DOCSLIB.ORG

Brevard Live September 2007

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Brevard Live September 2007 - 1 2 - Brevard Live September 2007 Brevard Live September 2007 - 3 4 - Brevard Live September 2007 Brevard Live September 2007 - 5 6 - Brevard Live September 2007 letters BMA 2007: Oh What A Night! Dear Heike, Check out our ad in this Chris Long and I knew it when we sat down in the We truly enjoyed meet- months magazine. So my beginning of the year to talk about the Brevard Live Music ing you at the BMA after thanks go out to the many Awards: This year would be the Make or Break for the party at the Mainstreet Pub. friends and customers who BMAs. As much work and effort as we had put into this We’ve attended every award are glad I’m not leaving. event for the past three years, we wanted it to be BIG show since the very begin- Grumpy Al and SOLD OUT! Then the day of show arrived: It was a ning and we always look Burger Inn Monday night, one of the hottest nights this year. It had forward to this unique event been a slow summer, most people seemed to be on vacation. where we can see many of I just want to congratu- We needed about 500 people to fill The Henegar Center in Brevard’s top talent in one late and thank Heike, Chris Downtown Melbourne. And Chris and I were holding our night. and Brevard Live for a really breaths. We moved to Melbourne great evening at the Brevard And then they came - in fancy stretch limos (four of from the big city of Mon- Live Music Awards for them were parked in front of the Henegar Center), dressed treal, Canada, about 5 years BMA. As a former recipient in gowns and gala, with smiles on their faces, ready to ago and I was miserable for of awards I like to help out celebrate LIVE MUSIC in Brevard County. All seats in the the first six months until my and see who’s coming along orchestra were taken and we had to open the balcony to husband and I tapped into as well. accommodate the crowd. And what a crowd it was! Enter- the local music scene. With But this year was truly tainers, club and restaurant owners, music fans - everybody the help of Brevard Live special. First of all it was all came to have a good time and toast our favorite musicians. Magazine we discovered the for BMA: Brevard Music But what made this event truly magical was the comradery amazing wealth of talent that Aid, the musicians answer to among the audience. We felt like family - we were (and are) resides in this community. Joe Realino. But it was also a a real music community. It was a night filled with joy and We admire your dedica- hard year with the loss of Bil- happiness, respect and accolades. tion to Brevard’s musicians ly Van Riper. Seeing Chuck Chris and I received a lot of praise for our efforts and I and we look forward to perform had me choked want to pass them on to our many helpers, without them this seeing you next year at the up and as far as I believe, event could not have been successful: BMAs! Billy was right there with My first thank you goes to my dedicated staff, Charlene Warmest regards, him. I played my acoustic Hemmle, Linda Thorpe, and Eroica Fedder. They helped Olivia and Oak O’Hara at intermission in the lobby to prepare everything and worked the box-office. Thank you with Mike Hance and we felt to Absolute Blue, our wonderful ushers - I wouldn’t want Hello Everyone, a little silly (like us playing to do it without you! Thanks to our musician friends for “Grumpy Al” here. First for Brevard’s best) but later their performances: The Danny Morris Band, Chuck Van off, many congratulations go we dragged it all over to The Riper, Ray Allaire, Billy Lee, David Andrew Spilker, and out to all the winners at the Mainstreet Pub where Steve Eddie Scott. You were awesome! Thanks to the bartender Bammies and also to the staff Thorpe, Chuck Van Riper service “At Your Service” which served beer and wine at at Brevard Live Magazine for and Bo Frazier played along. all four BMAs so far. Thanks to Keith O’Brian for the good running such a great contest. I will never forget that as sound, to Jerry Brees and Adam Lucker and all the other The Burger Inn is NOT long as I live. Thanks for let- helpers from the Henegar Center who has helped us “hands FOR SALE anymore. After ting me be a part. on” every year - including getting the trash out at the end of so many people kept telling John Quinlivan the night. Thanks to our photographer Terry Wallace for me I couldn’t sell the place the beautiful photos. And thanks to Mainstreet Pub for a so I decided not to. Do you Wanted to say again how great BMA-After Party. think it’s because of my won- wonderful the event was. I But above all I want to thank our sponsors: Ken derful attitude or the burgers? think everyone was thrilled Cypher of HEINEKEN USA made this event happening Anyway, I’m not leavin’! I’m with the event and the “buzz” with their headline sponsorship and Mark Ingrim from stayin’ to continue cookin’ is great! the Schenck Co. gave us all the help we needed. We will those great burgers. Jerry Brees toast you with a cold Heineken beer! Other sponsors were Also, since I lost many Henegar Center Captain Hiram’s, Cocoa Beach Pier, Siggy’s, The Cove, music “Al” gigs around town Lou’s Blues, Mainstreet Pub, Meg O’Malley, Tequila Wil- because of this “pay to play” I just wanted to thank lie’s, Marion Music, J Michael Instruments, Florida Dis- coming down on a lot of club you again for inviting me count Music, Jackson Drums, Key West Bar, SBI, and Earl’s owners, I’ve decided to bring to perform at the BMA’s. I Hideaway. Thank you also to our friends at WFIT and “Grumpy Al” to the Burger really had a great time. My FLORIDA TODAY for great coverage about the BMAs! Inn for some live ORIGINAL family enjoyed it as well. music. It will be a lot of fun. Ray Allaire Heike Clarke, Publisher/Editor Souled Out Brevard Live September 2007 - 7 8 - Brevard Live September 2007 BREVARD LIVE Meet The September 2007 Stars F E A T U R E S Brevard Live! Volume 16, Issue 5 • GRANT BBQ-FEST page 11 Enjoy great food and live music all day long. Free parking PUBLISHER & EDITOR and admission. Heike Clarke STAFF • THE YELLOWJACKETS page 17 Charlene Hemmle (Manager & Graphics) World renown jazz fusion group performs at the Space Jay Galbreath (Sales/Marketing) Convention Center. Linda Thorpe (Sales/Marketing) Jeff Nall (Staff-Writer) Chris Long (Staff-Writer) • 20th ANNIVERSARY SEASON page 14 David Mac Makin (Computer) The King Center - Coming a long way, Baby! Lou Belcher (Arts) Terry Wallace (Photos) • BMA 2007 AFTER THOUGHTS page 20 CONTRIBUTING WRITERS A few comments and lots of photos. Eroica Fedder, Greg Kimple, Franco Dean, Judy Tatum Lane, DINING Chuck Van Riper, Rob Selkow Florida Live! & FUN • EURO-ROCK TOUR page 17 Reproduction of any portion of Brevard Live is strictly prohibited without the 14 bands from different places around the world. written permission of the publisher. D I N I N G ADVERTISEMENT/ SALES • OUT & ABOUT page 47 page 47 for information and rate card by Eroica Fedder Phone: (321) 956-9207 She samples food, enjoys the ambi- Fax: (321) 956-9228 ance, listens to music. Eroica is “out & about”. e-mail: [email protected] The A R T S COMMENTS & LETTERS • denette SCHWEIKERT page 56 Please address your contributions to: by Lou Belcher Denette Schweikert says that when she P.O. Box 1452, Melbourne, Fl 32902 started painting five years ago, “…it was a life-changing experience.” Copyright © 2007 Brevard Live • All rights reserved C O L U M N S: We are not responsible for photos or scripts sent to Brevard Live Magazine. CHUCK VAN RIPER page 26 Published photos and articles become MOVIE REVIEWS page 28 property of this publication. We are not BREVARd SCENE page 40 responsible for wrongful advertised or THE GLORY dAYS page 59 canceled venues. C A L E N D A R S: Download ENTERTAINMENT CALENdAR page 31 BREVARD LIVE MAGAZINE LOCATION dIRECTORY page 38 at www.brevardlive.com Brevard Live September 2007 - 9 10 - Brevard Live September 2007 BBQ-FEST RAISES FUNDS TO BUY TOYS FOR KIDS immy Vee is well-known September 29th is Grant BBQ Fest: in Brevard. Since 1991 he IT IS FINGER-LICKING GOOD! hasT been WA1A’s host of the Morning Show on 107.1 FM air utumn is the perfect time of the year to fire up the Bar-B-Que grill and waves. In 1995 Timmy’s show Aslow-cook some delicious pork ribs, chicken, pork and beef briskets. It takes had reached the number one in hours until the meat is tender enough to melt in your mouth, but once you taste it, you’ll be back for more. On Saturday, September 29th, from 10 am to 8 pm, popularity and that’s when he you can enjoy this annual BBQ-Fest in Grant and let the masters cook for you. had the idea to start a children’s The Florida BBQ Association will hold a Florida State Championship right here charity right before Christmas.
Recommended publications
  • The Pomegranate Cycle

    The Pomegranate Cycle

    The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory.
  • Body in the Lyrics of Tori Amos

    Body in the Lyrics of Tori Amos

    California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 3-2014 "Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos Megim A. Parks California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Parks, Megim A., ""Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos" (2014). Electronic Theses, Projects, and Dissertations. 5. https://scholarworks.lib.csusb.edu/etd/5 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. “PURPLE PEOPLE”: “SEXED” LINGUISTICS, PLEASURE, AND THE “FEMININE” BODY IN THE LYRICS OF TORI AMOS ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition ______________________ by Megim Alexi Parks March 2014 “PURPLE PEOPLE”: “SEXED” LINGUISTICS, PLEASURE, AND THE “FEMININE” BODY IN THE LYRICS OF TORI AMOS ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ by Megim Alexi Parks March 2014 ______________________ Approved by: Dr. Jacqueline Rhodes, Committee Chair, English Dr. Caroline Vickers, Committee Member Dr. Mary Boland, Graduate Coordinator © 2014 Megim Alexi Parks ABSTRACT The notion of a “feminine” style has been staunchly resisted by third-wave feminists who argue that to posit a “feminine” style is essentialist.
  • Tolono Library CD List

    Tolono Library CD List

    Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.
  • Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture

    Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture

    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory.
  • WDR 3 Jazz & World, 25. Okt. 2016 Laufplan

    WDR 3 Jazz & World, 25. Okt. 2016 Laufplan

    WDR 3 Jazz & World, 25. Okt. 2016 From L.A. to Cologne 22:04-24:00 Stand: 20.10.2016 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Karsten Mützelfeldt Redaktion: Bernd Hoffmann Laufplan 1. Guarded Optimism K: Mintzer 6:25 YELLOWJACKETS Mack Avenue 1108 CD: Cohearance 2. Father Time K: Mintzer 7:07 WDR BIG BAND WDR-Mitschnitt 6999843177 3. Back Home K: Mintzer 7:42 WDR BIG BAND WDR-Mitschnitt 6999950286 4. Yo! K: Cimiotti 4:25 COLOGNE SAXOPHONE Neuklang 4006; LC: 13834 QUINTET feat. BOB MINTZER CD: Cologne Saxophone Quintet 5. Everything Happens To Me K: Dennis 4:45 MARTIN SASSE TRIO Natmusic 02; LC: 30702 feat. BOB MINTZER CD: Blue 6. Soul Intro/The Chicken K: Pastorius 6:50 JACO PASTORIUS Warner Bros.-Rhino 8122-73779-2 CD: Punk Jazz. The Jaco Pastorius Anthology 7. Tee Bag K: Mainieri 4:40 MIKE MAINIERI QUINTET NYC Records 6022-2 CD: Live at Seventh Avenue South 8. Lazy Day K: Mintzer 7:25 BOB MINTZER BIG BAND DMP 510; LC: 06967 CD: The First Decade 9. Camouflage K: Mintzer 7:45 BOB MINTZER BIG BAND DMP 456; LC: 06967 CD: Camouflage 10. Duo K: Mintzer 2:45 BOB MINTZER OWL 3800622; LC: 30472 CD: Hymn Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 25. Okt. 2016 From L.A. to Cologne 22:04-24:00 Stand: 20.10.2016 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 11.
  • City, University of London Institutional Repository

    City, University of London Institutional Repository

    City Research Online City, University of London Institutional Repository Citation: Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1235/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] A Gendered Musicological Study of the Work of Four Leading Female Singer-Songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos Levent Donat Berköz Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy City University London Centre for Music Studies June 2012 1 TABLE OF CONTENTS TABLE OF CONTENTS ………………………………………………………… 2 LIST OF FIGURES ……………………………………………………………… 5 ACKNOWLEDGEMENTS ……………………………………………………… 7 DECLARATION ………………………………………………………………… 9 ABSTRACT ……………………………………………………………………… 10 INTRODUCTION ……………………………………………………………….. 11 Aim of the thesis………………………………………………………………….
  • December 2002

    December 2002

    PORTABLE • BILL STEWART • CONSUMERS POLL RESULTS DENNISDENNIS CHAMBERS,CHAMBERS, KARLKARL PERAZZO,PERAZZO, RAULRAUL REKOWREKOW SSANTANAANTANA’’SS FFINESTINEST RRHYTHMHYTHM TTEAMEAM?? WWEEZEREEZER’’SS PPATAT WWILSONILSON TTHROUGHHROUGH TTHEHE YYEARSEARS WWITHITH TTERRYERRY BBOZZIOOZZIO NNEWEW FFOUNDOUND GGLORYLORY’’SS CCYRUSYRUS BBOLOOKIOLOOKI TTRADINGRADING FFOURSOURS WWITHITH PPHILLYHILLY JJOEOE $4.99US $6.99CAN 12 PPLUSLUS CCARLOSARLOS SSANTANAANTANA TTALKSALKS DDRUMMERSRUMMERS!! 0 74808 01203 9 ContentsContents Volume 27, Number 12 Cover photo by Paul La Raia SANTANA’S DENNIS CHAMBERS, RAUL REKOW, AND KARL PERAZZO The heaviest rhythm section in rock has just gotten heavier. Even Carlos Santana himself is in awe of his new Dennis Chambers–led ensemble. a a by Robin Tolleson i i a a R R a a L L l l u u a a 56 P P UPDATE 24 Portable’s Brian Levy WEEZER’S Wayward Shamans’ Barrett Martin AT ILSON 80 P W Fugazi’s Brendan Canty From Neil Peart obsessive to Muppet hostage, Pat Wilson has Mickey Hart been through a lot in ten years with Daryl Stuermer’s John Calarco pop gods Weezer. Oh, he plays the heck out of the drums, too. by Adam Budofsky MD CONSUMERS POLL RESULTS 50 The best in today’s gear—according to you. A DIFFERENT VIEW 74 a a i i a a NEW FOUND R R CARLOS SANTANA a a L L Just a sample of his drum cohorts over the l l GLORY’S u u a a years: Michael Shrieve, Jack DeJohnette, Horacio P P CYRUS BOLOOKI Hernandez, Tony Williams, Carter Beauford, 150 Chester Thompson, and now, Dennis Chambers. Even a disastrous fall from a Take your seats, class is about to begin.
  • Jazz Stanton’S Sheet Music

    Jazz Stanton’S Sheet Music

    Instructions on how to shop Stanton’s “Current Promotions” Simply click the text that pertains to the product you are interested. You will then go to the details page for the product you selected. You may then add the product to your cart by clicking “Add to Cart”. Click Here to go to the “Current Promotion” TOP CHOICES IN JAZZ STANTON’S SHEET MUSIC TITLES Spring JAZZ C & R P PRESENTS E 2004 A O R Winter M C O F TH E MUSIC FOR JAZZ ENSEMBLE & MORE 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212 1234567890123456789012345678901212345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901Stanton’s Sheet Music is proud to be a member 2123456789012345678901234567890121234567890123456789012345678901212 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212VOCAL SOLO 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212 1234567890123456789012345678901212345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901A
  • University of Southampton Research Repository Eprints Soton

    University of Southampton Research Repository Eprints Soton

    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Music Volume 1 of 2 Phono-somatics: gender, embodiment and voice in the recorded music of Tori Amos, Björk and PJ Harvey by Sarah Boak Thesis for the degree of Doctor of Philosophy October 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the degree of Doctor of Philosophy PHONO-SOMATICS: GENDER, EMBODIMENT AND VOICE IN THE RECORDED MUSIC OF TORI AMOS, BJÖRK AND PJ HARVEY Sarah Boak This thesis is a feminist enquiry into the relationship between gender, embodiment and voice in recorded popular music post-1990. In particular, the study focuses on the term ‘embodiment’ and defines this term in a way that moves forward from a simple understanding of representing the body in music.
  • Tori Amos on Listening to Your Muses

    Tori Amos on Listening to Your Muses

    August 21, 2017 - Tori Amos is an American singer-songwriter, pianist, and composer. She is a classically trained musician who has released 15 solo records over the past 25 years. Her most recent album, Native Invader, is set for release on September 8th. In describing the impetus behind it, Amos says, "We have to out-create the destructiveness that is all around us." As told to T. Cole Rachel, 2213 words. Tags: Music, Inspiration, Process, Independence, Success, Identity. Tori Amos on listening to your muses You’ve always spoken openly about your songwriting process. As someone who seems receptive to whatever energy’s floating around out in the atmosphere, how has it been to write and record songs over the past year when the world feels particularly crazy? Intention is something that has come up a lot in the last year or so. I took a road trip in June of last year and part of what I got out of that was the question, “What is your intention?” I really sat with that for many days. I said to the universe, “Well, I’m open. I need to be guided and directed. Tell me.” That’s a very different place to be, creatively speaking, than when you’re on a cycle of putting out records, particularly when you’re in the pop music hamster wheel and you’re trapped in the album/touring cycle. Not everybody chose to keep up with that cycle. Some artists I knew would release a record every four or five years, but I was every other year with a tour in between.
  • Adult Author's New Gig Adult Authors Writing Children/Young Adult

    Adult Author's New Gig Adult Authors Writing Children/Young Adult

    Adult Author's New Gig Adult Authors Writing Children/Young Adult PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 31 Jan 2011 16:39:03 UTC Contents Articles Alice Hoffman 1 Andre Norton 3 Andrea Seigel 7 Ann Brashares 8 Brandon Sanderson 10 Carl Hiaasen 13 Charles de Lint 16 Clive Barker 21 Cory Doctorow 29 Danielle Steel 35 Debbie Macomber 44 Francine Prose 53 Gabrielle Zevin 56 Gena Showalter 58 Heinlein juveniles 61 Isabel Allende 63 Jacquelyn Mitchard 70 James Frey 73 James Haskins 78 Jewell Parker Rhodes 80 John Grisham 82 Joyce Carol Oates 88 Julia Alvarez 97 Juliet Marillier 103 Kathy Reichs 106 Kim Harrison 110 Meg Cabot 114 Michael Chabon 122 Mike Lupica 132 Milton Meltzer 134 Nat Hentoff 136 Neil Gaiman 140 Neil Gaiman bibliography 153 Nick Hornby 159 Nina Kiriki Hoffman 164 Orson Scott Card 167 P. C. Cast 174 Paolo Bacigalupi 177 Peter Cameron (writer) 180 Rachel Vincent 182 Rebecca Moesta 185 Richelle Mead 187 Rick Riordan 191 Ridley Pearson 194 Roald Dahl 197 Robert A. Heinlein 210 Robert B. Parker 225 Sherman Alexie 232 Sherrilyn Kenyon 236 Stephen Hawking 243 Terry Pratchett 256 Tim Green 273 Timothy Zahn 275 References Article Sources and Contributors 280 Image Sources, Licenses and Contributors 288 Article Licenses License 290 Alice Hoffman 1 Alice Hoffman Alice Hoffman Born March 16, 1952New York City, New York, United States Occupation Novelist, young-adult writer, children's writer Nationality American Period 1977–present Genres Magic realism, fantasy, historical fiction [1] Alice Hoffman (born March 16, 1952) is an American novelist and young-adult and children's writer, best known for her 1996 novel Practical Magic, which was adapted for a 1998 film of the same name.
  • Rock Album Discography Last Up-Date: September 27Th, 2021

    Rock Album Discography Last Up-Date: September 27Th, 2021

    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.