Language and Literature

Total Page:16

File Type:pdf, Size:1020Kb

Language and Literature Language and Literature India is (one of the) world’s oldest civilization and so is the Indian literature. Initially it was essentially oral. Thus the earliest works were composed to be sung or recited and then transmitted from generations. Later on this work was started being written down. Many languages were developed and flourished in India and so does the literature associated with various literary forms. Let’s look at it one by one. Ancient Indian Literature - It covers almost every aspect of literary forms present in the world. It includes (in broadest sense) religious, mundane, poetry (didactic and dramatic), epic and lyric scientific prose and narrative as well as oral poetry and song. It will be incorrect to say that Indian Literature is based on only the religious classics of Hinduism, Buddhism and Jainism .Jain narrative literature is full of erotic stories and realism which is written in Prakrit language. One of the oldest literary work i.e. Vedas are essentially archetypal poetry of high literary value they have multiple meanings. Vedic ritual is preserved in literary text called Brahmanas. It is mainly divided into two parts: ritualistic injunction and dissuasions. The great Indian epics, Ramayana (1500 BC) and Mahabharata (10UUBC) are the ethnic memories of Indian people. Both these epics are rich in motifs and have universal appeal. Sanskrit Literature - The Sanskrit language is basically bifurcated into the Vedic and the Classical. Classical Sankrit literature includes the Kavyas (epic poetry), the Nataka (drama), lyric poetry, romance, popular tales, didactic fables, gnomic poetry, medicine, astronomy, mathematics, law, science literature, grammar Apart from Vedas, which are a sacred form of knowledge, there are other works such as ‘Vastu Shastra’ which explains architecture and town planning; ‘Arthashastra’ which illucidates political science, political systems etc. Apart from Hindu epics Ramayana and Mahabharata other famous works in Sanskrit are the holy texts like Upanishadas, Manusmriti, Vedas, etc. Other such great literatures which played leading role in marking the golden era of Indian literature includes ‘Meghdout’ and ‘Abhijanam Shakuntalam’ written by great poet Kalidasu; ‘Mricchakatika’ by Shudraka; ‘Kamasutra’ by Vatsyayana; ‘Arthashastra’ by Chanakya; ‘Ratnavali by Shri Harsha; ‘Svapna Vasavadattam’ by Bhaasa. Kalidas who is a tallest figure in epic poetry also wrote ‘Kumarasambhava’ (the birth of Kumar), ‘Raghuvamsa’ (the dynasty of the Raghus). Other distinguished poets are Bharavi who wrote ‘Kiratarjuniyam’ (Kirat and Arjun); Megha wrote ‘Sishupalavadha’ (the killing of Sishupal). The main objective of Nataka (Drama) or Kavya (Poem) is to offer the reader or spectator entertainment (Lokaranjan) as well as stimulate his feelings and giving him or her a perspective to illuminate their way to live life. The drama is thus packed with poetry and descriptive prose. Sanskrit literature is filled with lyrical poetry of very high quality. Poetry contains a fusion of religious and erotic sentiments. There is high diversity in Indian culture and so division between GS I - Culture / 37 art and religious in Indian culture seems to be less sharp than in Europe & China. In Kalidasa’s narrative lyric poem, Meghadut, the poet makes a cloud a messenger to tell the story of two lavers who are separated. This is also quite in keeping with the sublime conception of love, which looks dark in separation. Jayadeva (12 cen A.D.) is also one of the great Sanskrit poet, who wrote lyric poetry Gitagovinda (describes every phase of love between Krishna & Rodha) in picturesque lyrical language. The didactic fable Panchatantra (five technique or chapters) dealing with politics & political wisdom, which was written by Vishnu Sharma and the Hitopadesha thebird, animal-human & non-human stories of advice for benefit of listeners, which was written by Narayan Pandit are literary masterpieces. These popular fables are obviously a retelling of folklore. Pali & Prakrit Literature - After vedic period Pali & Prakrit were the spoken languages in India. Pali is archaic Prakrit. Pali is a combination of many dialects. These were adopted by Buddhist & Jain sects in ancient India as their sacred languages. Lord Budha used to give his sermons in Pali. Budhist canonical literature is in Pali. It includes Tipitaka (3 fold basket), first basket – Vinaya Pitaka (contains monastic rule¬s of the Order of Buddhist monks). Second basket – Sutta Pitaka (a collection of the speeches and dialogues of Buddha). Third basket – Abhiadhamma Pitaka (elucidates) various topics dealing with ethics, psychology or theory of knowledge. The Jataka Kathas are non- canonical Buddhist literature in which stories relating to the former births of the Buddha (Bodhi- sattva or the would be Buddha) are narrated. These stories propogate Buddhist religious doctrines and are available in both Sanskrit & Pali. As Jataka stories grew a lot, they assimilated popular tales, ancient mythology, stories from older religious traditions, etc. Jain tales (like the Buddhist stories) are also didactic in character. Some forms of Prakrit is used in them. Jain canonical literature by Jain Saints and a large number of works on lexicography and grammer by Hemachandra (1088 A.D.) is well known. Gathasaptashati (700 verses) written by Hala (300 A.D.) is a well know Pakrit literature. Hala in this 700 verses includes his own 44 poems. The vast Katha (story) literature of Prakrit, Written with conspicuous religious overtone, even by Jain saints is full of erotic elements. The author of Vasudevahindi ascribes this changed approach of the Jain authors to the fact that it is easy to teach religion cloaked by erotic episodes, like sugar coated medicine. Jain literature is also available in Sanskrit like the Upamitibhava Prapancha Katha of Siddharcusi (960 A. D.) Dravidian Literature - The major 4 distinct Speech families which are origins of the way the Indian people speak languages are: the Austric, Sino-Tibetan, Indo-Europian and Dravidian. Dravidian literature mainly consists of 4 languages: kannada, Telgu, Tamil, Malayalam. Tamil is the oldest language which preserved its Dravidian character the most. Kannada, a cultured language is also as old as Tamil. All these languages have borrowed many words from Sanskrit and vice versa. Tamil is the only modern Indian language which is recognizably continuous with a classical past. Early classical Tamil literature 2 schools of poets, ‘aham’ (subjective love poems) and ‘puram’ (objective, public poetry & heroic). Puram deals with all kinds of emotions, 38 / Chanakya Mandal Pariwar - UPSC Mains Reference Book mainly valour and glory of kings & about gods & evils. Whereas Aham dcals purely with the subjective emotion of the lover. Sangam Literature - Under the patronage of Pandyan kings, Tamil poets did a commendable literary work, Sangam literary work was mainly developed in Pandyan capital – Maclurai. The Sangam classics, mainly consists of 18 works (8 anthologies of lyrics and 10 long poems), these are popular for their direct expression. These were written in 473 poets, among whom 30 were women, Author of 102 poems are unknown Most of these anthologies are of 3rd century B.C.). To under-stand early Tamil poetry, a Tamil grammer ‘Tolkappiyam’ was written during same period. This is believed to have written by Tolkappiyar (a disciple of Agastya) Tolkappiyam is basically a composition of grammar, social practices and literary conventions. Singam literature is not just the earliest evidence of Tamil genius. The famous Thirukkural by Thiruvalluvar, in the 6th cen. A. D., Serves as a manual of precepts to guide one to noble living. The great twin epics, Silappadhikaram (story of the anklets) written by Ilanga-Adigal and Manimekalai) by Chattanar were written sometimes in 200-300 A. D. depicts Tamil society of that period. Tamil reveals a triumph of Bramhanic and Buddhist knowledge whereas Kannada shows Jain axendency in its ancient time period. Malayalam absorbed a rich treasure contained in Sanskrit language. In Indian literature the effort has been to find out how a man can achieve divinity. Devotional songs in praise of the Hindu god Shiva are written by Tamil saint poet Nayanar in 6th – 8th century A. D. Besides its importance as poetry of emotional Bhakti it explains us classical Tamil civilization as a whole. Hindu Literature The Vedas - The word derived from Sanskrit word ‘vid’ means ‘to know’. Vedas are oldest literary works of India. Initially they were evolved through oral traditions. They includes two successive classes of literary creations: The Samhirtas, The Brahmanas & The Aranyakas ; and also Upanishads. They are basically collections of hymns, prayers, charms, sacrificial formulae. Samhitas a.Rig Veda Samhita - It is the oldest of all the Vedas which contains 1028 hymns/suktas, 10 Mandals, 8 Ashtakas. Some oldest Mandalas are welknown as family books an account of their composition is ascribed to the families of sages. b.Yajur Veda Samhita - It is divided in two parts viz – Krishna Yajurveda (commentary in prose) & Sukla Yajurveda (sacrificial formulae & rituals). It consist 40 chapters which were recited by priests. It is basically collection of rituals for performing different sacrifices. C.Sama veda Samhita As it is known as the ‘Book of Chants’, it has collection of Hymns taken from Rig Veda & only 75 hymns are original. These hymns are meant for singing at same Sarrifieies. It is mainly GS I - Culture / 39 availabk in 3 vesions
Recommended publications
  • Cow Care in Hindu Animal Ethics Kenneth R
    THE PALGRAVE MACMILLAN ANIMAL ETHICS SERIES Cow Care in Hindu Animal Ethics Kenneth R. Valpey The Palgrave Macmillan Animal Ethics Series Series Editors Andrew Linzey Oxford Centre for Animal Ethics Oxford, UK Priscilla N. Cohn Pennsylvania State University Villanova, PA, USA Associate Editor Clair Linzey Oxford Centre for Animal Ethics Oxford, UK In recent years, there has been a growing interest in the ethics of our treatment of animals. Philosophers have led the way, and now a range of other scholars have followed from historians to social scientists. From being a marginal issue, animals have become an emerging issue in ethics and in multidisciplinary inquiry. Tis series will explore the challenges that Animal Ethics poses, both conceptually and practically, to traditional understandings of human-animal relations. Specifcally, the Series will: • provide a range of key introductory and advanced texts that map out ethical positions on animals • publish pioneering work written by new, as well as accomplished, scholars; • produce texts from a variety of disciplines that are multidisciplinary in character or have multidisciplinary relevance. More information about this series at http://www.palgrave.com/gp/series/14421 Kenneth R. Valpey Cow Care in Hindu Animal Ethics Kenneth R. Valpey Oxford Centre for Hindu Studies Oxford, UK Te Palgrave Macmillan Animal Ethics Series ISBN 978-3-030-28407-7 ISBN 978-3-030-28408-4 (eBook) https://doi.org/10.1007/978-3-030-28408-4 © Te Editor(s) (if applicable) and Te Author(s) 2020. Tis book is an open access publication. Open Access Tis book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
    [Show full text]
  • Correspondence
    CORRESPONDENCE MINING GEOLOGICAL KNOWLEDGE FROM ANCIENT SANSKRIT TEXTS I found the editorial by Dr .B .P. Radhakrishna on - "A I fully concur with the views expressed by him that our Few Fascinating Geological Observations in the Rnmayana ancient epics/classics and early Sanskrit texts are'sources of Valmih" (Jour. Geol. Soc. India, v.62, Dec.2003, pp.665- of a great treasure of valuable information relevant to 670) very interesting and was greatly delighted to read the scientific knowledge. The promotion of Sanskrit and same. What is striking is that this ancient epic (approximately study of the ancient literature in this language should be dated 1600 BC) by the sage and poet Valrniki not only pursued, especially by the younger generation and all contains vivid descriptions of the nature -rivers , mountains, encouragement and support should be extended by oceans etc., while narrating a great story, but also about the educational institutions and scientific organizations. the detailed knowledgelinformation that was available There is definitely great scope for the research scholars during that time - a sign of great advancement achieved and the scientists to mine more valuable information relevant by our ancient civilization, which is over 5000 years to geologylearth science from the ancient Sanskrit texts old. As Dr. B. P. Radhakrishna has pointed out, the in addition to what is already available. Ramayana mentions the various dlzatunnm or metals Apart from Vedas, Upanishads, and Arthashastra, there known at that time and that they were mined on a fairly are many ancient Sanskrit texts written on smelting/ extensive scale. The importance of mining minerals1 extraction of metals, medicinal chemistry, alchemy and other metals was well established as a source of revenue even relevant aspects.
    [Show full text]
  • Shukranitisara: an Early Medieval Treatise on Economic Policy
    Shukranitisara: An early medieval treatise on economic policy Satish Y. Deodhar W. P. No. 2020-08-02 Shukranitisara: An early medieval treatise on economic policy Satish Y. Deodhar August 2020 The main objective of the working paper series of the IIMA is to help faculty members, research staff and doctoral students to speedily share their research findings with professional colleagues and test their research findings at the pre-publication stage. IIMA is committed to maintain academic freedom. The opinion(s), view(s) and conclusion(s) expressed in the working paper are those of the authors and not that of IIMA. SHUKRANITISARA: AN EARLY MEDIEVAL TREATISE ON ECONOMIC POLICY Satish Y. Deodhar1 ABSTRACT Shukracharya’s treatise on political economy has been referred to in many ancient Indian texts such as the Arthashastra, Buddhacharitam and Mahabharata. However, that treatise has been lost. Fortunately, an abridged version titled Shukranitisara belonging to the early medieval period was discovered in the nineteenth century. While a few have written about Shukranitisara from the perspective of political science, nothing has been written from the perspective of economic policies. Among the four purusharthas or the life objectives, while Arthashastra had given primacy to artha or material wealth, Shukranitisara considers dharmic or ethical conduct as foremost for the economic decisions of the state and the householder. The treatise addresses issues of governance, breadth of vocations and sciences, public finance, prices, markets, contracts, labour relations, and advice to a householder. Quite a few economic policies mentioned in Shukranitisara are detailed and different as compared to Arthashastra, and remain relevant for policymaking even today.
    [Show full text]
  • Folk Elements in the Short Stories of Manoj Das: IJAR 2016; 2(6): 164-167 a Critical Study Received: 18-04-2016 Accepted: 19-05-2016 Dr
    International Journal of Applied Research 2016; 2(6): 164-167 ISSN Print: 2394-7500 ISSN Online: 2394-5869 Impact Factor: 5.2 Folk elements in the short stories of Manoj Das: IJAR 2016; 2(6): 164-167 www.allresearchjournal.com A critical study Received: 18-04-2016 Accepted: 19-05-2016 Dr. Manoranjan Behura Dr. Manoranjan Behura Lecturer in English, Mahanga Abstract Puspagiri College, Erakana, Cuttack, Odisha, India. Folk literature is the part and parcel of life and plays a paramount role influencing the culture and literature. Folk culture and literature is confined within a limited areas but its impact on the modern literature is immense. Manoj Das mainly focuses on the folk tales of Odisha and follows the folk tale styles of story writings. Keywords: Folk tale, folk literature, Folk culture Introduction Folk tales lays the foundation of literature which the root and the modern literature is the fruit of it (folk literature). Hence it is appropriate to discuss the nature and feature of folk culture, folk form or folk literature to connect them to fiction. Folk culture belongs to the antiquity past but is still alive in the present. When we go through the Vedanta, Astadasapurana and Mahabharata we find elements of folk culture. The Mahabharata and Ramayana are the combination of a lot of folk tales. Folk forms like folk songs, tales, theatre, rituals are generally focused on a particular event of a particular place. It is confined to a limited area taking its cultures, traditions, customs and ways of life. Folk literature is generally a literature of an imaginary world which is far from reality.
    [Show full text]
  • Hindu India: 300 to 1100 Ce
    CHAPTER 2 Hindu India: 300 to 1100 ce During these eight centuries, empires, religion, commerce, science, technology, literature and art flourished in India. ATI O In ways vitally important C N U A D L to Hindus to this day, the E I N S S T Hindu faith was advanced I G H victoria and albert museum by temple building, the Bhakti Movement, holy texts and great philosophers, saints and sages. This is an 8th century South Indian bronze of Supreme God Siva as Nataraja. This divine dance depicts His five cosmic powers of creation, preservation, dissolution, veiling grace and revealing grace. Note to Students, Parents and Teachers This Educational Insight is the second chapter in our series staff of HINDUISM TODAY in collaboration with Dr. Shiva Baj­ on Hindu history intended for use in US primary schools. pai, Professor Emeritus of History, California State University, During this period, India was the richest region of the Northridge. Academic reviewers: Dr. Klaus Klostermaier, world and one of the most populous. Great agricultural Professor of Religious Studies, University of Manitoba; Dr. abundance, plus plentiful natural resources, were key to Jeffrey D. Long, Chair, Department of Religious Studies, Eliz­ the region’s prosperity. India lay in the center of the world’s abethtown College; Dr. Vasudha Narayanan, Distinguished ancient trade routes. Merchants sent spices, cotton, sugar Professor, Department of Religion, University of Florida; Dr. and exotic items east to China and west to Europe. Hindu Anantanand Rambachan, Professor of Religion, St. Olaf Col­ religion and culture and the Sanskrit language linked all of lege; Dr.
    [Show full text]
  • CHAPTER 3 Classical Civilization: India CHAPTER SUMMARY
    CHAPTER 3 Classical Civilization: India CHAPTER SUMMARY The Framework for Indian History: Geography and a Formative Period. Important reasons for India’s distinctive path lie in geography and early historical experience. India’s topography shaped a number of vital features of its civilization. The vast Indian subcontinent is partially separated from the rest of Asia (and particularly from east Asia) by northern mountain ranges. Mountain passes linked India to civilizations in the Middle East. Though it was not as isolated as China, the subcontinent was nevertheless set apart within Asia. The most important agricultural regions are along the two great rivers, the Ganges and the Indus. During its formative period, called the Vedic and Epic ages, the Aryans (Indo-Europeans), originally from central Asia, impressed their own stamp on Indian culture. During these ages, the caste system, Sanskrit, and various belief systems were introduced. Patterns in Classical India. By 600 B.C.E., India had passed through its formative stage. Indian development during its classical era did not take on the structure of rising and falling dynasties, as in China. Patterns in Indian history were irregular and often consisted of invasions through the subcontinent’s northwestern mountain passes. As a result, classical India alternated between widespread empires and a network of smaller kingdoms. Even during the rule of the smaller kingdoms, both economic and cultural life advanced. The Maurya and Gupta dynasties were the most successful in India, run entirely by Indians and not by outside rulers. The greatest of the Mauryan emperors was Ashoka (269-232 B.C.E.).
    [Show full text]
  • Understanding Dharma and Artha in Statecraft Through Kautilya's
    UNDERSTANDING DHARMA AND ARTHA IN STATECRAFT...| 1 IDSA Monograph Series No. 53 July 2016 Understanding Dharma and Artha in Statecraft through Kautilya’s Arthashastra Pradeep Kumar Gautam 2 | P K GAUTAM Institute for Defence Studies and Analyses, New Delhi. All rights reserved. No part of this publication may be reproduced, sorted in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photo-copying, recording or otherwise, without the prior permission of the Institute for Defence Studies and Analyses (IDSA). ISBN: 978-93-82169-65-9 Disclaimer: It is certified that views expressed and suggestions made in this monograph have been made by the author in his personal capacity and do not have any official endorsement. First Published: July 2016 Price: Rs. 175 /- Published by: Institute for Defence Studies and Analyses No.1, Development Enclave, Rao Tula Ram Marg, Delhi Cantt., New Delhi - 110 010 Tel. (91-11) 2671-7983 Fax.(91-11) 2615 4191 E-mail: [email protected] Website: http://www.idsa.in Cover & Layout by: Geeta Kumari Printed at: M/S Manipal Technologies Ltd. UNDERSTANDING DHARMA AND ARTHA IN STATECRAFT...| 3 Contents Acknowledgements ...................................................................... 5 1. Introduction ............................................................................ 7 2. The Concept of Dharma and Artha .................................... 14 3. Dharma in Dharmashastra and Arthashastra: A Comparative Analysis ...................................................... 37 4. Evaluating Dharma and Artha in the Mahabharata for Moral and Political Interpretations ........................... 72 5. Conclusion.............................................................................. 107 4 | P K GAUTAM UNDERSTANDING DHARMA AND ARTHA IN STATECRAFT...| 5 ACKNOWLEDGEMENTS I thank the panelists and participants in the two of my fellow seminars in 2015 for engaging with the topic with valuable insights, ideas and suggestions.
    [Show full text]
  • Editors Seek the Blessings of Mahasaraswathi
    OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi
    [Show full text]
  • R. Shamashastry – the Scholar Who Discovered Arthashastra -B.M.N
    R. Shamashastry – the scholar who discovered Arthashastra -B.M.N. Murthy Till about the dawn of the 20th century there was a misconception in the Western world that everything in ancient India was moved by otherworldly considerations, the society ignorant of statecraft, social affairs and administration. The turning point which removed this misconception, was the discovery of Kautilya’s ‘Arthashastra’ in Sanskrit. Though written 2,400 years earlier, the classic work was discovered as late as the 20th century. The singular credit for this discovery goes to Dr Rudrapatnam Shamashastry of Mysore who not only discovered the manuscript but heralded a new era in Indian administration and statecraft. The history of ancient India pertaining to the 4th century BC, shows that it was Kautilya, also known as Vishnugupta or Chanakya, who overthrew the ruling Nanda dynasty and annointed Chandragupta Maurya as the King. Kautilya was a student of the Taxila University (then called Takshashila and now in Pakistan), the very first university to be founded in the world as early as in 700 B.C. He later taught in the same university for about four years. It was this Kautilya who wrote ‘Arthashastra’ which is a monumental treatise on administration and civic affairs. This comprehensive work, must have been written some time between 321–296 BC. It is a practical guide not only on running governmental organisations but also a work that deals with duties of Kings, Ministers, local officials, methods of diplomacy etc including ways and means of defeating an enemy. Encyclopedic in its coverage many scholars have wondered how one head could carry such a vast knowledge.
    [Show full text]
  • Hindu Scriptures
    Hindu Scriptures Hinduism consists of an extensive collection of ancient religious writings and oral accounts that expound upon eternal truths, some of which Hindus believe to have been divinely revealed and realized by their ancient sages and enlightened individuals. Hindu scriptures (such as the V​edas,​ Upanishads, Agamas, a​nd Puranas)​, epics (the B​hagavad Gita and R​amayana)​, lawbooks, and other philosophical and denominational texts, have been passed on for generations through an oral and written tradition. Since spiritual seekers have different levels of understanding, scriptural teachings are presented in a variety of ways to provide guidance to all seekers. Scripture in Hinduism, however, does not have the same place as it does in many other religious traditions. W​ hile the Vedas and other sacred writings are considered valid sources for knowledge about God, other means of knowledge, such as personal experience of the Divine, are regarded highly as well. Some Hindu philosophers have taught that these other means of knowledge should be seen as secondary to scripture. But other Hindu philosophers have taught that religious experience can be considered equal or even superior to scriptural teachings. Hindu scriptures are classified broadly into two categories: S​hruti and Smriti.​ The word S​hruti literally means “heard”, and consists of what Hindus believe to be eternal truths akin to natural law. Hindus believe these truths are contained in the vibrations of the universe. It was the ancient sages, Hindus say, who realized these eternal truths through their meditation, and then transmitted them orally. The term S​hruti is generally applied to the V​edas and includes the Upanishads,​ which constitute the fourth and final part of the V​edas.​ These texts are revered as “revealed” or divine in origin and are believed to contain the foundational truths of Hinduism.
    [Show full text]
  • INTRODUCTION This Study Deals with the Prominent Themes That
    INTRODUCTION This study deals with the prominent themes that appeared in'^The Illustrated Weekly of India' ( Henceforth referred to as ' The Weekly' ) from January 1971 to December 1980." The Weekly' published 415 stories during this decade. These stories covered various major and minor themes. This study deals mainly with the analysis of those stories which contain one of the following themes — sex, marriage, the east-west encounter, bureaucratic tendencies and personality crisis.The seventh chapter of this thesis deals with some minor themes like revenge, avarice etc. I have divided this chapter in the following six sect ions. (i) The concept of short story. (ii) A thumbnail history of the short story in India and abroad (iii) Relationship between periodicals and the short story followed by the assessment of short stories published in 'The Weekly' during the seventies, (iv) Some observations on the ethos of translation of stories written in regional Indian languages to English and published in 'The Weekly' during the seventies. (v> The differences between the traditional Indo-Anglian short story and th» modern Indo-Anglian short story (vi) Evaluation of the Indo-Anglian short story <i) THE CONCEPT OF SHORT STORY The apparently simple genre of the short story poses various problems for a comprehensive definition. Literally^ it means a story that is relatively short in length. In reality, it takes various shapes and acquires different characteristics. Inspite of its protean nature, literary critics like H.E. Bates, Brander Matthews, Ellery Sedgewick, Flannery O.' Connor have attempted to explain it. Bates says, "I can make the axiom that the short story can be anything the author decides it shall be.
    [Show full text]
  • Stakeholders' Welfare and Arthashastra: Learning for Modern Business Management
    Stakeholders' Welfare and Arthashastra: Learning for Modern Business Management Rishi Manrai Symbiosis Centre for Information Technology, Symbiosis International University, Pune Utkarsh Goel Symbiosis Centre for Information Technology, Symbiosis International University, Pune Abstract The ancient scriptures of our civilization are sources of immense knowledge and Kautilya's Arthashastra is no exception. Teachings of Arthashastra which explains the politics and economics of governance was primarily written for the rulers and kings. Today's modern business can be compared to the ancient empires and the managers have to play a role similar to the kings. This study tries to highlight the learnings for modern business organization from the teachings of Arthashastra to ensure welfare of all stakeholders. The study specifically focuses on corporate governance, training and group dynamics, corporate social responsibility and value base management. The study further proposes a new SHASTRA model which models the teachings of Arthashastra and acts as a guideline for effective business management based on ancient wisdom. The proposed model if adopted by a business organization is expected to improve its performance without reducing its obligation towards the society. 1. Introduction culture of several South East Asian nations derive their management lessons from heritage emerging Deriving management principles and learning from Confucian philosophy. Indian management from ancient Indian texts specifically history, also, following the other parts of the world has a philosophy and culture are increasing (Kale and strong philosophical convention which is Shrivastava, 2003). However contemporary continuing to sustain the cross cultural research in the domain is generic and has not been philosophies in Indian organizations (Chatterjee, conducted in details which leave room or lot of 2007).
    [Show full text]