Tim Buckley Lorca Mp3, Flac, Wma

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Tim Buckley Lorca mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Folk, World, & Country Album: Lorca Country: Japan Released: 1992 Style: Folk Rock, Vocal, Avantgarde, Free Improvisation MP3 version RAR size: 1273 mb FLAC version RAR size: 1658 mb WMA version RAR size: 1797 mb Rating: 4.7 Votes: 765 Other Formats: VQF AHX MP4 MP2 MP1 AAC RA Tracklist 1 Lorca 9:53 2 Anonymous Proposition 7:43 3 I Had A Talk With My Woman 5:55 4 Driftin' 8:10 5 Nobody Walkin' 7:30 Companies, etc. Made By – Cinram GmbH Phonographic Copyright (p) – Elektra Entertainment Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Elektra Entertainment Copyright (c) – WEA International Inc. Published By – Third Story Music, Inc. Credits Art Direction – William S. Harvey Artwork [Photo Conversion] – J. Seeley Congas – Carter C.C. Collins Design – Robert L. Heimall Double Bass [Upright Bass], Bass [Fender Bass], Organ [Pipe Organ] – John Balkin Electric Guitar, Electric Piano – Lee Underwood Engineer, Producer – Dick Kunc Executive-Producer – Herb Cohen Music By, Lyrics By, Twelve-String Guitar [12-string Guitar] – Tim Buckley Photography By – Ed Caraeff Notes All selections © 1970 for the world by Third Story Music, Inc., BMI ℗ © 1970 Elektra Entertainment Made in Germany by Warner Music Manufacturing Europe. First press from Cinram GmbH according to matrix#. Packaging: standard jewel case with 4 page booklet Barcode and Other Identifiers Barcode: 0 7559-61339-2 0 Mastering SID Code: IFPI L016 Mould SID Code: IFPI 05R3 Matrix / Runout: 755961339-2.3 V01 NFR Rights Society: GEMA / BIEM Label Code: LC 0192 Other (Distribution Code): EW 835 Other versions Category Artist Title (Format) Label Category Country Year EKS-74074 Tim Buckley Lorca (LP, Album) Elektra EKS-74074 US 1970 Lorca (CD, Album, Ltd, WQCP-1126 Tim Buckley Elektra WQCP-1126 Japan 2011 RE, SHM) none Tim Buckley Lorca (LP, Album) Балкантон none Bulgaria Unknown Lorca (LP, Album, EKS-74074 Tim Buckley Elektra EKS-74074 US 1970 Promo) 2410 005 Tim Buckley Lorca (LP, Album) Elektra 2410 005 UK 1970 Related Music albums to Lorca by Tim Buckley Tracy Chapman - Our Bright Future Leonard Cohen - You Want It Darker Tim Buckley - Happy Sad Tracy Chapman - Where You Live Tim Buckley - Starsailor Jennifer Nettles Band - Story Of Your Bones Matthew Sweet - Tomorrow Forever Tom Waits - Heartattack And Vine Immaculate Fools - Dumb Poet Tracy Chapman - Crossroads Tim Buckley - Blue Afternoon Dan Fogelberg - Home Free / Souvenirs.

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Greetings from Tim Buckley
GREETINGS FROM TIM BUCKLEY EEN FILM VAN DAN ALGRANT WILD BUNCH WILLEMSSTRAAT 24 B - 1015 JD – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx GREETINGS FROM TIM BUCKLEY – DAN ALGRANT PROJECT SUMMARY EEN PRODUCTIE VAN FROM A TO Z PRODUCTIONS, SMUGGLER FILMS TAAL ENGELS LENGTE 99 MINUTEN GENRE DRAMA LAND VAN HERKOMST USA FILMMAKER DAN ALGRANT HOOFDROLLEN PENN BADGLEY, IMOGEN POOTS RELEASEDATUM 26 SEPTEMBER 2013 KIJKWIJZER SYNOPSIS In 1991 repeteert een jonge Jeff Buckley voor zijn optreden tijdens een tribute show ter ere van zijn vader, wijlen volkszanger Tim Buckley. Terwijl hij worstelt met de erfenis van een man die hij nauwelijks kende, vormt Jeff een vriendschap met een mysterieuze jonge vrouw die bij de show werkt en begint hij de potentie van zijn eigen muzikale stem te ontdekken. CAST JEFF PENN BADGLEY ALLIE IMOGEN POOTS TIM BEN ROSENFIELD GARY FRANK WOOD JEN JENNIFER TURNER CAROL KATE NASH JANE ISABELLE MCNALLY LEE WILLIAM SADLER HAL NORBERT LEO BUTZ YOUNG LINDA JADYN STRAND RICHARD FRANK BELLO JANINE NICHOLS JESSICA STONE YOUNG LEE TYLER GILHAM SIRENS KEMP AND EDEN C.H. DAVID SCHNIRMAN CARTER STEPHEN TYRONE WILLIAMS MILOS CHRISTOPH MANUEL FRANK DAVID LIPMAN GARY LUCAS GARY LUCAS CREW DIRECTOR DAN ALGRANT SCREENWRITER DAN ALGRANT DAVID BRENDEL EMMA SHEANSHANG CINEMATOGRAPHER ANDRIJ PAREKH EDITOR BILL PANKOW CASTING AVY KAUFMAN PRODUCTION DESIGN JOHN PAINO COSTUME DESIGN DAVID C. ROBINSON ORIGINAL MUSIC GARY LUCAS GREETINGS FROM TIM BUCKLEY – DAN ALGRANT DIRECTOR’S STATEMENT Before GREETINGS FROM TIM BUCKLEY, I had made two short films about my father. When I was 21, I made the first film about how much I hated him when he left my mother.
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Tim Buckley Il Navigatore Delle Stelle
Tim Buckley Il navigatore delle stelle originali scritte dall'ex compagno di scuola - aspirante poeta - Larry Beckett. Abbandonati definitivamente gli studi universitari trova il suo ambiente ideale al losangelino Troubadour. Qui fa amicizia con un chitarrista di squisita tecnica esecutiva, Lee Underwood, e soprattutto è notato da un certo Herb Cohen, astutissimo manager di Frank Zappa e Captain Beefheart, che lo presenta al boss dell'Elektra Jac Holzman. Sottoscritto un contratto con quell'etichetta, in soli tre giorni incide negli studi Sunset Sound il disco di debutto, intitolato semplicemente Tim Buckley, avvalendosi del prezioso supporto di ottimi musicisti. Oltre agli amici Lee Underwood e Jim Fielder (basso), sono della partita Billy Mundi (batteria e percussioni), la stella Van Dyke Parks (piano, celeste, harpsichord) e Jack Nitzsche artefice dei sontuosi arrangiamenti. L'album, in vendita durante le festività natalizie del 1966, inanella una lunga serie di classiche ballate «Lo splendore del sole ricorda i cieli La sua America gli regalerà pochi folk ispirate direttamente a Fred successi, mentre l'Europa lo scoprirà Neil, Tim Hardin e soprattutto a Bob della realtà/Pensavi di stare volando molto tardi con la sola eccezione Dylan (Aren't You The Girl, Song ma hai dovuto aprire gli occhi» della Francia, dove una élite di For Janie, Understand Your Man), Tim Buckley da Pleasant Street persone lo elegge come il più anche se Tim è in grado di grande innovatore della musica a apportare originali e minuziose stelle e strisce dopo Bob Dylan. variazioni armoniche (I Can't See Folksinger di enorme forza e dolcezza, Timothy Charles Buckley III nasce a You).
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Bertus in Stock 7-4-2014
No. # Art.Id Artist Title Units Media Price €. Origin Label Genre Release Eancode 1 G98139 A DAY TO REMEMBER 7-ATTACK OF THE KILLER.. 1 12in 6,72 NLD VIC.R PUN 21-6-2010 0746105057012 2 P10046 A DAY TO REMEMBER COMMON COURTESY 2 LP 24,23 NLD CAROL PUN 13-2-2014 0602537638949 FOR THOSE WHO HAVE 3 E87059 A DAY TO REMEMBER 1 LP 16,92 NLD VIC.R PUN 14-11-2008 0746105033719 HEART 4 K78846 A DAY TO REMEMBER OLD RECORD 1 LP 16,92 NLD VIC.R PUN 31-10-2011 0746105049413 5 M42387 A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS 1 LP 20,23 NLD MOV POP 13-6-2013 8718469532964 6 L49081 A FOREST OF STARS A SHADOWPLAY FOR.. 2 LP 38,68 NLD PROPH HM. 20-7-2012 0884388405011 7 J16442 A FRAMES 333 3 LP 38,73 USA S-S ROC 3-8-2010 9991702074424 8 M41807 A GREAT BIG PILE OF LEAVE YOU'RE ALWAYS ON MY MIND 1 LP 24,06 NLD PHD POP 10-6-2013 0616892111641 9 K81313 A HOPE FOR HOME IN ABSTRACTION 1 LP 18,53 NLD PHD HM. 5-1-2012 0803847111119 10 L77989 A LIFE ONCE LOST ECSTATIC TRANCE -LTD- 1 LP 32,47 NLD SEASO HC. 15-11-2012 0822603124316 11 P33696 A NEW LINE A NEW LINE 2 LP 29,92 EU HOMEA ELE 28-2-2014 5060195515593 12 K09100 A PALE HORSE NAMED DEATH AND HELL WILL.. -LP+CD- 3 LP 30,43 NLD SPV HM. 16-6-2011 0693723093819 13 M32962 A PALE HORSE NAMED DEATH LAY MY SOUL TO.
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Guy Webster, Master of the Album Cover Photograph, Dies at 79
LOG IN Guy Webster, Master of the Album Cover Photograph, Dies at 79 Over a frenetic period between the mid-1960s and the early ’70s, Guy Webster photographed many leading artists for some of rock’s best-known albums. By Richard Sandomir Feb. 19, 2019 Guy Webster was smoking pot with the Mamas & the Papas in the group’s rented house in Los Angeles in 1966 when he had an idea about how to photograph them for the cover of their debut album. He told them to head into a bathroom, where all four squeezed, fully clothed, into the tub: John Phillips sat in the foreground, and behind him were Cass Elliot, Denny Doherty and Michelle Phillips, her legs stretched across the others’ laps. (Mr. Doherty told a slightly different story: that they had been hiding from Mr. Webster in the tub.) “You can see how stoned they were,” Mr. Webster said when he showed the picture to an audience attending an exhibition about his career at the Annenberg Space for Photography in Los Angeles in 2012. But the picture had a flaw: It included the toilet — an image, he said, that would have limited sales of the album, “If You Can Believe Your Eyes and Ears,” in family-oriented chain stores. “So Lou Adler,” he continued, referring to the producer of the album and the president of Dunhill Records, “came up with the idea that when we put shrink wrap over the album, and put a sticker on it that says, ‘Including “California Dreamin’,” we can sell it at Sears.
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Tim Buckley 101: New DVD Inspires Comprehensive Look at Jeff'
Tim Buckley 101: New DVD Inspires Comprehensive Look at Jeff’s Dad http://www.nadamucho.com/columns/rock_101/tim_buckley_101_new... Ask us about our world famous peach cobbler. Features Live Columns Interviews Reviews Forum Home search... About Nada Write Us Sitemap Home Columns Tim Buckley 101: New DVD Inspires Comprehensive Look at Jeff’s Dad Top Articles Tim Buckley 101: New DVD Inspires Comprehensive Look at Jeff’s Dad Odes to Onanism - Best By Christian Klepac Masturbation Songs Friday, 20 July 2007 Hypatia Lake - Your Universe, Your Mind Sooner or later, every music fan must reckon with the The Glasses: Ready to be Buckleys. Recognized on the Street I'm Right, You're Wrong - Sex Advice for the Confused Father Tim and son Jeff, the Bruce and Brandon Lee of the Lawyers Guns & Money - music world, were geniuses with golden vocal chords and Zevon's Ghost weirdly parallel lives. Classic Nada: Lawyers, Guns and Money - Daniel Faulkner The two spent time together only briefly, when Jeff was too 2005 Favorites - Music Editor's young to remember, but they both eschewed compromise Picks while pursuing their challenging eclectic musical visions, and Ramble On - October 2003 both their careers were cut tragically short by their untimely Bumbershoot 2003 Recap deaths, Tim at 28 and Jeff at 30. Goin' Back to Tucson - September 2003 Ramble On - May 2003 Jeff, of course, shot to stardom with the release of his 1994 Classic Nada - Young debut Grace, one of the best records to come out of the 90s, Poisoner's Handbook and one that still appears regularly near the top of music I'm Right, You're Wrong magazine "best of" lists.
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The Music of Tim and Jeff Buckley
A State of Grace: The Music of Tim and Jeff Buckley: A World Premiere Event “Jeff Buckley was a pure drop in an ocean of noise.” Bono “Tim Buckley embodied all the virtue of grace.” Rolling Stone Tim and Jeff Buckley’s legacy has inspired generations of musicians and listeners. The world premiere event A State of Grace celebrates their brilliant, complicated lives and music, bringing together six peerless singers — and musicians with an intimate understanding of the music of the Buckleys — teamed with images and stories. It is a moving, definitive portrait of two of the most beloved voices in rock, overseen by Gary Lucas, the legendary New York guitarist / composer who worked closely with Jeff, co-writing the immortal songs ‘Grace’ and ‘Mojo Pin’. “The music of Jeff and Tim Buckley is timeless and gracefully transcendental,” says Gary. Assembled to recapture the magic of Tim and Jeff Buckley’s songs are musicians with the depth, breadth and empathy to do them justice: Martha Wainwright, Casper Clausen (of Efterklang), Willy Mason, Camille O’Sullivan, Steve Kilbey (The Church) and Cold Specks, with Gary Lucas as musical director, backed by his renowned New York ensemble Gods and Monsters. Tim and Jeff’s music becomes a point of departure for an evening of soul- stirring reinterpretation and exploration in this trailblazing event. PERFORMANCE DATES Wednesday 23 September 2015 Melbourne Recital Centre, Melbourne Victoria melbournerecital.com.au box office: 03 9699 3333 Friday 25 and Saturday 26 September 2015 QPAC Concert Hall, Brisbane
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Rible HEART BUDDY HOLLY THAT'll BE THE
IDAM COHEN Angst, Liebe, Trauer und Wut zu transpor- scheibe THE COLOGNE CONCERT), sämtliche elf Studio-Alben, die lronard LIKEA MAN tieren. Genießt man die vier Stücke von Willy DeVille (mit einer Kostprobe aus Cohen bisher veröffentlicht hat. Beginnend Hie seinem Vater Leonard kann man Adam OCEAN'S KINGDOM als reine Musikdar- LJNPLUGGED IN BERLIN) oder dem 1968 mit SONGS OF LEONARD COIIEN lohen wohl kaum Hyper-Produktivität bietung (und wer hat schon die passenden irischen Poeten, Schauspieler und Musiker über SONGS OF LOVE AND HAIE aus "For Echsagen, LIKE A MAN ist erst sein drit- Tänzerinnen und Tänzer zu Hause ...), Mick Fitzgerald. Mit Kenny" ist es dem Jahr l97l bis zu seinen Spätwerken es Album in zwölf Jahren.Aber es ist das sollte man sich auf eine knappe Stunde dann Freddy Koella vorbehalten, diese ab- TEN NEW SONGS (2001) und DEAR ;rste, das die berühmte Verwandtschaft konzentrierten Hörens einstellen, dann wechslungsreiche CD zu beschließen. Eine HEATHER (2004) ist sich Cohen immer ilcht verheimlichen möchte. das nicht nur gelingt das Eintauchen in den größtenteils Aufgabe, die der Geiger, der schon mit Bob treu geblieben, gab es nur marginale An- rom Timbre her, sondern auch bei der Me- sanft wogenden McCartney-Ozean. Dylan, Carla Bruni, FrancisCabrel und k.d. passungen an den jeweiligen Znitgeist. Mieführung und den Arrangements dem (Concord/Universal,4156:36) us Lang auf Tour war, mit Bravour löst. Damit ist sein Gesamtwerk auch eines der Itil Leonard Cohens folgt. Textlich bleiben (Meyer Records/Rough Trade, l2l45:30) us kompaktesten im Rock- und Pop-Business, lie beiden weit auseinander,mit den mys- BUDDYHOLLY Qualität ging ihm immer über Quanti- ischen Metaphern seines Vaters scheint THAT'LLBE THE DAY - BEST THE B-52s tät.
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Tim Buckley Starsailor Mp3, Flac, Wma
Tim Buckley Starsailor mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Folk, World, & Country Album: Starsailor Country: US Released: 1970 Style: Folk Rock, Psychedelic Rock MP3 version RAR size: 1617 mb FLAC version RAR size: 1178 mb WMA version RAR size: 1579 mb Rating: 4.1 Votes: 749 Other Formats: DTS VQF MP2 MP4 ASF AAC MIDI Tracklist A1 Come Here Woman 4:09 A2 I Woke Up 4:02 A3 Monterey 4:30 A4 Moulin Rouge 1:57 A5 Song To The Siren 3:20 B1 Jungle Fire 4:42 B2 Starsailor 4:36 B3 The Healing Festival 3:16 B4 Down By The Borderline 5:22 Companies, etc. Pressed By – Columbia Records Pressing Plant, Santa Maria Credits Art Direction, Photography By – Ed Trasher* Double Bass [String Bass], Electric Bass – John Balkin Electric Guitar, Electric Piano, Organ [Pipe] – Lee Underwood Engineer – Stan Agol Executive-Producer – Herb Cohen Flute [Alto], Tenor Saxophone – Bunk Gardner Timpani, Performer [Traps] – Maury Baker Trumpet, Flugelhorn – Buzz Gardner Vocals, Producer, Written-By, Twelve-String Guitar – Tim Buckley Written-By – John Balkin (tracks: B2), Larry Beckett (tracks: A2 To A4, B2) Notes Release has Straight and WB logos in the lower right corner of front cover. Label is red and says, "Straight Records, a division of Bizarre Inc., 5455 Wilshire Blvd., Suite 1700, Los Angeles, 90036" Barcode and Other Identifiers Matrix / Runout (A-Side Etched): S I WS 1881 A 39774-1B A3 Matrix / Runout (B-Side Etched): WS 1881 39775-1 1A 1 A 2 Other versions Category Artist Title (Format) Label Category Country Year Straight, Tim Starsailor (LP, WS 1881 Warner Bros.
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Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.
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Morgenstern, Dan. [Record Review: John Bishop: Plays His Guitar
~eco rds are reviewed by Chris Albertson, Mike Bourne, Bill Cole Alan Heineman Wayne ones, Larry Kart, John Litweiler John McDonough Dan Morgens~ern Don Nelsen' Harvey Pekar, Doug Ramsey, Larry Ridley, Harvey Siders, C~rol Sloane, and J i:n Szantor. ' Reviews are signed by the writers. .recur · Ratings are:***** excellent,**** very good,*** good,** fair,* poor. Most recordings reviewed are available for purchase through the down beat/RECORD CLUB. ( For mdembership information see details elsewhere in this issue or write to REVIEWS own beat/RECORD CLUB, 222 W. Adams, Chicago, IL 60606) JOHN BISHOP tunes as mass panacea for demonstrations Fire to distorted chanting on the title cut -under the assumption that "we shall PLAYS HIS GUITAR-Tangerine TRCS 1513: -and far too few (if any) pop artists Sweet Emma; Wichita Lineman; Come Together; overcome" if we all sing. exhibit such expressive control of the A Time For Us; Yo11r G11ess Is As Good As Nevertheless, one cannot deny an entire resonance and general tone of the voice Mine; My Cherie Amo11r; Bright Lights And You Girl; Never Fall In Love; For Wes; 35 genre,. and so I did listen, even to Dylan as does Buckley, though no less limited Saint Servon. (who 1s by now too big for himself) and in range to a ceiling tenor and falsetto Personnel: Bishop, guitar; unidentified organ electric bass; drums; strings. ' one salvation amid the doggerel and 'pick than before. Rating:*** in' was Tim Buckley. Furthermore, Buckley is lucky to have Had I not had the opportunity of hear Unlike most contemporaries Buckley with him such compatible co-evolutionary ing Bishop in person on several occasions, (with collaborator Larry Beckett) offered creators as Underwood and Balkin, plus this album might have been less disap on his first Elektra dates true poetry within the added tastes of Baker and the Gard pointing.
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Phil's Picks - Greatest Albums of All Times
Phil's Picks - Greatest Albums of All Times Forever Changes, Love Village Green Preservation Society, The Kinks Da Capo, Love Rockers motion picture soundtrack Four Sale, Love On the Beach, Neil Young Catch the Wind, Donovan Neil Young, Neil Young Revolver, Beatles After the Gold Rush, Neil Young Rubber Soul, Beatles Covers Record, Cat Power Magical Mystery Tour, Beatles You Are Free, Cat Power Terry Reid, Terry Reid Doolittle, Pixies Laughing Stock, Talk Talk Roman Candle, Elliot Smith Last Laugh, The Brigade The Notorious Byrd Brothers, The Byrds Rosemary Lane, Bert Jansch Fifth Dimension, The Byrds Moonshine, Bert Jansch Songs, Leonard Cohen Nicola/Birthday Blues, Bert Jansch Desire, Bob Dylan Happy Sad, Tim Buckley I Just Can’t Stop It, The English Beat Dream Letter, Tim Buckley Axis: Bold as Love, Jimi Hendrix Five Leaves Left, Nick Drake Tea for the Tillerman, Cat Stevens Bryter Layter, Nick Drake Talking Heads ’77, Talking Heads Pink Moon, Nick Drake Who’s Next? The Who Astral Weeks, Van Morrison English Settlement, XTC Veedon Fleece, Van Morrison Birds of My Neighborhood, Innocence Mission Vaersgo, Kim Larsen We Walked in Song, Innocence Mission The Doors, The Doors Renaissance, The Association Strange Days, The Doors One Nation Underground, Pearls Before Swine The Boy with the Arab Strap, Belle and Sebastian I Retur, Turid .
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Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords.
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