DOCSLIB.ORG

For Love Alone Music Credits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
For Love Alone Music Credits Music Nathan Waks Music Performed by the Australian Chamber Orchestra Leader Carl Pini Oboes Ann Gilbey Guy Henderson Flute Geoff Collins Piano David Miller and Academy Trio John Winther John Harding Nathan Waks Faure, Romance Sans Paroles Opus 17, No. 3 Faure, Pavane Opus 50 Telemann, Trio Sonata in B flat 'Tess's Tango', 'Quick's Quickstep' and 'Panama Hat' Composed by Nathan Waks And performed by The Terry Wilkinson Dance Band Recording Engineers Gerry Nixon Glen Phimister Composer Waks was nominated for an ARIA award in 1987, with Robyn Archer winning for her stage play (adapted for television), The Pack of Women. The film features the occasional bit of on screen music, including a squeeze box in a London pub, and a band playing at a dance: Composer Nathan Waks: Unsurprisingly, given Nathan Waks instrument of choice, the cello tends to dominate in the score. Waks has a brief wiki here. Waks was a prominent player in various quartets, and was for a time one of the co-principal cello players for the Sydney Symphony Orchestra. He has also developed interests in the wine game, most notably Kilikanoon Winery in South Australia's Clare Valley. According to director Gillian Armstrong, Waks was a cousin of producer Margaret Fink, who introduced him to Armstrong as an "incredible cellist" with an "extraordinary musical knowledge", and so he put together the score for My Brilliant Career, before moving on to continue the working relationship with Fink on For Love Alone. The Australian Cello Awards, here, provides this useful short CV for Waks: An important and innovative member of Australiaʼs musical establishment over the last three decades, solo cellist, chamber musician, principal cellist and administrator Nathan Waks is one of our most colourful classical musicians. Nathan Waks began his studies at the Sydney Conservatorium of Music with cellist Lois Simpson and chamber musician Robert Pikler. He won the ABC National Concerto Competition and travelled to Europe to further his musical education, training with Mstistlav Rostropovich in Moscow and Paul Tortelier in Paris. From being the youngest Principal Cellist of the Sydney Symphony Orchestra at age 19 to performing as a soloist with major Australian orchestras, Waks has enjoyed a career that has featured recording of film scores and accompaniment to international recording artists. He has organized concerts for singers Frank Sinatra, Rod Stewart and Tiny Tim. He is a founding member of the Australian Chamber Orchestra and the Australian Music Centre and has held directorships at the Australian Broadcasting Corporation, Symphony Australia, the Australia Council and the Australian National Academy of Music. He has toured to more than 50 countries and recorded for a decade with The Sydney String Quartet. Presently he creates new music with Waks Generation, a collaboration with DJ and son, Sam, and is working on a musical project with composer Charlie Chan. Nathan Waks is now proprietor and Executive Director of Kilikanoon and Seppeltsfield wineries. Nathan plays a David Tecchler-made 1723 cello. Kilikanoon here explains how Waks got into the wine game: A chance meeting at a local pub in 2001 initiated the partnership between Nathan and Kevin. Studying at the Paris Conservatoire in the late 1960's instigated a passion for wine, which was further developed upon his return to Australia. Nathan was Principal Cellist with the Sydney Symphony Orchestra, and has been known to perform while travelling internationally as the Kilikanoon Brand Ambassador. Waks had a brief flirtation with Twitter, but at time of writing his account here was inactive. The score was released as an LP: LP WEA 254138-1 1986 All compositions Copyright Control Arranged & Produced by Nathan Waks Digitally recorded at Digital Audio Studio and the Sydney Opera House by Michael Stavrou Recorded on Sony 3324 and Mixed to Sony 1610 Digital SIDE 1: 1. Pavane Op. 50 “Sydney Streets” (Gabriel Faure) Orchestra Led by Robert Ingram. 2. Lowlands - Sea Shanty - “Beach Walk I” (Trad.) Nathan Waks - Cello. 3. Pavane - Reprise - “Leaving Jonathanʼs” (Gabriel Faure) Orchestra Led by Robert Ingram. 4. Lowlands - Reprise - “Beach Walk II” (Trad.) 5. Pavane - Reprise “Lucy” (Gabriel Faure) Geoff Collins - Flute, Alto Flute 6. Quickʼs Quickstep - “Shipboard Dance” (N. Waks) Terry Wilkinson Band. 7. Panama Hat - “James Comes On Board” (N. Waks) Terry Wilkinson Band 8. Tessʼ Tango - “Engagement Party” (N. Waks) Terry Wilkinson Band SIDE 2: 1. Romance Sans Paroles Op. 17 No. 3 - “Walking To Malfiʼs Wedding” (Gabriel Faure) David Miller - Piano; Ann Gilby - Oboe; Geoff Collins - Flute, Alto Flute; Nathan Waks - Cello 2. Countess Of Westmoreland - “Swank Restaurant” (Shield) Academy Trio Nathan Waks - Cello 3. Romance - Reprise - “Leaving Australia” (Trad.) Ann Gilby - Oboe; Geoff Collins - Flute, Alto Flute; Nathan Waks - Cello 4. Wedding Waltz - “Malfiʼs Wedding” (Trad.) David Miller - Piano. 5. Mudgee Waltz - “Oxford Pub” (Trad.) Dave de Hoogard - Concertina 6. Wedding Waltz (Echo) - “Beach Walk III” (Trad.) David Miller - Piano Nathan Waks - Cello 7. Romance - Reprise - “Remembering Australia” (Trad.) David Miller - Piano 8. Trio Sonata In B Flat - “The Wedding” (Telemann); Ann Gilbey - Oboe; John Gray - Harpsichord; Nathan Waks - Cello (Below: Nathan Waks) .
Load more

Recommended publications
  • 1661 Vll3d0 3H.L .LV .LNVA3'l
    1661 ·~upds 06v :l!snw 1un woN ~u-e r .A.rnw Vll3d0 3H.L .LV .LNVA3'l liV~SO Oscar Levant is known for his songs in the area of popular music, but his operas are virtually unknown. Obtaining and studying any one of his three operas should be important for establishing him as more than a popular-music composer. Levant's opera Carnival, from the 20th Century Fox movie Charlie Chan at the Opera, is especially worthy of consideration. Through careful analysis of this work, much can be learned about the style and interests of Oscar Levant. While comparisons to other composers and their works may be too extensive for this specific paper, some comparisons to Levant's own popular tunes of the same time period as Carnival may reveal remarkable similarities and/or differences. Along with an analysis of the score, observation of the opera as it is presented in the movie will provide information about the basis for its content and reveal its incorporation into the movie's plot. In addition, seeing the movie will give aural information, such as the types of instruments used. The interest in this topic stems from Oscar Levant's own books­ A Smattering of Ignorance, The Unimportance of Being Oscar, and The Memoirs of an Amnesiac. He refers to this opera in A Smattering of Ignorance. but his references to his musical acquaintances in The Memoirs of an Amnesiac may supply additional facts to help in understanding his musical style. Examining c 'arnival will contribute to showing the significance of Oscar Levant's style of composition.
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • The Monkey's Mask Music Credits
    original music by single gun theory additional music by antony partos music supervisor andrew kotatko Original Music Produced & Arranged by Single Gun Theory String Arrangements by Antony Partos Music Recorded in the Studios of the Australian Broadcasting Corporation Music Engineered & Mixed By Cameron McCauley triple j - logo Music Mixed at Mangrove Music Studios Single Gun Theory Published by Sony/ATV Music Publishing Single Gun Theory appear courtesy of Nettwerk Records Single Gun Theory are Jacqui Hunt, Kath Power & Pete Rivett-Carnac Executive Music Producers Robert Patterson and Lyle Chan ABC Classics ABC Classics logo Music Editor Julie Pearce Musicians Sydney Alpha Ensemble Violins Viola Shuti Huang Deborah Lander Maja Verunica Violoncello Double Bass Melissa Barnard Kees Boersma Acoustic & Slide Guitars Matthew Dwyer and Michael Sheridan Percussion Philip South Additional Drum & Bass Programming Cameron McCauley Additional Programming Kirke Godfrey Music Contractor Julie Owens Music Mix Assistant Matt Lovell "Illusion" (Film Mix) Performed by Single Gun Theory Written by J. Hunt, K. Power and P. Rivett-Carnac Published by Sony/ATV Music Produced by Single Gun Theory "At the River" Performed by Groove Armada Written by A. Cato, T. Findlay, C. Rothrock, M. Yakus and A. Jeffrey Published by Warner/Chappell Music, Polygram Music and Ambassador Music Produced by Groove Armada Courtesy of Zomba Records "Exquisite Stereo" Performed by Deborah Conway with Neil Finn Written by D. Conway and W. Zygier Published by EMI Music and Polygram Music Produced by Deborah Conway and Willy Zygier Courtesy of Intercorps Productions 2000 "Dark Walk" Performed by Smoke City Written by M. Brown, C. Frank and N.
    [Show full text]
  • Senate Standing Committee on Environment and Communications
    Senate Standing Committee on Environment and Communications Answers to Senate Estimates Questions on Notice Supplementary Budget Estimates Hearings October 2012 Broadband, Communications and the Digital Economy Portfolio Australian Broadcasting Corporation Question No: 139 Program No. ABC Hansard Ref: Page 73 Topic: Mr Loewenstein Senator Abetz asked: Mr Scott: … I should point out that Mr Loewenstein is not an employee of the ABC. As you pointed out, he has appeared as a guest on our programs, but he is not an employee. Senator ABETZ: But he gets paid a fee from time to time for those appearances? Mr Scott: I would have to check on that. I do not know… Senator ABETZ: It was within the week of that column that the ABC took that decision. Compare Mr Milne's column to Mr Lowenstein's offensive comment, which remained in the ether for five weeks before an apology was finally dragged out of him. Is the ABC willing to continue to have Mr Loewenstein appear as a credible panellist on its programs? Mr Scott: That decision was made, I think, at the editorial level of Insiders. The first I have become aware of this incident was this afternoon. I can take that question on notice, but I understand this was a very offensive statement made— Answer: Antony Loewenstein is a freelance journalist, blogger and author and has appeared as a guest and commentator from time to time on various ABC Radio networks. In 2012 he has appeared on triple j’s Hack and Sunday Night Safran, on Radio National on Common Knowledge, on 702 ABC Sydney Afternoons and on 105.7 ABC Darwin Afternoons.
    [Show full text]
  • PPCA Licensors Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights
    PPCA Licensors Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights 88dB Bowles Production *ABC Music Brian Lord Entertainment ACMEC Bridge, Billy Adams, Clelia Broad Music AGR Television Records Buckley, Russell Aitken, Gregory A. Budimir, Mary Michelle AITP Records Bullbar P/L aJaymusic Bulletproof Records t/a Fighterpilot AJO Services Bulmer, Grant Matthew Allan, Jane Bunza Entertainment International Pty Ltd Aloha Management Pty Ltd Butler Brown P/L t/a The John Butler Trio Alter Ego Promotions Byrne, Craig Alston, Chris Byrne, Janine Alston, Mark *CAAMA Music Amber Records Aust. Pty Ltd. Cameron Bracken Concepts Amphibian *Care Factor Zero Recordz Anamoe Productions Celtic Records Anderson, James Gordon SA 5006 Angelik Central Station Pty Ltd Angell, Matt Charlie Chan Music Pty Ltd Anthem Pty Ltd Chart Records and Publishing Anvil Records Chase Corporation P/L Anvil Lane Records Chatterbox Records P/L Appleseed Cheshire, Kim Armchair Circus Music Chester, John Armchair Productions t/a Artworks Recorded Circle Records Music CJJM Australian Music Promotions Artistocrat P/L Clarke, Denise Pamela Arvidson, Daniel Clifton, Jane Ascension World Music Productions House Coggan, Darren Attar, Lior Col Millington Prodcutions *Australian Music Centre Collins, Andrew James B.E. Cooper Pty Ltd *Colossal Records of Australia Pty Ltd B(if)tek Conlaw (No. 16) Pty Ltd t/a Sundown Records Backtrack Music Coo-ee Music Band Camp Cooper, Jacki Bellbird Music Pty Ltd Coulson, Greg Below Par Records
    [Show full text]
  • Program Schedule
    Friday, August 6, 4:30 p.m. 55 Program Schedule equivalence and blockmodels; an introduction to local analysis including The length of each session/meeting activity is one hour dyadic and triadic analyses; and basic distribution theory and statistical and 45 minutes, unless noted otherwise. Session models. presiders and committee chairs should see that sessions The course text will be: Wasserman, Stanley and Faust, Katherine and meetings end on time to avoid conflicts with (1994). Social Network Analysis: Methods and Applications. Cambridge, ENG and New York: Cambridge University Press. subsequent activities scheduled into the same room. 1999 ASA Chair Conference—Thursday, August 5, 1:00- Program Corrections: The information printed here 9:30 p.m.—Hilton Chicago, Williford C reflects session updates received from organizers through Section on Political Sociology Conference—Thursday, July 12, 1999. Changes received after that date appear in August 5, 1:00-5:00 p.m.—Hilton Chicago, Boulevard the Convention Bulletin distributed with the Final Program Rooms A-B-C packets. Please check that bulletin for the latest updates. Honors Program Orientation—Thursday, August 5, 1:30- 5:30 p.m.—Hilton Chicago, Marquette Pre-Meeting Activities ____________________________________________________________________________________________________________________ ____ Alpha Kappa Delta Executive Council—Thursday, August 5, 8:00 a.m.-6:00 p.m.—Hilton Chicago, Lake Erie Friday, August 6 North American Chinese Sociologists Association conference—Thursday, August 5, 8:30 a.m.-5:30 p.m.— 8:30 a.m. Meetings ____________________________________________________________________________________________________________________ Hilton Chicago, Joliet ____ Add Health National Scientific Advisory Committee— Committee on Nominations (to 4:15 p.m.)—Hilton Chicago, Thursday, August 5, 9:00 a.m.-5:00 p.m.—Hilton McCormick Room Chicago, Conference Room 4L 1.
    [Show full text]
  • Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................
    [Show full text]
  • 1 Profession(S): Musician, Composer, Bandleader Education: Bachelor Of
    Name in English: Jon Jang Name in Chinese: 郑健良 [鄭健良] Name in Pinyin: Zhèng Jiànliáng Gender: Male Birth Year: 1954 Birth Place: Los Angeles, California Current location: San Francisco, California Philanthropy: Yes (remove, if no) Profession(s): Musician, Composer, Bandleader Education: Bachelor of Music in Piano Performance, Oberlin Conservatory of Music, 1978 Awards: 1996-2008, ASCAP Composition Awards, American Society of Composers, Authors and Publishers; 2006, Ford Foundation Visionary Artist Award; 2000, Distinguished Achievement Award, Oberlin College Alumni Association; 1999, Downbeat 47th Annual International Critics Poll/ Best Composer; 1999, Commendation and Declaration of “Jon Jang Day,” San Francisco Board of Supervisors; Golden Ring Award, Asian American Arts Foundation; 1995, Outstanding Achievement Award for Musical Score in a Drama, Bay Area Theater Critics Circle; 1992, Distinguished Artist Award, Asian Business League of San Francisco. Contributions: Jon Jang has made a name for himself by combining traditional Chinese music styles and instruments with African American originated jazz to create exciting new sounds. Jang grew up in Palo Alto, California, at a time when the city was almost completely white so he wasn’t very well connected to Chinese culture throughout his childhood. His first exposure to Chinese music actually came through listening to 1941 recordings of the African American singer, Paul Robeson, singing Chinese folk songs. His interest in jazz and growing Asian American consciousness came together during the social tumult of the late 1960s and 1970s when school campuses everywhere were convulsed with protests. Jang began piano at the relatively late age of 19. After two years of study, he was accepted as a piano performance major at the Oberlin Conservatory of Music.
    [Show full text]
  • ABOUT Co3 Co3 Australia | Re:Loaded Education Resource 1
    ABOUT Co3 Co3 Australia | re:Loaded Education Resource 1 Table of Contents About Co3 3 Create, Commission and Curate. 3 Notes on the re:Loaded season 4 Transducer, Larissa McGowan 5 Choreographer’s Note 5 Q&A with Larissa McGowan on Transducer 5 Overview: Transducer, a work about energy 6 Hear from a dancer: Mitch Harvey 6 Detailed video links for Transducer 6 Scene-by-scene, Transducer 7 Larissa McGowan 8 What’s Left, Gavin Webber 9 Choreographer’s Note 9 Q&A with Gavin Webber about What’s Left 9 Overview: What’s Left, a ‘state-driven’ work 11 Hear from a dancer: Talitha Maslin 11 Scene-by-scene, What’s Left 12 Gavin Webber 13 re:Loaded Creative Personnel Profiles 14 Artistic Director Raewyn Hill 14 Lighting Designer Mark Howett 14 Composer – Transducer Charlie Chan 15 Composer – What’s Left Ben Ely 15 Composer – Carnivale Eden Mulholland 15 Co3 Dance Artist Profiles 16 Katherine Gurr – Artist 16 Mitch Harvey – Artist 16 Zachary Lopez – Artist 16 Talitha Maslin – Artist 17 Russell Thorpe – Developing Artist 17 Ella-Rose Trew – Artist 17 Matthew Tupper – Developing Artist 17 Zoe Wozniak – Artist 18 Alice Hinde – Guest Artist (re:Loaded 2016) 18 Andrew Searle – Guest Artist (re:Loaded 2015) 18 Co3 Australia | re:Loaded Education Resource 2 ABOUT Co3 About Co3 The Contemporary Dance Company of Western Australia launched as “Co3” in 2015. The new brand embodies the past and future of contemporary dance in Western Australia. “Co” is an abbreviation of both company and contemporary, while the number “3” is representative of each part of the company: the professional dance ensemble and the company’s education, community engagement and youth training programs.
    [Show full text]
  • Columbia Pictures: Portrait of a Studio
    University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • 2010 Commencement Program Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Commencement Programs College Publications 5-15-2010 2010 Commencement Program Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/commencement Part of the History Commons Recommended Citation Columbia College Chicago, "2010 Commencement Program" (2010). Commencement Programs, College Publications, College Archives & Special Collections, Columbia College Chicago. This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Commencement Programs by an authorized administrator of Digital Commons @ Columbia College Chicago. 0 ~ 0 N LL 0 (./) (./) <( _J u w I I- LL 0 I- z /' w - .~ ~ w - u z w ~ ~ 0 u • • Commencement of the Graduates of Undergraduate and Graduate Programs in Art and Design, Audio Arts and Acoustics, Education, Interactive 0 Arts and Media, Interdisciplinary Arts, Journalism, Photography .-4 0 Saturday, May 15, 2010, 1:30 p.m. N LL.. 0 PRESHOW (/) The 2010 Commencement preshow features performances by Columbia College Chicago's (/) <( student ensembles: _j The Columbia College Jazz Ensemble (Scott Hall, Director) u The Commencement Choir (Mimi Rohlfing, Director) 0 w The Pop Rock Ensemble (Bill Boris. Director) I ..-I The R & B Ensemble (Chuck Webb, Director) I- 0 LL.. N Joe Cerqua. Producer/Director 0 Steve Hadley. Associate Producer I- I- J. Richard Dunscomb, Music Department Chair z z PROCESSIONAL w w March of the Columbians ~ ~ By Scott Hall w w u u Walk This Way z By Joe Perry and Steven Tyler z w w The Star Spangled Banner ~ ~ Words by Francis Scott Key ~ Music by John Stafford Smith ~ 0 Arranged by Joe Cerqua 0 u u l Lift Every Voice Music by J.
    [Show full text]