Washington Square House Tour in Old Salem, Massachusetts
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University M crct. rrs it'terrjt onai A Be" 4 Howe1 ir”?r'"a! Cor"ear-, J00 Norte CeeD Road App Artjor mi 4 6 ‘Og ' 346 USA 3 13 761-4’00 600 sC -0600 Order Number 9238197 Selected literary letters of Sophia Peabody Hawthorne, 1842-1853 Hurst, Nancy Luanne Jenkins, Ph.D. -
Asher Benjamin As an Architect in Windsor, Vermont
Summer 1974 VOL. 42 NO.3 The GpROCEEDINGS of the VERMONT HISTORICAL SOCIETY This famous architect built a meetinghouse and three private houses in Windsor before he left for Boston in 1802 ... Asher Benjamin as an Architect in Windsor, Vennont By JOHN QUINAN N August of 1802 the architect Asher Benjamin wrote from Boston to I Gideon Granger, the Postmaster General of the United States, seeking aid in obtaining a commission for a marine hospital in that city. Benjamin's letter identifies by name and location most of his first eight commissions - a rare and unusual document in American architectural history which enables us to trace his path northward from Hartford, Con necticut, to Windsor, Vermont. Benjamin wrote, in part: "Sir, I have since I left Suffield Conn. built the following houses, Viz. Samuel Hinckley, Northampton, William Coleman's Greenfield, Luke Baldwin's Esq., Brookfield, and a Meeting House and three other large houses in Windsor, Vermont, The Academy at Deerfield. l Most of these commissions have not fared very well. The Deerfield Academy building (Memorial Hall, 1798-1799) was altered sufficiently during the nineteenth century to obscure much of its original character. The Baldwin and Hinckley houses (both c.17%) were demolished early in the twentieth century and are lost to us, and it seems that the William Coleman house in Greenfield (1797) (Fig. 6) is the sole survivor of Benjamin's first decade of practice. But what of the four unnamed build ings in Windsor? Are they identifiable? Do they still stand in Windsor? Have they any special interest or significance? The four Windsor buildings are identifiable despite the fact that the three houses have been demolished and the meetinghouse has been altered I. -
A Quarterly Magazine Devoted to the Biography, Genealogy, History and Antiquities of Essex County, Massachusetts
A QUARTERLY MAGAZINE DEVOTED TO THE BIOGRAPHY, GENEALOGY, HISTORY AND ANTIQUITIES OF ESSEX COUNTY, MASSACHUSETTS SIDNEY PERLEY, EDITOR ILLUSTRATED SALEM, MASS. Qbt Qtsse~Bntiqaarfan 1905 CONTENTS. ANswEns, 88, r43; 216, 47; 393, 48; 306, 95; EWETI, MRS. ANN,Will of, 159. 307, 95; 3149 95; 425, 191 ; 4387 191; 44% f EWBTT, JOSEPH,Will of, 113. 143. LAMBERT,FRANCIS, Will of, 36. BANK,T?IS LAND, 135. LAMBERT,JANE, Will of, 67. BAY VIEW CEM~ERY,*GLOUCESTEX, INSCPIP- LAND BANK, The, 135. n0NS IN. 68. LANESVILLB,GWUCBSTBII, INSCRIPTIONS IN BEUY NOTBS,25, 86. OLD CEMETERYAT, 106. B~sco.ELIZABETH, 108. ~THA'SVINEYARD, ESSEX COUNTY MEN AT, BISHOPNOTES, I 13. BEFORE 1700, 134. BLANCHAWGENEAL~GIES, 26, 71. NEW PUBLICATIONS,48,95, 143, 192. BUSY GBNBALOCY,32. NORFOLK COUNTY RECORDS,OW, 137. BLASDIULGENRALOGY, 49. OLDNORFOLK COUNTY RECORDS, 137. B~vmGENSUOGY, I I o. PARRUT,FRANCIS, Will of, 66. BLYTHGENEALOGY, I 12. PEABODY,REV. OLIVER.23. BOARDMAN 145. PBASLEY, JOSEPH,Wd of, 123. ~DwSLLGENMLOOY, 171. PERKINS,JOHN, Will of, 45. BOND GENBALOGY,177. PIKE, JOHN,SR, Wi of, 64. BRIDGE, THS OLD,161. PISCATAQUAPIONEERS, 191. BROWNB,RICHARD, Will of, 160. &SEX COUNTY MEN AT ARTHA HA'S VINEYARD 143; 451, 45% 191. swoas 1700, 134. ROGEILS.REV. EZEKIEL,Will of, 104. CLOU-R INSCRIPTIONS: ROGERSREV. NATHANIEL. Wi of. 6~. Ancient Buying Ground, I. SALEMCOURT RECORDSAND FI&, 61,154. Bay View Cemetery, 68. SALEMIN 1700, NO. 18, 37. Old Cemetery at knesville, 106. SALEMIN 1700, NO. 19, 72. Ancient Cemetey, West Gloucester, 152. SALEMIN 1/00, NO. 20, 114. HYMNS,THE OLD,142. SALEMIN 1700, NO. -
Open PDF File, 134.33 KB, for Paintings
Massachusetts State House Art and Artifact Collections Paintings SUBJECT ARTIST LOCATION ~A John G. B. Adams Darius Cobb Room 27 Samuel Adams Walter G. Page Governor’s Council Chamber Frank Allen John C. Johansen Floor 3 Corridor Oliver Ames Charles A. Whipple Floor 3 Corridor John Andrew Darius Cobb Governor’s Council Chamber Esther Andrews Jacob Binder Room 189 Edmund Andros Frederick E. Wallace Floor 2 Corridor John Avery John Sanborn Room 116 ~B Gaspar Bacon Jacob Binder Senate Reading Room Nathaniel Banks Daniel Strain Floor 3 Corridor John L. Bates William W. Churchill Floor 3 Corridor Jonathan Belcher Frederick E. Wallace Floor 2 Corridor Richard Bellingham Agnes E. Fletcher Floor 2 Corridor Josiah Benton Walter G. Page Storage Francis Bernard Giovanni B. Troccoli Floor 2 Corridor Thomas Birmingham George Nick Senate Reading Room George Boutwell Frederic P. Vinton Floor 3 Corridor James Bowdoin Edmund C. Tarbell Floor 3 Corridor John Brackett Walter G. Page Floor 3 Corridor Robert Bradford Elmer W. Greene Floor 3 Corridor Simon Bradstreet Unknown artist Floor 2 Corridor George Briggs Walter M. Brackett Floor 3 Corridor Massachusetts State House Art Collection: Inventory of Paintings by Subject John Brooks Jacob Wagner Floor 3 Corridor William M. Bulger Warren and Lucia Prosperi Senate Reading Room Alexander Bullock Horace R. Burdick Floor 3 Corridor Anson Burlingame Unknown artist Room 272 William Burnet John Watson Floor 2 Corridor Benjamin F. Butler Walter Gilman Page Floor 3 Corridor ~C Argeo Paul Cellucci Ronald Sherr Lt. Governor’s Office Henry Childs Moses Wight Room 373 William Claflin James Harvey Young Floor 3 Corridor John Clifford Benoni Irwin Floor 3 Corridor David Cobb Edgar Parker Room 222 Charles C. -
Ancestry and Descendants
Ancestry and Descendants OF FIRST ASSOCIATE OF THE MASSACHUSETTS BAY COLONY AND PATENTEE OF CONNECTICUT --- .-·-7 ·_ ( • • • • • I :- ·. ~::, i>. ::: .·, .. \.:.: FOR PRIVATE DISTRIBUTION MDCCCXCVII Copyright, 1897 BY RICHARD M. SALTONSTALL PREFACE Tm pedigree of the family of Saltonstall in England and America has long been known in a general way to genealo gists, but its history in a connected form has never been fully presented. The deep interest which I feel in the preservation of its record, and the care I have taken to obtain information, induced me to attempt the compilation of the work herewith presented. Long-continued illness has prevented more ex haustive research, but I trust that what is here shown will prove satisfactory and instructive to those who value descent from so long a line of worthy ancestors. For information concerning the earlier generations of the family of Saltonstall I have taken the accounts given in the following works : " History and Antiquities of the Parish of Halifax in Yorkshire," by Rev. John Watson, 1775; Whit aker's Thoresby's " History of Leeds ; " Morant's " History of Essex ; ,, Lipscomb's" History of Buckinghamshire ; " Baker's " History of Northamptonshire ; " Clutterbuck's " History of Hertfordshire; " Heralds' Visitations of Yorkshire, 1612, of Hertfordshire, of Essex, and of Suffolk; Harleian and Lans downe MSS.; Ayscough's MSS.; Hopkinson's MSS.; Davy's MSS. of Suffolk pedigrees; and investigations made for me in 1853 by H. G. Somerby in the Prerogative Courts of York and Canterbury, and in the Parish Records of Hali fax, York, and many other places. The history of the New England families has been drawn from colonial records, private manuscripts, local histories, Massachusetts Historical Society's Collections, New England iv PREFACE Historic Genealogical Society's Collections, Bond's " GeneaJo. -
The East India Marine Society's
Global Knowledge in the Early Republic The East India Marine Society’s “Curiosities” Museum Patricia Johnston On a cold January day in 1804, the Reverend William Bentley, pastor of the East Church, stood and watched a strange and exotic parade weaving through the streets of Salem, Massachusetts. A number of sea captains, who had just returned from Sumatra, Bombay, Calcutta, Canton, Manila, and other Asian ports, put on this public display to commemorate their recent business adventures. Bentley recorded in his diary, “This day is the Annual Meeting of the East India Marine Society. After business & before din- ner they moved in procession, . Each of the brethren bore some Indian curiosity & the palanquin was borne by the negroes dressed nearly in the Indian manner. A person dressed in Chinese habits & mask passed in front. The crowd of spectators was great.”1 The objects that the minister described demonstrate the global circula- tion of material culture in the Early Republic. Waiting in Asian harbors for trade opportunities, captains and crews swapped souvenirs that had literally circled the world. When they returned to their hometowns, they shared the objects they collected, both privately with acquaintances and publicly in mu- seums and parades that were widely covered in the newspapers. These global artifacts provide insights into the broad intellectual pursuits of the Early Republic, including natural history, ethnography, and aesthetics. The objects also illuminate early trade relations and cultural perceptions between Asia and the new United States. When displayed back in the United States, artifacts helped construct and reinforce social hierarchies in American seaports; they also expressed America’s arrival as a full participant in world commerce. -
John Winthrop (1587/88-1649), 1798 Samuel Mcintire (1757-1811
John Winthrop (1587/88-1649), 1798 Samuel McIntire (1757-1811) carved and painted wood 15 1/2 (h) (39.370) inscribed on the base: "Winthrop” Bequest of William Bentley, 1819 Weis 149 Hewes number: 155 Ex. Coll.: commissioned by the donor, 1798. Exhibitions: 1804, Independence Day Celebration, Salem Meeting House. 1931, "American Folk Sculpture," Newark Museum, Newark, New Jersey. 1957, "Samuel McIntire," Essex Institute, no. 8. 1977, "Landscape and Faction: Spatial Transformation in William Bentley's Salem," Essex Institute, no. 18. Publications: "Editor's Attic," The Magazine Antiques 21(January 1932): 8, 12. "Editor's Attic," The Magazine Antiques 28(October 1935): 138-40. Fiske Kimball, Mr. Samuel McIntire, Carver, The Architect of Salem (Portland, Maine: Southworth-Anthoensen Press, 1940): 138, fig. 362. Nina Fletcher Little, "Carved Figures by Samuel McIntire and his Contemporaries," Essex Institute Historical Collections 93(April-July 1957): 195-96, fig. 48. Susan Geib, "Landscape and Faction: Spatial Transformation in William Bentley's Salem," Essex Institute Historical Collections 113(July 1977): 217. This bust of John Winthrop was carved nearly one hundred and fifty years after the governor's death. It was commissioned by the Salem minister William Bentley (cat. #8) in 1798 as an addition to his "cabinet" of portraits of famous Massachusetts politicians and ministers. Bentley owned a painted miniature of the governor (cat. #154) that had been copied from a large seventeenth century canvas (cat. #153). Bentley loaned this miniature to the carver, Samuel McIntire, for the artist to use as reference for the carving. Bentley was familiar with the carver and his work. -
Ocm08458220-1834.Pdf (12.15Mb)
317.3M31 A 4^CHTVES ^K REGISTER, ^ AND 18S4. ALSO CITY OFFICEKS IN BOSTON, AND OTHKR USEFUL INFORMATION. BOSTON: JAMES LORING, 132 WASHINGTON STREET. — — ECLIPSES IN 1834. There will be five Eclipses this year, three of ike Svtf, and two of tht Moon, as follows, viz;— I. The first will be of the Sun, January, 9th day, 6h. 26m. eve. invisible. II. The second will likewise be of the Sun, June, 7th day, 5h. 12m. morning invisible. III. The third will be of the Moorr, June, 21st day, visible and total. Beginning Ih 52m. ^ Beginning of total darkness 2 55 / Middle 3 38 V, Appar. time End of total darkness (Moon sets). ..4 18 C morn. End of the Eclipse 5 21 j IV. The fourth will be a remarkable eclipse of the Sun, Sunday, the 30th day of November, visible, as follows, viz : Beginning Ih. 21m. J Greatest obscurity 2 40 fAppar. time End 3 51 ( even. Duration 2 30 * Digits eclipsed 10 deg. 21m. on the Sun's south limb. *** The Sun will be totally eclipsed in Mississippi, Alabama Georgia, South Carolina. At Charleston, the Sun will be totally eclipsed nearly a minute and a half. V. The fifth will be of the Moon, December 15th and I6th days, visible as follows viz : Beginning 15th d. lOli. Q2m. ) Appar. time Middle 16 5 > even. End 1 30 ) Appar. morn. Digits eclipsed 8 deg. 10m. (JU* The Compiler of the Register has endeavoured to be accurate in all the statements and names which it contains ; but when the difficulties in such a compilation are considered, and the constant changes which are occur- ring, by new elections, deaths, &c. -
Collections of the Massachusetts Historical Society Have Yielded Data of Great Value
UNIVERSITY OF PITTSBURGH & <h % '781i# LIBRARY Founded 1791 COLLECTIONS VOLUME 77 Committee of Publication GEORGE FOOT MOORE CHESTER NOYES GREENOUGH HENRY WINCHESTER CUNNINGHAM GARDNER WELD ALLEN WORTHINGTON CHAUNCEY FORD O O C o «J i- JS o ^ 5M 5 e c 2 2 d *- c u o o a u U <J . .E . »"".g-o Ufa s/i rt o - J= * « *v '-5 c = •,v\ $ 3. o -S < =2 :-«>Zw-2 .5 o .5 w %'g ?>« „ -S (S E IIS* Si a 1 o Stf SOS.S ^ jr o 3 o fV^V .£ -J fe g < z B, C-C/) g - > 5 <* Ok ° 5 5 o -" r- < <3 13— p N». O < u W - § "m, .* -5 ^ o u 15 ~ ,~ - z <1 > * Q < ? O MASSACHUSETTS PRIVATEERS OF THE REVOLUTION BY GARDNER WELD ALLEN PUBLISHED AT THE CHARGE OF THE LAWRENCE FUND The Massachusetts Historical Society 1927 Five hundred copies of this volume have been printed from type and the type distributed. PRINTED AT THE HARVARD UNIVERSITY PRESS CAMBRIDGE, MASS., U.S.A. ILLUSTRATIONS A Privateersman's Commission Frontispiece State Archives, 166, 72. Letter urging the Need of Armed Vessels .... facing page 20 State Archives, 193, 277. Petition for a Commission for a Vessel which has already taken Prizes without one 32 State Archives, 165, 477. Bond of a Whaler 38 State Archives, 139, 65. A State Bond 44 State Archives, vu, 204. Inquiry as to Disposal of Prisoners 56 Massachusetts Historical Society, Pickering Papers, xxxiii, 138. Bond not to recruit in any Town which has not raised its Quota for the Continental Army 66 State Archives, 139, 127. -
Charles Bulfinch's Popularity Flourished in the 1790'S After Articles
Charles Bulfinch's popularity flour ished in the 1790's after articles and images of the Ho llis Street Church, his first major project, were publ ished . The images led lo two ear ly church commissions ou tside of Boston an d signaled the beginning ofBu lfinch 's growing inlluence on New England ch urch architecture. The church comm issions also led to a wide variety of requests for Bulfinch designed institu tional buildings. such as court houses. banks and collegiate arch itecture, as well as designs for private mansions, evidence of which can be found in Salem, Massachusells and Maine. Bulfinch's chu rch designs had several innovat ive elements . Traditiona lly, lhe entrances lo a New England sty le meeting houses, where relig ious and public meetings were held, had been placed on the short ax is of the building where members entered from the sides. Bulfinch reorganized this design along the lines of a classical Latinate plan, placing the entrance on the long ax is at the front of the church and pulpit at the far end. He also brough t the free sta nding tower and steeple back into the body of the bui lding, above the entrance w ith a pedimen t porch to suppor t it. The two churches which began this trend were the Congregat ional Churches in Pittsfield (1793) an d Taunton (1792), very sim ilar in design, and wide ly copied thro ughout the New Englan d area . Other churches Bulfinch worked on outside of Boston were the Old South Church in Hallowell, Maine, where he designed the Cupola (1806), and the Church of Chris t in Lancaster, Massachusetts . -
Calculated for the Use of the State Of
i: m^4- 3n.3M31 H41 A " REGISTER, AND FOR 1835. ALSO CITY OFFICERS IN BOSTON, AND OTHER USEFUL INFORMATION. BOSTON: JAMES LORING, 132 WASHINGTON STREET. — ECLIPSES IN 1835. Tliere will be bvt two Eclipses this year of the Sun, and one of the Monty and a Transit of Mercury, as follows, viz.— I. The first will be of the Sun, May, 27th day, 8h. 48m. evening, invisible. II. The second will be of the Moon, June, 10th day, 6h. Im. eve- ning, invisible. III. The third will be of the Sun, November, 26th day, 5h. 46m. morning, invisible. The Transit of the Planet Mercury, over the Sun's Disk, will take place, November, 7th day, partly visible, as follows, viz. Transit begins Oh. 46m. "^ Mercury wholly entered on the Sun...O 49 / Mo=n *imtx Nearest the Sun's centre 3 21 V^t^n®^®"' Sun's lowest limb sets 4 42 C Transit ends 5 56 j ^ Nearest approach to the Sun's centre, 5m. 34sec. ^fCr The Compiler of the Register has endeavoured to be accurate in all the statements and names which it contains ; but when the difficulties in such a compilation are considered, and the constant changes which are occurring, by new elections, deaths, &c. it is seen at once to be impossible to attain perfect accuracy. He therefore distinctly states, that he declines this responsibleness, and only pre- sents information to the best of his knowledge. 3)7,3 M3 Mil A INDEX. Academy of Music ... 165 Convention of Cong. Min. 123 Agricultural Society .. -
Washington City, 1800-1830 Cynthia Diane Earman Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School Fall 11-12-1992 Boardinghouses, Parties and the Creation of a Political Society: Washington City, 1800-1830 Cynthia Diane Earman Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the History Commons Recommended Citation Earman, Cynthia Diane, "Boardinghouses, Parties and the Creation of a Political Society: Washington City, 1800-1830" (1992). LSU Historical Dissertations and Theses. 8222. https://digitalcommons.lsu.edu/gradschool_disstheses/8222 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. BOARDINGHOUSES, PARTIES AND THE CREATION OF A POLITICAL SOCIETY: WASHINGTON CITY, 1800-1830 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of History by Cynthia Diane Earman A.B., Goucher College, 1989 December 1992 MANUSCRIPT THESES Unpublished theses submitted for the Master's and Doctor's Degrees and deposited in the Louisiana State University Libraries are available for inspection. Use of any thesis is limited by the rights of the author. Bibliographical references may be noted, but passages may not be copied unless the author has given permission. Credit must be given in subsequent written or published work. A library which borrows this thesis for use by its clientele is expected to make sure that the borrower is aware of the above restrictions.