Dancing on Coral Glenda Adams Introduced by Susan Wyndham The
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Foreign Soil by Maxine Beneba Clarke HACHETTE
2015 STELLA PRIZE SHORTLISTED TITLE Foreign Soil by Maxine Beneba Clarke HACHETTE ‘Wondrous as she seemed, Shu Yi wasn’t a problem I wanted to take on. Besides, with her arrival my own life had become easier: Melinda and the others hadn’t come looking for me in months. At home, my thankful mother had finally taken the plastic undersheet off my bed.’ Maxine Beneba Clarke, Foreign Soil INTRODUCTION TO THE TEXT suitable for study. A short synopsis and series of This collection of short stories won the Victorian reading questions are allocated for each story, along Premier’s Award for an Unpublished Manuscript in with any themes that are not included in the general 2013, and was subsequently published by Hachette list of the book’s themes below. Following this Australia. It went on to be critically recognised and breakdown are activities that can be applied to the appear on the shortlists for numerous awards. book more broadly. Like all of Maxine Beneba Clarke’s work, this ABOUT THE AUTHOR collection reflects an awareness of voices that are often pushed to the fringes of society, and frequently MAXINE BENEBA CLARKE is speaks to the experiences of immigrants, refugees and an Australian writer and slam single mothers, in addition to lesbian, gay, bisexual, poetry champion of Afro-Caribbean transgender and intersex people. In Foreign Soil, descent. She is the author of the Clarke captures the anger, hope, despair, desperation, poetry collections Gil Scott Heron is strength and desire felt by members of these groups, on Parole (Picaro Press, 2009) and Nothing Here Needs and many others. -
Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
Ruth Park a Celebration
Ruth Park A CELEBRATION Ruth Park A Celebration Compiled and edited by Joy Hooton Friends of the National Library of Australia Canberra 1996 Acknowledgements All but one of the photographs in this volume were supplied by Ruth Park. The photograph facing page one was supplied by the Mitchell Library and is reproduced courtesy of the Australian Broadcasting Commission. Published with the assistance of Penguin Australia © Friends of the National Library of Australia National Library of Australia Cataloguing-in-Publication entry Ruth Park : a celebration. Bibliography. ISBN 0 646 29461 X. 1. Park, Ruth. 2. Women novelists, Australian—20th century. 3. Novelists, Australian—20th century. I. Hooton, Joy W. (Joy Wendy), 1935- II. National Library of Australia. Friends. A823.3 Publisher's editor: Annabel Pengilley. Designer: Kathy Jakupec. Printer: Goanna Print, Canberra. Cover photograph by Wesley Stacey Contents Joy Hooton surveys Ruth Park's life and work 1 Michael King a fellow New Zealander pays tribute to Ruth Park's influence in the country of her birth 14 Elizabeth Riddell writes on A Fence around the Cuckcoo 15 Marcie Muir pays tribute to Ruth Park's writing for children and young adults 17 Marion Halligan writes on Ruth Park's novels: Some Sorcery in the Subconscious' 20 A Select Bibliography 28 Awards 33 Ruth Park, aged 26 Joy Hooton surveys Ruth Park's life and work Ruth Park was born in Auckland, New Zealand, the daughter of a pioneering bridge builder and road maker, whose work took his family into the wild territory of North Auckland and the King Country. As a result she had a singular early childhood, growing up as 'a forest creature', familiar with the New Zealand bush rather than with the products of civilisation or with children of her own age. -
The Literary Studies Convention @ Wollongong University 7 – 11 July 2015
1 The Literary Studies Convention @ Wollongong University 7 – 11 July 2015 with the support of AAL, the Australasian Association of Literature ASAL, the Association for the Study of Australian Literature AULLA, the Australasian Universities Language and Literature Association The Faculty of Law, Humanities and the Arts School of the Arts, English and Media English and Writing Program University of Wollongong and Cengage Learning Maney Publishing The convention venues are Buildings 19, 20 and 24 of the University of Wollongong. The Barry Andrews Memorial Lecture and Prize-Giving will be in the Hope Lecture Theatre (Building 43) ** Please note that some books by delegates and keynote speakers will be for sale in the University of Wollongong’s Unishop in Building 11. Look for the special display for the Literary Networks Convention. 2 3 Barry Andrews Memorial Address: Tony Birch .......................................................................... 10 Keynote Address: Carolyn Dinshaw ............................................................................................. 11 Keynote Address: Rita Felski ......................................................................................................... 12 Dorothy Green Memorial Lecture: Susan K. Martin .................................................................. 13 Plenary Panel: Australia’s Literary Culture and the Australian Book Industry ....................... 14 Plenary Panel: Literary Studies in Australian Universities – Structures and Futures ........... 16 Stephen -
Dancing on Coral Glenda Adams Introduced by Susan Wyndham The
Dancing on Coral Drylands Glenda Adams Thea Astley Introduced by Susan Wyndham Introduced by Emily Maguire The True Story of Spit MacPhee Homesickness James Aldridge Murray Bail Introduced by Phillip Gwynne Introduced by Peter Conrad The Commandant Sydney Bridge Upside Down Jessica Anderson David Ballantyne Introduced by Carmen Callil Introduced by Kate De Goldi A Kindness Cup Bush Studies Thea Astley Barbara Baynton Introduced by Kate Grenville Introduced by Helen Garner Reaching Tin River Between Sky & Sea Thea Astley Herz Bergner Introduced by Jennifer Down Introduced by Arnold Zable The Multiple Effects of Rainshadow The Cardboard Crown Thea Astley Martin Boyd Introduced by Chloe Hooper Introduced by Brenda Niall classics_endmatter_2018.indd 1 4/07/2018 5:20 PM A Difficult Young Man Diary of a Bad Year Martin Boyd J. M. Coetzee Introduced by Sonya Hartnett Introduced by Peter Goldsworthy Outbreak of Love Wake in Fright Martin Boyd Kenneth Cook Introduced by Chris Womersley Introduced by Peter Temple When Blackbirds Sing The Dying Trade Martin Boyd Peter Corris Introduced by Chris Wallace-Crabbe Introduced by Charles Waterstreet The Australian Ugliness They’re a Weird Mob Robin Boyd Nino Culotta Introduced by Christos Tsiolkas Introduced by Jacinta Tynan The Life and Adventures of Aunts Up the Cross William Buckley Robin Dalton Introduced by Tim Flannery Introduced by Clive James The Songs of a Sentimental Bloke The Dyehouse C. J. Dennis Mena Calthorpe Introduced by Jack Thompson Introduced by Fiona McFarlane Careful, He Might Hear -
Abbey's Turns 40 a Continuing Retrospective - Part 10 This Is the Last Instalment of Our Historical Memories of Forty Years of Bookselling in Sydney
Issue #228 October 2008 www.abbeys.com.au [email protected] Abbey's Turns 40 A Continuing Retrospective - Part 10 This is the last instalment of our historical memories of forty years of bookselling in Sydney. Peter Milne suggested I mention a few of the many interesting events and book launches we have held in the shop over the years. Peter will have mentioned some of The Oxford English Dictionary the big crime events, I hope including P D James, 2nd Edition when so many people turned up we needed to invest in a sound system so everyone could hear! The busiest time was during 20-volume set (usually $2,500) now only $1,300 our 25th birthday in 1993 when we had a series of lunchtime and early 20-volume set plus OED on CD-ROM evening seminars arranged for us by Dulcie Stretton. There were (usually $2,999) now only $1,500 twenty-six authors involved, including Rodney Hall, Kel Richards, To celebrate the 80th anniversary of the publication of the first edition of the Marele Day, Vikram Seth, Joanna Trollope, James Gleick, Colin OED, the price has been dramatically reduced for a limited time. This is the Wilson and Carol Shields. When Peter lowest price it has ever been, so if you've always wanted to own all 20 Carey won the Booker Prize for Oscar volumes and 22,000 pages of this magnificent dictionary, here is your and Lucinda, he came here and sat chance! The books plus CD-ROM bundle is great value if you have a on the steps leading up to Language computer. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Reading the City, Walking the Book: Mapping Sydney’s Fictional Topographies Susan M. King A thesis submitted to the Faculty of Arts and Social Sciences at the University of Sydney in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of English August 2013 Preface I hereby declare that, except where indicated in the text and footnotes, this thesis contains only my own original work. -
Lyn Mccredden. the Fiction of Tim Winton: Earthed and Sacred Sydney: Sydney UP, 2016
Commonwealth Essays and Studies 41.2 | 2019 Nadine Gordimer Lyn McCredden. The Fiction of Tim Winton: Earthed and Sacred Sydney: Sydney UP, 2016. vii + 158 pp. ISBN: 9-781743-325032. AU$30 Jean-François Vernay Electronic version URL: https://journals.openedition.org/ces/447 DOI: 10.4000/ces.447 ISSN: 2534-6695 Publisher SEPC (Société d’études des pays du Commonwealth) Printed version Date of publication: 10 June 2019 Number of pages: 121-122 ISSN: 2270-0633 Electronic reference Jean-François Vernay, “Lyn McCredden. The Fiction of Tim Winton: Earthed and Sacred”, Commonwealth Essays and Studies [Online], 41.2 | 2019, Online since 05 November 2019, connection on 21 July 2021. URL: http://journals.openedition.org/ces/447 ; DOI: https://doi.org/10.4000/ces.447 Commonwealth Essays and Studies is licensed under a Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 121 Reviews The Fiction of Tim Winton: Earthed and Sacred. By Lyn McCredden. Sydney: Sydney UP, 2016. vii + 158 pp. ISBN: 9-781743-325032. AU$30. Reviewed by Jean-François VERNAY Tim Winton has written his way to become the darling of Australian readers who enjoy his rich prose evocative of the south-western landscape which he calls home. He can be regarded as a left-leaning writer who has a close affinity with the people and es- pecially the land which he celebrates in his stories. His coastal narratives invariably viv- idly depict rural communities functioning in harmony with the beach culture. Winton’s focus is domestic, if not personal, fathoming the cultural and psychological impact of the Australian land. -
Contributors Antipodes Editors
Antipodes Volume 29 | Issue 1 Article 16 2020 Contributors Antipodes Editors Follow this and additional works at: http://digitalcommons.wayne.edu/antipodes Recommended Citation Editors, Antipodes (2020) "Contributors," Antipodes: Vol. 29: Iss. 1, Article 16. Available at: http://digitalcommons.wayne.edu/antipodes/vol29/iss1/16 CONTRIBUTORS Luma Balaa is Assistant Professor of English Studies in the Department of English at the Lebanese American University of Beirut. Her research interests include fairytales, Anglophone Lebanese Australian writers, women’s writing, feminism, and representations of women in Cinema. Her scholarship has been published in Antipodes, Hawwa: Journal of Women of the Middle East and the Islamic World, and Australian Feminist Studies. Gillian Bouras is an expatriate Australian writer who has written several books, stories, and articles, many of them dealing with her experiences as an Australian woman in Greece. John Carmody is a retired academic physiologist (UNSW) and lively music critic and author. In 1978, he became the writer on opera and concert music for the National Times and subsequently wrote for the Australian Financial Review and the Sun-Herald. He has contributed extensively to the Australian Dictionary of Biography and a number of other encyclopedias and reference publications. He has broadcast frequently on ABC radio, notably on music, religion, history, and medicine. Julie Chevalier lives in western Sydney and teaches poetry and short story workshops for New South Wales Writers’ Centre, South Coast Writers’ Centre, Central Coast Poetry Group, Gloucester Poetry Group, and the Sydney WEA. Eileen Chong is a Sydney poet. Her work has been shortlisted for the Anne Elder Award, the Peter Porter Prize, and the Prime Minister’s Literary Awards, amongst others. -
Storytellers, Dreamers, Rebels: the Concept of Agency in Selected Novels by Peter Carey
Faculty of Linguistics, Literature and Cultural Studies Institute of English and American Studies Chair of English Literary Studies Dissertation Storytellers, Dreamers, Rebels: The Concept of Agency in Selected Novels by Peter Carey by Sebastian Jansen A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy Supervisors: Prof. Dr. Stefan Horlacher, Prof. Dr. Thomas Kühn, Prof. Dr. Bill Ashcroft Technische Universität Dresden, Faculty of Linguistics, Literature and Cultural Studies 29 July 2016 Table of Contents 1. Introduction ......................................................................................................................................... 4 2. Literary Overview of Carey’s Writing ................................................................................................ 18 3. Agency in Carey’s Writing: Three ‘Carey Themes’ ............................................................................ 29 4. Agency ............................................................................................................................................... 49 4.1. Important Terminology .............................................................................................................. 49 4.2. Agency: A New Phenomenon? .................................................................................................... 53 4.3. The Ancient Sources of Agency ................................................................................................... 62 4.4. -
July to December 2019
THE TEXT PUBLISHING COMPANY JULY–DECEMBER 2019 Level 10, 22 William Street Publicity [email protected] Cover design Imogen Stubbs, Melbourne VIC 3000 Australia Sales [email protected] from A Constant Hum by Alice Bishop p: +613 8610 4500 f: +613 9629 8621 Rights [email protected] Design/production Text textpublishing.com.au [email protected] Export [email protected] Editorial/co-ordination Stefanie Italia JULY SEPTEMBER NOVEMBER 3 Shepherd Catherine Jinks 19 On a Wing and a Prayer 37 Nothing New Robyn Annear 4 The Convert Stefan Hertmans Di Websdale-Morrissey 38 Yellow Notebook Helen Garner 5 A Constant Hum Alice Bishop 20 The Golden Country Tim Watts 40 Stories, Monkey Grip & The Children’s Bach 6 The Bookshop of the Broken Hearted 21 Lucky Ticket Joey Bui Helen Garner Robert Hillman 22 Sand Talk Tyson Yunkaporta 41 Life Tim Flannery 7 The Golden State Lydia Kiesling 24 The Book of Dirt Bram Presser 42 Griffith Review 66 Edited by Ashley Hay 32 Disgrace, Waiting for the Barbarians, 25 You Daughters of Freedom 43 The River Capture Mary Costello Life & Times of Michael K & The Master Clare Wright 44 Peace Garry Disher of Petersburg J. M. Coetzee 26 The Girl without Skin Mads Peder Nordbo DECEMBER AUGUST 46 Picnic at Hanging Rock Joan Lindsay 8 On the Chin Alex McClintock OCTOBER 47 On the Beach Nevil Shute 10 Preservation Jock Serong 27 Cold Fear Mads Peder Nordbo 48 Don Tillman’s Standardised Meal System 11 James Hardy Vaux’s 1819 Dictionary 28 Kill Shot Garry Disher Graeme Simsion of Criminal Slang… Simon Barnard 29 Ian Fairweather Edited by Claire Roberts 12 The Mosquito Timothy C. -
The IBBY Honour List
The IBBY Honour List For this biennial list, National Sections of IBBY are invited to nominate outstanding recent books that are characteristic of their country and recommended for publication in different languages. One book can be nominated for each of the three categories: writing, illustration and translation. In 2016, for the first time IBBY Australia nominated a translator—John Nieuwenhuizen for Nine Open Arms. Writer: Emily Rodda—Rowan of Rin 1962 Writer: Nan Chauncy—Tangara 1996 1970 Writer: Patricia Wrightson—I Own the Illustrator: Peter Gouldthorpe—First Light Racecourse text by Gary Crew 1972 Writer: Colin Thiele—Blue Fin 1998 Writer: Peter Carey—The Big Bazoohley 1974 Writer: Ivan Southall—Josh Illustrator: John Winch—The Old Illustrator: Ted Greenwood—Joseph and Woman Who Loved to Read Lulu and the Prindiville House Pigeons 2000 Writer: Margaret Wild—First Day 1976 Writer: Patricia Wrightson—The Nargun and illustrations by Kim Gamble the Stars Illustrator: Graeme Base—The Worst Band Illustrator: Kilmeny & Deborah Niland— in the Universe Mulga Bill’s Bicycle by A.B. Paterson 2002 Writer: David Metzenthen—Stony Heart 1978 Writer: Eleanor Spence—The October Child Country Illustrator: Robert Ingpen—The Runaway Illustrator: Ron Brooks—Fox text by Punt text by Michael Page Margaret Wild 1980 Writer: Lilith Norman—A Dream of Seas 2004 Writer: Simon French—Where in the Illustrator: Percy Trezise and Dick World? Roughsey—The Quinkins Illustrator: Andrew McLean—A Year on Our 1982 Writer: Ruth Park—Playing Beatie Bow Farm text by Penny