Snow Crystal Science
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mini Lesson – Nonfiction Read-Aloud
Mini Lesson – Nonfiction Read-Aloud * Hooked on Books (Towell, 2010, p. 285) Topic: Reading comprehension Grade: 1st – 3rd grades Time: 60 minutes Book Title: Snowflake Bentley Author: Jacqueline Briggs Martin Illustrator: Mary Azarian Written by: Michele Berg Martin, J. (1998). Snowflake Bentley. New York: Houghton Mifflin Company. (Winner of the Caldecott Medal,1999) Synopsis: This is a true story of a farm boy named Wilson Bentley who had a passion for snowflakes. He dreamed about sharing with the world the beauty of these ice crystals. A self-taught scientist-researcher, Wilson Bentley studied snowflakes. As he grew older, his parents purchased a camera for him and Wilson furthered his quest of learning about the small miracles. Wilson Bentley taught us that no two snowflakes are alike and each has its own beauty. Objective: The student will (TSW) be able to write six items about what he or she learned after hearing Snowflake Bentley read aloud with modeled Think-Alouds. 1. Before Reading (15 minutes) Brainstorm with the children a list of words they connect to snow. Some questions to illicit responses: “What is snow? Where does snow fall? Where does it not fall and why? Do snowflakes have a shape? What experiences have you had with snow?” Before reading the story, ask the students to make predictions based on the book cover’s illustration. 2. During Reading (25 minutes) While reading the book, stop at appropriate points to model Think-Alouds (when the teacher describes what she is thinking) and talking points. The teacher shares her answers and opinions after listening to the students’ responses. -
Wonderful Wacky Water Critters
Wonderful, Wacky, Water Critters WONDERFUL WACKY WATER CRITTERS HOW TO USE THIS BOOK 1. The “KEY TO MACROINVERTEBRATE LIFE IN THE RIVER” or “KEY TO LIFE IN THE POND” identification sheets will help you ‘unlock’ the name of your animal. 2. Look up the animal’s name in the index in the back of this book and turn to the appropriate page. 3. Try to find out: a. What your animal eats. b. What tools it has to get food. c. How it is adapted to the water current or how it gets oxygen. d. How it protects itself. 4. Draw your animal’s adaptations in the circles on your adaptation worksheet on the following page. GWQ023 Wonderful Wacky Water Critters DNR: WT-513-98 This publication is available from county UW-Extension offices or from Extension Publications, 45 N. Charter St., Madison, WI 53715. (608) 262-3346, or toll-free 877-947-7827 Lead author: Suzanne Wade, University of Wisconsin–Extension Contributing scientists: Phil Emmling, Stan Nichols, Kris Stepenuck (University of Wisconsin–Extension) and Mike Miller, Mike Sorge (Wisconsin Department of Natural Resources) Adapted with permission from a booklet originally published by Riveredge Nature Center, Newburg, WI, Phone 414/675-6888 Printed on Recycled Paper Illustrations by Carolyn Pochert and Lynne Bergschultz Page 1 CRITTER ADAPTATION CHART How does it get its food? How does it get away What is its food? from enemies? Draw your “critter” here NAME OF “CRITTER” How does it get oxygen? Other unique adaptations. Page 2 TWO COMMON LIFE CYCLES: WHICH METHOD OF GROWING UP DOES YOUR ANIMAL HAVE? egg larva adult larva - older (mayfly) WITHOUT A PUPAL STAGE? THESE ANIMALS GROW GRADUALLY, CHANGING ONLY SLIGHTLY AS THEY GROW UP. -
A WHALE of a Band!
Flipper http://www.markprindle.com/flipper.htm#dvd A WHALE of a band! special introductory paragraph! Generic Flipper Gone Fishin' Live Target Video 1980-81 DVD Blow'N Chunks Live Public Flipper Limited Live 1980-1985 Sex Bomb Baby! American Grafishy Flipper were one of the leading punk rock bands over in San Francisco in the early- to mid-80s, giving a big "frig you" to the rest of the punker scene by playing a louder SLOWER mess of the blues that relied wholly on attitude and bass line. See, the guitarist just played a bunch of scraggly noise. So the drummer would play his little rhythm and if they weren't too doped up, one of the two bass players (Will Shatter or Bruce Lose) would try to keep in time enough to play a catchy four-note bass line for you to tap your toe to. Then the OTHER of the two bassists (whichever one wasn't playing bass at the time) would yell some words that would seem nihilistic but would also occasionally make a statement about how important it is to rise above all the garbage that life throws at you and SURVIVE. They also had a great sense of humor (sample lyric: "Who cares anyway/who it is or what I say?/This song rhymes/And we play it in time!). Unfortunately drug habits have "dogged" the band since day one, resulting in one premature death and one immature reunion. Great ass band though, giving us more catchy bass lines than any band since The Tarney Spencer Group or whatever that band was that did that Run For Your Life album that my dad used to have. -
Guidelines on Rainwater Catchment Systems for Hawai'i
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ ○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ ○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Patricia S. H. Macomber Systems G U I D E L I N E S O N Rainwater for Hawai‘i Catchment University of Hawai‘i at Mänoa of Hawai‘i University ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ College of Tropical Agriculture and Human Resources Agriculture College of Tropical ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ -
Mount Everest
Jeddah Knowledge International School SUMMER PACK Grade 3 SY 2020-2021 Summer 2021 Grade Three Summer Review IXL Language Students may practice language and math skills using IXL digital platform. Practicing: 1. Log in to JKS Portal with your username and the password. 2. Click on the “IXL” tab from the list on the left-side. 3. Choose the grade level that your child currently completed. 4. Choose ‘Language arts’ or ‘Math’ depending on the subject you would like to practice. 5. Choose the skill that your child may wish to practice and provide encouragement to practice excelling in these skills. 6. The progress of your child can be accessed by clicking on the “Reports” tab. This will give full details of the practice and progress that has taken place. Please print out a report and have your child submit it to his/her teacher on the first day back to school. Note: The cut-off date for IXL Practice is August 1st, 2021. Grade 3- Language Arts IXL Skills Vocabulary Pronouns Compound Words • Choose the correct personal pronoun • Complete the sentence with the correct • Form and use compound words pronoun Homophones Verb Types • Use the correct homophone • Identify action verbs Multiple Meaning Words Verbs Tense • Multiple-meaning words with pictures • Which sentence matches the definition? • Form and use the regular past tense • Identify the irregular past tense II Grammar and Mechanics • Change the sentence to future tense Sentences, fragments, and run-ons • Is the sentence a statement, question, Articles command, or exclamation? Use the correct -
Let's Go Fishing Program Manual 1
LET'S GO FISHING PROGRAM MANUAL l 1 COMPOSITE IMAGE © EMPIPE / DREAMSTIME.COM / EMPIPE © IMAGE COMPOSITE Acknowledgments: Special Thank you! Written by: Kyle Glencross and Andrew Schafermeyer Review and Editing: Nicola Whitley, Jay Martin, Becky Johnson, Jennifer Baldi, and Laura Ryder Layout and Design: Victor Young A special thank you to the following for providing us with some content and many images for this publication: Larry Pape, Going Fishing, Nebraska Game and Parks, Aquatic Education Program To all of the volunteers Daniel Griffith, Fishing in the Schools Manual, Oklahoma Department of Wildlife Conservation who make this program Mike Beauchene, Let's Go Fishing!, Connecticut Aquatic Resources Education possible. Additional images provided by Dreamstime.com and iStock.com The N.H. Fish and Game Department receives Federal Assistance from the U.S. Fish and Wildlife Service, and thus Published by prohibits discrimination on the basis of race, color, national origin, disability, age and sex, pursuant to Title VI of New Hampshire Fish and Game Department the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, Title II of the Americans with Disabilities Aquatic Resources Education Program Act of 1990, Title IX of the Education Amendments of 1972, and the Age Discrimination Act of 11 Hazen Drive, Concord, NH 03301 1975. If you believe you have been discriminated against in any program, activity or service, ©2020 NH Fish and Game Dept. please contact or write the U.S. Fish & Wildlife Service, Division of Wildlife and Sport Fish Website: fishnh.com Restoration, 4001 N. Fairfax Drive, Mail Stop: WSFR – 4020, Arlington, Virginia 22203, Attention: E-mail: [email protected] Civil Rights Coordinator for Public Programs. -
A Drop of Knowledge: the Non-Operator's Guide to Drinking Water Systems
COMPANION TO A Drop of Knowledge: A Drop of Knowledge The Non-operator’s Guide to Waste Water Systems The Non-operator’s Guide to Drinking Water Systems RURAL COMMUNITY ASSISTANCE PARTNERSHIP RCAP an equal opportunity provider and employer This guide was written by the National Environmental Services Center (www.nesc.wvu.edu) at West Virginia University on behalf of Rural Community Assistance Partnership, Inc. Copyright © 2011 The entire contents of this guide are available on the RCAP website at www.rcap.org This material is based upon work supported under a grant by the Utilities Programs, United States Department of Agriculture. Any opinions, findings, and conclusions or recommendations expressed in this material are solely the responsibility of the authors and do not necessarily represent the official views of the Utilities Programs. A Drop of Knowledge The Non-operator’s Guide to Drinking Water Systems Rural Community Assistance Partnership, Inc. 1701 K St. NW, Suite 700 Washington, DC 20006 202/408-1273 800/321-7227 (toll-free) [email protected] www.rcap.org Table of Contents ABOUT THIS GUIDE 1 INTRODUCTION TO DRINKING WATER SYSTEMS What are water systems? 3 Source water 4 HOW DOES SOURCE WATER BECOME DRINKING WATER? Multiple-barrier approach 8 Groundwater systems from source to tap 9 Surface water systems from source to tap 13 HOW DOES DRINKING WATER GET TO MY HOME? THE WATER DISTRIBUTION SYSTEM 30 OTHER IMPORTANT THINGS 41 ADDITIONAL RESOURCES 43 GLOSSARY 45 i ABOUT THIS GUIDE About this guide Water is central to our everyday lives. There isn’t a single human being on Earth who can do without it. -
Lambda Pi Eta Undergraduate Journal Is Published by National Communication Association, Washington, DC, United States of America
LAMBDAλ PI ETAπ UNDERGRADUATEη JOURNAL Volume 3 • summer 2015 NATIONAL COMMUNICATION ASSOCIATION The Lambda Pi Eta Undergraduate Journal is published by National Communication Association, Washington, DC, United States of America Cover design by Carrie Lyle EDITOR LaKesha Anderson, NCA Assistant Director for Academic and Professional Affairs EDITORIAL ASSISTANT Megan Moore, NCA Academic and Professional Affairs Associate LAMBDA PI ETA UNDERGRADUATE JOURNAL REVIEW BOARD Chitra Akkoor, Keene State College Matthew LeHew, Shorter University Donna Allen, Northwest Nazarene University Cara Mackie, Florida Southern College Jordan Atkinson, West Virginia University Michelle Maresh-Fuehrer, Texas A&M Amanda Bridges, Gardner-Webb University University-Corpus Christi James Burton, Salisbury University Kelly McBride, Virginia Tech Amy Grim Buxbaum, North Central College Janet McCormick, Middle Tennessee State University Theresa Castor, University of Wisconsin-Parkside Tammy McGuire, Pacific Union College Anne Marie Czerwinski, University Elizabeth Ortiz, Cedar Crest College of Pittsburgh at Greensburg Laura Russell, Denison University Daniel Cochece Davis, Illinois State University Michelle Scollo, College of Mount Saint Vincent Jayson Dibble, Hope College Rachel Silverman, Embry Riddle Aeronautical University Randy Dillon, Missouri State University Mary Toale, SUNY Oswego Francine Edwards, Delaware State University Andrew Tollison, Merrimack College Vickie Shamp Ellis, Oklahoma Baptist University Michelle Violanti, University of Tennessee, Knoxville -
Experiential Blues Identity
Experiential Blues Identity: Analyzing racial categories of difference in a Philadelphia blues club Kate Edmundson Senior Thesis Anthropology Department Haverford College April 18, 2003 Abstract The individual’s proper experience of blues music and other ‘African American’ music according to his or her race has been the subject of a controversial 20th century debate. The black arts movement of the 1960s gave impetus to the popular black nationalistic notion that blues music belongs exclusively to African Americans. Subsequent anti-essentialist and pluralistic theories have problematized the black essentialist notion of racial ownership of music. The work presented below, an ethnographic study of Warmdaddy’s in Philadelphia examines two evenings of blues culture at that blues club. My findings indicate that neither of the traditional poles of the black music debate, essentialism and anti-essentialism, adequately describes the experience of blues music for Blacks and Whites who participate in it. Table of Contents Acknowledgements………………………………………………………...1 1) Introduction……………………………………………………………..2 2) Blues: Historical background………………………………………..…5 3) Philadelphia: Cultural and Racial Dynamics………………...…….…7 4) Warmdaddy’s – A data narrative……………………………………….9 I- Location and General Description………………………………...9 II- Tuesday Night……………………………………………………12 III- Monday Night…………………………………………………...15 IV- Monday vs. Tuesday: A Data Analysis………………………....20 5) Black Music Ideology: The Black Nationalism Approach…………...24 6) Pluralism: Towards a Warmdaddy’s Blues Meaning………………...30 7) Conclusion……………………………………………………………….43 Appendix 1………………………………………………………………..…45 Appendix 2…………………………………………………………………..46 Works Cited/Referenced………………………………………………….....47 Acknowledgements I feel endlessly lucky to have had such a broad support network while creating this thesis. I would like to extend my thanks first to Jimmy Pritchard, my informant and friend at Warmdaddy's. -
Fish out of Water Fish out of Water
THE FISH OUT OF WATER ISSUE 2ND JETTY Taking Seafood to the Next Level LIQUID GOLD Waterfront Living In the Garden State CASTING CALL The Lure of the Deep DEADWOOD REDUX 5 Minutes with Timothy Olyphant $3.95US 07 THE EDGE INTERVIEW Ever Carradine of Marvel’s Runaways & The Handmaid’s Tale 0 74470 25173 6 GREENBAUM INT BRIO RS LIVE WITH FINE DESIGN FINE FURNISHINGS, INTERIOR DESIGN, AND DECORATION SINCE 1952 1105 Mt. Kemble Ave, (Rt. 202) HQ 101 Washington St. 584 Rt. 17 North (@ Racetrack Rd.) Morristown, NJ Historic Paterson, NJ Ridgewood, NJ 973.425.5500 973.279.3000 201.857.3600 greenbauminteriors.com 2 The Fish Out of Water Issue PUBLISHERS DOUG HARRIS, GRANT KNAGGS ASSOCIATE PUBLISHER JEFFREY SHANES EDITORIAL MANAGING EDITOR MARK STEWART EDITORS CHRISTINE GIBBS, DOUG HARRIS, YOLANDA NAVARRA FLEMING EDITOR AT LARGE ASHLEIGH OWENS FOOD EDITOR MIKE COHEN ASSIGNMENTS EDITOR ZACK BURGESS AUTOMOTIVE EDITOR SARAH LEE MARKS ARTS EDITOR TOVA NAVARRA ART DESIGN DIRECTOR JAMA BOWMAN SALES 908.994.5138 VP BUSINESS DEVELOPMENT JEFFREY SHANES SENIOR MEDIA MARKETING SPECIALIST CHRISTINE LAYNG WEB WEB DESIGN ANDREW J. TALCOTT / OK7, LLC ONLINE MANAGER JOHN MAZURKIEWICZ TRINITAS REGIONAL MEDICAL CENTER CHAIRPERSON SR. ROSEMARY MOYNIHAN, SC PRESIDENT & CEO GARY S. HORAN, FACHE LETTERS TO THE EDITOR EDGE c/o Trinitas Regional Medical Center Public Relations Department 225 Williamson Street | Elizabeth, New Jersey 07202 [email protected] VISIT US ON THE WEB www.edgemagonline.com This is Volume 11, Issue 3. EDGE Magazine is published 5 times a year in February, April, June, September and November. This material is designed for information purposes only. -
SNOW FLAKES, GRAMMARS and GENERATIVE PROCESSES Paper
GA2016 – XIX Generative Art Conference SNOW FLAKES, GRAMMARS AND GENERATIVE PROCESSES Paper Topics: Architecture Author: Marie-Pascale Corcuff France, ENSAB, GRIEF http://www.rennes.archi.fr/grief.php Abstract Snow flakes have fascinated artists, scientists and philosophers (including most famous Kepler and Descartes), for a very long time, since at least 1250 (Albertus Magnus) in the Western World. The association of a strict hexagonal symmetry with such a diversity of specimens that any ice crystal may be considered unique is probably what fascinated all those people. During the 19th century, there was a new approach to form among architects, which is well characterized by the term “grammar”, as in the well known Grammar of Ornament (1856) by Owen Jones. Less widely acknowledged, French architect Jules Bourgoin (1838-1908) [1] wrote a Grammaire élémentaire de l’ornement in 1879. He is most known as a very accurate researcher in arabic art, but the topics he was interested in were very diverse, including snow flakes. During the 20th century we encounter again the term “grammar” with the “shape grammars” introduced in 1971 by George Stiny and James Gips. One of the topics of this paper is to examine if shape grammars, and generative models in general, have presages in those previous grammars, especially regarding Bourgoin, which was the most thorough in trying to link his idea of grammar to philosophy, natural sciences, language, and mathematics. Snow flakes are natural forms and examplary as such: they are obviously the result of a process of growth, which depends upon a few constraints, primarily the crystalline structure of ice, which is six-fold, and conditions of temperature and humidity, which can change dynamically in the micro-environment of the snow flake. -
The Blue Guitar Magazine at the April 18 Festival of the Arts
Table Of Contents al-Shaitan – Shaun Al-Shatti .............................................17-20 Images of summer: “Spectrum,” “Exhaustion,” “Garden,” *** “Dust Storm” and “Garden” – Renee Bau .....................44-48 Fiction Beading in school – Lana May .........................................73-74 Binoculars – Ruth R. Davis ...............................................15-16 High Rollers, Firefl y – E.A. Cervino ................................38-43 Happenings Carson Springer – Dan Romero .......................................59-72 Snapshots from Spring Festival April 18, 2010 .............31-34 Call to writers and artists ....................................................75 *** Nonfi ction A thank-you to friends, contributors, supporters ..............16 Southern Discomfort – Marcia Gold ...................................... 7 All about The Arizona Consortium for the Arts ................51 Signs – Allison Alexandra ......................................................8-9 The Mountain: The lessons I learned on Wayna Picchu – Lindsay Norman ...................................................................... 49 Healed by the Beat of the Drum – April Stolarz ............50-51 Editor’s Note Welcome to the inaugural summer edition of The Blue Guitar! Poetry This edition represents so many Grove, The Room, Summer Glimpses – Jeannine Savard ... 3 fi rsts for us — our fi rst summer Impasse, Jeans, My Mother’s Hands, Stray Cat, Stone – issue — stemming from the need to Ellen Sullins ............................................................................4-5