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Septembre Decembre SEPTEMBRE 2013 DECEMBRE SEPTEMBRE 2013 OCTOBRE 2013 NOVEMBRE 2013 DÉCEMBRE 2013 1 di 1 MA 1 VE 1 di 2 lu 2 ME D’Geschicht vum BABAR, 2 SA 2 lu de klengen Elefant 3 ma Traffic Theater Luxemburg 3 DI 3 ma 4 me 3 JE 4 LU 4 me 5 je 4 VE 5 MA 5 je Fête des cultures 6 ve 5 SA 6 ME 6 ve Fête des cultures 7 sa 6 DI 7 JE 7 sa 8 di 7 LU 8 VE 8 di 9 lu 8 MA 9 SA centre d’art Dominique 9 lu Lang: Lore Rabaut 10 ma 9 ME & Frank Depoorter 10 ma centre d’art nei Liicht: 10 JE My Chet My Song 11 me Il y a 40 ans, 11 me Lighthouse Riccardo Del Fra Quintet Ronny Delrue un 11 Septembre ... Vernissages à 11.30 h Gwilym Simcock / en coll. avec CDMH asbl 11 VE 09.11.2013 – 20.12.2013 Tim Garland / Asaf Sirkis 12 je 12 SA 10 DI 12 je Das Kapital loves Christmas 13 ve 11 LU 13 DI Journée de la Nostalgie 13 ve 14 sa org. VdD 12 MA Tuesday = Bluesday 14 sa Hafosud 15 di 14 LU Touch of noir Popa Chubby Jazz Sneaky Pete Concert de Noël Erika Stucky - Black Widow 16 lu 13 ME Pit Dahm Trio 15 di 15 MA Touch of noir feat. Harmen Fraanje 17 ma Soul / Funk 16 lu Martha High 14 JE Mudam Akademie 18 me & Speedometer 17 ma 15 VE Bodecker & Neander opderschmelz III 19 je 16 ME Déjà vu ? 18 me 20 ve SoulSongDances 17 JE Touch of noir 16 SA Singer-Songwriter 19 je 17 DI Rome 20 ve 21 sa centre d’art Dominique 18 VE 18 LU 21 sa Lang: Daniel Daniel centre d’art nei Liicht: 19 SA Touch of noir 19 MA Pere Ubu 22 di Myriam Hornard Jazz Vernissages à 11.30 h Benjamin Koppel - Mudam Akademie 23 lu Scott Colley - Brian Blade 21.09.2013 – 26.10.2013 opderschmelz III 24 ma 22 di 20 DI 20 ME Heinz Sauer & Michael Wollny 25 me 23 lu 21 LU Touch of noir Trésors 21 JE 26 je de la cinémathèque 24 ma Mudam Akademie opderschmelz III 22 MA Mudam Akademie 22 VE 27 ve opderschmelz III 25 me 23 SA Die drei ??? Kids 28 sa 23 ME Touch of noir Der Weihnachtsdieb 26 je Ciné-concert 29 di La Passion 24 DI 27 ve Squeezeband de Jeanne d’Arc (1928) 30 lu Reto Weber / 25 LU 24 JE 31 ma Chico Freeman / 26 MA Singer-Songwriter Jasper van’t Hof / 25 ve Touch of noir Festival Nino G / Gilad Atzmon Tempestarii Eva Croissant - Live performance Sebastian Krumbiegel - 28 sa Gast Bouschet Anton Walgrave + Nadine Hilbert 29 di Singer-Songwriter 26 26 Touch of noir 27 ME Festival 30 lu Tempestarii Exhibition 26.10.2013 - 03.11.2013 LLoyd Cole - Daniel Balthasar - 27 di Sarah Carlier 28 LU 28 JE 29 MA 29 VE 30 ME 30 sa 31 je Save the dates 25.01.2014 Kannerbicherdag 06.02.2014 Opérette Fledermaus - Opera Mobile 28.02. - 02.03.2014 Cabaret Jay Schiltz 15.03.2014 Zeltic me 11.09.13 20H00 grand AUDITOIRE CONCERT IL Y A 40 ANS, UN 11 SEPTEMBRE… Soirée d‘Hommage à l‘autre 11 septembre d‘il y a 40 ans au Chile. 4. Sept. 1970: – Chile tanzt MUSIKANDES ist ein kulturelles Projekt das die Tradition von der lateinamerikanischen Ein großer Tag in der Geschichte Chiles. Der Musik wieder aufnimmt, die von Violeta Par- Kandidat der Unidad Popular, Dr. Salvador ra, Atahualpa Yupanqui, Mercedes Sosa und Allende Gossens, erhält bei der Präsident- Víctor Jara gefördert wurde. schaftswahl die meisten Stimmen. Allende repräsentierte das breiteste sozialpolitische Das ist die Musik, die über die täglichen Über- Bündnis, das in Chile je erreicht wurde. lebenskämpfe und Träume der Lateinameri- kanischen Gesellschaft spricht. Die Lieder Anlässlich seiner Amtseinführung erklärt erzielen ihre Resonanz dadurch, dass sie die Allende vor 100.000 Chileninnen und Chile- sozialen Probleme des Zuhörers aufgreifen, nen: „Der Sieg gehört dem geprüften Volk, durch das Lied ästhetisch verdichten und das eineinhalb Jahrhunderte lang unter dem ihn somit zu einer politischen Haltung auf- Deckmantel sog. Unabhängigkeit die Aus- fordern. Die Formen dieser musikalischen beutung der herrschenden Klasse ertrug, Mitteilung sind vielfältig. Zum einen ist es die unfähig ist, den Fortschritt zu sichern, die Stimme des Sängers, der sich im Tradi- und die auch gar kein Interesse daran hat. tionsgebundenen Spiel mit einer Gitarre, der ... Aber jetzt endlich ist der Tag gekommen Quena, des Charango oder des Cuatro als In- um Schluss zu sagen, Schluss mit der wirt- strumentation begleitet. schaftlichen Ausbeutung! Schluss mit der sozialen Ungleichheit! Schluss mit der politi- Víctor Jara und Violeta Parra waren die schen Unterdrückung!“ grössten Volkssänger Chiles. Sie widmeten viele Jahre ihres Lebens dem Erforschen und Ein unauslöschliches Datum: Sammeln der Volksmusik, sie lebten das glei- 11. September 1973 che Leben wie die Bauern, die Bergleute und die Fischer, sie teilten ihren Hunger, die Kälte, Über das freie Chile bricht die Nacht faschis- ihre Freuden und Leiden. Sie sammelten ihre tischer Barbarei herein. Eine verräterische, Lieder, ihre Tänze, ihre Sprichtwörter, ihre gekaufte Generalsclique putschte gegen die Kochrezepte, ihr Kunsthandwerk. Sie waren Regierung der Unidad Popular. Panzer, Ar- die Begründer des gesellschaftlich engagier- tillerie und Bomben zerschießen die Freiheit ten Liedes in Chile. Sie haben uns allen den des Volkes – nach Plan, vorbereitet durch die Weg gewiesen, dem wir jetzt folgen. CIA, gebilligt durch die Regierung der USA. Ein Aufschrei des Zorns, der Empörung geht durch die Welt. ORGANISÉ EN COLLABORATION AVEC LE CENTRE DE DOCUMENTATION SUR LES MIGRATIONS HUMAINES A.S.B.L. RoMINA ToBAR: ERZÄHLERIN, GITARRE, BLOCKFLÖTEN, PANFLÖTE, TIPLE, GESANG DAVID BEYER: GESANG, QUENA, PANFLÖTE, GITARRE, CHARANGO MICHAEL ZÖLLNER: GESANG, GITARRE, PANFLÖTE, QUENA, MOXEÑO, TIPLE, CHARANGO, PERCUSSION DANIEL OSORIO: GESANG, CHARANGO, TIPLE, WESTERN GITARRE, BLOCKFLÖTEN, PANFLÖTE, QUENA VIDEO PROJEKTION UND TON: KRISCHAN KRIESTEN DeUTSCHE FASSUNG:RoMINA ToBAR ZUSAmmeNFASSUNG UND KÜNSTLERISCHE LEITUNG: DANIEL OSORIO PRÉVENTE / voRVERKAUF 10€ (+FRAIS/VVK-GEBÜHREN) CAISSE DU SOIR / ABENDKASSE 15€ À paRTIR DE 19H30 VE 20.09.13 20H00 Grand Auditoire PREMIÈRE Danse contemporaine SOULSONGDANCES Soulsongdances est une exploration du Ce processus de recherche permet à 4 corps, du mouvement et de la danse par la femmes de plonger dans les tréfonds de leur respiration, la voix, et, plus particulièrement âme et de se dévoiler en tant qu’individus et en le rythme. A travers le prisme de la musica- tant que membres d’une communauté. Elles lité, est interrogée l’origine du mouvement, révèlent les différentes facettes de leur être, de l’espace-temps, mais également de notre tout en s’engageant dans une danse à la fois conscience, perception et pensée. relationnelle et discursive. Trois groupes d’éléments – mouvement / danse, voix / rythme / musique et pensée / langage – y forment un trio collaboratif. Ils s’entretiennent et se défient mutuellement, tout en maintenant une intégrité individuelle. CoProduction : Centre Culturel Régional opderschmelz, Kinneksbond Centre Culturel Mamer, Centre de CRéatioN CHoRégraphique LUxembourgeois TRoIS C-L Soutien : Fonds Culturel National, FondatioN Indépendance, Œuvre Nationale de Secours Grande-Duchesse Charlotte – Fonds stART up Le spectacle sera présenté le 22.09. à 17h00 au Kinneksbond, Centre Culturel Mamer PRÉVENTE / voRVERKAUF 15€ (+FRAIS/VVK-GEBÜHREN) CAISSE DU SOIR / ABENDKASSE 20€ À paRTIR DE 19H30 CHORÉGRAPHIe : TANIA SoUBRY INTERPRÉTATION : ELODIE ESCARMELLE, MARIA EUGENIA, INES LoPEZ CRÉATION MUSICALE : NUNO BRITO COSTUmeS : LAURIE LAMBORELLE CRÉATION LUMIÈRES : ZELJko SESTAK CHARGÉ DE PRODUCTION : JÉRÔME KONEN © Chris Nash VE 27.09.13 20H00 Grand Auditoire JAZZ SQUEEZEBAND Reto Weber / Chico Freeman / Jasper Van’t Hof / Nino G / Michel Alibo ... and special guest GILAD ATZMON From Jazz to Hip Hop and back! Hors des sentiers battus de la Musique du Kunstform neue Wege gegangen. In seinen Monde et loin des conventions du jazz actuel, Solos, die weit über Jazz und Hip Hop hinaus- le Squeeze Band crée de nouvelles situations reichen, schafft er regelrechte rhythmische musicales qui lui permettent, par la grâce de Sinfonien. Zusammen mit Reto Weber und l‘improvisation, de transcender les influen- Michel Alibo prägt er den unvergleichlichen ces du jazz, du hiphop et des rythmiques in- Groove der Squeeze Band. diennes ou africaines. Der Weltmusiker und Jazzbassist Michel Der gebürtige Schweizer reto Weber faszi- Alibo ist Gründungsmitglied der bekannten niert am Schlagzeug und schafft mit einer französischen Fusionband SIxUN, mit wel- Vielzahl unterschiedlicher Rhythmusinstru- cher er in über 20 Jahren zahllose Konzerte mente erstaunliche Klangimpressionen, mit gab und zehn Alben aufnahm. Er spielte u.a. einem südindischen Tonkrug, mit dem von mit Salif Keita, Michel Jonasz, Angélique ihm selbst entwickelten Hang, einer diskus- Kidjo, Kassav, Toure Kunda, Youssou N’Dour. förmigen Variante der Steel-Drum und auch Michel Alibo hat viele Musikrichtungen aus mit verschiedenen afrikanischen Trommeln. seiner kar ibischen Heimat sow ie Jaz zr ock und Er spielte mit Musikern wie Dave Holland, Fusion assimiliert. Er verbindet die Slaptech- Albert Mangelsdorff, Lee Konitz, Charlie Ma- nik mit afrikanischen Rhythmen und bringt riano u.v.a. 1978 gründete er das Percussion nordafrikanische Einflüsse in die Fusion ein. orchestra, das heute Kultstatus geniesst. In seiner Squeeze Band hat Reto Weber, der zu Chico Freeman profilierte sich Ende der den weltweit besten Perkussionnisten zählt, 1970er Jahre als einer der wichtigsten neuen einen neuen eigenen Sound geschaffen, einen Tenorsaxophonisten und Multi-Stilisten. Er musikalischen Hochseilakt, der stilübergrei- spielte anfangs mit Junior Wells und Mem- fend vom Jazz in den Hip Hop flaniert. phis Slim, dann auch mit den Temptations, Earth, Wind and Fire und den Eurythmics. Nino G gehört seit Jahren zur internationa- Er tourte mit Elvin Jones, Roy Haynes, Jack len Beatboxer-Elite.
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