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Wonderful Wacky Water Critters
Wonderful, Wacky, Water Critters WONDERFUL WACKY WATER CRITTERS HOW TO USE THIS BOOK 1. The “KEY TO MACROINVERTEBRATE LIFE IN THE RIVER” or “KEY TO LIFE IN THE POND” identification sheets will help you ‘unlock’ the name of your animal. 2. Look up the animal’s name in the index in the back of this book and turn to the appropriate page. 3. Try to find out: a. What your animal eats. b. What tools it has to get food. c. How it is adapted to the water current or how it gets oxygen. d. How it protects itself. 4. Draw your animal’s adaptations in the circles on your adaptation worksheet on the following page. GWQ023 Wonderful Wacky Water Critters DNR: WT-513-98 This publication is available from county UW-Extension offices or from Extension Publications, 45 N. Charter St., Madison, WI 53715. (608) 262-3346, or toll-free 877-947-7827 Lead author: Suzanne Wade, University of Wisconsin–Extension Contributing scientists: Phil Emmling, Stan Nichols, Kris Stepenuck (University of Wisconsin–Extension) and Mike Miller, Mike Sorge (Wisconsin Department of Natural Resources) Adapted with permission from a booklet originally published by Riveredge Nature Center, Newburg, WI, Phone 414/675-6888 Printed on Recycled Paper Illustrations by Carolyn Pochert and Lynne Bergschultz Page 1 CRITTER ADAPTATION CHART How does it get its food? How does it get away What is its food? from enemies? Draw your “critter” here NAME OF “CRITTER” How does it get oxygen? Other unique adaptations. Page 2 TWO COMMON LIFE CYCLES: WHICH METHOD OF GROWING UP DOES YOUR ANIMAL HAVE? egg larva adult larva - older (mayfly) WITHOUT A PUPAL STAGE? THESE ANIMALS GROW GRADUALLY, CHANGING ONLY SLIGHTLY AS THEY GROW UP. -
A WHALE of a Band!
Flipper http://www.markprindle.com/flipper.htm#dvd A WHALE of a band! special introductory paragraph! Generic Flipper Gone Fishin' Live Target Video 1980-81 DVD Blow'N Chunks Live Public Flipper Limited Live 1980-1985 Sex Bomb Baby! American Grafishy Flipper were one of the leading punk rock bands over in San Francisco in the early- to mid-80s, giving a big "frig you" to the rest of the punker scene by playing a louder SLOWER mess of the blues that relied wholly on attitude and bass line. See, the guitarist just played a bunch of scraggly noise. So the drummer would play his little rhythm and if they weren't too doped up, one of the two bass players (Will Shatter or Bruce Lose) would try to keep in time enough to play a catchy four-note bass line for you to tap your toe to. Then the OTHER of the two bassists (whichever one wasn't playing bass at the time) would yell some words that would seem nihilistic but would also occasionally make a statement about how important it is to rise above all the garbage that life throws at you and SURVIVE. They also had a great sense of humor (sample lyric: "Who cares anyway/who it is or what I say?/This song rhymes/And we play it in time!). Unfortunately drug habits have "dogged" the band since day one, resulting in one premature death and one immature reunion. Great ass band though, giving us more catchy bass lines than any band since The Tarney Spencer Group or whatever that band was that did that Run For Your Life album that my dad used to have. -
Guidelines on Rainwater Catchment Systems for Hawai'i
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ ○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ ○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Patricia S. H. Macomber Systems G U I D E L I N E S O N Rainwater for Hawai‘i Catchment University of Hawai‘i at Mänoa of Hawai‘i University ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ College of Tropical Agriculture and Human Resources Agriculture College of Tropical ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ -
Let's Go Fishing Program Manual 1
LET'S GO FISHING PROGRAM MANUAL l 1 COMPOSITE IMAGE © EMPIPE / DREAMSTIME.COM / EMPIPE © IMAGE COMPOSITE Acknowledgments: Special Thank you! Written by: Kyle Glencross and Andrew Schafermeyer Review and Editing: Nicola Whitley, Jay Martin, Becky Johnson, Jennifer Baldi, and Laura Ryder Layout and Design: Victor Young A special thank you to the following for providing us with some content and many images for this publication: Larry Pape, Going Fishing, Nebraska Game and Parks, Aquatic Education Program To all of the volunteers Daniel Griffith, Fishing in the Schools Manual, Oklahoma Department of Wildlife Conservation who make this program Mike Beauchene, Let's Go Fishing!, Connecticut Aquatic Resources Education possible. Additional images provided by Dreamstime.com and iStock.com The N.H. Fish and Game Department receives Federal Assistance from the U.S. Fish and Wildlife Service, and thus Published by prohibits discrimination on the basis of race, color, national origin, disability, age and sex, pursuant to Title VI of New Hampshire Fish and Game Department the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, Title II of the Americans with Disabilities Aquatic Resources Education Program Act of 1990, Title IX of the Education Amendments of 1972, and the Age Discrimination Act of 11 Hazen Drive, Concord, NH 03301 1975. If you believe you have been discriminated against in any program, activity or service, ©2020 NH Fish and Game Dept. please contact or write the U.S. Fish & Wildlife Service, Division of Wildlife and Sport Fish Website: fishnh.com Restoration, 4001 N. Fairfax Drive, Mail Stop: WSFR – 4020, Arlington, Virginia 22203, Attention: E-mail: [email protected] Civil Rights Coordinator for Public Programs. -
A Drop of Knowledge: the Non-Operator's Guide to Drinking Water Systems
COMPANION TO A Drop of Knowledge: A Drop of Knowledge The Non-operator’s Guide to Waste Water Systems The Non-operator’s Guide to Drinking Water Systems RURAL COMMUNITY ASSISTANCE PARTNERSHIP RCAP an equal opportunity provider and employer This guide was written by the National Environmental Services Center (www.nesc.wvu.edu) at West Virginia University on behalf of Rural Community Assistance Partnership, Inc. Copyright © 2011 The entire contents of this guide are available on the RCAP website at www.rcap.org This material is based upon work supported under a grant by the Utilities Programs, United States Department of Agriculture. Any opinions, findings, and conclusions or recommendations expressed in this material are solely the responsibility of the authors and do not necessarily represent the official views of the Utilities Programs. A Drop of Knowledge The Non-operator’s Guide to Drinking Water Systems Rural Community Assistance Partnership, Inc. 1701 K St. NW, Suite 700 Washington, DC 20006 202/408-1273 800/321-7227 (toll-free) [email protected] www.rcap.org Table of Contents ABOUT THIS GUIDE 1 INTRODUCTION TO DRINKING WATER SYSTEMS What are water systems? 3 Source water 4 HOW DOES SOURCE WATER BECOME DRINKING WATER? Multiple-barrier approach 8 Groundwater systems from source to tap 9 Surface water systems from source to tap 13 HOW DOES DRINKING WATER GET TO MY HOME? THE WATER DISTRIBUTION SYSTEM 30 OTHER IMPORTANT THINGS 41 ADDITIONAL RESOURCES 43 GLOSSARY 45 i ABOUT THIS GUIDE About this guide Water is central to our everyday lives. There isn’t a single human being on Earth who can do without it. -
Lambda Pi Eta Undergraduate Journal Is Published by National Communication Association, Washington, DC, United States of America
LAMBDAλ PI ETAπ UNDERGRADUATEη JOURNAL Volume 3 • summer 2015 NATIONAL COMMUNICATION ASSOCIATION The Lambda Pi Eta Undergraduate Journal is published by National Communication Association, Washington, DC, United States of America Cover design by Carrie Lyle EDITOR LaKesha Anderson, NCA Assistant Director for Academic and Professional Affairs EDITORIAL ASSISTANT Megan Moore, NCA Academic and Professional Affairs Associate LAMBDA PI ETA UNDERGRADUATE JOURNAL REVIEW BOARD Chitra Akkoor, Keene State College Matthew LeHew, Shorter University Donna Allen, Northwest Nazarene University Cara Mackie, Florida Southern College Jordan Atkinson, West Virginia University Michelle Maresh-Fuehrer, Texas A&M Amanda Bridges, Gardner-Webb University University-Corpus Christi James Burton, Salisbury University Kelly McBride, Virginia Tech Amy Grim Buxbaum, North Central College Janet McCormick, Middle Tennessee State University Theresa Castor, University of Wisconsin-Parkside Tammy McGuire, Pacific Union College Anne Marie Czerwinski, University Elizabeth Ortiz, Cedar Crest College of Pittsburgh at Greensburg Laura Russell, Denison University Daniel Cochece Davis, Illinois State University Michelle Scollo, College of Mount Saint Vincent Jayson Dibble, Hope College Rachel Silverman, Embry Riddle Aeronautical University Randy Dillon, Missouri State University Mary Toale, SUNY Oswego Francine Edwards, Delaware State University Andrew Tollison, Merrimack College Vickie Shamp Ellis, Oklahoma Baptist University Michelle Violanti, University of Tennessee, Knoxville -
Experiential Blues Identity
Experiential Blues Identity: Analyzing racial categories of difference in a Philadelphia blues club Kate Edmundson Senior Thesis Anthropology Department Haverford College April 18, 2003 Abstract The individual’s proper experience of blues music and other ‘African American’ music according to his or her race has been the subject of a controversial 20th century debate. The black arts movement of the 1960s gave impetus to the popular black nationalistic notion that blues music belongs exclusively to African Americans. Subsequent anti-essentialist and pluralistic theories have problematized the black essentialist notion of racial ownership of music. The work presented below, an ethnographic study of Warmdaddy’s in Philadelphia examines two evenings of blues culture at that blues club. My findings indicate that neither of the traditional poles of the black music debate, essentialism and anti-essentialism, adequately describes the experience of blues music for Blacks and Whites who participate in it. Table of Contents Acknowledgements………………………………………………………...1 1) Introduction……………………………………………………………..2 2) Blues: Historical background………………………………………..…5 3) Philadelphia: Cultural and Racial Dynamics………………...…….…7 4) Warmdaddy’s – A data narrative……………………………………….9 I- Location and General Description………………………………...9 II- Tuesday Night……………………………………………………12 III- Monday Night…………………………………………………...15 IV- Monday vs. Tuesday: A Data Analysis………………………....20 5) Black Music Ideology: The Black Nationalism Approach…………...24 6) Pluralism: Towards a Warmdaddy’s Blues Meaning………………...30 7) Conclusion……………………………………………………………….43 Appendix 1………………………………………………………………..…45 Appendix 2…………………………………………………………………..46 Works Cited/Referenced………………………………………………….....47 Acknowledgements I feel endlessly lucky to have had such a broad support network while creating this thesis. I would like to extend my thanks first to Jimmy Pritchard, my informant and friend at Warmdaddy's. -
Fish out of Water Fish out of Water
THE FISH OUT OF WATER ISSUE 2ND JETTY Taking Seafood to the Next Level LIQUID GOLD Waterfront Living In the Garden State CASTING CALL The Lure of the Deep DEADWOOD REDUX 5 Minutes with Timothy Olyphant $3.95US 07 THE EDGE INTERVIEW Ever Carradine of Marvel’s Runaways & The Handmaid’s Tale 0 74470 25173 6 GREENBAUM INT BRIO RS LIVE WITH FINE DESIGN FINE FURNISHINGS, INTERIOR DESIGN, AND DECORATION SINCE 1952 1105 Mt. Kemble Ave, (Rt. 202) HQ 101 Washington St. 584 Rt. 17 North (@ Racetrack Rd.) Morristown, NJ Historic Paterson, NJ Ridgewood, NJ 973.425.5500 973.279.3000 201.857.3600 greenbauminteriors.com 2 The Fish Out of Water Issue PUBLISHERS DOUG HARRIS, GRANT KNAGGS ASSOCIATE PUBLISHER JEFFREY SHANES EDITORIAL MANAGING EDITOR MARK STEWART EDITORS CHRISTINE GIBBS, DOUG HARRIS, YOLANDA NAVARRA FLEMING EDITOR AT LARGE ASHLEIGH OWENS FOOD EDITOR MIKE COHEN ASSIGNMENTS EDITOR ZACK BURGESS AUTOMOTIVE EDITOR SARAH LEE MARKS ARTS EDITOR TOVA NAVARRA ART DESIGN DIRECTOR JAMA BOWMAN SALES 908.994.5138 VP BUSINESS DEVELOPMENT JEFFREY SHANES SENIOR MEDIA MARKETING SPECIALIST CHRISTINE LAYNG WEB WEB DESIGN ANDREW J. TALCOTT / OK7, LLC ONLINE MANAGER JOHN MAZURKIEWICZ TRINITAS REGIONAL MEDICAL CENTER CHAIRPERSON SR. ROSEMARY MOYNIHAN, SC PRESIDENT & CEO GARY S. HORAN, FACHE LETTERS TO THE EDITOR EDGE c/o Trinitas Regional Medical Center Public Relations Department 225 Williamson Street | Elizabeth, New Jersey 07202 [email protected] VISIT US ON THE WEB www.edgemagonline.com This is Volume 11, Issue 3. EDGE Magazine is published 5 times a year in February, April, June, September and November. This material is designed for information purposes only. -
The Blue Guitar Magazine at the April 18 Festival of the Arts
Table Of Contents al-Shaitan – Shaun Al-Shatti .............................................17-20 Images of summer: “Spectrum,” “Exhaustion,” “Garden,” *** “Dust Storm” and “Garden” – Renee Bau .....................44-48 Fiction Beading in school – Lana May .........................................73-74 Binoculars – Ruth R. Davis ...............................................15-16 High Rollers, Firefl y – E.A. Cervino ................................38-43 Happenings Carson Springer – Dan Romero .......................................59-72 Snapshots from Spring Festival April 18, 2010 .............31-34 Call to writers and artists ....................................................75 *** Nonfi ction A thank-you to friends, contributors, supporters ..............16 Southern Discomfort – Marcia Gold ...................................... 7 All about The Arizona Consortium for the Arts ................51 Signs – Allison Alexandra ......................................................8-9 The Mountain: The lessons I learned on Wayna Picchu – Lindsay Norman ...................................................................... 49 Healed by the Beat of the Drum – April Stolarz ............50-51 Editor’s Note Welcome to the inaugural summer edition of The Blue Guitar! Poetry This edition represents so many Grove, The Room, Summer Glimpses – Jeannine Savard ... 3 fi rsts for us — our fi rst summer Impasse, Jeans, My Mother’s Hands, Stray Cat, Stone – issue — stemming from the need to Ellen Sullins ............................................................................4-5 -
Copyright by Louis Burrell Carrick
COPYRIGHT BY LOUIS BURRELL CARRICK 1957 A STUDY OP HYDRAS IN LAKE ERIE Contribution toward a Natural History of the Great Lakes Hydridae DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of philosophy in the Graduate School of The Ohio State University By LOUIS BURRELL CARRICK, B. A., M. S. •SKHHKHS- The Ohio State University 19 £6 Approved by: Advisor / Department of Zoology and Entomology TABLE OP CONTENTS INTRODUCTION .......................................... 1 I. PROBLEMS OP TAXONOMY ................. 7 1. CRITERIA FOR THE GE N E R A ............... 7 2. METHODS USED FOR SPECIES DETERMINATION .... 11 3. IDENTIFICATION OP THE. LAKE ERIE SPECIES . 16 (a) Hydra ollgactis Pallas, 1776 ............ 17 (b) Hydra pseudollgaotis (Hyman, 1931) .... 20 (c) Hydra amerlcana Hyman, 1929 21 (d) Hydra littoralls Hyman, 1931 . .. 23 (e) Hydra came a L. Agassiz, l8jp0 .... 2I4. II. HABITATS AND DISTRIBUTION IN THE GREAT LAKES . 27 1. ABIOTIC HABITAT FACTORS AFFECTING DISTRIBUTION ................................ 29 2. DISCUSSION OF HABITATS AND DISTRIBUTION- RECORDS .............................. 32 (a) Aggregations on N e t s ..................... 34 (b) occurrence in the Plankton ............... 47 (c) Deep-Water Communities................... 49 (d) Vegetation Zones ......................... 54 (e) Lake Erie Island Ponds ................... 60 (f) Wave-swept S h o r e s ....................... 65 - ii - III. COMMUNITY INTERACTIONS WITH SPECIAL REFERENCE TO H. LITTORALIS............................. 67 1. METHODS USED IN THE STUDY A R E A ........ 69 2. SEASONAL ABUNDANCE ..................... 8l (a) The Annual C y c l e .................. 86 (b) Reproductive Potential under Culture C o n d i t i o n s ........................... 95 (c) Survival under Adverse Conditions .... 108 3. CHANGING AGGREGATIONS IN THE MICROHABITATS. -
An Analysis of Figurative Language in the Song Lyrics
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IAIN Syekh Nurjati Cirebon AN ANALYSIS OF FIGURATIVE LANGUAGE IN THE SONG LYRICS BY MAHER ZAIN A THESIS Submitted to the English Eductaion Department of Tarbiyah Faculty of Syekh Nurjati State Institute for Islamic studies in Partial Fulfillment of the Requirements for the Scholar Degree of Islamic Education (S.Pd.I) By QURROTUL „AIN NIM : 59430775 ENGLISH EDUCATION DEPARTMENT OF TARBIYAH FACULTY OF SYEKH NURJATI STATE INSTITUTE FOR ISLAMIC STUDIES CIREBON 2013 ABSTRACT QURROTUL „AIN: AN ANALYSIS OF FIGURATIVE LANGUAGE IN THE SONG LYRICS BY MAHER ZAIN Now, there are many young people like music or song, especially English songs. They are interested to improve English to be mastery through English songs which are popular in this time. After they are listening and reading the text of song, not at all listener could catch the message of the song since a song consists of many messages should be understood by listener. Music and song is the part of this world of songs, an art based on the organization of sound in time. But many of them do not know about the meaning and messages of the song lyrics which they listen. In this thesis the writer would find out the figurative language of Islamic song by Maher Zain which has deep meaning and more messages for the listener, not only enjoy listening to music but also the listener and reader will gets knowledge about Islam more increase. Figurative language is language whit its literary in compatible terms. -
The Water in You
The water in you Think of what you need to survive, really just survive. Food? Water? Air? Facebook? Naturally, I'm going to concentrate on water here. Water is of major importance to all living things; in some organisms, up to 90% of their body weight comes from water. Up to 60% of the human adult body is water. According to H.H. Mitchell, Journal of Biological Chemistry 158, the brain and heart are composed of 73% water, and the lungs are about 83% water. The skin contains 64% water, muscles and kidneys are 79%, and even the bones are watery: 31%. Each day humans must consume a certain amount of water to survive. Of course, this varies according to age and gender, and also by where someone lives. Generally, an adult male needs about 3 liters per day while an adult female needs about 2.2 liters per day. Some of this water is gotten in food. Water serves a number of essential functions to keep us all going: A vital nutrient to the life of every cell, acts first as a building material. It regulates our internal body temperature by sweating and respiration The carbohydrates and proteins that our bodies use as food are metabolized and transported by water in the bloodstream; It assists in flushing waste mainly through urination acts as a shock absorber for brain, spinal cord, and fetus forms saliva lubricates joints According to Dr. Jeffrey Utz, Neuroscience, pediatrics, Allegheny University, different people have different percentages of their bodies made up of water. Babies have the most, being born at about 78%.