DOCSLIB.ORG

Scoring Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Scoring Music 1,000 2,000 3,000 4,000 5,000 6,000 7,000 8,000 9,000 12,000 14,000 16,000 18,000 20,000 22,000 24,000 26,000 28,000 10,000 30,000 40,000 50,000 60,000 70,000 80,000 90,000 100,000 150,000 3 1 2 1 Blood Sugar Sex Magik The Low End Theory Screamadelica Spiderland Achtung Baby Ten Loveless Nevermind 45 Red Hot Chili Peppers A Tribe Called Quest Primal Scream Slint U2 Pearl Jam My Bloody Valentine Nirvana Alternative Rock, Funk Rock Alternative Hip Hop Dance Rock, Psychedelic Rock Post Rock, Post Hardcore Alternative Rock Grunge, Alternative Rock Shoegazing, Alternative Rock Grunge, Alternative Rock #105 all time #211 all time #203 all time #126 all time #64 all time #36 all time #28 all time #7 all time 1991 1991 Scoring Music Laughing Stock Metallica Talk Talk Metallica Post Rock Heavy Metal #224 all time #134 all time How have different music genres performed 1 3 6 Automatic For The People 2 Dirty Images And Words Little Earthquakes The Chronic Selected Ambient Works 85-92 Dirt Rage Against The Machine 45 R.E.M. Sonic Youth Dream Theater 61 Tori Amos 54 Dr Dre Aphex Twin Alice In Chains Rage Against The Machine 83 Alternative Rock Alternative Rock, Experimental Rock Progressive Metal, Prog. Rock Alternative Rock West Coast Hip Hop, Gangsta Rap Ambient Techno Grunge, Alternative Rock Rap Metal, Alternative Metal #48 all time #635 all time #516 all time #420 all time #363 all time #304 all time #196 all time #94 all time over the last 25 years? 1992 1992 Angel Dust Slanted & Enchanted Faith No More Pavement 152 Alternative Rock, Experimental Rock Indie Rock This information visualization aims to analyze the influence of music genres by #387 all time #129 all time 10 1 8 Midnight Marauders 4 1 10 August And Everything After Souvlaki Vs. Enter The Wu-Tang Clan Siamese Dream In Utero Red House Painters (Rollercoaster) A Tribe Called Quest 41 observing the critical performance of albums in the last 25 years. For the years 1991 to Red House Painters Tori Amos Slowdive Pearl Jam Wu-Tang Clan Smashing Pumpkins Nirvana Alternative Hip Hop Slowcore, Folk Rock Alternative Rock Shoegazing, Dream Pop Grunge, Alternative Rock Hardcore Hip Hop, East Coast Hip Hop Grunge, Alternative Rock Grunge #504 all time #542 all time #324 all time #237 all time #208 all time #120 all time #60 all time #46 all time 2015, the 10 most critically acclaimed albums for every year have been chosen and 1993 1993 Modern Life Is Rubbish Debut rated on a scale. Blur Björk Britpop Alternative Dance, Trip Hop #483 all time 61 #400 all time 2 Crooked Rain, Crooked Rain Dookie Pavement Green Day 1 12 Dummy The critical success of an album is determined by its Rank Score. This score is calculated MTV Unplugged In New York Illmatic Definitely Maybe Grace Indie Rock Portishead Punk Rock, Pop Punk Nirvana Nas 79 58 Oasis Jeff Buckley #163 all time 121 #145 all time Trip Hop Alternative Rock, Acoustic Rock Hip Hop Britpop Alternative Rock, Folk Rock #79 all time #106 all time #90 all time #71 all time #43 all time 149 by the website besteveralbums.com. It is an aggregate of the album’s performance on 1994 1994 several “albums of the year” lists across the internet. The higher the number of lists it Weezer (The Blue Album) The Downward Spiral Parklife Weezer Nine Inch Nails Blur Alternative Rock, Power Pop Industrial Rock, Alternative Rock Britpop #82 all time features in, and the better its rank on those lists, the higher its Rank Score. #157 all time #145 all time Wowee Zowee 9 1 16 1 4 Pavement Elliott Smith Liquid Swords 32 Post Jagged Little Pill 1 Mellon Collie And The Infinite Sadness (What's The Story) Morning Glory? The Bends Indie Rock Elliott Smith GZA Björk Alanis Morissette Smashing Pumpkins Oasis Radiohead #602 all time Indie Folk, Lo- Hardcore Hip Hop Trip Hop, Electronic Pop Alternative Rock, Post Grunge Alternative Rock, Art Rock Rock, Britpop Alternative Rock, Indie Rock #515 all time #356 all time #329 all time #267 all time #69 all time #40 all time #15 all time This visualization also records the commercial success of the album by means of its 147 1995 1995 peak position on the Billboard 200 of the USA. The album name, artist name, genre, Different Class Pulp To Bring You My Love PJ Harvey Britpop all time ranking, and artist’s country of origin is also mentioned. Alternative Rock, Blues Rock #160 all time #610 all time 40 1 13 2 All Eyez On Me Tigermilk Everything Must Go Sublime Ænima Endtroducing..... If You’re Feeling Sinister 2Pac Belle & Sebastian Manic Street Preachers Sublime Tool DJ Shadow Belle & Sebastian Gangsta Rap, Hip Hop Indie Pop, Chamber Pop Rock, Britpop Ska Punk, Alternative Rock Progressive Metal, Alternative Metal Instrumental Hip Hop, Trip Hop Indie Pop, Indie Folk #560 all time #507 all time #450 all time #386 all time #175 all time #152 all time #119 all time 1996 1996 How to read Reasonable Doubt Odelay Pinkerton Jay-Z Beck Weezer Hip Hop Alternative Rock Alternative Rock, Power Pop #472 all time #168 all time #100 all time 23 Ladies And Gentlemen We 16 19 1 10 The Colour And The Shape Are Floating In Space The Fat Of The Land Perfect From Now On Either/Or OK Computer 21 Foo Fighters Spiritualized The Prodigy Built To Spill Elliott Smith Radiohead Rank Score Alternative Rock, Post Grunge Space Rock, Neo Psychedelia Big Beat Indie Rock Indie Folk, Lo- Alternative Rock, Art Rock #225 all time #206 all time #389 all time #330 all time #174 all time #1 all time 1997 1997 Years F#A#∞ The Lonesome Crowded West Homogenic Godspeed You! Black Emperor Modest Mouse Björk Urban Hymns Trip Hop Post Rock, Experimental Rock Indie Rock, Punk Rock The Verve #305 all time #188 all time #155 all time Alternative Rock, Britpop 1 The Miseducation 28 63 #177 all time Of Lauryn Hill 2 Deserter’s Songs Lauryn Hill XO Aquemini Music Has The Right To Children In The Aeroplane Over The Sea Mercury Rev Neo Soul, Hip Hop Elliott Smith OutKast Boards Of Canada Neutral Milk Hotel Neo Psychedelia, Art Rock #468 all time 104 Indie Pop, Indie Folk Hip Hop Electronica, Ambient Techno Indie Rock, Psychedelic Folk #540 all time #447 all time #350 all time #251 all time #17 all time 1998 Moon Safari 1998 Ray Of Light Electro-Shock Blues Mezzanine Air Madonna Eels Massive Attack Downtempo Pop, Electronica Indie Rock, Indie Pop Electronica, Trip Hop #463 all time #209 all time #137 all time #480 all time 51 2 Summerteeth 38 Play 69 Love Songs 13 The Soft Bulletin Ágætis Byrjun Album name White Blood Cells Wilco Moby The Magnetic Fields Blur The Flaming Lips Sigur Rós USA Billboard 200 78 80 The White Stripes Alternative Rock, Psychedelic Rock Electronica, Roots Indie Rock, Indie Pop Art Rock Baroque Pop, Neo Psychedelia Post Rock, Ambient 61 #413 all time #336 all time #314 all time #83 all time Artist name peak position #453 all time #74 all time Garage Rock 1999 1999 Subgenre #171 all time The Battle Of Los Angeles Emergency & I Californication 104 Rage Against The Machine The Dismemberment Plan Red Hot Chili Peppers All time ranking Keep It Like A Secret Rap Metal, Alternative Metal Built To Spill Indie Rock, Post Hardcore Alternative Rock, Funk Rock #409 all time #128 all time Indie Rock #437 all time Country of origin #441 all time Stories From The City, 3 1 1 Stories From The Sea Rated R 42 Since I Left You The Marshall Mathers LP The Moon & Antarctica Kid A PJ Harvey Queens Of The Stone Age The Avalanches Eminem Modest Mouse Radiohead Alternative Rock Alternative Rock, Stoner Rock Dance, Disco Pop Hardcore Hip Hop Indie Rock, Experimental Rock Electronica, Experimental Rock #299 all time #371 all time #223 all time #172 all time #96 all time 120 #6 all time 2000 2000 Selected Ambient Works 85-92 Relationship Of Command Stankonia Parachutes Lift Your Skinny Fists Like At The Drive-In OutKast Coldplay Antennas To Heaven Aphex Twin 116 Post Hardcore Hip Hop Alternative Rock, Post Britpop Godspeed You! Black Emperor This album did not #412 all time #140 all time Post Rock, Experimental Rock #296 all time 51 Ambient Techno #132 all time chart on the USA 2 #304 all time Billboard 200 1 2 19 White Blood Cells 23 Oh, Inverted World Toxicity Discovery Origin Of Symmetry Amnesiac Is This It Vespertine The White Stripes 61 33 The Shins Björk System Of A Down Daft Punk Muse Radiohead The Strokes Garage Rock Indie Rock, Indie Pop Alternative Metal, Nu Metal French House Garage Rock Revival, Indie Rock Electronica, Art Pop #171 all time Alternative Rock, Hard Rock Electronica, Experimental Rock #397 all time #334 all time #246 all time #150 all time #122 all time #102 all time #24 all time 161 2001 2001 The Glow Pt. 2 Lateralus The Microphones Tool Indie Rock, Lo-Fi Progressive Rock, Progressive Metal #383 all time #170 all time 1 8 17 5 13 You Forgot It In People () Up the Bracket Sea Change Songs For The Deaf Turn On The Bright Lights A Rush Of Blood To The Head Yankee Hotel Foxtrot Broken Social Scene Sigur Rós 51 The Libertines Beck Queens Of The Stone Age Interpol Coldplay Wilco Indie Rock, Baroque Pop Post Rock, Art Rock Garage Rock Revival, Indie Rock Alternative Rock, Folk Rock Hard Rock Indie Rock, Post Punk Revival Alternative Rock, Post Britpop Indie Rock, Alternative Rock Rock Hip Hop / Soul Pop Electronic Folk #301 all time #274 all time #250 all time #232 all time #121 all time #87 all time #70 all time #49 all time 158 2002 2002 By The Way Yoshimi Battles The Pink Robots Red Hot Chili Peppers The Flaming Lips Alternative Rock, Funk Rock Neo Psychedelia, Space Rock #286 all time #85 all time The glyph’s orientation does not carry any significance.
Load more

Recommended publications
  • Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
    HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora.
    [Show full text]
  • ACRONYM 13 - Round 6 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta
    ACRONYM 13 - Round 6 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta 1. This album was conceived after the master tapes to the album Cigarettes and Valentines were stolen. A letter reading "I got a rock and roll girlfriend" is described in a multi-part song at the end of this album. A teenager described in this albumis called the "son of rage and love" and can't fully remember a figure he only calls (*) "Whatsername." A "redneck agenda" is decried in the title song of this album, which inspired a musical centered onthe "Jesus of Suburbia." "Boulevard of Broken Dreams" appears on, for 10 points, what 2004 album by Green Day? ANSWER: American Idiot <Nelson> 2. In 1958, Donald Duck became the first non-human to appear in this TV role, which was originated by Douglas Fairbanks and William C. DeMille. James Franco appeared in drag while serving in this role, which went unfilled in 2019 after (*) Kevin Hart backed out. The most-retweeted tweet ever was initiated by a woman occupying this role, which was done nine other times by Billy Crystal. While holding this role in 2017, Jimmy Kimmel shouted "Warren, what did you do?!" upon the discovery of an envelope mix-up. For 10 points, name this role whose holder cracks jokes between film awards. ANSWER: hosting the Oscars [accept similar answers describing being the host of the Academy Awards; prompt on less specific answers like award show host or TV show host] <Nelson> 3. As of December 2019, players of this game can nowmake Dinosaur Mayonnaise thanks to its far-reaching 1.4 version update, nicknamed the "Everything Update." Every single NPC in this game hates being given the Mermaid's Pendant at the Festival of the Winter Star because it's only meant to be used for this game's (*) marriage proposals.
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • IATSE and Labor Movement News
    FIRST QUARTER, 2012 NUMBER 635 FEATURES Report of the 10 General Executive Board January 30 - February 3, 2012, Atlanta, Georgia Work Connects Us All AFL-CIO Launches New 77 Campaign, New Website New IATSE-PAC Contest 79 for the “Stand up, Fight Back” Campaign INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES AND CANADA, AFL-CIO, CLC EXECUTIVE OFFICERS Matthew D. Loeb James B. Wood International President General Secretary–Treasurer Thomas C. Short Michael W. Proscia International General Secretary– President Emeritus Treasurer Emeritus Edward C. Powell International Vice President Emeritus Timothy F. Magee Brian J. Lawlor 1st Vice President 7th Vice President 900 Pallister Ave. 1430 Broadway, 20th Floor Detroit, MI 48202 New York, NY 10018 DEPARTMENTS Michael Barnes Michael F. Miller, Jr. 2nd Vice President 8th Vice President 2401 South Swanson Street 10045 Riverside Drive Philadelphia, PA 19148 Toluca Lake, CA 91602 4 President’s 74 Local News & Views J. Walter Cahill John T. Beckman, Jr. 3rd Vice President 9th Vice President Newsletter 5010 Rugby Avenue 1611 S. Broadway, #110 80 On Location Bethesda, MD 20814 St Louis, MO 63104 Thom Davis Daniel DiTolla 5 General Secretary- 4th Vice President 10th Vice President 2520 West Olive Avenue 1430 Broadway, 20th Floor Treasurer’s Message 82 Safety Zone Burbank, CA 91505 New York, NY 10018 Anthony M. DePaulo John Ford 5th Vice President 11th Vice President 6 IATSE and Labor 83 On the Show Floor 1430 Broadway, 20th Floor 326 West 48th Street New York, NY 10018 New York, NY 10036 Movement News Damian Petti John M.
    [Show full text]
  • Recent Critical Praise for My Brightest Diamond's This Is My Hand
    Recent critical praise for My Brightest Diamond’s This Is My Hand Favorite Songs of 2014 “‘Pressure’: This baroque pop gem opens with drum corps and woodwinds, tacks on a tribal rhythm breakdown and just goes for it. All the way.” “…one of the most powerful and dramatic voices of the past decade.” “…an ability to cultivate intimacy through flawless, complex production with a beating heart.” “As a musician, Worden (who performs as My Brightest Diamond) builds her songs deliberately and impeccably…words are painted, sounds are sculpted, and the nature of Worden’s voice itself adds dimension—more than a single vocalist usually can. Her wholly enveloping, finely tuned alto sounds by turns forceful, vulnerable, cooing, playful, and endlessly emotive.” “…has a feeling for both the grandeur and the grain, building every sweeping gesture in her music out of a swarm of small details.” The Best of 2014 “…added to her smart, savvy chamber pop the influence of funk and marching bands. Her flawless voice pecks, jabs and floats above a world of rhythm that gives the new music its motion and undeniable heartbeat.” “At times, This Is My Hand all but commands listeners to dance.” “On her new album, This Is My Hand, she continues to reach far and wide with great success, adding marching-band rhythms and funky horns to her mix.” “…sounds like a modern-day Nina Simone…” “…This is My Hand works on a visceral level, conjuring Worden’s intended image of tribal, fireside collaboration through a rich diversity of texture, detail, and tone.” “…successful exercise in percussive, jagged art-pop that explores themes of self-acceptance, sensuality, and community.” “...unique and oddly beautiful.” “…presents an invigorating progression of Worden’s sonic palette…” #3: MBE Producer Ariana Morgenstern’s Top Albums of 2014 “…gorgeous new album…” “This Is My Hand is an album I would recommend to anyone—for exactly all the reasons that it’s hard to write about.
    [Show full text]
  • Label ARTIST Piece Tracks/Notes Format Quantity
    Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes
    [Show full text]
  • BAM Announces Its Bamcafe Live November Music Programming Featuring Jazz, Middle Eastern, Chamber Pop, Baroque Cabaret, and Hip-Hop
    Brooklyn 30 Lafayette Avenue Communications Department Academy Brooklyn NY 11217-1486 Sandy Sawotka of Telephone: 718.636.4111 Fatima Kafele Music Fax: 718.857.2021 Jennifer Lam 718.636.4129 [email protected] News Release BAM Announces its BAMcafe Live November Music Programming Featuring Jazz, Middle Eastern, Chamber Pop, Baroque Cabaret, and Hip-Hop Highlights include the NextNext music series showcase, modern jazz arrangements of Bjork's music, the Middle Eastern musical hybrid of Shusmo, chamber pop with Greta Gertler, the jazz fusion of Fred Ho and the Afro Asian Music Ensemble, pop-cabaret with Daniel Isengart, the ukulele/viola sounds of Songs from a Random House, and a Thanksgiving holiday weekend hip-hop extravaganza with Akim Funk Buddha No cover! $10 food/drink minimum, Friday-Saturday BROOKLYN, October 4, 2005-As part of BAM's 2005 Next Wave Festival, BAMcafe Live, the performance series curated by Limor Tomer, presents an eclectic mix of jazz, spoken word, rock, pop, and world beat Friday and Saturday nights. BAMcafe Live events have no cover charge ($1 0 food/drink minimum). For information and updates, call 718.636.4139 or visit www.bam.org. (For press reservations and photos, contact Fatima Kafele at 718.636.4129 x4 or [email protected]). BAMcafe kicks off a month of great music with Travis Sullivan's Bjorkestra (November 4), a group that crafts modem jazz arrangements of Bjork's visionary techno pop. The next night (November 5), Shusmo concludes the NextNext series of talented musicians in their 20s, with an eclectic, Middle Eastern blend of jazz and Latin Rhythms.
    [Show full text]
  • Nr. 97 2017 Nr. 97 2017
    Nr. 97 Juni/Juli 2017 20.Jahrgang Gratis im Fachhandel WWW.INMUSIC2000.DE inHard_inMusic_S1_S16 18.06.2017 16:23 Uhr Seite 16 Seite Uhr 16:23 18.06.2017 inHard_inMusic_S1_S16 MONATS DES CD ANNA COOGAN FREDDA MARY'S LITTLE LAMB EBBA FORSBERG MORITZ ECKER The Lonely Cry Of Space... Land Elixir For The Drifter Take My Waltz Yes Anna Coogan/Soulfood Le Pop Musik/Groove Attack Rootz Rumble/in-akustik Gamlestans G./Broken Silence Waterfall Rec./Broken Silence ###### ##### ##### ##### ##### Ein echter Geheimtipp ist die Ich mag die Alben der fran- Aus Belgien kommt die fünf- Die Alben der schwedischen Aus Berlin kommt der Sin- aus Boston/USA stammen- zösischen Sängerin und köpfige Tex-Mex, Country Sängerin und Songwriterin ger/Songwriter und Multiin- de Sängerin, Gitarristin und Songwriterin Fredda sehr. und Americana-Truppe Ebba Forsberg waren in der strumentalist (u.a. Gitarre, Meeresbiologin Anna Coo- Das trifft auch auf ihre neu- Mary's Little Lamb, die Vergangenheit allesamt Wurlitzer-Orgel, Drums) Mo- gan, die in ihrer musikali- este Scheibe "Land" zu, zu einem wahre Gänsehaut- empfehlenswert. Besonde- ritz Ecker, der sich auf sei- schen Entwicklung maß- deren Texte sie sich teilwei- schauer über den Rücken re Erwähnung verdienen nem neuen Album von der geblich von Künstlern wie se durch japanische Gedich- jagt. Zu verdanken sind dies hierbei auch ihre beiden skandinavischen Songwriter- Kate Bush, Jane Siberry und te inspirieren ließ. Dazu gibt insbesondere den zwei Coveralben von Bob Dylan Szene, aber auch von Folk- Lene Lovich beeinflusst es atmosphärisches "Wüs- Trompeten im Bandsound (2007) und Tom Waits künstlern der 60iger und wurde.
    [Show full text]
  • How to Re-Shine Depeche Mode on Album Covers
    Sociology Study, December 2015, Vol. 5, No. 12, 920‐930 D doi: 10.17265/2159‐5526/2015.12.003 DAVID PUBLISHING Simple but Dominant: How to Re­shine Depeche Mode on Album Covers After 80’s Cinla Sekera Abstract The aim of this paper is to analyze the album covers of English band Depeche Mode after 80’s according to the principles of graphic design. Established in 1980, the musical style of the band was turned from synth‐pop to new wave, from new wave to electronic, dance, and alternative‐rock in decades, but their message stayed as it was: A non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. As a graphic design product, album covers are pre‐print design solutions of two dimensional surfaces. Graphic design, as a design field, has its own elements and principles. Visual elements and typography are the two components which should unite with the help of the six main principles which are: unity/harmony; balance; hierarchy; scale/proportion; dominance/emphasis; and similarity and contrast. All album covers of Depeche Mode after 80’s were designed in a simple but dominant way in order to form a unique style. On every album cover, there are huge color, size, tone, and location contrasts which concluded in simple domination; domination of a non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. Keywords Graphic design, album cover, design principles, dominance, Depeche Mode Design is the formal and functional features graphic design are line, shape, color, value, texture, determination process, made before the production of and space.
    [Show full text]
  • Musikstile Quelle: Alphabetisch Geordnet Von Mukerbude
    MusikStile Quelle: www.recordsale.de Alphabetisch geordnet von MukerBude - 2-Step/BritishGarage - AcidHouse - AcidJazz - AcidRock - AcidTechno - Acappella - AcousticBlues - AcousticChicagoBlues - AdultAlternative - AdultAlternativePop/Rock - AdultContemporary -Africa - AfricanJazz - Afro - Afro-Pop -AlbumRock - Alternative - AlternativeCountry - AlternativeDance - AlternativeFolk - AlternativeMetal - AlternativePop/Rock - AlternativeRap - Ambient - AmbientBreakbeat - AmbientDub - AmbientHouse - AmbientPop - AmbientTechno - Americana - AmericanPopularSong - AmericanPunk - AmericanTradRock - AmericanUnderground - AMPop Orchestral - ArenaRock - Argentina - Asia -AussieRock - Australia - Avant -Avant-Garde - Avntg - Ballads - Baroque - BaroquePop - BassMusic - Beach - BeatPoetry - BigBand - BigBeat - BlackGospel - Blaxploitation - Blue-EyedSoul -Blues - Blues-Rock - BluesRevival - Blues - Spain - Boogie Woogie - Bop - Bolero -Boogaloo - BoogieRock - BossaNova - Brazil - BrazilianJazz - BrazilianPop - BrillBuildingPop - Britain - BritishBlues - BritishDanceBands - BritishFolk - BritishFolk Rock - BritishInvasion - BritishMetal - BritishPsychedelia - BritishPunk - BritishRap - BritishTradRock - Britpop - BrokenBeat - Bubblegum - C -86 - Cabaret -Cajun - Calypso - Canada - CanterburyScene - Caribbean - CaribbeanFolk - CastRecordings -CCM -CCM - Celebrity - Celtic - Celtic - CelticFolk - CelticFusion - CelticPop - CelticRock - ChamberJazz - ChamberMusic - ChamberPop - Chile - Choral - ChicagoBlues - ChicagoSoul - Child - Children'sFolk - Christmas
    [Show full text]
  • A Content Analysis of Sexual References in Popular Music Meghan Terry Brigham Young University, [email protected]
    Brigham Young University BYU ScholarsArchive FHSS Mentored Research Conference Family, Home, and Social Sciences 2016-04-07 Popular Music: Sexually Saturated? A Content Analysis of Sexual References in Popular Music Meghan Terry Brigham Young University, [email protected] Mariah Ramage Brigham Young University, [email protected] Crystal Gardner Brigham Young University, [email protected] Jessica Van Alfen Brigham Young University, [email protected] Emilee Gregson Brigham Young University, [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/fhssconference_studentpub Part of the Family, Life Course, and Society Commons BYU ScholarsArchive Citation Terry, Meghan; Ramage, Mariah; Gardner, Crystal; Van Alfen, Jessica; and Gregson, Emilee, "Popular Music: Sexually Saturated? A Content Analysis of Sexual References in Popular Music" (2016). FHSS Mentored Research Conference. 294. https://scholarsarchive.byu.edu/fhssconference_studentpub/294 This Poster is brought to you for free and open access by the Family, Home, and Social Sciences at BYU ScholarsArchive. It has been accepted for inclusion in FHSS Mentored Research Conference by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Popular Music: sexually saturated? A Content Analysis of Sexual References in Popular Music Introduction Results 57% of songs had at least one sexual reference. 85% of hip-hop/rap songs, 82% of R&B/soul songs, and “Music is more important than any other media type in managing mood and expressing identity” (Lonsdale 57% of pop songs had sexual references. & North, 2011). Because of this, musical artists have a great power to influence the listeners on an A two-way chi square analysis revealed that there were more hip-hop/rap, pop, and R&B/soul songs with individual and group basis and share messages about life, society, and even sexuality (Selfhout et al., 2009).
    [Show full text]
  • What's That Sound?
    What‘s That Sound? Bittles‘ Magazine | Record Review When I tell you that there is lots of great music coming out this month I am not just saying this because I have been given lots of huge bribes. It is actually true! That is why, this month, the new album reviews will be spread out over two whole weeks instead of the usual one. By JOHN BITTLES And what a line up of fantastic records there is! This week alone we’ve got the raucous rock of Royal Blood, the psychedelic weirdness of The Wytches, the lush house of Roman Flügel, the strange, techno atmospherics of Ital and tons more. So get your ears ready, your headphones on your head, and let us begin. Since I have been obsessed with this record over these last couple of weeks it is only right to start with the gorgeous house stylings of Happiness is Happening by techno legend Roman Flügel. The follow-up to 2011’s excellent Fatty Folders has been a long time coming, yet it is more than worth the wait. With a light house feel the record’s ten tracks touch on ambient, shoegaze, acid and just about every style of music you would care to name. Opener Connecting The Ghost is a beautiful chug of a tune recalling M83 in its spectral majesty. Friendship Song quickly follows, with a laidback italo-style groove that leads us into the first half of the album which is stuffed full of gently chilled delights. The second half is more dancefloor-based, but is every bit as good.
    [Show full text]