The Human Drift
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Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
The Faerie Queene Study Guide
The Faerie Queene Study Guide © 2018 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary The Faerie Queene is a long epic poem that begins and ends with Christian affirmations. In it, Edmund Spenser draws on both Christian and classical themes, integrating the two traditions with references to contemporary politics and religion. The poem begins with a representation of holiness in book 1, and the Mutabilitie Cantos (first printed with the poem in 1609 after Spenser’s death) conclude with a prayer. Book 1 is identified as the Legend of the Knight of the Red Cross (or Saint George) in canto 2, verses 11-12. Red Cross, as an individual, is the Protestant Everyman, but as Saint George, historically England’s patron saint, he also represents the collective people of England. He is a pilgrim who hopes to achieve the virtue holiness, and for the reader his adventures illustrate the path to holiness. Red Cross’s overarching quest, as an individual, is to behold a vision of the New Jerusalem, but he also is engaged in a holy quest involving the lady Una, who represents the one true faith. To liberate Una’s parents, the king and queen, Adam and Eve, Red Cross must slay the dragon, who holds them prisoner. The dragon represents sin, the Spanish Armada, and the Beast of the Apocalypse, and when Red Cross defeats the dragon he is in effect restoring Eden. -
LAUGHING STOCK ’ ’ He E Ef E— O R E for H E S That Hasn T H Ard B Or , at L Ast, Not So Long That Forgotten Them! BENNETT CERF (Viii) Co N Te N Ts
IN IM S LIKE THESE e book form t e T E , wh n anything in that m e e e e e e e b the ot ly r s mbl s humor is s lling lik hotcak s ( y way, do you know an ybo dy Who ever actually bought a hotcake ? and — When a dozen top line radio comics are beating out their brains in e o f n ew e th e e e W th e e s arch gags to mak custom rs giv ith chuckl s, the man Wh o is fortunate enough to have a go o d memory for e W hlS e e e e jok s and itticisms is worth w ight in gold, and v n pap r. ( V) INTRODUCTION ’ I ve had a weakness for funny stories ever since I was a kid in h ze S o f m m d f t e P a . I e ulit r chool Journalis , so this is y lucky y ll into the editorship o f the Columbia Jester in my sophomore year “ because the previous pilot had been kicked out for editorial in ” He ze ze e e e e . I discr tions ( won a Pulit r Pri som y ars lat r . ) ran h e e A f e afoul o f t e authoriti s in my V ry first issue . ullpag fronds e e e E e e o pi c show d an nglish lord at a ringsid tabl f a night club . -
Phil's Picks - Greatest Albums of All Times
Phil's Picks - Greatest Albums of All Times Forever Changes, Love Village Green Preservation Society, The Kinks Da Capo, Love Rockers motion picture soundtrack Four Sale, Love On the Beach, Neil Young Catch the Wind, Donovan Neil Young, Neil Young Revolver, Beatles After the Gold Rush, Neil Young Rubber Soul, Beatles Covers Record, Cat Power Magical Mystery Tour, Beatles You Are Free, Cat Power Terry Reid, Terry Reid Doolittle, Pixies Laughing Stock, Talk Talk Roman Candle, Elliot Smith Last Laugh, The Brigade The Notorious Byrd Brothers, The Byrds Rosemary Lane, Bert Jansch Fifth Dimension, The Byrds Moonshine, Bert Jansch Songs, Leonard Cohen Nicola/Birthday Blues, Bert Jansch Desire, Bob Dylan Happy Sad, Tim Buckley I Just Can’t Stop It, The English Beat Dream Letter, Tim Buckley Axis: Bold as Love, Jimi Hendrix Five Leaves Left, Nick Drake Tea for the Tillerman, Cat Stevens Bryter Layter, Nick Drake Talking Heads ’77, Talking Heads Pink Moon, Nick Drake Who’s Next? The Who Astral Weeks, Van Morrison English Settlement, XTC Veedon Fleece, Van Morrison Birds of My Neighborhood, Innocence Mission Vaersgo, Kim Larsen We Walked in Song, Innocence Mission The Doors, The Doors Renaissance, The Association Strange Days, The Doors One Nation Underground, Pearls Before Swine The Boy with the Arab Strap, Belle and Sebastian I Retur, Turid . -
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The Dancer In Red and other Stories by Fergus Hume The Dancer in Red So incredible is this tale that I expect few to believe it. Nevertheless, it is not only true, but happened within the last decade. The names of the places and the characters are changed, it is true; I write, too, under a nom-de-plume; but the incidents are set down just as they took place. I can vouch for their truth, for I was an eye-witness of many. The rest I heard from the chief actor in this drama—or perhaps I should say melodrama, if not tragedy—for it is as moving as the most sensational play. And true! Do not forget that—absolutely true. That is the horror of the thing. As a busy London physician, I have a great deal of hard work to get through; and it is always a pleasure when I can take an occasional holiday for the recuperation of body and mind. Being a bachelor and well-to-do, I have less difficulty than I otherwise would have in making extended trips, so that frequently I go far afield in search of enjoyment and relaxation. One night in June I was seated in my study, turning over the leaves of a Continental Bradshaw, and wondering what country I should explore on my coming holiday, when the door opened and Hugh Tancred entered hurriedly. Tancred is my cousin, and as we were at school and college together has been free of my house these many years. I was surprised to see him just then, as two months before he had gone to Spain, and I had no idea that he was back in town. -
Southbank Centre Announces: a Celebration of Talk Talk and Mark Hollis
Press Release Date: Monday 29 July 2019, 10am Contact: [email protected] / 0207 921 0676 Images: downloadable here Southbank Centre announces: A Celebration of Talk Talk and Mark Hollis Plus: George Dalaras and Kayhan Kalhor Southbank Centre, in partnership with Eat Your Own Ears, today announces a very special night paying tribute to the pioneering and hugely influential 1980s British pop and rock band, Talk Talk, and their late frontman Mark Hollis, at Royal Festival Hall, 26 November 2019. Following the death of the band’s lead singer and chief songwriter in February 2019, A Celebration of Talk Talk and Mark Hollis brings together founding and former members of the band, Simon Brenner, Martin Ditcham, Rupert Black and Jeep Hook, as well as bassist John Mckenzie, to perform as the Spirit of Talk Talk. They will be joined by a line-up of very special guests to be announced, all of whom have been touched by Talk Talk’s music and inspired by Hollis. With Grammy- and Ivor Novello-award winning songwriter Phil Ramacon as musical director, this collection of extraordinary musicians will perform songs from across the band’s eclectic catalogue, including their groundbreaking final records Spirit of Eden (1988) and Laughing Stock (1991) neither of which have ever before been performed live. Bengi Ünsal, Senior Contemporary Music Programmer, Southbank Centre, said: "We are honoured to be holding this beautiful event. Tom and I were talking about staging a celebration of Talk Talk even before Mark passed away. When he sadly died, it became inevitable for us, the fans, and for all the artists who adore the band to pay tribute to them and appreciate the indelible mark they left on music. -
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tq 7 Erskine years isn't widely host had a file for the listening to the band's two acknowledged as a B6sendorfer, transcribed post-rock albums only DAVID R. ADLER stunner, but it is. Zawinul's by Wayne Stahnke from a after reading engineer Phill LAGE ,ULIAN composrng is full of depth piano roll, of Rachmaninoff Brown's autobiography, WORLD'S FAIR and surprise, and Shorter's himself performing his Are We Still Rol/ing? lwas guitar Julian Lage, acoustic single entry, "When lt transcription of Mendels- aware of Brown's ability to Modern Lore 99767 (CD). 2015. Was Nowj'is a marvel of sohn's Spinning Song. As I make audiophile-quality Julian Lage, Matt Munisteri, prods.: Armand Hirsch, eng. DDD. harmonic weirdness and wrote in our January 2001 rock recordings with true TT:37:55 quasi-mechanical groove. issue, "this was better dynamic range and a real- - The ballad "Speechless" than any hi-fi I had ever sounding sense of space At26.JulianLasesat treads water a bit, but experienced-l actually had from Steve Winwood's f irst I^ do*n with his 1539 "Current Affairs" is Sergei Rachmaninoff in the solo record, which was one Martin 000-18 and mostly timeless, undulating room, playing Mendels- of my "R2D4" selections for original compositions and beauty, sandwiched sohn just for mel'Since 20L2.But when I read how delivered one of the great between the ripping that formative experience, Laughing Stock had been albums in the chronicles opener "Volcano for Hire" I have been working-no, made-drummer Lee Har- of solo guitar. -
THE HUMAN DRIFT by Jack London
The Human Drift By Jack London 1 THE HUMAN DRIFT by Jack London Contents: The Human Drift Small-Boat Sailing Four Horses and a Sailor Nothing that Ever Came to Anything That Dead Men Rise up Never A Classic of the Sea A Wicked Woman (Curtain Raiser) The Birth Mark (Sketch) 2 THE HUMAN DRIFT "The Revelations of Devout and Learn'd Who rose before us, and as Prophets Burn'd, Are all but stories, which, awoke from Sleep, They told their comrades, and to Sleep return'd." The history of civilisation is a history of wandering, sword in hand, in search of food. In the misty younger world we catch glimpses of phantom races, rising, slaying, finding food, building rude civilisations, decaying, falling under the swords of stronger hands, and passing utterly away. Man, like any other animal, has roved over the earth seeking what he might devour; and not romance and adventure, but the hunger-need, has urged him on his vast adventures. Whether a bankrupt gentleman sailing to colonise Virginia or a lean Cantonese contracting to labour on the sugar plantations of Hawaii, in each case, gentleman and coolie, it is a desperate attempt to get something to eat, to get more to eat than he can get at home. It has always been so, from the time of the first pre-human anthropoid crossing a mountain-divide in quest of better berry-bushes beyond, down to the latest Slovak, arriving on our shores to-day, to go to work in the coal-mines of Pennsylvania. These migratory movements of peoples have been called drifts, and the word is apposite. -
WV • \ Music Week Mastercard G by Paul Williams Music Innovations
fifUf y FOR EVERYONE IN THE BUSINESS OF MUSIC (WV • \ music week MasterCard g ivesEIrits crédit Theby Paul Brit AwardsWilliams are set to enter a inMusic May Innovationsto find a replacement was appointée! for Delle ïails event about havemarketing yet toplans be Monday,unveiled atJanuary a London 11, whilevenue theon multi-millionnew era following pound, the strikingthree-year of a sponsoredBritannia Music the eventfor Club, which lOyears. had -rr% sjnced. régional Rita head Broe, of marketing Master- monytélévision itself broadeast will go outfor thebetween cere- ; Companysponsorship MasterCard. deal with crédit card ThursdayThe deal afterwas MasterCardfinally struck fought last Rlteisa i hed, saysUK theand companyRepublic hasof 8pmFebruary and 17.lOpm on Wednesday, understoodAs part ofto thebe worthdeal, whichbetween is operatoroff a late Orange. bid from The mobile telecommu- phone domnr littedpushes, to a includingsériés of tie-upspromo- ducedThe showby Initial will againwith Malcolmbe pro- 1 vowed£lm and to raise£2m, theMasterCard profile of hasthe tiationsnications aCompany month enteredago, but nego- is jetetailers. banks, "Together we plan anwith excit-, our Gerrieducer. Heacting will beas joinedexecutive by a newpro- a and the retailers/ for n course to be made up entirely Liv'e events win back R1 listeners -"■"Cas 'station broadeast Tin The Radio Two posted another ingV98, Festival its ibiza and Weekend, a month the of good13.6%. resuit with a record share of dio One's weekly audience reach of 1.1m after it renegotiat- | 1 " ^'w lan above Parkinson 9.7m. says Managing its lis- withed its the Promise Radio Authority Of Performance to allow s— /Ê^^mÊL of t Mo Wax on verge of naming new partner monthsMo Wax of isspéculation expected aboutto end its PolyGram éxpired in March, is j i ; stnrsrnirj^ ■ to discuss the plans. -
Talk Talk Before the Silence
reDISCOvery presenta: Talk Talk Before the Silence Un’esperienza d’ascolto di Federico Sacchi Regia: Federico Sacchi e Marzia Scarteddu Una coproduzione: Teatro Stabile di Torino – Teatro Nazionale / Docabout Prima Nazionale Teatro Gobetti (TO), 28 Maggio – 02 giugno 2019, www.rediscovery.it Amo il suono ma preferisco il silenzio (Mark Hollis) Il Teatro Stabile di Torino – Teatro Nazionale e l’associazione culturale Docabout presentano la prima nazionale di TALK TALK Before the Silence, la nuova esperienza immersiva di reDISCOvery, la musica come non l’avete mai vista e ascoltata. Quella dei Talk Talk è una delle più imprevedibili e meravigliose metamorfosi musicali nella storia del Pop. Un processo graduale che li ha portati, in un breve lasso di tempo, a passare da una totale aderenza alle mode musicali del momento (i primi anni ’80) a una completa autonomia da queste, creando di fatto un nuovo genere musicale, quello che a posteriori è stato definito “Post Rock”. Un processo inscindibile dall’evoluzione umana e artistica del leader del gruppo Mark Hollis, improbabile Pop Star alla ricerca del “silenzio musicale”. Un artista la cui scomparsa avvenuta il 25 febbraio scorso ha suscitato sincera commozione tra musicisti e appassionati di musica in tutto il mondo. Una notizia che ha avuto grande risonanza in Italia, dove la band ebbe uno straordinario successo tra il 1984 e il 1986. Talk Talk before the Silence è un’esperienza d’ascolto del musicteller Federico Sacchi, con la regia di Federico Sacchi e Marzia Scarteddu, un vero e proprio documentario dal vivo che fonde storytelling, musica, teatro, video e nuove tecnologie. -
How to Analyze Fiction
I. A. Schirova HOW TO ANALYZE FICTION St. Petersburg 2006 1 2 РОССИЙСКИЙ ГОСУДАРСТВЕННЫЙ ПЕДАГОГИЧЕСКИЙ ББК 81.2 Англ Печатается по решению кафедры английской Щ87 филологии РГПУ им. А. И. Герцена УНИВЕРСИТЕТ ИМ. А.И. ГЕРЦЕНА Рецензенты: доктор филологических наук, профессор Т. А. Казакова (СПбГУ), доктор филологических наук, профессор О. Е. Филимонова (РГПУ) доктор филологических наук, профессор В. И. Шаховский (ВГПУ) Щирова И. А. Щ87 How to Analyze Fiction. Учебное пособие. – СПб.: Борей Арт, 2006. – I. A. Schirova 190 с. ISBN 5-7187-0742-1 Учебное пособие состоит из двух частей: теоретической и практической. Теоретическая часть пособия (I) освещает общие проблемы организации и интерпретации художественного текста (Раздел 1), в том HOW TO ANALYZE числе, распространённых в ХХ веке текстов психологической литературы, FICTION (Раздел 2), а также содержит краткие рекомендации по написанию эссе о литературном произведении (Раздел 3). Практическая часть пособия (II) включает тексты восьми произведений англоязычной психологической прозы указанного исторического периода и упражнения, направленные на Учебное пособие их понимание, анализ и интерпретацию. Произведения предваряются краткими справками, в которых приводятся биографические и библио- графические сведения об авторах. Целью пособия является изучение сущностных и функциональных Допущено Учебно-методическим объединением характеристик языковых фактов, несущих дополнительную эстетическую информацию, овладение понятийно-терминологическим аппаратом, по направлениям педагогического образования необходимым для осмысления природы художественного текста, и фор- в качестве учебного пособия для студентов мирование умения понимать словесное произведение искусства, занимая высших учебных заведений, активную позицию интерпретатора-соавтора. обучающихся по направлению Рекомендуется студентам, аспирантам и магистрам, заинте- 540300 (050300) Филологическое образование ресованным в приобретении навыков устной и письменной интер- претации художественного текста. ISBN 5-7187-0742-1 ББК 81.2 Англ © И. -
Mark Hollis Z Talk Talk Mark Hollis Był Najbardziej Znanym Członkiem Przekaz
Pożegnanie Mark Hollis z Talk Talk Mark Hollis był najbardziej znanym członkiem przekaz. Szukał autorskich brzmień oraz zespołu Talk Talk. Wiadomość o jego śmierci sposobów ekspresji. Dwie ostatnie płyty Talk Talk spotkały się z raczej chłodnym pogrążyła w smutku fanów dźwięków niebanalnych. przyjęciem krytyki. Mówiąc najprościej, uznano, że zespół oszalał. Ale przecież Michał Dziadosz nie wszystko, czego się nie rozumie, musi być zaraz szalone. rodził się 4 stycznia 1955 ro- ku w Londynie. Początkowo chciał zostać psychologiem dziecięcym. W roku 1975 porzucił jed- nak studia i założył swój pierwszy po- ważny zespół – The Reactors. Band na- grał tylko jeden singiel, „I can’t resist” (1977), po czym się rozpadł. Brat Mar- ka, Ed Hollis, który na przełomie lat 70. i 80. XX wieku zajmował się pro- dukcją muzyczną, pomógł znaleźć mu- zyków do nowego składu. Tak powstało Talk Talk. Zespół działał przez okrągłą dekadę (1981-1991). Nagrał zaledwie pięć stu- dyjnych albumów, ale na każdym pre- zentował coraz bardziej ambitną muzy- kę. Początkowo Hollis eksperymentował z new romantic i synth popem (na płycie „The Party’s Over”, 1982), by następnie powędrować w kierunku wysmakowa- Make It”. Poza tym powinna funkcjono- Po rozpadzie grupy w 1991 roku na- nego, akustycznego popu z elementami wać raczej jako całość, a najlepiej sma- stąpiła długa przerwa w działalności rocka i jazzu („It’s My Life”, 1984; „The kuje właśnie w kwietniu. Marka. Dopiero w 1998 wydał swój je- Colour of Spring”, 1986). Skończył na Jeżeli chodzi o przeboje, to zespoło- dyny solowy album bez tytułu. Poza tym odlotowych, intrygujących utworach wi udało się wylansować jeszcze kilka.