CD Music Reviews for the Next Millennium Robert Silverstein

Total Page:16

File Type:pdf, Size:1020Kb

CD Music Reviews for the Next Millennium Robert Silverstein http://www.mwe3.com/ CD Music Reviews for the next Millennium Robert Silverstein GALEN WESTON Plugged In (BluJazz Productions) Guitarist Galen Weston covers all the jazz-rock bases on his 2015 CD entitled, Plugged In. The CD sounds very inspired by the jazz-fusion guitar school of fretboard greats like Carl Verheyen and Eric Johnson, but clearly, on the twelve track Plugged In CD, Galen dives deep into a number of music genres. The all-instrumental nature of the album is greatly enhanced by first rate sonic support from a number of musicians, including drummer Al Cross. The cover art of Plugged In features Galen in the throes of his art and the CD features in depth liner notes from noted jazz scribe Bill Milkowski. Speaking to mwe3.com about the wide range of influences on Plugged In, Galen explains, "I think because it was my first album and I was so excited to be doing it there was a lot of things I wanted to “say” musically. My first jazz albums is coming from my influences… Pat Metheny, Larry Carlton and Mike Stern. I love that music so I wanted to cover those influences with “Song For Daphne” and “Rose Garden”. Then there was the finger-style era which came to me via Tommy Emmanuel so I did “Country” in that style… well the best I could! 1970’s and 80’s fusion with Galen’s Vice. Eric Johnson is one of my biggest heroes and my tribute is “Rock Jam” and “Funk Opus #2”. Mark Knopfler gets “Yellow Guitar”. George Benson inspired “Bensonite” but it morphed quite a bit during the recording process. Joe Satriani and Steve Vai inspired “Tasteless” mixed with Macedonian music from my wife’s family. There is still more I want to do so I am working on the next album now." With the 2015 CD release of Plugged In, Toronto-based guitarist Galen Weston is off to a great start and he’s promising more high quality sounds in the future. www.GalenWeston.org / www.BluJazz.com mwe3.com presents an interview with GALEN WESTON mwe3: Can you tell the readers where you’re from originally and where you live now and what you like best about it? What other cities and countries do you like to visit? Galen Weston: I currently live in downtown Toronto. I grew up in Freelton Ontario a small rural town just outside of Toronto. Toronto is a great city I love the multicultural aspect. I also love Europe. I recently spent some time in Italy, Switzerland and Greece. mwe3: If you don’t mind me saying, it’s a bit unusual for a debut CD to be this good! When was the album written and recorded and how do you feel Plugged In represents you and your music? Galen Weston: Well I appreciate you saying that. It took me two years to finish the album and I really grew as a musician during that time. I was fortunate to own the commercial studio in which I recorded it in. roseroom.ca I was able to spend the time required to get it just how I wanted and in some areas raise the level of my playing through practice to achieve that goal. I am not a native Jazzman although the album is not really traditional jazz. So for me, I love jazz but I have to work at it because I grew up playing rock and roll. So maybe we will call this rockin’ jazz! mwe3: Your music is very authentic sounding yet there’s a kind of musical déjà vu spirit on Plugged In. How many genres do you think you cover on the CD? It’s very fusion-y sounding but there’s some great bluesy wailing as well. How do you feel Plugged In covers all the bases of your guitar style and compositional approach? Galen Weston: I think because it was my first album and I was so excited to be doing it there was a lot of things I wanted to “say” musically. My first jazz albums is coming from my influences… Pat Metheny, Larry Carlton and Mike Stern. I love that music so I wanted to cover those influences with “Song For Daphne” and “Rose Garden”. Then there was the finger- style era which came to me via Tommy Emmanuel so I did “Country” in that style… well the best I could! 1970’s and 80’s fusion with Galen’s Vice. Eric Johnson is one of my biggest heroes and my tribute is “Rock Jam” and “Funk Opus #2”. Mark Knopfler gets “Yellow Guitar”. George Benson inspired “Bensonite” but it morphed quite a bit during the recording process. Joe Satriani and Steve Vai inspired “Tasteless” mixed with Macedonian music from my wife’s family. There is still more I want to do so I am working on the next album now. mwe3: How important is melody in a guitar instrumental say, compared to mood, ambience or technique? Do you find your approach to musical content favors melody over style or technique? Galen Weston: Interesting question. I am extremely focused on the melody. To me that is the story you are telling. Melody and rhythm are the most important aspects of the song. I get bored pretty quickly when listening to ambient guitar sounds. Technique is important to a point. You have to be able to have enough technique to tell a story. I don’t get caught up in it beyond that. mwe3: Which guitarists were important to you while you were growing up in Canada and what guitarists and bands today catch your ear? Do you think the golden days of the guitar are a thing of the past or is the future bright ahead? Galen Weston: From the rock era it was Jimi Hendrix, Jimmy Page, Slash, Joe Satriani and many others. Great era. Then Eric Johnson was the next major influence. I got into jazz late. I was in my early 20s when I started to get serious about it. Today I still listen to Mike Stern, Pat Metheny and others. Carlos Santana I have been recently enjoying. I think the future is bright for guitar. When people get sick of their computers they will start focusing more on the guitar. Everything goes in cycles and the guitar will have many more. mwe3: You’re featured on the cover art of Plugged In playing a yellow Strat. What can you tell us about your yellow Strat? Has it been modified or worked on? You even dedicated a song to it on Plugged In! What strings and amps and pedals / effect do you like to plug in to the Strat? Galen Weston: That guitar is magic. I bought it on Ebay, it is a John Cruz master built. Nothing can touch the sound and I have quite a few guitars including a ’65 Strat. It is mostly original. I changed the bridge pickup to a Dimarzio HS2. I can’t say it changed the sound all that much. I don't get that caught up with strings. Someone gave me a big box of Ernie Balls and I stick with them. 11’s to 52’s I think, so fairly heavy. I have tons of pedals but I realized I don't need most of them. I always thought growing up… if only… if only I had that pedal. I can now confirm the sound does not come from the pedal. I have 20 delay pedals and I can get the same sound from every one of them. But the irony is I think I needed to buy all those pedals just to learn that! mwe3: Do you have a preference regarding acoustic guitars and can you see a day when you might have your own signature Strat? Galen Weston: I would love to have a signature Strat. I think I would make the exact same guitar but try out more neck radius. I used a ’61 Gibson 335 on song for "Daphne". I used a guitar from Borne Custom guitars on parts of "Funk Opus" and "Late and Never". For acoustic guitars I have a Larrivee, Collings and Martin. They are all great. I used the Colling’s on "Country". mwe3: Who recorded Plugged In with you? The playing is excellent all around and I read in the liner notes where you mention these musicians are some of the best session musicians in Toronto. Galen Weston: When I first opened the studio Al Cross came in on a session for someone else. We started talking. He is an easy guy to get a long with and a great drummer. He recommended David Woodhead on bass and I went with that recommendation and I am glad I did. They work great together. In college I used to follow a band called “5 After 4”, a fusion band from Toronto. I really appreciated Matt Horner’s keyboard playing so I hunted him down. Richard Underhill is a great sax player. I knew of him and just contacted him and asked him to play. We get along really well. mwe3: You were active working in the online world before you decided to go back to the guitar? What brought you back the guitar and the recording world? I guess it’s our advantage that you did come back to the recording world! Were you active in the guitar world even while you worked in the internet world? Seems like the 2 worlds are so closely united these days! Galen Weston: I think being mostly a self-taught musician being an entrepreneur comes along with that training.
Recommended publications
  • For Immediate Release March 5, 2004
    For Immediate Release March 5, 2004 Contact: Bendetta Roux, New York 212.636.2680 [email protected] Jill Potterton , London 207.752.3121 [email protected] CHRISTIE’S NEW YORK TO OFFER GUITARS FROM ERIC CLAPTON SOLD TO BENEFIT THE CROSSROADS CENTRE IN ANTIGUA “These guitars are the A-Team … What I am keeping back is just what I need to work with. I am selling the cream of my collection.” Eric Clapton, February 2004 Crossroads Guitar Auction Eric Clapton and Friends for the Crossroads Centre June 24, 2004 New York – On June 24, 1999, Christie’s New York organized A Selection of Eric Clapton’s Guitars ~ In Aid of the Crossroads Centre, a sale that became legendary overnight. Exactly five years later, on June 24, 2004, Christie’s will present the sequel when a group of 56 guitars, described by Eric Clapton as “the cream of my collection,” as well as instruments donated by musician friends such as Pete Townshend, will be offered. Featuring iconic instruments such as ‘Blackie’ and the cherry-red 1964 Gibson ES-335, Crossroads Guitar Auction ~ Eric Clapton and Friends for the Crossroads Centre, promises to be a worthy successor to the seminal 1999 sale. The proceeds of the sale will benefit the Crossroads Centre in Antigua. Referring to the selection of guitars that will be offered in this sale, Eric Clapton said: “These guitars are in fact the ones that I kept back from the first auction because I seriously couldn’t consider parting with them at that point … I think they are a really good representation of Rock Culture ..
    [Show full text]
  • Hec Rivera Hec Rivera Is a Houston, Texas-Based Country, Rock and Jazz Guitarist
    Hec Rivera Hec Rivera is a Houston, Texas-based country, rock and jazz guitarist. Raised in Rio Grande City, Texas, he has performed professionally since high school, and has since made a successful career performing, recording, and teaching. "It's a tremendous privilege to be able to tell people that this is what you do for a living," he says. "To be able to do it every day alongside people who have become family makes the experience all the better." In addition to music, Hec is an avid history buff, and enjoys fishing, aviation, the Boston Red Sox, billiards, writing, concerts, and documentaries. He cites Don Felder, Neal Schon, Richie Sambora, Eric Johnson, Steve Lukather, and his close friend and mentor, John Calderon, as his primary influences. He currently plays lead guitar and sings backing vocals for Justin van Sant, and resides in Houston, Texas. He uses MusicMan, Paul Reed Smith, Gibson, and ESP guitars, Ernie Ball strings, and Peavey, Top Hat, Mesa, and Jet City / Soldano amplification. Rio Grande City, Texas, he has performed professionally since high school, and has since made a successful career performing, recording, and teaching. "It's a tremendous privilege to be able to tell people that this is what you do for a living," he says. "To be able to do it every day alongside people who have become family makes the experience all the better." In addition to music, Hec is an avid history buff, and enjoys fishing, aviation, the Boston Red Sox, billiards, writing, concerts, and documentaries. He cites Don Felder, Neal Schon, Richie Sambora, Eric Johnson, Steve Lukather, and his close friend and mentor, John Calderon, as his primary influences.
    [Show full text]
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 109 CONGRESS, FIRST SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 109 CONGRESS, FIRST SESSION Vol. 151 WASHINGTON, TUESDAY, DECEMBER 6, 2005 No. 155 Senate The Senate was not in session today. Its next meeting will be held on Monday, December 12, 2005, at 2 p.m. House of Representatives TUESDAY, DECEMBER 6, 2005 The House met at 2 p.m. and was last day’s proceedings and announces That the Senate passed S. 1044. called to order by the Speaker pro tem- to the House his approval thereof. That the Senate passed S. 1045. pore (Mr. BOOZMAN). Pursuant to clause 1, rule I, the Jour- With best wishes, I am nal stands approved. Sincerely, f KAREN L. HAAS, DESIGNATION OF THE SPEAKER f Clerk of the House. PRO TEMPORE PLEDGE OF ALLEGIANCE f The Speaker pro tempore laid before The SPEAKER pro tempore. Will the the House the following communica- gentleman from Colorado (Mr. UDALL) ANNOUNCEMENT BY THE SPEAKER tion from the Speaker: come forward and lead the House in the PRO TEMPORE WASHINGTON, DC, Pledge of Allegiance. December 6, 2005. Mr. UDALL of Colorado led the The SPEAKER pro tempore. Pursu- I hereby appoint the Honorable JOHN Pledge of Allegiance as follows: ant to clause 4 of rule I, the Speaker BOOZMAN to act as Speaker pro tempore on signed the following enrolled bill on I pledge allegiance to the Flag of the this day. United States of America, and to the Repub- Friday, November 18, 2005: J.
    [Show full text]
  • Brixworth and District Newsletter Learn, Laugh, Live
    Brixworth and District Newsletter Learn, laugh, live Registered Charity No 1178196 Issue 76 August 2021 THE BIG DEBATE – WHO IS THE GREATEST GUITARIST With so many talented and accomplished musicians using the guitar as their instrument of choice, from the early bluesmen to modern-day shredders and rockers, it is inevitable that no two-people will choose the same guitarist as their “greatest guitarist of all time”. It would be very easy for me to say that, in my opinion, my vote would go to …………. However, that is not my intention. Instead, this month’s musical journey may, hopefully, shine some light on a few players with whom you might not be too familiar, and who you might like to give a further look and listen to after this. Although a guitar is just a guitar, the sounds that they make in the hands of the ‘top players’ can be very different, as I will endeavour to demonstrate in this month’s randomly ordered selection. We start off with a player who is technically perfect, and whom we saw playing the piano in an earlier musical edition of the newsletter. That is ERIC JOHNSON, who is way above the technical skills of the more well-known Eric Clapton. The track I have selected really does demonstrate his virtuosity on the 6-string Fender Stratocaster, the tonal quality and changes are superb and a delight on the ears - Eric Johnson - Trail of Tears ‘Live 1988’ - YouTube Jazzing it up a bit, we have Swedish showman YNGWIE (Ing-Vay) MALMSTEEN, whose concert and album playlists includes classical pieces from Paganini, Vivaldi, Bach, etc.
    [Show full text]
  • ERIC Clapton Stratocaster JEFF Beck Stratocaster ERIC
    JOHN MAYer StratOcaster® Grammy® award-winning recording artist, John Mayer, teamed-up with Fender® to create his “must have” signature guitar. Featuring an alder body; a satin urethane-finished maple neck with a slightly bigger ® “C”-shape, buffed headstock, vintage ’50s decal, and an African rosewood fingerboard with a 9.5”-radius and Dunlop® 6105 frets. Other features include three “Big Dipper” single-coil pickups with a special “scooped” mid-range voicing wound to John’s exacting specifications, (800) Three-Color Sunburst an American vintage synchronized tremolo with five tremolo springs and without an installed back plate (included in case), Fender/Gotoh® vintage-style tuning keys, a string tree placed slightly farther from the nut. Available with an INCASE® tour bag in Three-color Sunburst (800) and new Olympic White (805). 805 011-9700 Rosewood w/case Eric JOHnsON StratOcaster The Eric Johnson signature Strat® guitar features a light, two-piece ARTIST SERIES STRATOCASTER ARTIST alder body with ’57-style deep body contours and cavities; a one-piece, vintage-tinted quartersawn plain maple neck (contours have been sanded very smooth) with a 12” radius, a light ’57-style “V”-shape and highly-polished frets; special Eric Johnson single-coil pickups with countersunk screws and a five-way switch; vintage tremolo with silver- painted block, ’57-style string recess, no paint between the base plate (801) White Blonde and the block, five springs and no tremolo cover; master Volume, and neck and bridge Tone controls; a thin neck-cap with staggered machine heads; and a parchment, ’57-style pickguard. Available with .010 to .046-gauge strings and a thin-skinned, nitrocellulose lacquer finish in White Blonde (801), Two-color Sunburst (803), Black (506) and Candy Apple Red (809).
    [Show full text]
  • Robert Walser Published Titles My Music by Susan D
    Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.
    [Show full text]
  • The Fender 5G8 Twin-Amp
    Mountainview Publishing, LLC INSIDE the Are you making it as a guitarist? It ain’t up to “them” – it’s up to you… Why great chops, all the The Player’s Guide to Ultimate Tone TM gear, a solid resumé, cool $10.00 US, September 2005/VOL.6 NO.11 Report songs & a great recording still may not get you noticed in the music biz today… Johnny A The Johnny A Interview “When you strum a guitar you have everything – rhythm, bass, lead and melody.” 9 – David Gilmore Is this love or confusion? The Marshall 30th Of all the guitars you have ever owned, has one seemed to suit you more than all the others? Did Anniversary Amp – you keep it, or has your memory of perfection only deepened with every guitar that failed to blue, brass-plated, 3 measure up to the one that got away? channels, and why it’s the only amp in Johnny A’s rig… Marshall’s Nick Bowcott on the 30th Anniversary 11 Review… Gibson’s Johnny A Signature Guitar This one does it all 13 The Gibson ‘57 Classic humbucking pickup with original designer J.T. Ribiloff 14 Review… The new Eric Johnson Signature Stratocaster… Long time coming, affordable, and the pickups rock… 16 Most of us have been guilty of letting great guitars go due to a temporary cash crunch or the The mythical low-power fever that clouds rational judgment when we impulsively sell an instrument to acquire the next brown Twin Part III… one. How many players traded a vintage goldtop, ‘59 burst or ‘50s Strat or Telecaster for an acrylic Why it never existed and Dan Armstrong, Kustom tuck n’ roll PA gear for the band, a Sunn head, or simply for the sake of how to build your own! change? www.tonequest.com cover story Consider the fickle, shifting fads that have alternately placed nothing, on-again-off-again stops and starts typical of the various Fender, Gretsch, Gibson and Martin guitars among rock music scene in the ‘70s, ‘80s and ‘90s.
    [Show full text]
  • 2 0 1 9 F U L L L I N E C a T a L
    2019 FULL LINE CATALOG Electric Guitars, Electric Basses, Acoustic Guitars, Amplifiers, Effects & Accessories Electric Guitars, Electric Basses, Acoustic Guitars, Amplifiers, Effects & Accessories 2019 Accessories Effects & Amplifiers, Guitars, Electric Acoustic Electric Basses, Guitars, www.ibanez.com - All finishes shown are as close as four-color printing allows. www.ibanez.com - All specifications are subject to change without notice. - The SRP/PVC shown on this catalog are suggested retail prices by the distributor. In any event, dealers shall be free to determine their prices. Ibanez Electric Guitars Ibanez Electric Guitars Andy Timmons AT10P • AT Maple neck w/KTS™ TITANIUM rods • Alder body Signature Models • Maple fretboard w/Black dot inlay Munky (Korn) 7-STRING • Jumbo frets w/Premium fret edge treatment APEX200 MADE IN JAPAN ® • Graph Tech nut • APEX 5pc Maple/Wenge neck • DiMarzio® The Cruiser® (H) neck pickup • Alder body • DiMarzio® The Cruiser® (H) middle pickup • Macassar Ebony fretboard w/APEX200 special inlay on 12th SB • DiMarzio® AT-1™ (H) bridge pickup (Sunburst) fret • Wilkinson® WV6-SB tremolo bridge • Jumbo frets w/Prestige fret edge treatment • Chrome hardware • DiMarzio® Blaze™ (S) neck pickup SRP/PVC: €1,259.00 IBA089389 • Gig bag included • DiMarzio® Blaze™ (H) bridge pickup • Lo-Pro Edge 7 tremolo bridge • Black hardware Chris Miller (You Me At Six) • Factory Tuning: 1D,2A,3F,4C,5G,6D,7A CMM3 • SRP/PVC: €2,299.00 IBA163229 String Gauge: .010/.013/.017/.030/.042/.052/.060 • CMM Maple neck • Hardshell case included
    [Show full text]
  • 2017 Guitars •Custom Shop • Artist Signature Series • Usa Select Series • Pro-Mod Series 2 Custom Shop Custom Custom Built
    2017 GUITARS •CUSTOM SHOP • ARTIST SIGNATURE SERIES • USA SELECT SERIES • PRO-MOD SERIES 2 CUSTOM SHOP CUSTOM CUSTOM BUILT Where do you go when your dream guitar is a Charvel® and money is no object? To Charvel’s U.S.A. Custom Shop. We build the very best of the top-line best for the world’s greatest artists, and also for you. Many of the SHOP talented craftsmen who founded the shop are still a part of our valued team, creating the epitome of Charvel style and performance. 3 WARREN DEMARTINI NEW! WARREN DEMARTINI SERIES USA SIGNATURE FRENCHIE Fans have long clamored for a replica of Warren DeMartini’s famed and beloved “Frenchie” guitar, seen live on tour and ARTIST on a slew of magazine covers throughout Ratt’s reign in the 1980s. Charvel has responded with a Snow White and a Gloss Black finish, both detailed with Snow White cross decals and a tribute quote to James Dean in French that reads “too fast to live, too young to die.” Features include a Dinky™ alder body, one-piece bolt-on quartersawn maple neck, 12”- 16” compound radius maple fingerboard with 22 jumbo stainless steel frets and black dot inlays, Seymour Duncan® Custom Warren DeMartini RTM Tommy Williams Tommy (“Rattus Tonus Maximus”) humbucking bridge pickup and SSL-4 Quarter Pound™ Photo: neck pickup, three-way toggle switch, single volume control knob, Floyd Rose® Original locking bridge and Gotoh® tuning machines. 2865005803 - Gloss Black 2865055876 - Snow White Legendary lead guitarist Warren DeMartini led glam metal sensation Ratt to the top of the charts in the 1980s, co-writing several of the band’s biggest hits that earned multiple platinum albums.
    [Show full text]
  • AT AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings.
    [Show full text]
  • Eric Johnson
    ERIC JOHNSON The guitar has been very good to Eric Johnson, earning him international renown as a player, composer, recording artist and live entertainer as well as an ever-growing audience of admirers. And Eric Johnson has been very good to the guitar, spotlighting its myriad melodic, sonic and lyrical splendors, paying homage to its heroes and innovators, collaborating and playing with many of its finest contemporary talents, and fostering its continuing vibrancy as a primarily instrumental genre in popular music. “He's an extraordinary guitar player accessible to ordinary music fans,” notes the Memphis Commercial Appeal. That’s because Eric Johnson plays music and not just the guitar. He is also a gifted player of the piano (his first instrument) as well as songwriter, singer and song interpreter. Or more succinctly, Eric Johnson is a diverse, versatile and fully realized musical creator who plays guitar like no one else The pivotal event in Johnson's rise to becoming, as Guitar Player says, “one of the most respected guitarists on the planet," was his million-selling, now-classic 1990 album Ah Via Musicom (which loosely translates as "communicating through music"). It was his second release, following Tones, his 1986 major label debut. Musicom yielded three Top 10 singles – "Cliffs of Dover," which has become Johnson's signature song and won a Best Rock Instrumental Grammy, and "Trademark" and "Righteous." It made him the first artist to ever score three Top 10 instrumentals. Now, 28 years later, he revisits that landmark recording with a 2018 tour on which he will play the album – hailed as a "masterwork" in Amazon.com's review – in its entirety.
    [Show full text]
  • AT AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings.
    [Show full text]