Mentor Scheme SHIVAJI UNIVERSITY, KOLHAPUR DEPARTMENT of TECHNOLOGY B.Tech (Food Technology) Third Year- 2017-18
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Chapter 7, Verses 13 to 16,Taitreya Upanishad, Class 36,Baghawat Geeta, Class
Bhagawat Geeta, Class 105: Chapter 7, Verses 13 to 16 Shloka # 13: त्िरिभर्गुणमयैर्भावैरेिभः सर्विमदं जगत्। मोिहतं नािभजानाित मामेभ्यः परमव्ययम्।।7.13।। Due to three (kinds of) objects, consisting of (prakriti’s) constituents, this whole world is deluded; it fails to cognize Me, the immutable (Reality) beyond them. Continuing his teaching of the Gita, Swami Paramarthananda said, with the 12th shloka of chapter 7, Sri Krishna has completed talking about Ishwaraswarupam. In his talks, Sri Krishna points out that the entire universe is God himself consisting of the Spirit (consciousness) that is of a higher nature and Matter, consisting of an inferior nature. Wherever there is change it is Apara Prakriti (AP). So, the whole world, the body, mind and thought all are AP. The Para Prakriti (PP) is the consciousness alone, which is changeless and formless. Now, Sri Krishna discussed another topic, raising the question as to why do humans suffer when everything in the universe is divine? Why does one feel incomplete, insecure and not at ease? This is a universal problem. Different people solve it in different ways. Some acquire material things, some seek position, some seek power, name, family etc. Nothing, however, seems to work. This universal problem is called Samasra. Sri Krishna is diagnosing the problem in shloka # 13 and provides its resolution in shloka # 14. The problem is this: Since the Para prakriti (PP) is formless, colorless and not accessible for our perception, we generally miss it. Hence it is also called “Aprameya” meaning not accessible to perception. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English ISSN: 0976-8165
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com www.the-criterion.com The Criterion: An International Journal In English ISSN: 0976-8165 Yeats’ Concept of Indian God: Amalgamation of Hindu and Christian Religious Notions in W.B. Yeats’ Indian upon God Suchismita Sarkar Assistant Professor Dept. of English Dinabandhu Mahavidyalaya West Bengal, India Abstract: W.B. Yeats’s one of the most critically acclaimed poems, Indian upon God, bears testimony to the fact that he was immensely influenced by Hindu religious notions and Indian philosophy. Though there are a number of poems in Indian context written by him, which reveal Yeats’s obsession with Indian culture and philosophy, but Indian upon God is possibly the only poem contemplating on the concept of God according to Hindu Philosophy. Yeats’s interest in Indian philosophy resulted from his interaction with the Indian scholar and preacher, Mohini Chatterji. His affinity for Indian culture and philosophy is evident in the aforementioned poem where he expresses his notion of Indian God .Despite all his endeavours to encapsulate the essence of Hindu religion Yeats often struggles to establish his ideas because his concept seems to be imbued with his own religious notions of Christianity. Therefore the Indian’s God delineated by him in this poem emerges as a religious amalgamation, or a God out of the mixture of Hindu and Christian religion. -
Essence of Bhagavan Dattaatreya- Magnificence of Tripurambimka
ESSENCE OF BHAGAVAN DATTAATREYA- MAGNIFICENCE OF TRIPURAMBIMKA Translated and interpreted by V.D.N.Rao 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu, Matsya, Varaha, Kurma, Vamana, Narada, Padma; Shiva, Linga, Skanda, Markandeya, Devi Bhagavata;Brahma, Brahma Vaivarta, Agni, Bhavishya, Nilamata; Shri Kamakshi Vilasa- Dwadasha Divya Sahasranaama:a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri;b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata;c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima- Essence of Ashtaadasha Upanishads: Brihadarankya, Katha, Taittiriya/ Taittiriya Aranyaka , Isha, Svetashvatara, Maha Narayana and Maitreyi, Chhadogya and Kena, Atreya and Kausheetaki, Mundaka, Maandukya, Prashna, Jaabaala and Kaivalya. Also „Upanishad Saaraamsa‟ - Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti -Essence of Brahma Sutras- Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students-Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and AusteritiesEssence of Manu Smriti- Quintessence of Manu Smriti- Essence of Paramartha Saara; Essence of Pratyaksha Bhaskra; Essence of Pratyaksha Chandra; Essence of Vidya-Vigjnaana-Vaak -
7 Secrets of Vishnu
Downloaded from https://www.studycrux.com Downloaded from https://www.studycrux.com 7 SECRETS OF VISHNU Devdutt Pattanaik is a medical doctor by education, a leadership consultant by profession, and a mythologist by passion. He writes and lectures extensively on the relevance of stories, symbols and rituals in modern life. He has written over fifteen books which include 7 Secrets of Hindu Calendar Art (Westland), Myth=Mithya: A Handbook of Hindu Mythology (Penguin), Book of Ram (Penguin), Jaya: An Illustrated Retelling of the Mahabharata (Penguin). To know more visit devdutt.com Downloaded from https://www.studycrux.com 7 Secrets of Vishnu Devdutt Pattanaik Downloaded from https://www.studycrux.com westland ltd Venkat Towers, 165, P.H. Road, Maduravoyal, Chennai 600 095 No. 38/10 (New No.5), Raghava Nagar, New Timber Yard Layout, Bangalore 560 026 Survey No. A - 9, II Floor, Moula Ali Industrial Area, Moula Ali, Hyderabad 500 040 23/181, Anand Nagar, Nehru Road, Santacruz East, Mumbai 400 055 4322/3, Ansari Road, Daryaganj, New Delhi 110 002 First published by westland ltd 2011 Copyright © Devdutt Pattanaik 2011 All rights reserved 10 9 8 7 6 5 4 3 2 1 ISBN: 978-93-80658-68-1 Typeset and designed by Special Effects, Mumbai Printed at Thomson Press (India) Ltd. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, circulated, and no reproduction in any form, in whole or in part (except for brief quotations in critical articles or reviews) may be made without written permission of the publishers. -
India in Yeats's Early Imagination: Mohini Chatterjee And
International Yeats Studies Volume 2 Issue 2 Article 3 May 2018 India in Yeats’s Early Imagination: Mohini Chatterjee and Kālidāsa Ashim Dutta Follow this and additional works at: https://tigerprints.clemson.edu/iys Part of the English Language and Literature Commons Recommended Citation Dutta, Ashim (2018) "India in Yeats’s Early Imagination: Mohini Chatterjee and Kālidāsa," International Yeats Studies: Vol. 2 : Iss. 2 , Article 3. DOI: https://doi.org/10.34068/IYS.02.02.02 Available at: https://tigerprints.clemson.edu/iys/vol2/iss2/3 This Article is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact [email protected]. India in Yeats’s Early Imagination: Mohini Chatterjee and Kālidāsa Ashim Dutta his essay examines Yeats’s initiatory interest in Indian lore and litera- ture, and their importance to his creative imagination. Rather than functioning as an amateurish poetic experimentation leading to a full- Ter understanding of India in his late years, or to his “real” pursuits of Irish and modernist subjects, Yeats’s early preoccupation with India remains fun- damental to the syncretic spirituality of his thought, blending into the larger literary, cultural, and philosophical enterprises of his life. India, for Yeats, was brought to life for the first time by the Dublin visit of the Bengali Theosophist and Vedāntist Mohini Chatterjee in the mid-1880s. While Chatterjee was a key philosophical influence on Indian matters early in his career, Yeats at that time seems to have also been an enthusiastic reader of the works of the fifth- century Indian poet-playwright Kālidāsa. -
Essence of Shrimad Bhagavad Gita
1 ESSENCE OF BHAGAVAD GITA Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai 1 2 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda- Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence of Narada -
Iyyappan Bhajans – Concord Shiva Murugan Temple 1
Iyyappan Bhajans – Concord Shiva Murugan Temple 1. Bhajana Naamavali D Minor ...................................................................................... 2 2. Guru Song (Ladies) F Sharp Major ........................................................................ 3 3. Azhagu Azhagu Song (Gents) C............................................................................... 3 4. Ayyane Ponnayappa (Ladies) F Sharp Major ........................................................ 4 5. BHAJANA NAAMAVALI (Kids) F Major ........................................................ 4 6. BHAJANA NAAMAVALI D Minor ..................................................................... 6 7. SWAMI SARANAM (Ladies) E ........................................................................... 6 8. Iru Mudi Kattu ............................................................................................................ 7 9. AARANGAL CHOODIDUVOM (Ladies) G ...................................................... 8 10. Aandavar Vazlvathu (Gents) D Major .................................................................. 8 11. Malayalam Thanil Vazhum (Ladies) D (Lead and Follow) .................................. 9 Iyyappan Bhajan Sheet Page 1 12. Pallikattu Sabarimalaikku (Gents) F Sharp Minor .......................................... 10 13. SWAMI PON AYYAPPA (Kids) D Major ....................................................... 11 14. Irumudiyai Thankivanthom (Rajan/Shankar/Ram) E-Minor ......................... 12 15. Entha Malai Sevithalum (A sharp) -
Goddesses Ruth Vanita University of Montana - Missoula, [email protected]
University of Montana ScholarWorks at University of Montana Syllabi Course Syllabi Fall 9-1-2018 GH 391L.01: ST: Goddesses Ruth Vanita University of Montana - Missoula, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/syllabi Recommended Citation Vanita, Ruth, "GH 391L.01: ST: Goddesses" (2018). Syllabi. 8155. https://scholarworks.umt.edu/syllabi/8155 This Syllabus is brought to you for free and open access by the Course Syllabi at ScholarWorks at University of Montana. It has been accepted for inclusion in Syllabi by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Fall 2018 Goddesses GH391L Dr. Vanita, Professor, Global Humanities & Religions Tuesday, Thursday, 12.30-1.50 p.m. NAC102 Office: LA146-A. Office Hours: Tuesday 2.00-3.00, Thursday 8.30-9.30, and by appointment Email: [email protected] This is a capstone course for the GH option in the GHR major, counts towards the SSEAS minor, and is an elective for the Art History major, English major, RLST option in the GH major, and the WGSS major and minor. Since it’s an experimental course you will not see it in Degree Works, but I will petition and obtain a substitution for you if you want it to count towards any of the degrees here listed. Texts Required readings (all on Moodle) 1. Background information on Hinduism: “Hinduism and Indian Civilization,” “Major Hindu Goddesses and Gods”; “Rig Veda, Creation Hymn.” 2. -
The Lord's Warrior Incarnation - Part 1
The Lord's Warrior Incarnation - Part 1 Date: 2011-05-05 Author: Narahari Krishna das Hare Krishna Prabhujis and Matajis, Please accept my dandavat pranams. All glories to Srila Prabhupada and Srila Gurudeva. On the auspicious occasion of Akshaya Trithiya, Parasurama Jayanthi (appearance of Lord Parasurama) let us meditate on His glories. The Bhagavata purana is replete with glorification of Lord Parasurama. The following Bhagavatam shloka (2.7.22) explains the purpose of this glorious incarnation. kshatram kshayaaya vidhinopabhrtam mahaatmaa brahma dhrug ujjhita-patham narakaarti lipsu uddhanty asaau avanikantakam ugra - viiryas trih sapta kritva urudhaara parashvadhena "When the ruling administrators, who are known as the kshatriyas, turned astray from the path of the Absolute Truth, being desirous to suffer in hell, the Lord, in His incarnation as the sage Parasurama, uprooted those unwanted kings, who appeared as the thorns of the earth. Thus He thrice seven times uprooted the kshatriyas with His keenly sharpened chopper." Srila Prabhupada explains in the purport as follows the purpose of this great incarnation: "Every state and its administrators, regardless of the nature of the administration monarchy or democracy, oligarchy or dictatorship or autocracy have the prime responsibility to lead the citizens toward God realization. This is essential for all human beings, and it is the duty of the father, spiritual master, and ultimately the state to take up the responsibility of leading the citizens towards this end. The whole creation of material existence is made for this purpose, just to give a chance to the fallen souls who rebelled against the will of the Supreme Father and thus became conditioned by material nature. -
Mohini Bhasmasura
Mohini Bhasmasura A Short Play Sreenadh Jonnavithula (This drama was performed at the TLCA Deepavali function in Oct.2007. It is published here copyright free, in the hope that other Telugu associations may find it useful .. Sreenadh) This page uses Unicode. If your computer does not display Telugu script, please read and enjoy the pdf version . If you would like to set your computer up to display Telugu Unicode, please see help here Scene 1. Baby Bhasmasura given by Siva Narrator: After ages of defeats and humiliations at the hands of the devatas, and especially the surapakshapaati Vishnu, Sukracharya, the guru of the asuras, performs a mighty yaagam to entreat Parama Siva to give them a peerless leader. Siva, pleased by the devotion of his bhaktas, gives a baby boy to the acharya. They name him Bhasmasura Music - segments from "Chandrasekhara Chandrasekhara" from the movie Mohini Bhasmasura; On Stage: Yaagam, Shiva giving infant to Sukracharya Scene 1. Narrator: The baby Bhasmasura grows up to be a strong and handsome young man, an expert in all the arts and sciences under the tutelage of Sukracharya. A beautiful princess falls in love and marries him, making him King . At the coronation: ార : య భాసుా ! ఇళక తపసు భంచనున. ఈ ధనుజకలమను ఉదంచు సమయమ ానున. భాసుర : గరవా .. ఈ ాజమ ందులక ?! ఈ ాజమను పాంచం. గరదణా సమంెదను . ను క వేసుకంట ఋణమ రకదను . : భాసుా , గరభ ఆదరయం . ా , ఋణమ రట ఇటల ాదు . వ వ వరపా . మహాౖ, ఆ ేవతలం , మన అసురకల ంచు . భ: తణ గరేవ ! ఆజ ాంెద ాక . -
A Pilgrim's Experience at Thirupathi Written by Sri Varadan, Hyderabad
Thirupathi Thirupathi A pilgrim’s Experience at Thirupathi here. This divya desam is more popularly known as KALIYUGA VAIKUNTAM. Written by Sri Varadan, Hyderabad The ageless sacred temple of Lord Venkateswara is located atop the Tirumala Hill at an elavation of 3,500 feet above the mean sea level. Reference to the NAMO NARAYANAYA holy hills is found in ancient literatures and scriptures. SRIMAN NARAYANAYA CHARANAU SARANAM PRAPATHYEY SRIMATHEY NARAYANAYA NAMAH Adiyen wishes to give the Topographical highlights, how to approach the Hills, SRI RAMANUJAR THIRUVADIGALEY SARANAM the recent systems in vogue, accommodation and arjitha sevai details, a brief SRI MUDALIAANDAN SWAMY THIRUVADIGALEY SARANAM SRI ALARMELMANGAI NAYIKA SAMETHA SRI SRINIVASA PARABRAHMANEY NAMAH picture about having darsanam of Perumal . venkaTAdri samam sthAnam With the blessings of my elders , especially my parents, Adiyen had the brahmANDe nAsti kincana; bhagyam to visit this divya desam many times. venkateSa samo devo na bhUto na bhaviSyati! My first yaatrai to this divya desam dates back to 1967 when I was a three year old boy. At that time, Adiyen had trekked to the holy hills as there was a There is no place in the entire universe that equals Venkatadri, the place where praarthanai to be fulfilled. The glimpse of the Lord in my dream when I was 15 the Lord resides and there is no God, neither in the past nor in the future who years of age suffering from illness prompted me to resort to His Holy feet. I equals Venkateswara. never looked back after Lord bestowed his grace on this sinner. As our Alwar sings Poginra Kaalangal… From Nammalvar's Tiruvaymozhi.