DOCSLIB.ORG

Never Ending Love Writers: Reba Rambo-Mcguire, Dony Mcguire

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Never Ending Love Writers: Reba Rambo-Mcguire, Dony Mcguire NEVER ENDING LOVE WRITERS: REBA RAMBO-MCGUIRE, DONY MCGUIRE YOU SPRINKLE MY LIFE WITH SONG I DRINK IN EVERY PHRASE THE MELODY JUST FLOWS ALONG, CARRIES ME AWAY SAILING TO THE OPEN SEA FILLED WITH YOUR AFFECTION FOR ME NEVER ENDING LOVE, NEVER ENDING LOVE NO MATTER HOW HARD I TRY, HOW HIGH I REACH I CAN'T GET AWAY FROM YOUR LOVE FOR ME NEVER ENDING LOVE, NEVER ENDING LOVE I'VE BEEN RUNNING SO FAST, I'VE WORN HOLES IN MY SHOES JUST BEGINNING TO EXPLORE ALL THE AVENUES OF LOVING YOU DREAMS ARE COMING TRUE AT LAST WORDS HAVE MEANING AGAIN I CAN'T BELIEVE THE MAGICAL TOUCH I FEEL IN YOUR HAND AND IT'S FEELIN' LIKE FOREVER TOMORROW'S SUN IS GONNA FIND US TOGETHER © 1979 BUD-JOHN SONGS INC/ASCAP, OOH’S AND AH’S MUSIC/ASCAP, TAKALOFME MUSIC/ASCAP (ADMINISTERED BY CAPITOL CMG) ADMINISTERED BY CAPITOL CMG LICENSING: www.capitolcmglicensing.com HE CAN BE WRITER: REBA RAMBO-MCGUIRE HE CAN BE WHAT YOU WANT HIM TO BE WHAT YOU WANT HIM TO BE WHAT YOU WANT HIM TO BE WHAT YOU WANT HIM TO BE HE CAN BE WHAT YOU WANT HIM TO BE HE’S A SWEET STREAM IN THE DESERT THE EYE OF THE HURRICANE A CRACKLIN’ FIRE IN DECEMBER HE’S A COOL REFRESHING SUMMER RAIN YOU CAN FIND HIM IN THE BABY’S LAUGHTER IN THE TEARS OF AN OLD MAN’S EYES REACH ON OUT LET HIM LOVE YOU DON’T YOU COMPLICATE JUST SIMPLIFY © 1980 BUD JOHN SONGS INC/ASCAP, OOH’S AND AH’S MUSIC/ASCAP (ADMINISTERED BY CAPITOL CHRISTIAN MUSIC GROUP) ADMINISTERED BY CAPITOL CMG LICENSING: www.capitolcmglicensing.com SING A LOVE SONG WRITERS: REBA RAMBO-MCGUIRE, DONY MCGUIRE THERE WERE LOTS OF WORDS BUT THEY JUST COULDN'T MAKE A RHYME I TRIED A THOUSAND NOTES BUT I JUST SANG THEM OUT OF TIME BUT YOU TAUGHT MY SOUL TO HEAR A DIFFERENT KIND OF TUNE IT LULLABIED MY FEARS THE WAY THAT BRAHMS COULD NEVER DO I WANT TO SING, SING A LOVE SONG TO THE ONE WHO TAUGHT ME HOW TO LOVE SING, SING A LOVE SONG TO THE ONE WHO TAUGHT ME HOW TO LIVE IF I SHOULD LOSE THE RHYTHM, LORD REMIND ME EVERY DAY THE WAY TO KEEP THE MUSIC IS TO GIVE IT ALL AWAY SING, SING A LOVE SONG TO THE ONE WHO TAUGHT ME HOW TO LOVE MYSELF THOUGH I HAD DISAPPOINTED ME TO FORGIVE THE PAST AND WRITE TOMORROW'S MELODY LIFE CAN BE A LOVELY SCORE WHEN YOU CONDUCT EACH PART YOU COMPOSED IT LONG AGO, PERFORM IT IN MY HEART © 1979 BUD-JOHN SONGS INC./OOH’S AND OH’S MUSIC/ASCAP, TAKALOFME MUSIC/ASCAP (ADMINISTERED BY CAPITOL CHRISTIAN MUSIC GROUP) ADMINISTERED BY CAPITOL CHRISTIAN MUSIC GROUP Licensing: www.capitolcmglicensing.com THE BEST “YOU” YOU CAN BE WRITER: REBA RAMBO-MCGUIRE IF YOU’RE A JESTER HELP HIM MAKE THE PEOPLE SMILE IF YOU’RE A LADY TELL ‘EM ALL ABOUT HIM WITH GRACE AND LOTS OF STYLE IF YOU’RE A BUTTERFLY LET YOUR COLORS SHINE SO THE WHOLE WORLD CAN SEE ALL HE WANTS TO MAKE YOU IS THE BEST “YOU” THE BEST “YOU” YOU CAN BE THE DAY YOU WERE CREATED HE HID SPECIAL GIFTS WITHIN YOUR HEART AND WHEN YOU GIVE YOUR LIFE TO HIM HE TAKES HIS KEY AND LETS THEM OUT HE GETS HIS KICKS WHEN YOU DISCOVER ALL OF YOUR ABILITIES ALL HE WANTS TO MAKE YOU IS THE BEST “YOU” YOU CAN BE HE TOOK THE TIME TO MAKE YOU TO PAINT THE COLOR IN YOUR EYES HE LOVES YOU JUST THE WAY YOU ARE BECAUSE YOU’RE HIS UNIQUE DESIGN WHEN YOU LOVE HIM HE UNVEILS THE BEAUTY OF HIS MASTER PIECE ALL HE WANTS TO MAKE YOU IS THE BEST “YOU” YOU CAN BE © 1979 BUD-JOHN SONGS INC/OOH’S AND AH’S MUSIC/ASCAP (ADMINISTERED BY CAPITOL CHRISTIAN MUSIC GROUP) CAPITOL CHRISTIAN MUSIC GROUP LICENSING: www.capitolcmglicensing.com THE PRODIGAL WRITER: REBA RAMBO-McGUIRE, RON OATES PEOPLE TALKIN’ STRANGE YOU CAN’T UNDERSTAND THEIR LANGUAGE YOU WOKE UP CRYIN’ IN THIS CRAZY PLACE YOU’RE BROKE, YOU’RE TIRED AND COLD AND ALL YOUR FRIENDS HAVE LEFT YOU YOU’RE WONDERIN’ HOW YOU EVER GOT THIS LOW BUT IF YOU’VE LEFT YOUR HARP HANGIN’ ON THE WILLOW REACH OUT, YOU STILL CAN STRUM A HAPPY SONG BRUSH THE DIRT OFF THEN PICK UP ALL THE PIECES AND GET YOURSELF ON HOME WHERE YOU BELONG I’M SURE YOU MEANT TO FLY TO NEW HEIGHTS BUT SOMEHOW YOU LANDED ON THE FLOOR BUT NOW YOU’VE LEARNED THERE’S NOTHIN’ GREENER THAN THE GRASS GROWIN’ ‘ROUND YOUR OWN BACK PORCH AT HOME THERE’S LOTS OF LOVE THERE’S A FEAST UPON THE TABLE THEY’VE GOT YOUR SLIPPERS WARMIN’ BY THE FIRE SO BUNDLE UP YOUR PRIDE AND CAST IT TO THE FOUR WINDS BUT TAKE INSTEAD THE WISDOM YOU’VE ACQUIRED AND IF YOU’VE LEFT YOUR HARP HANGIN’ ON THE WILLOW REACH OUT, YOU STILL CAN STRUM A HAPPY, A HAPPY SONG WASH YOUR FACE THEN PICK UP ALL THE PIECES AND GET YOURSELF ON HOME WHERE YOU BELONG (GET YOURSELF ON HOME WHERE YOU BELONG) GET YOURSELF HOME, THE FAMILY IS WAITING FOR YOU (GET YOURSELF ON HOME WHERE YOU BELONG) GET YOURSELF ON HOME WE NEED YOU, WE WANT YOU, WE LOVE YOU JUST GET YOURSELF ON HOME WHERE YOU BELONG © 1979 BUD-JOHN SONGS INC/ASCAP, OOH’S AND AH’S MUSIC/ASCAP, RONG SONGS/ASCAP BUD-JOHN SONGS INC OOH’S AND AH’S MUSIC CAPITOL CHRISTIAN MUSIC GROUP LICENSING: www.capitolcmglicensing.com RONG SONGS P O BOX 210192 NASHVILLE , TN, 37221 Tel. (615) 646-8582 SPARKLING GOLD WRITERS: REBA RAMBO-MCGUIRE, DONY MCGUIRE YOU REACHED WAY DOWN 'TIL YOU FOUND ME I SURE WASN'T MUCH TO DESIRE YOU WRAPPED ME ALL UP IN THE GOODNESS OF YOU WON'T YOU POLISH ME NOW 'TIL I SHINE ALL THAT I HAVE I SURRENDER TRANSFORM ME INTO YOUR IMAGE AND WHEN I'M TRIED BY FIRE LORD, HELP ME COME FORTH LORD, HELP ME COME FORTH HELP ME COME FORTH HELP ME COME FORTH LIKE SHINING, SPARKLING GOLD CLEANSE ME WITH SWEET LIVING WATER PURIFY ME IN THE FLAME MELT AND POUR ME IN THE MOLD OF YOUR LOVE MAKE A VESSEL OF HONOR AND PRAISE © 1979 TAKALOFME MUSIC/ASCAP, OOH'S AND AH'S MUSIC/ASCAP, BUD-JOHN SONGS INC/ASCAP (ADMIN. BY CAPITOL CHRISTIAN MUSIC GROUP) ADMINISTERED BY CAPITOL CMG LICENSING: www.capitolcmglicensing.com I HAVE TO SMILE WRITERS: REBA RAMBO-MCGUIRE, DONY MCGUIRE YOU KNOW YOU'RE QUITE AN ARTIST SPLASHING RAINBOWS ON A SKY BLUE CANVAS YOU DRESS THE AUTUMN FOREST UP IN JOSEPH COATS OF MULTI-COLORED LEAVES YOU KNOW YOU'RE QUITE A SCULPTOR MOLDING BITS OF CLAY TO LIVING, LAUGHING ART YOU'RE QUITE A POET LOOK AT ALL THE WORDS OF LOVE YOU'VE WRITTEN ME AND WHEN THEY ASK ME WHY I LOVE YOU I HAVE TO SMILE AND WHEN THEY ASK WHAT I SEE IN YOU I SAY HE'S VERSATILE YOU'RE MY LOVE AND MY JOY YOU'RE MY SONG, YOU'RE MY LIFE YOU'RE THE REASON WHY I HAVE TO SMILE YOU KNOW YOU'RE QUITE A SINGER YOU CAN HUM A WORLD AROUND IN ORBIT OR VOCALIZE A LITTLE TUNE THAT MAKES A FLOWER BLOSSOM WITH EACH NOTE YOU KNOW, YOU'RE QUITE A HERO SLAYED THE DRAGON, RESCUED THE DAMSEL IN DISTRESS YOU'RE QUITE A LOVER YOU'RE THE ONLY THING THAT SATISFIES MY SOUL © 1979 TAKALOFME MUSIC/ASCAP, OOH'S AND AH'S MUSIC/ASCAP, BUD-JOHN SONGS INC/ASCAP (ADMIN. BY CAPITOL CMG) TAKALOFME MUSIC (C/O NEWSPRING PUBLISHING, INC) BUD-JOHN SONGS INC OOH’S AND AH’S MUSIC CAPITOL CHRISTIAN MUSIC GROUP LICENSING: www.capitolcmglicensing.com THE SINGER WRITERS: REBA RAMBO-MCGUIRE, PHIL JOHNSON SINGER, THE WORLD WAS OUT OF TUNE AND DARKNESS REIGNED EACH CRADLE SWUNG ABOVE AN OPEN GRAVE AND ONLY YOU COULD SAVE THEM SINGER, YOU SANG THE ANCIENT STAR SONG ON THE HILL YOU KNEW THE LAST VERSE, YET YOU SANG IT ALL SOME HOW YOU UNDERSTOOD EACH DROP OF BLOOD WOULD PEN A NOTE IN FREEDOM’S SYMPHONY THE GRACE FILLED ANTHEM OF HUMANITY YOU WROTE WHEN BRUISED FOR OUR INIQUITIES TROUBADOUR, YOU MARCHED THROUGH CANYONS OF THE DAMNED BELOW YOU SEIZED THE KEYS AND FREED THEIR TORTURED SOULS YOU TOOK THE KEY WITH MY NAME SINGER, IN HARMONY WITH FATHER –SPIRIT WITH VOICES NEW ALL YOUR CREATION WILL SING ETERNAL PRAISE OVATIONS SINGER, THANK-YOU FOR THE SONG © 1979 OOH’S AND AH’S MUSIC/ASCAP, BUD-JOHN SONGS INC/ASCAP (ADMINISTERED BY CAPITOL CHRISTIAN MUSIC GROUP), DIMENSION MUSIC BUD- JOHN SONGS INC. OOH’S AND AH’S MUSIC CAPITOL CHRISTIAN MUSIC GROUP Licensing: www.capitolcmglicensing.com DIMENSION MUSIC ENCHANTING ISLE OF THE SON WRITERS: REBA RAMBO-MCGUIRE, PHIL JOHNSON THINKING AHEAD TO THE LAND OF DREAMS YOU PURCHASED FOREVER THEN GAVE IT TO ME I’M LONGING FOR HOME ENCHANTING ISLE OF THE SON STILL CAN’T BELIEVE HOW YOU TURNED IT AROUND PARADISE LOST BECAME PARADISE FOUND I’M LONGING FOR HOME ENCHANTING ISLE OF THE SON SPLASHING IN A SPARKLING COVE RUNNING WITH THE SAND IN OUR TOES FISH FOR AWHILE, FEEL THE TROPICAL BREEZE KICK BACK, HAPPY YOU AND ME DO, DO, DO, DO…. I’M LONGING FOR HOME ENCHANTING ISLE OF THE SON SMILING, DREAMS ARE COMING TRUE LAUGHING, ‘CAUSE I’LL LIVE THEM WITH YOU SWEET NATIVE VOICES IN TRUE HARMONY CALLING, HEAR THEM CALLING ME © 1979 BUD-JOHN SONG INC/ASCAP, OOH’S AND AH’S MUSIC/ASCAP (ADMINISTERED BY CAPITOL CHRISTIAN MUSIC GROUP), UNIVERSAL MUSIC – BRENTWOOD BENSON TUNES BUD-JOHN SONGS INC AND OOH’S AND AH’S MUSIC CAPITOL CHRISTIAN MUSIC GROUP LICENSING: www.capitolcmglicensing.com UNIVERSAL MUSIC – BRENTWOOD BENSON TUNES NEVER AGAIN WRITER: REBA RAMBO-MCGUIRE NEVER AGAIN WILL I CONFESS I CAN’T I CAN DO ALL THINGS THROUGH CHRIST WHICH STRENGTHENETH ME NEVER AGAIN WILL I CONFESS WORRY CASTING ALL MY CARES ON HIM WHO CARETH FOR ME NEVER, NEVER AGAIN NEVER, NEVER AGAIN NEVER AGAIN OH NEVER AGAIN NEVER AGAIN I WON’T LET MY WORDS DEFEAT ME NEVER AGAIN I POSSESS WHAT I CONFESS I AM BLESSED WITH HEAVEN’S BEST JESUS IS LORD THERE IS NO ROOM FOR BONDAGE AND GLOOM NEVER AGAIN, NEVER AGAIN NEVER AGAIN WILL I CONFESS SICKNESS WITH THE STRIPES HE TOOK ON HIS BACK I KNOW I’M HEALED NEVER AGAIN WILL I CONFESS DEFEAT GREATER IS HE THAT’S WITHIN ME THAN WHO’S IN THE WORLD © 1979 BUD JOHN SONGS INC/ASCAP, OOH’S AND AH’S MUSIC/ASCAP (ADMINISTERED BY CAPITOL CHRISTIAN MUSIC GROUP) BUD-JOHN MUSIC INC OOH’S AND AH’S MUSIC CAPITOL CHRISTIAN MUSIC GROUP LICENSING: www.capitolcmglicensing.com YESHUAH IS RISEN WRITER: REBA RAMBO-MCGUIRE TREES LIFT UP THEIR BRANCHES HIGH WAVES CLAP THEIR HANDS, SPLASH HE’S ALIVE ALL THE BIRDS SINGING SWEET SONGS TO THE KING SANDPIPER DANCING ‘CAUSE HE’S FEELING SO FREE ALLELUJAH PRAISING THE FATHER ALLELUJAH PRAISING THE SON ALLELUJAH PRAISING THE SPIRIT YESHUAH IS RISEN MESSIAH HAS COME YESHUAH IS RISEN THE VICTORY’S WON ARMS, LIFT THEM TO THE MOST HIGH HANDS, CLAP THEM APPLAUD HE’S ALIVE SING YOUR SWEET SONG TO THE MUSICAL KING SPIRIT KEEP DANCING ‘CAUSE YOU’RE FEELING SO FREE © 1979 BUD-JOHN SONGS INC/OOH’S AND AH’S MUSIC/ASCAP (ADMINISTERED BY CAPITOL CHRISTIAN MUSIC GROUP) BUD-JOHN SONGS INC OOH’S AND AH’S MUSIC CAPITOL CHRISTIAN MUSIC GROUP Licensing: www.capitolcmglicensing.com .
Load more

Recommended publications
  • Sacha M. Joseph-Mathews, Phd. Curriculum Vitae
    Sacha M. Joseph-Mathews, PhD. Curriculum Vitae Contact Information University Eberhardt School of Business University of the Pacific Stockton, CA Phone: (209) 946-2628 Fax: (209) 946-2586 Email: [email protected] UNIVERSITY POSITIONS Associate Professor- Marketing, 2006- present Faculty Chair, 2014-2016 Eberhardt School of Business University of the Pacific, (Tenured) Instructor, College of Continuing Education California State University-Sacramento, 2009- Present Instructor, University of the West Indies, Summer 2013 Instructor, College of Business Florida State University, 2002-2006 Instructor, Kaiser College, 2004 EDUCATION Florida State University, Tallahassee, FL Doctor of Philosophy, June 2006 Major Field: Marketing Florida State University, Tallahassee, FL Master of Science, 2004, Major: Hospitality and Tourism Management University of the West Indies, Mona, Jamaica Bachelor of Arts, 1998, Major: Mass Communication (First Class Honors) RESEARCH INTERESTS Marketing Strategy and Consumer Behavior Customer Value Determination and Measurement, Ethical Consumption, Green Consumer Behavior, Brand Equity and Loyalty. Sacha M. Joseph-Mathews • Eberhardt School of Business • University of the Pacific Services Services- Social Entrepreneurship, Service Environment, Brand Personality, E-Commerce, Services Marketing, Retailing Consumer Ethnicity and Buying Power, Retailing and Environmental Sustainability, Tourism and Hospitality Management (Destination Branding, Eco-tourism, Cultural and Heritage Tourism, Value Determination) International
    [Show full text]
  • Music Initiative Jka Peer - Reviewed Journal of Music
    VOL. 01 NO. 01 APRIL 2018 MUSIC INITIATIVE JKA PEER - REVIEWED JOURNAL OF MUSIC PUBLISHED,PRINTED & OWNED BY HIGHER EDUCATION DEPARTMENT, J&K CIVIL SECRETARIAT, JAMMU/SRINAGAR,J&K CONTACT NO.S: 01912542880,01942506062 www.jkhighereducation.nic.in EDITOR DR. ASGAR HASSAN SAMOON (IAS) PRINCIPAL SECRETARY HIGHER EDUCATION GOVT. OF JAMMU & KASHMIR YOOR HIGHER EDUCATION,J&K NOT FOR SALE COVER DESIGN: NAUSHAD H GA JK MUSIC INITIATIVE A PEER - REVIEWED JOURNAL OF MUSIC INSTRUCTION TO CONTRIBUTORS A soft copy of the manuscript should be submitted to the Editor of the journal in Microsoft Word le format. All the manuscripts will be blindly reviewed and published after referee's comments and nally after Editor's acceptance. To avoid delay in publication process, the papers will not be sent back to the corresponding author for proof reading. It is therefore the responsibility of the authors to send good quality papers in strict compliance with the journal guidelines. JK Music Initiative is a quarterly publication of MANUSCRIPT GUIDELINES Higher Education Department, Authors preparing submissions are asked to read and follow these guidelines strictly: Govt. of Jammu and Kashmir (JKHED). Length All manuscripts published herein represent Research papers should be between 3000- 6000 words long including notes, bibliography and captions to the opinion of the authors and do not reect the ofcial policy illustrations. Manuscripts must be typed in double space throughout including abstract, text, references, tables, and gures. of JKHED or institution with which the authors are afliated unless this is clearly specied. Individual authors Format are responsible for the originality and genuineness of the work Documents should be produced in MS Word, using a single font for text and headings, left hand justication only and no embedded formatting of capitals, spacing etc.
    [Show full text]
  • Social Issues in Ballads and Songs, Edited by Matilda Burden
    SOCIAL ISSUES IN BALLADS AND SONGS Edited by MATILDA BURDEN Kommission für Volksdichtung Special Publications SOCIAL ISSUES IN BALLADS AND SONGS Social Issues in Ballads and Songs Edited by MATILDA BURDEN STELLENBOSCH KOMMISSION FÜR VOLKSDICHTUNG 2020 Kommission für Volksdichtung Special Publications Copyright © Matilda Burden and contributors, 2020 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the copyright owners. Peer-review statement All papers have been subject to double-blind review by two referees. Editorial Board for this volume Ingrid Åkesson (Sweden) David Atkinson (England) Cozette Griffin-Kremer (France) Éva Guillorel (France) Sabina Ispas (Romania) Christine James (Wales) Thomas A. McKean (Scotland) Gerald Porter (Finland) Andy Rouse (Hungary) Evelyn Birge Vitz (USA) Online citations accessed and verified 25 September 2020. Contents xxx Introduction 1 Matilda Burden Beaten or Burned at the Stake: Structural, Gendered, and 4 Honour-Related Violence in Ballads Ingrid Åkesson The Social Dilemmas of ‘Daantjie Okso’: Texture, Text, and 21 Context Matilda Burden ‘Tlačanova voliča’ (‘The Peasant’s Oxen’): A Social and 34 Speciesist Ballad Marjetka Golež Kaučič From Textual to Cultural Meaning: ‘Tjanne’/‘Barbel’ in 51 Contextual Perspective Isabelle Peere Sin, Slaughter, and Sexuality: Clamour against Women Child- 87 Murderers by Irish Singers of ‘The Cruel Mother’ Gerald Porter Separation and Loss: An Attachment Theory Approach to 100 Emotions in Three Traditional French Chansons Evelyn Birge Vitz ‘Nobody loves me but my mother, and she could be jivin’ too’: 116 The Blues-Like Sentiment of Hip Hop Ballads Salim Washington Introduction Matilda Burden As the 43rd International Ballad Conference of the Kommission für Volksdichtung was the very first one ever to be held in the Southern Hemisphere, an opportunity arose to play with the letter ‘S’ in the conference theme.
    [Show full text]
  • The Effects of Digital Music Distribution" (2012)
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon.
    [Show full text]
  • The Ballads of the Southern Mountains and the Escape from Old Europe
    B AR B ARA C HING Happily Ever After in the Marketplace: The Ballads of the Southern Mountains and the Escape from Old Europe Between 1882 and 1898, Harvard English Professor Francis J. Child published The English and Scottish Popular Ballads, a five volume col- lection of ballad lyrics that he believed to pre-date the printing press. While ballad collections had been published before, the scope and pur- ported antiquity of Child’s project captured the public imagination; within a decade, folklorists and amateur folk song collectors excitedly reported finding versions of the ballads in the Appalachians. Many enthused about the ‘purity’ of their discoveries – due to the supposed isolation of the British immigrants from the corrupting influences of modernization. When Englishman Cecil Sharp visited the mountains in search of English ballads, he described the people he encountered as “just English peasant folk [who] do not seem to me to have taken on any distinctive American traits” (cited in Whisnant 116). Even during the mid-century folk revival, Kentuckian Jean Thomas, founder of the American Folk Song Festival, wrote in the liner notes to a 1960 Folk- ways album featuring highlights from the festival that at the close of the Elizabethan era, English, Scotch, and Scotch Irish wearied of the tyranny of their kings and spurred by undaunted courage and love of inde- pendence they braved the perils of uncharted seas to seek freedom in a new world. Some tarried in the colonies but the braver, bolder, more venturesome of spirit pressed deep into the Appalachians bringing with them – hope in their hearts, song on their lips – the song their Anglo-Saxon forbears had gathered from the wander- ing minstrels of Shakespeare’s time.
    [Show full text]
  • A Case Study of an Award Winning Public School String Orchestra Program
    A CASE STUDY OF AN AWARD WINNING PUBLIC SCHOOL STRING ORCHESTRA PROGRAM Wing Man Fu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2009 Committee: Elaine J. Colprit, Advisor Penny T. Kruse ii ABSTRACT Elaine Colprit, Advisor The purpose of this study was to examine the history, growth, and development of an award winning public school string program. This study provided a description of a model of an excellent orchestra program and produced a general benefit to novice teachers who are setting up new programs, and to music educators by adding to our knowledge of the unique characteristics of a successful string program. There were three major sections of discussion in this study: (1) preparation for setting up a string program; (2) delivery of instruction in elementary, middle school, and high school levels of the program; and (3) continued growth, development, and support of the program. This research was accomplished by analysis of the following data: (a) live observations of class instruction at elementary, middle school, and high school, (b) orchestra handbooks and documents regarding curriculum and other guidelines; and (c) transcripts of interviews with faculty from Upper Arlington City Schools. Results show that individual faculty qualifications and experience prepare them to teach all levels of string classes. Based on their experiences, they are able to create an organized curriculum, design goal directed instructional plans, teach effectively as a team, and sustain a successful string program. iii ACKNOWLEDGEMENTS I would like to express my gratitude to my supervisor, Dr.
    [Show full text]
  • BWTB Valentines LOVE Show 2016
    1 All Love Show 2016 1 2 9AM The Beatles - It’s Only Love- Help! / INTRO : THE WORD (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP 2 3 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI audition), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S.
    [Show full text]
  • A Piece of History
    A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers.
    [Show full text]
  • Artist Review: Revisiting Sting-An Under-Recognized Existentialist Song Writer1
    International Journal of Multidisciplinary Research and Growth Evaluation www.allmultidisciplinaryjournal.com International Journal of Multidisciplinary Research and Growth Evaluation ISSN: 2582-7138 Received: 01-05-2021; Accepted: 18-05-2021 www.allmultidisciplinaryjournal.com Volume 2; Issue 3; May-June 2021; Page No. 550-561 Artist review: Revisiting sting-an under-recognized Existentialist song writer1 Li Jia International College, Krirk University, Thanon Ram Intra, Khwaeng Anusawari, Khet Bang Khen, Krung Thep, Maha Nakhon10220, Thailand Corresponding Author: Li Jia Abstract Artistic expressions such as songs and poetry are examples of a solo artist but also helped him in communicating his free activities and are privileged modes of revealing what the thoughts and ideals to the world. His music, words and life world is about. Art’s power, in the case of existentialism, is are inextricably linked and this can be seen in many of Sting to a large extent devoted to expressing the absurdity of the ’s confessional songs that have connections to events in his human condition since for the existentialists, the world in no personal life. Existential characteristics have affected Sting longer open to the human desire of meaning and order. Sting both as a person and a musician. This paper calls for more is included in this pool of gifted artist and his talent in making researches on his music legacy that the world owned him for songs has not only paved the way for his successful career as a long time. Keywords: Sting, Existentialist, Song Writer Introduction Artistic expressions such as songs and poetry are examples of free activities and are privileged modes of revealing what the world is about.
    [Show full text]
  • Gender Role Construction in the Beatles' Lyrics
    “SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles..................................................................................................
    [Show full text]
  • Elyria City Schools Elyria High School Student/Parent Handbook Elyria High School 601 Middle Avenue Elyria, Ohio 44035 (440) 284-8300 Mr
    Elyria City Schools Elyria High School Student/Parent Handbook ELYRIA HIGh SChOOL 601 Middle Avenue Elyria, Ohio 44035 (440) 284-8300 Mr. Tim Brown, Principal Team 1 Team 3 Assistant Principal 284-5201 Assistant Principal 284-5203 Secretary 284-5201 Secretary 284-5203 Team 2 Team 4 Assistant Principal 284-5202 Assistant Principal 284-5204 Secretary 284-5202 Secretary 284-5204 Clinic 284-8300 ext 11007 Athletic Office 284-8256 Property of:____________________________________________________ Address:______________________________________________________ Phone #:______________________________________________________ In case of emergency, please notify: Name:______________________ Phone #:_______________________ The information in this book was the best available at press time. Watch for additional information and changes. ©2016 School Datebooks, Inc. All rights reserved. No part of this publication may be reproduced, transmitted, transcribed, stored in any retrieval system, or translated in any form without the written permission of School Datebooks, Inc. 2880 U.S. Hwy. 231 S. • Lafayette, IN 47909 • (765) 471-8883 http://www.schooldatebooks.com • [email protected] 1 TABLe OF CONteNts School Calendar....................................................4 Physical Education Attire..................................19 School Maps..........................................................5 Picture Day.......................................................19 Mission Statement.................................................7 Retention..........................................................19
    [Show full text]
  • Concerts for Kids
    Concerts for Kids Study Guide 2014-15 San Francisco Symphony Davies Symphony Hall study guide cover 1415_study guide 1415 9/29/14 11:41 AM Page 2 Children’s Concerts – “Play Me A Story!” Donato Cabrera, conductor January 26, 27, 28, & 30 (10:00am and 11:30am) Rossini/Overture to The Thieving Magpie (excerpt) Prokofiev/Excerpts from Peter and the Wolf Rimsky-Korsakov/Flight of the Bumblebee Respighi/The Hen Bizet/The Doll and The Ball from Children’s Games Ravel/Conversations of Beauty and the Beast from Mother Goose Prokofiev/The Procession to the Zoo from Peter and the Wolf Youth Concerts – “Music Talks!” Edwin Outwater, conductor December 3 (11:30am) December 4 & 5 (10:00am and 11:30am) Mussorgsky/The Hut on Fowl’s Legs from Pictures at an Exhibition Strauss/Till Eulenspiegel’s Merry Pranks (excerpt) Tchaikovsky/Odette and the Prince from Swan Lake Kvistad/Gending Bali for Percussion Grieg/In the Hall of the Mountain King from Peer Gynt Britten/Storm from Peter Grimes Stravinsky/Finale from The Firebird San Francisco Symphony children’s concerts are permanently endowed in honor of Mrs. Walter A. Haas. Additional support is provided by the Mimi and Peter Haas Fund, the James C. Hormel & Michael P. NguyenConcerts for Kids Endowment Fund, Tony Trousset & Erin Kelley, and Mrs. Milton Wilson, together with a gift from Mrs. Reuben W. Hills. We are also grateful to the many individual donors who help make this program possible. San Francisco Symphony music education programs receive generous support from the Hewlett Foundation Fund for Education, the William Randolph Hearst Endowment Fund, the Agnes Albert Youth Music Education Fund, the William and Gretchen Kimball Education Fund, the Sandy and Paul Otellini Education Endowment Fund, The Steinberg Family Education Endowed Fund, the Jon and Linda Gruber Education Fund, the Hurlbut-Johnson Fund, and the Howard Skinner Fund.
    [Show full text]