2010 Commencement Program Columbia College Chicago

Total Page:16

File Type:pdf, Size:1020Kb

2010 Commencement Program Columbia College Chicago Columbia College Chicago Digital Commons @ Columbia College Chicago Commencement Programs College Publications 5-15-2010 2010 Commencement Program Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/commencement Part of the History Commons Recommended Citation Columbia College Chicago, "2010 Commencement Program" (2010). Commencement Programs, College Publications, College Archives & Special Collections, Columbia College Chicago. This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Commencement Programs by an authorized administrator of Digital Commons @ Columbia College Chicago. 0 ~ 0 N LL 0 (./) (./) <( _J u w I I- LL 0 I- z /' w - .~ ~ w - u z w ~ ~ 0 u • • Commencement of the Graduates of Undergraduate and Graduate Programs in Art and Design, Audio Arts and Acoustics, Education, Interactive 0 Arts and Media, Interdisciplinary Arts, Journalism, Photography .-4 0 Saturday, May 15, 2010, 1:30 p.m. N LL.. 0 PRESHOW (/) The 2010 Commencement preshow features performances by Columbia College Chicago's (/) <( student ensembles: _j The Columbia College Jazz Ensemble (Scott Hall, Director) u The Commencement Choir (Mimi Rohlfing, Director) 0 w The Pop Rock Ensemble (Bill Boris. Director) I ..-I The R & B Ensemble (Chuck Webb, Director) I- 0 LL.. N Joe Cerqua. Producer/Director 0 Steve Hadley. Associate Producer I- I- J. Richard Dunscomb, Music Department Chair z z PROCESSIONAL w w March of the Columbians ~ ~ By Scott Hall w w u u Walk This Way z By Joe Perry and Steven Tyler z w w The Star Spangled Banner ~ ~ Words by Francis Scott Key ~ Music by John Stafford Smith ~ 0 Arranged by Joe Cerqua 0 u u l Lift Every Voice Music by J. Rosamond Johnson Words by James Weldon Johnson Arranged by Allen Pote INTRODUCTION Charles Cannon, Presiding Distinguished Professor, Science and Mathematics Departn1ent MANIFEST & INDUSTRY NIGHT 2010 Scenes from our 2010 Celebration of Graduating Student Work Fea turing Original Score by Composition Competition Winner Carlos Martinez(' 11), Music Composition for the Screen Andrew Hill, Director J. Richard Dunscomb, Chair WELCOME Allen M. Turner, Chairrn an of the Boa rd of Trustees PRESENTATION OF DISTINGUISHED HONORS Dr. Peter Magubane, South African Photographer Presented by Lisa Brock, Chair, Humanities, History, and Social Sciences MUSIC Listen to the Music By Tom Johnston and Patrick Simmons Arranged by Thomas Gunther The Colurn bia College Jazz Ensemble and Commencement Choir PRESIDENTIAL ADDRESS Dr. Warrick L. Carter, President 2 PRESENTATION OF AWARD TO CLASS OF 2010 VALEDICTORIAN Lauren Gill, Valedictorian Bachelor of Arts, Art and Design Presented by Louise Love, Vice President for Academic Affairs 0 Eliza Nichols, Dean, School of Fine and Periorming Arts .-4 Jay Wolke. Chair. Art and Design Department 0 N ALUMNI OF T HE YEAR AWARD Bob McNamara ('66) LL Presented by Joan Hammel ('86). Columbia Alumni Association & Network 0 CJ) MUSICAL THEATER CJ) People Like Us from Columbia's 2010 Production of Wild Party <t: By Andrew Lippa _J Periormed by Graduating Seniors. Natalia Formisano and Harter Chagmar 0 Korey Danielson. Piano Keenan Kyles. Saxophone LJJ I POEM I- I Wanted 10 Write LL • By Carl Aagesen, Bachelor of Arts in Creative Writing· Poetry Lisa Fishman. Director. Creative Writing · Poetry 0 Ken Daley. Chair. English Department 1- z AWARDING OF DEGREES LJJ Presentation of Degrees by Steven Kapelke. Provost and Senior Vice President Louise Love, Vice President for Academic Affairs ~ Deborah Holdstein, Dean. School of Liberal Arts and Sciences LJJ Eliza Nichols. Dean. School of Fine and Periorming Arts 0 Doreen Bartoni. Dean. School of Media Arts z LJJ RECESSIONAL Just Friends ~ Composed by John Klenner ~ Arranged by Rob McConnell 0 0 3 Commencement of the Graduates of Undergraduate and Graduate Programs in Arts, Entertainment, and Media Management, ASL - English Interpretation, English (Creative Nonfiction - Poetry), Marketing Communication, Radio, Television Sunday, May 16, 2010, 10:00 a.m. PRESHOW The 2010 Commencement preshow features performances by Columbia College Chicago's student ensembles: The Columbia College Jazz Ensemble (Scott Hall, Director) The Commencen1ent Choir (Mimi Rohlfing, Director) The Pop Rock Ensemble (Bill Boris, Director) The R & B Ensemble (Check Webb. Director) Joe Cerqua, Producer/ Director Steve Hadley, Associate Producer J. Richard Dunscomb. Music Department Chair PROCESSIONAL March of t11e Columbians By Scott Hall Walk 1his Way By Joe Perry and Steven Tyler 1he Star Spangled Banner Words by Francis Scott Key Music by John Stafford Sn1ith Arranged by Joe Cerqua 4 Lift Every Voice Music by J. Rosamond Johnson Words by James Weldon Johnson Arranged by Allen Pote 0 ..-t INTRODUCTION David Berner, Presiding 0 Associate Professor. Radio Department N LL. MANIFEST & INDUSTRY NIGHT 2010 0 Scenes from our 2010 Celebration of Graduating Student Work (/) Featuring Original Score by Composition Competition Winner Carlos Martinez ('1 1). Music Composition for the Screen (/) Andrew Hill. Director <t: _J J. Richard Dunscomb, Chair u WELCOME w Allen M. Turner, Chairman of the Board of Trustees :r: ~ PRESENTATION OF DISTINGUISHED HONORS Alex Kotlowitz. American Journalist and Author LL. Presented by Aviya Kushner, Assistant Professor, English Department 0 MUSIC ~ Uscen co 1he Music z By Tom Johnston and Patrick Simmons w Arranged by Thomas Gunther ~ The Columbia College Jazz Ensemble and Commencement Choir w u PRESIDENTIAL ADDRESS z Dr. Warrick L. Carter, President w ~ ~ 0 u 5 PRESENTATION OF AWAR D TO CLASS OF 2010 VALEDICTORIAN Kevin McElligott, Va ledictorian Bachelor of Arts, Marketing Communication Presented by Louise Love, Vice President for Academic Affairs Doreen Bartoni, Dean, School of Media Arts Margaret Sullivan, Chair, Marketing Communication Department ALUMNI OF THE YEAR AWARD Laura "Steele" Yosha('90) Presented by Joan Hammel ('86), Columbia Alumni Association & Network MUSICAL THEATER People Like Us from Columbia's 2010 Production of Wild Party By Andrew Lippa Performed by Graduating Seniors, Natalia Formisano and Harter Chagmar Korey Danielson, Piano, Keenan Kyles, Saxophone POEM I Wanted to Write By Carl Aagesen, Bachelor of Arts in Creative Writing· Poetry Lisa Fishman, Director, Creative Writing· Poetry Ken Daley, Chair, English Department AWARDING OF DEGREES Presentation of Degrees by Steven Kapelke, Provost and Senior Vice President Louise Love, Vice President for Academic Affairs Deborah Holdstein, Dean, School of Liberal Arts and Sciences Eliza Nichols, Dean, School of Fine and Performing Arts Doreen Barton,, Dean, School of Media Arts RECESSIONAL Just Friends Composed by John Klenner Arranged by Rob McConnell 6 Commencement of the Graduates of Undergraduate and Graduate Programs in Dance, Dance/Movement Therapy and Counseling, Fiction ....0 Writing, Film & Video, Humanities, History, and 0 Social Sciences (Cultural Studies), Music, Theater N Sunday, May 16, 2010, 3:00 p.m. LL 0 PR ESH OW Cf) The 2010 Commencement preshow features performances by Columbia College Chicago's Cf) student ensembles: <!: _J () The Columbia College Jazz Ensemble (Scott Hall, Director) The Commencement Choir (Mimi Rohlfing, Director) w The Pop Rock Ensemble (Bill Boris, Director) I The R & B Ensemble (Check Webb, Director) f- LL Joe Cerqua, Producer/ Director 0 Steve Hadley, Associate Producer f­ J. Richard Dunscomb, Chair, Music Department z PROCESSIONAL w Marc/1 of the Columbfans ~ By Scott Hall w () Walk 7hfs Way z By Joe Perry and Steven Tyler w 7he Scar Spangled Banner ~ • Words by Francis Scott Key ~ Music by John Stafford Smith 0 Arranged by Joe Cerqua () 7 Lift Every Voice Music by J. Rosa,nond Johnson Words by Ja mes Weldon Johnson Arranged by Allen Pote INTRODUCTION Richard Woodbury, Presiding Associate Professor, Dance Department MANIFEST & INDUSTRY NIGHT 2010 Scenes from our 2010 Celebration of Graduating Student Work Featuring Original Score by Composition Competition Winner Carlos Martinez(' 11), Music Composition for the Screen Andrew Hill, Director J. Richard Dunscomb, Chair PRESENTATION OF DISTINGUISHED HONORS Robert Klein, A,nerican Comedian and Actor Presented by Sheldon Patinkin, Faculty Emeritus MUSIC Listen to the Music By Tom Johnston and Patrick Simmons Arranged by Thomas Gunther The Columbia College Jazz Ensemble and Commencement Choir PRESIDENTIAL ADDRESS Dr. Warrick L. Carter, President PRESENTATION OF AWARD TO CLASS OF 2010 VALEDICTORIAN Jenna Ann Perusich, Valedictorian Bachelor of Arts, Theater Presented by Louise Love, Vice President for Academic Affairs Eliza Nichols, Dean, School of Fine and Perfonning Arts John Green, Chair, Theater Department 8 ALUMNI OF THE YEAR AWARD Paul Broucek (' 7 4) Presented by Joan Hammel ('86), President, Columbia Alumni Association & Network 0 MUSICAL THEATER .-1 People Like Us from Columbia's 2010 Production of Wild Party 0 By Andrew Lippa N Performed by Graduating Seniors, Natalia Formisano and Harter Chagmar Korey Danielson, Piano LI.. Keenan Kyles. Saxophone 0 POEM Cf) I Wanted to Write Cf) <( By Carl Aagesen, Bachelor of Arts in Creative Writing- Poetry _J Lisa Fishman, Director, Creative Writing - Poetry (.) Ken Daley, Chair. English Department LJJ AWARDING OF DEGREES I Presentation of Degrees by Steven Kapelke. Provost and Senior Vice President I- Louise Love, Vice President for Academic Affairs Deborah Holdstein, Dean, School of Liberal Arts and Sciences
Recommended publications
  • Neues Textdokument (2).Txt
    Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
    [Show full text]
  • Dungeon World
    Dungeon World Dungeon World The Cleric The lands of Dungeon World are a gods-forsaken mess. Dungeon World is a world of fantastic adventure. A world They’re lousy with the walking dead, beasts of all sorts, and of magic, gods and demons, of good and evil, law and chaos. the vast unnatural spaces between safe and temple-blessed Brave heroes venture into the most dangerous corners of civilizations. It is a godless world out there. That’s why it the land in search of gold and glory. needs you. Adventurers take many shapes in Dungeon World. The Bringing the glory of your god to the heathens isn’t just in races of elves, men, dwarves, and halflings all have their your nature—it’s your calling. It falls to you to proselytize heroes. Some are near-invincible beasts of battle encased in with sword and mace and spell, to cleave deep into the iron armor. Others are more mysterious, conjuring up and witless heart of the wilds and plant the seed of divinity wielding the mighty forces of magic. Treasure and glory there. Some say that it’s best to keep the gods close to your are sought by a holy cleric, a tricky thief, a mighty paladin, heart. You know that’s rubbish. God lives at the edge of a and more. blade. It isn’t all easy heroics and noble bravery, though. Ev- Show the world who is lord. ery time the ranger guides his friends through the ancient woods there are a hundred things waiting to bite his head off.
    [Show full text]
  • For Love Alone Music Credits
    Music Nathan Waks Music Performed by the Australian Chamber Orchestra Leader Carl Pini Oboes Ann Gilbey Guy Henderson Flute Geoff Collins Piano David Miller and Academy Trio John Winther John Harding Nathan Waks Faure, Romance Sans Paroles Opus 17, No. 3 Faure, Pavane Opus 50 Telemann, Trio Sonata in B flat 'Tess's Tango', 'Quick's Quickstep' and 'Panama Hat' Composed by Nathan Waks And performed by The Terry Wilkinson Dance Band Recording Engineers Gerry Nixon Glen Phimister Composer Waks was nominated for an ARIA award in 1987, with Robyn Archer winning for her stage play (adapted for television), The Pack of Women. The film features the occasional bit of on screen music, including a squeeze box in a London pub, and a band playing at a dance: Composer Nathan Waks: Unsurprisingly, given Nathan Waks instrument of choice, the cello tends to dominate in the score. Waks has a brief wiki here. Waks was a prominent player in various quartets, and was for a time one of the co-principal cello players for the Sydney Symphony Orchestra. He has also developed interests in the wine game, most notably Kilikanoon Winery in South Australia's Clare Valley. According to director Gillian Armstrong, Waks was a cousin of producer Margaret Fink, who introduced him to Armstrong as an "incredible cellist" with an "extraordinary musical knowledge", and so he put together the score for My Brilliant Career, before moving on to continue the working relationship with Fink on For Love Alone. The Australian Cello Awards, here, provides this useful short CV for Waks: An important and innovative member of Australiaʼs musical establishment over the last three decades, solo cellist, chamber musician, principal cellist and administrator Nathan Waks is one of our most colourful classical musicians.
    [Show full text]
  • Proquest Dissertations
    "The House of the Irish": Irishness, History, and Memory in Griffintown, Montreal, 1868-2009 John Matthew Barlow A Thesis In the Department of History Present in Partial Fulfilment of the Requirements For the Degree of Doctor of Philosophy at Concordia University, Montreal, Quebec, Canada March 2009 © John Matthew Barlow, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-63386-1 Our file Notre reference ISBN: 978-0-494-63386-1 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre im primes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • 1661 Vll3d0 3H.L .LV .LNVA3'l
    1661 ·~upds 06v :l!snw 1un woN ~u-e r .A.rnw Vll3d0 3H.L .LV .LNVA3'l liV~SO Oscar Levant is known for his songs in the area of popular music, but his operas are virtually unknown. Obtaining and studying any one of his three operas should be important for establishing him as more than a popular-music composer. Levant's opera Carnival, from the 20th Century Fox movie Charlie Chan at the Opera, is especially worthy of consideration. Through careful analysis of this work, much can be learned about the style and interests of Oscar Levant. While comparisons to other composers and their works may be too extensive for this specific paper, some comparisons to Levant's own popular tunes of the same time period as Carnival may reveal remarkable similarities and/or differences. Along with an analysis of the score, observation of the opera as it is presented in the movie will provide information about the basis for its content and reveal its incorporation into the movie's plot. In addition, seeing the movie will give aural information, such as the types of instruments used. The interest in this topic stems from Oscar Levant's own books­ A Smattering of Ignorance, The Unimportance of Being Oscar, and The Memoirs of an Amnesiac. He refers to this opera in A Smattering of Ignorance. but his references to his musical acquaintances in The Memoirs of an Amnesiac may supply additional facts to help in understanding his musical style. Examining c 'arnival will contribute to showing the significance of Oscar Levant's style of composition.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Performing Arts Guide
    JACKSONVILLE performing arts guide Hellzapoppin • St. Augustine Seafood Fest • The Great Guitar Gathering • Gus Cooper’s Copiii free monthly guide to entertainment & more | february 2013 | eujacksonville.com Performing Arts Guide Eat, Shop, Tap Your Toes. We’re Havin’ Fun Now! March 1st to 3rd In Historic, St. Augustine! t'SJ .BSDITUQN 8$BTUJMMP%SJWF t4BU .BSDIOEBNUPQN #FIJOEUIF7JTJUPS*OGPSNBUJPO$FOUFS t4VO .BSDISEBNUPQN Feast On Seafood! You’re sure to nd something you love. Chefs have come from as far as Maryland to claim the title of “Best of e Festival!” 100 Arts & Cra s Exhibitors! A ordable gi for everyone. e Music Gets Better Every Year! You’ll nd some of the most talented performers on our stage. It’s an eclectic mix of musical acts popularly known as Americana. Kid Zone Featuring Pirate Landing. Tons of fun for kids of all ages. Win! Groceries, prizes and cash! For more information: www.lionsfestival.com 904-829-1753 6RUU\QRSHWVRUFRROHUVDOORZHGRQWKHÀHOG Proceeds %HQHÀW/,216 &KDULWLHV 2 FEBRUARY 2013 | eu jacksonville monthly contents FEBRUARY 2013 performing arts music guide page 26 diablo sez page 26 sound check page 4-14 event listings page 27 kickin’ grass at the seafood festival page 5 in the next room page 27 paul baribeau page 7 hellzapoppin page 28 featured music page 8 the comedy club page 29-33 music events page 9 billy elliot page 34 the great guitar gathering on the web page 11 driving miss daisy page 13 the triangle factory fire www.eujacksonville.com dish on screen page 35 crown studios page 17 what’s brewing page 36 movies page 18 dish update page 36 special showings page 19 maple street biscuit co.
    [Show full text]
  • 3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
    1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20.
    [Show full text]
  • Celebrity and Authorial Integrity in the Films of Woody Men %Y
    CELEBRITY AND AUTHORIAL INTEGRITY IN THE FILMS OF WOODY ALLEN BY FAYE MCINTYRE A Thesis Submitted to the Facul@ of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Department of English University of Manitoba Winnipeg, Manitoba (c) January, 200 1 National Library BibIiothèque nationale du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON Ki A ON4 Ottawa ON KI A ON4 Canada Canada rour rïk vom rbw~ Our fi& Notre rtifBrence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lïbrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seU reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantid extracts fÏom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE UNIVERSITY OF MANITOBA FACULTY OF GRADUATE STUDIES *f *f * COPYRIGHT PERMISSION PAGE Celebrity and Authorial Integrity in the Films of Woody Men %Y Faye McIntyre A Thesis/Practicum submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulNlment of the requirements of the degree of Doctor of Philosophy FAYE MCINTYRE O 2001 Permission has been granted to the Library of The University of Manitoba to Iend or seU copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis/practicum and to lend or sell copies of the film, and to Dissertations Abstracts International to publish an abstract of this thesis/practicum.
    [Show full text]
  • New Films from Germany
    amherstcinema FEB - APR 28 Amity St. Amherst, MA 01002 • www.amherstcinema.org • 413.253.2547 2020 See something different! In addition to the special events in this newsletter, Amherst Cinema shows current-release film on four screens every day. Visit amherstcinema.org and join our weekly e-newsletter for the latest offerings. films of Kelly Reichardt In anticipation of the March 2020 opening of her new movie, FIRST COW, Amherst Cinema is pleased to present four films from the back catalog of director Kelly Reichardt. Reichardt's dramas are small-scale symphonies; alchemical transmogrifications of the ordinary into gripping cinematic experiences. Often collaborating with the same creatives across multiple pictures, such as actor Michelle Williams and writer Jonathan Raymond, Reichardt's films turn the WENDY AND LUCY lens on those in some way at the margins of American communities. Be it a woman living out of her car in WENDY AND LUCY, a group of lost 1840s pioneers in MEEK'S CUTOFF, a reclusive ranch hand in CERTAIN WOMEN, or a hand-to-mouth ex-hippie in OLD JOY, Reichardt's characters, regardless of life circumstances, are deeply and richly human. There may be no other living filmmaker who so fully realizes Roger Ebert's assertion that "movies are the most powerful empathy machine in all the arts." All of which is to say nothing of her films' painterly cinematography, naturalistic and immersive sound design, and Reichardt's knack of scouting the perfect space for every scene, often in the wilds of the Pacific Northwest. Reichardt and her work have been honored at the Cannes Film Festival, the Venice Film Festival, the BFI MEEK'S CUTOFF London Film Festival, the Film Independent Spirit Awards, and more.
    [Show full text]
  • U.S. and Affiliates, Bermuda and Bahamas
    U.S. and Affiliates, Bermuda and Bahamas 65533 District 1 A RICHARD DUNCAN JOVY SIRIANNI #### 65535 District 1 CN CHRISTINE CAMPO DEBRA GREANEY ROBERT MOLL #### 65536 District 1 CS RANDY ANDERSON #### 65537 District 1 D ALLAN BANKS BONNIE BECK ROBERT BETTNER #### KIM REES HAROLD SCHRYVER RICHARD SWEITZER #### 65539 District 1 F KATHE ALDRICH KATHLEEN BALOGH #### 65540 District 1 G JUDY BELL MARK ELLISON JERRY WHITE #### 65541 District 1 H GARY BOWLING JAMES PRICE JOYCE PRICE #### MARK RUDOLPH #### 65542 District 1 J LOUIS BOTH RONALD JACKSON PATRICIA JACKSON #### 65546 District 2 T2 BOB BROWN SCOTT CRENWELGE MIKE FOX #### VICTOR HOWARD JOHNNY MARSHALL ASHLEY MAYBERRY #### FRED MEEKS ALICIA POINTER ROBERT REDDEN #### BRENT RICHBURG #### Thursday, June 27, 2019 Page 1 of 92 Silver Centennial Awards U.S. and Affiliates, Bermuda and Bahamas 65548 District 2 E1 TISSIE FORD MIKE POOL #### 65549 District 2 E2 ROBERT L BOB APPEL MICHAEL LEONARD CHARLES MC LAIN #### TONJA UNDERWOOD C L VANOVER #### 65550 District 2 X1 FRANK FORNARA CHITRA GUPTA MATHEW JILSON #### ANTHONY NIXSON RANDY THRASHER CHRIS TOBEY #### 65551 District 2 X2 ASHLEY AMERSON CINDY RUST RANDY SMITH #### BOBBY JOE SPEARMAN RUSSELL TIDWELL #### 65552 District 2 X3 CHRISTOPER BURRELL JOHN BUSH GLENDA CHRIST #### KIMBERLY FEHLER THOMAS HAWKINS MARY LINDLEY WILEY #### KARA MCLELLAND TOMMY NEYLAND CAMERON STEELE #### DWIGHT SUSON DIANE WAITE #### 65553 District 2 A1 SANDRA FREEMAN FRANK MYERS WILLIAM OTT #### WES WILLIAMS #### 65554 District 2 A2 D H DICK ALPHIN A G HOOD JOHN JONES #### MARSHEL RILEY MARILYN SCHWETHELM DAVID WEBER #### 65555 District 2 A3 ZELMA CHAMPION CESAR GOMEZ GEORGE JACKSON #### Thursday, June 27, 2019 Page 2 of 92 Silver Centennial Awards U.S.
    [Show full text]
  • Ghostbusters Special
    GHOSTBUSTERS SPECIAL After 27 years, the Ghostbusters are finally back... With a completely new line-up. Director Paul Feig and his cast explain why this all-new origin story is the ideal franchise resurrection WORDS NICK DE SEMLYEN 056 JUNE 2016 JUNE 2016 057 GHOSTBUSTERS SPECIAL from Bill in terms of doing another hit. Rarely has there been so much some landfill somewhere”) and is made one, because his brain was elsewhere. pressure on one movie — or one team. as giddy by the Ghostbusters’ tech, And when Harold (Ramis) died their ecto-insulated encapsulators (in February 2014) I was kinda Paul Feig strides across and P. K. E. valances, as their jokes. depressed, and decided I wasn’t the cavernous building where much of Still, he initially turned it down. “I going to direct the next film myself. Ghostbusters 2016 is being shot, a former was in Budapest making Spy,” he recalls, But everybody seemed to agree it’s Reebok warehouse not far from Boston. “when I was contacted by Ivan, who at not fair of us just to leave the thing The director clearly has no need of that point had another script.” Written fallow. So finally we made a deal with a walking stick, but he’s holding one by Gene Stupnitsky and Lee Eisenberg, Sony: they were free to expand what anyway: a remarkable thing with a skull veterans of the US version of The Office, he Ghostbusters are back in business. this is mission control for all things the series could be.” atop it. “It’s a medical student’s cane, it involved the original Ghostbusters Above: Spirited away: Right: Director Paul can testify to this, since we’re .
    [Show full text]