AQAR :2009-2010 1 Introduction Punjabi University Named After The
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Michael Fibiger 1945 - 2011
Esperiana Band 16: 7-38 Schwanfeld, 06. Dezember 2011 ISBN 978-3-938249-01-7 Michael FIBIGER 1945 - 2011 Our dear friend and colleague, Michael FIBIGER, died on 16 February, 2011, peacefully and in the presence of the closest members of his family. For close on 18 months he had battled heroically and with characteristic determination against a particularly unpleasant form of cancer, and continued with his writing and research until close to the end. Michael was born on 29 June, 1945, in Hellerup, a suburb of Copenhagen, and began catching moths at the age of nine, particularly in the vicinity of the summer house where they stayed on the north coast of Zealand. By the time he was 11, he wanted to join the Danish Lepidoptera Society but was told he was too young and must wait “a couple of years”. So, exactly two years later he applied again and was accepted – as the youngest-ever Member of the Society. Michael always knew he wanted to be a teacher, and between 1965 and 1970 he attended training college at Hel- lerup Seminarium. Having graduated, he taught Danish, Biology and Special Education at Gentofte School until 1973. In the meantime, he studied Clinical Psychology at the University of Copenhagen from 1970 to 1976, and from 1973 to 1981 he became School Psychologist for elementary schools and high schools in the municipality of Gentofte, work which involved investigation and testing of children with psychiatric problems, counselling, supervi- sion and therapy. He was also an instructor in drug prevention for the Ministry of Education. -
M.A. Dance Guru Nanak Dev University Amritsar
FACULTY OF VISUAL ARTS & PERFORMING ARTS SYLLABUS FOR M.A. DANCE (SEMESTER: I – IV) Session: 2014-15 GURU NANAK DEV UNIVERSITY AMRITSAR Note: (i) Copy rights are reserved. Nobody is allowed to print it in any form. Defaulters will be prosecuted. (ii) Subject to change in the syllabi at any time. Please visit the University website time to time. 1 M.A. DANCE (SEMESTER SYSTEM) SEMESTER – I: PAPER – I: HISTORICAL & THEORETICAL Time: 3 Hrs Max Marks: 100 ASPECTS OF INDIAN CLASSICAL DANCE (KATHAK) – I (THEORY) PAPER – II: PRACTICAL COMPOSITION & ESSAY–I Time: 3 Hrs Max Marks: 100 PAPER – III: PRACTICAL STAGE PERFORMANCE–I Time: 40 Minutes Max Marks: 100 PAPER – IV: PRACTICAL APPROACH OF KATHAK Time: 40 Minutes Max Marks:–100 TERMINOLOGY (VIVA–VOCE)–I 2 M.A. DANCE (SEMESTER – I) PAPER – I: HISTORICAL & THEORETICAL ASPECTS OF INDIAN CLASSICAL DANCE (KATHAK) (THEORY) – I Time: 3 Hrs Max Marks: 100 Note: 1. The Paper setter will set 8 questions. 2. The students will be required to attempt five questions. 3. While sending the syllabus to the paper setter in theory the syllabus prescribed for Practical paper should also be sent 4. All questions carry equal Marks. 1. Knowledge of basic technical terms:– Stuti Uthan, Thaat, Salami, Amad, Paran, Chakardar Paran, Farmaishi Paran, Pakshi Paran, Parmelu, Tehai. 2. Detailed study of Tandava and Lasya 3. Study of Abinaya Darpan Granth in the context of Dance. 4. Detailed study of Rasa and its relavance in dance. 5. Knowledge of Asanyukta and Sanyukta Hast Mudras with special reference to Abhinaye Darpan. 6. Contribution of Uday Shankar in the field of dance. -
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Wu et al. BMC Genomics (2017) 18:795 DOI 10.1186/s12864-017-4197-1 RESEARCHARTICLE Open Access Analysis of the genome of the New Zealand giant collembolan (Holacanthella duospinosa) sheds light on hexapod evolution Chen Wu1,2, Melissa D. Jordan3, Richard D. Newcomb2,3, Neil J. Gemmell4, Sarah Bank5, Karen Meusemann5,6, Peter K. Dearden7, Elizabeth J. Duncan8, Sefanie Grosser4,9,10, Kim Rutherford4, Paul P. Gardner11, Ross N. Crowhurst3, Bernd Steinwender2,3, Leah K. Tooman3, Mark I. Stevens12,13 and Thomas R. Buckley1,2* Abstract Background: The New Zealand collembolan genus Holacanthella contains the largest species of springtails (Collembola) in the world. Using Illumina technology we have sequenced and assembled a draft genome and transcriptome from Holacanthella duospinosa (Salmon). We have used this annotated assembly to investigate the genetic basis of a range of traits critical to the evolution of the Hexapoda, the phylogenetic position of H. duospinosa and potential horizontal gene transfer events. Results: Our genome assembly was ~375 Mbp in size with a scaffold N50 of ~230 Kbp and sequencing coverage of ~180×. DNA elements, LTRs and simple repeats and LINEs formed the largest components and SINEs were very rare. Phylogenomics (370,877 amino acids) placed H. duospinosa within the Neanuridae. We recovered orthologs of the conserved sex determination genes thought to play a role in sex determination. Analysis of CpG content suggested the absence of DNA methylation, and consistent with this we were unable to detect orthologs of the DNA methyltransferase enzymes. The small subunit rRNA gene contained a possible retrotransposon. The Hox gene complex was broken over two scaffolds. -
DIE SCHMETTERLINGE DES LANDES SALZBURG Systematisches Verzeichnis Mit Verbreitungsangaben Für Die Geologischen Zonen Des Landes (Insecta: Lepidoptera)
Gernot Embacher, Patrick Gros, Marion Kurz, Michael Kurz & Christof Zeller-Lukashort Die Schmnetterlinge des Landes Salzburg Mitt. Haus der Natur 19: 5 - 89 DIE SCHMETTERLINGE DES LANDES SALZBURG Systematisches Verzeichnis mit Verbreitungsangaben für die geologischen Zonen des Landes (Insecta: Lepidoptera) Gernot Embacher, Patrick Gros, Marion Kurz, Michael Kurz & Christof Zeller-Lukashort Gliederung Summary / Zusammenfassung .........................................................................................................................6 Einleitung .........................................................................................................................................................6 Material............................................................................................................................................................7 Hinweise zur Benutzung der Liste ....................................................................................................................7 Die geologischen Zonen des Landes Salzburg.................................................................................................8 Das Klima....................................................................................................................................................... 11 Die Vegetation................................................................................................................................................ 12 Schmetterlingsfamilien und Artenzahlen ....................................................................................................... -
Folk Dances of Haryana
IJMSS Vol.01 Issue-05, (September, 2013) ISSN: 2321–1784 RENAISSANCE CALL: FOLK DANCES OF HARYANA * Jatinder Sohi ** Preeti Sodhi ABSTRACT “Every Indian is a dancer” Uday Shankar (qtd. in Bala,Unpublished Thesis) Amongst the art, dance is the most primeval and classy and scarcely there is any civilization where the wakefulness of human movement as a vehicle of expression, ecstasy and grief is not evident. Perchance, before man begins to verbalize and to paint, he began to dance. Dancing, which is dependent on human habits and action is the most malleable and changeable. India has a very rich tradition of folk dances. Every region manifests different cultural feature. Haryana - the land of raaginis, saangs and swift folk dances, vividly depicts life in its variegated colour with joys and sorrow, ups and downs in melodious tunes and fascinating ways. But this folk art is dialing for renaissance umbrella as it has been replaced by dark and loud clouds named filmy and English songs and dances. The present paper has made an attempt to highlight folk dances of Haryana with its changes over the years. Further author(s) jotted down few efforts made by govt. and assemble youth’s insight regarding this folk dance of Haryana. Author(s) came up with handful of suggestions as to pick renaissance call dialed by this folk art. Key Words: Haryana’s Folk Dances, Changes, Role of govt. Youth perspective, Suggestions * HOD, Clothing & Textiles Deptt., Govt. Home Science College, Chandigarh ** Senior Instructor, Clothing & Textiles Deptt., Govt. Home Science College, Chandigarh L W a { { IJMSS Vol.01 Issue-05, (September, 2013) ISSN: 2321–1784 INTRODUCTION Work of art the symbols through which man communicates what lies beyond ordinary speech. -
The Role of Chemicals in the Location Host Plants by Midge Pests of UK
The Role of Chemicals in the Location of Host Plants by Midge Pests of UK Fruit Crops Helen Sarah Thomas A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the degree of Master of Philosophy February 2015 DECLARATION I certify that this work has not been accepted in substance for any degree, and is not currently submitted for any degree other than that of Master of Philosophy (M.Phil) of the University of Greenwich. I also declare that this work is the result of my own investigations except where otherwise stated. Name………………………………………………… (Student) Name………………………………………………….. (First Supervisor) Name……………………………………………………. (Second Supervisor) ii ABSTRACT Gall midges (Diptera: Cecidomyiidae) are important pests of many horticultural crops. They are difficult to control by conventional means as the larvae develop in galls surrounded by plant tissue. Gravid females need to locate suitable host plant material on which to lay their eggs and there is good evidence that host-produced odour cues are involved. Gall midge pheromones are now available commercially; these attract males to allow monitoring in the field. However there are currently no lures available to attract females. This work aims to develop lures, for up to three gall midge species, which attract gravid females and can be used to monitor females in the field. Three species of gall midges were investigated: the raspberry cane midge, Resseliella theobaldi (Barnes), the blackcurrant leaf midge, Dasineura tetensi (Rübsaamen), and the apple leaf midge, Dasineura mali (Kiefer). Field studies showed gravid raspberry cane midge females are attracted to split canes for oviposition. -
M.A. Dance Guru Nanak Dev University Amritsar
FACULTY OF VISUAL ARTS & PERFORMING ARTS SYLLABUS FOR M.A. DANCE (SEMESTER: I – IV) Session: 2019-20 GURU NANAK DEV UNIVERSITY AMRITSAR Note: (i) Copy rights are reserved. Nobody is allowed to print it in any form. Defaulters will be prosecuted. (ii) Subject to change in the syllabi at any time. Please visit the University website time to time. 1 M.A. DANCE (SEMESTER SYSTEM) SEMESTER – I: PAPER – I: HISTORICAL & THEORETICAL Time: 3 Hrs M.Marks: 100 ASPECTS OF INDIAN CLASSICAL DANCE (KATHAK) – I (THEORY) PAPER – II: PRACTICAL COMPOSITION & ESSAY–I Time: 3 Hrs M.Marks: 100 PAPER – III: PRACTICAL STAGE PERFORMANCE–I Time: 30 Minutes M.Marks: 100 PAPER – IV: PRACTICAL APPROACH OF KATHAK Time: 30 Minutes M.Marks:100 TERMINOLOGY (VIVA–VOCE)–I 2 M.A. DANCE (SEMESTER – I) PAPER – I: HISTORICAL & THEORETICAL ASPECTS OF INDIAN CLASSICAL DANCE (KATHAK) (THEORY) – I Time: 3 Hrs Max Marks: 100 Instructions for the Paper Setters:- Eight questions of equal marks (Specified in the syllabus) are to be set, two in each of the four Sections (A-D). Questions may be subdivided into parts (not exceeding four). Candidates are required to attempt five questions, selecting at least one question from each Section. The fifth question may be attempted from any Section. SECTION - A 1. Knowledge of basic technical terms:– Stuti Uthan, Thaat, Salami, Amad, Paran, Chakardar Paran, Farmaishi Paran, Pakshi Paran, Parmelu, Tehai. 2. Detailed study of Tandava and Lasya 3. Study of Abinaya Darpan Granth in the context of Dance. SECTION - B 4. Detailed study of Rasa and its relevance in dance. -
Tracking List
Tracked Taxa List: Current as of Invertebrates 2021-May-17 This list contains the tracked invertebrate animal taxa known by the Saskatchewan Conservation Data Centre (SKCDC) to occur within Saskatchewan, as of the date provided above. If you notice any errors or omissions, please contact [email protected]. For more information about how the SKCDC generates these lists and what determines when a species is tracked by the SKCDC, visit: http://biodiversity.sk.ca/lists.htm Conservation ranks/status are provided for each species. For details on each, refer to the following resources: ◦ Subnational (S), National (N) and Global (G) Ranks: www.biodiversity.sk.ca/ranking.htm ◦ Government of Saskatchewan Wild Species at Risk Regulations: https://publications.saskatchewan.ca/#/products/1609 ◦ COSEWIC: https://www.cosewic.ca/index.php ◦ SARA; Government of Canada Species at Risk public registry: https://www.canada.ca/en/environment-climate-change/services/species-risk-public-registry.html SYNONYMS: This list is being provided by the SKCDC as a tool to facilitate users in determining the current, accepted taxonomy. If a name is currently out of use in Saskatchewan, it’s current synonym is provided, indented in the line below the accepted name. In this row, we are unable to distinguish between true synonyms and misapplied names used as synonyms. For example, Cryptantha fendleri is an accepted name for a vascular plant that is currently found in Saskatchewan. This name, however, has also been misapplied to both Cryptantha kelseyana and Cryptantha minima in the past. Therefore, it appears as a synonym to those two species. -
KEANEKARAGAMAN SERANGGA PADA EKOSISTEM PERKEBUNAN KAKAO (Theobroma Cacao) DI DESA HAPESONG BARU, KECAMATAN BATANG TORU
KEANEKARAGAMAN SERANGGA PADA EKOSISTEM PERKEBUNAN KAKAO (Theobroma cacao) DI DESA HAPESONG BARU, KECAMATAN BATANG TORU SKRIPSI ANNISYA APRILLIA 160805079 PROGRAM STUDI BIOLOGI S1 FAKULTAS MATEMATIKA DAN ILMU PENGETAHUAN ALAM UNIVERSITAS SUMATERA UTARA MEDAN 2021 KEANEKARAGAMAN SERANGGA PADA EKOSISTEM PERKEBUNAN KAKAO (Theobroma cacao) DI DESA HAPESONG BARU, KECAMATAN BATANG TORU SKRIPSI Diajukan untuk melengkapi tugas dan memenuhi syarat mencapai gelar Sarjana Sains ANNISYA APRILLIA 160805079 PROGRAM STUDI BIOLOGI S1 FAKULTAS MATEMATIKA DAN ILMU PENGETAHUAN ALAM UNIVERSITAS SUMATERA UTARA MEDAN 2021 PERNYATAAN ORISINALITAS KEANEKARAGAMAN SERANGGA PADA EKOSISTEM PERKEBUNAN KAKAO (Theobroma cacao) DI DESA HAPESONG BARU, KECAMATAN BATANG TORU SKRIPSI Saya menyatakan bahwa skripsi ini adalah hasil karya sendiri, kecuali beberapa kutipan dan ringkasan yang masing-masing disebutkan sumbernya. Medan, Mei 2021 Annisya Aprillia 160805079 PENGESAHAN SKRIPSI Judul : Keanekaragaman Serangga Pada Ekosistem Perkebunan Kakao (Theobroma cacao) Di Desa Hapesong Baru, Kecamatan Batang Toru Kategori : Skripsi Nama : Annisya Aprillia Nomor Induk Mahasiswa : 160805079 Program Studi : Sarjana (S1) Biologi Fakultas : MIPA – Universitas Sumatera Utara Disetujui di Medan, Mei 2021 Ketua Program Studi Pembimbing Dr. Saleha Hannum, S.Si., M.Si. Drs. Nursal, M.Si. NIP. 197108312000122001 NIP. 196109031990031002 i iii KEANEKARAGAMAN SERANGGA PADA EKOSISTEM PERKEBUNAN KAKAO (Theobroma cacao) DI DESA HAPESONG BARU, KECAMATAN BATANG TORU ABSTRAK Penelitian keanekaragaman serangga pada ekosistem perkebunan kakao (Theobroma cacao) di Desa Hapesong Baru, Kecamatan Batang Toru telah dilakukan pada bulan Juni sampai dengan Juli 2020. Penelitian bertujuan untuk mengetahui keanekaragaman serangga pada ekosistem perkebunan kakao bardasarkan umur tanaman 15 tahun dan 20 tahun. Penentuan lokasi sampling dilakukan secara purposive random sampling dan pengambilan sampel serangga menggunakan metode jaring ayun dan metode pengamatan langsung. -
Fairs ,Festival and Folk Dance of Punjab GK-19
CULTURE OF PUNJAB Punjab : The Fairs & Festivals Maghi meal Muktsar Kila riapur sports Kila riapur Ludhiana Roshni fair Jagraon Ludhiana Jarag mela Payal Ludhiana Chhapar mela Ludhiana Baba sodal mela Jalandhar Harballabh Jalandhar classical music feat Hola mahalla Anandpur sahib Rauza sharif Sirhind Shahidi Jor mela Sirhind Patiala Heritage festival Started in 2003, the festival takes place in Patiala in the Qila Mubarak Complex, which lasts for ten days. The festival includes the Crafts Mela, Indian classical music (vocal and instrumental) and dance concerts. Kapurthala Heritage Festival The Baba Jassa Singh Ahluwalia Heritage Festival is held by the Kapurthala Heritage Trust, in collaboration with the Indian National Trust for Arts and Cultural Heritage and supported by the Government of Punjab. The festival takes place at Jagatjit Palace and centres on classical music, dance and theatre. Amritsar Heritage Festival The festival showcases bhangra, giddha, gatka troupes, horses and elephants. The cultural programmes include shabad kirtan, theatre, music and dance. FOLK DANCES OF PUNJAB The style of Punjabi dances ranges from very high energy to slow and reserved and there are specific styles for men and women. Some of the dances are secular while others are presented in religious contexts. The dances are typically performed at times of celebration, such as Harvest (Baisakhi), Weddings, Melas, like Lohri, Maghi etc., at which everyone is encouraged to dance. Bhangra Originally, Punjabi’s performed Bhangra to celebrate the success of the harvest. Now people perform Bhangra in wedding parties, receptions, birthdays, competitions and other happy occasions. In the villages, people circle with large drums called dhols. -
Dances of India.Pdf
VIVEKANANDA KENDRA PATRIKA DANCES OF INDIA DANCES OF INDIA CONTENTS 1. Acknowledgements 1 2. Editorial Dr.Padma Subrahmaniam 3 3. The Dance of Shiva Ananda K. Coomaraswamy 15 4. The Gift of Tradition K. S. Ramaswami Sastri 20 5. The Spiritual Background of Indian Dance Rukmini Devi 25 6. The Renaissance of Indian Dance and its Consequences Mohan Khokar 30 7. The Art of Dance Dr. C. P. Ramaswami Iyer 35 8. The Place of Language in Dance Prof. C. V. Chandrasekhar 40 9. Waiting in the Wing Usha Jha 47 10. The Ramayana in Indian Dance and Dance-Drama Mohan Khokar 54 11. The Art and The Artist K. S. Ramaswami Sastri 60 12. Kuchipudi Dance V. Patanjali 62 13. The Veedhi of Bhagavatam Andhra Dr. V. Raghavan 69 14. Bhagavata Mela - Dance-Drama S. Natarajan 72 15. Koodiyattom D. Appukuttan Nair 74 16. Origin and Development of Thullal P. K. Sivasankara Pillai 77 17. Kathakali-The Total Theatre M. K. K. Nayar 81 18. Mohiniaattam Dr. (Smt.) Kanak Rele 97 19. Bharatanatyam Smt.Chitra Visweswaran 102 VIVEKANANDA KENDRA PATRIKA DANCES OF INDIA 20. Dance can Play a Therapeutic Role Smt.Sudharani Raghupathy 105 21. Yakshagana Bayalata K. S. Upadhyaya 108 22. A Glimpse Into Odissi Dance Dr. Minati Mishra 115 23. Mayurabhanj Chhau Dr. (Mrs.) Kapila Vatsyayan 121 24. Kathak Dance as an Art -Form Dr. S. K. Saxena 132 25. Udayshankar Moni Bagchee 135 26. Temples as Patrons of Dance Dr. K. V. Raman 138 27. Therukkoothu-The Folk-Theatre of Tamilnad Smt. Shyamala Balakrishnan 140 28. -
Punjab Gk –10
subscribe our channel PUNJAB GK –10 CULTURE OF PUNJAB Fair and Festival of Punjab 1. Maghi Mela – Muktsar Rikab sahib, Tibbi sahib, Mukhwanjana sahib 2. Fair of Light – Jagraon, Ludhiana 3. Jarag Mela – Payal tehsil, Ludhiana 4. Kisan Mela – PAU, Ludhiana 5. Rural Olympic – Kila Raipur, Ludhiana 6. Chhapar Mela – Ludhiana 7. Mela Gadri Babian Da – Desh Bhagat Yadgaar Hall, Jalandhar 8. Baba Sodal Mela – Jalandhar 9. Harballabh Classical Music Fest – Devi Talab Temple, Jalandhar 10. Hola Mohalla – Shri Anandpur Sahib 11. Urs of Sheikh Ahmed, Rauza Sarif – Sirhind 12. Shaheedi Jor Mela – Sirhind 13. Shaikh Farid Fair – Faridkot 14. Vaisakhi Fair – Talwandi Sabo 15. haider sheikh at Malerkotla 16. Gugga naumi in bhadon FOLK DANCES OF PUNJAB FOLK DANCES OF FEMALES 1.Jaago Literally Jaago means wake up! When there is a marriage in the house, girls dance through the village streets carrying a pot (gaggar) decorated with lightened candles and sing Jaago songs. The themes of the songs are social and usually a bit of teasing, often aimed at elders, goes with the song. 2. Kikli Women perform this dance in pairs. They cross their arms, hold each other’s hand 3. Sammi Traditionally women of the Sandhalbar region, now in Pakistan, perform Sammi. The dancers dress in bright coloured kurtas and full flowing skirts called lehngas. A particular silver hair ornaments is associated with this dance. 4. Giddha Giddha is Punjabi’s most famous folk dance for women. In Giddha, the women enact verses called bolis, folk poetry and dance. The subject matter of these bolis include everything from arguments with the father-inlaw to political affairs.