Fawlty Towers: the Sitcom

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FAWLTY TOWERS: THE SITCOM Do you know the difference between a sitcom and a soap opera? What does sitcom stand for? Have you ever heard of any famous British sitcoms? FAWLTY TOWERS: THE SITCOM Fawlty Towers might be the best British sitcom ever. Produced by the BBC in the seventies, any other sitcom filmed afterwards is juged by Fawlty Towers. Although only two seasons (twelve episodes) were made, it’s considered to be John Cleese’s TV masterpiece. FAWLTY TOWERS: THE SITCOM Now, thirty years after Fawlty Towers was closed, this chaotic hotel is back in business. Watch an excerpt of one of its dearest episodes and find out why this sitcom was Britain’s most loved one. FAWLTY TOWERS: THE SITCOM Did you enjoy what you’ve just seen? What problems does it depict? What type of humour does it feature? What is Mr Fawlty’s lesson about? Was it successful for Manuel? Do you find it interesting for your language learning? FAWLTY TOWERS: THE SITCOM Now watch the latest news about Fawlty Towers and meet the characters thirty years after having closed BBC’s production. FAWLTY TOWERS: THE SITCOM Time to answer some questions about what you’ve just watched: What kind of names did the sitcom provide the cast with? According to John Cleese, how do they keep in touch? What are Manuel’s feelings about John Cleese? Where did the group pose? What did the group pose there for? How did John Cleese come up with the idea for this famous sitcom? What relationship did two members of the team hold thirty years ago? What awards did the sitcom get? Why did they decide not to make more episodes? How did all contribute to the making of the sitcom, according to Manuel? Who is the funniest? FAWLTY TOWERS: THE SITCOM Learn more: http://www.fawltysite.net/ http://en.wikipedia.org/wiki/Fawlty_Towers http://www.bbc.co.uk/comedy/fawltytowers/.

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CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Wednesday, February 8, 2006, 8 pm write for the BBC, then rejoined Cambridge Th ursday, February 9, 2006, 8 pm Circus in 1964, which toured New Zealand Zellerbach Hall and America. He remained in America after leaving Cambridge Circus, performing and doing a little journalism, and here met Terry John Cleese Gilliam, another future Python. Returning to England, Cleese appeared in a BBC radio series, I’m Sorry I’ll Read Th at Again, based on Cambridge Circus. It ran for several years and also starred future “Goodies” Tim Brooke-Taylor, Bill Oddie and Graeme Garden. He also appeared, briefl y, with Brooke-Taylor, Chapman and Marty Feld- man in At Last Th e 1948 Show (1967), for television, and a series of collaborations with some of the fi nest comedy-writing talent in England at the time, some of whom—Eric John Cleese was born on October 27, 1939, Idle, Gilliam, Terry Jones, Michael Palin and in Weston-Super-Mare, England. He was born Chapman—eventually joined him in Monty into a family of modest means, his father being Python. Th ese programs included Th e Frost an insurance salesman, but he was nonetheless Report (1966) and Feldman’s show, It’s Marty sent off to private schools to obtain a good (1968). Eventually, however, the writers were education. Here he was often tormented for themselves collected to be the talent for their his height, having reached six feet by the age own program, Monty Python’s Flying Circus of 12, and eventually discovered that being (1969), which was originally to be a vehicle humorous could defl ect aggressive behavior for Cleese but soon showed itself to be an in others.
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