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The Action of God's Love
Christ Episcopal Church, Valdosta “The Action of God’s Love” (2 Corinthians 4:14-5:1) June 6, 2021 Dave Johnson In the Name of the Father, Son, and Holy Spirit. The Apostle Paul’s Second Letter to the Corinthians is far and away his most vulnerable letter. He does not water down the realities of his suffering as an apostle of the gospel of our Lord Jesus Christ—as he writes: Five times I have received the forty lashes minus one. Three times I was beaten with rods. Once I received a stoning. Three times I was shipwrecked; for a night and a day I was adrift at sea; on frequent journeys, in danger from rivers, danger from bandits, danger from my own people, danger from Gentiles, danger in the city, danger in the wilderness, danger at sea, danger from false brothers and sisters; in toil and hardship, through many a sleepless night, hungry and thirsty, often without food, cold and naked. And besides other things, I am under daily pressure because of my anxiety for all the churches. Who is weal, and I am not weak? (2 Corinthians 11:24-29). Not only did Paul suffer all these things in his apostolic ministry, he also suffered in his personal life, especially with what he dubbed his “thorn in the flesh”: “Therefore, to keep me from being too elated, a thorn was given me in the flesh, a messenger of Satan to torment me, to keep me from being too elated.” Paul does not reveal what this specific “thorn in the flesh” was, though there are many theories about it, but he does reveal what he did about it: “Three times I appealed to the Lord about this, that it would leave me, but he said to me, ‘My grace is sufficient for you, for power is made perfect in weakness’” (2 Corinthians 12:7-9). -
Racecards Will Incur a £1 Cost for Owners
Local Officials & Prize Money Covid-19 Code of Conduct ATTENTION! In accordance with Government guidelines and in the interest of everyone’s safety please follow the instruction below: • All owners must check in with security on arrival. • Racecards will incur a £1 cost for owners. • Racecards will be behind Bar 4000. • Fab 5 vouchers and Groupon to be collected from Bar 4000. • All visitors must bring proof of payment to gain access. • All menus are wipeable to be Covid-19 secure. • Customers are encouraged to make contactless payments wherever possible, but cash and card transactions will still be accepted. • Tote betting is CASH ONLY. Bookies are sited in the Marque. • Please ensure all litter is put in the bins provided around site. • Please ensure all children are under your control and supervised at all times. • No dogs allowed. • Owners can watch their dogs run trackside. • Trainers that require food can order from the counter in our Bar4000 (so long as your name is on our list) and they will deliver to the table, no collection is permitted. • Restaurant bookings must be made online or by telephone to guarantee a table • There will be no requirements for guests to be socially distanced at tables during this stage. • Pre bookings are required for all visits and entry (this includes owners) – walk-ins will not be permitted in the Restaurant or VIP Boxes. • Walk-ins for the Bar4000/General Admission must pay by card. • Please do not come to the Racecourse if you feel or have Covid-19 symptoms, please stay at home. -
Das Genie, Das Ich Nicht Vermarkten Wollte
SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE SWR2 Tandem Das ungleiche Paar Paul Simon und Art Garfunkel werden 75 Von Christiane Rebmann Sendung: 04.11.2016 um 19.20 Uhr Redaktion: Bettina Stender Sprecher: Peter Binder Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Tandem können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de oder als Podcast nachhören: http://www1.swr.de/podcast/xml/swr2/tandem.xml Mitschnitte aller Sendungen der Redaktion SWR2 Tandem sind auf CD erhältlich beim SWR Mitschnittdienst in Baden-Baden zum Preis von 12,50 Euro. Bestellungen über Telefon: 07221/929-26030 Bestellungen per E-Mail: [email protected] Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de 2 O-Ton Das war eine großartige Periode. Die beste. Da waren wir auf der Überholspur. Auch musikalisch war das eine tolle Zeit, weil da eine Menge Energie in der Luft lag. Das war eine Zeit der Experimente. Und das Ganze folgte einer großen Ära des Rock'n'Roll. Die Quellen, aus denen wir Musiker damals schöpfen konnten, waren also sehr reichhaltig. In den folgenden Jahrzehnten konnten wir nie mehr auf so ergiebige Quellen zurückgreifen. Die Musik der 70er Jahre zum Beispiel war viel flacher und nicht annähernd so anregend wie die aus den 50er Jahren. -
Latest Open Race Details GBGB to Provide Grants for Vehicle Air Conditioning and Insulation
Vol 13 / No 9 7 May 2021 Fortnightly by Subscription calendar Latest Open Race Details GBGB to Provide Grants for Vehicle Air Conditioning and Insulation TOMMYS PLUTO (t1) on his way to victory in the Sprint Division 2 for trainer Claude Gardiner and owners Hovex Racing, scoring vital points for eventual winners Hove in the Photo: Steve Nash inaugural running of the RPGTV Entain Group Track Championship. FOR ALL THE LATEST NEWS - WWW.GBGB.ORG.UK Follow GBGB on Twitter @greyhoundboard @gbgbstaff and Instagram and Facebook CATEGORY ONE FINALS Date Distance/type Track Event Sun 09 May 480m Hurdle Central Park RPGTV Grand National Tue 18 May 500m Maidens Towcester KAB Maiden Derby Wed 19 May 480m Flat Newcastle Arena Racing Company Northern Flat Sat 22 May 900m Flat Monmore Green Ladbrokes TV Trophy Sat 29 May 659m Flat Yarmouth The George Ing St Leger Sat 26 Jun 714m Flat Crayford Ladbrokes Kent St Leger Sat 10 Jul 500m Flat Towcester Star Sports & TRC Events & Leisure English Greyhound Derby 2021 Sat 24 Jul 500m Puppies Towcester 5% Tote Juvenile Classic Sat 31 Jul 695m Flat Brighton & Hove Coral Regency Sat 31 Jul 515m Flat Brighton & Hove Coral Sussex Cup Sat 21 Aug 630m Flat Monmore Green Ladbrokes Summer Stayers Classic Sat 21 Aug 480m Flat Monmore Green Ladbrokes Gold Cup Sat 28 Aug 942m Flat Towcester 5% Tote Towcester Marathon Mon 30 Aug 500m Puppies Nottingham Arena Racing Company Puppy Classic Mon 30 Aug 500m Flat Nottingham Arena Racing Company Select Stakes Sat 11 Sep Tri-Distance Sheffield 3 Steps to Victory Thu 16 Sep 462m -
Creative Industries: Behind the Scenes Inequalities
Georgia State University ScholarWorks @ Georgia State University Sociology Theses Department of Sociology Fall 12-17-2019 CREATIVE INDUSTRIES: BEHIND THE SCENES INEQUALITIES Sierra C. Nicely Follow this and additional works at: https://scholarworks.gsu.edu/sociology_theses Recommended Citation Nicely, Sierra C., "CREATIVE INDUSTRIES: BEHIND THE SCENES INEQUALITIES." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/sociology_theses/86 This Thesis is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CREATIVE INDUSTRIES: BEHIND THE SCENES INEQUALITIES by SIERRA NICELY Under the Direction of Wendy Simonds, PhD ABSTRACT Film has been a major influence since its creation in the early 20th century. Women have always been involved in the creation of film as a cultural product. However, they have rarely been given positions of power in major film productions. Using qualitative approaches, I examine the different ways in which men and women directors approach creating film. I examine 20 films, half were directed by men and half by women. I selected the twenty films out of two movie genres: Action and Romantic Comedy. These genres were chosen because of their very gendered marketing. My focus was on the different ways in which gender was shown on screen and the differences in approach by men and women directors. The research showed differences in approach of gender but also different approaches in race and sexuality. Future studies should include more analysis on differences by race and sexuality. -
Forum Addresses Minority Concerns
CAMPUS SPORTS CAMPUS WSU curriculum tries Cougars tackle Cardinal Center offers rentals to pass the class I page 7 for Pac- 10 pride I page 13 for winter sports I page 8 November 2 1990 Establishedver1894 een Vol. 97 No. 55 Forum addresses minority concerns dants focused around recruitment minority student counselors Sneed said minorities are By Carrie Hartman mative Action employee, said and retention of minority faculty emphasized the need for WSU to found in job pools for counselors minorities are being recruited for Staff Writer members, teaching existing fac- adopt a stronger stance on the and similar positions, but not faculty positions at WSU. Lack of communication and ulty on cultural differences and minority relations issue. faculty. misinterpretation on both sides of racial sensitivity to minority stu- "There needs to be a bold step Bennie Harris, a WSU Affir- See FORUM on page 7 the racial coin is the main prob- dents, and encouraging minority taken by President Smith saying lem facing WSU students and students to attend WSU. that departments cannot hire fac- faculty, said Ron Thomas, "When we decide that a qual- ulty members unless there are Survey: discrimination found ASWSU Minority Affairs repre- ity higher education means that women and minorities in the sentative at a minority forum we must go beyond our own cul- applicant pool," said Stephen By Jennifer Jones The survey was conducted Thursday night. tural backgrounds and required Sneed, director of Minority Staff Writer for WSU President Sam About 45 concerned WSU stu- GURs to learn about other cul- Affairs. Smith's Commission on the dents, faculty representatives and tures who are not like us, then "Right now they're doing a Reverse, racial and sex dis- Status of Minorities and was members of various minority we'll start making a serious poor job at taking those kinds of crimination and stereotyping designed to paint an accurate groups met to discuss problems attempt at instilling programs," steps," he said. -
SALVADOR DA BAHIA, BRAZIL Onboard: 1800 Sunday, November 6
Arrive: 0800 Tuesday, November 1 SALVADOR DA BAHIA, BRAZIL Onboard: 1800 Sunday, November 6 Brief Overview: Salvador Da Bahia simply called ‘Bahia’ by locals, is an energetic and beautiful city. The bright and gold-laden architecture of this city demonstrates the grandeur of what was once the capital of Portugal’s New World colony. The Afro-Brazilian culture of the city is evident in much of the its traditions, specifically in its religious movements, music, dance, food, and martial arts, which have preserved the heritage of the West African peoples that were enslaved and brought to Brazil. Experience Bahian culture through a performance of the Bahia Folklore Dance Company or take part in a drumming workshop. Participate in the immense restoration projects sweeping the city, or meet with locals who took the revitalization of these communities under their wing. Don’t miss out in viewing Salvador’s vibrant coast. Whether visiting the sea turtle project at Praia do Forte or taking a cruise to Itaparica Island, the magnificent shoreline is something to be seen. Out of town: Rio de Janeiro is not called the Magnificent City for nothing. The juxtaposition of dense city and tropical rainforest leaves the imagination with endless inspirations. You can find yourself in the middle of a bustling city street one minute and the next hiking up to an astounding overlook through the Tijuca Atlantic Forest. If you’re into natural wonders, catch a flight to Iguaçu National Park and marvel at its 240 waterfalls. Visit the Amazon: Travel to Manaus, and embark on a riverboat expedition along the Amazon River. -
The Rhythm of the Saints By: Stewart Clegg Introduction Reflexivity Isn't What It Used to Be. Reflexivity, No Longer the Prese
The Rhythm of the Saints by: Stewart Clegg Introduction Reflexivity isn't what it used to be. Reflexivity, no longer the preserve of a largely formalist, formulaic and limited theoretical conversation, is, according to Lash and Urry (1994) a property of a system of flows. Created and recreated in these flows are spaces and signs, significations and semiotics, symbols and mobile subjects and objects moving through circuits of power framed by meaning, space and time. The critical variable in meaning is reflexivity: some subjects are able to be more acutely reflexive than others because of specific configurations of space and time which flow through them. Flows channel through institutional spaces characterized by different 'governance structures'. Institutional spaces are both regionally and organizationally elaborated through space and time by different constitutions of meaning-governance structures. Regionally, some are thickly fabricated by multifarious flows channelling through contiguous nodes, such as the capital cities of the postmodern world. Others are spaces from which flows retreat or remain absent in a vicious circle that empties out life chances thus contained: the ghettoes of the UK and the USA, the wastelands of Eastern Europe. Within the saturated spaces of rich flows governance is less by either market or hierarchies and more by either or both of these being embedded in networks. Many flows are risky as organization power circuits stretch and spill beyond the capacities for reflexive monitoring and management that they are inscribed within. At risk are embodied selves seeking to manage whatever circumstances they are in, circumstances of escalating existential uncertainty. Reflexivity, in thick circuits, defines these states increasingly in aesthetic terms, in both work, where design and symbolic manipulation overtake traditional labour processes, and in play, where subjects check in and out of different avenues for self expression. -
GBGB Impartiality Committee Appointments Latest Open Race Details
Vol 13 / No 5 12 March 2021 Fortnightly by Subscription GBGB Impartiality Committee Appointments Latest Open Race Details Monmore’s first Category One Finals of 2021 go to Kevin Hutton and Mark Gilbert’s Signet Ace (Ladbrokes Winter Derby, Trap 4, top) and Graham Rankin and Photos: Steve Nash Tony Armstrong’s Jaguar Macie (Ladbrokes Puppy Derby, Trap 4, bottom). FOR ALL THE LATEST NEWS - WWW.GBGB.ORG.UK Follow GBGB on Twitter @greyhoundboard @gbgbstaff and Instagram and Facebook CATEGORY ONE FINALS Date Distance/type Track Event Fri 19 Mar 400m Flat Romford Coral Golden Sprint Mon 22 Mar 500m British Nottingham BGBF Nottingham Breeders Stakes Wed 31 Mar 480m Puppies Newcastle Arena Racing Company Northern Puppy Derby Sun 04 Apr 480m Hurdle Central Park 2021 Cearnsport Springbok Tue 13 Apr 270m Flat Towcester TRC Health + Hygiene Northamptonshire Sprint Tue 20 Apr 500m Flat Towcester RPGTV Juvenile Thu 22 Apr 480m Flat Perry Barr Arena Racing Company Laurels Tue 18 May 500m Maidens Towcester KAB Maiden Derby Wed 19 May 480m Flat Newcastle Arena Racing Company Northern Flat Sat 22 May 900m Flat Monmore Green Ladbrokes TV Trophy Sat 29 May 659m Flat Yarmouth The George Ing St Leger Sat 26 Jun 714m Flat Crayford Ladbrokes Kent St Leger Sat 10 Jul 500m Flat Towcester English Derby Sat 24 Jul 500m Puppies Towcester 5% Tote Juvenile Classic Sat 31 Jul 695m Flat Brighton & Hove Coral Regency Sat 31 Jul 515m Flat Brighton & Hove Coral Sussex Cup Sat 21 Aug 630m Flat Monmore Green Ladbrokes Summer Stayers Classic Sat 21 Aug 480m Flat Monmore Green -
MLA Style for Academic Work (2018-2019) In-Text Citations
MLA Style for Academic Work (2018-2019) This guide is based on the MLA Handbook, 8th ed., Modern Language Association of America, 2016. The Purpose of Citing Sources 1) to give credit to (cite) other people’s ideas, creations, and information (sources) used within your academic work, and 2) to direct your readers to your sources through your Works Cited list at the end of your academic work. MLA Style The Modern Language Association of America (MLA) style is only one citation method. Details about this style are found in ● the MLA Handbook (8th ed.), available in the MRU Bookstore and at the MRU Library Service Desk, and ● the MLA Style Center at style.mla.org/ for information on formatting research papers and sample papers in MLA style. The guiding principles of the MLA Handbook (8th ed.) are [MLA 3-4] ● include common features (e.g., author, title) found in most sources in a citation, ● there is more than one correct way to create a citation for a source, and [MLA xii] ● citations should be useful for readers by providing enough information to locate the source. Avoiding Plagiarism: Citation Principles for Academic Work Within essays, term papers, and any other written assignments (as in all academic work), you must identify (i.e., reference, document, cite) all quotations, paraphrases, ideas, and images from someone else’s work. You must name the original author or source and surround quoted material with quotation marks or set it in a block format as described in this guide. Copying any material and submitting it as your own (plagiarism) is an academic offence. -
The Films in This Cinematic Innovation, New Frontier Is Also a Venue Showcasing Section Will Shape a “Greater” Next Wave in American Cinema
T U , E C N A D N U S , T R O S E R N I A T N U O M E C N A D N U S F O Y S E T R U O C SUNDANCE INSTITUTE PRESENTS THE SUNDANCE FILM FESTIVAL ABOUT SUNDANCE INSTITUTE ABOUT SUNDANCE FILM FESTIVAL Sundance Institute is a nonprofit cultural organization Each January, the Sundance Film Festival attracts the most founded by Robert Redford to advance the work of risk-taking innovative storytellers and adventurous audiences to a 10-day storytellers worldwide. With a range of programs for artists celebration of the best independent filmmaking today. In a and audiences, the Institute provides year-round creative and small mountain town, a diverse range of ideas, stories, artists, financial support for the development and presentation of and film lovers converge to launch the year in culture. original stories for the screen and stage. W ELCOME ST RA NGER N Sundance Institute Presents E E R G R E 2014 Sundance Film Festival EV Here is an overview of the program at this year’s Sundance Film Festival. HA LF NE LSON U .S. DRAMATIC COMPETITION D OCUMENTARY PREMIERES FROM THE COLLECTION SUNDANCE KIDS Presenting the world premieres of 16 narrative feature films, Renowned filmmakers and films about far-reaching subjects Rediscover classic works of independent cinema as the This new section of the Festival is designed for independent the Dramatic Competition offers Festivalgoers a first look at comprise this section highlighting our ongoing commitment to Sundance Film Festival presents films from the vaults of the film’s youngest fans. -
Think Pieces: Interdisciplinarity in Practice Elcome to This First Edition of IAS Think Piec- Gloria Fuertes Es
wer Think LiesSpring 2019 pieces the UCL IAS review ISSN: 2632-1785 (print) ISSN: 2632-1793 (online) Gloria Fuertes: Hemos de Procurar no Mentir / Pamela Carmell: We Must Try Not To Lie / Marcel Theroux and Rye Dag Holmboe: The Secret Books: Lies, forgery and antisemitism in the nineteenth century / Joe Stadolnik: Equivocation, Then and Now / Ashraf Jamal: Black in Five Minutes / Julie Orlemanski: Why Ask ‘What Was Fiction?’ / Steve Fuller: Bacon’s Truth: How the path of modernity was paved by lying / Anastasia Denisova: The Politics of Social Media in Russia Spring 2019 Editor-in-Chief Foreword Think Pieces: Interdisciplinarity in Practice elcome to this first edition of IAS Think Piec- Gloria Fuertes es. I am delighted as Editor-in-Chief to intro- Editor in-Chief Next Issues W Hemos de Procurar No Mentir Tamar Garb 02 #Laughter duce the initial publication in our twice-yearly review 03 #Turbulence series. Each issue is devoted to one of our two annu- Academic Editors al IAS research themes; we begin with the intriguing Hemos de procurar no mentir mucho. Geraldine Brodie ISSN 2632-1785 (print) Jane Gilbert ISSN 2632-1793 (online) notion of Lies, which we explored in multiple ways Sé que a veces mentimos para no hacer un muerto, over the period of one year. The contributions that Editorial Manager @UCL_IAS para no hacer un hijo o evitar una guerra. follow represent diverse ways of thinking with the & Graphic Design Instagram: ucl.ias De pequeña mentía con mentiras de azúcar, Albert Brenchat theme, drawing on literary, art historical, political, decía a las amigas: –Tengo cuarto de baño– Printing historiographical, and philosophical perspectives.