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Erskine years isn't widely host had a file for the listening to the band's two acknowledged as a B6sendorfer, transcribed post-rock albums only DAVID R. ADLER stunner, but it is. Zawinul's by Wayne Stahnke from a after reading engineer Phill LAGE ,ULIAN composrng is full of depth piano roll, of Rachmaninoff Brown's autobiography, WORLD'S FAIR and surprise, and Shorter's himself performing his Are We Still Rol/ing? lwas guitar Julian Lage, acoustic single entry, "When lt transcription of Mendels- aware of Brown's ability to Modern Lore 99767 (CD). 2015. Was Nowj'is a marvel of sohn's Spinning Song. As I make audiophile-quality Julian Lage, Matt Munisteri, prods.: Armand Hirsch, eng. DDD. harmonic weirdness and wrote in our January 2001 rock recordings with true TT:37:55 quasi-mechanical groove. issue, "this was better dynamic range and a real- - The ballad "Speechless" than any hi-fi I had ever sounding sense of space At26.JulianLasesat treads water a bit, but experienced-l actually had from Steve Winwood's f irst I^ do*n with his 1539 "Current Affairs" is Sergei Rachmaninoff in the solo record, which was one Martin 000-18 and mostly timeless, undulating room, playing Mendels- of my "R2D4" selections for original compositions and beauty, sandwiched sohn just for mel'Since 20L2.But when I read how delivered one of the great between the ripping that formative experience, Laughing Stock had been albums in the chronicles opener "Volcano for Hire" I have been working-no, made-drummer Lee Har- of solo guitar. From the and the ambitious swing playingmy way through his ris playing unaccompanied speedy intricacy of "Peru," suite "NY.Ci' Pastorius symphonies, sacred music, patterns and grooves for "Gardensl' and "Missouri" used to knock Zawinul for chamber music, music 12 hours at a time, miked to the contemplative "technological overkilll' but for piano, and the piano with a single Neumann beauty of "40's" and dig those synth textures- concertos, especial/y No.2. U47 30' away in London's "Day and AgeJ'Lage set they're still dynamically rich The DSD64 file of this live, Wessex Studio, with spot the bar high for personal and otherworldly, without award-winning perfor- mikes on the snare and kick expression and unforced doubt rooted in a lazz mance by Dejan Lazic has drums-l hadto hearthe assimilation of inf luences. aesthetic. been in constant rotation result. Brown ended up with Echoes of folk, country, and this past year. The Croatian 48 reels of 2" tape from America n rools, jazz early pianist offers the perfect which producer, keyboard- and modern: Lage rendered JOHN ATKINSON balance of passion, power, ist, and songwriter Tim it allwith a singing tone RACHMANINOFF and lyricism, pointed by Friese-Greene and singer- and fierce yet remarkably PIANO CONCERTO the occasional moment of songwriter-guitarist/ easygoing technique, 2; SIX MOMENTS hushed expectancy. He is keyboardist Mark Hollis "on creating moments MUSICAUX, OP.16 supported by superb sound would select the drum guitar quality, the knife's edge of Deian Lazic, piano; London with a rich, lush take they liked best. From mischiefj'to quote co- Philharmonic Orchestra. Kirill orchestral balance-and that take they would then producer Matt Munisteri Petrenko while the piano image is create a song by overdub- from the liner notes. -Channel Classics CCS SA253O8 a little larger than life, it bing all instrumental and (SACD/CD; DSD64, 24/192, doesn't detract from the vocal parts. The result is 24/96, 24/44,1, MP3 downloads). WEATHER REPORT sweep lyrically a of 2008. Jared Sacks, prod., eng. of this sub- collection sonically WEATHER REPORT DDD. TT:54:15 lime music. sophisticated explorations Joe Zawinul, keyboards, piano, of space and groove that woodwind, percussion, voice; TALK TAIK Roseberry described as "a Wayne Shorter, tenor & soprano o LAUGHING STOCK haunting, meditative, intri- saxophones; Jaco Pastorius, u:flflffn:iI:' electric bass, percussion, voice; music, but I fell in love with VetveS4l-777-2 (UK CD). 1991. cate masterpiecel' I can't Peter Erskine, drums, drum the Russian composer in Tim Friese-Greene, prod.; Phill say it better-l turn to this computer, claves; Robert Thomas Brown, eng. AAD. TT:43:29 February 2000. ln a private extraordinary album when I Jr., percussion recital hall in Santa Monica. t Althoush Crais need to be transported into Columbia FC 37516 (LP).1982. I was recording Robert 13 Rosebe"rry mJde this alternate worlds and differ- Joe Zawinul, prod.; Brian Risner, eng. AAA. TT:40:38 Silverman performing, fifth and final album from ent times-but the music on a Bdsendorfer 29OSE the UK's Talk Talk one of will not be for everyone. The The final offering player piano, Beethoven's his 2004 "Records to Die best summing up is given of the Pastorius- 32 piano sonatas. Our Fori'l was late to the party, by Brown:"1 settled Sally

stereophile.com . February 2016