities of Spectrum Through Incentive ) Auctions ) REPORT AND ORDER Adopted: August 6, 2015 Released: August 11, 2015 TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 II. EXECUTIVE SUMMARY .................................................................................................................... 6 III. BACKGROUND.................................................................................................................................. 11 IV. DISCUSSION....................................................................................................................................... 19 A. TV Bands ....................................................................................................................................... 21 1. Fixed white space devices ...................................................................................................... -
BETS-5 Issue 1 November 1, 1996
BETS-5 Issue 1 November 1, 1996 Spectrum Management Broadcasting Equipment Technical Standard Technical Standards and Requirements for AM Broadcasting Transmitters Aussi disponible en français - NTMR-5 Purpose This document contains the technical standards and requirements for the issuance of a Technical Acceptance Certificate (TAC) for AM broadcasting transmitters. A certificate issued for equipment classified as type approved or as technically acceptable before the coming into force of these technical standards and requirements is considered to be a valid and subsisting TAC. A Technical Acceptance Certificate is not required for equipment manufactured or imported solely for re-export, prototyping, demonstration, exhibition or testing purposes. i Table of Contents Page 1. General ...............................................................1 2. Testing and Labelling ..................................................1 3. Standard Test Conditions ..............................................2 4. Transmitting Equipment Standards .....................................3 5. Equipment Requirements ..............................................4 6. RF Carrier Performance Standards .................................... 5 6.1 Power Output Rating .................................................5 6.2 Modulation Capability ................................................5 6.3 Carrier Frequency Stability ............................................6 6.4 Carrier Level Shift ...................................................7 6.5 Spurious Emissions -
Chapter 4, Current Status, Knowledge Gaps, and Research Needs Pertaining to Firefighter Radio Communication Systems
NIOSH Firefighter Radio Communications CHAPTER IV: STRUCTURE COMMUNICATIONS ISSUES Buildings and other structures pose difficult problems for wireless (radio) communications. Whether communication is via hand-held radio or personal cellular phone, communications to, from, and within structures can degrade depending on a variety of factors. These factors include multipath effects, reflection from coated exterior glass, non-line-of-sight path loss, and signal absorption in the building construction materials, among others. The communications problems may be compounded by lack of a repeater to amplify and retransmit the signal or by poor placement of the repeater. RF propagation in structures can be so poor that there may be areas where the signal is virtually nonexistent, rendering radio communication impossible. Those who design and select firefighter communications systems cannot dictate what building materials or methods are used in structures, but they can conduct research and select the radio system designs and deployments that provide significantly improved radio communications in this extremely difficult environment.4 Communication Problems Inherent in Structures MULTIPATH Multipath fading and noise is a major cause of poor radio performance. Multipath is a phenomenon that results from the fact that a transmitted signal does not arrive at the receiver solely from a single straight line-of-sight path. Because there are obstacles in the path of a transmitted radio signal, the signal may be reflected multiple times and in multiple paths, and arrive at the receiver from various directions along various paths, with various signal strengths per path. In fact, a radio signal received by a firefighter within a building is rarely a signal that traveled directly by line of sight from the transmitter. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
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See Chart Legend for rules and explanations. D 200E. VNL. Business Media, Inc. and Nielsen SoundScan. Inc. All rights reserved SALES DÁ17 COMPILED BY Nielsen SoundScan LIJROC,HAR1 S r.. ARTIST ARTIST .0¡-¡--g TITLE IMPRINT 8 NUMBER / DISTRIBUTING LABEL 3 3ó TITLE IMPRINT 8 NUMBER / DISTRIBUTING LABEL MICHAEL BUBLE WILL DOWNING 76 fi #1 IT'S TIME 143 /REPRISE 48946 /WARNER BROS o ® THE BEST OF WILL DOWNING. THE MILLENNIUM COLLECTION H'.P ' P 'SP', EUROCHARTS ARE COMPILED BY BILLBOARD FROM THE NATIONAL SINGLES AND ALBUM =i ELVIS COSTELLO & ALLEN TOUSSAINT MARION MEADOWS 4, á3 SALES CHARTS OF 20 EUROPEAN COUNTRIES. JUNE 14, 2006 3 THE RIVER IN REVERSE VERVE FORECAST 006660 /VG DRESSED TO CHILL HEADS UP 3106 HIPS DON'T LIE C+I 0 1 1 KATIE MELUA HERBIE HANCOCK SHAKIRA FT. WYCLEF JEAN EPIC NEm 11' PIECE BY PIECE DRAMATICO /UNIVERSAL MOTOWN 006868 /UMRG POSSIBILITIES HEAR/HANCOCK 70013/VECTOR CRAZY 2 2 3cßCHRIS BOTTI MIND/ ABAIR GNARLS BARKLEY DOWNTOWN /ATLANTIC 8 3 AGAIN: THE DUETS COLUMBIA 77505/SONY MUSIC L'SE LESS ORDINARY GRP 006222/VG MANEATER TO LOVE 3 6 4NAT KING COLE EVERETTE HARP NELLY FURTADO MOSLEY /GEFFEN 2 3 THE VERY BEST OF NAT KING COLE CAPITOL 59324 IN THE MOMENT SHANACHIE 5140 WE ARE THE CHAMPIONS (DING A DANG DONG) 4 73 fCHRIS BOTTI GERALD ALBRIGHT CRAZY FROG MACHT RECORDS 7 11 -- WHEN I FALL IN LOVE COLUMBIA 92872/SONY MUSIC NEW BEGINNINGS PEAK 8540 /CONCORD LIVING ON VIDEO 5 3 MICHAEL BUBLE JAMIE CULLUM PAKITO PANIC /ULM 4 2 35 CAUGHT IN THE ACT 143/REPRISE 49444/WARNER BRCS. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Fcc and Am Stereo: a Deregulatory Breach of Duty
THE FCC AND AM STEREO: A DEREGULATORY BREACH OF DUTY JASON B. MEYERt The trend toward governmental deregulation of private enterprise, which began in earnest in the 1970's1 and has gathered momentum under the Reagan administration, has had a significant effect on the telecommunications industry. The Federal Communications Commis- sion (FCC) has reduced regulation of operation and maintenance log- ging2 and eliminated minimum aural transmission power require- ments.' Similarly, a major effort has been made in Congress to enact a bill deregulating broadcast programming.4 In 1984 the FCC justified eliminating or relaxing many licensing requirements on the grounds that such "actions further the Commission's goals of creating, to the maximum extent possible, an unregulated, competitive environment for t A.B. 1980, Princeton University; J.D. Candidate, 1985, University of Pennsylva- nia. The author wrote this Comment while a student at the University of Pennsylvania Law School. I See, e.g., Depository Institutions Deregulation and Monetary Control Act of 1980, Pub. L. No. 96-221, 94 Stat. 132 (codified at scattered sections of Titles 12, 15, 22 & 42 of the U.S.C.) (reducing regulatory control of banks); Airline Deregulation Act of 1978, Pub. L. No. 95-504, 92 Stat. 1705 (codified at 49 U.S.C. §§ 1300-02, 1305-08, 1324, 1341, 1371-79, 1382, 1384, 1386, 1389, 1461, 1482, 1486, 1490, 1504, 1551-52) (reducing regulatory control of airlines). I See Operating and Maintenance Logs for Broadcast and Broadcast Auxiliary Stations, 48 Fed. Reg. 38,473 (1983). ' The Commission abolished minimum aural power requirements that had previ- ously created a situation in which a station's aural range well exceeded its visual range. -
Prof. K Radhakrishna Rao Lecture 2 Role of Analog Signal Processing
Analog Circuits and Systems Prof. K Radhakrishna Rao Lecture 2 Role of Analog Signal Processing in Electronic Products – Part 1 1 Structure of an electronic product 2 Electronic Products o Process analog signals and digital data o This involve transmission and reception of signals and data o It is generally necessary to code signal and data to transmit over channels o Transmission can be over wires or wireless o Processing and storage are efficient in digital form o Several human interface technologies are available 3 Products considered o Radio Receiver o Modem o Cell Phone o ECG 4 Radio Receiver o AM Receiver o FM Receiver 5 Radio waves are classified as o Low frequency (LF): 30 kHz – 300 kHz, o Medium frequency (MF): 300 kHz – 3 MHz, o High frequency (HF): 3 MHz – 30 MHz, o Very high frequency (VHF): 30 MHz – 300 MHz, o Ultra high frequency (UHF): 300 MHz – 3 GHz, o Super high frequency (SHF): 3 GHz – 30 GHz, o Extremely high frequency (EHF): 30 GHz to 300 GHz. 6 Radio broadcasting o one-way wireless transmission over radio waves to reach a wide audience o takes place in MF (300 kHz – 3 MHz), HF (3 MHz – 30 MHz) and VHF (30 MHz – 300 MHz) regions 7 Major modes of radio broadcasting o Sine wave (single tone) represented by Vtp sin(ωφ+ ) PM (Analog) where φ = phase in radians PSK (Digital) QPSK( Digital) FM (Analog) ω = frequency in rad/sec FSK (Digital) AM, DSB (Analog) V = peak magnitude in volts p ASK (Digital) 8 AM broadcasting o Amplitude of the carrier signal is varied in response to the amplitude of the signal to be transmitted o Amplitude modulation is done by a unit called mixer (nothing but a multiplier) which produces an output output=+( Vpc V pm sinωω m t )sin c t Vpm where ωm is the modulating frequency = m is known as the Vpc ω is the carrier frequency c modulation index. -
CQ-TV Is Produced on a P6 Gateway 2000 PC Computer System, Using the Word for Windows Word Processing Package
Contents Contents Contents............................................................................................ 1 Committee Contacts.......................................................................... 2 Editorial ............................................................................................ 4 Dead Ducks and Forgotten Formats ................................................. 6 List of French Amateur Television Repeaters,................................ 10 The $70,000 ATV QSO, First Digital ATV.................................. 11 LUXOR 180 Series TV as a Monitor ............................................. 14 Members Services Sale................................................................... 17 A Slice of PYE................................................................................ 18 Beyond TTL # 13............................................................................ 28 ATV at GB4CDI............................................................................. 38 UK Repeater Update....................................................................... 40 13 cm Amateur Television.............................................................. 43 Channel 5 Ghost Story.................................................................... 51 How to get the Rally........................................................................ 53 Pair start Amateur Television Channel. ......................................... 56 Circuit Notebook No. 60................................................................ -
Letter Was Presented to the Commissioner Signed by the Ceos of 50 Minority Owned AM Radio Licensees, Collectively Owning 140 AM Stations.'
NATIONAL ASSOCIATION OF BLACK OWNED BROADCASTERS 1201 Connecticut Avenue, N .W., Sui te 200, W ashington, D.C 20036 (202) 463-8970 • Fax: (2 02) 429-0657 September 2, 2015 BOARD OF DIRECTORS JAMES L. WINSlOI\ President Marlene H. Dortch, Secretary MICHAEL L. CARTER Vice President Federal Communications Commission KAREN E. SLADE 445 12th Street NW Treasurer C. LOIS E. WRIGHT Washington, D. 20554 Counsel 10 the 80ii1td ARTHUR BEN JAMI Re: Notice of Ex Parte Communication, MB Docket 13- CAROL MOORE CUTTING 249, Revitalization of the AM Radio Service ALFRED G. LIGGINS ("Notice") JE RRY LOPES DUJUAN MCCOY STEVEN ROBERTS Review of the Emergency Alert System (EB Docket MELODY SPANN-COOPER No. 04-296); Recommendations of the Independent JAMES E. WOL FE, JR. Panel Reviewing the Impact of Hurricane Katrina on Communications Networks (EB Docket 06-119) Dear Ms. Dortch: On September 1, 2015, the undersigned President of the National Association of Black Owned Broadcasters, Inc. ("NABOB") along with Francisco Montero of Fletcher, Heald & Hildreth, PLC, and David Honig, President Emeritus and Senior Advisor, Multicultural Media, Telecommunications and Internet Council ("MMTC") met with Commissioner Ajit Pai and Alison Nemeth, Legal Advisor, to discuss the most important and effective proposal set forth in the AM Revitalization Notice: opening an application filing window for FM translators that would be limited to AM broadcast licensees. As the Commission recognized in the Notice, the best way to help the largest number of AM stations to quickly and efficiently improve their service is to open such an AM-only window. Any other approach will make it extremely difficult, if not impossible, for AM stations, to obtain the translators they urgently need to remain competitive and provide our communities with the service they deserve. -
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[ CHART TOPPER (ALWAYS UPDATED) by TUNE ]
CHART TOPPER by TUNE 1 THING by Amerie {Karaoke} A LITTLE TOO LATE by Delta Goodrem {Karaoke} ARE YOU READY by Shakaya BEHIND THESE HAZEL EYES by Kelly Clarkson {Karaoke} CANDY SHOP by 50 Cents DON'T PHUNK WITH MY HEART by Black Eyed Peas {Karaoke} EVERYWHERE by Moustache {Karaoke} FEEL GOOD INC by Gorillaz {Karaoke} FUNK U UP by Joel Turner And The Modern Day Poets GIRL by Destiny's Child GIVING YOU UP by Kylie {Karaoke} HELL NO by Ricki Lee HEY BITTY by Nitty HOLIDAY by Greenday {Karaoke} HOLLABACK GIRL by Gwen Stefani HURTS SO BAD by Anthony Callea {Karaoke} I LIKE THE WAY by Body Rockers {Karaoke} IN THE SUMMER TIME by Thirsty Merc {Karaoke} INCOMPLETE by Back Street Boys {Karaoke} LET ME LOVE YOU by Mario {Karaoke} LONELY by Akon LONELY NO MORE by Rob Thomas MOCKING BIRD by Eminem N DEY SAY by Nelly OBSESSION by Frankie J OOH AHH by Tamara {Karaoke} PUT YOUR HANDS UP by Random SHIVER by Natalie Imbruglia {Karaoke} SIGNS by Snoop Dog SPEED OF SOUND by Coldplay {Karaoke} SUGAR ( GIMME SOME ) by Trick Daddy TEN DAYS by Missy Higgins {Karaoke} THE SPECIAL TWO by Missy Higgins {Karaoke} UNTITLED by Simple Plan {Karaoke} VOODOO CHILD by Rogue Traders {Karaoke} WAKE ME UP WHEN SEPTEMBER ENDS by Green Day {Karaoke} WE BELONG TOGETHER by Mariah Carey {Karaoke} ---------------------------------------------------------------- Updated on August 2005 4 EVER by The Veronicas {Karaoke} BAD DAY by Daniel Powter {Karaoke} CATCH MY DISEASE by Ben Lee {Karaoke} CATER 2 U by Destiny's Child CRAZY FROG by Axel F DON'T CHA by Pussycat Dolls DON'T LIE by