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Cinemasia Filmlab – Made in Holland Amsterdam 30 maart – 8 april 2006 Rialto – Filmmuseum www.cinemasia.nl1 SPONSOR OF CHINESE RESTAURANT OCEANIA (since 1978) Scheldestraat 77 1078 GH Amsterdam “Everybody can cook, but the difference is our Finishing Touch!” Authentic Chinese banquets Business lunch and dinners Modern Chinese specialities Chinese fondue Daily fresh seafood Open daily from 12.00 – 22.00 hours Reservation recommended! Tel. 020-673 8907 Fax 020-679 6548 E-mail [email protected] www.restaurantoceania.nl Pin payment and all major credit cards accepted 2 Dear Honored Guests, Welcome to the 2nd edition of the CinemAsia Film Festival. We have organized a wonderful festival this year in- cluding over 60 feature length and short films, semi- nars and discussions. Our festival crew have worked around the clock to bring you the best selection of Asian and Asian Diaspora films from around the world. This year, we not only look outward for modern Asian cinema, but also in our own backyard with our “MADE IN HOLLAND” Film Lab project. Traditionally Asian cinema has been defined as films made in Asia. As our world becomes more globally diverse and immigration increases yearly, cultural and geographic borders become less defined and more transparent. The Netherlands has a long history of being open to Asian influence starting with the colonies in Indonesia and Asian trade during the Golden Age. Modern immi- gration has brought many more Asians to Europe and with them, a new hybrid cultural phenomenon, the European-Asian. With our “MADE IN HOLLAND” Film Lab project, we seek to give a voice to this relatively new group specifi- cally through film as an artistic and communicative tool. We also have a large percentage of films from Indone- “Everybody can cook, but the difference is our Finishing Touch!” sia, China, India, Thailand and the Philippines as we recognize and acknowledge the former homelands of our Dutch-Asian Citizens who are sometimes 2nd and Authentic Chinese banquets 3rd generation children of immigrants. Films from Business lunch and dinners Japan and Korea to Hawaii also represent the Modern Chinese specialities wonderful diversity that make up Asia. Chinese fondue Whether you love Asian films for a glimpse into the Daily fresh seafood exotic, or nostalgia for part of your culture, we hope everybody will find something to fulfill their viewing Open daily from 12.00 – 22.00 hours needs. Reservation recommended! Enjoy the Festival ! Tel. 020-673 8907 Fax 020-679 6548 E-mail [email protected] Doris Ng www.restaurantoceania.nl Festival Director Pin payment and all major credit cards accepted 3 Contents Festival themes . 5 CinemAsia Junior! . 8 Hawaiian cinema . .10 Made in Holland - Film Lab . .11 Program schedule . 21 Exhibition Ting Chan . 23 Short film selections . .31 IIAS Asian Horror panel . 35 Special events . 37 Locations & Tickets . 38 Festival Party . 39 Virgin Acknowledgements Guest programmer: Anderson Le (Hawai’i International Film Festival) - Indonesia program co-ordinator: John Main Film index Badalu (Q! Film Festival, Jakarta) - Design and Layout: Junior! Films . 8 Crisja Ran GO - Press: Margo van der Valk, Noortje van - Fire Ball - Taiwan de Sande (Herrieschoppers) - Website: Djie Han Thung Film & Multimedia - Festival trailer: Tommy Wooh - Funk- - Sherina’s adventure - Indonesia tion Studios (New York) - Trailer music: Steven Pranoto - When I turned 9 - Korea (Los Angeles) - Decoration: Lieke Scholman - Editors / Translators: Angela Dress, Karin Leeuwerke, Lucie Schaap Main Features - Photographer: Marc McClain - Subtitles: Martin van Aishite Imasu 1941 - Philippines. 12 Broekhoven - Festival Party organiser: Rob Riedijk (Rie- Amu - India . 12 dijk Productions) - CinemAsia Film Lab mentors: Yan Ting Yuen & Djie Han Thung - IIAS: Jeroen de Kloet - Very AzN: A.V. - Hong Kong / Japan . .13 Reza & Quint - Jonc: Aernout Bouwman - ASN: Melvin Tiao Beauty remains - China . .13 & Corina Wong - Many thanks to our publicity & tour crew: Boat People - Hong Kong / Vietnam . .14 Susan Au, Dana Duijn, Trang Chau, Naomi Hack, JayMie Butterfly - Hong Kong . .15 Mok, Trinh Ngo, Patrick Schonewille, Vivian Wenli Lin - Chinese restaurants... - Canada . .16 Special thanks to Katja Schuurman and to all our volun- Chocolate Rap - Taiwan . .16 teers! Dear Pyongyang - Japan / Korea . .17 Detik Terakhir - closing - Indonesia . .17 Dumplings - opening - Hong Kong . .18 Ethan Mao - USA . 24 Executive Koala - Japan . 24 Goalposts & Lipsticks - Malaysia . 25 Green Chair - Korea . 25 Masahista - Philippines . 26 Pattaya Maniac - Thailand . 27 Ra Choi - Australia . 27 Sad Movie - Korea . 28 Sepet - Malaysia . 28 Shanghai Dreams - China . 29 Shutter - Thailand . 29 The Ride - Hawaii . 30 Virgin - Indonesia . 30 The Ride Surprise Film - Indonesia . 30 4 Festivalthemaʼs Aziatische films in overvloed! door Marjolein Veldkamp CinemAsia is sinds de laatste editie in 2004 weer veel inte- ressante films uit (Zuid)oost Azië en van Aziaten wereldwijd tegengekomen die nog nieteerder in Nederland vertoond zijn. We hebben ons erg ingehouden, er zijn nu 35 program- ma’s maar dat had zonder moeite en verlies van kwaliteit het dubbele kunnen zijn. Reden om uit te breiden bij de vol- gende editie in 2008! Dit jaar komen de speelfilms en documentai- res, vooral independent producties en films die erg succesvol waren in het land of de regio van herkomst, uit China, Hong Kong, Taiwan, Noord en Zuid-Korea, Japan, Indonesië, India, Vietnam, Thailand, Maleisië, de Filippijnen en een drieluik uit Mauritius, Trinidad en Cuba. Maar ook de V.S., Australië, Nederland en zelfs Hawaï (The Ride en Pacific Shorts) zijn verte- genwoordigd. Hoofdthemaʼs De thema’s van deze tweede editie van het festival zijn Young & Dangerous, Asian Link, Chocolate Rap Queer & Asian en CinemAsia Junior!, het nieuwe programma voor kinderen tussen 8 en 12 jaar met speelfilms over kinderen in Azië. Hiervoor zijn drie films uitgekozen; de Chinese kinderanimatie Fire Ball over Koning Aap, het Koreaanse When I turned nine, over een jongetje dat verliefd is op een arrogant meisje en Sherina’s Adventure, een spannend avontuur annex musical uit Indonesië. Young & Dangerous heeft na het succes van de vorige editie een vervolg nodig. Binnen dit thema zetten rebellerende jongeren in Azië zich af tegen oudere generaties en de gangbare cultuur en wordt vooral het zich niet aan wil- len passen benadrukt. Deze jongeren komen vaak uit een beter milieu, hebben tijd om zich te vervelen en laten zich in met (semi)illegale Fire Ball bezigheden, het dangerous uit het thema moet 5 Festivalthemaʼs dan ook met een knipoog worden bezien. In Virgin komen drie ultrahippe schoolmeiden uit Jakarta meer dan eens in de problemen die variëren van ongewenst verschijnen in een porno-VCD en prostitutie tot het maken van schulden bij de plaatselijke maffia. Porno is ook wat de jongens uit A.V. bezighoudt, de hier- voor benodigde HK$ 200.000 krijgen ze via een startende jonge ondernemerslening met een compleet verzonnen ondernemingsplan. Cho- colate Rap is een fictiefilm over de breakdance subcultuur uit Taiwan, en in het Maleisische Gol & Gincu (Goalposts & Lipsticks) is de rebellie van een geheel andere aard; het vormen van een meidenfutsalteam. Gol & Gincu CinemAsia presenteert bij elke festivaleditie een thematisch programma dat te maken heeft met het onderzoeken, vormen en uitdragen van een Aziatische identiteit. Asian Link gaat over de zoektocht naar de persoonlijke geschiedenis en de connecties met Azië, zoals in de speel- film Amu waarin Kaju, geadopteerd en opge- groeid in de V.S., in India op zoek gaat naar haar familiegeschiedenis die een dramatische wending nam na de moord op Indira Gandhi. In de documentaire Dear Pyongyang onder- zoekt de filmmaakster het communistische verleden van haar Zuid-Koreaanse ouders die al sinds de jaren veertig in Japan wonen en hun drie zoons in 1971 naar Noord-Korea stuurden. Het Chinees-Canadese documentairedrieluik Chinese Restaurants: on the Islands traceert Dear Pyongyang de Chinese gemeenschappen op Mauritius, Trinidad en Cuba. Made in Holland is het ultieme Asian Link programma waarin jonge filmmakers van Nederlands-Aziatische afkomst in opdracht van CinemAsia een film hebben gemaakt over Aziatische identiteit. Dit in complete tegenstel- ling tot bijvoorbeeld de jongeren uit het Au- stralische Ra Choi, wiens Vietnamese afkomst slechts een gegeven is. Hun connectie met Azië is geen issue en een Aziatische identiteit wordt niet bewust ervaren. Queer & Asian beleeft inmiddels zijn derde edi- tie, de eerste was in mei 2003, Vijf speelfilms en een verzameling korte films (Queer Girls) staan op het programma. Amu 6 Festivalthemaʼs Ra Choi Ethan Mao, ge-out door stiefmoeder en ver- CinemAsia in ʼt Land volgens door pa uit huis geschopt, gijzelt zijn hele familie met een pistool in hun huis in een Rotterdam (Lantaren/Venster), Den Haag Amerikaanse suburb. Masahista (The Masseur) (Filmhuis Den Haag), Utrecht (‘t Hoogt), volgt Illiac die werkt in een Filippijnse mas- Arnhem (Filmhuis Arnhem), Eindhoven (Plaza sagesalon. In Hu Die (Butterfly) moet een der- Futura) en Groningen (Vera Zienema & RKZ tigplusser kiezen tussen haar huwelijk en een Bios) doen mee aan CinemAsia in ’t land. jonge nachtclubzangeres en in Detik Terakhir (The last second) kiest de dochter van een rijke Vanaf 30 maart toeren acht films door het Indonesische politicus voor een mooie jonge land; Dumplings (Hong Kong), Shanghai Dreams heroïneverslaafde. Verder is er het lyrische me- (China), Shutter (Thailand), Green Chair (Korea),
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