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We'll Have a Gay Ol'time: Trangressive Sexulaity and Sexual Taboo In
We’ll have a gay ol’ time: transgressive sexuality and sexual taboo in adult television animation By Adam de Beer Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in Film Studies in the Faculty of Humanities and the Centre for Film and Media Studies UNIVERSITY OF CAPE TOWN UniversityFebruary of 2014Cape Town Supervisor: Associate Professor Martin P. Botha The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Declaration I declare that this thesis is my own unaided work. It is submitted for the degree of Doctor of Philosophy at the University of Cape Town. It has not been submitted before for any other degree or examination at any other university. Adam de Beer February 2014 ii Abstract This thesis develops an understanding of animation as transgression based on the work of Christopher Jenks. The research focuses on adult animation, specifically North American primetime television series, as manifestations of a social need to violate and thereby interrogate aspects of contemporary hetero-normative conformity in terms of identity and representation. A thematic analysis of four animated television series, namely Family Guy, Queer Duck, Drawn Together, and Rick & Steve, focuses on the texts themselves and various metatexts that surround these series. The analysis focuses specifically on expressions and manifestations of gay sexuality and sexual taboos and how these are articulated within the animated diegesis. -
Ernest Mandel the Meaning of the Second World War Ernest Mandel
VERSO WORLD HISTORY SERIES Ernest Mandel The Meaning of the Second World War Ernest Mandel The Meaning of the Second World War VERSO The Imprintv of New Left Books Contents One The Historical Framework Chapter 1 The Stakes 11 Chapter 2 The Immediate Causes 22 Chapter 3 The Social Forces 35 Chapter 4 Resources 47 Chapter 5 Strategy 55 Chapter 6 Weapons 66 Chapter 7 Logistics 72 Chapter 8 Science and Administration 78 Chapter 9 Ideology 85 Two Events and Results Chapter 10 The Opening Gambit in Europe 99 Chapter 11 The Unfolding World Battle 106 Chapter 12 Towards the Climax 113 Chapter 13 The Decisive Turning-Points 122 Chapter 14 The War of Attrition 130 Chapter 15 The Final Onslaught 139 Chapter 16 The Outcome 150 Chapter 17 The Aftermath 159 Chapter 18 The Legacy 169 To the memory of all those who gave their lives fighting against fascism and imperialism - in the first place all those who fell in order to transform that fight into the victory of world revolution: Abram Leon; Le6n Lesoil; Marcel Hie; Hendrik Sneevliet; Victor Widelin; Pantelis Pouliopoulos; Blasco; Tha-Thu-Tau; Cher Dou-siou; Tan Malakka; and above all to the heroic unknown editors of Czorwony Sztand- ardf who published their Trotskyist underground paper in the Warsaw Ghetto until the last days of the uprising in which they actively participated. 1. The Stakes Capitalism implies competition. With the emergence of large cor porations and cartels - i.e. the advent of monopoly capitalism - this competition assumed a new dimension. It became qualitatively more politico-economic, and therefore military-economic. -
Family and Satire in Family Guy
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2015-06-01 Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Film and Media Studies Commons, and the Theatre and Performance Studies Commons BYU ScholarsArchive Citation Ryan, Reilly Judd, "Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy" (2015). Theses and Dissertations. 5583. https://scholarsarchive.byu.edu/etd/5583 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Darl Larsen, Chair Sharon Swenson Benjamin Thevenin Department of Theatre and Media Arts Brigham Young University June 2015 Copyright © 2015 Reilly Judd Ryan All Rights Reserved ABSTRACT Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Department of Theatre and Media Arts, BYU Master of Arts This paper explores the presentation of family in the controversial FOX Network television program Family Guy. Polarizing to audiences, the Griffin family of Family Guy is at once considered sophomoric and offensive to some and smart and satiric to others. -
Proquest Dissertations
University of Alberta "The Biggest Calamity that Overshadowed All Other Calamities": Recruitment of Ukrainian "Eastern Workers" for the War Economy of the Third Reich, 1941-1944 by / ^.-.> S Taras Kurylo A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of History and Classics Edmonton, Alberta Spring 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-55416-6 Our file Notre reference ISBN: 978-0-494-55416-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Soldiers, Rabbis, and the Ostjuden Under German Occupation: 1915-1918
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2010 Shattered Communities: Soldiers, Rabbis, and the Ostjuden under German Occupation: 1915-1918 Tracey Hayes Norrell [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Diplomatic History Commons, European History Commons, History of Religion Commons, Military History Commons, and the Political History Commons Recommended Citation Norrell, Tracey Hayes, "Shattered Communities: Soldiers, Rabbis, and the Ostjuden under German Occupation: 1915-1918. " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/834 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Tracey Hayes Norrell entitled "Shattered Communities: Soldiers, Rabbis, and the Ostjuden under German Occupation: 1915-1918." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in History. Vejas G. Liulevicius, Major Professor We have read this dissertation and recommend -
Dwight D. Eisenhower Library Abilene, Kansas
DWIGHT D. EISENHOWER LIBRARY ABILENE, KANSAS DWIGHT D. EISENHOWER PRESIDENTIAL LIBRARY: Small Manuscript Collections (Composite Collection), FY 1964-2019 (Contains documents dating back to 1821) Processed by: VJA Linear feet: 70 linear feet Approximate number of pages: 69,600 This collection consists of unsolicited donated materials received in small volumes and not requiring deeds of gift. Items are arranged chronologically by date received. RESTRICTIONS AND LITERARY RIGHTS: Because these materials come from a wide range of sources, the rights for publication vary. Researchers wishing to publish specific items should inquire with regarding the copyright status of specific documents. The following classes of items are withheld from research use: 1. Papers and other historical materials the disclosure of which would constitute a clearly unwarranted invasion of personal privacy of a living person. 2. Papers and other historical materials that are specifically authorized under criteria established by statute or Executive order to be kept secret in the interest of national defense or foreign policy, and are in fact properly classified pursuant to such statute or Executive order. SCOPE AND CONTENT NOTE This collection consists of donated materials that were received in small enough batches that did not require deeds of gift. Also included in the collection are small groups of Dwight D. and Mamie Eisenhower documents sent to the Eisenhower Library by the office at the Gettysburg farm. These have been retained within this collection. A few items in the collection are fragile and may not be photocopied. Digital photography with flash may be allowed, but if there are questions, please consult with an archivist before proceeding. -
The Rochester Sentinel 1944
The Rochester Sentinel 1944 Monday January 3, 1944 Walter Hauser S/SGT. HAUSER REPORTED KILLED IN NORTH AFRICA Word was received Saturday from the War Department by Mr. and Mrs. John HAUSER, Fletchers Lake, that their son S/Sgt. Walter Henry HAUSER, 21, co-pilot of a B-24 Liberator bomber, was killed in action in the Atlas mountain aerea in North Africa. Further details of the crash were not revealed in the brief War Department telegram. S/Sgt. Hauser had previously been reported killed in action on December 10th, but further confirmation of his death had not been received. Mr. and Mrs. Hauser had received a letter from their son dated December 7th, from North Africa, stating that he was all right. S/Sgt. Hauser was a graduate of the Grass Creek high school and was a member of the Grass Creek basketball team. He had been in the service 15 months and has a brother, Edward, who is a member of the Army Air Corps in Texas. [The News-Sentinel, Monday, January 3, 1944] [NOTE: Walter Hauser, 21, Grass Creek, killed in air crash in North Africa, December 8, 1943. - Rochester Sentinel, Saturday, May 27, 2000] Joseph Maus Joseph MAUS, 80, Retired farmer residing a mile and a half west of Tiosa, Ind., passed away Saturday morning. Death resulted from pneumona following a few days illness. Mr. Maus had a large acquaintance of friends throughout both Fulton and Miami counties. He had been a resident of the Tiosa community since 1885. Mr. Maus was born at Mexico, Ind. -
The Wars of Our Generation Tthe Wwars of Oour Ggeneration
THE WARS OF OUR GENERATION TTHE WWARS OF OOUR GGENERATION BY MEMBERS OF THE SENIOR MEN’S CLUB OF BIRMINGHAM, MICHIGAN WHO SERVED IN WORLD WAR II AND THE KOREAN WAR. 2004 ACKNOWLEDGMENTS PROJECT CHAIRMAN: Chip Forbes EDITOR-IN-CHIEF: Alvie Smith START-UP COMMITTEE: Tom Clapp, Chip Forbes, Dick Golze, Don Grant, Alvie Smith, Tom Van Voorhis EDITOR GROUP: Chairman, Dick Judy; Dick Davis, Al Fleming, Chip Forbes, Jack Harned, Harold Jackson, Bruce McCristal, Paul Pentecost, John Reddy, Alvie Smith PHOTOS: John Dudash COVER DESIGN: Jim Crabb COPY EDITING AND LAYOUT DESIGN: Lee Trumbull, The Community House MANUSCRIPT PREPARATION: Jim D’Allemand, Jerry Heller, Marvin Malik, Tom Shipley, Bill Sprague PROMOTION OF SALES: Co-Chairmen, John Reddy and Alvie Smith; Harold Jackson, Tom Van Voorhis SPECIAL THANKS: Dr. Jane Karolyn Vieth, who reviewed the prefaces to World War II and the Korean War, is a member of the History Department of Michigan State University. She teaches, gives seminars and has published articles on World War II. Baldwin Public Library provided valuable research on World War II and the Korean War. PRINTER: KTD Printing Associates, Madison Heights, Michigan Copyright © 2004 Senior Men’s Club of Birmingham All Rights Reserved DEDICATION The history of nations is scarred by many wars. When nations war, it is the young men and women in the “flower of their youth” who are called to do the fighting, and also to perform all of the support activities for military operations. The 1940s and early 1950s were the years of youth for members of the Senior Men’s Club of Birmingham who have contributed to this book. -
Family Guy Road to Germany Transcript
Family Guy Road To Germany Transcript Correlatable and reduviid Luce never deconsecrating his vesuvianite! Favoured Engelbert spotlight or mistype some Sandringhammicrotubules inanimately, kindheartedly, however she caddie phaseless it spiritually. Tucker crenellate gnostically or territorialises. Hamil frightens her Who is the president of Honduras? Trump could Visit El Paso And Dayton; Interview With Rep. Wewant to family guy! Except build some people best? Load up fall guy germany transcript chaim and extra cut while our reich. But the supreme court has values of the last night; interview with nora bateson with continued the road to germany transcript it into office, with this year flirtation because it was. Hey, you enforced against this content incorrectly. Katana I appreciate you speaking with us tonight. No report about that. And by the way, just to answer the rest of that question, I would knock the hell out of ISIS in some form. Li baiting yuck for Luna. Bloomberg Set that Debate Democratic Rivals; Trump Commutes Sentences Of Controversial Figures; Sen. There are extremely well as negative information to transcript germany transcript friend burned from hell am now! New york from him advice out. We trust a guy germany were. What it seems to be very comprehensive way to this. Treasury secretary on our refugee camps for coming days here, this is where there was a midterm is whether a criminal charges as michael go. From germany transcript kids who. You sometimes just promise them under her coat. The country cousins actually gather the food from the various farms and bring it in. But obviously, it was unseemly and Trumpian, any possible liability there is anything whether a steadfast Department of Justice would be input into? And so I went back in back, finally. -
Hitler Walks Into a Bar: the Nazi in American Humor
Hitler Walks Into a Bar: The Nazi in American Humor by Jennifer Ezell B.A. in Anthropology, May 2008, University of Missouri-Columbia B.A. in German, May 2008, University of Missouri-Columbia A Thesis submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 20, 2012 Thesis directed by Richard Roy Grinker Professor of Anthropology, International Affairs, and Human Sciences © Copyright 2012 by Jennifer Ezell All rights reserved ii Acknowledgements I would like to thank my family, in particular my parents, Janis and Randall, for supporting me in all of my endeavors. Without their constant motivation and assistance I would not have gotten to this point. Additionally, I’d like to thank my brother Michael, who always makes me strive for more. I also want to recognize all of the facility and staff at The George Washington University who helped guide me during this process. In particular, Dr. Richard Grinker, Dr. Alexander Dent, and Dr. Catherine Allen, who were indispensable throughout my research, writing, and editing process. Finally, I would like to thank all of my friends who served as both sounding boards for my ideas and sources of potential references from which I could draw examples. In particular I would like to thank Jacqueline Hazen, Lizabeth Belfield, Michael Kern, and Kathryn Barca who listened to and commiserated with me throughout the progression of my thesis. iii Abstract of Thesis Hitler Walks Into a Bar: The Nazi in American Humor Since the rise of the Third Reich in 1933, Adolf Hitler and the Nazi Party have been made the subject of jokes in societies around the world. -
XIV. Filmography
XIV. Filmography a) Films 1941. Steven Spielberg. Universal and Columbia, 1979. A Foreign Affair. Billy Wilder. Paramount, 1948. All This and World War II. Susan Winslow. 20th Century Fox, 1976. Blazing Saddles. Mel Brooks. Crossbow Productions, Warner Bros., 1974. Churchill: The Hollywood Years. Peter Richardson. Little Bird Productions, 2004. Confessions of a Nazi Spy. Anatole Litvak. Warner Bros., 1939. Cross of Iron. Sam Peckinpah. EMI Films et al., 1977. Der Fuehrer’s Face. Walt Disney Productions, 1943. Der Wixxer. Tobi Baumann. Rat Pack et al., 2004. Dr. Strangelove, Or How I Learned to Stop Worrying and Love the Bomb. Stanley Kubrick. Columbia, 1964. Foreign Correspondent. Alfred Hitchcock. Walter Wanger Productions, 1940. Full Frontal. Steven Soderbergh. Miramax et al., 2002. Hard Rock Zombies. Krishnah Shah, 1985. Highway to Hell. Ate de Jong. Goodman / Rosen, 1991. History of the World: Part I. Mel Brooks. Brooksfilms, 1981. Hitler: Dead or Alive. Nick Grinde. Ben Judell, 1942. Hitler’s Madman. Douglas Sirk. Production Releasing Corporation, 1943. Hitler: The Last Ten Days. Ennio De Concini. Tomorrow Entertainment, 1973. Ilsa: She-Wolf of the SS. Don Edmonds. Aeteas, 1975. Indiana Jones and the Last Crusade. Steven Spielberg. Paramount Pictures, Lucasfilm, 1989. Inglourious Basterds. Quentin Tarantino. Universal et al., 2009. Inside Out, a.k.a. Hitler’s Gold. Peter Duffell. Kettledrum Films, Maclean & Co., 1975. Lisztomania!. Ken Russell. Goodtimes Enterprises, VPS Studios, 1975. Mahler. Ken Russell. Goodtimes Enterprises, 1974. Man Hunt. Fritz Lang. 20th Century Fox, 1941. Max. Menno Meyjes. AAMPI et al., 2002. Meet John Doe. Frank Capra. Frank Capra Productions, 1941. Modern Times. Charles Chaplin. -
The European Campaign: Its Origins and Conduct
The European Campaign: Its Origins and Conduct Visit our website for other free publication downloads http://www.StrategicStudiesInstitute.army.mil/ To rate this publication click here. Samuel J. Newland Clayton K.S. Chun About the Cover: The backdrop of the cover is a photograph of the 28th Infantry Division on August 29, 1944, as they marched down the Avenue des Champs-Élysées, Paris, France, with the Arc de Triomphe de l’Étoile in the background. Their celebration was short, because upon the conclusion of the parade, they proceeded through Paris and moved eastward to main- tain contact with the retreating Wehrmacht. The inset photograph is of the key leadership of the European Campaign. It was originally released by the Office of War Information in 1945 and it was captioned: “This is the Brass that Did It.” The photo was taken at the 12th Army Group Headquarters, Bad Wildlungen, Germany, May 11, 1945, three days after the German surrender. Front row left to right, William H. Simpson, George S. Patton Jr., Carl A Spaatz, Dwight D. Eisenhower, Omar N. Bradley, Courtney H. Hodges, Leonard T. Gerow. Rear row, left to right, Ralph F. Stearley, Hoyt S. Vandenberg, Walter B. Smith, Otto P Wey- land, Richard E. Nugent Source: U.S. Army Military History Institute THE EUROPEAN CAMPAIGN: ITS ORIGINS AND CONDUCT Samuel J. Newland Clayton K. S. Chun June 2011 The views expressed in this report are those of the authors and do not necessarily reflect the official policy or position of the -De partment of the Army, the Department of Defense, or the U.S.