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The Mid America Print Council Journal Volume 22, Numbers 3 & 4, 2014 Print Catalyst: Traditions and new forms for print language The MAPC Officers: TABLE of To read online or download PRESIDENT: print-your-own MAPC Journal pdfs visit Nancy Palmeri CONTENTS www.midamericaprintcouncil.org The Mid America Print Council Journal VICE PRESIDENTS: Volume 22, Numbers 3 & 4, 2014 Morgan Price Print Catalyst: Traditions and new forms for print language Jean Dibble SECRETARY: Ellie Ronl LETTERS FROM PRESIDENT THE PROCESS OF CONCEPT - TREASURER: AND CO EDITORS Curtis Jones analyzes his personal Donna Stollard Nancy Palmeri, Jennifer Ghormley, struggle of discovery and finding Anita Jung, Kristine Joy Mallari meaning through an engagement amidst the process of the print medium. CONTRIBUTORS Nicole Geary, Curtis Jones, Tim Pauszek, TO THE BUILDERS Melissa Potter, Samantha Parker Salazar, Tim Pauszek relates the strong tradition Tracy Templeton, Lucia Volker, and contemporary approach of Christopher Cannon woodblock printmaking to a culture of hard work and fine craftsmanship. DIGITAL MATERIALS AND MAPPING WITHIN CONTEMPORARY PRINT IU MIDWEST MATRIX: CONTINUUM Lucia Volker discusses how printmakers are Tracy Templeton discusses the gathering futhering the medium and staying current of a diverse and interconnected group of in the art world. print artists, the traditions of Midwestern printmaking and its newest tradition. PULP FEMINISM: RADICAL SOCIAL HISTORIES IN HAND PAPERMAKING MEMBERSHIP FORM Melissa Potter relates how the art of making paper by hand shares the ethos of the early feminist art movement and socially engaged art. OSTENTATIOUS DISPLAYS: INTERVIEW WITH SAMANTHA SPRING PARKER SALAZAR companion mailer Nicole Geary examines how Salazar's work is motivated by a variety of decorative and MAPC 2014 Conference, Wayne ornate aesthetics to create unique spaces State University, Detroit, MI of interaction for viewers. By Christopher Cannon On the Cover: Ellie Honl Herman, Westminster Ct.: Appearances Can be Deceiving. Medium: screen print, acrylic, graphite, 8' x 8', 2014 Photo by: Lennie Mahler 1 received her MFA in 2006 from the NANCY PALMERI University of Nebraska-Lincoln. She Letter from the Editor: exhibits internationally through prints have been included in several international and national Printmakers never cease to amaze me in their hard juried exhibitions, exchanges, and venues. Recently, her work has been exhibited at the Istanbul invitations, and hung a solo installation work, dedication, and vast amounts of creativity. From Museum of Graphic Art (IMOGA), the Museo de Artes I 2012 at Liv Aspen Art, in downtown Contemporaneas Plaza, Bolivia, Proyecto’ace Buenos Aires, matrix to meaning, context to content, we are free to Aspen, Colorado. Jennifer has taught Argentina, and the Los Angeles Municipal Art Gallery, Los Angeles, explore and express through a wide range of visual printmaking classes and workshops CA. She is a recipient of the Frans Masereel Graphic Arts Center formats. In a recent lecture, a young student asked for CU-Boulder, Anderson Ranch Art fellowship in Kasterlee, Belgium and a Bogliasco Foundation Center, CO, Arrowmont School of Arts me “What is the role of a contemporary artist in the Fellowship, Bogliasco, Italy. She has presented at the Southern and Crafts, TN, Peninsula School of Graphics Council Conference numerous times, and has lectured art world of today?” As the wheels in my head spun, Art, WI, and Ah-Haa School for the and demonstrated her printmaking techniques at colleges and I could not help but relate this through printmaking. Arts, CO. Currently, Ms. Ghormley universities, nationally, including: the University of Cambridge, UK, Washington University, St. Louis, The inherent nature of our process is to honor the telecommutes as the Programs Pratt Institute of Art, New York, Louisiana State University, Baton Rouge, LA, Cornell University, Ithaca, JENNIFER Coordinator for the Venice Printmaking tradition while concurrently investigating and utilizing NY and Boston University, Boston, MA, and Murray State University, Murray, KY. Palmeri has had solo Studio, in Italy. In order to embrace all exhibitions of her work in New York, Boston, Louisiana, Texas, Italy, Chicago, and Virginia. Her prints GHORMLEY new forms and technologies. The articles in this issue of her creative urges Jennifer creates were included in Color Print USA, Lubbock, TX, and Global Matrix International Print Exhibition, all relate to this convention in unique ways. artwork under her own name, as well Perdue University Art Gallery and the Frans Masereel Graphic Art Center’s Jubilee Exhibition, Belgium. as Jen G Studios. She has also curated three exhibitions in The Gallery at UTA on the campus of the University of Texas at Arlington, Anthropology in Print, Pervasive Impressions: Contemporary Political Prints, and Foundations: Mechanics and Instinct. Palmeri’s prints are in the collections of the Fogg Art Museum, Harvard, Museo de Artes Contemporaneas Plaza, Bolivia, University of Colorado, Boulder Special Collection, University Art Museums, The Royal Museum of Fine Art, Antwerp, Belgium, The Sheldon Memorial Art Gallery, Lincoln, NE, The Santa Barbara Museum of Art, CA, The Hunterdon Art Center, Clinton, NY, the Instituto per la Cultura e l’arte, Catania, Italy, the UCLA Grunwald Center for Graphic born and raised in the desert of west Arts, The University of Miami, and the Tama Art University in Tokyo, Japan. Texas. She studied printmaking at Letter from the Co-Editor: the University of North Texas and From the beginning, printmaking has always served moved to Portland, Oregon after graduating in 2011. Joy has done as a means to improve the status quo. Movable type Letter from the President: work for Oblation Papers and Press revolutionized the way the world communicated letterpress shop, Flight 64 co-op This year has been quite a journey for many of us. A number of our excellent and shared information. It's no surprise the world of printmaking studio and the Museum of printmaking is filled with problem solvers and creative membership have exhibited, lectured or taught across the country and world. Contemporary Craft. She is currently It is in the sprit of this adventure that I take on my new leadership role as the Printmaking Product Manager at thinkers. This innovation continues as we examine president of MAPC. Gamblin Artists Colors. the contemporary context that print media exists in. As mechanical reproduction increases, we find more As we all get back to our real lives after a wonderful conference experience meaning and heart in what our hands can create. As at Wayne State University in Detroit, I have had some time to reflect on the KRISTINE the rest of the world is speeding up and finding less excellent panels, demonstrations and exhibitions offered during the four-day JOY MALLARI value in what comes through the etching press, or a event. The level of dialogue and engagement in issues and ideas related to litho press, or pushed through a mesh screen, we find printmaking as a studio practice, pedagogy, theoretical and critical indicator, new ways to share our message and our stories. I'm and historical place marker was invigorating. Like me, many of us are looking excited to share this collection of essays that explores to the next conference in Indiana as an anticipated source of new discoveries, the different avenues that printmakers are embarking and a common-ground reconnecting point with students, colleagues, and to continue the historical innovation that print and long-time friends. print media is rooted in. I would like to extend my thanks to the previous board for its excellent leadership and vision of our organization. Many of you have personally mentored me through the years and I am grateful for your guidance and care. Thank you to the new board members for your dedication to MAPC as it moves into future endeavors. Most significantly, my heartfelt thanks to all of is an artist and the Professor of the members, your works and contributions to the field are immeasurable. Intaglio and Printmedia at the Letter from Co-Editor: University of Iowa. Her work is I am an artist whose work is grounded in traditions eclectic and investigates the everyday occurrence of being of the readymade, appropriation and art as an a human being engaged in the everyday occurrence. Issues concerning making and world, She freely moves in and waste, along with relationships between technology out of various art practices. She and the human hand inform my work. Over the past is organizing a 2014 summer seminar investigating art as a three years I have collaborated with a building and its form of social practice. occupants through reclaiming castoff materials from those CNC machines, records of incidental marks that I repurpose. ANITA JUNG 2 3 Contributors NICOLE GEARY is an artist hailing from the green, swampy lands of north Florida, where she earned a BFA in printmaking from the University of Florida. She graduated with an MFA in printmaking from the University of South Dakota in 2013. She has exhibited in juried shows at venues including the Bemis Center for Contemporary Art, Spudnik Press Cooperative, and Washington Printmaker’s Gallery. Nicole currently lives and works in San Antonio, Texas as an adjunct printmaking instructor. CURTIS JONES is an artist and printmaker living in Norman, OK. where he's an Associate Professor of Printmaking at the University of Oklahoma. He received an MFA from the California College of Arts and Crafts in 2003 and a BFA from the University of Washington in 1994. He works primarily in screenprinting, installation, and book arts and has pieces in several public and private collections. Jones' work explores his fascinations with (and the relationships between) perception, ritual, meditation, and obsessive behavior. TIM PAUSZEK grew up in Dunkirk, New York on the shores of Lake Erie. He is currently attending Alfred University as a Bachelor of Arts candidate in Interdisciplinary Art and Chemistry.
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