Handbook of Procedures (Vol. I)
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The Oriental Insurance Company Limited Head Office, New Delhi
Request for Proposal for Supply and Installation of Laser Jet Printers The Oriental Insurance Company Limited Head Office, New Delhi Request for Proposal For Supply & Installation of Laser Jet Printers (Tender Ref No: OICL/HO/ITD/LJP/2019/02 Dated 15.03.2019) Information Technology Department The Oriental Insurance Company Limited 2nd Floor, Oriental House A-25/27, Asaf Ali Road, New Delhi – 110002 CIN-U66010DL1947GOI007158 www.orientalinsurance.org.in Request for Proposal for Supply and Installation of Laser Jet Printers This page is Intentionally Left blank Tender Ref No: OICL/HO/ITD/LJP/2019/02 Page 2 of 111 Request for Proposal for Supply and Installation of Laser Jet Printers Non-Refundable Tender Fee Non-Transferable Receipt To be filled by OICL Official Tender Ref. No. OICL/HO/ITD/LJP/2019/02 Dated 15.03.2019 Date of Issue Tender Issued to Bidder Draft No. Date Draft Amount Bank Name Name of OICL Official Designation of OICL Official Signature OICL Official Bidder’s Representative with Contact No. and Date Tender Ref No: OICL/HO/ITD/LJP/2019/02 Page 3 of 111 Request for Proposal for Supply and Installation of Laser Jet Printers This page is Intentionally Left blank Tender Ref No: OICL/HO/ITD/LJP/2019/02 Page 4 of 111 Request for Proposal for Supply and Installation of Laser Jet Printers Non-Refundable Tender Fee Non-Transferable Receipt To be filled by OICL Official Tender Ref. No. OICL/HO/ITD/LJP/2019/02 Dated 15.03.2019 Date of Issue Tender Issued to Bidder Draft No. Date Draft Amount Bank Name Name of OICL Official Designation of OICL Official Signature OICL Official Bidder’s Representative with Contact No. -
Interpreting in the Zone
3 The Interpreter in the Zone (and Other Zones) Interpreting requires a high degree of concentration and engagement in the moment, and the results of the two studies indicate that this type of intense attention can lead to an in-the-zone experience. As introduced in Chapter 1, being “in the zone” is an exhilarating experience in which people are completely absorbed in what they are doing and are perform- ing at their best. Their skills and judgment rise to the challenges before them, and they experience a state of euphoria. Being in the Zone Professionals, artists, performers, athletes, and others report having in- the-zone (flow) experiences. Csikszentmihalyi1 clarifies what allows for this type of experience to occur by explaining, The optimal state of inner experience . [is one] in which there is order to consciousness. This happens when psychic energy—or attention—is invested in realistic goals, and when skills match the opportunities for action. The pursuit of a goal brings order in awareness because a person must concen- trate attention on the task at hand and momentarily forget everything else. These periods of struggling to overcome challenges are what people find to be the most enjoyable times of their lives.2 In-the-zone experiences are characterized by intense attention and the suc- cessful application of skills, expertise, and decision-making, which allow one to overcome challenges and to feel good about that accomplishment. Csikszentmihalyi explains that there are three primary characteristics of flow: the complexity of the experience, the pleasure of the experience, and its contribution to one’s ability to grow and develop. -
14/2010/L1 SUBJECT NO. 119 Sub : STATUS OF
RC.No: 14/2010/L1 SUBJECT NO. 119 Sub : STATUS OF DEVELOPMENT PLAN TRANSPOSRT CORRIDOR FOR VUDA AREAS- Reg. *** AGENDA NOTE : It is submitted that the Govt vide GO.Ms.No: 616 MA, dt: 16.10.2009 has constituted unified metropolitan transport committee (UMTC) under the Chairmanship of Principal Secretary to Govt MA&UD Dept for effective implementation and coordination of the various traffic and transportation measures. As soon as the Govt has issued above GO, the Commissioner, GVMC Commissioners of Municipalities in VMR and the officials of other departments like Railways, DT & CP, RTC, R&B etc., are addressed vide this office letter dt: 29.01.2010 and requested to furnish the relevant issues pertaining to traffic and transportation initiating if any in their respective areas so as to enable to prepare comprehensive proposal to place the same before the committee. Further the Principal Secretary to Govt MA&UD Dept vide this office letter dt: 8.01.2012 was also requested to address the Ministry of Urban Development, Govt of India to accord sanction for comprehensive traffic and transportation study for VMR on which the Principal Secretary to Govt, MA & UD, vide letter dt: 6.02.2012 is pleased to address the Secretary, Ministry of Urban Development Govt of India to accord sanction for comprehensive traffic and transportation study for VMR under the National urban Transport policy and also grant financial assistance. Also submitted that a meeting was conducted by VUDA on Unified Metropolitan Traffic and Transportation with the Dist Collector, Visakhapatnam, Commissioner of Police, Visakhapatnam city, Superintendent of Police, Visakhapatnam (Rural) GVMC officials etc., and a PowerPoint presentation was also given on the traffic and transportation issues on 25.6.2013. -
United States District Court for the Western District of Pennsylvania
Case 2:08-cv-01327-GLL Document 8 Filed 11/26/08 Page 1 of 3 UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF PENNSYLVANIA ZOMBA RECORDING LLC, a Delaware limited liabiHty company; ELECTRONICALLY FILED BMG MUSIC, a New York general partnership; INTERSCOPE RECORDS, a Califorma general partnership; UMG CIVIL AcrION NO. 2:08-cv-01327-GLL RECORDINGS, INC., a Delaware corporation; and WARNER BROS. RECORDS INC., a Delaware corporation, Plaintiffs, vs. ClARA MICHELE SAURO, Defendant. DEFAULT .JUDGMENT AND PERMANENT IN,JUNCTION Based upon Plaintiffs' Motion For Default Judgment By The Court, and good cause appearing therefore, it is hereby Ordered and Adjudged that: 1. Plaintiffs seek the minimum statutory damages of $750 per infringed work, as authorized under the Copyright Act (17 U.S.c. § 504(c)(1», for each of the ten sound recordings listed in Exhibit A to the Complaint. Accordingly, having been adjudged to be in default, Defendant shall pay damages to Plaintiffs for infringement of Plaintiffs' copyrights in the sound recordings listed in Exhibit A to the Complaint, in the total principal sum of Seven Thousand Five Hundred Dollars ($7,500.00). 2. Defendant shall further pay Plaintiffs' costs of suit herein in the amount of Four Hundred Twenty Dollars ($420.00). Case 2:08-cv-01327-GLL Document 8 Filed 11/26/08 Page 2 of 3 3. Defendant shall be and hereby is enjoined from directly or indirectly infringing Plaintiffs' rights under federal or state law in the following copyrighted sound recordings: • "Cry Me a River," on album "Justified," -
Getting in the Zone, Part 1: Flow and Finding a State of Peak Performance
MINDFUL VOICE Lynn Helding, Associate Editor Getting in the Zone, Part 1: Flow and Finding a State of Peak Performance Sean McCarther eople call it different names: in the zone, in the groove, on fire, in the moment, present, unified, tuned in, a high, a rush. All these terms describe a similar sensation. One of my first experiences of being “in the zone” was at the finals for a NATS competition Pduring my senior year of undergraduate studies. I was singing Papageno’s suicide aria from Die Zauberflöte, and, near the beginning of the aria, made a reaching gesture with my right hand. I remember watching my hand and arm shake violently and a sense of terror crept over me. In that moment, a Sean McCarther very simple thought came to me: “No.” My hand stopped shaking, my mind focused on the moment at hand, and I experienced a fascinating connection with the world around me. It was as if I could feel the audience, my pianist, and the music as never before. Time slowed down and I felt a unification of body, mind, and voice. It was as if I could do no wrong. And, in the blink of an eye, the aria was over. It was some of the most fun I had ever had performing. “This,” I said to myself. “I want more of this.” I later learned that what I had experienced is what Hungarian-born psychologist Mihaly Csikszentmihalyi calls “flow.” MIHALY CSIKSZENTMIHALYI AND THE CONCEPT OF FLOW For the first decade or so of his career Csikszentmihalyi’s primary focus was on the study of creativity. -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
Dissociative Phenomena in the Everyday Lives of Trauma Survivors
DISSOCIATIVE PHENOMENA IN THE EVERYDAY LIVES OF TRAUMA SURVIVORS Janina Fisher, Ph.D. Private Practice, Watertown, Mass. Instructor and Supervisor, The Trauma Center, Boston, Massachusetts Paper presented at the Boston University Medical School Psychological Trauma Conference, May 2001 Interest in dissociation, as a mental ability and as a set of symptoms secondary to trauma, has re-vitalized in the past ten years following a one hundred year hiatus between the work of Janet and the work of the pioneers in the field of trauma in the 1980s and 90s (van der Kolk, 1997; Putnam, 1999; Chu, 1998). Although we have a better understanding of dissociation now than we did ten years ago, it is still a very controversial subject in the field of mental health because it is so routinely equated with Dissociative Identity Disorder. As a result, even experienced clinicians miss the frequent more subtle presentations that appear in our offices on a daily basis. If we look instead to understand dissociation as we would any other mental state phenomenon, we will begin to see that all human beings dissociate, and much of our dissociativeness is adaptive. Formally, the term “dissociation” refers to “a disruption of the normal integration of experience” (Chu, 1998). In DSM-IV, it is defined in terms of its role as the essential feature in the dissociative disorders as a “disruption the usually integrated functions of consciousness, memory, identity, or perception of the environment” (American Psychiatric Association, 1994, p. 477). This disruption of “normal integration” has many adaptive, as well as pathological, consequences. Thus, another way of understanding dissociation is to look at the adaptive functions it serves. -
Capturing That Solid-Gold Nugget
Chapter 1 Capturing That Solid-Gold Nugget In This Chapter ▶ Gathering song ideas from anywhere ▶ Organizing and tracking your thoughts and inspirations ▶ Documenting your ideas his book is for everyone who shares the dream of harnessing the song- Twriting power we all have within. You’ve come to the right place if your heart keeps telling you to write a song, but your mind is uncertain as to the process of the craft or what’s required to create a really good song. You bought the right book if you’re wondering how to collect and organize your ideas. You have found the right resource if you have pieces of songs lying in notebooks and on countless cassettes but can’t seem to put the pieces together. This book is for you if you have racks of finished song demos but don’t know what to do next to get them heard. When you know the elements that make up a great song and how the pros go about writing one, you can get on the right path to creating one of your own. Unless you’re lucky enough to have fully finished songs come to you in your deepest dreams, or to somehow take dictation from the ghosts of Tin Pan Alley (the publishing area located in New York City in the 1930s and 1940s), most of us need to summon the forces, sources, reasons, and seasons that give us the necessary motivation to draw a song from our heart of hearts. Given that initial spark, you then need the best means of gathering those ideas, organizing them, putting them into form, and documenting them as they roll COPYRIGHTEDin — before it’s too late and they MATERIAL roll right out again! Have you ever noticed how you can remember a powerful dream just after you’ve awakened only for it to vanish into thin air in the light of day? Song ideas can be just as illusive. -
Queer Identities and Glee
IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr. -
Held on 22.01.2019 at 11.00 A.M. at Conference Hall, 3 Floor
100th UAC Meeting (21.12.2018) VISAKHAPATNAM TABLE AGENDA FOR 101th UNIT APPROVAL COMMITTEEs MEETING FOR THE SEZs LOCATED IN VSEZ & OTHER PRIVATE SEZs OF ANDHRA PRADESH REGION TO BE HELD ON 22.01.2019 AT 11.00 A.M. AT CONFERENCE HALL, 3RD FLOOR, VUDA, UDYOG BHAWAN COMPLEX, SIRIPURAM, VISAKHAPATNAM. Sl. TABLE AGENDA/SUPPLIMENTARY AGENDA Page No No. 1 Table Agenda Item No. 01: Request of M/s. Quantum Clothing India Pvt. Ltd., 2 unit in M/s. Brandix India Apparel City Pvt. Ltd. SEZ for inclusion of manufacturing and trading activity under broad-banding in LOA. 2 Table Agenda Item No. 02 : Request of M/s. Aurobindo Pharma Limited, unit in 2-3 APIIC, Multiproduct SEZ for inclusion of additional product under broad-banding in LOA. 3 Table Agenda Item No. 03: Request of M/s. Honour Lab Limited, unit in M/s 3-4 Hetero Infrastructure Ltd, SEZ for inclusion of additional product under broad- banding in LOA 4 Table Agenda Item No. 04 : Request of M/s. GVK Biosciences Pvt. Ltd., unit in 4-5 M/s Ramky Pharma City SEZ, Parawada, Visakhapatnam for inclusion of additional product under broad-banding in LOA. 5 Table Agenda Item No. 05 : Request of Dr. Reddy Laboratories Ltd, Formulations 5-6 Tech Ops-IX for Inclusion of QC/QA related services as part of the LoA for extending to all without restriction –request for broad banding of LoA to include services 6 Table Agenda Item No. 06 : Request of M/s. Rashmita Information Systems Pvt. 6 Ltd LoA No.9/SEZ/301/VSEZ/2015 dt.9.09.2012 – Request for Extension of the validity of LoA 7 Table Agenda Item No. -
Post-Gst Afd Dealer Contact Details Please Contact Nearest Depot for Post-Gst 4/2 Wheeler Prices
POST-GST AFD DEALER CONTACT DETAILS PLEASE CONTACT NEAREST DEPOT FOR POST-GST 4/2 WHEELER PRICES S.NO. LOCATION NAME OF PRINCIPLE COMPANY NAME OF DEALER ADDRESS CONTACT DETAILS M/S HONDA MOTORCYCLE & 9357440003 0163-4221101, 1 ABOHAR M/S MODERN MOTORS B-V-1148, THANA ROAD, ABOHAR-152116 SCOOTER INDIA (P) LTD 4500943 HANUMANGARH ROAD ,NEAR BAJAJI 2 ABOHAR M/S HYUNDAI MOTORS INDIA LTD M/S AMAN AUTO ZONE 9855267900 DHAM, ABOHAR-152116 10-59 1 PLOT NO 2 & 3, RAMNAGAR 3 ADILABAD M/S ROYAL ENFIELD MOTORS LTD M/S ASHWIK MOTORS KHOJA COLONY, DASNAPUR, MAVALA 8297388779 ADILABAD, TELANGANA- 504002. YAMUNA COMPLEX, M.C. ROAD, ADOOR - 4 ADOOR M/S ROYAL ENFIELD MOTORS LTD M/S YAMUNA AGENCIES 9562144401 691 523, KERALA NUTAN NAGAR, AGARTALA AIRPORT 5 AGARTALA M/S ROYAL ENFIELD MOTORS LTD M/S XED MOTORCYCLES 8415951975 ROAD, AGARTALA, TRIPURA - 799009 PLOT NO F6, PHASE - 2, TRANS YAMUNA M/S HONDA MOTORCYCLE & 6 AGRA M/S MANGAL MOTORS PRIVATE LIMITED COLONY, AGRA -282006 DIST. AGRA , 9760800111 SCOOTER INDIA (P) LTD UTTAR PRADESH M/S HONDA MOTORCYCLE & 7 AGRA M/S SHAMBHAVI AUTOMOTIVE ENGINEERS 4/142 BALUGANJ AGRA-282001 8057400022 SCOOTER INDIA (P) LTD KHASRA NO 633, NH 2- NEAR GURAU KA 8 AGRA M/S TATA MOTORS LIMITED M/S AGRA ROYALS 9760023456 TAAL, AGRA-282007 NEAR TULSI CINEMABYPASS ROAD 9 AGRA M/S.FORD INDIA PVT.LTD M/S MALWA VEHICLES PVT LTD 0562-4055450 AGRAUTTAR PRADESH282002 SHOP NO. 9, SWAPNEEL-5, COMMERCE M/S HONDA MOTORCYCLE & 10 AHMEDABAD M/S KARNAVATI BIKES PVT LTD SIX ROADS, NAVRANGPURA,AHMEDABAD- 9825079781 SCOOTER INDIA (P) LTD 380009 B/1-2-3 TIRTH JYOTI PLAZA, OPPOSITE M/S HONDA MOTORCYCLE & 11 AHMEDABAD M/S SARABHAI PROWHEELS RTO OFFICE, SUBHASAH BRIDGE, 9081800233 SCOOTER INDIA (P) LTD AHEMADABAD - 380027 G 22 SATYMEV COMPLEX,OPP NEW 12 AHMEDABAD M/S MAHINDRA & MAHINDRA LTD M/S KAVERI MOTORS GUJARAT HIGH COURT,S.G ROAD 9428503750 SOLA,AHMEDABAD-380060 G-4, ADITYA OPPULANCE, NR. -
Thesis Writing Deliverables (Pdf)
DEFENSE SPEECH Discovering and listening to music has always been my biggest passion in life and my primary way of coping with my emotions. I think its main appeal to me since childhood has been the comfort it brings in knowing that at some point in time, another human felt the same thing as me and was able to survive and express it by making something beautiful. For my project, I recorded a 9 track album called Strange Machines while I was on leave of absence last year. This term, I created a 20 minute extended music video to accompany it. All of this lives on a page I coded on my personal website with some fun bonus content that I’ll scroll through at the end of this presentation. I’ll put the link in the comments so anyone who’s interested can check it out at their own pace. I have so much fun making music and feel proud when I have a cohesive finished product at the end. I’m not interested in becoming a virtuoso musician or a professional producer. A lot of trained musicians gatekeep, intimidate, and discourage amateurs. People mystify and mythologize the creative process as if it’s the product of some elusive, innate genius rather than practice, experimentation, and a simple love of music. As someone who’s work exists entirely as digital recordings, there’s no inherent reason for me to be an amazing guitar player who can play a song perfectly all the way through, as mistakes can be easily cut out and re-recorded.