Chapter 7, Verses 13 to 16,Taitreya Upanishad, Class 36,Baghawat Geeta, Class
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South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Om: One God Universal a Garland of Holy Offerings * * * * * * * * Viveka Leads to Ānanda
Om: One God Universal A Garland of Holy Offerings * * * * * * * * Viveka Leads To Ānanda VIVEKNANDA KENDRA PATRIKĀ Vol. 22 No. 2: AUGUST 1993 Represented By Murari and Sarla Nagar Truth is One God is Truth . God is One Om Shanti Mandiram Columbia MO 2001 The treasure was lost. We have regained it. This publication is not fully satisfactory. There is a tremendous scope for its improvement. Then why to publish it? The alternative was to let it get recycled. There is a popular saying in American academic circles: Publish or Perish. The only justification we have is to preserve the valuable contents for posterity. Yet it is one hundred times better than its original. We have devoted a great deal of our time, money, and energy to improve it. The entire work was recomposed on computer. Figures [pictures] were scanned and inserted. Diacritical marks were provided as far as possible. References to citations were given in certain cases. But when a vessel is already too dirty it is very difficult to clean it even in a dozen attempts. The original was an assemblage of scattered articles written by specialists in their own field. Some were extracted from publications already published. It was issued as a special number of a journal. It needed a competent editor. Even that too was not adequate unless the editor possessed sufficient knowledge of and full competence in all the subject areas covered. One way to make it correct and complete was to prepare a kind of draft and circulate it among all the writers, or among those who could critically examine a particular paper in their respective field. -
Downloadable
1894 1900 1910 1925 1930 1930 1933 1938 1939 1938 1953 2000 2006 2016 1968 Table of Contents Page EDITORIAL 3 SWAMI VIVEKANANDA AND THE PARLIAMENT OF RELIGIONS 4 SWAMI VARADANANDA THE ROYAL ROAD: THE IMPACT OF SWAMI VIVEKANANDA IN PRESENT DAY AMERICA 9 SWAMI PRASANNATMANANDA ARISE, AWAKE AND STOP NOT 13 THE BIRTH OF VEDANTA IN AMERICA 14 SWAMI ISHATMANANDA INTRODUCTION TO THE COVER PAGE 16 ADVERTISEMENTS 17 Editor: Swami Ishatmananda Vivekananda Vedanta Society of Chicago 14630 Lemont Road, Homer Glen. 60491 email: [email protected] chicagovedanta.org ©Copyright: Swami-in-Charge Vivekananda Vedanta Society of Chicago NO 19. 2018 Chicago Calling 2 E d i t o r i a l SHABDA BRAHMA did 7000 people spring to their feet and break into prolonged applause !! On the morning of Sept 11, 1893, the World’s The only answer to this question can be that Parliament of Religions opened in the great Hall the great Yogi, Swami Vivekananda, through of Columbus at the Art Institute on Michigan those Five English Words of address, applied Avenue in Chicago, U.S.A. During the first day’s Shabda-Brahma. afternoon session, after four other delegates had In Hinduism Shabda-Brahma or "Brahma as read their prepared speeches, Swami sound" is very important. It is pronounced A-U- Vivekananda, a Hindu Monk representing India, M or OM. Shabda-Brahma is also known as stood up, and his big bright eyes, crimson robe, Pranava. It is the universally accepted symbol of and yellow turban drew the attention of the Hinduism. audience. Silently they waited to listen to him. -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English ISSN: 0976-8165
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com www.the-criterion.com The Criterion: An International Journal In English ISSN: 0976-8165 Yeats’ Concept of Indian God: Amalgamation of Hindu and Christian Religious Notions in W.B. Yeats’ Indian upon God Suchismita Sarkar Assistant Professor Dept. of English Dinabandhu Mahavidyalaya West Bengal, India Abstract: W.B. Yeats’s one of the most critically acclaimed poems, Indian upon God, bears testimony to the fact that he was immensely influenced by Hindu religious notions and Indian philosophy. Though there are a number of poems in Indian context written by him, which reveal Yeats’s obsession with Indian culture and philosophy, but Indian upon God is possibly the only poem contemplating on the concept of God according to Hindu Philosophy. Yeats’s interest in Indian philosophy resulted from his interaction with the Indian scholar and preacher, Mohini Chatterji. His affinity for Indian culture and philosophy is evident in the aforementioned poem where he expresses his notion of Indian God .Despite all his endeavours to encapsulate the essence of Hindu religion Yeats often struggles to establish his ideas because his concept seems to be imbued with his own religious notions of Christianity. Therefore the Indian’s God delineated by him in this poem emerges as a religious amalgamation, or a God out of the mixture of Hindu and Christian religion. -
Science of Sound in Hinduism
Science of Sound in Hinduism Dr. M.G. Prasad Professor Emeritus Department of Mechanical Engineering Stevens Institute of Technology ------------------------------------------------------------------------ Srijan Talks August 17, 2019 On Sound “ We say that we hear a sound, which means that somewhere or other an air quiver has been started and has reached our ears. As the life and processes of the world go on the actions which take place are accompanied by these tremors, and we live in this world of sound.” Sir William Bragg 2 Ubiquity of Acoustics Lord Shiva with Lord Krishna “DRUM” with “CONCH- SHELL” “ROSARY” as Speech Alphabet Sounds Goddess Saraswathi with “VEENA” Lord Krishna with “FLUTE” 4 Vedic Literature as an Inverted Tree Param Brahman Shabda Brahman वे मण वेदतये शदमं परं च यत ् शदमण नणातः परमाधगछत There are two manifestations of Brahman to be realized: Shabda (Transcendental Sound) and Param Brahman (Light). One who has realized and is well versed in Shabda Brahman will realize Param Brahman . Amrita Bindu Upanishat ॐ इत म ॐ इतीदगम ् सव तय वाचकः णवः I तय ईवरय णवो नामेयथः (योगवातक) Om is Brahman and Om is everything Om (Pranava) is Shabda Brahman OM is a Spiritual Symbol • OM is name (sound) and form of God. Om is Brahman • OM has five parts including the union of sounds of A, U and M (A+U+M + Halfmoon + Bindu) • OM chanting is also practiced in Buddhism, Jainism, and Sikhism • OM is very important in Sanatana Dharma (Hinduism). It is recited along with prayers, Vedic chants, rituals, spiritual and philosophical gatherings • OM is heard by a baby in the womb in the eighth month. -
Amritabindu Upanishad
|| AqÉ×iÉÌoÉlSÒ || AMRITABINDU UPANISHAD A Drop of Immortality “THE SANDEEPANY EXPERIENCE” Reflections by TEXT SWAMI GURUBHAKTANANDA 30 Sandeepany’s Vedanta Course List of All the Course Texts in Chronological Sequence: Text TITLE OF TEXT Text TITLE OF TEXT No. No. 1 Sadhana Panchakam 24 Hanuman Chalisa 2 Tattwa Bodha 25 Vakya Vritti 3 Atma Bodha 26 Advaita Makaranda 4 Bhaja Govindam 27 Kaivalya Upanishad 5 Manisha Panchakam 28 Bhagavad Geeta (Discourse -- ) 6 Forgive Me 29 Mundaka Upanishad 7 Upadesha Sara 30 Amritabindu Upanishad 8 Prashna Upanishad 31 Mukunda Mala (Bhakti Text) 9 Dhanyashtakam 32 Tapovan Shatkam 10 Bodha Sara 33 The Mahavakyas, Panchadasi 5 11 Viveka Choodamani 34 Aitareya Upanishad 12 Jnana Sara 35 Narada Bhakti Sutras 13 Drig-Drishya Viveka 36 Taittiriya Upanishad 14 “Tat Twam Asi” – Chand Up 6 37 Jivan Sutrani (Tips for Happy Living) 15 Dhyana Swaroopam 38 Kena Upanishad 16 “Bhoomaiva Sukham” Chand Up 7 39 Aparoksha Anubhuti (Meditation) 17 Manah Shodhanam 40 108 Names of Pujya Gurudev 18 “Nataka Deepa” – Panchadasi 10 41 Mandukya Upanishad 19 Isavasya Upanishad 42 Dakshinamurty Ashtakam 20 Katha Upanishad 43 Shad Darshanaah 21 “Sara Sangrah” – Yoga Vasishtha 44 Brahma Sootras 22 Vedanta Sara 45 Jivanmuktananda Lahari 23 Mahabharata + Geeta Dhyanam 46 Chinmaya Pledge A NOTE ABOUT SANDEEPANY Sandeepany Sadhanalaya is an institution run by the Chinmaya Mission in Powai, Mumbai, teaching a 2-year Vedanta Course. It has a very balanced daily programme of basic Samskrit, Vedic chanting, Vedanta study, Bhagavatam, Ramacharitmanas, Bhajans, meditation, sports and fitness exercises, team-building outings, games and drama, celebration of all Hindu festivals, weekly Gayatri Havan and Guru Paduka Pooja, and Karma Yoga activities. -
Mentor Scheme SHIVAJI UNIVERSITY, KOLHAPUR DEPARTMENT of TECHNOLOGY B.Tech (Food Technology) Third Year- 2017-18
Mentor Scheme SHIVAJI UNIVERSITY, KOLHAPUR DEPARTMENT OF TECHNOLOGY B.Tech (Food Technology) Third Year- 2017-18 Roll.No Student Name Mentor Teacher 1 Ambhore Akash Dattarao 2 Bagwan Neha Firoj 3 Baing Aditi Ashok 4 Banchhode Aditya Jitendra 5 Chavan Komal Chandrakant 6 Chougule Nikhil Tatyasaheb 7 Deshmukh Shailesh Dilip 8 Dethe Sharad Dnyaneshwar 9 Devkar Madhuri Sunil 10 Gawalkar Arati Raju 11 Gawande Akshay Saiprasad 12 Ghadge Vaishnavi Rajendra 13 Gokhale Pallavi Yashavant 14 Jadhav Aniket 15 Jadhav Bhushan 16 Kabre Chitra 17 Kale Smita Suryakant 18 Kapse Akshay Abasaheb 19 Kavade Gaurav Ganesh 20 Kazi Tanzila Allabaksh 21 Kokale Priyanka Navnath 22 Kokare Shruti S. 23 Lohar Sushant Mahadev 24 Mahajan Dipak Anil Mr. G. V. Mote 25 Mahajan Pratik Anil 26 Mahale Jagruti Ramesh 27 Mali Pranali Suresh 28 Mali Sonali Rajaram 29 Mali Yashwant Shantaram 30 Malshikhare Sourabh 31 Mansi Mangesh Mahadadalkar 32 Monika Moses Kamble 33 More Kajol Rajendra 34 More Manali Mohan 35 Mulik Sukhada Shirish 36 Musale Neha 37 Nagaonkar Siddhita 38 Nagdeve Prajwalit B. 39 Nandavadekar Prachi Baban 40 Nanwatkar Shraddha Ravindra 41 Nevase Asmita Anil 42 Nikam Gauri Pankaj 43 Nipun Rathi 44 Omkar Kakaso Zagade 45 Palkar Yasin Naushad 46 Panval Vishakha Vishwas Mrs. Madhuri Kininge 47 Parthe Rituja Pravin 48 Paste Dipika Dattaram 49 Patare Aniket Rajendra 50 Patil Mandar Mohan 51 Patil Pooja Ankush 52 Patil Pratap Annaso 53 Patil Ravindra Mukund 54 Patil Shivani Sarjerao 55 Patil Somnath Suresh 56 Pawar Aditya Vijay 57 Pawar Ankita Manjunath 58 Pawar Bhakti Bharat 59 Petkar Shubham Vinayak 60 Powar Swapnil Narayan 61 Raut Shweta K. -
Essence of Bhagavan Dattaatreya- Magnificence of Tripurambimka
ESSENCE OF BHAGAVAN DATTAATREYA- MAGNIFICENCE OF TRIPURAMBIMKA Translated and interpreted by V.D.N.Rao 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu, Matsya, Varaha, Kurma, Vamana, Narada, Padma; Shiva, Linga, Skanda, Markandeya, Devi Bhagavata;Brahma, Brahma Vaivarta, Agni, Bhavishya, Nilamata; Shri Kamakshi Vilasa- Dwadasha Divya Sahasranaama:a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri;b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata;c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima- Essence of Ashtaadasha Upanishads: Brihadarankya, Katha, Taittiriya/ Taittiriya Aranyaka , Isha, Svetashvatara, Maha Narayana and Maitreyi, Chhadogya and Kena, Atreya and Kausheetaki, Mundaka, Maandukya, Prashna, Jaabaala and Kaivalya. Also „Upanishad Saaraamsa‟ - Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti -Essence of Brahma Sutras- Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students-Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and AusteritiesEssence of Manu Smriti- Quintessence of Manu Smriti- Essence of Paramartha Saara; Essence of Pratyaksha Bhaskra; Essence of Pratyaksha Chandra; Essence of Vidya-Vigjnaana-Vaak -
7 Secrets of Vishnu
Downloaded from https://www.studycrux.com Downloaded from https://www.studycrux.com 7 SECRETS OF VISHNU Devdutt Pattanaik is a medical doctor by education, a leadership consultant by profession, and a mythologist by passion. He writes and lectures extensively on the relevance of stories, symbols and rituals in modern life. He has written over fifteen books which include 7 Secrets of Hindu Calendar Art (Westland), Myth=Mithya: A Handbook of Hindu Mythology (Penguin), Book of Ram (Penguin), Jaya: An Illustrated Retelling of the Mahabharata (Penguin). To know more visit devdutt.com Downloaded from https://www.studycrux.com 7 Secrets of Vishnu Devdutt Pattanaik Downloaded from https://www.studycrux.com westland ltd Venkat Towers, 165, P.H. Road, Maduravoyal, Chennai 600 095 No. 38/10 (New No.5), Raghava Nagar, New Timber Yard Layout, Bangalore 560 026 Survey No. A - 9, II Floor, Moula Ali Industrial Area, Moula Ali, Hyderabad 500 040 23/181, Anand Nagar, Nehru Road, Santacruz East, Mumbai 400 055 4322/3, Ansari Road, Daryaganj, New Delhi 110 002 First published by westland ltd 2011 Copyright © Devdutt Pattanaik 2011 All rights reserved 10 9 8 7 6 5 4 3 2 1 ISBN: 978-93-80658-68-1 Typeset and designed by Special Effects, Mumbai Printed at Thomson Press (India) Ltd. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, circulated, and no reproduction in any form, in whole or in part (except for brief quotations in critical articles or reviews) may be made without written permission of the publishers. -
India in Yeats's Early Imagination: Mohini Chatterjee And
International Yeats Studies Volume 2 Issue 2 Article 3 May 2018 India in Yeats’s Early Imagination: Mohini Chatterjee and Kālidāsa Ashim Dutta Follow this and additional works at: https://tigerprints.clemson.edu/iys Part of the English Language and Literature Commons Recommended Citation Dutta, Ashim (2018) "India in Yeats’s Early Imagination: Mohini Chatterjee and Kālidāsa," International Yeats Studies: Vol. 2 : Iss. 2 , Article 3. DOI: https://doi.org/10.34068/IYS.02.02.02 Available at: https://tigerprints.clemson.edu/iys/vol2/iss2/3 This Article is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact [email protected]. India in Yeats’s Early Imagination: Mohini Chatterjee and Kālidāsa Ashim Dutta his essay examines Yeats’s initiatory interest in Indian lore and litera- ture, and their importance to his creative imagination. Rather than functioning as an amateurish poetic experimentation leading to a full- Ter understanding of India in his late years, or to his “real” pursuits of Irish and modernist subjects, Yeats’s early preoccupation with India remains fun- damental to the syncretic spirituality of his thought, blending into the larger literary, cultural, and philosophical enterprises of his life. India, for Yeats, was brought to life for the first time by the Dublin visit of the Bengali Theosophist and Vedāntist Mohini Chatterjee in the mid-1880s. While Chatterjee was a key philosophical influence on Indian matters early in his career, Yeats at that time seems to have also been an enthusiastic reader of the works of the fifth- century Indian poet-playwright Kālidāsa. -
Essence of Shrimad Bhagavad Gita
1 ESSENCE OF BHAGAVAD GITA Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai 1 2 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda- Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence of Narada -
Iyyappan Bhajans – Concord Shiva Murugan Temple 1
Iyyappan Bhajans – Concord Shiva Murugan Temple 1. Bhajana Naamavali D Minor ...................................................................................... 2 2. Guru Song (Ladies) F Sharp Major ........................................................................ 3 3. Azhagu Azhagu Song (Gents) C............................................................................... 3 4. Ayyane Ponnayappa (Ladies) F Sharp Major ........................................................ 4 5. BHAJANA NAAMAVALI (Kids) F Major ........................................................ 4 6. BHAJANA NAAMAVALI D Minor ..................................................................... 6 7. SWAMI SARANAM (Ladies) E ........................................................................... 6 8. Iru Mudi Kattu ............................................................................................................ 7 9. AARANGAL CHOODIDUVOM (Ladies) G ...................................................... 8 10. Aandavar Vazlvathu (Gents) D Major .................................................................. 8 11. Malayalam Thanil Vazhum (Ladies) D (Lead and Follow) .................................. 9 Iyyappan Bhajan Sheet Page 1 12. Pallikattu Sabarimalaikku (Gents) F Sharp Minor .......................................... 10 13. SWAMI PON AYYAPPA (Kids) D Major ....................................................... 11 14. Irumudiyai Thankivanthom (Rajan/Shankar/Ram) E-Minor ......................... 12 15. Entha Malai Sevithalum (A sharp)