2020 SEASON 2020 SEASON EVERY BRILLIANT THING JESUS WANTS ME FOR A SUNBEAM DANCE NATION A ROOM OF ONE'S OWN ESCAPED ALONE THE JUNGLE AND THE SEA MISS PEONY MY BRILLIANT CAREER CURSED! SUMMERFOLK
B 1 Miles Franklin. Virginia Woolf. Caryl Churchill. Three essential writers and their most essential works. Michelle Law. Kodie Bedford. Clare Barron. Three new essential writers and their hypercolour visions of life today. Antigone and the Mahabh- arata- . Two of the great old stories brought together in one new play by the artists behind There’s a wonderful, nagging Counting and Cracking. human instinct which keeps asking Is this it? How can it be Maxim Gorky’s magnificent better? What more is possible? Summerfolk, Peter Goldsworthy’s In most of daily life there’s no Jesus Wants Me for a Sunbeam, time to humour that instinct, the return of the hit Every ONW which is why you have Belvoir. Brilliant Thing, (plus a special We exist entirely to entertain work-in-progress from Alana new possibilities. Valentine). Now more than ever. Ten (and a half) shows, all driven by that beautiful question, What What’s happening to our more is possible? And ten very country? To our planet? Why different answers. Which is are women still shut out? the glorious thing about it: the How do we maintain the multitude of possibilities, the rage? How do you love when many answers, the variety of life. you’re angry or scared or desperate? How do we learn STAGGER ONWARD to live together better? What REJOICING. are we missing, what aren’t W.H. Auden we seeing? What more is possible? These are the questions that drive the artists and stories in ARDSour season this year.
2 3 10 – 26 JAN
Written by Duncan Macmillan with Jonny Donahoe Directed by Kate Champion Co-Directed by Steve Rodgers
Set & Costume Designer Isabel Hudson Truth, done simply, is magic on the Belvoir Lighting Designer stage, and if ever a show was true… Amelia Lever-Davidson if you missed it here’s your second chance. Sound Designer – Eamon Steve Francis With Steve Rodgers BACK BY POPULAR DEMAND!
A warm, deeply-felt show You asked for it, and it’s back. that garnered awards and
EVERY BRILLIANTHosted beautifully THING by Steve applause, Every Brilliant Thing 1 – The Sydney Morning Herald HHHH /2 “Brilliant” returns for a limited season. Rodgers, the hit of 2019, about 1 a boy’s list of things that make HHHH /2 “Beautiful… one you won’t soon forget” life worth living, builds hope – Limelight and joy - with the audience’s help - every night. Steve 4 5 6 FEB – 8 MAR
Written by Belvoir presents The Pollard family’s Peter Goldsworthy Riverside’s world is flipped Adapted by National Theatre on its head when Steve Rodgers of Parramatta illness breaches their Directed by production. sanctuary. Based on the Darren Yap JESUS novella by acclaimed Set & Costume Adelaide author Designer WANTS Peter Goldsworthy, Emma Vine Jesus Wants Me for a Lighting Designer Sunbeam is a powerful reminder of what we do Verity Hampson Composer & for those we love. Sound Designer Max Lambert & ★★★★½ Sean Peter – The Sydney Morning Herald With a cast of “This is stunning theatre” six including Valerie Bader – Sydney Arts Guide Emma Jackson Mark Lee This one played at Liam Nunan ME Parramatta and had FOR A them weeping in the aisles. It’s a detailed, humane depiction of the universe that can exist in a small family – which makes it a perfect show for Belvoir. SUN – Eamon BEAM
6 7 14 MAR – 12 APR This came out of Somewhere in America, America and has taken away from the bright the world by storm. lights, a group of young Theatrically playful, teen girls prepare for the unapologetically most important event ratbaggy, with a great of their lives – a dance ensemble of adult show contest. But all the anxieties and confusions performers playing of the adult world come the teen dancers, this sashaying on stage, one promises to be as revealing a dog-eat-dog intriguing as it drama. The girls are is entertaining. played by adult women, – Eamon as if they’re reliving past agonies and triumphs. This is a comic play of memory and feminist power, and a subtly subversive exploration of the time of life when the demons get in. HHHH – The Guardian UK HHHH1 /2 “Wild, funny, ferocious drama”
DANCE NATION– TimeOut Co-Produced with Written by Set & Costume Designer Choreographer With a cast of nine State Theatre Company Clare Barron Jonathan Oxlade Larissa McGowan Mitchell Butel, Emma Harvie, Chika Ikogwe, of South Australia Directed by Lighting Designer
Yvette Lee, Rebecca Massey, Amber McMahon, Emma & Mitchell Bec, Chika, Imara Savage Alexander Berlage 8 Louisa Mignone, Tara Morice, Tim Overton 9 18 APRIL – 17 MAY
A teacher once told A ROOM OF ONE'S OWN me work by and about women is usually only small and domestic, never bold or formally radical. He’d obviously never read this (or seen our production).
What started as a lecture Written by – Carissa Licciardello to a roomful of students Virginia Woolf became an essay, became Adapted by a book, became a seismic Carissa Licciardello wave. Virginia Woolf’s 1929 & Tom Wright classic description of the Directed by need for new spaces and Carissa Licciardello a complete redefinition of With Anita Hegh who owns our storymaking is by turns wise, amusing, Supported by incendiary and poetic. The Group Rippling with passion, one of the finest pieces of writing in the last hundred years, with the distinct talents of Anita Hegh walking Woolf’s tightrope of thought and feeling. Anita
10 11 Written by 23 MAY – 21 JUN Caryl Churchill Directed by Anne-Louise Sarks Set & Costume Designer Elizabeth Gadsby Lighting Designer Paul Jackson With Judi Farr Kris McQuade ESCAPED Heather Mitchell Helen Morse Supported by the Oranges & Sardines Foundation
This is a play for the end of the world. Four women in their seventies sit in a suburban backyard, ALONEIs Caryl Churchill HHHH convivially chatting. the greatest living – The Guardian UK At first it is almost too playwright in “Magnificent… recognisable – but there the world? In a it’s funny, it’s is a frightening and theatrical poem, complicated, powerful world beneath about an hour long, it’s sinister” the surface – a work of she catches the visionary theatre. – The Huffington Post complexity of the 21st century. And just look at that cast! – Eamon Kris, Heather & Helen Kris, Heather
12 13 A mother, in a time of war. She 4 – 26 JUL loses members of her family, one after the other – but she never loses hope. A rich, sweeping new play from the team that made the acclaimed Counting and Cracking. The Jungle and the Sea leans on two great pillars of literature – Antigone and the Mahabh- arata- – to forge a new story about surviving loss and the possibility of reconciliation. THE JUNGLE AND THE SEA ගණ වන මුහුද After Antigone and The Mahābhārata
Counting and Cracking was written in honour of those who tried to halt Sri Lanka’s descent into civil war. The Jungle and the Sea is written in honour of those who survived the war, and the ways they found to uphold their dignity even when everything else was falling down around them.
– S. Shakthidharan
Co-Produced with Written & Directed by Set & Costume Designer With a cast of Prakash Belawadi Kalieaswari Srinivasan Supported by the Lingalayam Dance Company S. Shakthidharan & Eamon Flack Dale Ferguson ten including Nadie Kammallaweera Vaishnavi Suryaprakash Gamechangers Choreographer Anandavalli Lighting Designer Anandavalli Jacob Rajan Rajan Velu Veronique Benett & Vaish Anandavalli 14 15 1 AUG – 6 SEP
Lily’s grandmother was a beauty queen back in Hong Kong. She doesn’t care that times have changed and that Lily lives in a new country and a new century. She sees that Lily’s caught between worlds, and wants her to enter the Chinese community beauty pageant, the highly competitive Miss Peony. She won’t take no for an answer. And to makes matters worse, she’s a ghost. A new comedy from the writer of the nationwide smash hit 牡 丹 小 姐 Single Asian Female. MISS PEONY
In association with I entered a beauty pageant once Arts Centre Melbourne as a teenager and won Best Written by Michelle Law and Queensland Personality. In a beauty pageant! Directed by Sarah Giles Performing Arts Centre Associate Director This is going to be glitzy and Courtney Stewart Supported by the Creative glamorous and slightly unhinged. Development Fund With a cast of six including – Michelle Law Michelle Law George Zhao Michelle
16 17 Dark, funny, and roughly 12 SEP – 18 OCT a century ahead of her time, Sybylla’s voice is one that demands to be heard – a guttural cry of rage against the inequities set at birth. Brilliant MY – Kendall Feaver CAREER Australia, on the cusp of Written by a new century. Sybylla Miles Franklin Melvyn has grown up Adapted by beyond the black stump, Kendall Feaver but she is determined to Directed by get away and make her own Kate Champion spectacular mark on the Set Designer world. But if that’s to happen, Robert Cousins she must first surmount Lighting Designer collapsing family fortunes, Amelia Lever-Davidson a world hardwired against headstrong women, and the With a cast of insistent nagging of love. seven including Nikki Shiels One of our great tales Helen Thomson of emancipation and Supported by the identity, fashioned in a Chair’s Circle new adaptation by rising Australian playwright Kendall Feaver, with the irrepressible Nikki Shiels as Sybylla. Nikki
18 19 24 OCT – 15 NOV
Introducing a hilarious new Written by Most people voice, Kodie Bedford, our Kodie Bedford inherit money Balnaves Fellow. Directed by from their CursedBernadette hasn’t been Jason Klarwein !families. home to Geraldton for a Lighting Designer I inherited while. Her siblings are mad Chloe Ogilvie crazy. I thought as cut snakes, the oldies With a cast of it was a curse. are worse – even a simple six including But now I can conversation ends up a Lynette Curran make money by cyclone of screaming. But Chenoa Deemal writing about it. Nan’s leaving the world, and Sacha Horler this mixed-up family returns Bjorn Stewart – Kodie Bedford to the roost; a brother living a big lie, a daughter Indigenous theatre at swimming in little lies, and Belvoir supported by a mum who can’t tell the The Balnaves truth to save herself. Are Foundation they cursed? Or can they change the way they see themselves, and how the world sees them? Lynette, Sacha & Chenoa Lynette,
20 21 Written by Maxim Gorky Designer Mel Page With a cast of Supported by the A coastal town, somewhere in for years. They’ve got the I love this play – Adapted & Directed by Composer & thirteen including Nelson Meers Australia. Skeleton population money to enjoy themselves, its games of love Eamon Flack Sound Designer Mandela Mathia Foundation in winter, swollen with the they always have. Why should and human foibles, Clemence Williams Richard Pyros holiday crowd in summer. This it be any different this year? its black sense of 21 NOV – 20 DEC Pamela Rabe particular bunch have been Why should it ever change? humour. It has a Toby Truslove coming to their beach houses classic theatrical Sophie Wilde motor: a group of people who can’t get through a holiday without throwing a punch and smashing the mirror. But it’s also a big-picture play about us, how the hell we’ve ended up where we are...
– Eamon SUMMERFOLK How Good is Australia? Mandela, Toby, Sophie & friends Mandela, Toby,
22 23 COMING IN 2021...
We wouldn’t normally Now Alana wants to hear announce a work-in- from anyone who was progress but this one’s married at the Wayside and special. Alana Valentine has a story to share. She’ll has been making work with be interviewing people communities for decades throughout 2020 and but for this show she needs building their stories into your help. a new work exploring the radical contribution of this Alana’s mother and step- mighty little chapel on a father were married at the Kings Cross side street for a Wayside Chapel when she world premiere at another was just a little girl. That’s rag tag organisation in a her there in the picture. Surry Hills side street…
REGISTER YOUR STORY AT waysidebride.com.au
Written by Alana Valentine WAYSIDEin consultation with the BRIDE Wayside Chapel community. 24 25 DANCE NATION Every season for the last few years we’ve presented a new American play (Mr Burns, Hir, The Wolves). This hasn’t been by plan - it’s just that America, perhaps because of its turmoil, is turning out some startlingly original writing about modern life. These plays harness America’s energy at its best - its confidence, its inventiveness, its chutzpah. And interestingly, for a country struggling with the middle-age of its nationhood, these plays feel young. Dance Nation is no exception. Clare Barron really is EVERY BRILLIANT THING WHAT’S young - she was in her mid-20s when THE JUNGLE AND THE SEA This had a short and she wrote this. It’s energetic, defiant, wonderful season last year, with a feminist carnival spirit to it, Shakthi and I felt like we really began leaving our stage before and above all else it’s wonderfully something with Counting and Cracking - the everyone had the chance to playful. Which makes it a very energy of that group of actors, the hunger see it. If you’ve experienced Belvoir kind of modern American from audiences for these unexpected, overdue it already, invite someone play. It’ll surprise you, maybe even stories. This time we’re working on a slightly else along. It’s a real catch you a little off guard. Bring smaller scale (although still big for Belvoir), gift, this play: heartfelt, your granddaughters. Especially if and we’re drawing on two of the great stories generous, original. Stevie they’re a bit radical-minded... of all time - Sophocles’ Antigone, and the Rodgers took over from Gandhari story from the Mahabh- arata- . IT ALLKate Mulvany last year, and The idea to draw on both stories came his spirit matches the play about by fate, really (which is appropriate perfectly. If you missed to the material). Shakthi and I knew we it last time, here’s your wanted to collaborate again, and soon; we chance. Or just see it again What an electrifying piece of each brought these different stories to the - truly a show that’s never writing. Virginia Woolf’s 1929 essay table and discovered they illuminated each the same twice. is ostensibly the record of her other. Shakthi has a remarkable sense of attempt to understand why there the way that stories can get people through are so few women writers in history. profound loss and uncertainty. The show is Her search for an answer becomes a collaboration with the Homebush-based a personal odyssey from one male- Lingalayam Dance Company, run by the dominated institution to another, JESUS WANTS ME FOR A SUNBEAM world-renowned Bharatanatyam dancer, ABOUT and a dance with the ghosts of teacher and choreographer Anandavalli. Peter Goldsworthy is one of our great, complex writers - unafraid of women past; it yields an astonishing We’ve tempted her back on stage to work a moral conundrum, driven by an urge to discover where the limits of self-portrait. I’ll go out on a limb and A ROOM OF ONE’S OWN alongside this brilliant international cast. And our humanity lie, but never obnoxious or manipulative. Stevie Rodgers say it’s up there with Hamlet for its I mean brilliant. Five of the remarkable cast of is one of the great splendours of Australian theatre. He’s all heart and scouring of the human mind. It’s also , plus Anandavalli and straightforwardness. It makes him the perfect adaptor for Goldsworthy’s Counting and Cracking shockingly contemporary. Shocking the terrific New Zealand actor Jacob Rajan. story of a family dealing with illness. The production comes to Belvoir because Woolf’s evocation of the It’s a hell of a company. from Riverside’s National Theatre of Parramatta, where it garnered maddening experience of living in a tears and accolades in its premiere last year. This is the fifth year in a patriarachy sounds... just the same row we’ve brought a show to Belvoir from what’s known in the biz as as now, almost a hundred years later. the small-to-medium sector - that big varied group of vital, coal-face I shouldn’t have favourites but the thought companies whose funding has been ripped from them time and again of Virginia Woolf voiced by Anita Hegh but who persevere nonetheless. Australian storytelling is better for them. gives me goosebumps. This show is honest and beautiful. It’s an honour to bring it to Belvoir. 26 27 MY BRILLIANT CAREER ESCAPED ALONE Like Ariel in the cloven pine, Miles Franklin Caryl Churchill just might be the greatest living has become bound by the award which was playwright in the world today. No other writer has named for her; the time is right to set her free remained so contemporary for so long, or reinvented to speak for herself again. And what a voice. CURSED! the possibilities of playwriting so often. Top Girls, The opening paragraphs of My Brilliant Career Serious Money, Cloud Nine are the big hits - and how are blunt, grinning, awkward, and magnificent. Let’s start with that exclamation mark on the often is a hit as formally bold as those three? - but They heralded an alternative path for end of the title: this show isn’t afraid of a big who else comes close to the political complexity of Australian storytelling that is as vital today as gesture. It’s the first play by Jaru/Gija writer Light Shining in Buckinghamshire or Mad Forest? For it was in 1902. Franklin was barely 20 when Kodie Bedford, who has been the Balnaves the last fifteen years or so Churchill has been writing her novel was published, and reading it now Fellow at Belvoir for the last year. You could a series of astounding miniatures on subjects that you get the sense that it’s not so much an act say her play is larger than life but, the fact most playwrights struggle to even attempt: genetic of fiction as a mighty effort by young Stella is, it’s practically a documentary of Kodie’s modification, ideological collapse, nature in revolt. ‘Miles’ Franklin to reimagine the possibilities family. Much of the play really happened She’s over eighty now and she’s still writing like no- of her own life. By giving her narrator, Sybylla, (well, in some form or another...) - it just so one else. Escaped Alone is the best of her later works, free reign to rewrite the old marriage plot happens that in some families real life is as and one of her essential plays. It’s short - about an of the 19th-century novel, Franklin was madcap as a stage comedy. And this play hour long; and not much ‘happens’ - four women sit giving herself the chance to break out of the is, frankly, piss funny. But the genius of it is confines of Edwardian womanhood. In other that the comedy springs from some pretty in the backyard and pass time. But as they talk, they MISS PEONY reveal the vastness of their words, this book is a magic spell and an act of hard realities. We’re not great in Australia lives, and breaking through Comparisons are odious and Michelle Law liberation, and it’s time has come again. Nikki at talking about class and we’re not great their conversation are Mrs has her own kind of brilliance, but she does Shiels looks a little like at talking about J’s visions of the 21st century put me in mind of Nora Ephron: that same a young Franklin, but If you’ll pardon me saying it, a large part of mental illness. - apocalyptic, spectral but ability to set up a comic premise and make we’ve cast her because Australia are off their face on comfort. We’re Kodie’s fine to talk somehow utterly recognisable it pay off again and again without putting she’s a force of nature. addicted. Summerfolk is about an entire class about both. She’s - the things we know in our a hair out of place; that same sharp eye So is the writer of of people who don’t know how to begin to deal shameless about bones about the world we for human foibles; that same delight in the adaptation, with a changing world. Even the characters it. She sees that are creating. It’s as though pointing out hypocrisy. Michelle has a special Kendall Feaver, who who know that history is ticking away like a atrocious things the Oracle of Delphi has peccadillo of her own: she’s fascinated by cleaned up a bunch bomb don’t know how to wean themselves can be funny. possessed the lollipop lady. humiliation - by how funny it can be, the way of playwriting awards off the sunshine and self-regard. But it’s also Sometimes have It’s the perfect excuse to put it suddenly reveals some truth or other. All for The Almighty funny - full of love, excess, hope, all those to be funny. It’s a four of the greats of Australian her writing so far is driven by this fascination: Sometimes, which was things that make Russian dramas so great. liberated, liberating theatre on stage together: her SBS series Homecoming Queens, her at Griffin Theatre in This will be the first time I’ve ever done a play. I love it Helen Morse, Judi Farr, play Single Asian Female. Miss Peony takes 2018. The director is play twice: Summerfolk was one of the first because it’s about Kris McQuade and Heather this a step further, eking out the humiliation Kate Champion. That’s things I ever directed 11 years ago. I’ve always having to find new Mitchell. of not being a sufficiently Chinese, or a four brilliant women wanted to do it again, and the election of the ways to love when sufficiently Australian, Chinese-Australian. It’s joining forces – I’m Morrison government tipped the scales. This the people you call funny – sometimes painfully so - but it’s also excited. is the perfect play for a society that picked family are so broken tender and it becomes kind of a collective its overenthusiastic neighbour as the Prime that normal love dis-burdening. You can feel the relief of her Minister because he promised he wouldn’t won’t do. audience as they laugh: Yes! That’s how I feel actually do anything. Perfect because it’s a too! Which makes her a true artist: willing to play about how to live together (or not), how humiliate herself so her audience can laugh to work towards a better society (or not), how away their own humiliations. to cope with change (or not), and it felt to me that Australia chose the “or not” last May. Well,
SUMMERFOLK good luck to us all...
28 29 WE’LL TELL YOU! Becoming a subscriber means Belvoir benefits all year long! Exclusive privileges include flexibility, choosing your favourite WHY SUBSCRIBE?seats in the house, and knowing you’ll see some of the best theatre on offer in 2020. Snap up a package of five plays or go to town and see it all! BE A FREE H H FREE TICKET
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34 35 BOOKING is WHAT ELSE? EASY There are a few things worth knowing before you send in your subscription… UNDER 30 DID YOU CHANGE Many young people love YOUR MIND? going to the theatre but PAYMENT PLANS All subscribers can price can be a barrier. LET’S SIT TOGETHER OPENING NIGHTS exchange tickets for free We have the solution: You can spread the cost Do you have friends who PREVIEWS Opening nights are by up to 48 hours before our 30-Down program of your subscription are also subscribing this invitation only and are not your booked performance. for theatre lovers who are Every production at Belvoir across three deferred year? Even if you’re paying available as part of your This applies to your first 30 years or under. You has at least one preview payments when you separately you can still subscription package. exchange for each play can secure some nicely before opening night. book with a paper form sit together. Simply book only and is subject to discounted seats for Previews are your chance to and pay by credit card. together online and choose availability. Any further you and your friends. get in ahead of everyone else See booking form for seats that are next to one FIRST IN, ticket exchanges may 30-Down pricing applies and experience a show for details. another. If you’re using the incur a fee, payable at time to any performances the first time. Your reactions paper form, just send in BEST SEATED and your feedback can of exchange. Treasured except Saturday evenings your forms together and All subscriptions are help chart the course of the Subscribers pay no and Sunday shows. nominate a contact captain processed in order overall production. The first exchange fees ever. for your group. of receipt. Of course, one to three performances, ordering online is the Please note when leading up to opening night, quickest way to go. If you transferring to more are cheaper than the rest subscribe via the paper expensive seats or of the season. So if you’re a WE’RE HERE TO HELP form, make sure you performances patrons generous audience member, If you’re unsure of what send it in ASAP. will be liable to pay the up for a bit of fluttering you need then let us know difference in prices. nerves and the occasional your prefered day of the blip, this is the season week, and we can choose And if you change to a package for you. the best available date cheaper one we’ll credit and seats for you. It’s our the difference. pleasure!
36 37 2020 SEASON EVERY BRILLIANT THING 10 JAN – 26 JAN MON TUE WED THU FRI SAT SUN = 9 1PM 10 7.30PM 11 7.30PM 12 5PM UNWAGED & PREVIEW OPENING LOYALTY PREVIEW 13 14 6.30PM 15 6.30PM 16 1PM & 7.30PM 17 7.30PM 18 2PM & 7.30PM 19 5PM
We treasure our loyal supporters. 20 21 6.30PM 22 6.30PM 23 1PM & 7.30PM 24 7.30PM 25 2PM & 7.30PM 26 5PM Belvoir recognises those patrons who have been subscribers for four or more consecutive years. Our ROYALTY! JESUS WANTS ME FOR A SUNBEAM 6 FEB – 8 MAR three-tiered Loyalty program is: If you have become part of the Loyalty MON TUE WED THU FRI SAT SUN program this year, we congratulate you! 6 7.30PM 7 7.30PM 8 7.30PM 9 5PM And if you’ve moved up into a new level PREVIEW OPENING of loyalty, super congratulations. Here’s 10 11 6.30PM 12 6.30PM 13 1PM & 7.30PM 14 7.30PM 15 2PM & 7.30PM 16 5PM what our loyalty royalty* receives: 17 18 6.30PM 19 6.30PM 20 11.30AM UNWAGED 21 7.30PM 22 2PM & 7.30PM 23 5PM + Q&A & 7.30PM TREASURED • Invitations to special Belvoir events 24 25 6.30PM 26 11.30AM ED 27 7.30PM 28 7.30PM 29 2PM & 7.30PM 1 5PM 10 or more consecutive years throughout the year. & 6.30PM • A 2020 Belvoir Season keyring. 2 3 6.30PM 4 6.30PM 5 1PM & 7.30PM 6 7.30PM 7 2PM & 7.30PM 8 5PM • $2 discount on wine, beer and glasses DEVOTED of post-mix soft drink per transaction DANCE NATION 14 MAR – 12 APR when you flash your loyalty keyring at 7 – 9 consecutive years MON TUE WED THU FRI SAT SUN the Hal Bar in the foyer of the theatre. 14 7.30PM 15 6.30PM PREVIEW PREVIEW PLUS! 16 17 7.30PM 18 7.30PM 19 7.30PM 20 7.30PM 21 2PM & 7.30PM 22 5PM Treasured subscribers are PREVIEW OPENING loyal 23 24 6.30PM 25 11.30AM ED 26 7.30PM 27 7.30PM 28 2PM & 7.30PM 29 5PM entitled to unlimited fee-free ticket & 6.30PM 4 – 6 consecutive years exchanges.** 30 31 6.30PM 1 6.30PM 2 UNWAGED 3 7.30PM 4 2PM & 7.30PM 5 5PM + Q&A 11.30AM & 7.30PM
6 7 6.30PM 8 6.30PM 9 1PM & 7.30PM 10 GOOD FRIDAY 11 7.30PM 12 5PM DO YOU LIKE RELAXING AND DRINKING WINE?
As one of our loyal supporters, why not Abbey, Elderslie House or Nulkaba House in A ROOM OF ONE’S OWN 18 APR – 17 MAY introduce a new subscriber to Belvoir – the heart of the Hunter Valley wine country MON TUE WED THU FRI SAT SUN friend, family member, someone you work for up to 12 guests. Prize includes 12 bottles 18 7.30PM 19 6.30PM with. By welcoming another person to of premium Hunter Valley wine. Let us know PREVIEW PREVIEW the Belvoir family, you will go in the draw if you’ve referred someone new when you 20 21 7.30PM 22 7.30PM 23 7.30PM 24 7.30PM 25 7.30PM 26 5PM to win a three-night midweek stay at one subscribe. Cheers! PREVIEW OPENING of Hunter Valley Holiday Homes’ unique Competition closes 21 June 2020. 27 28 6.30PM 29 6.30PM 30 11.30AM 1 7.30PM 2 2PM & 7.30PM 3 5PM country houses. Your choice is Bonn + Q&A UNWAGED See our website for terms and conditions. & 7.30PM 4 5 6.30PM 6 6.30PM 7 1PM & 7.30PM 8 7.30PM 9 2PM & 7.30PM 10 5PM
* You can be a loyalty republican if you like. The deal is the same. 11 12 6.30PM 13 11.30AM ED 14 7.30PM 15 7.30PM 16 2PM & 7.30PM 17 5PM & 6.30PM ** While exchange fees are waived, Treasured Subscribers who change from less 38 expensive to more expensive performances are liable to pay the difference. 39 2020 SEASON CONTINUED 2020 SEASON CONTINUED
ESCAPED ALONE 23 MAY – 21 JUNE MY BRILLIANT CAREER 12 SEP – 18 OCT MON TUE WED THU FRI SAT SUN MON TUE WED THU FRI SAT SUN 23 7.30PM 24 6.30PM 12 7.30PM 13 6.30PM PREVIEW PREVIEW PREVIEW PREVIEW 14 15 16 17 18 19 25 26 7.30PM 27 7.30PM 28 7.30PM 29 7.30PM 30 2PM 31 5PM 7.30PM 7.30PM 7.30PM 7.30PM 2PM 20 5PM PREVIEW OPENING & 7.30PM PREVIEW OPENING & 7.30PM 1 2 6.30PM 3 6.30PM 4 11.30AM 5 7.30PM 6 2PM 7 5PM 21 22 6.30PM 23 6.30PM 24 11.30AM 25 7.30PM 26 2PM & 7.30PM 27 5PM + Q&A UNWAGED & 7.30PM + Q&A UNWAGED & 7.30PM & 7.30PM 8 9 6.30PM 10 11.30AM ED 11 7.30PM 12 7.30PM 13 2PM 14 5PM 28 29 6.30PM 30 6.30PM 1 1PM & 7.30PM 2 7.30PM 3 2PM & 7.30PM 4 5PM & 6.30PM & 7.30PM 15 16 6.30PM 17 6.30PM 18 1PM 19 7.30PM 20 2PM 21 5PM 5 6 6.30PM 7 6.30PM 8 1PM & 7.30PM 9 7.30PM 10 2PM 11 5PM & 7.30PM & 7.30PM & 7.30PM 12 13 6.30PM 14 11.30AM ED & 15 7.30PM 16 7.30PM 17 2PM 18 5PM 6.30PM & 7.30PM THE JUNGLE AND THE SEA 4 – 26 JUL MON TUE WED THU FRI SAT SUN CURSED! 24 OCT – 15 NOV 4 7.30PM 5 6.30PM MON TUE WED THU FRI SAT SUN PREVIEW PREVIEW 24 7.30PM 25 6.30PM 6 7 7.30PM 8 7.30PM 9 7.30PM 10 7.30PM 11 2PM 12 5PM PREVIEW PREVIEW PREVIEW OPENING & 7.30PM 26 27 7.30PM 28 7.30PM 29 7.30PM 30 7.30PM 31 2PM & 7.30PM 1 5PM 13 14 6.30PM 15 6.30PM 16 1PM 17 7.30PM 18 2PM 19 5PM PREVIEW OPENING + Q&A & 7.30PM & 7.30PM 2 3 6.30PM 4 6.30PM 5 11.30AM 6 7.30PM 7 2PM 8 5PM 20 21 6.30PM 22 11.30AM ED 23 7.30PM 24 7.30PM 25 2PM 26 5PM 6.30PM & 7.30PM UNWAGED/ED & 7.30PM & 7.30PM 9 10 6.30PM 11 6.30PM 12 1PM & 7.30PM 13 7.30PM 14 2PM & 7.30PM 15 5PM + Q&A MISS PEONY 1 AUG – 6 SEP MON TUE WED THU FRI SAT SUN SUMMERFOLK 21 NOV – 20 DEC 1 7.30PM 2 6.30PM MON TUE WED THU FRI SAT SUN PREVIEW PREVIEW 21 7.30PM 22 6.30PM 3 4 7.30PM 5 7.30PM 6 7.30PM 7 7.30PM 8 2PM 9 5PM PREVIEW PREVIEW PREVIEW OPENING & 7.30PM 23 24 7.30PM 25 7.30PM 26 7.30PM 27 7.30PM 28 2PM & 7.30PM 29 5PM 10 11 6.30PM 12 11.30AM ED & 13 7.30PM 14 7.30PM 15 2PM & 7.30PM 16 5PM PREVIEW OPENING 6.30PM 30 1 6.30PM 2 6.30PM 3 11.30AM 4 7.30PM 5 2PM & 7.30PM 6 5PM 17 18 6.30PM 19 6.30PM 20 11.30AM 21 7.30PM 22 2PM & 7.30PM 23 5PM + Q&A UNWAGED/ED UNWAGED & 7.30PM & 7.30PM 7 8 6.30PM 9 6.30PM 10 1PM & 7.30PM 11 7.30PM 12 2PM & 7.30PM 13 5PM 24 25 6.30PM 26 6.30PM 27 1PM & 7.30PM 28 7.30PM 29 2PM & 7.30PM 30 5PM + Q&A 14 15 6.30PM 16 6.30PM 17 1PM & 7.30PM 18 7.30PM 19 2PM & 7.30PM 20 5PM 31 1 6.30PM 2 6.30PM 3 1PM & 7.30PM 4 7.30PM 5 2PM & 7.30PM 6 5PM
40 AUDIO DESCRIBED CAPTIONED PERFORMANCES 41 EDUCATION BALNAVES FELLOW Every year we welcome ARTIST DEVELOPMENT NEW WORK thousands of school This is Kodie Bedford, our Our Fellowships provide a At this moment we have students from across inaugural Balnaves Fellow. UNWAGED living wage for emerging 21 writers working on Sydney and NSW to a We love her play draft so Belvoir’s Unwaged artists to learn the ups and new stories for the stage. range of performances and much it’s now part of our 25A Program provides a free downs of life in a theatre Watch this space… workshops, and introduce 2020 Season. After 15 successful shows performance of most company, and the hands-on them to the love of theatre. across two seasons, 25A Upstairs productions mechanics of their craft. Through our workshops, is continuing to hold the to those with low or no theatre resources, Young door open for independent income. The program is Belvoir Theatre Club artists in 2020. immensely popular, with (for the next generation queues often forming of theatre lovers), and down the block.* subsidised tickets for students, we can see the future of theatre looks bright.
BEHIND THE SCENES(LIFE AT BELVOIR)
*No negative gearing, franking credits or backbench “I really loved the lighting and how it gave the MPs allowed. effect that light was actually coming through – Student, Lithgow High School the windows.”
42 43 HEAR DIRECT HANDY HINTS
PERFORMANCE TIMES FROM Standard performance ACCESSIBILITY BOX OFFICE times are: AT BELVOIR We have two Box Office Tuesday & Wednesday 6.30pm We’re committed to locations: (Preview performances 7.30pm) providing everyone who THE ARTISTS Belvoir St Theatre, Thursday matinee 1pm visits our theatre with the 25 Belvoir St, Surry Hills Thursday & Friday 7.30pm Belvoir Briefings and Artist Q&As are your Jesus Wants Me for same experience regardless Warehouse, 18 Belvoir St Saturday 2pm & 7.30pm chance to hear directly from the artists a Sunbeam of age or ability. The theatre (cnr Elizabeth St), Sunday 5pm about every show. For each production, the Briefing – Thur 30 Jan has lift access, a hearing Surry Hills (Sunday previews 6.30pm) Briefing is your chance to hear from the Q&A – Tue 18 Feb loop, and we offer mobile- Schools performances 11.30am creative team during the rehearsal period, Warehouse Box Office: captioned and audio Dance Nation selected Wednesdays and and for our Artist Q&As just stay in your seat described performances. Q&A – Tue 31 Mar Monday – Friday Thursdays after the show to hear direct from the actors With advance notice, A Room of One’s Own 9:30am – 5pm about what it’s like working on that play. we can accommodate a Briefing – Tue 14 Apr range of individual needs. Theatre Box Office: PROGRAMS Q&A – Tue 28 Apr We strongly encourage Theatre is an ephemeral thing Escaped Alone Tuesday 5pm – 7pm patrons to notify staff of – and once it’s overyou can Briefing – Tue 19 May Wednesday 5pm – 7pm individual needs at the Thursday 5pm – 8pm remember it by your program! THEATRE FOR ONE Q&A – Tue 2 Jun time of booking. Friday 5pm – 8pm Preorder them at a discounted Fancy a bit of theatre but don’t The Jungle and the Sea Saturday 11.30am – 8pm price when you subscribe – a For the list of 2020 fancy coming on your own? Here’s a Briefing – Tue 30 Jun Sunday 2.30pm – 5.30pm nd you can save up to $7 captioned and audio chance to meet new theatre loving Q&A – Tue 14 Jul per program. Vouchers will described performances, These hours are subject friends. Simply book tickets for our Miss Peony be sent with your tickets. please visit belvoir.com.au/ to change during non- Q&A performance evenings and join Briefing – Thur 23 Jul You can also buy programs visiting-belvoir/accessibility/ a Belvoir staff member and others for Q&A – Tue 25 Aug performance periods and over the counter at the Box or contact the Box Office on public holidays. Phone a pre-show chat and then stay post- My Brilliant Career Office and the Hal Bar. on 02 9699 3444. show for the Q&A with the artists. It’s bookings close one hour All programs feature writer Briefing – Tue 8 Sep prior to performance times. informal, but we do need to know if Q&A – Tue 22 Sep and director notes, artist you’re coming so please book. For biographies, rehearsal photos, Cursed! Please note priority will more information visit our website and some even include the Briefing – Tue 20 Oct be given to customers at belvoir.com.au/theatreforone full script. Q&A – Tue 10 Nov booking or collecting tickets for the immediate Summerfolk performance. Briefing – Tue 17 Nov Q&A – Tue 1 Dec 44 45 MORE HANDY HINTS
PEEK BEHIND THE CURTAIN SPECIAL SHOWS, SPECIAL SEATS CENTRE Are you a verified content Sometimes as the design of shows changes throughout RIGHT BANK the year so too does the seating formation. Ticket buyers BANK consumer? No amount of LEFT and group contact points will be notified of any changes. video, audio or photography BANK can sate your hunger? Then brace yourself because GENERAL RELEASE Belvoir produces a suite TICKETS STAGE of content for every show Our general release tickets including rehearsal and for each show go on sale additional tickets NOW with production photography, throughout the year as the your season bookings and, SINGLE TICKET PRICES trailers, interviews, podcasts play approaches. On-sale when tickets go on general and more. Make sure to sign dates can be found on sale, you can purchase more Centre Left/Right up to our enews and follow individual production pages general release tickets up Weeknight Weekend Weekday Weeknight Weekend Weekday us on Facebook, Instagram, on our website and we to one week before anyone +Sat Mat Evenings Matinee +Sat Mat Evenings Matinee Twitter, Omny, Spotify promote the dates that else by logging onto your and iTunes, and check our Full Price Adult $83 $89 $73 $78 $84 $68 general release tickets go on Belvoir account or phoning production pages regularly Mates Rates (Adult) $73 $79 $63 $73 $79 $63 sale via email. our Box Office. for updates. Senior* $73 $79 $63 $68 $74 $58 The price of tickets changes Please be aware that ticket Concession† $63 $69 $53 $58 $64 $48 slightly depending on where prices are subject to change WARNINGS you’re sitting in the theatre. and can go either up or 30-Down~ $61 n/a $51 $56 n/a $46 down in price, based on Occasionally some of our If you’re sitting to the right Previews $56 $56 n/a $51 $51 n/a demand, and without productions contain strong or left, tickets are slightly notice. Please contact the Student Saver $48 n/a $38 $43 n/a $33 language, nudity, violence, cheaper than if you’re sitting Box Office for up-to-date smoking, strobe lighting, smack bang in the middle. prices as each show goes For a full list of concession terms (* † ~ ) see page 34 haze or other things you may For more details, please look on sale. Please note seating for Every Brilliant Thing will be reconfigured into the round. find confronting or at the seating plan to the uncomfortable. We put up right (This does not affect warning signs in the foyer, subscription packages, as as well as ensuring this they are already heavily information is passed on to discounted). ticketholders and uploaded All subscribers can also buy onto the website in advance of the show. If you have any concerns, please check with our Box Office staff.
46 47 EDUCATION AT BELVOIR
Each year, Belvoir gives BE thousands of school SCHOOLS PERFORMANCE DATES students and young Jesus Wants Me Miss Peony people the chance to for a Sunbeam Wednesday 12 Aug connect with our work, Wednesday 26 Feb My Brilliant Career through performances, Dance Nation Wednesday 14 Oct PART OF workshops, resources, Wednesday 25 Mar Cursed! We can’t do it without you. work experience A Room of One’s Own Thursday 5 Nov By making a donation* programs, our Young today, you make a real Wednesday 13 May Summerfolk Belvoir Theatre Club and difference to what Belvoir other special events. For Escaped Alone Thursday 3 Dec can achieve. many students this is their Wednesday 10 Jun THE Donations touch everything first exposure to theatre. The Jungle and the Sea we do. They support the Wednesday 22 Jul artists we work with, and the work we make with them. BUT HOW? Every schools performance concludes with a Q&A They support students and There are two ways to session with the cast so students can have their STORY the unwaged to see those bring your students to a burning questions answered in real time! Belvoir production: shows. They support those Contact [email protected] for prices. 1. Attend a dedicated shows as they travel across Please consider adding schools performance Australia. They help us to a donation to your 2. Attend a matinee or grow the next generation season subscription or evening performance WORKSHOPS FOR THE ARTISTS OF TOMORROW of artists, and they allow ticket purchase. us to be courageous when Our schools performances Belvoir Workshops are two-hour, practical explorations developing new work. Learn more at are held at 11.30am on designed to introduce students to theatre making belvoir.com.au/support selected Wednesdays and and performance. We offer a range of workshops for And most importantly, with Thursdays throughout the both students and teachers, which are run by artists your help, we can keep school year at our theatre and cover a breadth of topics from playwriting to set telling stories that make in Surry Hills. design, stage management to political theatre, and Belvoir different – ones that many more. get under your skin, that “Thank you once again embrace a bigger idea of for being the light in For more information regarding schools performances, who we all are. Australian storytelling.” workshops, access programs, education resources, – Teacher, Bowral content warnings, and to download our 2020 Schools * donations over $2 are High School Poster, visit belvoir.com.au/education/ fully tax deductible
48 49 BELVOIR SUPPORTERS BELVOIR PARTNERS
Our supporters make what we do possible. It’s more To make a donation, or to learn GOVERNMENT PARTNERS than a gift. It’s a vote of confidence in the work we do more about donating please and the stories we tell. contact our Development team The impact of Belvoir’s work is special, it happens in at [email protected] many ways, on stage and off – and we owe it to our or 02 8396 6209. incredible collective of visionary supporters – thank you. MAJOR PARTNERS
TRUSTS AND FOUNDATIONS RESEARCH & ENGAGEMENT
MEDIA PARTNERS YOUTH & EDUCATION PARTNER
Andrew Cameron Family The Greatorex Foundation Doc Ross Family Foundation Foundation Naomi Milgrom The Thyne Reid Foundation ASSOCIATE PARTNERS Copyright Agency Foundation Walking Up The Hill Cultural Fund Neilson Foundation Foundation Gandevia Foundation Oranges & Sardines Foundation PRODUCTION PARTNERS ACCOMMODATION PARTNERS LEAVE A LEGACY NCC Network Computing & Consulting Make a lifetime difference by remembering can experience the magic that is created on Belvoir with a Legacy Gift in your Will. Belvoir’s unique corner stage. Legacy Gifts help to secure the long-term If you are considering leaving a Legacy EVENT PARTNERS future of our company. With your support, Gift, or would like to find out more - we will be able to ensure that future please contact Sarah or Joanna for a generations of artists and audiences alike confidential discussion on 02 8396 6209.
For more information on partnership opportunities please contact our Correct at time of printing. Development team on 02 9698 3344 or email [email protected]
50 51 Smith St Smith Campbell St
Reservoir St Reservoir St
Albion St Mackey St
Batman Ln
Eddy Ave
Commonwealth St
Ann St Crown St ALL ROADS LEAD TO BELVOIR
Reservoir Ln
Ann St
THANK YOU Elizabeth St Little Albion St
OUR PRODUCTION PARTNERS Mary St Albion Arts Centre Melbourne, Canberra Theatre Centre, Lingalayam Dance Company, CENTRAL St Riverside’s National Theatre of Parramatta, Playwriting Australia, Queensland Performing STATION Mary Ln Arts Centre, State Theatre Company of South Australia, Wayside Chapel OUR FAVOURITE PLACES Fo TO EAT AND DRINK Albion St veaux Belmore street
Bellevue Ln St Bellevue Ln 1. BOURKE ST BAKERY
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Eliz Riley St Theatricals Company. 5. ZAHLI Randle Ln
Sophia St
Holt StHolt 6. ARCHIE ROSE Foveaux St Launching a season takes a village, and our thanks 7. THE TRINITY
Randle St Sophia St go out to everyone who contributed this year. Cooper St 8. SHAKESPEARE HOTEL
Kippax St
9. THE DOVE AND OLIVEGriffin St Adina Apartment Hotels, Anandavalli, Nickels, Shyleja Paul, Carly Pickard, Beattie Ln Hercules St Archie Rose, Olivia Atley, Aaron Beach, Tallulah Pickard, Viola Pickard, Rosanna 10. STRAWBERRY HILLS HOTEL Richards Ln Davoren St
Bourke St De Richards Ave Quinn, Qantas, Stevie Rodgers, Archie Stevie Bryant, Mitchell Butel, Jaimi vo LIGHT RAIL ROUTECollins St nshi
Rose, Jack Saltmiras, Penny Scaiff, (to come in 2020) Chisholm, Paul Clark, Coopers, Emma-Lee re Lacey St
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Dorothy Goodhew-Banks, Louise Gough, Bull St Special love and thanks go to our 9 Handpicked Wines, Emma Harvie, Anita season book production team 8
Little Riley St Rainford St Hegh, Jonathan Hindmarsh, Sacha Horler, Riley St Alphabet Studio, Daniel Boud, Steel St 5 minutes Mat Hornby, Hunter Valley Holiday Homes, Brumby St 4 St
Jack Saltmiras, Michael Kennedy, walk from St Bourke Jesson St n Chika Ikogwe, Michael Louis Kennedy, Tim Central Carly Pickard and Amy Goodhew-Banks. ow Dawson St Kliendienst, Michelle Law, Andrew Lee, Station DEVONSHIRE ST Cr What a team. Davies St LIGHT RAIL
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S 2 Jones, Carissa Licciardello, Corey London, Belvoir is proud to be a BELVOIR 7 member of the Australian 5 OFFICE 200m Rebecca Massey, Mandela Mathia, Joanna Be Clisdell Ward Park lvoir St H Maunder, Jane May, Aishlinn McCarthy, Major Performing Arts Group 3 (AMPAG) Belvoir St Kris McQuade, Dom Mercer, Jacki Mison, 600m 1 Devonshire St
St Malborough St Heather Mitchell, Helen Morse, Vyvyan St BELVOIR ST 100m rs h
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Eliz Wilshire St Lansdowne St Design Alphabet Studio Photography All play images by Daniel Boud Riley St Clev eland Nickson St Wayside Bride historical image provided by Alana Valentine St Perry St James St Photo of Eamon Flack by Brett Boardman Goodlet Ln Photo of theatre by Amy Goodhew-Banks Printer Special T Print 6 Wilton St 52 James St Bourke St 3.6km Goodlet St
High Holborn St
Malborough St
Walker St
Cleveland Ave Nickson St
Arthur St Crown St Centre St
Cooper St
Ridge Ln Cleveland St
Morehead St Young St Cleveland St
Matterson Ln
Little Young St
Marriot St Baptist St
Walker St
Great Buckingham St
Young Ln Little Cleveland St We acknowledge the Gadigal people of the Eora nation who are the traditional custodians of the land on which we share our stories. Always was, always will be
belvoir.com.au /belvoirst 18 & 25 Belvoir Street Email [email protected] Fax (02) 9319 3165 @belvoirst Surry Hills NSW 2010 Administration (02) 9698 3344 Box Office (02) 9699 3444 @belvoirst